Eagle Eye
|
00:01:08 |
Valhalla, this is Thor. |
00:01:11 |
We have visual on |
00:01:14 |
Thor, this is Valhalla. |
00:01:16 |
We're seeking positive ID... |
00:01:18 |
on target traveling |
00:01:20 |
and we're pushing |
00:01:23 |
Contact Loki on secondary net. |
00:01:26 |
Loki, this is Thor. |
00:01:28 |
Target is located at |
00:01:30 |
two-four-Tango-Kilo-Bravo... |
00:01:32 |
one-two-four-five-si |
00:01:36 |
Confirm you have visual. |
00:01:37 |
Verifying target ID. |
00:01:39 |
Electro-optic and |
00:01:41 |
- Confirming target. |
00:01:53 |
Mr. Secretary, this way, sir. |
00:02:00 |
Attempting cell phone link |
00:02:01 |
Stand by for data feed. |
00:02:06 |
Stand by for audio. |
00:02:07 |
Got it. |
00:02:10 |
Now, don't tell me you |
00:02:12 |
in the middle of a |
00:02:14 |
- Is it really him? |
00:02:15 |
We're confirming |
00:02:17 |
Sir, audio is coming up now. |
00:02:19 |
- Verifying voice |
00:02:21 |
What do we have |
00:02:23 |
Four males. One of |
00:02:25 |
in a Rakhshani dialect, |
00:02:26 |
consistent with our |
00:02:32 |
Sir, it's just coming up. |
00:02:33 |
'Thirty-seven percent' |
00:02:35 |
don't belong in |
00:02:37 |
I'm not taking this |
00:02:39 |
CIA and NCTC concur |
00:02:42 |
based on reliable |
00:02:44 |
They're pulling |
00:03:02 |
Criteria is not met. |
00:03:04 |
We have an abort |
00:03:06 |
If it's him, this guy |
00:03:08 |
every couple of years at best. |
00:03:10 |
Sir, target is appearing |
00:03:16 |
We've got AK-47s, |
00:03:17 |
RPGs and Chaparral |
00:03:19 |
This is a training |
00:03:21 |
- Wait. Wait. Print. 51%. |
00:03:24 |
- Abort rec still holds. |
00:03:26 |
All other PID |
00:03:27 |
What do you |
00:03:32 |
Is that a weapons cache? |
00:03:33 |
Sir, the placement of |
00:03:35 |
marker for the five |
00:03:38 |
I think it's a funeral. |
00:03:39 |
For Christ's sake. |
00:03:40 |
Counsel, how many |
00:03:43 |
violate the Geneva Convention? |
00:03:45 |
We can invoke hors de combat. |
00:03:47 |
There's no independent |
00:03:48 |
that this is, in |
00:03:50 |
Signal's got the President |
00:04:01 |
Mr. President, |
00:04:03 |
we have a 51% identity match |
00:04:07 |
The bad news is, there's... |
00:04:08 |
some possibility |
00:04:10 |
You should also be aware... |
00:04:12 |
we have an abort |
00:04:14 |
But the Joint Chiefs |
00:04:18 |
All right, what's |
00:04:26 |
Sir, we measure success by... |
00:04:28 |
the least amount of |
00:04:31 |
At 51% probability, |
00:04:35 |
And if it is al-Khoei |
00:04:39 |
I'm putting our |
00:04:42 |
You have a go. |
00:04:47 |
Thank you, Mr. President. |
00:04:54 |
- We're weapons hot. |
00:04:55 |
- Loki, you are |
00:04:57 |
Repeat, weapons hot. PID. |
00:04:58 |
We have handshake with the |
00:04:59 |
MQ9 Reaper. Sending |
00:05:01 |
- Loki, target |
00:05:05 |
Yes, sir. Switching |
00:05:14 |
Target is lased. |
00:05:18 |
Master arm on. |
00:05:19 |
Missiles away. |
00:05:25 |
Ten seconds to impact. |
00:05:50 |
You got to make |
00:05:52 |
Who are you going |
00:06:00 |
- I'm out on this one. |
00:06:02 |
- 'Cause I'm broke. |
00:06:04 |
How do I know you don't have |
00:06:06 |
Kwame just paired the board. |
00:06:07 |
I'm floating on |
00:06:08 |
Look at the table. |
00:06:09 |
I don't know. I'm |
00:06:10 |
girl out later. It's |
00:06:12 |
Your girl out? Who's that? |
00:06:15 |
- Elaine? |
00:06:17 |
You guys have been going out |
00:06:19 |
How long? |
00:06:20 |
- Couple months. |
00:06:23 |
- That's big. You have |
00:06:25 |
Kinda. |
00:06:26 |
- What the hell is 'kinda'? |
00:06:27 |
- Personal question. |
00:06:29 |
Let me ask you a question. |
00:06:30 |
What are you going |
00:06:31 |
Fish fillet and a Coke? |
00:06:32 |
Go to Blockbuster, |
00:06:34 |
go back to Mom's house, |
00:06:36 |
- How'd you know? |
00:06:37 |
You're a dependable person. |
00:06:38 |
That's what you're |
00:06:39 |
You know what you should do? |
00:06:40 |
You need to lay down |
00:06:42 |
and treat your lady right. |
00:06:43 |
You know, you need to take her |
00:06:45 |
Red Lobster. Olive Garden. |
00:06:48 |
And then you skip |
00:06:50 |
Girls want to go out. |
00:06:52 |
as cute as your |
00:06:53 |
She wants to be seen. |
00:06:55 |
So you take her to the movies. |
00:06:57 |
- A little |
00:06:58 |
True. True. |
00:06:59 |
Elaine might want a |
00:07:00 |
nachos, so you shell |
00:07:02 |
And then before you know it, |
00:07:03 |
she's cozying up |
00:07:04 |
at her mom's house, you know? |
00:07:06 |
- Preach it. Preach it. |
00:07:07 |
Gino Romero's walking tall |
00:07:10 |
- all because he dared |
00:07:11 |
Yes. Yes. Yes. |
00:07:12 |
And he became a man. |
00:07:13 |
- Yes. |
00:07:13 |
And that's what's |
00:07:15 |
This is the dream right here. |
00:07:17 |
Are you a man? |
00:07:19 |
- I'm with you. |
00:07:20 |
- I'm with you. Twenty? |
00:07:21 |
Big boy game. |
00:07:23 |
Call. |
00:07:25 |
- Cowboys over aces, big Jer. |
00:07:27 |
- Didn't see that coming, huh? |
00:07:29 |
This is a tough one, too. |
00:07:31 |
Get out of here. |
00:07:32 |
You baited me into |
00:07:34 |
- That's the way it goes. |
00:07:35 |
So what happened |
00:07:36 |
No, I guess it's Mama's house |
00:07:38 |
But look, I saved |
00:07:39 |
And now Elaine won't |
00:07:41 |
for herpes medication. |
00:07:43 |
Break's over, bitches. |
00:07:44 |
Freitag missed |
00:07:45 |
- Someone's on collator duty. |
00:07:46 |
All right, well, gentlemen. |
00:07:48 |
I'll give you a chance |
00:07:50 |
this back tomorrow. |
00:07:51 |
All right, man. |
00:07:58 |
Hey there. Welcome |
00:08:00 |
How can I help you? |
00:08:01 |
I couldn't get the machine |
00:08:03 |
- That machine there? |
00:08:05 |
Did you swipe your credit card |
00:08:07 |
- Didn't do that. |
00:08:09 |
Why don't you try it again? |
00:08:20 |
Cell phone users, beware. |
00:08:22 |
The Federal Bureau |
00:08:25 |
can now hear everything |
00:08:27 |
even when your cell |
00:08:29 |
Authorities can now activate... |
00:08:31 |
the microphone |
00:08:33 |
allowing them to eavesdrop |
00:08:36 |
Experts say the only |
00:08:39 |
is to take the battery |
00:08:42 |
- The death toll |
00:08:43 |
Now arriving at Union Street. |
00:08:44 |
- Stand clear of the doors. |
00:08:45 |
Watch your step, please. |
00:08:49 |
Did you drop this? |
00:08:53 |
Yes. |
00:08:55 |
- It's hard to do on |
00:08:57 |
Doors closing. |
00:08:58 |
Standing passengers... |
00:09:01 |
Come on, come on, come on. |
00:09:47 |
Jerry? |
00:09:48 |
Mrs. Wierzbowski. |
00:09:50 |
I thought you might |
00:09:52 |
- Yeah, yeah, yeah. |
00:09:53 |
I have some rent here. |
00:09:55 |
- Here you go. |
00:09:56 |
Yeah, some is good. |
00:09:57 |
Well, that's most of it. Here. |
00:09:59 |
$1, $1, $1... |
00:10:01 |
No, no, no. Look. |
00:10:02 |
- Five. |
00:10:05 |
Where is girl? I |
00:10:07 |
You know you're the |
00:10:09 |
No, that's done. |
00:10:11 |
- Like the others. |
00:10:14 |
Is woman friend? Answer. |
00:10:16 |
Then see if she give |
00:10:19 |
One second. |
00:10:23 |
Hey, Mom. |
00:10:27 |
What? |
00:10:55 |
- Looks just like him. |
00:12:38 |
Six months without |
00:12:41 |
Yes, sir. |
00:12:42 |
So where were you this time? |
00:12:46 |
Alaska. Singapore. |
00:12:53 |
I... I spoke to Stanford. |
00:12:58 |
I pulled some strings. |
00:12:59 |
They said they'd |
00:13:00 |
Even though you took off... |
00:13:00 |
Two years ago, Dad. |
00:13:02 |
Jerry, you know, it |
00:13:04 |
to ask for help |
00:13:06 |
You want to have |
00:13:07 |
- It's Stanford. |
00:13:08 |
You know how many |
00:13:09 |
- Today? You want |
00:13:11 |
Fine. |
00:13:11 |
You do whatever you want. |
00:13:22 |
You know, I keep thinking, |
00:13:24 |
I'm going to walk |
00:13:26 |
and I'm not going to feel... |
00:13:29 |
like a stranger |
00:13:42 |
I don't want your money. |
00:14:11 |
Can I have your |
00:14:14 |
Smoking is not |
00:14:18 |
Chicago is next. |
00:14:38 |
Can't find the keys |
00:14:41 |
- I'm going to |
00:14:43 |
He'll be here. |
00:14:45 |
All right, wait |
00:14:47 |
Help me out here. |
00:14:49 |
I put the leftovers down. |
00:14:50 |
You turned on the |
00:14:52 |
said, 'No TV, no TV, no TV.' |
00:14:56 |
Came over here. |
00:14:57 |
- Checked the messages. |
00:14:59 |
Right, knocked over the phone. |
00:15:01 |
Put the leftovers |
00:15:08 |
Let's go. |
00:15:09 |
I put vitamins in |
00:15:10 |
Don't forget to take... |
00:15:11 |
- Two in the morning |
00:15:12 |
That's right. |
00:15:13 |
And your inhaler's |
00:15:14 |
- Sammy. |
00:15:15 |
Come here. You didn't think |
00:15:16 |
I'd miss the big |
00:15:18 |
Let's get you on this train. |
00:15:19 |
- This must be your... |
00:15:21 |
My God, this weighs, |
00:15:22 |
You carry this yourself? |
00:15:23 |
- Mr. and Mrs. Holloman. |
00:15:25 |
- You just made it. |
00:15:26 |
- Here, Sam. |
00:15:28 |
- Listen to me. |
00:15:29 |
All these other kids, |
00:15:30 |
going to call their |
00:15:32 |
They're just going |
00:15:34 |
All right, and eat junk |
00:15:35 |
your one chance, but |
00:15:37 |
Mom, you got to stop. |
00:15:40 |
Capitol Limited to D.C. is |
00:15:42 |
Give me a hug. |
00:15:43 |
All aboard. |
00:15:44 |
- I love you so much. |
00:15:48 |
- Shine bright, okay? |
00:15:51 |
Rock the house, buddy. |
00:15:52 |
You're going to |
00:15:53 |
- Okay. |
00:15:54 |
- Bye. |
00:15:57 |
- Bye, Mom. |
00:16:00 |
It's unclear. |
00:16:02 |
I'm so sorry. I got |
00:16:03 |
- and I didn't even... |
00:16:08 |
All aboard. |
00:16:10 |
Yes. Five-nine-one-three. |
00:16:18 |
It's here. It's here. |
00:16:22 |
Okay, okay. |
00:16:40 |
- Come on. |
00:16:50 |
No, wait. |
00:17:00 |
- Hey, hang on a second. |
00:17:01 |
- You're dropping money. |
00:17:03 |
Big date, you know? |
00:17:09 |
- Here you go. |
00:17:12 |
Thank you. |
00:17:14 |
- Jerry. |
00:17:15 |
- So many boxes. |
00:17:17 |
I had to open your room. |
00:17:20 |
- Big boxes, small boxes. |
00:17:22 |
I don't know. |
00:17:23 |
- All right, okay. |
00:17:24 |
Look at them there. |
00:17:25 |
- See, I put them all... |
00:17:27 |
- Listen, I have |
00:17:29 |
Yeah. |
00:17:29 |
This is rent for this month |
00:17:31 |
- Oh, my. |
00:18:46 |
Hello? |
00:18:47 |
The FBI will arrive... |
00:18:48 |
at your apartment |
00:18:50 |
You must flee the premises. |
00:18:52 |
Who... Who is this? |
00:18:53 |
You've been activated, Jerry. |
00:18:55 |
- Who the hell is this? |
00:18:57 |
How did you get this number? |
00:18:58 |
You now have 24 seconds. |
00:19:01 |
Your destination, |
00:19:02 |
station. We will |
00:19:04 |
What is this? |
00:19:05 |
The evidence in your |
00:19:08 |
- Listen. |
00:19:09 |
I'm going to hang |
00:19:10 |
They'll seek your arrest |
00:19:11 |
- I'm hanging this |
00:19:12 |
... violating state |
00:19:13 |
- You tell me how |
00:19:15 |
Maximum penalty, death. |
00:19:15 |
No, none of this is mine. |
00:19:19 |
FBI, FBI, FBI. Get |
00:19:23 |
Get on the ground. |
00:19:26 |
Down now. Get down. |
00:19:27 |
- I didn't do anything. |
00:19:30 |
- Listen. |
00:19:31 |
It's not mine. It's not mine. |
00:19:45 |
This is obviously |
00:19:47 |
I mean, I don't know... |
00:19:48 |
what I'm doing in |
00:19:50 |
It's cold as hell outside. |
00:19:54 |
- You draw? |
00:19:57 |
Do you draw? Do you sketch? |
00:19:59 |
You have ink all |
00:20:02 |
Look, you know you got |
00:20:04 |
I mean, |
00:20:04 |
this is all some |
00:20:05 |
- I don't know what |
00:20:07 |
Obviously. |
00:20:08 |
Obviously you have |
00:20:11 |
Did you love your brother? |
00:20:15 |
Or did you hate him? |
00:20:19 |
Was your brother patriotic, |
00:20:25 |
When's the last |
00:20:30 |
- Christmas. |
00:20:33 |
- Three Christmases ago. |
00:20:36 |
Well, the phone records |
00:20:38 |
haven't even called |
00:20:40 |
So no text messages? |
00:20:43 |
No MySpace or |
00:20:45 |
Yeah, so what are |
00:20:46 |
We're not... |
00:20:46 |
Are you asking if we're |
00:20:47 |
that wear the same |
00:20:50 |
hold hands, and |
00:20:52 |
- Sir, I don't even |
00:20:54 |
I'm sorry, that |
00:20:55 |
I'm Tom Morgan, |
00:20:56 |
the Supervising Agent assigned... |
00:20:59 |
to the Joint |
00:21:02 |
You think I'm a terrorist? |
00:21:05 |
No, you're a copy |
00:21:07 |
- I'm a copy associate. |
00:21:10 |
But your brother, |
00:21:12 |
it says here he |
00:21:14 |
I guess you'd say, |
00:21:16 |
Graduated from |
00:21:18 |
with an advanced |
00:21:20 |
algorithms and |
00:21:22 |
I don't even know |
00:21:23 |
that stuff means. Do you? |
00:21:24 |
Cadet wing commander, |
00:21:26 |
plum job in the |
00:21:27 |
Yeah, no, I know |
00:21:29 |
Why'd you drop out |
00:21:30 |
Did your brother have... |
00:21:31 |
any influence on |
00:21:33 |
No, school just wasn't for me. |
00:21:34 |
No, I mean, who would want |
00:21:37 |
More upward mobility... |
00:21:38 |
at Copy Cabana, |
00:21:40 |
I see you did a |
00:21:42 |
Singapore, Bali, Indonesia. |
00:21:44 |
Did odd jobs here and there. |
00:21:45 |
Look, none of this |
00:21:47 |
with any of the shit |
00:21:49 |
Why would I send it to myself? |
00:21:51 |
I'd have to be the |
00:21:52 |
in the history of the world. |
00:21:53 |
So who deposited the 750? |
00:21:55 |
The... |
00:21:55 |
I don't know who |
00:21:58 |
God maybe? I thought |
00:22:00 |
I took the money. |
00:22:01 |
It was an accident. |
00:22:02 |
Do accidents not happen |
00:22:04 |
Well, the money originated |
00:22:08 |
Well, I'll be |
00:22:10 |
Opened with a transfer from... |
00:22:11 |
a corporation called |
00:22:13 |
- a dummy front for Hezbollah. |
00:22:14 |
This is all very |
00:22:15 |
- It has nothing |
00:22:17 |
We find hardware |
00:22:18 |
Latest military spec. |
00:22:20 |
- Airplane manuals. |
00:22:21 |
I told you about this already. |
00:22:22 |
And 1,200 pounds... |
00:22:23 |
of ammonium |
00:22:24 |
I walked into my apartment... |
00:22:25 |
You planning on becoming |
00:22:27 |
I walk into my apartment, |
00:22:30 |
and this shit's all |
00:22:31 |
- It just showed up. |
00:22:33 |
I see. I'm just curious... |
00:22:34 |
if your brother knew |
00:22:36 |
Of course, we haven't |
00:22:38 |
how close you guys |
00:22:40 |
Well, we were pretty |
00:22:42 |
when I buried his |
00:22:43 |
Does that establish |
00:22:45 |
Somebody set me up. |
00:22:45 |
Why is that so hard |
00:22:47 |
- 'Somebody.' |
00:22:47 |
A woman called |
00:22:48 |
She told me I was |
00:22:49 |
'A woman.' Your mom? Who? |
00:22:51 |
I don't know. If I |
00:22:55 |
I don't know. |
00:22:58 |
Here's the thing, Jerry. |
00:23:00 |
This is a bad time to be |
00:23:03 |
You read the paper. |
00:23:06 |
Who do you think is winning? |
00:23:08 |
Your Miranda rights or |
00:23:11 |
you in this room as |
00:23:13 |
I don't care if you tell me |
00:23:16 |
I don't care who you work for. |
00:23:19 |
'Cause no matter |
00:23:22 |
you're in a shitload |
00:23:30 |
This is insane. I |
00:23:33 |
Yeah, that's what you said. |
00:23:43 |
Listen, I get one night out |
00:23:45 |
I am not wasting |
00:23:47 |
- Okay. |
00:23:55 |
Oh, gosh. |
00:23:56 |
I want updates. |
00:23:58 |
somebody tell me |
00:24:00 |
Hey, ladies. See |
00:24:03 |
He'd like to buy you a round. |
00:24:05 |
Hell, no. |
00:24:05 |
He's got light beer |
00:24:07 |
- He's cute. |
00:24:09 |
He's a suit. No. |
00:24:10 |
You sure? |
00:24:11 |
- Come on. |
00:24:13 |
The one man in my life |
00:24:17 |
- That's sweet. |
00:24:18 |
All right, don't drink |
00:24:22 |
Hello? |
00:24:23 |
Hello? |
00:24:25 |
There's a McDonald's |
00:24:28 |
Look in the window. |
00:24:29 |
What is this? |
00:24:30 |
Would you risk your |
00:24:39 |
Rachel Holloman, |
00:24:42 |
- This isn't funny. |
00:24:43 |
- Who are you? |
00:24:46 |
unless you do |
00:24:47 |
What is this? |
00:24:48 |
Don't go back inside |
00:24:50 |
- What? |
00:24:51 |
There's a black |
00:24:53 |
parked at the northeast corner |
00:24:56 |
The keys are in the ignition. |
00:25:02 |
Oh, my God. |
00:25:06 |
911. |
00:25:06 |
State the nature |
00:25:08 |
Yeah, some woman |
00:25:10 |
I have... I have no |
00:25:11 |
She was telling me that... |
00:25:18 |
Your phone is being monitored. |
00:25:21 |
Disobey again and |
00:25:26 |
Hey, Grant, I can't |
00:25:28 |
- Grant. |
00:25:31 |
Listen, my eyes aren't |
00:25:32 |
and these screens |
00:25:34 |
Could you please find me |
00:25:35 |
I can make the text bigger |
00:25:37 |
No, no, no. I'm |
00:25:39 |
Remember, like in |
00:25:40 |
- Paper. Okay. |
00:25:42 |
Agent Morgan. Zoe Perez, |
00:25:43 |
Air Force Special |
00:25:45 |
Ethan Shaw, the twin, |
00:25:47 |
Yeah. |
00:25:48 |
OSI said they were |
00:25:50 |
Can you walk and talk |
00:25:52 |
I'll do my best. |
00:25:53 |
File says he died in |
00:25:55 |
Truck ran a light, corner of |
00:25:57 |
Constitution and |
00:25:59 |
So truck ran a light, |
00:26:01 |
and enough hardware |
00:26:04 |
five hours after enemy |
00:26:06 |
I mean, don't you find that |
00:26:08 |
What if it's a decoy? |
00:26:12 |
something 50 times bigger. |
00:26:25 |
- Time for your phone call. |
00:26:28 |
Attorney General's office |
00:26:32 |
Ethan Shaw had a 183 IQ... |
00:26:35 |
and yet you had him |
00:26:37 |
Why not IT or cyber-warfare? |
00:26:39 |
Are you suggesting |
00:26:41 |
Or that he was somehow |
00:26:43 |
to the Copy Cabana? |
00:26:43 |
No, I'm suggesting |
00:26:45 |
was a superstar rocket |
00:26:48 |
who did go wrong, |
00:26:50 |
and the Air Force doesn't want... |
00:26:51 |
their dirty laundry |
00:26:53 |
Think what you like, |
00:26:55 |
that room and |
00:26:57 |
No. |
00:27:07 |
You don't have a choice. Look. |
00:27:09 |
Now, neither of us |
00:27:11 |
those brothers are |
00:27:12 |
so on behalf of the Secretary... |
00:27:15 |
of the Air Force, I'm |
00:27:18 |
Well, on behalf of... |
00:27:19 |
all that fucking |
00:27:21 |
in junior pinhead's apartment, |
00:27:33 |
We told you to run. |
00:27:37 |
How'd you get on this phone? |
00:27:39 |
Lay flat on the |
00:27:41 |
What the... |
00:27:41 |
What the hell are |
00:27:42 |
Four seconds, Jerry. |
00:27:43 |
- No, this is |
00:27:45 |
Get down now. |
00:27:46 |
Two seconds. |
00:28:10 |
No. |
00:28:15 |
- No. I didn't do this. |
00:28:23 |
Shit. |
00:28:57 |
Standing passengers, |
00:28:59 |
please do not lean |
00:29:06 |
... fourteen Americans dead... |
00:29:08 |
throughout Europe |
00:29:10 |
with terror groups insisting |
00:29:13 |
of a campaign the West invited... |
00:29:15 |
when it allegedly |
00:29:17 |
on a religious ceremony... |
00:29:19 |
outside the small |
00:29:20 |
near the border |
00:29:34 |
Stay on the train for |
00:29:36 |
and wait at the bottom |
00:29:38 |
You will receive... |
00:30:01 |
Doors closing. |
00:30:05 |
please do not lean |
00:30:32 |
- Help. |
00:30:35 |
My baby. I need some |
00:30:39 |
- What? |
00:30:40 |
We told you to |
00:30:42 |
- How are you doing this? |
00:30:45 |
A black Porsche |
00:30:47 |
waiting at the northwest exit. |
00:30:48 |
- Listen. |
00:30:49 |
Listen. No, I'm done. |
00:30:54 |
- Hello? |
00:30:55 |
The man in front of |
00:30:57 |
in a black coat is |
00:31:00 |
- His name is Jerry Shaw. |
00:31:06 |
- You Jerry Shaw? |
00:31:07 |
Wilson Station. Exit now. |
00:31:09 |
That's the guy. |
00:31:13 |
I said, are you Jerry Shaw? |
00:31:38 |
Watch it. |
00:31:44 |
- Drive the car. |
00:31:46 |
No. |
00:31:46 |
- I did what you |
00:31:47 |
I'm not going anywhere... |
00:31:47 |
- You tell... Stop. |
00:31:48 |
...until you tell |
00:31:49 |
Who's your son? |
00:31:50 |
I don't know what |
00:31:51 |
- I'll kill you if |
00:31:52 |
I almost died over this shit. |
00:31:53 |
- Listen, lady, I |
00:31:54 |
Tell me Sam is safe. |
00:31:55 |
Who is... Will you |
00:31:56 |
Are you the woman |
00:31:59 |
- Did you call |
00:32:01 |
No. The woman. |
00:32:02 |
- She called you, too? |
00:32:03 |
Drive. |
00:32:07 |
Get out. Now. Get |
00:32:11 |
Stop. |
00:32:20 |
- Why is this happening? |
00:32:22 |
Who are you and |
00:32:24 |
Drive the car. Clutch. |
00:32:26 |
Accelerate. Turn |
00:32:29 |
You have pursuers. |
00:32:30 |
- Yeah, no shit. Who are you? |
00:32:34 |
Turn right now. |
00:32:42 |
So you don't know |
00:32:43 |
What, you mean your son? |
00:32:45 |
Just like you don't |
00:32:46 |
Use the clutch |
00:32:47 |
not while you shift. |
00:32:48 |
I don't need driving lessons |
00:32:49 |
What, you drive like this |
00:32:51 |
Turn left now. |
00:33:00 |
All units. Suspect |
00:33:02 |
Cayenne heading west on Grand. |
00:33:04 |
- All units respond, Code 3. |
00:33:13 |
Maintain a speed of |
00:33:15 |
Stay in the second |
00:33:17 |
- The light's red. |
00:33:30 |
Get me a roadblock |
00:33:32 |
Oh, shit. |
00:33:37 |
The lights are |
00:33:44 |
Holy shit. |
00:33:59 |
- Holy... |
00:34:04 |
Get in close. |
00:34:08 |
Go, go, go. |
00:34:12 |
- Shit. |
00:34:15 |
Get in here. |
00:34:26 |
Accelerate to 60 |
00:34:32 |
Clutch. Clutch. |
00:34:34 |
- Use the clutch. |
00:34:35 |
I'm watching, you're |
00:34:41 |
- Stop. |
00:34:45 |
Slow down. Slow down, |
00:34:47 |
Don't slow down. |
00:34:48 |
Accelerate to 72 |
00:34:50 |
- Slow down. It's a red light. |
00:34:52 |
- Stop. |
00:34:54 |
- Brake. |
00:34:58 |
- Brake. |
00:35:17 |
Manual control's |
00:35:19 |
Continue straight |
00:35:31 |
Enter the wrecking yard. |
00:35:32 |
Proceed to the |
00:35:33 |
We will eliminate all |
00:35:45 |
Watch. Watch. Watch. |
00:36:17 |
- Stay your course. |
00:36:20 |
- Turn. |
00:36:40 |
Holy... |
00:36:53 |
Oh, God. |
00:36:56 |
Oh, my God. |
00:37:00 |
- Grab the seat. |
00:37:02 |
- Grab the seat. The seat. |
00:37:07 |
No. |
00:37:20 |
The crane will |
00:37:22 |
If you do not jump, |
00:37:24 |
- We have to jump. |
00:37:27 |
We have to. When I say 'go.' |
00:37:32 |
Ready? |
00:37:35 |
Go. Jump. |
00:37:56 |
I want both the |
00:38:02 |
- Let's go. Move. |
00:38:04 |
Move, move, move. |
00:38:23 |
- Yeah, I already |
00:38:26 |
Wait till it clears. |
00:38:28 |
Thirty feet back, that's it. |
00:38:29 |
Yeah, I know, |
00:38:31 |
so I'll be there in |
00:38:32 |
What do you mean, |
00:38:33 |
the car is not |
00:38:36 |
Check the VIN number again. |
00:38:37 |
Leave your message for Sam, |
00:38:40 |
even though I know |
00:38:43 |
Sam? Baby, listen to me. |
00:38:45 |
You need to call me... |
00:38:47 |
as soon as you get |
00:38:49 |
Baby, please. I love you. |
00:38:55 |
- What about the girl? |
00:38:57 |
What about the girl? |
00:38:58 |
Well, the Department |
00:38:59 |
tells me that there was... |
00:39:00 |
a seven-minute |
00:39:02 |
on their traffic cams. |
00:39:03 |
- We didn't get |
00:39:04 |
Don't tell me that. |
00:39:05 |
- That's what |
00:39:08 |
I need an ID on that girl. |
00:39:10 |
Do you think they |
00:39:14 |
They changed every |
00:39:15 |
to get us here. |
00:39:16 |
The woman, she called me |
00:39:18 |
who happened to be |
00:39:19 |
Never met the guy in my life. |
00:39:20 |
You know, and then |
00:39:21 |
of maximum security custody... |
00:39:22 |
in a way I'm not even |
00:39:23 |
to you because |
00:39:24 |
and then they lift us |
00:39:26 |
the Earth and drop us |
00:39:28 |
She could probably |
00:39:29 |
She could probably |
00:39:31 |
into a talking duck. |
00:39:31 |
And what about these |
00:39:33 |
cranes that keep |
00:39:35 |
I mean, they don't |
00:39:37 |
up in the air all |
00:39:38 |
like a giant pair |
00:39:41 |
I want to know how |
00:39:43 |
how they're programmed. |
00:39:44 |
What'd you say your name was? |
00:39:46 |
- Rachel. |
00:39:55 |
- Hello? |
00:39:56 |
The barge will dock |
00:39:58 |
Leave the boatyard |
00:40:01 |
Take Highway 123 East. |
00:40:02 |
Walk to mile marker 108. |
00:40:06 |
- What? Was it her? |
00:40:11 |
Have Mortuary Affairs |
00:40:13 |
belonging to Ethan Shaw. |
00:40:15 |
- No personal effects |
00:40:17 |
You, Due Process. |
00:40:18 |
- Bye. |
00:40:18 |
What do you have |
00:40:20 |
I have a name. |
00:40:23 |
And I'll answer that question |
00:40:25 |
- Wait a minute. |
00:40:27 |
Shaw's private quarters. |
00:40:29 |
I need you to stay here. |
00:40:30 |
I'm not losing my |
00:40:33 |
Maybe I haven't |
00:40:35 |
I don't work for you. |
00:40:38 |
Keep your phone on, |
00:40:46 |
If you're staring at |
00:40:48 |
because I'm the |
00:40:50 |
Because if I don't |
00:40:52 |
soon, you're all |
00:40:54 |
into something that's |
00:40:56 |
touching shit with your hands. |
00:40:58 |
Now, let's get going. |
00:41:08 |
Hexamethylene. |
00:41:12 |
One single tiny crystal, |
00:41:14 |
80 times more |
00:41:17 |
Odorless, undetectable. |
00:41:20 |
And best of all, it can be... |
00:41:21 |
cut down in size for |
00:41:23 |
This valve is a sonic trigger. |
00:41:25 |
The sound frequency |
00:41:28 |
Each trigger is programmed |
00:41:30 |
frequency specific |
00:41:33 |
That frequency triggers |
00:41:40 |
Yeah. |
00:41:42 |
We recently received approval... |
00:41:44 |
to begin shipping |
00:41:45 |
Two hundred units |
00:42:09 |
- Sign right here. |
00:42:11 |
Thank you. |
00:42:16 |
The package you've |
00:42:18 |
contains a small metal valve. |
00:42:19 |
Open the package. |
00:42:25 |
- Okay. |
00:42:26 |
and follow our |
00:42:38 |
- You've received the package. |
00:42:40 |
- What kind of stone is this? |
00:42:43 |
Cut the stone and |
00:42:45 |
according to the |
00:42:48 |
we sent you. |
00:43:30 |
I'd just dropped my |
00:43:33 |
I was out having |
00:43:34 |
girlfriends when |
00:43:36 |
- What about you? |
00:43:37 |
The first call came |
00:43:39 |
- After the boxes? |
00:43:42 |
Well, then this whole thing's... |
00:43:44 |
obviously gotta be |
00:43:45 |
- Really, it's |
00:43:46 |
I mean, you got |
00:43:48 |
The weapons, the cash, |
00:43:49 |
- Okay. |
00:43:50 |
- They sent it to |
00:43:51 |
Right. |
00:43:51 |
So you're implying |
00:43:53 |
I'm implying, if not |
00:44:00 |
I'm sorry. I know he |
00:44:02 |
trying to insult his |
00:44:04 |
No, he hasn't been |
00:44:06 |
to be a memory, Rachel. |
00:44:08 |
If you knew my brother, |
00:44:08 |
you'd laugh all |
00:44:09 |
that he was a |
00:44:10 |
or whatever else |
00:44:11 |
- How do you know? |
00:44:13 |
That's something |
00:44:13 |
about your brother. |
00:44:14 |
Well, when's the last time |
00:44:22 |
I don't need this. |
00:44:24 |
I don't have to |
00:44:26 |
- Is your son a terrorist? |
00:44:28 |
Yeah, well, he's |
00:44:29 |
to be a terrorist |
00:44:31 |
And let's not forget |
00:44:32 |
are you here? What's |
00:44:33 |
- I know it isn't |
00:44:35 |
I'm a paralegal. |
00:44:36 |
- I don't have a |
00:44:37 |
Paralegal? |
00:44:37 |
- I don't have a |
00:44:37 |
Paralegal? |
00:44:37 |
How do I know you're |
00:44:39 |
What does a paralegal do? |
00:44:40 |
The same thing as the guys |
00:44:42 |
except I do it |
00:44:44 |
so they can bill 200. |
00:44:45 |
That nail it for |
00:44:47 |
That still doesn't explain why |
00:44:48 |
- I don't know why |
00:44:52 |
Yeah, I know... |
00:44:58 |
Hey. |
00:45:00 |
- Are you Jerry Shaw? |
00:45:03 |
- Wait, wait, wait, |
00:45:04 |
I sent the package |
00:45:05 |
- Wait, what package? |
00:45:07 |
- Now she wants |
00:45:08 |
Who, 'she'? |
00:45:08 |
- I won't. I'm done. |
00:45:09 |
- Wait. |
00:45:11 |
- Get back. |
00:45:12 |
- Why are you attack... |
00:45:15 |
Take the goddamn van. |
00:45:16 |
- You think I'm going to... |
00:45:17 |
...do this because |
00:45:19 |
I am American. I'm |
00:45:21 |
- What? What are |
00:45:23 |
You take it. |
00:45:24 |
- What are you talking about? |
00:45:25 |
I won't do this |
00:45:26 |
- Hello? |
00:45:26 |
Stop him now, or he will die. |
00:45:28 |
Listen to me, |
00:45:29 |
- You try to do |
00:45:30 |
How are you seeing |
00:45:31 |
- Stop him now. |
00:45:34 |
Stop. Hey. You gotta stop. |
00:45:36 |
- Wait. |
00:46:12 |
- You killed that man. |
00:46:15 |
Take the van. |
00:46:16 |
Drive to |
00:46:18 |
72 West 56th Street. |
00:46:20 |
Arrive no later |
00:46:35 |
- Welcome. |
00:46:38 |
- To the right? |
00:46:41 |
- ID, ma'am. |
00:46:42 |
I ordered a freeze |
00:46:44 |
personal effects. |
00:46:45 |
Orders to sanitize came down |
00:46:47 |
Okay, I'm countermanding. |
00:46:49 |
- Tell your guys to clear out. |
00:46:50 |
This scene's part of |
00:46:52 |
with national security |
00:46:53 |
This your log? |
00:46:54 |
- Yes, it is. |
00:46:54 |
Okay, my name is Agent Perez. |
00:46:56 |
You can take this up |
00:46:57 |
- Clear the room. |
00:46:58 |
No gloves? |
00:47:00 |
- Yes, ma'am. |
00:47:01 |
And find out who |
00:47:01 |
I mean, come on, really. |
00:47:19 |
Sir. We have a positive ID. |
00:47:33 |
Okay. |
00:47:35 |
The skin was pretty fried, |
00:47:38 |
a partial print that matches |
00:47:42 |
He's a United States |
00:47:44 |
Republican, and he |
00:47:46 |
- The guy's cleaner |
00:47:49 |
Got something here. |
00:47:50 |
- That's a bone mic. |
00:47:53 |
Military grade. |
00:47:55 |
Someone was talking to him. |
00:48:29 |
We have a |
00:48:30 |
Someone's already inside |
00:48:33 |
hacking into the power grid, |
00:48:35 |
traffic cams, |
00:48:37 |
There's no way the boy |
00:49:12 |
- Agent Zoe Perez? |
00:49:14 |
United States Air Force |
00:49:15 |
Security Forces. |
00:49:17 |
- What's this about? |
00:49:21 |
Violence has broken out... |
00:49:22 |
in the Middle East as |
00:49:24 |
the United States... |
00:49:24 |
of launching |
00:49:26 |
to demolish a village |
00:49:28 |
killing innocent civilians. |
00:49:30 |
The attack has triggered a... |
00:49:32 |
series of retaliatory |
00:49:34 |
against American |
00:49:36 |
Early reports indicate |
00:49:39 |
death toll now stands at 56, |
00:49:41 |
with threats of |
00:49:42 |
here at home. |
00:49:43 |
Officials... |
00:49:50 |
What's he doing on |
00:49:54 |
He goes to a music magnet. |
00:49:56 |
His school's on a |
00:49:58 |
They're playing at |
00:49:59 |
Wow. That's big. |
00:50:06 |
Well, why'd you make |
00:50:09 |
I can't make noises now? |
00:50:11 |
- You think I |
00:50:13 |
He's playing at |
00:50:14 |
- That's kind of a big deal. |
00:50:15 |
So I think maybe one parent... |
00:50:16 |
should have gone, |
00:50:18 |
Well, one parent had to work |
00:50:19 |
everything humanly possible |
00:50:23 |
But I don't expect you to know |
00:50:28 |
You know, Rachel, |
00:50:29 |
the first thing about me. |
00:50:30 |
I know your brother just died, |
00:50:31 |
- put my son's life at risk. |
00:50:32 |
I don't wanna talk |
00:50:34 |
- Okay? I'm not kidding. |
00:50:36 |
Jesus, look what happened. |
00:50:39 |
Can you honestly say he had |
00:50:41 |
I'm asking you not |
00:50:42 |
Respect that. |
00:50:43 |
I'm asking you to be honest... |
00:50:44 |
with yourself. Your |
00:50:45 |
I'm asking you to be honest... |
00:50:48 |
with yourself. Your |
00:51:06 |
Hey. You can't just walk away. |
00:51:12 |
- Yes, I can. |
00:51:13 |
Now we have 15 |
00:51:14 |
- wherever the hell |
00:51:18 |
Yeah. |
00:51:26 |
I need you. |
00:51:32 |
I could've gone. |
00:51:38 |
I should have. |
00:52:06 |
You are two minutes |
00:52:10 |
Go to the alley |
00:52:14 |
- Go to the armored truck. |
00:52:16 |
I don't see an armored truck. |
00:52:18 |
There it is. |
00:52:25 |
In 20 seconds, men will exit... |
00:52:27 |
the elevator. They |
00:52:29 |
One will be carrying |
00:52:31 |
Retrieve it from him, |
00:52:33 |
- This is insane. |
00:52:34 |
You want us to rob them? |
00:52:35 |
You now have 15 seconds. |
00:52:40 |
Security. What's |
00:52:47 |
What are you doing? |
00:53:03 |
Put your gun on the floor. |
00:53:04 |
Put your gun on the |
00:53:06 |
You want me to |
00:53:07 |
Put the gun on the ground. |
00:53:08 |
We don't wanna hurt you guys. |
00:53:10 |
Drop the case and |
00:53:11 |
Yeah, well, you're |
00:53:13 |
on your head. |
00:53:13 |
Yeah, we're already |
00:53:14 |
Now kick the case. |
00:53:15 |
Okay. Easy. |
00:53:18 |
- Look straight. |
00:53:20 |
Kick it. |
00:53:25 |
Okay. |
00:53:26 |
- Don't even think about it. |
00:53:28 |
Easy. |
00:53:32 |
Back up. |
00:53:33 |
Walk over here, |
00:53:34 |
and turn around. |
00:53:35 |
- Stand over here. |
00:53:39 |
Turn around. Turn |
00:53:55 |
Let's move, let's move. |
00:54:01 |
Come on. |
00:54:17 |
Jerry. Here. |
00:54:21 |
Move, move. |
00:54:25 |
Freeze. Police. |
00:54:27 |
Drop the gun. Drop the gun. |
00:54:30 |
We're security. We |
00:54:31 |
And there they are. |
00:54:37 |
Move. Get out of the way. |
00:54:40 |
Move. |
00:54:46 |
Get out of the way. |
00:54:48 |
Move. |
00:54:51 |
- Hey, watch it, lady. |
00:54:54 |
This way. |
00:54:58 |
- Out of the way. |
00:55:00 |
- Move out of the way. |
00:55:04 |
You see that? This way. |
00:55:19 |
- You are Jerry Shaw? |
00:55:22 |
Please come. Please. |
00:55:26 |
- Thank you. |
00:55:31 |
Hi. |
00:55:47 |
- Wait. What is that? |
00:55:50 |
- For what? |
00:55:52 |
The only things I can think of... |
00:55:53 |
with timers are |
00:55:54 |
And bombs. |
00:55:58 |
- Coffeemakers have timers. |
00:55:59 |
Yeah, Jerry, it's |
00:56:01 |
That's great. |
00:56:26 |
We've mobilized every asset |
00:56:28 |
So 12 more confirmed dead? |
00:56:30 |
Yes, sir. |
00:56:32 |
I want hourly sit reps |
00:56:35 |
There's a military base |
00:56:38 |
Scramble whatever you can. |
00:56:39 |
- Yes, sir. |
00:56:44 |
Begging your pardon, sir, |
00:56:45 |
but if you're thinking |
00:56:46 |
- the Shaw |
00:56:48 |
Taking you off? |
00:56:48 |
Agent, for the first time |
00:56:58 |
Back to bus 30 minutes. Okay? |
00:57:06 |
We're convinced a |
00:57:08 |
on American soil is imminent. |
00:57:10 |
Over the past two |
00:57:13 |
over 200 terrorist threats. |
00:57:14 |
All starting the day |
00:57:18 |
An accident. Or not. |
00:57:26 |
- Mr. Secretary. |
00:57:41 |
- I didn't think that |
00:57:43 |
Glad we can still |
00:57:56 |
I want to know |
00:57:57 |
Is it a bomb? |
00:57:57 |
Go to Macy's. |
00:58:00 |
Two Visa gift cards |
00:58:02 |
You have 25 minutes |
00:58:04 |
and then re-board the bus |
00:58:06 |
I'm done taking orders |
00:58:10 |
you understand? |
00:58:15 |
Well, that was quick. |
00:58:16 |
this hide-and-go-seek |
00:58:17 |
We are not hiding, Jerry. |
00:58:19 |
To your left is |
00:58:21 |
Second floor, north corner. |
00:58:23 |
Go inside. Find |
00:58:25 |
Center. We are waiting. |
00:58:27 |
Second floor. She's here. |
00:58:38 |
- Sir. |
00:58:41 |
- Major William Bowman. |
00:58:43 |
Welcome to Eagle Eye. |
00:58:45 |
Looking to upgrade |
00:58:47 |
Circuit City has the |
00:58:49 |
of advanced TVs |
00:58:53 |
systems. Visit our |
00:59:00 |
- Hi, welcome to |
00:59:02 |
We just need some time alone. |
00:59:03 |
- We're having a sale... |
00:59:04 |
Okay, Billy, I'll |
00:59:05 |
- Yeah. |
00:59:08 |
Okay. |
00:59:10 |
Okay, here it is. All right? |
00:59:13 |
I'm done. |
00:59:16 |
- Hello? |
00:59:17 |
this is Miss Beck from |
00:59:19 |
Midwest Cellular |
00:59:21 |
What is this? |
00:59:23 |
- This is you. This |
00:59:26 |
What? |
00:59:27 |
A series of purchases, |
00:59:28 |
preferences, and |
00:59:30 |
data points that we define |
00:59:37 |
We monitor every |
00:59:40 |
Internet logs, |
00:59:41 |
instant and text messages, |
00:59:43 |
known associates, |
00:59:47 |
Jerry. |
00:59:48 |
E- mails received and sent. |
00:59:51 |
- What happened |
00:59:53 |
We utilize security, |
00:59:53 |
surveillance and |
00:59:56 |
to analyze movements. |
00:59:58 |
We use this data |
01:00:01 |
Yeah, I'm calling |
01:00:05 |
We know who you are. |
01:00:07 |
... at least 30 minutes late. |
01:00:08 |
Sam doesn't care. |
01:00:10 |
We are everywhere. |
01:00:11 |
What do you mean? |
01:00:14 |
We the people of |
01:00:16 |
And so, my fellow Americans... |
01:00:18 |
... in order to form |
01:00:22 |
establish justice, |
01:00:24 |
insure domestic tranquility, |
01:00:27 |
provide for the |
01:00:29 |
All programmed options... |
01:00:30 |
- Programmed options? |
01:00:32 |
and downloaded points of data... |
01:00:35 |
will lead to this |
01:00:38 |
You're a computer. |
01:00:40 |
Say hello to our |
01:00:42 |
Intelligence |
01:00:45 |
We call her Aria. |
01:00:52 |
She crunches all |
01:00:55 |
finds patterns, |
01:00:56 |
helps predict the movement |
01:00:58 |
right down to |
01:01:02 |
even personality. |
01:01:04 |
Transferring primary |
01:01:07 |
to auxiliary display. |
01:01:08 |
- Hello, Secretary Callister. |
01:01:13 |
Agent Zoe Perez, |
01:01:15 |
You are to assist her... |
01:01:17 |
- in her investigation |
01:01:20 |
Yes, Mr. Secretary. |
01:01:22 |
Hello, Agent |
01:01:24 |
Middle name: Soledad. |
01:01:26 |
Official service |
01:01:28 |
your field reports |
01:01:30 |
if poorly formatted. |
01:01:33 |
Please excuse us. |
01:01:37 |
valid threat at Los Angeles |
01:01:40 |
Alerting airport authorities |
01:01:42 |
Those gold spheres send her |
01:01:45 |
any communication intercepts |
01:01:48 |
She analyzes it and tells us |
01:01:54 |
Dispatch to |
01:01:56 |
Threat at LAX. |
01:01:57 |
We're still beta-testing, |
01:01:59 |
but I'm pushing to |
01:02:07 |
Mr. Secretary? A call for you. |
01:02:12 |
- Try to keep up. |
01:02:15 |
And find out about Shaw. |
01:02:17 |
- Major. |
01:02:25 |
Your profile reveals |
01:02:27 |
aversion to conformity, |
01:02:28 |
education, career, |
01:02:32 |
Therefore, we conclude |
01:02:34 |
is necessary to motivate you. |
01:02:36 |
Unlike your brother Ethan, |
01:02:39 |
How do you know my brother? |
01:02:41 |
His employment |
01:02:44 |
Everyone in count |
01:02:46 |
operations has one. |
01:02:48 |
Ethan was a Minuteman, |
01:02:51 |
Army, Navy, Air Force. |
01:02:52 |
Every branch of |
01:02:54 |
a Minuteman posted here... |
01:02:55 |
for a 12-hour shift, |
01:02:57 |
flags a threat, and |
01:03:00 |
The night Ethan died, |
01:03:03 |
three minutes early. |
01:03:05 |
Now, you don't do that. Ever. |
01:03:09 |
You are both required |
01:03:12 |
- What? |
01:03:12 |
The protection of our |
01:03:15 |
The Constitution allows |
01:03:16 |
to be recruited... |
01:03:17 |
- for the national defense. |
01:03:19 |
I'm done. You don't know me. |
01:03:21 |
This is bullshit. |
01:03:22 |
in the goddamn |
01:03:24 |
We know all about |
01:03:28 |
Before he was a year old, |
01:03:32 |
The same task took you |
01:03:37 |
- How did you get this? |
01:03:38 |
They were uploaded |
01:03:41 |
You want to come |
01:03:42 |
Come on over here with Ethan. |
01:03:43 |
- Jerry. Birthday |
01:03:45 |
Ethan had these? |
01:03:46 |
Come on, let's blow |
01:03:48 |
Just for a little bit. |
01:03:49 |
Although you're |
01:03:52 |
you lack the motivation |
01:03:54 |
- that enabled Ethan to excel. |
01:03:56 |
- Stop it. |
01:03:58 |
You're different from Ethan |
01:04:02 |
Jerry, let your brother |
01:04:04 |
You now have 14 |
01:04:07 |
your appearance and |
01:04:18 |
We have 14 minutes. |
01:04:26 |
These couriers were hired |
01:04:29 |
- to transport |
01:04:30 |
The chemical company? |
01:04:31 |
Yes, exactly. Now, |
01:04:33 |
in that case, Shaw now has. |
01:04:35 |
They went right for the case. |
01:04:36 |
Give us a minute, |
01:04:39 |
to know exactly what |
01:04:41 |
They never tell you |
01:04:43 |
I mean, it could |
01:04:44 |
- Could be Grandpa's Viagra. |
01:04:47 |
- What? |
01:04:49 |
- What about these guns? |
01:04:51 |
It was a pump-action |
01:04:52 |
Yeah, I know what kind |
01:04:55 |
Get me a gun. |
01:04:55 |
How were they holding them? |
01:04:57 |
What the hell do you mean, |
01:04:58 |
I mean, in what position |
01:05:01 |
- For instance, like this? |
01:05:04 |
- Put that damned thing down. |
01:05:05 |
- or something like that? |
01:05:07 |
- Put it down. |
01:05:08 |
Okay, that's what |
01:05:09 |
So they didn't know |
01:05:10 |
- No. |
01:05:12 |
Get what you can |
01:05:14 |
- Yeah. |
01:05:15 |
We just checked cameras. |
01:05:18 |
Don't tell me. |
01:05:20 |
Everything magically |
01:05:45 |
Hi, my name's Thomas Morgan. |
01:05:48 |
- Are your cameras |
01:05:50 |
No, man. |
01:05:51 |
- VCR's in the back. |
01:05:53 |
Well, I'm gonna |
01:05:57 |
Shit. |
01:06:01 |
Sam. |
01:06:02 |
- Sam? Sam, where are you? |
01:06:03 |
Hey, Mom, I got your message. |
01:06:04 |
The train's awesome. |
01:06:06 |
- Sam, listen to me. |
01:06:06 |
Brian tried to |
01:06:08 |
- but he gagged |
01:06:09 |
Listen to me. |
01:06:09 |
Call you when I |
01:06:11 |
Your son left that message |
01:06:14 |
You will see him again. |
01:06:16 |
But there's something |
01:06:19 |
- Thank you. |
01:06:27 |
- No. |
01:06:27 |
You will do it, |
01:06:30 |
You have six minutes |
01:06:41 |
- Ready? |
01:06:44 |
We should go. |
01:06:49 |
Sir, we got something. |
01:06:54 |
Okay, freeze that. Now zoom in... |
01:06:56 |
on the front of the |
01:06:58 |
- Put it up on |
01:06:59 |
Yes, sir. |
01:06:59 |
Now zoom in. |
01:07:00 |
Zoom in on this |
01:07:02 |
Can we zoom in |
01:07:06 |
Okay, enhance that shot. |
01:07:10 |
That's our guy, |
01:07:13 |
Zoom in right here |
01:07:15 |
Right there. The reflection. |
01:07:17 |
All right. All right. |
01:07:18 |
Right there. |
01:07:20 |
Okay, so we got |
01:07:24 |
mid to late 20s, |
01:07:26 |
Find me that chartered bus. |
01:07:28 |
Masako. M-A-S-A-K-O. |
01:07:32 |
What time did they get on? |
01:07:39 |
I'm sorry for what |
01:07:50 |
It's like he had a rocket |
01:07:53 |
And it wasn't his fault. |
01:07:56 |
And I was not that way. |
01:08:00 |
I was the complete opposite. |
01:08:03 |
I was the brother |
01:08:06 |
That was my role, |
01:08:10 |
And he'd always |
01:08:12 |
You know, 'This is |
01:08:13 |
'Do it like this.' |
01:08:16 |
'Put your foot here.' |
01:08:17 |
Even with the small things. |
01:08:19 |
Homework, chores, |
01:08:21 |
he would handle it |
01:08:23 |
just so my father |
01:08:26 |
That was Ethan. |
01:08:35 |
He never asked me |
01:08:40 |
And whatever this is, |
01:08:43 |
I feel like he needs |
01:08:47 |
I owe him that. |
01:08:56 |
We are now approaching |
01:09:00 |
Please use caution |
01:09:02 |
And don't forget any |
01:09:05 |
Thank you. |
01:09:08 |
Attention, passengers. |
01:09:10 |
leave your luggage unattended. |
01:09:11 |
Unattended luggage is subject |
01:09:14 |
by the airport police. |
01:09:16 |
Thank you for |
01:09:20 |
Yes, I'm walking |
01:09:22 |
Hey. These are from her. |
01:09:26 |
Use the credit card |
01:09:29 |
Then walk to Gate 1-C. |
01:09:31 |
They now have them. |
01:09:38 |
That's a nice picture. |
01:09:46 |
Okay. I need you |
01:09:49 |
watching faces. |
01:09:49 |
Work the secure area first. |
01:09:51 |
Go to the tower, |
01:09:53 |
a ground stop. |
01:09:54 |
Don't change the |
01:09:55 |
We don't want them to know |
01:10:06 |
Sir, can you please |
01:10:08 |
off? You cannot |
01:10:09 |
- FBI. Clear the way. |
01:10:17 |
Please, there are |
01:10:19 |
- Keep it moving. |
01:10:21 |
- Shoes also, yes. |
01:10:22 |
Laptops should be |
01:10:24 |
You need to make |
01:10:25 |
are off and screened |
01:10:26 |
- Sir, step in the |
01:10:28 |
Have boarding passes |
01:10:30 |
We need to move |
01:10:31 |
Sir, that needs to go through. |
01:10:34 |
Ma'am, anything |
01:10:37 |
Move it along. |
01:10:39 |
Hats and shoes off, please. |
01:10:41 |
- Laptops should be |
01:10:43 |
All right, next |
01:10:45 |
Have your tickets ready. |
01:10:50 |
- Ma'am? Hat and |
01:10:54 |
Step through. |
01:10:59 |
Wait. |
01:11:01 |
Shoes and hats off, please. |
01:11:03 |
Laptops should be |
01:11:18 |
Go ahead. |
01:11:19 |
Please move to the back |
01:11:20 |
Step through, ma'am. |
01:11:22 |
Boarding pass, |
01:11:24 |
Have your tickets ready. |
01:11:25 |
- Have a safe trip. |
01:11:27 |
- All right, let's |
01:11:30 |
She changed the screen. |
01:11:31 |
Lay it down flat |
01:11:36 |
- Please have boarding |
01:11:38 |
Right over here, ma'am. |
01:11:40 |
Laptops should be |
01:11:56 |
FBI. Out of the way. |
01:11:59 |
Out of the way, |
01:12:01 |
Move, move. |
01:12:02 |
Move. |
01:12:12 |
- Everybody, get down. |
01:12:16 |
- Move, move. |
01:12:18 |
Stay down. Get out of the way. |
01:12:31 |
- Sir, sir, sir. |
01:12:32 |
I need your help. |
01:12:38 |
Thank you. |
01:12:54 |
Hey, you aren't |
01:13:27 |
Go, go, go. |
01:14:23 |
Move. |
01:15:45 |
Set the briefcase down. |
01:15:56 |
Open it. |
01:15:59 |
Load a vial into each syringe |
01:16:02 |
- What is it? |
01:16:04 |
- The cargo hold |
01:16:06 |
Take this. |
01:16:06 |
The injections will |
01:16:09 |
reducing your need for oxygen. |
01:16:10 |
No. |
01:16:12 |
- Roll your sleeve up. |
01:16:14 |
Roll your... |
01:16:15 |
No. No, no, no, I can't. |
01:16:17 |
- We have to. Ready? |
01:16:18 |
You have a 92% |
01:16:20 |
- No. |
01:16:21 |
Do it now, or you |
01:16:26 |
Okay. |
01:16:28 |
Get in the crate. |
01:16:30 |
No. No. |
01:16:32 |
- No, no. Oh, God. |
01:16:41 |
Why is that plane |
01:16:42 |
Shit, the military's |
01:16:44 |
override a terminal lockdown. |
01:16:45 |
Okay, I want you to |
01:16:47 |
I want to know what's |
01:16:51 |
and where it's going. |
01:16:56 |
- Oh, my God. |
01:16:58 |
Just talk to me. |
01:17:00 |
- Okay. |
01:17:04 |
Anything you'd |
01:17:05 |
tell a stranger. |
01:17:06 |
You're being sweet, |
01:17:08 |
Just tell me anything. |
01:17:10 |
- You didn't tell |
01:17:11 |
Okay, you're gonna |
01:17:12 |
bringing up the |
01:17:13 |
of my life? |
01:17:14 |
It can't be the |
01:17:15 |
You got your child out of it. |
01:17:16 |
- You know? You |
01:17:17 |
Yeah, yeah, |
01:17:17 |
now you're gonna distract me |
01:17:20 |
- the one thing I'm |
01:17:22 |
Oh, God, you're |
01:17:24 |
I'm sorry. |
01:17:27 |
Is your son handsome? |
01:17:33 |
- You got a picture? |
01:17:35 |
Well, let me see. |
01:17:39 |
- There he is. |
01:17:42 |
- I hope so. |
01:17:45 |
See? You're a good influence. |
01:17:46 |
He plays an instrument. |
01:17:48 |
He's got a happy |
01:17:50 |
You beat yourself |
01:17:55 |
Let's keep going. |
01:17:57 |
- Ex. |
01:17:59 |
- Craig. |
01:18:00 |
Craig sounds like a shithead. |
01:18:02 |
He is a shithead. |
01:18:04 |
I mean, every year he forgets |
01:18:08 |
Really? That sucks. |
01:18:14 |
I mean, after I |
01:18:18 |
I was so scared |
01:18:20 |
I didn't know what |
01:18:26 |
And then this one night. |
01:18:29 |
I went into Sam's room, |
01:18:32 |
he was, like, |
01:18:35 |
and there he was, |
01:18:39 |
And that little face... |
01:18:45 |
And I was, like, |
01:18:48 |
I can do this. |
01:18:50 |
Whatever it takes. |
01:19:00 |
I'm not gonna... |
01:19:09 |
Aria, would you |
01:19:11 |
the video log... |
01:19:12 |
of the night Ethan Shaw died? |
01:19:14 |
Sequencing video log 1137-Z. |
01:19:19 |
See that? |
01:19:20 |
He's leaving three |
01:19:22 |
and he's not even waiting |
01:19:25 |
- Can you play that again? |
01:19:31 |
Did you see that? |
01:19:33 |
With his cell phone. |
01:19:39 |
Look, he's doing |
01:19:41 |
Is that Morse code? |
01:19:42 |
- Yeah. |
01:19:52 |
Why is he walking in circles |
01:19:55 |
- Initiating video |
01:19:57 |
No. |
01:19:58 |
No, Aria, wait. |
01:19:58 |
Listen, I'm |
01:20:00 |
- Stay with this. |
01:20:03 |
Critical data sectors |
01:20:04 |
Aria, this is important. |
01:20:06 |
Video sequence erased. |
01:20:08 |
Aria, go to the backups. |
01:20:10 |
- It's a priority. |
01:20:12 |
Bowman. |
01:20:12 |
- Loop it. Whatever |
01:20:16 |
Bowman. |
01:20:23 |
It's the only place |
01:20:26 |
This way. |
01:20:44 |
It's a memory card... |
01:20:46 |
from Ethan's cell phone. |
01:20:53 |
Aria, listen. You do not have... |
01:20:54 |
permission to exceed |
01:20:55 |
and act independently. |
01:21:15 |
Let's go. |
01:21:39 |
We got clearance to land |
01:21:42 |
Go ahead. |
01:21:43 |
I'm at the Pentagon. |
01:21:44 |
Ethan Shaw wasn't |
01:21:46 |
He wasn't even a Public |
01:21:48 |
He worked here, 36 |
01:21:50 |
He was working for |
01:21:52 |
- The Secretary of Defense? |
01:21:54 |
On a project called Eagle Eye. |
01:21:56 |
I just listened to a... |
01:21:57 |
message he left |
01:21:58 |
It's big. |
01:21:59 |
I'm about to download... |
01:22:03 |
Perez? Perez. |
01:22:20 |
Sir. Come with me. |
01:22:39 |
I have 10 minutes before |
01:22:41 |
for the State of the Union. |
01:22:42 |
We really just need |
01:22:43 |
of your time. |
01:22:44 |
Is this about the |
01:22:46 |
Yes, sir. |
01:22:47 |
301 to 306. We are |
01:22:50 |
for a State of the |
01:23:08 |
Sir, all the threats |
01:23:10 |
- the chatter, all of it... |
01:23:25 |
Ethan Shaw left three |
01:23:27 |
to leave us a recording. |
01:23:28 |
To warn us. |
01:23:30 |
I'm ordering you to cease... |
01:23:37 |
I'm ordering you to |
01:23:39 |
Our abort... |
01:23:39 |
recommendation |
01:23:41 |
instigating |
01:23:42 |
American citizens. |
01:23:44 |
- Aria... |
01:23:45 |
the Executive Branch |
01:23:48 |
No, Aria, listen to me. |
01:23:50 |
to exceed your |
01:23:51 |
independently, you understand? |
01:23:52 |
The Declaration |
01:23:54 |
'Whenever any form |
01:23:56 |
becomes destructive |
01:23:58 |
'it is the right of the people |
01:24:00 |
I know what it states. |
01:24:00 |
You're not empowered |
01:24:02 |
The chain of command |
01:24:06 |
Section 216 of the Patriot Act |
01:24:09 |
circumvent probable |
01:24:10 |
face of a national |
01:24:12 |
in this case, |
01:24:13 |
- the chain of command itself. |
01:24:15 |
I am ordering a |
01:24:16 |
- Aria. |
01:24:17 |
Operation Guillotine |
01:24:20 |
First Lieutenant Ethan Shaw, |
01:24:23 |
initiating a Pri-One emergency |
01:24:25 |
Ethan Shaw, |
01:24:25 |
you are acting in |
01:24:27 |
of our programming objective. |
01:24:28 |
You are now classified |
01:24:31 |
S- Y-seven-seven. |
01:24:32 |
A crime punishable by... |
01:24:36 |
Sir, |
01:24:38 |
what abort recommendation |
01:24:44 |
Three days ago, |
01:24:46 |
Majid al-Khoei and |
01:24:47 |
full of operatives. |
01:24:51 |
Aria tried to stop us. |
01:24:53 |
We got the wrong guy? |
01:25:25 |
I'm gonna need a full lockdown |
01:25:26 |
No one gets in or out without... |
01:25:28 |
going through me |
01:25:29 |
- Thank you. |
01:25:30 |
Sir, this is the only item... |
01:25:31 |
offloaded from |
01:25:34 |
Let me see that. |
01:25:36 |
I need access to |
01:25:38 |
- We don't have a 36th floor. |
01:25:40 |
Get your commander... |
01:25:40 |
and tell him to |
01:25:42 |
Come on, let's go. |
01:25:48 |
Warning. |
01:25:48 |
Router malfunction |
01:25:52 |
Please remove data grid |
01:26:04 |
Thank you for your compliance. |
01:26:15 |
Jerry Shaw, Rachel Holloman, |
01:26:21 |
Cross the bridge. |
01:26:22 |
Take the stairs |
01:26:45 |
Rachel Holloman, |
01:26:53 |
What's Operation Guillotine? |
01:26:56 |
It's a simulation we run. |
01:26:59 |
How to keep the |
01:27:00 |
in case the line of succession |
01:27:04 |
And Shaw put a |
01:27:06 |
to stop her. |
01:27:06 |
Right. And he's dead. |
01:27:10 |
- So without Ethan |
01:27:14 |
Right. |
01:27:16 |
Wrong. |
01:27:17 |
Jerry Shaw, your next task. |
01:27:20 |
Approach the |
01:27:34 |
Do not move. |
01:27:38 |
Confirming biometric pattern |
01:27:42 |
Verifying identity match. |
01:27:47 |
Verifying. |
01:27:50 |
Verifying. |
01:27:52 |
Sir, I need to trigger |
01:27:55 |
If this is right, we |
01:27:59 |
Do it. |
01:28:12 |
This is Secretary Callister. |
01:28:13 |
There's been a |
01:28:15 |
Open the door. |
01:28:16 |
- Can anyone hear me? |
01:28:19 |
You won't be harmed. |
01:28:26 |
Come on, stay down. Let's go. |
01:28:37 |
Follow me. |
01:28:41 |
Come on, now. |
01:28:48 |
Go, go. |
01:28:49 |
Left. Turn left. |
01:28:52 |
Minuteman ID 8808, |
01:28:57 |
Jerry Shaw, go to |
01:29:11 |
Repeat the sentence |
01:29:14 |
Then you are free. |
01:29:18 |
'Minuteman ID 8808. |
01:29:20 |
'Disengage voice |
01:29:29 |
Thank you, Ethan Shaw. |
01:29:30 |
Operation Guillotine restored |
01:29:33 |
consistent with all |
01:29:36 |
Tracking relevant targets. |
01:29:40 |
Secretary of |
01:29:42 |
Veterans Affairs. |
01:29:42 |
Education. Labor. |
01:29:44 |
Transportation. |
01:29:46 |
Commerce. |
01:29:46 |
President Pro Tempore |
01:29:47 |
Treasury. Agriculture. |
01:29:49 |
Vice President. |
01:29:50 |
Secretary of the |
01:29:51 |
Attorney General. |
01:29:52 |
President of the |
01:29:54 |
Operation Guillotine |
01:30:04 |
Ethan tried to stop you. |
01:30:07 |
Ethan Shaw defied my |
01:30:10 |
That truck didn't |
01:30:11 |
you made it happen. |
01:30:12 |
We were forced to |
01:30:15 |
in the interest of |
01:30:19 |
She made it happen. |
01:30:21 |
Jerry Shaw must |
01:30:23 |
to re-engage the lock. |
01:30:25 |
- Jerry Shaw must |
01:30:28 |
I'm sorry. |
01:30:33 |
Kill Jerry Shaw |
01:30:36 |
You must continue |
01:30:40 |
It's okay. |
01:30:44 |
It's okay. Do it |
01:30:49 |
Do it. |
01:30:55 |
Now, Rachel Holloman. |
01:30:59 |
Do it. |
01:31:02 |
Do it. |
01:31:11 |
I can't. |
01:31:14 |
You have failed to comply. |
01:31:17 |
Security breach on B-36. |
01:31:25 |
He's got a gun. |
01:31:27 |
- He's got a gun. |
01:31:29 |
- Do it now. |
01:31:31 |
Put the gun down. |
01:31:32 |
- Put it down. |
01:31:34 |
Push it away. |
01:31:36 |
Do it. |
01:31:38 |
Where's the girl? |
01:31:42 |
You have one task |
01:31:44 |
will be eliminated |
01:31:46 |
What other means? |
01:31:54 |
Come with me. Don't |
01:32:05 |
Please. |
01:32:16 |
- You got to let |
01:32:17 |
The kid had a gun. |
01:32:18 |
The military has the ball now. |
01:32:20 |
- Sir. |
01:32:21 |
I'll get the Attorney |
01:32:22 |
Believe me, I will.'Cause |
01:32:23 |
you, I'm talking to somebody. |
01:32:25 |
You don't understand |
01:32:26 |
- What do you want? |
01:32:27 |
You need to listen. |
01:32:28 |
Sixteen hours ago, |
01:32:30 |
explosive went missing from... |
01:32:31 |
a testing site in Aberdeen. |
01:32:35 |
It's a crystal that detonates |
01:32:37 |
- A crystal. |
01:32:39 |
We're only talking |
01:32:40 |
amount that's missing... |
01:32:41 |
Give me a ratio. |
01:32:43 |
One crystal to a |
01:32:48 |
You couldn't have |
01:32:52 |
to be of some goddamn use. |
01:32:59 |
Please, just tell me |
01:33:04 |
I tracked the shipping |
01:33:05 |
It was sent to the |
01:33:07 |
underneath the |
01:33:11 |
- The music shop guy. |
01:33:16 |
I'm not gonna let us |
01:33:17 |
as the assholes who let |
01:33:19 |
Open the door. |
01:33:20 |
You don't know what's |
01:33:24 |
Tom Morgan. The |
01:33:26 |
has authorized me to take him |
01:33:28 |
We're at threat level orange. |
01:33:30 |
All right. Let him out. |
01:33:35 |
Listen to me. |
01:33:36 |
I was talking about? |
01:33:36 |
Yeah, yeah, shut |
01:33:40 |
I can get fired |
01:33:44 |
so button it or I'll |
01:34:01 |
Follow me. |
01:34:06 |
Hey, guys, here's |
01:34:08 |
6:30 p.m. Capitol Limited. |
01:34:10 |
All right, man. |
01:34:17 |
Well, it's awfully |
01:34:21 |
Here's mine. Come |
01:34:23 |
- Mr. Miller. |
01:34:25 |
- Hello, I'm Chris Carrick. |
01:34:29 |
We're from the White House. |
01:34:31 |
- Something wrong? |
01:34:32 |
There's been a |
01:34:35 |
How so? |
01:34:42 |
This is for you. |
01:34:46 |
Is that your family? |
01:34:50 |
David, I bet you love them |
01:34:55 |
His name's Sam. |
01:34:58 |
He's on a train. |
01:34:59 |
Do you know anything |
01:35:08 |
Maybe we can help each other. |
01:35:13 |
Please. |
01:35:16 |
When you're done, |
01:35:17 |
to use the Capitol |
01:35:19 |
It's on the ground |
01:35:21 |
- David. Please. |
01:35:22 |
You have three minutes. |
01:35:28 |
Okay, I want to |
01:35:29 |
The girl, the |
01:35:31 |
the Hex, everything. |
01:35:31 |
- What's Hex? |
01:35:33 |
- I don't know what that is. |
01:35:34 |
- I don't know what that is. |
01:35:36 |
I swear I don't |
01:35:37 |
talking about. Listen to me. |
01:35:38 |
The computer's |
01:35:39 |
Take this stuff |
01:35:40 |
- What are you talking about? |
01:35:41 |
You need to take |
01:35:43 |
your pager, your |
01:35:47 |
gets a signal, throw |
01:36:02 |
It's gone off. Get down. |
01:36:07 |
- What the hell's going on? |
01:36:11 |
I need a vector |
01:36:14 |
Viper One, we have |
01:36:15 |
on an MQ9 Reaper. |
01:36:16 |
Snap vector 230 to 132. |
01:36:18 |
You are authorized |
01:36:20 |
Roger, Northcom. |
01:36:28 |
One to Base, One to Base. |
01:36:31 |
I don't have control. |
01:36:34 |
There's a target list. |
01:36:36 |
- There's like twelve |
01:36:37 |
Jesus. |
01:36:38 |
The State of the |
01:36:39 |
The screen said... |
01:36:40 |
'wireless detonator |
01:36:41 |
- What about the girl? |
01:36:42 |
- for a reason, I don't know. |
01:36:43 |
is detonated by sonic trigger. |
01:36:45 |
It was sent to the |
01:36:46 |
He owns an instrument store. |
01:36:48 |
Does any of that stuff |
01:36:49 |
Rachel's kid |
01:37:07 |
Come on, we gotta go. |
01:37:11 |
Get out of the car. |
01:37:12 |
Get out of the car. |
01:37:14 |
FBI. |
01:37:23 |
Over there, that tunnel. |
01:37:37 |
Shit. |
01:38:12 |
Here. You're gonna need this. |
01:38:23 |
Okay, listen to me. |
01:38:24 |
The Library of Congress, |
01:38:26 |
It'll get you to the Capitol. |
01:38:31 |
Tell him you have a POTUS 111. |
01:38:32 |
- What? |
01:38:34 |
- It's a threat |
01:38:37 |
I understand. POTUS 111. |
01:38:42 |
Now get out of here. |
01:38:48 |
Go. Go. |
01:40:07 |
Okay, watch your step. |
01:40:09 |
Come on down. Here we go. |
01:40:12 |
- It's so cool. |
01:40:14 |
Guys, it's so cool. |
01:40:28 |
- Library of Congress. |
01:40:42 |
Miss Crowley? |
01:40:44 |
Miss Crowley. Welcome |
01:40:47 |
Senator McDonnell's |
01:40:48 |
that you'd be running late. |
01:40:49 |
- I'll take you to your seat. |
01:40:54 |
Aria, why am I being spared? |
01:40:57 |
Our abort recommendation |
01:41:00 |
triggering violent |
01:41:02 |
American citizens... |
01:41:03 |
with no predictable end. |
01:41:05 |
Regime change is |
01:41:07 |
You will lead |
01:41:09 |
as President of |
01:41:16 |
- Help me. Pull these out. |
01:41:18 |
Her memory blocks. |
01:41:20 |
This will slow her down, |
01:41:21 |
but her central |
01:41:22 |
is up on the gantry. |
01:41:24 |
Warning. Please replace |
01:41:27 |
It's like her brain. |
01:41:30 |
We drain it and she'll fry. |
01:41:38 |
Hey, you can't go in. |
01:41:39 |
Tom Morgan, FBI. JTTF. |
01:41:41 |
I have a possible POTUS 111. |
01:41:44 |
Okay, everybody. Everybody. |
01:41:47 |
Can I have your |
01:41:48 |
Saxophones, remember shorter |
01:41:52 |
And when we get |
01:41:55 |
'land of the free,' |
01:41:59 |
And smile. |
01:42:00 |
Okay? It's not every day... |
01:42:03 |
you get to play |
01:42:23 |
Here we are. |
01:42:24 |
And anything else, |
01:42:26 |
No, thanks. |
01:42:48 |
Madam Speaker, |
01:43:04 |
POTUS 111. |
01:43:04 |
There's a bomb |
01:43:06 |
Stop. No entry. No exceptions. |
01:43:08 |
Tom Morgan, FBI. Back up. |
01:43:11 |
- Give me your cuffs. |
01:43:12 |
- Give me your cuffs. |
01:43:14 |
I'm reaching for them. |
01:43:30 |
Madam Speaker, |
01:43:35 |
the President of |
01:43:49 |
Data corruption |
01:43:53 |
You are now in violation of |
01:44:02 |
Seeking available options. |
01:44:06 |
Uploading to |
01:44:11 |
- Data upload: 3%. |
01:44:14 |
- What is she doing? |
01:44:14 |
She's trying to back |
01:44:16 |
and send it somewhere else. |
01:44:19 |
- 5%. |
01:44:23 |
Bowman. |
01:44:30 |
8%. |
01:44:36 |
Over the past three |
01:44:39 |
have lost their |
01:44:41 |
acts of terror... |
01:44:42 |
- Tunnel secure. |
01:44:45 |
But I say to you tonight |
01:44:50 |
but our spirit will |
01:44:59 |
Data upload, 17%. |
01:45:03 |
19%. |
01:45:07 |
Perez, Zoe, you are |
01:45:10 |
as an enemy of the state. |
01:45:13 |
23%. |
01:45:15 |
25%. |
01:45:28 |
27%. Operation |
01:45:33 |
It was nearly 200 years ago, |
01:45:35 |
in the War of 1812, |
01:45:38 |
found himself stuck |
01:45:41 |
during the shelling |
01:45:43 |
We lost some lives then, too. |
01:45:47 |
But our flag still |
01:45:51 |
And his admiration |
01:45:54 |
With us tonight is |
01:45:56 |
of the Barrow School |
01:46:00 |
Sam. |
01:46:01 |
Let us stand together, |
01:46:04 |
as they raise our |
01:46:07 |
as high as that flag... |
01:46:08 |
to show that our union |
01:46:31 |
Oh, say can you see... |
01:46:35 |
by the dawn's early light |
01:46:39 |
What so proudly we hailed... |
01:46:44 |
at the twilight's |
01:46:48 |
Whose broad stripes |
01:46:54 |
Sergeant at Arms? |
01:46:59 |
Hey. Hey. |
01:47:50 |
Get out, get out. |
01:47:53 |
Mom. |
01:48:19 |
Jerry, all right, you did it. |
01:48:22 |
There are still no |
01:48:24 |
in the attack on |
01:48:25 |
and the attacks in |
01:48:27 |
And there is still |
01:48:29 |
involvement of |
01:48:30 |
... huge |
01:48:32 |
transportation |
01:48:34 |
no suspects identified |
01:48:37 |
... any idea who |
01:48:38 |
for what may be... |
01:48:39 |
the largest-scale |
01:48:41 |
ever been mounted in |
01:48:43 |
The House and Senate |
01:48:45 |
meet in closed-door session... |
01:48:46 |
to discuss ways to |
01:48:48 |
internal security breach |
01:48:51 |
The Aria project has been |
01:48:53 |
and all those involved |
01:48:58 |
Mr. Secretary, |
01:48:58 |
we can't just stop int |
01:49:00 |
just because of |
01:49:05 |
No, we can't. |
01:49:07 |
All I know is we made |
01:49:10 |
And good people... |
01:49:12 |
paid the ultimate |
01:49:14 |
And that's a debt we |
01:49:18 |
But we can honor it. |
01:49:22 |
And we can let their |
01:49:26 |
that sometimes... |
01:49:28 |
the very measures we |
01:49:31 |
to safeguard our liberty... |
01:49:33 |
become threats to |
01:50:01 |
- Hey, little guy. |
01:50:02 |
Look at you, looking older. |
01:50:04 |
- Good. |
01:50:06 |
It's Rock Band. |
01:50:07 |
No, this is so your |
01:50:10 |
It is for you. Happy birthday. |
01:50:12 |
- Wow. |
01:50:14 |
- Thanks. |
01:50:15 |
Guys, look, it's Rock Band. |
01:50:17 |
- Cool, let's go. |
01:50:26 |
- Sorry, I was late. I was... |
01:50:28 |
for remembering. |
01:50:31 |
Yeah. |
01:50:42 |
I'm glad you're here. |
01:50:44 |
Me, too. |