Easy Virtue
|
00:00:10 |
Good evening. |
00:00:13 |
Hello, chaps. |
00:00:18 |
Thank you for coming. |
00:00:21 |
Now then, we have a long way to go, |
00:00:28 |
Righty-ho...settle down, now. |
00:00:35 |
1...2...3... |
00:00:38 |
# I'm mad about the boy |
00:00:47 |
# I know it's stupid to be |
00:00:55 |
# I'm so ashamed of it, |
00:00:59 |
# The sleepless nights |
00:01:09 |
# On the silver screen |
00:01:13 |
# He melts my foolish heart |
00:01:21 |
# Although I'm quite aware |
00:01:24 |
# That here and there are traces... |
00:01:36 |
# And Lord knows, I'm not a fool girl |
00:01:43 |
# I really shouldn't care |
00:01:50 |
# Lord knows, I'm not a schoolgirl |
00:01:54 |
# In the flurry of her first affair |
00:02:03 |
# Will it ever cloy, this odd diversity |
00:02:14 |
# I'm feeling quite insane |
00:02:19 |
# And all because I'm mad |
00:02:41 |
# I'm feeling quite insane |
00:02:46 |
# And all because I'm... |
00:02:52 |
# ...mad about the boy # |
00:03:14 |
- She's the first lady racer. |
00:03:17 |
She crossed the line first. |
00:03:22 |
Not nearly as exciting |
00:03:24 |
I think we can all ignore that. |
00:03:27 |
Oh, what is that man doing? |
00:03:34 |
Jackson! |
00:03:36 |
- Madam? |
00:03:38 |
Put the camellias by the front door |
00:03:42 |
- Furber. |
00:03:44 |
Salvage any of Jackson's appalling |
00:03:48 |
who's kindly offered up a leg of mutton |
00:03:53 |
But Reverend Burton has asked me |
00:03:56 |
- My hands are clearly full. |
00:03:59 |
Uncle George has posted |
00:04:03 |
of the Valentine's Day Massacre! |
00:04:05 |
Hilda. |
00:04:06 |
Seven terrified men cut down |
00:04:11 |
Made worse by the strays that |
00:04:15 |
- Hilda... |
00:04:19 |
The leg of lamb! Now. |
00:04:26 |
Why we try and marry her off to gentry |
00:04:31 |
Seating. I'm putting Sarah on your left |
00:04:35 |
so please try and make an effort |
00:04:38 |
Right...l shall go and brush up |
00:04:44 |
It might be an awkward meal. |
00:04:46 |
For all we know Sarah's grazing |
00:04:50 |
Whilst your brother sows his wild oats |
00:04:56 |
No. We'll keep the home fires burning |
00:05:01 |
Hmm. Like father did? |
00:05:03 |
Yes. Like your father did. |
00:05:16 |
I've got news, everybody! |
00:05:19 |
- You all right, sir? |
00:05:22 |
- Coping, sir. |
00:05:25 |
Well done? They look like |
00:05:28 |
- Can't you make them more relaxed? |
00:05:33 |
I can't believe it. You'll never guess. |
00:05:37 |
Houdini escaped the Chinese water |
00:05:41 |
How ghastly! |
00:05:46 |
"Mr and Mrs Whittaker". Your mother. |
00:05:49 |
What's it say, Father? |
00:05:52 |
Perhaps your mother |
00:05:55 |
Oh! That stupid, stupid, stupid boy! |
00:06:00 |
What's happened? |
00:06:03 |
- It's John, he's married that f-f-f... |
00:06:06 |
- F-f-f... |
00:06:09 |
- Pharmacist? |
00:06:11 |
Deploying a smile. One member |
00:06:15 |
Don't be absurd! We don't know |
00:06:18 |
Furber! |
00:06:20 |
- Oh, not again! |
00:06:23 |
Lord have mercy. |
00:06:25 |
Mister John is coming home with his... |
00:06:29 |
Yes. Their bags have just arrived. |
00:06:31 |
I'll be the judge of that. Clear up this |
00:06:35 |
- This is from Dover. They'll be half way. |
00:06:40 |
Very sharp, |
00:06:42 |
John married the floozy. |
00:06:58 |
# A room with a view and you |
00:07:02 |
# And no one to worry us |
00:07:05 |
# No one to hurry us through |
00:07:14 |
There she blows. |
00:07:18 |
Oh, Lord, it's enormous. |
00:07:20 |
So, I lied about gingerbread hedges |
00:07:24 |
- How hard to swim is the moat? |
00:07:28 |
Smoke and mirrors. |
00:07:32 |
Oh, by the by, smoking...don't. |
00:07:36 |
- That makes no sense. Speak English. |
00:07:42 |
Oh, give me back the wheel of my car. |
00:07:52 |
How romantic! |
00:07:54 |
Here they come! Oh, Furber! |
00:07:57 |
Mister John and his wife |
00:08:00 |
- I can't see them. |
00:08:06 |
Ooh! |
00:08:11 |
- Smile, Marion. |
00:08:14 |
You're English, dear. Fake it. |
00:08:26 |
The prodigal son returns |
00:08:29 |
Father! You shaved. |
00:08:34 |
Welcome, Madam. |
00:08:37 |
You look gorgeous. |
00:08:40 |
It's so lovely to see you. |
00:08:47 |
Oh, darling. Sorry, sorry! |
00:08:52 |
This is my wife, Larita. |
00:08:55 |
Mrs Whittaker, the pleasure is all mine. |
00:08:59 |
Oh, you're American. |
00:09:00 |
- And very welcome. Jim Whittaker. |
00:09:03 |
I fought alongside many |
00:09:06 |
and I must say it's an honour |
00:09:09 |
Thank you. |
00:09:12 |
- Far from it. |
00:09:15 |
Hilda and Marion. |
00:09:17 |
Aren't you the woman |
00:09:19 |
First place, before disqualification. |
00:09:21 |
Apparently you need chest hair |
00:09:25 |
I saw you in the paper. |
00:09:31 |
Furber, that suitcase |
00:09:35 |
Marion... Golly, you're not a bit |
00:09:38 |
Somewhat older, I expect. |
00:09:44 |
Before the frostbite sets in... |
00:09:46 |
I'm looking forward to getting acquainted |
00:09:51 |
You'll find me quite uncomplicated, |
00:09:54 |
Oh! What are you doing? |
00:09:56 |
Carrying you over the finish line. |
00:10:02 |
Venus de Milo meet my Venus Detroit. |
00:10:06 |
Oh, hello. |
00:10:07 |
Mother's turned our old nursery |
00:10:10 |
I wouldn't exactly call it a boudoir, Hilda. |
00:10:12 |
Marvellous. All those grubby memories |
00:10:15 |
We had no time |
00:10:17 |
I only hope we can make you |
00:10:20 |
Don't go to any trouble. |
00:10:25 |
- Aren't we, Johnnie? |
00:10:28 |
And for our next surprise... |
00:10:34 |
What on earth is that? |
00:10:38 |
His master's voice! |
00:10:41 |
How divine! You should've |
00:10:44 |
# ...another June, |
00:10:52 |
# Another season, another reason |
00:11:00 |
Come on, little blister. Twirl for me. |
00:11:08 |
Oh, a Continental education. |
00:11:13 |
An emotional depiction of the French |
00:11:17 |
Come now, not Mrs Whittaker. |
00:11:20 |
I don't think we're quite ready |
00:11:23 |
Since time is so clearly against us, why |
00:11:29 |
Dinner's at 8:00. |
00:11:31 |
- You didn't tell them? |
00:11:35 |
That's not fair! Your poor mother. |
00:11:39 |
A few days? |
00:11:41 |
I shoulder the shortcomings of this family |
00:11:46 |
Look at her. What am I supposed |
00:11:49 |
- Hang her? |
00:11:51 |
- Do you, Hilda? Well, we can all relax. |
00:11:55 |
She's exactly |
00:11:57 |
- Surely not exactly? She wasn't drunk. |
00:12:01 |
- Reduce this to the burlesque. |
00:12:04 |
- Very. |
00:12:07 |
Yes, Jim. We all know what you like. |
00:12:10 |
Mother! |
00:12:18 |
Oh, we have all been sent |
00:12:23 |
- And so toasty. |
00:12:26 |
She keeps half the house closed |
00:12:29 |
That explains the frosty reception. |
00:12:32 |
Well, darling. Let me warm you up. |
00:12:58 |
- Well? |
00:13:01 |
Thanks, Father. |
00:13:03 |
John? How long is a few days? |
00:13:07 |
Mother, Larita and I would like |
00:13:10 |
- But this is your home. |
00:13:16 |
But Panda, we need you here. |
00:13:19 |
Since you went off around the Riviera, |
00:13:23 |
lf you'd just listened to me |
00:13:25 |
Wouldn't that be a good idea? I could |
00:13:29 |
Congratulations on your insight |
00:13:33 |
Sarah and Philip are coming to dinner |
00:13:36 |
that will take the League |
00:13:39 |
- Tonight? That's absolutely splendid! |
00:13:44 |
Sarah might not be |
00:13:46 |
Codswallop. She'll be delighted. |
00:13:48 |
lf mother was so desperate for her hand |
00:13:53 |
Strange as it may seem, |
00:13:55 |
I think you're wrong. |
00:13:57 |
On certain things, yes. Call her. |
00:14:00 |
- Really? |
00:14:02 |
Really! lf Edgar were here, |
00:14:07 |
What? Run away? |
00:14:13 |
Here they come! |
00:14:29 |
And the chequered flag goes to... |
00:14:33 |
I should've written, but it happened |
00:14:38 |
In Larita's arms, it seems. |
00:14:40 |
- Please don't be disappointed. |
00:14:43 |
But tell me you're happy, |
00:14:47 |
# You're the top, |
00:14:50 |
Panda, don't break out |
00:14:53 |
The hell we're not. |
00:14:55 |
- Have I missed something? |
00:14:59 |
Oh, you plonker! |
00:15:01 |
Rule one, push sleeping cow. |
00:15:04 |
Rule two, get out of the way. |
00:15:07 |
Rule three, remember rule two. |
00:15:10 |
Sarah! |
00:15:12 |
I hear your poor father |
00:15:15 |
I'm afraid not. He sends his love. |
00:15:17 |
You are a jolly good sport, |
00:15:21 |
I wouldn't miss it for the world. |
00:15:24 |
Yes. Excellent for musical comedy. |
00:15:28 |
- I hear the cow's in a terrible way. |
00:15:31 |
And did she eat them? |
00:15:33 |
Good evening to you all. |
00:15:36 |
Nobody told me tonight |
00:15:38 |
Then why have you come |
00:15:43 |
I think I'm snagged. |
00:15:45 |
Let me help you with that. |
00:15:50 |
Holy mother! |
00:15:53 |
Panda? You're forgiven...tenfold. |
00:16:04 |
Sarah Hurst, I'd like to introduce |
00:16:10 |
Gosh, I do like the sound of that. |
00:16:13 |
Sarah...finally. |
00:16:16 |
- Johnnie talks about you constantly. |
00:16:19 |
- I hope we can be friends. |
00:16:25 |
Er...I'd like to be friends, too. |
00:16:28 |
- Larita, my tiresome brother... |
00:16:32 |
Charmed, my dear lady. |
00:16:34 |
Philip, won't you escort me in? |
00:16:37 |
Of course, |
00:16:40 |
That's whet my appetite. |
00:16:43 |
And toast my beautiful bride. |
00:16:45 |
Had we known there was to be |
00:16:48 |
we could've lashed out on taffeta! |
00:16:50 |
quite pleasant once you stop struggling. |
00:16:54 |
So, John, was Larita's |
00:17:05 |
More cabbage, Madam? |
00:17:07 |
There's lots to do, Larita. |
00:17:10 |
Boats, cars or planes? |
00:17:12 |
- No, horses, silly. |
00:17:16 |
Faulty steering and unreliable brakes. |
00:17:20 |
I'm stealing that for Stirrup Cup! |
00:17:22 |
- Stirrup what? |
00:17:24 |
Every November, Philip and Sarah's |
00:17:27 |
Wait until you meet their father, |
00:17:29 |
- And Lady Hurst? |
00:17:35 |
- Stopped what? |
00:17:38 |
Oh, I'm very sorry to hear that. |
00:17:42 |
Between father's polio |
00:17:47 |
Can we please just drop the cows? |
00:17:49 |
I think we'll give the fox a break |
00:17:51 |
Oh, no hunt? Mrs Winston gave me |
00:17:57 |
Your father and I conspired to make |
00:18:01 |
People come from far and wide. |
00:18:04 |
Very thoughtful, Mother. |
00:18:06 |
You do hunt, |
00:18:09 |
Hypocrites, gossips |
00:18:12 |
Bravo! |
00:18:14 |
You wouldn't get her to the start. |
00:18:16 |
We have another |
00:18:19 |
Company! Do you object to the circus |
00:18:24 |
I support Sheppard's position |
00:18:26 |
Good for you. |
00:18:30 |
After the War Widow's Revue, |
00:18:34 |
in between the Dog Show and the shoot. |
00:18:36 |
Don't forget the highlight. Mother's |
00:18:41 |
She's ordered the most exquisite |
00:18:44 |
- From Japan? |
00:18:47 |
Oh, yes. |
00:18:52 |
I'm breathless already. |
00:18:57 |
I won't make it to Christmas. |
00:19:01 |
I won't make it to breakfast! |
00:19:03 |
The lumpy grey and beige concoction? |
00:19:06 |
Oh, yes. That's the word |
00:19:10 |
Absolutely no idea. |
00:19:14 |
Incoming! Have you met my namesake? |
00:19:17 |
- Shh! They'll hear you. |
00:19:20 |
I do. |
00:19:23 |
I know we need the heat, |
00:19:26 |
Mother's clairvoyant about these things. |
00:19:28 |
She loathes me, Johnnie. |
00:19:31 |
I'm a gold-digger, burrowing in |
00:19:36 |
Your father's an interesting study, |
00:19:39 |
Quietly sardonic. I like that in a man. |
00:19:41 |
That won't earn you many |
00:19:46 |
After the Armistice, |
00:19:49 |
He caroused around France and ltaly, |
00:19:53 |
A lot of men did similar... |
00:19:57 |
- Why didn't she go after him? |
00:20:00 |
He finally just wandered home. |
00:20:02 |
Still a bit of a sore point. |
00:20:06 |
Except in public. |
00:20:07 |
You see, she feels |
00:20:10 |
Which means, of course, |
00:20:13 |
Exactly. The war robbed her |
00:20:16 |
She takes one look |
00:20:19 |
The harlot stealing into the nursery... |
00:20:23 |
The delicious concubine... |
00:20:25 |
...with the delectable ears... |
00:20:28 |
...nose... |
00:20:30 |
...neck. |
00:20:33 |
I could just... |
00:20:36 |
...eat you. |
00:20:38 |
After that meal I'm not surprised. |
00:20:48 |
# '...I'm mad about the boy!' # |
00:21:34 |
Dear Lord, thank you for bringing |
00:21:48 |
'Hmm...John!' |
00:22:00 |
- Why is Larita always so late? |
00:22:04 |
- Edgar was never late for a meal. |
00:22:08 |
Good morning. |
00:22:12 |
There she is! Morning, darling. |
00:22:18 |
What would Madam like for breakfast? |
00:22:21 |
I think Madam will get more sustenance |
00:22:25 |
- But it won't be as much fun. |
00:22:28 |
Darling, I think it's about high time |
00:22:30 |
that your mother and I have |
00:22:34 |
- Just us girls. |
00:22:38 |
What a frightening thought. |
00:22:43 |
Two hemispheres under one roof. |
00:22:54 |
I may not have travelled, |
00:22:57 |
Are you coming down with something? |
00:23:00 |
Pollen. |
00:23:03 |
How peculiar. |
00:23:05 |
Which is why we should |
00:23:08 |
- Where does one start? |
00:23:11 |
I was born in Detroit. |
00:23:14 |
He was one of the first |
00:23:17 |
Ah, hence the love of motoring? |
00:23:19 |
Yes, but I also love animals. |
00:23:22 |
I am a city girl. |
00:23:24 |
Oh! |
00:23:26 |
You can't be squeamish about livestock |
00:23:30 |
Which was never my intention. |
00:23:32 |
I was happily carving out a niche |
00:23:35 |
when I was unexpectedly flagged down |
00:23:42 |
Remarrying was the farthest thing |
00:23:47 |
I see... |
00:23:52 |
May I ask...? |
00:23:54 |
Oh, dead, unfortunately. No children. |
00:23:58 |
Oh... |
00:24:02 |
Still, he provided well, though? |
00:24:05 |
Yes, but there were a lot of hidden costs |
00:24:10 |
Oh, that beautiful motor car... Surely, |
00:24:15 |
I'm more than happy |
00:24:18 |
but I think you'll be a tad disappointed. |
00:24:20 |
The car is my sole source of income. |
00:24:23 |
Which makes living in London |
00:24:26 |
But what will John do in the city? |
00:24:28 |
Work. It's not uncommon. |
00:24:31 |
Oh! |
00:24:34 |
John was brought up in the country, |
00:24:37 |
Where will he work? |
00:24:39 |
Chalk Farm, perhaps? |
00:24:43 |
I know this is not perfect so that's |
00:24:48 |
So, please, how can I make this |
00:24:51 |
Well, erm...wartime experience dictates |
00:24:56 |
and you fit in as well as you can. |
00:24:58 |
- Oh, there's a war on? |
00:25:04 |
Australian mimosa. Mmm...beautiful. |
00:25:08 |
Oh... |
00:25:16 |
And then the British troops opened fire... |
00:25:20 |
- How'd it go, Mother? |
00:25:24 |
Marvellous. |
00:25:31 |
Thanks for the invitation! |
00:25:41 |
Thanks for the invitation! |
00:25:43 |
Oh, it's Lord Hurst! |
00:25:46 |
I fear storm clouds are gathering, |
00:25:49 |
Stop being maudlin, Father. |
00:25:51 |
- It's the future! |
00:25:53 |
Father, allow me to introduce |
00:25:58 |
- Lovely La-La-Larita. |
00:26:02 |
My son is prone to fabrication, |
00:26:05 |
he has been perfectly frank, |
00:26:09 |
Yes, that's right. |
00:26:13 |
No shortage of wits |
00:26:16 |
OK, stand back! I give you, the future! |
00:26:24 |
All right, John. |
00:26:29 |
Ha-ha! Allergies. |
00:26:32 |
You just want to squeeze her |
00:26:35 |
# ...working at the car wash |
00:26:42 |
# You might not ever strike it rich |
00:26:46 |
# But let me tell you, |
00:26:50 |
# Working at the car wash! |
00:26:53 |
# Working at the car wash, man |
00:26:56 |
# Come on, now, sing it to me |
00:27:00 |
# It's better than digging a ditch... # |
00:27:14 |
The missus is a bit trigger-happy |
00:27:17 |
Bleeding tinnitus is killing me. |
00:27:19 |
I like the new Mrs Whit. Reminds me |
00:27:24 |
Only more reasonable. You can tell |
00:27:27 |
Oh, be silent! |
00:27:29 |
Good morning, |
00:27:33 |
Cook, I can't call you a verb. |
00:27:37 |
Beatrice. |
00:27:42 |
All right, all right...it's Doris. |
00:27:46 |
Always wanted to be called Beatrice. |
00:27:48 |
Well, Beatrice, would you mind |
00:27:53 |
I fear I shall be rising later and later. |
00:27:57 |
Well...if it pleases, Mrs Whit. |
00:28:01 |
The point of the bell? |
00:28:03 |
When I ring it, you come to me, |
00:28:08 |
Larita. May I have a word? |
00:28:11 |
Come along! |
00:28:16 |
Would you please refrain |
00:28:19 |
It's chore enough trying to keep |
00:28:21 |
I had a brilliant French maid in Paris. |
00:28:26 |
Thank you, no...erm... |
00:28:28 |
I'd prefer to keep English |
00:28:33 |
Ah, there you are. |
00:28:34 |
I say! Anyone for tennis? |
00:28:37 |
Yes. You! |
00:28:39 |
John, Shackleton wouldn't let |
00:28:41 |
The fog has lifted |
00:28:43 |
You go ahead, darling. |
00:28:47 |
- No, really. I'm a lot of fun. |
00:28:50 |
John! |
00:28:57 |
Day one of the Antarctic Open. |
00:29:03 |
- Hole in one! |
00:29:06 |
I see your pair of deuces |
00:29:10 |
The Titanic could have hit that! |
00:29:13 |
Sarah, you're an embarrassment to |
00:29:17 |
Good God! What's wrong with you? |
00:29:21 |
- Stop, everybody! Listen! |
00:29:24 |
- Nice backhand! |
00:29:28 |
# Mad dogs and Englishmen |
00:29:32 |
# The Japanese don't care to, |
00:29:35 |
# Hindus and Argentines sleep firmly |
00:29:38 |
# But Englishmen detest a siesta... # |
00:29:42 |
Laurel and Hardy step up |
00:29:45 |
Miss Hilda Whittaker looking most |
00:29:56 |
One woman's heaven... |
00:29:59 |
Oh, she's absolutely beautiful. |
00:30:04 |
Broken, tarnished |
00:30:09 |
Things guaranteed |
00:30:13 |
May l? |
00:30:15 |
lf you don't mind |
00:30:17 |
In Detroit, what we lack in dirt, |
00:30:21 |
Your first husband |
00:30:24 |
Oh...well, word gets about. |
00:30:29 |
- So where is he now? |
00:30:34 |
Cancer. |
00:30:36 |
He was a fair bit older than me. |
00:30:39 |
I spent a while playing the unmerry |
00:30:43 |
- You didn't care for him, I gather? |
00:30:47 |
Life was just such an unpleasant |
00:30:52 |
I'd be a liar to say I wasn't glad |
00:31:03 |
- When were you last in France? |
00:31:07 |
On a personal reconnaissance, |
00:31:09 |
trying to ascertain what exactly |
00:31:15 |
Apparently, I'm of the romantic |
00:31:20 |
What did you lose? |
00:31:22 |
I'm not sure. |
00:32:23 |
Oh, hello...hello. |
00:32:25 |
Who was the tiny tank? |
00:32:30 |
On bended knees, |
00:32:34 |
Johnnie dear, |
00:32:36 |
so please try to take this |
00:32:40 |
I'm getting a machine gun |
00:32:44 |
That's fairly disappointing. I thought |
00:32:48 |
Yes, I might spare the men folk. |
00:32:51 |
But it's awfully dispiriting. |
00:32:55 |
I never needed any privacy before. |
00:32:57 |
It's not mine. |
00:33:01 |
# We're all alone, |
00:33:07 |
# The world's aslumber, |
00:33:14 |
Timing is everything, you little brute! |
00:33:17 |
Umpire at least. Philip is pining for you. |
00:33:20 |
lf I knew you played tennis, I never |
00:33:24 |
Ow! |
00:33:39 |
Not a bad day for it. |
00:33:42 |
Reading. |
00:33:44 |
My fiance, Edgar, |
00:33:47 |
Erm...you're needed on the tennis court. |
00:33:51 |
Would you like to see |
00:33:55 |
Poppy! |
00:33:59 |
- That's Enrico Caruso. |
00:34:03 |
But if you ignore |
00:34:06 |
...and the ears... |
00:34:12 |
I don't actually have a picture of Edgar. |
00:34:15 |
Well...mustn't keep you. |
00:34:17 |
No, no. Of course. Looking forward |
00:34:21 |
Poppy! |
00:34:24 |
- You haven't seen the beast, have you? |
00:34:26 |
Nope. I haven't. |
00:34:30 |
Poppy! |
00:34:38 |
Oh, poor, poor Poppy. I'm so sorry. |
00:34:41 |
Larita! |
00:34:46 |
I've been sent in to badger you. |
00:34:50 |
Oh, Hilda, I can't. I'm only good |
00:34:55 |
- We're between sets now. |
00:35:01 |
Philip! Go get him. |
00:35:06 |
Poppy! |
00:35:10 |
Poppy! |
00:35:12 |
Poppy! |
00:35:17 |
- What are you doing? |
00:35:19 |
A Biblical Story". |
00:35:22 |
Who gave you this filth? |
00:35:28 |
Go and find the dog! Larita! |
00:35:34 |
Please refrain from giving my daughter |
00:35:38 |
Yes, yes, of course. |
00:35:39 |
Oh, and I've volunteered you and Hilda |
00:35:42 |
to perform the Dance of the Dying Swan |
00:35:46 |
We're short on numbers. |
00:35:48 |
Lovely. Anything to help. |
00:35:51 |
Have you seen the dog? |
00:35:52 |
No. Not recently. |
00:35:55 |
Probably out seizing the sunshine |
00:36:02 |
Poppy! |
00:36:07 |
Furber! |
00:36:13 |
Oh, it's you, Madam. I'm sorry. |
00:36:16 |
- A shovel. |
00:36:21 |
Go and get Philip a hot toddy. |
00:36:23 |
- Philip. You look so...so...so... |
00:36:30 |
Poppy! |
00:36:32 |
- Oh...sorry. |
00:36:43 |
Your brother is such |
00:36:49 |
- Where's our beautiful cougar hiding? |
00:36:53 |
I wish she wouldn't slack indoors |
00:36:56 |
Some people would kill |
00:37:00 |
She isn't built the same as us. |
00:37:02 |
Still, it is annoying, though. |
00:37:04 |
You're such a sport, |
00:37:07 |
I haven't got Lari's beauty |
00:37:13 |
- She is clever, isn't she? |
00:37:16 |
Clever...and bored. |
00:37:20 |
I don't understand it. I'm not bored, |
00:37:25 |
Your father is, out of his mind. |
00:37:27 |
Father was born bored. |
00:37:30 |
lf only she made an effort to play along. |
00:37:33 |
Stop being so torturous, Panda. |
00:37:35 |
You had her playing charades last night. |
00:37:38 |
John! John? |
00:37:46 |
To tell the truth, I never really liked her. |
00:37:52 |
I didn't like the dog much, either. |
00:37:57 |
Poor Poppy. Casualty of war. |
00:38:03 |
lf I may be so bold, Madam? |
00:38:06 |
These people ride horses. |
00:38:10 |
It would be advantageous |
00:38:15 |
And I thought Detroit was a tough town. |
00:38:21 |
# You do something to me |
00:38:30 |
# Something that simply |
00:38:40 |
Oh, has your horse run out of gas? |
00:38:52 |
Oh, John, don't hurt it. |
00:38:54 |
Far from it. We've got a hunt coming up. |
00:39:01 |
Go on...run! |
00:39:06 |
So much to learn about each other. |
00:39:11 |
My curriculum vitae. The brook |
00:39:16 |
Mother always imagined |
00:39:23 |
Oh, and how about |
00:39:26 |
That's Davis, Lord Hurst's man. |
00:39:31 |
Closely followed by my mother-in-law. |
00:39:33 |
I wonder what the devil |
00:39:39 |
Are you disappointed |
00:39:42 |
Of course not. We've seen each other |
00:39:46 |
She's part of the...the...the...scenery. |
00:39:51 |
You can hack it a little while longer, |
00:39:54 |
How long is a little? |
00:39:58 |
Well, there's the War Widows' Revue, |
00:40:02 |
...the hunt. |
00:40:03 |
- The memorial service... |
00:40:09 |
Friends, we are gathered here today |
00:40:13 |
in remembrance |
00:40:17 |
Oh, Poppy... |
00:40:20 |
Wherever you have chosen |
00:40:23 |
we pray that you are blooming. |
00:40:26 |
We pray that you have gone |
00:40:29 |
Shame we don't know |
00:40:32 |
Anyway, now for a eulogy |
00:40:38 |
"Because I could not stop for death, |
00:40:43 |
"The carriage held but just ourselves |
00:40:47 |
Or maybe the carriage didn't stop |
00:40:52 |
Scraped off the road |
00:40:55 |
Oh, Hilda! |
00:41:06 |
Thank you, Mr Gribble. |
00:41:09 |
Now, ladies and gentlemen, |
00:41:13 |
behold Reverend Burton |
00:41:17 |
as they reach for the scissors |
00:41:34 |
Hark! I hear my husband snore! |
00:41:38 |
What the hell happened to Delilah? |
00:41:43 |
I'll creep forth on padded foot |
00:42:13 |
- How hilarious! |
00:42:16 |
Then you succeeded |
00:42:19 |
Your father seems |
00:42:22 |
Don't read too much into it. She was |
00:42:25 |
Sometimes I wonder where they'd be |
00:42:28 |
My ample follicles are in dire need |
00:42:33 |
I wouldn't taunt the artistes, |
00:42:37 |
I've encouraged my girls to undertake |
00:42:41 |
Hilda and I seem to have a talent |
00:42:44 |
The traditional can-can, |
00:42:47 |
- Oh, Philip! |
00:42:51 |
Yes, anything. |
00:42:53 |
That'll raise a bit more than money |
00:42:56 |
- I'm doubling my donation. |
00:42:59 |
Fans at the ready, gentlemen! |
00:43:02 |
All the way from gay Paris, |
00:43:05 |
I give you Miss Hilda Whittaker |
00:43:08 |
and, for her debut performance, |
00:43:13 |
doing 'The Can-Can'! |
00:43:16 |
Ooh! |
00:43:23 |
Ooh! |
00:43:38 |
Did...did you...? |
00:43:43 |
ls it my imagination, or is your daughter |
00:44:12 |
Ow! |
00:44:26 |
Bravo! |
00:44:46 |
It's not Lari's fault. |
00:44:50 |
Philip said it, not Larita. |
00:44:52 |
Everyone understood that |
00:44:55 |
Hilda isn't as experienced |
00:44:59 |
lf you're not prepared to have a straight |
00:45:02 |
Don't be ridiculous. You'll lose a finger. |
00:45:04 |
- Lord Hurst will never speak to me. |
00:45:08 |
Preparing the jumps for the hunt! |
00:45:11 |
I'm completely humiliated! |
00:45:15 |
After tonight, I'd have thought |
00:45:18 |
I hate her! Hate, hate, hate her! |
00:45:23 |
The advance notices |
00:45:36 |
ls it my imagination or is the cutlery |
00:45:41 |
I don't know how many times |
00:45:45 |
- That's easy for you to say. |
00:45:51 |
- You're smiling, Jim. |
00:45:58 |
Hilda, if I had any inkling that you |
00:46:02 |
You could have made an effort |
00:46:04 |
I had my underpants on. |
00:46:09 |
It's not fair! You've got two husbands, |
00:46:14 |
- Technically, I have one. |
00:46:17 |
I've had two shoes |
00:46:20 |
I dare say you've worn down |
00:46:26 |
John... |
00:46:28 |
Marion, Larita's first husband died |
00:46:32 |
Oh, I'm sure Marion |
00:46:35 |
of watching a loved one |
00:46:38 |
She's scandalous! |
00:46:41 |
You should hear what they're saying |
00:46:44 |
Well, let's stop the wagging tongues, |
00:46:47 |
ls it true you've had |
00:46:53 |
Of course it's not true, Mrs Whittaker. |
00:46:56 |
Hardly any of them actually loved me. |
00:47:02 |
That was uncalled for. |
00:47:05 |
- You threw me to the wolves in there. |
00:47:09 |
All right, you threw me to the voles. |
00:47:13 |
Your sisters need to be restrained. |
00:47:16 |
Restrained? Hilda breaks loose once |
00:47:20 |
And poor old Marion... |
00:47:23 |
and mother has his name |
00:47:26 |
- I'm sorry but it really is very funny. |
00:47:28 |
Welcome to the petrified circus. |
00:47:31 |
Meet the resident contortionist |
00:47:34 |
Then stop. Be yourself. |
00:47:39 |
# You do that voodoo |
00:47:44 |
You're right, of course. I'm a hypocrite, |
00:47:48 |
Especially since it isn't working. |
00:47:52 |
What the devil has that dog dug up? |
00:47:59 |
Pilot, what have you got there? |
00:48:02 |
How could you not tell us? |
00:48:05 |
Marion, it was an accident. |
00:48:08 |
And I believe I panicked. |
00:48:13 |
How could you do it? How could you? |
00:48:17 |
I imagine she lowered her full weight |
00:48:23 |
Marion, please. |
00:48:26 |
John, did you have anything |
00:48:29 |
No. No, I was the sole perpetrator |
00:48:33 |
And ever since |
00:48:36 |
Please, please, please |
00:48:42 |
You might buy your loved ones |
00:48:45 |
but you can't in the United Kingdom. |
00:48:47 |
How unfortunate. |
00:48:49 |
You could at least show some remorse. |
00:48:53 |
I am full of remorse. I just refuse |
00:48:57 |
to convince you of my sincerity. |
00:48:59 |
That's not how I came off |
00:49:02 |
I can't change. |
00:49:04 |
Not for you... |
00:49:12 |
And I wouldn't want her |
00:49:18 |
- Madam, the dog. |
00:49:25 |
I knew it the second |
00:49:30 |
She sat on poor Poppy deliberately. |
00:49:32 |
Don't be ridiculous. |
00:49:35 |
My brother has married a dog murderer. |
00:49:39 |
Put through a divorce court. |
00:49:41 |
The Lord does not |
00:49:43 |
The Lord is Almighty, Marion. |
00:49:47 |
The sooner they move out |
00:49:49 |
They move out? |
00:49:53 |
Watch and learn. |
00:50:00 |
It's so unfair. |
00:50:07 |
I could die of envy! |
00:50:10 |
Laying to rest this tragic incident, |
00:50:13 |
we've had this splendid set of rooms |
00:50:17 |
Yes. My wife would like you |
00:50:20 |
I even had an old friend of Johnnie's |
00:50:24 |
"Old Faithful Awaits |
00:50:27 |
I used to sleep under that silly painting. |
00:50:30 |
Very comforting, I'm sure, |
00:50:33 |
But these are the largest rooms |
00:50:36 |
You'll find nothing like it in London. |
00:50:38 |
- She has a point. |
00:50:40 |
Sometimes I don't know |
00:50:44 |
And miss all the fun? |
00:50:46 |
Cook would like to inform you, |
00:50:49 |
Oh! |
00:50:51 |
What bird, hmm? |
00:50:53 |
Thursday is bubble and squeak. |
00:50:56 |
Oh, but I have! |
00:51:03 |
In appreciation of your understanding |
00:51:08 |
We'll think of you every time we use it. |
00:51:18 |
- What exactly are we celebrating? |
00:51:21 |
Thanks for what, hmm? |
00:51:23 |
The annihilation |
00:51:27 |
A loving union of two great cultures. |
00:51:30 |
- Just like us. |
00:51:33 |
- I can't believe you got into the kitchen. |
00:51:36 |
- But technically I outrank her. |
00:51:40 |
Your cook. Or now my undercook, |
00:51:45 |
That's a degree. |
00:51:48 |
Furber...take the vegetables down to |
00:51:52 |
No, Furber, thank you. |
00:51:58 |
Mother, if you don't mind, I'm going |
00:52:02 |
Furber, I've changed my mind, |
00:52:04 |
Me, too. |
00:52:07 |
Gobble, gobble! |
00:52:14 |
Yes! |
00:52:20 |
Here's a tip, Hilda. |
00:52:21 |
A sure way to a man's heart is |
00:52:25 |
Larita, look, I've found |
00:52:29 |
- Marion, this is Fatty Arbuckle. |
00:52:33 |
But if you cut out his cheeks |
00:52:37 |
there's a striking resemblance... |
00:52:39 |
Edgar's away on a trip |
00:52:42 |
sewing his wild oats, |
00:52:47 |
- She's good, I'll give her that. |
00:52:58 |
Lari? Lari! |
00:53:01 |
Not the vase! Not the vase! |
00:53:04 |
"Taking the corncockle buds |
00:53:07 |
"roughly in his calloused hands, |
00:53:10 |
"his hot, moist tulip exploded |
00:53:26 |
Larita? |
00:53:28 |
Early Christmas present... |
00:53:31 |
- For you, darling. |
00:53:42 |
Well, it's...it's... |
00:53:43 |
It's magnificent. |
00:53:45 |
It's me. I posed for a young Spaniard. |
00:53:50 |
Very expressive, darling, |
00:53:53 |
You can see |
00:53:55 |
You took your clothes off |
00:53:58 |
- Of course she took her clothes off. |
00:54:02 |
I'm not sure I approve of you being nude. |
00:54:08 |
Extraordinary. |
00:54:10 |
What exactly are you |
00:54:13 |
Just trying to get into the swing |
00:54:16 |
Marvellous! Well, then, you'll be riding |
00:54:22 |
I might be persuaded |
00:54:25 |
- Hunt. |
00:54:27 |
- Hunt. |
00:54:29 |
Hunt! |
00:54:31 |
Very well. |
00:54:34 |
Hunt. |
00:54:42 |
View, hello. |
00:54:47 |
Hello, everyone. |
00:54:51 |
Morning, Jim! |
00:54:54 |
we've finally managed |
00:54:57 |
Congratulations. |
00:55:00 |
You'll be fine, I promise. |
00:55:02 |
The second you have the Holborough |
00:55:06 |
But Warwick Holborough has ears |
00:55:09 |
And Philip's the prize. Now, if you want |
00:55:22 |
Warwick the Wingnut |
00:55:25 |
What a handsome couple. |
00:55:31 |
Wait...there's something I need to say. |
00:55:36 |
I see you...you're wasted here. |
00:55:40 |
When the time comes...give me a ring. |
00:55:44 |
lf I could find your neck, I'd wring it. |
00:55:47 |
- Larita's making sheep's eyes at Philip. |
00:55:51 |
- She wants him all to herself. |
00:55:55 |
- Nobody's interested in Philip. |
00:55:58 |
Mount up, Larita. |
00:56:00 |
lf you don't mind, I think |
00:56:04 |
Lari, get on the pony, please. |
00:56:08 |
Oh, it's just as I thought... |
00:56:10 |
Oh, I said I'd ride, |
00:56:15 |
Tally-ho! |
00:56:32 |
# Spy on me, baby, use satellite |
00:56:36 |
# Infrared to see me |
00:56:40 |
# Aim, going to fire, shoot me right |
00:56:44 |
# I'm going to like the way you fight |
00:56:48 |
# Now you've found |
00:56:52 |
# To wash away my lonely blues |
00:56:56 |
# So I can't deny or lie |
00:57:03 |
# Sex bomb, sex bomb, |
00:57:08 |
# You can give it to me |
00:57:11 |
What? |
00:57:14 |
# You're my sex bomb... # |
00:57:16 |
- What is she doing? |
00:57:21 |
There's something wild about that child |
00:57:28 |
Whoo-hoo! |
00:57:33 |
Well, she promised she'd ride. |
00:57:46 |
# ...no chaperone |
00:57:50 |
# The world's in a slumber, |
00:57:55 |
# There's something wild |
00:58:00 |
# Let's be outrageous, |
00:58:05 |
# When Adam won Eve's hand, |
00:58:10 |
# He didn't care about those apples |
00:58:15 |
# They say that Spring means |
00:58:20 |
# We're not above birds, |
00:58:32 |
Whoo! |
00:58:44 |
Miss Hilda, |
00:58:55 |
Uncle George? |
00:58:56 |
Oh, thank God, a friendly voice. |
00:58:59 |
Yes, and she's a complete nightmare. |
00:59:05 |
Really? |
00:59:07 |
How salacious. |
00:59:12 |
Come in. |
00:59:15 |
Mother? |
00:59:17 |
I'd like to apologise |
00:59:21 |
That really won't be necessary. |
00:59:23 |
Larita made no secret |
00:59:26 |
She did ride as promised. |
00:59:28 |
Well, we should credit her with her |
00:59:34 |
You must be very proud of her. |
00:59:37 |
Mother, I think... |
00:59:40 |
I think maybe Larita and I ought to go. |
00:59:42 |
Oh... |
00:59:45 |
Yes, I see. Very well. |
00:59:47 |
Feel free to drop in |
00:59:51 |
- Off you go. Enjoy. |
00:59:54 |
I'm sorry, dear, |
00:59:57 |
Take these, they might get you |
00:59:59 |
- And this...Casablanca. |
01:00:02 |
No. You stop it! |
01:00:14 |
The money's gone, John. |
01:00:17 |
Nothing left. |
01:00:19 |
The only thing standing |
01:00:22 |
are those surveyors in the back field. |
01:00:27 |
Lord Hurst is offering to buy 400 acres |
01:00:34 |
It's your legacy, John Whittaker... |
01:00:43 |
- I had no idea. |
01:00:53 |
You were supposed to take over |
01:00:57 |
But you were unexpectedly |
01:01:02 |
I've been struggling for years |
01:01:05 |
waiting for you to step up to the mark. |
01:01:09 |
No. You just go. |
01:01:13 |
Go to Algiers |
01:01:16 |
I'm too tired to care any more! |
01:01:21 |
It's not exactly surprising, |
01:01:25 |
- Your mother is being very practical. |
01:01:29 |
You're not coming back. |
01:01:33 |
Philip's not going to marry Hilda. |
01:01:37 |
Subdividing the land and selling |
01:01:41 |
Somewhat harsh. |
01:01:44 |
I've had my fair share |
01:01:47 |
and it is an auction of innocence |
01:01:52 |
but it is realistic, |
01:01:55 |
But it's my responsibility. |
01:01:59 |
Gracious, how can I have been so blind? |
01:02:41 |
Oh, winter hydrangeas! |
01:02:44 |
It's a controlled mixture of passion, |
01:02:52 |
I was hoping to catch a glimpse |
01:02:55 |
Ah! John's wife has very fickle allergies. |
01:02:59 |
- Allergies to what? |
01:03:04 |
That is a strange choice of bed fellow |
01:03:07 |
You'll just have to make do |
01:03:11 |
It'll be like old times. |
01:03:13 |
# When you're smiling, |
01:03:20 |
Why the big Panda eyes? |
01:03:25 |
I've often meant to ask you something, |
01:03:27 |
Well, don't then. |
01:03:30 |
Did you think I behaved like a cad, |
01:03:34 |
No, of course not. |
01:03:36 |
You took the opportunity and married |
01:03:40 |
lf we'd have married it would've been |
01:03:44 |
- Would it? |
01:03:46 |
We knew one another far too well. |
01:03:48 |
I want my marriage to be thrilling, |
01:03:55 |
- I could've written you love letters. |
01:03:58 |
I did love you all the same. |
01:04:02 |
John, stop it. |
01:04:12 |
He's very different |
01:04:17 |
The boy. The same, sweet boy. |
01:04:25 |
ls it true what she says? |
01:04:31 |
To be perfectly honest, |
01:04:38 |
But it's your home, it's your community. |
01:04:42 |
Doesn't that matter? |
01:04:44 |
No. |
01:04:47 |
You're a dark horse. |
01:04:52 |
Have you noticed how few men |
01:04:57 |
Fourteen years ago, |
01:05:00 |
We all signed up together. |
01:05:03 |
My brother, friends, staff... |
01:05:09 |
All hunkered down in the front row |
01:05:15 |
I thought they kept majors |
01:05:19 |
Promotion for surviving. |
01:05:23 |
As captain, it was my job |
01:05:28 |
Within the first four minutes |
01:05:34 |
...20,000 men died. |
01:05:41 |
In Thorverton, down the road here... |
01:05:45 |
...they were stationed in Morocco. |
01:05:48 |
Their captain bought them all home. |
01:05:57 |
I didn't bring a single man back. |
01:06:01 |
This whole village died. |
01:06:04 |
I think there's a glimmer |
01:06:07 |
Well, if there is, it has no time for |
01:06:12 |
- Why did you come back? |
01:06:19 |
Bonjour, Madame. |
01:06:32 |
'She came for you?' |
01:06:36 |
Why the lie? |
01:06:38 |
She thought "wandering home" |
01:06:44 |
And to be perfectly frank, |
01:06:52 |
I hate new games. There are |
01:06:57 |
- Sink some gin, Sausage Fingers! |
01:07:01 |
Oh, well done! |
01:07:09 |
Stop sucking it. Come and help. |
01:07:13 |
All right, Missie, |
01:07:17 |
Right, clear the decks, puppies. |
01:07:19 |
May l? |
01:07:28 |
I was hoping to have a word. |
01:07:31 |
We're accentuating the positive today, |
01:07:35 |
Of course...of course. |
01:07:39 |
I know you are |
01:07:43 |
Regarding what? |
01:07:47 |
Lord Hurst's kind offer |
01:07:50 |
The realtor I'm dealing with in London |
01:07:54 |
Perhaps he could help negotiate |
01:07:59 |
Thank you, but really this is |
01:08:03 |
Of course it's a concern. I am a member |
01:08:07 |
And this is your interpretation |
01:08:10 |
Carving up our heritage and selling it off |
01:08:14 |
Coming from a country no older |
01:08:17 |
it seems a very practical solution. |
01:08:19 |
Just forget the seven |
01:08:21 |
who have devoted their entire lives |
01:08:25 |
Get someone else to do it. |
01:08:30 |
Who do you think you are? |
01:08:33 |
Swinging your wherewithal |
01:08:38 |
lf you really want to be |
01:08:42 |
I think you know what's required. |
01:08:46 |
Right... |
01:08:49 |
I think it's time an expert showed you |
01:08:53 |
Watch it... |
01:08:55 |
Bravo! |
01:08:58 |
What a sportswoman, I must say. |
01:09:04 |
'Lari, you're confusing me.' |
01:09:06 |
- 'I'm feeling trapped.' |
01:09:09 |
It's this house! |
01:09:12 |
And I can barely stand the weight |
01:09:21 |
The answer is to go abroad again. |
01:09:24 |
Not yet. This is my life for now, |
01:09:29 |
- And what part do I play in it? |
01:09:32 |
Of course I do! I'm American. |
01:09:41 |
What is the use of bickering like this? |
01:09:46 |
You never know. |
01:09:50 |
Do you want it to? |
01:09:53 |
Do you? |
01:09:56 |
No! |
01:09:58 |
I just want some peace and quiet. |
01:10:01 |
You're far too young |
01:10:04 |
I can't help my age... |
01:10:08 |
...Grandma. |
01:10:12 |
Look, I'm sorry that I leave you alone |
01:10:20 |
Good. Then let's do something about it. |
01:10:29 |
Why are we driving so fast? |
01:10:32 |
The thrill of escape! |
01:10:39 |
You're looking very game today. |
01:10:44 |
A penny for your thoughts? |
01:10:46 |
It's more than pennies, |
01:10:49 |
I don't think I can afford the party |
01:10:51 |
- But the Japanese lanterns! |
01:10:54 |
Had to choose, |
01:10:57 |
You're not getting out of it that easily. |
01:11:02 |
It wouldn't be Christmas |
01:11:16 |
Oh! This is the first piece of clarity |
01:11:25 |
Why can't we live in moments |
01:11:29 |
Why? |
01:11:31 |
Because you've stopped |
01:11:35 |
How can you say that? |
01:11:37 |
Oh, I just open my mouth |
01:11:41 |
Then let's make a fresh start. |
01:11:58 |
There are so many things I need |
01:12:03 |
I don't care. |
01:12:05 |
I do. |
01:12:07 |
It doesn't matter. |
01:12:12 |
# I'll see you again |
01:12:22 |
Come on. |
01:12:24 |
# Time may lie heavy between |
01:12:29 |
# But what has been |
01:12:36 |
# This sweet memory |
01:12:41 |
# Throughout my life will come to me |
01:12:48 |
# Though the world may go awry... # |
01:12:55 |
Shot! |
01:13:04 |
John! |
01:13:09 |
- Top hole. |
01:13:13 |
I can't decide which is worse, |
01:13:16 |
to get some privacy, |
01:13:19 |
Who's Veronica? |
01:13:21 |
I am. It's my name. |
01:13:27 |
- I fail to see the humour in it! |
01:13:30 |
I can certainly see the serious |
01:13:34 |
It's only a laughing matter. |
01:13:36 |
Indecent exposure is illegal. |
01:13:40 |
Yep, yep... |
01:13:42 |
You're right. |
01:13:45 |
- No, I'm not. This is my husband. |
01:13:49 |
Maybe it's time for them |
01:13:52 |
Certainly not. They will stay put |
01:13:56 |
And you can get that ghastly painting |
01:13:59 |
We do not need any more reminders |
01:14:12 |
- Excited, Furber? |
01:14:15 |
- Miss Hilda... |
01:14:19 |
Furber, I recognise that as asparagus. |
01:14:22 |
Correct, Madam. |
01:14:24 |
- Ha! I pity poor Panda. |
01:14:28 |
Read! "The Detroit News". |
01:14:33 |
Collecting old newspapers is |
01:14:37 |
Boring? Far from it. lt was a scandal! |
01:14:41 |
Wasn't it...Mrs Morley? |
01:14:45 |
Mrs Tom Morley of Detroit, Michigan. |
01:14:48 |
Don't be grotesque, Hilda. |
01:14:51 |
Well, I suppose I'd better finish |
01:14:55 |
- Any dressing? |
01:14:58 |
- No thanks, I always end up wearing it. |
01:15:02 |
- Especially that runny vinaigrette. |
01:15:04 |
Mayonnaise has more ballast. |
01:15:06 |
Will you stop this insulting behaviour |
01:15:15 |
Oh, I always hated that photo of myself. |
01:15:18 |
Of everything I ever |
01:15:22 |
- For what? |
01:15:25 |
- I was acquitted. |
01:15:27 |
- I told you my husband died. |
01:15:31 |
Does John know about this? |
01:15:33 |
- I see... |
01:15:36 |
Father! Really! |
01:15:38 |
Yes, and after Hilda went |
01:15:41 |
I'm going outside for a cigarette. |
01:15:44 |
Thank you, Jim. Don't mind if I do. |
01:15:49 |
No concern? |
01:15:56 |
The pack's closing. |
01:15:58 |
This woman has taken advantage |
01:16:01 |
He'd never have married her |
01:16:03 |
- You know that, do you? |
01:16:06 |
- lt would've been more appropriate! |
01:16:10 |
- Unfortunately, I agree with you! |
01:16:14 |
It isn't easy, it's heartbreaking. |
01:16:19 |
Marion, does that sound |
01:16:22 |
You can't palm us off like that, |
01:16:25 |
This is your doing. |
01:16:27 |
Larita is your type, |
01:16:29 |
That is the nicest thing |
01:16:32 |
Hello, are we having a picnic? |
01:16:36 |
John...l think your wife better unveil |
01:16:46 |
Before we met... |
01:16:48 |
...l was involved in a court case |
01:16:52 |
It was seedy and stressful, |
01:16:55 |
but since I was found innocent |
01:16:58 |
I didn't think it necessary |
01:17:01 |
Innocent? |
01:17:03 |
She was responsible |
01:17:06 |
The verdict was suicide |
01:17:09 |
I thought it was cancer. |
01:17:12 |
It was... |
01:17:14 |
But he was so desperately sick. |
01:17:16 |
lf you'd known him, you would've |
01:17:20 |
- It's not as if she poisoned him. |
01:17:22 |
- She's a black widow. |
01:17:25 |
Really? Well, I won't let you! |
01:17:27 |
Right, that's it! You have a dance |
01:17:32 |
Now! |
01:17:37 |
Hilda! Come on, inside! |
01:17:42 |
John... |
01:18:09 |
Are you crying |
01:18:15 |
Neither. |
01:18:18 |
Coming here has been the most |
01:18:27 |
Why didn't you tell me? |
01:18:31 |
I wanted to, |
01:18:33 |
That's not good enough. |
01:18:37 |
I tried to, several times. |
01:18:42 |
But you trusted me..."absolutely". |
01:18:47 |
And you saw the field day |
01:18:52 |
Please remember they're my family. |
01:18:54 |
I shouldn't think of them at all |
01:18:56 |
Still...you should have told me. |
01:19:02 |
You should have loved me more. |
01:19:06 |
I couldn't love you any more. |
01:19:09 |
You should have loved me better. |
01:19:14 |
I don't understand you, Larita. |
01:19:19 |
I don't understand you at all. |
01:19:43 |
1...2...3... Are you all left feet? |
01:19:47 |
Dancing with you |
01:19:52 |
I wonder what the American |
01:19:54 |
Or who she'll be poisoning! |
01:19:59 |
Do you like long, moonlit walks? |
01:20:03 |
Only when taken by people |
01:20:05 |
You've got me all to yourself. |
01:20:09 |
And which little fool, pray tell, |
01:20:30 |
- You ought to see if Larita is coping. |
01:20:34 |
It's been a very trying day |
01:20:38 |
- Go and escort your wife down. |
01:20:41 |
You know my wife, she'll make |
01:20:50 |
Come in. |
01:20:54 |
Quickly, you'll blow my cover. |
01:21:05 |
Why are you sitting in the dark? |
01:21:08 |
Watching. |
01:21:11 |
People are so universally similar |
01:21:15 |
Oh, hello! Ha-ha! |
01:21:21 |
It seems they are universally similar |
01:21:28 |
May l? |
01:21:32 |
- Thank you for being gallant today. |
01:21:37 |
The judge at my trial |
01:21:43 |
Why did you do it? |
01:21:48 |
Why did you marry John? |
01:21:52 |
My first husband was older, |
01:21:57 |
Long afterwards, this... |
01:22:01 |
...boy... |
01:22:03 |
...this pure boy arrived |
01:22:11 |
I married him because |
01:22:15 |
...cheap and squalid. |
01:22:20 |
My first marriage cost me my youth, |
01:22:26 |
What will you do? |
01:22:30 |
The best I can. |
01:22:38 |
Oh, Davis, thank you. |
01:22:41 |
- And thank you, Pinkie. |
01:22:45 |
- Just look at this turnout. |
01:22:47 |
They've only come for a repeat |
01:22:52 |
May I have the pleasure? |
01:23:29 |
Oh, look! |
01:23:49 |
- Tango, please. |
01:24:00 |
Dance with me, John. |
01:24:05 |
Lari, don't. |
01:24:07 |
Please? Dance with me. |
01:24:52 |
That was very gallant. |
01:25:46 |
- You've got to stop them, Mother. |
01:26:28 |
Oh, marvellous! Marvellous! |
01:26:33 |
Straight from the bordellos |
01:26:36 |
to the Hippodrome of London, Maestro, |
01:26:41 |
Jim, this is the end. |
01:26:56 |
Congratulations, Madam. |
01:26:58 |
- Have you been drinking, Furber? |
01:27:01 |
- You are full of surprises. |
01:27:04 |
I was even arrested once. |
01:27:07 |
- What for? |
01:27:17 |
Ah, there you are, |
01:27:31 |
Larita, where are you going? |
01:27:33 |
Away, Sarah. For John's sake. |
01:27:36 |
Far, far away. |
01:27:39 |
ls there anything I can do? |
01:27:41 |
You can look after him. |
01:27:44 |
Women like me are tiresome in love. |
01:27:49 |
Marry John. It's the way things |
01:27:53 |
- I'm just so sorry I got in the way. |
01:28:04 |
Go. I'll cover for you. |
01:28:07 |
Sweet Sarah. |
01:28:09 |
So glad you've recovered |
01:28:12 |
Please don't build any convenient |
01:28:15 |
- I say, Mother is only... |
01:28:20 |
You've shown tremendous fortitude |
01:28:23 |
and I can respect that. |
01:28:25 |
What I can't respect is the manipulative |
01:28:30 |
This war is over. Move on. |
01:28:34 |
"Move on." Oh, how convenient. |
01:28:36 |
Oh, wake up, Marion. |
01:28:41 |
And that ring isn't stuck, you are. |
01:28:43 |
And Hilda, you've got such promise, |
01:28:48 |
My advice to both you girls? |
01:28:51 |
Run! Go see the world |
01:28:56 |
So speaks the siren, |
01:29:00 |
At least I'm not Medusa, |
01:29:03 |
- Get out! |
01:29:08 |
- Lari, don't go. |
01:29:11 |
I can't live here. Nothing can. |
01:29:15 |
But you're my wife, and I love you. |
01:29:20 |
Oh, John, my darling... |
01:29:24 |
You don't know what love is. |
01:29:27 |
You have no idea what it means |
01:29:31 |
that you will do anything for them. |
01:29:38 |
Even inject them with poison |
01:29:41 |
when they were too feeble |
01:29:50 |
I don't believe that you could've |
01:30:02 |
Oh, John, let her go. |
01:30:06 |
Let her go, off into the sunset |
01:30:12 |
Mother... |
01:30:14 |
Before your past |
01:30:17 |
Mother! |
01:30:21 |
Oh, you evil... |
01:30:23 |
Mother! Shut up! |
01:30:29 |
They are predicting warmer weather, |
01:30:31 |
Yes, Furber, I believe they are. |
01:30:40 |
Very generous. |
01:30:43 |
There's something special in there |
01:30:46 |
Of course. |
01:30:50 |
Who knows? |
01:30:52 |
Good luck. |
01:30:55 |
And you, Furber. |
01:30:58 |
Would you forward the painting please, |
01:31:00 |
To where, sir? |
01:31:09 |
I shall enjoy passing on |
01:31:16 |
Well, my dear, when the going |
01:31:22 |
# I've got something to tell you |
01:31:27 |
# I got something to say |
01:31:30 |
# I'm going to put |
01:31:35 |
# And let nothing stand in my way... |
01:31:41 |
# Darling, |
01:31:45 |
# Darling, I'll do anything |
01:31:49 |
# When the going gets tough |
01:31:54 |
# The tough get going |
01:31:58 |
# When the going gets rough |
01:32:03 |
# The tough get rough |
01:32:08 |
# Gonna get myself across the river |
01:32:12 |
# That's the price that I'm willing to pay |
01:32:16 |
# I'm gonna make you stand and deliver |
01:32:21 |
# And give me love |
01:32:25 |
# Oh, darling, |
01:32:31 |
# Darling, I'll do anything |
01:32:35 |
# Cos when the going gets tough |
01:32:39 |
# The tough get going |
01:32:43 |
# When the going gets rough |
01:32:48 |
# The tough get rough... |
01:33:14 |
My Lords, ladies and gentlemen, |
01:33:21 |
On piano, |
01:33:29 |
On the bass, |
01:33:35 |
On the euphonium, Oren Marshall. |
01:33:40 |
Christopher Webster, trombone. |
01:33:44 |
Drums, Mr David Rowntree |
01:33:52 |
On the ukulele, Paul Woollard. |
01:33:56 |
On the guitar, Christopher Montague. |
01:34:02 |
On the washboard, Jason Boshoff. |
01:34:06 |
Saxophones, Mike "The Micro" Smith |
01:34:15 |
On clarinets, Christopher Caldwell |
01:34:23 |
On the trumpets, Gerard Presencer |
01:34:32 |
On strings, Sophie Solomon, Perry |
01:34:37 |
Boguslaw Kostecki, Peter Lale, |
01:34:40 |
Thank you. |
01:34:43 |
And on the saw, David Coulter. |
01:34:47 |
On the bandoneon, |
01:34:54 |
And on the oboe, |
01:34:59 |
Thanks, Kate. |
01:35:01 |
On the slide whistle, Stephan Elliott. |
01:35:04 |
Michelle De Vries on the cymbal. |
01:35:06 |
Barnaby Thompson on spoons. |
01:35:10 |
Tristram Penna, Gramophone. |
01:35:13 |
Thanks, Tris. |
01:35:14 |
And on the banjo, Benedict De Vries. |
01:35:20 |
Ladies and Gentlemen, |
01:35:23 |
Tell your friends |
01:35:26 |
And remember, keep your powder dry. |
01:35:33 |
Goodnight. Thank you. |
01:35:38 |
# I'm going to buy myself |
01:35:43 |
- # Nothing's going to hold me back |
01:35:47 |
# Your love is like a slow train coming |
01:35:52 |
# And I feel it coming down the track |
01:35:55 |
- # Oh, darling |
01:36:01 |
- # Darling |
01:36:06 |
- # When the going gets tough |
01:36:10 |
- # The tough get going |
01:36:14 |
- # When the going gets rough |
01:36:19 |
- # The tough get rough |
01:36:25 |
# Ooh, can I touch you? |
01:36:29 |
# And do the things that lovers do |
01:36:34 |
# Ooh, I want to hold you |
01:36:38 |
# I've got to get it through to you... # |
01:36:53 |
Gobble, gobble! |