Edge of Love The
|
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# Once a native maiden and a stranger met |
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# Underneath a blue Tahitian moon |
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# The stars were in her eyes |
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# Gardenias in her hair |
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# And they vowed to care forever |
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(Muffled) # Then one lonely day |
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# With a parting kiss that came too soon |
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# And now the trade winds sigh |
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# When ships go sailing by... # |
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(Neville Chamberlain) |
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(Air-raid sirens) |
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# Once a native maiden and a stranger met |
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# Underneath a blue Tahitian moon |
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# The stars were in her eyes |
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# Gardenias in her hair # |
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(Man on radio) Down here |
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in the heart of London's West End.... |
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Many are bombed out of their homes... |
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... today of the evacuation |
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... two attacks against London |
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... 200 feet below ground, |
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# When ships go sailing by |
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# Underneath a blue Tahitian moon # |
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(Air-raid siren) |
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(Quiet voices) |
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(Man laughs) |
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(Woman) But you're not a coward. |
00:03:09 |
And why should I? And if I don't, |
00:03:12 |
(Woman) Yet, still, |
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Not now. You wouldn't support that. |
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You've only got the one life, Anita. Just the one. |
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Dylan? |
00:03:23 |
Is it? |
00:03:26 |
Dylan Thomas. It is, isn't it? |
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Oh, my God. |
00:03:31 |
- You might at least have lifted my veil! |
00:03:34 |
- Did I ever? |
00:03:40 |
Look at you. |
00:03:43 |
Look at you. Not been called up? |
00:03:45 |
Just because I haven't got a uniform. |
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Ammo factories, I sing in. |
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- Down the tubes right now. |
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- Amongst other things, I loved... |
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- You haven't changed. |
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You can't. And don't. Not ever. |
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If you do, I won't let you. |
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I heard you on the radio. |
00:04:07 |
Like going home, it was, your poems. |
00:04:12 |
- Where's the posh accent from? |
00:04:15 |
- Should I? |
00:04:18 |
If I can get all my friends to donate |
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If I get them all to do that, I don't have to sell |
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- I can write my bloody poetry. |
00:04:30 |
Grade Three sitting here before you, Vera. |
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Lungs raddled like a Sunday whore. |
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So... lend us five bob. |
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- I'll give you a snout, that's all you'll get. |
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- Silver's for the lonely, Vera Bera. |
00:04:52 |
- Well, where's the man who'll give you gold? |
00:04:55 |
- It's always been shares with us. |
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Yes, but if I did, |
00:05:02 |
There's no folks like home folks. |
00:05:08 |
...they're the best of all. |
00:05:13 |
- You win. |
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Forever and always. |
00:05:24 |
You won't, will you? |
00:05:26 |
- Won't what, lovely? |
00:05:33 |
(Train rumbles) |
00:05:41 |
(Soldier) Ta, mate. |
00:06:01 |
- (Wolf-whistling) |
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(Dylan Thomas) |
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From the hissing of the spent lie |
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And the old terrors' continual cry |
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Growing more terrible |
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As the day goes over the hill |
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I have longed to move away |
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From the repetition of salutes |
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For there are ghosts in the air |
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And ghostly echoes on paper |
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(Wolf-whistling) |
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This is Dylan Thomas |
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(Soldiers calling out) |
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(Train whistle) |
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- Hello, darling! |
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(Woman) Tension, four hundredweight. |
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The commentary has to persuade |
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"Shaft a Jerry and maybe one of our |
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Your talents really are wasted here, Dylan. |
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We could have a drink if you like? After. |
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- Course we could. |
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It's the brunette, isn't it? |
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I had a golden childhood, Anita. |
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Now I can't look a golden childhood |
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The commentary, please, Dylan. |
00:07:31 |
Myselves |
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The grievers grieve among the street |
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Burned to tireless death |
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A child of a few hours |
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With its kneading mouth |
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Charred on the black breast of the grave |
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The mother dug |
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And its arms full of fires. |
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Spare us the bloody tragedy, man. |
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The lion once known as Jehovah |
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- Oh... |
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The lioness roared, |
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All over the living room sofa |
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Dylan, I require a commentary. |
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Dylan! Dylan! |
00:08:27 |
Caitlin? |
00:08:28 |
- You told me you couldn't live without me. |
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Chopped up in little bits and packed |
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The police'll be chasing you. |
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- Don't pretend you want him here. |
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It's nothing to do with bombs. |
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I've never been a father before, Cat. |
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- Still the light of your life, am I? |
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Why are you asking, Dullun? |
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I love you, Cat. |
00:09:00 |
Give us a fag, then. |
00:09:02 |
I'm out of bleeding fags. |
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Oh, lovely! |
00:09:10 |
- Where are we living? |
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- Ow! Velvet your bloody claws! |
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- Come here. |
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Kiss me. |
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(Air-raid siren) |
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Excuse me. |
00:09:34 |
- No, I didn't. |
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It's not mine, sorry. |
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You're supposed to take the hankie, |
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- buy you a drink. |
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- Nice try, though. |
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No. You've just never |
00:10:02 |
Hello, darling. |
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- Sod you, then! |
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- You're late. |
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- Who's your friend? |
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love of my life, mother of my child, |
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Your wife, Dylan? |
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The one and only. |
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- He didn't mention... |
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You made that, didn't you? |
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I might like you. |
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Then again, I might not. |
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I'll await your decision, shall I? |
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I won't hold my breath, mind. |
00:11:00 |
- Got a mansion we could share? |
00:11:04 |
- I've only got a room. |
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I'll be having that, sailor boy. |
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- Needn't let... |
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- Nothing should ever come between us. |
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Soul mates, we are, Vera. Always were. |
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- Don't. |
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There's a phone in the hall |
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If you want me, he's got my number. |
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What does it mean when she smiles? |
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I don't know. Never did. |
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(Knocking) |
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God help us. |
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Your sister's here. |
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Back from strangling Germans, then, are you? |
00:12:02 |
Left the other boys playing with their little pistols. |
00:12:05 |
- All ging-gang-gooley and yo-ho-ho. |
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That what you call poetry, is it? |
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Look, give us a bed |
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# Maybe it's because I kissed you too much |
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# Maybe that is why |
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# Maybe with a love so great |
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# Maybe I'll be left with no love at all |
00:13:04 |
# Maybe I'll be left with no love at all # |
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(Applause) |
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(Air-raid siren) |
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Sometimes I can nurse a single pint |
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(Slurred) Thank you. |
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(Soldier) Oh, yeah! I thought it was hilarious. |
00:13:45 |
I'll get them in. |
00:13:48 |
- Support the starving poet. |
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You write films about barrage |
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There is a war on. |
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You know, you're not the man I married. |
00:13:58 |
I did cartwheels in a rubber corset in Peter |
00:14:03 |
You were never hungry. |
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Demonstration purposes it was. |
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Bet I can't. |
00:14:14 |
He's following me. |
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Don't you have all the luck! |
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Watch this. |
00:14:27 |
(Men cheer) |
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- Causing chaos, my lovely. |
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Looking for a good time |
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Three more, please. |
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- Chief stag sees off the competition. |
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Vera Phillips. |
00:14:56 |
- Rums all round? |
00:14:59 |
Four rums, please. |
00:15:04 |
- Do you do cartwheels? |
00:15:07 |
Ah. I'll take you there. |
00:15:10 |
- You're busy, by the looks of you. |
00:15:14 |
I'd like to sit on the beach with you. |
00:15:17 |
Don't you know a brush-off |
00:15:19 |
(Caitlin) Got any smokes? |
00:15:21 |
I enjoyed your show. |
00:15:23 |
- Did you? |
00:15:27 |
- Hey? |
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Come for a gallop. |
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Used to call it busking, |
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Coppers used to move you on. |
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I'll come again, if I may. |
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Free world. |
00:15:44 |
(Explosion) |
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(Woman sobs) |
00:15:59 |
(Laughter) |
00:16:04 |
Keeping those rums to yourself? |
00:16:08 |
I don't melt at the sight of a uniform, that's all. |
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- Sod it. I don't like nosy parkers. |
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I could have said, |
00:16:19 |
(Toilet flushes) |
00:16:21 |
Heartache, that's what I see in a uniform. |
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I won't love someone |
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Who's talking about love? |
00:16:30 |
- My work's all I need. |
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Danced night and day. |
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I know, you're one of those. |
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No. No! God! |
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Not one of those, for God's sake! |
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One of the ones |
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Course I am. |
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(Air-raid siren) |
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(Killick) Didn't your mother |
00:17:00 |
- All I said... |
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Keep your hand on your ha'penny, |
00:17:06 |
- I'm not touching you. |
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Fine. |
00:17:11 |
No, don't do that! |
00:17:15 |
What have you got against me, |
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You might be dead tomorrow. |
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Live while you can, live all you can. |
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- I won't see you again. |
00:17:33 |
I'd like my torch back. |
00:17:40 |
Please. |
00:17:51 |
- (Clattering) |
00:17:54 |
(Dylan) Light of your life. |
00:17:59 |
(Caitlin) Has to wipe its feet |
00:18:02 |
(Laughter) |
00:18:06 |
(Caitlin) No! |
00:18:10 |
(Dylan) Cat! Cat! |
00:18:14 |
- Little dog needs the toilet. |
00:18:17 |
Go bark somewhere else. |
00:18:30 |
Come on, Catty. |
00:18:35 |
Have you got a poem for me? |
00:18:37 |
- You still owe me for the last one. |
00:18:42 |
I am not a sodding deposit box, Dylan. |
00:18:55 |
What do you think this is? |
00:19:00 |
- It could be a scribble! |
00:19:03 |
- It could be a bloody limerick, Dullun! |
00:19:08 |
Among Those Killed In The Dawn Raid |
00:19:13 |
- Happy piece, is it? |
00:19:17 |
Do you? |
00:19:19 |
Do you want to hear it? |
00:19:24 |
Oh, heavy! |
00:19:33 |
When the morning |
00:19:36 |
He put on his clothes |
00:19:42 |
The locks yawned loose |
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He dropped where he loved |
00:19:49 |
- Lived. |
00:19:51 |
Lived. |
00:19:54 |
Oh, no, it's loved. |
00:19:56 |
You can't read your own bloody writing. |
00:19:59 |
- Loved! |
00:20:01 |
He can't remember love. |
00:20:03 |
The bloody word's only |
00:20:05 |
Dropped where he loved |
00:20:07 |
- on the burst pavement stone |
00:20:13 |
It's mine, isn't it? |
00:20:17 |
What you write. |
00:20:20 |
All my words. |
00:20:22 |
And every heartbeat. |
00:20:25 |
They're all for you. |
00:20:27 |
Me? |
00:20:31 |
Come here, then. |
00:20:34 |
Come on, you! |
00:20:37 |
(Giggling) |
00:20:38 |
(Footsteps) |
00:20:41 |
Get out of bed and come and see |
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Oh, dear. Naughty doggy Dylan. |
00:20:53 |
Do you know what that is? |
00:20:56 |
That's animal behaviour, that's what it is. |
00:21:00 |
Nicolette, I'm... |
00:21:02 |
I'm... (Laughs) |
00:21:08 |
Is Vera Phillips there, please? |
00:21:10 |
- (Woman) Just a moment. |
00:21:16 |
- Hello? |
00:21:18 |
- Dylan? |
00:21:22 |
(Dylan) There was a young hero called Killick |
00:21:25 |
Who marched to the top of a... hillick |
00:21:29 |
He stood legs astride |
00:21:31 |
And spread Brylcreem all over his fillick |
00:21:34 |
What's a fillick? |
00:21:36 |
- Showing your ignorance now, Cat. |
00:21:40 |
(Caitlin) Not that you're seeing him again. |
00:21:42 |
- He'll still have a nice one. |
00:21:48 |
Come on. Come and have a cuddle. |
00:21:52 |
Go on, you're welcome to it. I don't want him. |
00:22:04 |
Don't change, Vera Bera. |
00:22:08 |
You're the star in my dark sky. |
00:22:11 |
- What am I in your sky? |
00:22:15 |
Just where I want you to be. Come on. |
00:22:18 |
Come and have a cuddle. |
00:22:25 |
(Laughs) |
00:22:29 |
What are you laughing at? What? |
00:22:32 |
What? |
00:22:33 |
What is it? |
00:22:35 |
- (Both laugh) |
00:22:38 |
(Laughter continues) |
00:22:50 |
It's like living with children. |
00:22:52 |
(Laughter continues) |
00:22:57 |
- Oh, God! |
00:23:01 |
(Door closes) |
00:23:06 |
What's it like having a son? |
00:23:08 |
Oh, exhausting. |
00:23:11 |
I can't imagine it. |
00:23:14 |
He's a whole world away from here. |
00:23:19 |
- Safe and sound. |
00:23:27 |
(Killick) You could die in an air raid. |
00:23:29 |
- (Vera) I'm not going to. |
00:23:31 |
(Vera) This is not |
00:23:34 |
(Killick) |
00:23:37 |
- Is that a promise? |
00:23:47 |
(Vera sighs) |
00:23:51 |
You only think you're in love with the poet. |
00:23:55 |
His name's Dylan. |
00:23:58 |
- So, you admit you're in love with him? |
00:24:01 |
I'm not saying I'm the better man, |
00:24:06 |
And you'll admit that gives me an advantage. |
00:24:09 |
I'll admit nothing. |
00:24:11 |
- On the grounds that it may incriminate you? |
00:24:13 |
You're trying to provoke me, aren't you? |
00:24:19 |
First love's all right as far as it goes. |
00:24:22 |
Last love, that's what I'm interested in. |
00:24:25 |
(Scoffs) Oh, you think you're so damn wise. |
00:24:46 |
(Vera giggles) |
00:24:48 |
- What do you want, Vera? |
00:24:51 |
the moon from out of the skies, |
00:24:55 |
What else? |
00:24:57 |
It makes you know you're alive, wanting. |
00:25:01 |
Oh, I'm alive all right. |
00:25:03 |
Every last bit of me. |
00:25:08 |
Oh! Stay there. |
00:25:14 |
- Right, stay still. |
00:25:18 |
- Still! |
00:25:26 |
- I'm as good as he is. |
00:25:29 |
Dylan. The bugger. |
00:25:32 |
He thinks that I am put on this earth |
00:25:37 |
Cook for him, have his children, clean for him. |
00:25:44 |
Who's nurturing my bloody talent? |
00:25:48 |
- Will William nurture your talent? |
00:25:53 |
Cut off his trigger finger, that's what I'd do. |
00:25:56 |
I would, I'd come up quietly in the night |
00:25:59 |
and I'd tie him down and I'd... maim him. |
00:26:13 |
Look at us. How do they live up to us? |
00:26:16 |
(Laughs) They don't, dirty tarts! |
00:26:19 |
(Air-raid sirens) |
00:26:27 |
(Both giggle) |
00:26:29 |
(Heavy thudding and grunting) |
00:26:32 |
- My brother died for the likes of you! |
00:26:35 |
Bleeding conchie! Lick my bleeding boot! |
00:26:38 |
Welsh seamen. You can smell them a mile off. |
00:26:42 |
- I ain't got no quarrel with you! |
00:26:44 |
What are you protecting him for? Scum, he is! |
00:26:46 |
Get back to your drinking. Now. Go on. |
00:26:54 |
He's right, you know. |
00:26:58 |
I'd stay well clear. |
00:27:00 |
No, no, no. I'm just gonna stay down here |
00:27:05 |
- You're lying in piss, Dylan. |
00:27:13 |
I wouldn't like to get |
00:27:15 |
- Well, see you don't, then. |
00:27:18 |
You bloody warriors. |
00:27:21 |
You're a bunch of buggering yes men. |
00:27:24 |
- To live without fear, me and mine. |
00:27:31 |
(Dylan groans) |
00:27:35 |
Oh, God! |
00:27:37 |
(Sighs) |
00:27:39 |
Terrified, I am, of not... not doing. |
00:27:45 |
War, see, it's useful. |
00:27:49 |
Is she in there? Vera? |
00:27:54 |
All you heroes, you think the women just |
00:27:59 |
You think they don't? |
00:28:02 |
Of course, if I could be born again, |
00:28:06 |
"Make me a hero", I'd say. |
00:28:10 |
- Come on. |
00:28:14 |
I've a cure for funk. |
00:28:16 |
- Death, that's the only cure. |
00:28:18 |
- You offering? |
00:28:21 |
(Killick) # There was a young poet called Dylan |
00:28:24 |
# Who swore that he never would kill 'em |
00:28:29 |
# When called by his country |
00:28:34 |
# He said he would rather make... |
00:28:38 |
(All) # Fillums! # |
00:28:40 |
(Killick laughs) |
00:28:45 |
(Dylan) Possessed by the skies |
00:28:50 |
And taken by light in her arms |
00:28:55 |
I may without fail |
00:28:58 |
Suffer the first vision |
00:29:07 |
Touch her and I'll kill you. |
00:29:11 |
Caitlin's territory, is she? |
00:29:16 |
Caitlin's friend. |
00:30:10 |
# Hang out the stars in Indiana |
00:30:15 |
# Up in the sky of midnight blue |
00:30:19 |
# Hang out the stars in Indiana |
00:30:23 |
# To light my way back home to you # |
00:30:27 |
Here. |
00:30:29 |
- I can buy my own drink. |
00:30:32 |
- (Rumbling) |
00:30:37 |
- Care to dance? |
00:30:41 |
Don't worry, they won't get us down here. |
00:30:46 |
# How could I find in things I sought for? |
00:30:51 |
# No wonder they were all denied |
00:30:56 |
# The very happiness I fought for # |
00:30:58 |
- My round. |
00:31:00 |
- Gin drinkers, are they, the children you know? |
00:31:04 |
I'm an independent woman. |
00:31:07 |
- And a fight, you can have that too. |
00:31:12 |
After a dance. |
00:31:14 |
# Hang out the stars in Indiana |
00:31:17 |
# To light my way back home to you # |
00:31:21 |
(Woman laughs) |
00:31:26 |
- I won't always do as you say. |
00:31:29 |
- I won't. |
00:31:34 |
(Laughs) |
00:31:50 |
(Explosion) |
00:31:52 |
(Glass shattering) |
00:31:55 |
(Coughing) |
00:31:59 |
(Screaming, man shouts) |
00:32:01 |
(Explosion) |
00:32:05 |
(Coughs) |
00:32:09 |
(Man) Where are you? Mary? |
00:32:13 |
(Screaming) |
00:32:24 |
- (Woman gasps) |
00:32:26 |
- This way. |
00:32:32 |
(Rumbling and crashing) |
00:32:37 |
Vera! Vera. Vera, you can leave her now. |
00:32:42 |
- No, the pavement's wet! |
00:32:45 |
Hmm? Leave her now. |
00:32:48 |
(Gasps) |
00:32:52 |
Come on. It's all right. It's all right. |
00:32:56 |
- It's all right. |
00:32:58 |
Come on. It's all right. It's all right. |
00:33:09 |
# Have every robin sing a love song |
00:33:16 |
# A melody just made for two |
00:33:22 |
# For in my heart there'll be a love song |
00:33:28 |
# A song I long to sing to you # |
00:33:34 |
(Distant siren) |
00:33:38 |
(Gasps) |
00:33:40 |
(Shouting) |
00:33:44 |
I bet you lay this on the ground. |
00:33:48 |
- Why would I do that? |
00:33:52 |
You won't get me on... |
00:33:59 |
(Woman screams) |
00:34:01 |
Those people, William. |
00:34:05 |
- Shh. |
00:34:16 |
You've got a raindrop |
00:34:21 |
Just like a tear. |
00:34:32 |
Make love to me. |
00:35:23 |
(Vera sighs) |
00:35:30 |
No harm will ever come to you. |
00:35:33 |
Not from me. Not from anyone else. |
00:35:37 |
Not while I'm here. |
00:35:40 |
No word of mine will ever hurt you. |
00:35:44 |
That sounds like a vow. |
00:36:25 |
(Dylan) A stranger has come |
00:36:28 |
To share my room in the house |
00:36:40 |
(Laughs) |
00:36:46 |
(Distant explosions) |
00:36:59 |
(Dylan) A stranger has come |
00:37:01 |
To share my room in the house |
00:37:03 |
Not right in the head |
00:37:06 |
A girl mad as birds |
00:37:08 |
She has come possessed |
00:37:11 |
Who admits the delusive light |
00:37:14 |
Possessed by the skies |
00:37:19 |
And taken by light in her arms |
00:37:23 |
I may, without fail |
00:37:26 |
Suffer the first vision |
00:37:33 |
(Caitlin) I don't like it, Dylan. |
00:37:40 |
I've another couple of lines in my head |
00:37:43 |
- It's not finished, then? |
00:37:49 |
Don't write poems for me any more? |
00:37:52 |
(Sighs) It's just a phase. |
00:37:57 |
Come here. |
00:38:01 |
Bring that body back to me. |
00:38:30 |
(Sighs) |
00:38:36 |
(Sighs) |
00:39:00 |
(Loud knocking) |
00:39:02 |
- Oh. |
00:39:04 |
Shh! |
00:39:12 |
(Clears throat) |
00:39:16 |
- It's a marriage licence. |
00:39:19 |
- No. |
00:39:22 |
You can't make me. |
00:39:25 |
- I've been posted, Vera. |
00:39:30 |
I... love... you. |
00:39:32 |
(Vera) I am not marrying you. |
00:39:35 |
- No. You don't make the decisions any more. |
00:39:39 |
- Say it. Say it. |
00:39:41 |
- Say, "I'll marry you." |
00:39:43 |
Say it. Say yes. Say yes. Yes! |
00:39:46 |
- Yes! Say yes! |
00:39:50 |
- Say yes! |
00:39:57 |
My first was Augustus John. |
00:39:59 |
Seduced me when I was 15, the old goat. |
00:40:03 |
It doesn't mean anything, fucking. It's not love. |
00:40:06 |
I get an itch, it's gotta be scratched. |
00:40:09 |
I'd do it myself, only I'm too lazy. |
00:40:11 |
Why bother, when you can get |
00:40:14 |
- Nothing to do with love, fucking? |
00:40:20 |
- Who was your first? |
00:40:25 |
You don't need to tell me. I know it was Dylan. |
00:40:30 |
We were kids. Tents piled in a beach hut. |
00:40:33 |
- Nice and comfy, then. |
00:40:37 |
We are still innocent, me and Dylan. |
00:40:41 |
I only want it as a memory. I don't want it back. |
00:40:43 |
Does William know? |
00:40:46 |
Don't ever tell him. |
00:40:54 |
The past I can forgive. |
00:40:59 |
You warning me? |
00:41:13 |
(Sighs) |
00:41:15 |
- You love William, don't you? |
00:41:19 |
You sure you want to marry him? |
00:41:25 |
I've never had a best friend before. |
00:41:34 |
(Vera laughs) |
00:41:37 |
(Church bell) |
00:41:41 |
We've a couple of cleaners |
00:41:44 |
They'll be here, they will. |
00:41:48 |
I'm sorry, we've got couples queuing up. |
00:41:51 |
(Dylan coughing) Sorry! |
00:41:54 |
- About bloody time. |
00:42:00 |
- Look. Bend down, can't you? |
00:42:03 |
How many words is that for |
00:42:06 |
- Where did you get three guineas? |
00:42:10 |
You look beautiful! |
00:42:13 |
She is beautiful. Come on. Let's get married. |
00:42:15 |
- It was Dylan's idea. He chose it. |
00:42:19 |
(# Hums Wedding March) |
00:42:23 |
(# Piano music) |
00:42:29 |
Would you mind awfully? |
00:42:32 |
I'm terribly sorry. Purely for old times' sake. |
00:42:43 |
(Vera laughs) |
00:42:48 |
- Sorry, old chap. |
00:42:51 |
Carry on, Sergeant. |
00:42:57 |
Oh, treat me right, can't you? |
00:43:00 |
Oh, no, no! I want to give a toast. |
00:43:03 |
(Caitlin) I'll squeeze the life out of you. |
00:43:05 |
- Yes, after the toast. |
00:43:06 |
You're killing me. |
00:43:08 |
(Welsh accent) Oh, go on, you great |
00:43:14 |
To all the things that really matter. |
00:43:17 |
- And bugger the ones that don't. |
00:43:20 |
- Can you please get down? |
00:43:22 |
- Oh, God. |
00:43:27 |
# Myfanwy boed yr holl o'th fywyd |
00:43:33 |
(Both) # Dan heulwen disglair canol dydd |
00:43:41 |
# Boed i rosyn gwridog iechyd |
00:43:49 |
# I ddawnsio ganmlwydd ar dy rudd # |
00:43:55 |
It's that old heiryth, |
00:43:59 |
that old Welsh thing |
00:44:02 |
(Caitlin) He hates the bloody place, doesn't he? |
00:44:06 |
Who doesn't? |
00:44:09 |
(# Both continue singing) |
00:44:11 |
(Caitlin) But all he wants, see, |
00:44:15 |
She's no different. |
00:44:18 |
No, you'll never come between them, |
00:44:22 |
- Why should I come between them? |
00:44:31 |
Perfect. |
00:44:34 |
(William) "For old times' sake." |
00:44:38 |
- No harm will ever come to you. |
00:44:41 |
(William) No word of mine will ever hurt you. |
00:44:51 |
- You're crying. |
00:44:54 |
Dreaming, that's all. |
00:44:57 |
- You're shaking. |
00:45:01 |
You'll come back to me. I know you will. |
00:45:07 |
Tell me the truth. |
00:45:10 |
You're hurting me. |
00:45:13 |
I want everything to be open between us. |
00:45:18 |
- And fresh and clean. |
00:45:21 |
You and your friend. |
00:45:23 |
Tell me. |
00:45:27 |
We were kids, William. |
00:45:30 |
We were on a beach |
00:45:36 |
William. |
00:45:39 |
Tell me you love me. |
00:45:44 |
Come back alive and I'll say it. |
00:45:47 |
Come back to me, |
00:45:51 |
And mean it? |
00:45:55 |
Come back and see. |
00:46:09 |
(# Band plays) |
00:46:12 |
# Drifting and dreaming |
00:46:20 |
# While shadows fall |
00:46:28 |
# Softly at twilight |
00:46:36 |
# I hear you call |
00:46:43 |
# Love's old sweet story |
00:46:51 |
# Told with your eyes |
00:46:59 |
# Drifting and dreaming |
00:47:07 |
# Sweet paradise # |
00:47:17 |
(Speaks Greek) |
00:47:23 |
- Sergeant, get these men off the aircraft, now! |
00:47:27 |
(William) "Of course |
00:47:30 |
"I should have bitten out my tongue. |
00:47:33 |
"You're all I love. You're all my need. |
00:47:38 |
"You're what I see in front of me. |
00:47:40 |
" And if I look over my shoulder, there... |
00:47:44 |
"There, I can see your smile. |
00:47:47 |
" All honour I would give up for you. |
00:47:50 |
"I could accept defeat |
00:48:02 |
(Speaks Greek) |
00:48:07 |
(Inhales) Vera. |
00:48:24 |
(Retching) |
00:48:25 |
- Do you want me to hold your head? |
00:48:31 |
(Sobbing and retching) |
00:48:38 |
(Caitlin) Now you'll get fat |
00:48:41 |
- (Laughs) |
00:48:45 |
It's the past Dylan loves. |
00:48:49 |
And you. |
00:48:52 |
Doesn't love me at all. |
00:48:53 |
When's William get back? |
00:48:57 |
I keep writing. No word. |
00:49:01 |
Think he's dead? |
00:49:04 |
I'm still getting his pay. |
00:49:07 |
Army wouldn't pay a dead man. |
00:49:11 |
You'll have to stop singing. |
00:49:14 |
I'll sing if I want. |
00:49:16 |
(Laughs) They won't let you. |
00:49:18 |
Not pregnant, they won't. |
00:49:21 |
Oh, I can't do this. I can't. |
00:49:24 |
A mother, me? Look at me. |
00:49:26 |
Well, get rid of it, then. |
00:49:31 |
- It's William's. |
00:49:34 |
You love him. |
00:49:37 |
I hate him. Oh, God, I hate him so much. |
00:49:41 |
- Look what he's done to me. |
00:49:43 |
Don't laugh. Don't damn well laugh! |
00:49:49 |
- I can't do this alone. I can't. |
00:49:53 |
- Let's go home, Caitlin. |
00:49:57 |
- Wales, Caitlin. |
00:50:00 |
- I've got money. |
00:50:07 |
I've savings. Of course I have. |
00:50:11 |
(Screams) |
00:50:13 |
Hold him! Bloody hold him! |
00:50:15 |
(Screams) |
00:50:18 |
- The whole town will hear you! |
00:50:23 |
(Screams) |
00:50:25 |
- You see this here? |
00:50:29 |
(Squeals) |
00:50:36 |
- Give it here. |
00:50:43 |
(Screams) |
00:50:45 |
- Don't let go! |
00:50:47 |
You scream if you want to, Vera. You hear me? |
00:50:50 |
(Both screaming) |
00:50:53 |
- (Sawing) |
00:50:56 |
(Screaming fades) |
00:50:59 |
(Vera) "Please write to me." |
00:51:02 |
(Baby cries) |
00:51:04 |
(Vera) "They tell us what to write |
00:51:07 |
"It's our duty. Damn duty, I say. |
00:51:12 |
"I'm fed up to the back teeth of being on my own. |
00:51:17 |
"Come home. |
00:51:20 |
"I've got something I might want |
00:51:25 |
"You do remember, don't you? |
00:51:28 |
"Come home. I want to touch you. |
00:51:30 |
"Where the rain fell on your skin. |
00:51:33 |
"Damn you for making me feel this way. |
00:51:36 |
"Damn you to hell and back. |
00:51:40 |
" And back, William. |
00:51:42 |
"And back." |
00:51:45 |
(Gunfire) |
00:51:54 |
Down. Down! |
00:51:58 |
Man down! |
00:52:00 |
(Men shouting) |
00:52:08 |
(Gunfire) |
00:52:11 |
(Soldier) No, sir. |
00:52:16 |
(Gasps) |
00:52:18 |
(Dylan) Forgive us |
00:52:20 |
Forgive us your death |
00:52:24 |
May hold it in a great flood |
00:52:26 |
Till the blood shall spurt |
00:52:29 |
And the dust shall sing like a bird |
00:52:32 |
As the grains blow, |
00:52:38 |
Crying |
00:52:39 |
Your dying |
00:52:40 |
Cry |
00:52:41 |
Child beyond cockcrow by the fire-dwarfed |
00:52:45 |
Street we chant the flying sea |
00:52:49 |
In the body bereft |
00:53:08 |
Come on. Sleep tight. |
00:53:14 |
- (Child) I'm hungry. |
00:53:17 |
Baby is sleeping. |
00:53:28 |
It's bloody freezing! Bloody Wales! |
00:53:34 |
(Sighs) |
00:53:37 |
When I was little, my da always |
00:53:40 |
- You loved him? |
00:53:43 |
- I hated mine. |
00:53:46 |
He was loathsome. |
00:53:48 |
Pity you're not a man. |
00:53:53 |
(Snorts and laughs) |
00:53:56 |
Don't think I didn't know you were there. |
00:53:58 |
- I didn't. |
00:54:00 |
Come here, Dylan. Let Vera smell you, |
00:54:04 |
- Stop it. |
00:54:07 |
- What? What? |
00:54:11 |
So where are they, Caitlin, hm? |
00:54:14 |
Come on, boys. Out you come. |
00:54:18 |
- Ow! She's killing me! Vera! |
00:54:21 |
I will kill you! I will! |
00:54:23 |
If I catch you at it again, I will! |
00:54:25 |
Why don't you see to the kids, Caitlin? Go on. |
00:54:30 |
(Barking) |
00:54:31 |
- Why do you do it? |
00:54:35 |
I do it, sleep with other women... |
00:54:39 |
- Hello. |
00:54:42 |
...because I'm a poet, and a poet feeds off life. |
00:54:45 |
- (Laughs) |
00:54:47 |
Pompous sod, aren't you? |
00:54:50 |
I do it because she does it. |
00:54:53 |
She always has. She can't help herself. |
00:54:56 |
It doesn't mean anything to her. |
00:54:59 |
You don't need William. You've got me. |
00:55:04 |
Nothing but you and me with time on our hands |
00:55:06 |
and each other to spend it with. |
00:55:11 |
(Door closes) |
00:55:13 |
(Footsteps) |
00:55:16 |
Hello, Daisy. |
00:55:23 |
Come back with me. Come on. |
00:55:28 |
I'll take you back to a time |
00:55:32 |
Where no bombs fell from the sky |
00:55:37 |
You can't go back. |
00:55:42 |
We can. |
00:55:45 |
You and me. |
00:55:48 |
It's not real. |
00:55:51 |
It is if we want it to be. |
00:56:08 |
Pity about the poor bloody husband. |
00:56:10 |
Off bleeding for his country |
00:56:17 |
Don't mind if I join you, do you? |
00:56:32 |
(Sighs) |
00:56:44 |
(Woman) Room for a small one? |
00:56:49 |
Ooh, wartime luxury. |
00:57:06 |
(Yells) |
00:57:09 |
(Woman) You can drop me here. |
00:57:11 |
(Brakes squeal) |
00:57:13 |
(Yells) |
00:57:17 |
(Dylan) Cat? |
00:57:21 |
Catty, Catty. Cat, Cat, Cat. |
00:00:06 |
God, you're drunk in charge of a bike. |
00:00:08 |
And what are you drunk in charge of? |
00:00:14 |
(Man) Am I hurting you? |
00:00:17 |
She's got skin like a rhinoceros hide. |
00:00:24 |
We're only friends, Dylan and me, |
00:00:28 |
- Don't ever lie to me. |
00:00:34 |
Friends don't lie to each other. |
00:00:36 |
Still as you can now. |
00:00:39 |
(Rain falling) |
00:00:45 |
(# Hums) |
00:00:48 |
Tell him to come back, Rowatt. |
00:00:55 |
- Tell your daddy to come back to me. |
00:01:00 |
Think he sees it, lovely? |
00:01:02 |
Your daddy? |
00:01:05 |
You think he sees the rain? |
00:01:08 |
Hmm? |
00:01:10 |
(Child) Mama, Dada. |
00:01:14 |
You're its father! Play with him! |
00:01:17 |
- I'm writing! |
00:01:20 |
(Child) Daddy! Mummy! |
00:01:23 |
That's my only... |
00:01:25 |
- Dada. |
00:01:27 |
You'll find it in the cesspit, then, |
00:01:30 |
Cat! Cat! |
00:01:34 |
Cat! |
00:01:37 |
(Toilet flushes) |
00:01:40 |
(Child crying) |
00:02:05 |
(Gulls screeching) |
00:02:10 |
(Dylan) When I was a windy boy and a bit |
00:02:13 |
And the black spit of the chapel fold |
00:02:16 |
Sighed the old ram rod dying of women |
00:02:23 |
I tiptoed shy in the gooseberry wood |
00:02:26 |
The rude owl cried like a telltale tit |
00:02:30 |
I skipped in a blush as the big girls rolled |
00:02:34 |
Ninepin down on the donkeys' common |
00:02:37 |
And on seesaw Sunday nights I wooed |
00:02:41 |
Whoever I would with my wicked eyes |
00:02:44 |
The whole of the moon I could love and leave |
00:02:47 |
For God's sake, don't wake Rowatt. |
00:02:50 |
(Whispers) All the green leaved |
00:02:53 |
In the coal black bush and let them grieve |
00:03:01 |
Wash my back for me? |
00:03:11 |
(Dylan) There is nothing |
00:03:19 |
Give us a kiss, Vera Phillips. |
00:03:21 |
- Give us a penny, then. |
00:03:25 |
Like we used to be. |
00:03:28 |
Little dog says, "Play with me." |
00:03:31 |
That's all you'll get. |
00:03:35 |
And don't you wet my jumper. |
00:03:37 |
- We've had baths together before. |
00:03:41 |
- I made love to you on a beach. |
00:03:46 |
- So lonely. |
00:03:48 |
- Aching with it, you are. |
00:03:51 |
- No what? |
00:03:54 |
There's no harm in it. |
00:03:56 |
You're getting me wet. |
00:04:01 |
Walk away, then. |
00:04:04 |
Go on, Vera Phillips. |
00:04:07 |
Hmm? Walk away. |
00:04:11 |
- You want us all to love you. |
00:04:21 |
All right, then. |
00:04:25 |
Love me. |
00:04:57 |
(Shrieks and laughs) |
00:05:00 |
(Dylan) Shh! |
00:05:19 |
(Door banging in wind) |
00:05:57 |
(Thunder rolling) |
00:06:17 |
(Caitlin) Vera! |
00:06:37 |
(Thunder rumbling) |
00:07:12 |
Hello. |
00:07:25 |
- (Caitlin) Where have you been? |
00:07:35 |
I'm going to make laver bread. Look. |
00:07:41 |
No, don't. |
00:07:45 |
You been crying? |
00:07:50 |
They're sending William home. |
00:08:00 |
I've never seen a man love anyone |
00:08:03 |
I'm not that me any more. |
00:08:09 |
I've got Rowatt. |
00:08:14 |
Just tell him you love him, Vera. |
00:08:17 |
What if it's too late? |
00:08:21 |
It's never too late. |
00:08:26 |
(Both laugh) |
00:08:30 |
- It's cold! It's cold! |
00:08:35 |
Catty! |
00:08:43 |
I'm pregnant, you know. |
00:08:47 |
Oh, God, Cat. |
00:08:50 |
Whose is it? |
00:08:53 |
Don't know. |
00:08:56 |
Can't have it, of course. I won't have it. |
00:09:02 |
- I need money, Vera. |
00:09:07 |
- He costs. |
00:09:09 |
Just say if you can't help. I'll do it myself. |
00:09:14 |
Maybe Wilfred knows how, he's a vet. |
00:09:16 |
- What did you bother with him for? |
00:09:21 |
Come on, we'll go to the bank. |
00:09:36 |
(Caitlin) I'd tell you you'd get it back |
00:09:40 |
Treats. Come on. |
00:09:50 |
(Greetings) |
00:09:52 |
(Rowatt cries) |
00:10:02 |
(Vera) It's like I only half remember him. |
00:10:05 |
(Caitlin) Dark. |
00:10:07 |
Good-looking. Dangerous. |
00:10:10 |
(Vera) Can't live on memories, can you? |
00:10:14 |
Use yourself up living on memories. |
00:10:18 |
It'd be a better place, a world without men. |
00:10:21 |
- Possibly. |
00:10:27 |
He makes a joke of it, whoever it's with. |
00:10:36 |
Bet William's romantic. |
00:10:41 |
I can't remember. |
00:11:16 |
I'll tell you what I think. |
00:11:22 |
Hmm. |
00:11:25 |
(Sighs) |
00:11:27 |
(Rowatt whines) |
00:11:30 |
Oh, God, look, Rowatt. |
00:11:33 |
Who's that funny woman? Who is she? |
00:11:36 |
(Sighs) |
00:11:37 |
(Rowatt crying) |
00:11:48 |
(Vera) William. |
00:11:52 |
It's me. |
00:11:57 |
I know. |
00:12:05 |
Well, then. |
00:12:06 |
(Clears throat) |
00:12:24 |
(Whistle) |
00:12:26 |
(Train whistle) |
00:12:42 |
(# Singing quietly) |
00:12:50 |
Can't you put him down? |
00:12:54 |
He'll only cry. |
00:13:09 |
What's that? |
00:13:13 |
It's a collage. For you. |
00:13:28 |
(Vera sighs) |
00:13:31 |
Hold me, William. |
00:13:34 |
(Rowatt gurgles) |
00:13:36 |
- I should deal with the post. |
00:14:06 |
(Dylan) In my craft or sullen art |
00:14:09 |
(Echoing) Exercised in the still night |
00:14:12 |
When only the moon rages |
00:14:15 |
- And the lovers lie abed |
00:14:17 |
With all their griefs in their arms |
00:14:21 |
I labour by singing light |
00:14:24 |
Not for ambition nor bread |
00:14:27 |
Or the strut and trade of charms |
00:14:32 |
But for the common wages |
00:14:59 |
(Sighs) |
00:15:04 |
You all right? |
00:15:07 |
- Are you? |
00:15:11 |
Will you? |
00:15:14 |
- I don't know where he is. |
00:15:18 |
- He's changed. |
00:15:23 |
He doesn't love me any more. |
00:15:25 |
Everybody loves you. |
00:15:34 |
Oh, God! |
00:15:37 |
Oh, Catty. |
00:15:42 |
Does it hurt? |
00:15:45 |
I didn't think it would mean anything. |
00:15:49 |
Course, it's a relief. |
00:15:56 |
I'll stop. |
00:16:00 |
In a minute I will. (Sniffs) |
00:16:07 |
There, see? Happy Caitlin. |
00:16:22 |
(Record plays) |
00:16:26 |
# If you want to know just why |
00:16:29 |
# I can truthfully say |
00:16:31 |
- # I've got a feeling about her |
00:16:34 |
# It was something she said |
00:16:36 |
# She's got me walking |
00:16:38 |
- # My hat's on the side of my head # |
00:16:42 |
# All my troubles are mended |
00:16:44 |
# She's my needle and thread |
00:16:46 |
# Cos she's got me walking |
00:16:49 |
(Needle scrapes, music stops) |
00:16:51 |
Sorry, I... |
00:16:56 |
(# Music starts) |
00:17:03 |
I'm sorry. I can't remember when I last... |
00:17:12 |
# I've got a feeling I've found her |
00:17:14 |
# It was something she said # |
00:17:17 |
Shall we have some tea? |
00:17:19 |
# And my hat's on the side of my head |
00:17:22 |
# All my troubles are mended |
00:17:25 |
# She's my needle and thread |
00:17:27 |
# Cos she's got me walking |
00:17:29 |
# And my hat's on the side of my head # |
00:17:32 |
(Rowatt cries) |
00:17:43 |
# Funny thing what love can do |
00:17:46 |
# Take a little look at me # |
00:17:50 |
(Gasps) |
00:17:53 |
(Dylan) All you heroes, you think |
00:17:56 |
(Gasps) |
00:17:58 |
(Vera) He'll always be my friend, Dylan. |
00:18:01 |
(Distorted screaming and laughter) |
00:18:03 |
(Gasps) |
00:18:05 |
It's a fox. It's a fox, that's all. |
00:18:09 |
(Gasps) |
00:18:16 |
(Vera) What's wrong, William? |
00:18:19 |
Talk to me. |
00:18:21 |
- Please. |
00:18:24 |
(Rowatt cries) |
00:18:26 |
(Sighs) |
00:18:32 |
# Bye baby bunting |
00:18:38 |
# Daddy's gone a-hunting |
00:18:43 |
# Gone to get a rabbit skin |
00:18:47 |
# To wrap his baby bunting in # |
00:18:54 |
(# Vera hums melody) |
00:19:40 |
What did you want me for? |
00:19:42 |
Was it the money? Was that it? Was that all? |
00:19:47 |
Don't... don't wake Rowatt. |
00:19:49 |
(Scoffs) |
00:19:50 |
My money to keep your tame poet. |
00:19:55 |
- Oh, I had better offers. Richer offers. |
00:20:04 |
They're my friends. I bought them food. |
00:20:07 |
- You have to feed people. |
00:20:13 |
You've got Rowatt! |
00:20:14 |
At least look at him, William! |
00:20:18 |
Is he Dylan's? |
00:20:20 |
That's what they're saying out there, Vera. |
00:20:27 |
I love you. |
00:20:29 |
When did that happen? |
00:20:31 |
I said come back and I'd say it. I said! |
00:20:37 |
You've been with him. |
00:20:40 |
Haven't you? |
00:20:43 |
(Rowatt cries) |
00:20:47 |
- (Door slams) |
00:20:51 |
Hey. |
00:20:53 |
Hey. Hey. (Sighs) |
00:20:59 |
- What do they want, blood? |
00:21:02 |
- You've been paid for it! |
00:21:05 |
- Be that as it may... |
00:21:07 |
It's not even broken down into scenes yet. |
00:21:09 |
- I'm not a secretary, Anita! |
00:21:53 |
(Chatter) |
00:21:56 |
- I'm looking for Dylan Thomas. |
00:22:01 |
- Ah, yes, the returning hero. |
00:22:05 |
The least we can do. |
00:22:11 |
Where is he? |
00:22:13 |
There it is. Waiting for you, see? |
00:22:16 |
It's the spectre of communism. |
00:22:18 |
That's what frightens them, the Allies. |
00:22:21 |
- Two pints of bitter and a gin and tonic. |
00:22:24 |
(Anita) Greece. Now, Greece. |
00:22:26 |
It's the communist partisans that risk their lives |
00:22:30 |
to fight the Germans, not the British Tommy. |
00:22:32 |
What they're aiming for, secretly, the Allies, |
00:22:36 |
is for the Germans to wipe out the partisans, |
00:22:39 |
wipe out the communists, |
00:22:41 |
so they won't have to deal with them |
00:22:47 |
You listen to me. |
00:22:50 |
I held a boy while my sergeant |
00:22:55 |
Later I held him while he died. |
00:22:59 |
That was in Greece. |
00:23:01 |
- I beg your pardon? |
00:23:07 |
So you and your friends can sit around |
00:23:12 |
You do that while we bleed our lives away. |
00:23:17 |
What do you know about war? |
00:23:21 |
You people, |
00:23:29 |
- Drink up, boys and girls, drink up. |
00:23:33 |
Introduce me |
00:23:35 |
- Please, introduce me. I'd be charmed. |
00:23:39 |
Oh, you can take my money. |
00:23:41 |
Hmm? You can take my bloody money |
00:23:47 |
(Laughs) I'm just a bloody Tommy. |
00:23:49 |
- (Bell) |
00:23:52 |
Gentlemen, please. It's time. |
00:23:54 |
- Whisky, double. |
00:23:56 |
Are you refusing to serve me? |
00:23:57 |
- I said time's called. |
00:24:00 |
- Go home, Captain Killick. |
00:24:04 |
No, don't you laugh at me. |
00:24:07 |
Oh, play the big man. |
00:24:09 |
Come on. |
00:24:13 |
We only have your word for it |
00:24:18 |
(Echoing)... with urine running down your leg. |
00:24:21 |
(Glass shatters) |
00:24:26 |
William, come on. |
00:24:27 |
Don't bother with them, Captain Killick. |
00:24:31 |
Best off home. |
00:24:43 |
(Sighs) |
00:24:46 |
(Horn blares) |
00:24:48 |
(Laughter) |
00:24:52 |
(Sighs) |
00:24:56 |
- William? What in heaven's name... |
00:24:59 |
- Put it down! |
00:25:02 |
- Put the damn thing down! |
00:25:06 |
Vera? Vera? |
00:25:18 |
(# Music plays) |
00:25:21 |
- (# Music plays) |
00:25:26 |
Above all women. Hmm? Words. |
00:25:29 |
(Dylan) Beyond the bottle. |
00:25:31 |
More than love. Better than sex. |
00:25:34 |
Words... for me. |
00:25:36 |
- Hmm? |
00:25:39 |
(Gasps) |
00:25:43 |
(Dylan)... tell you about our first night together |
00:25:46 |
She offered her honour |
00:25:50 |
- I've still got her on offer. |
00:25:53 |
Very easily entertained, this one. |
00:25:55 |
Thinks a pint of Guinness with a potato in it |
00:25:57 |
- Don't you, my darling? |
00:26:00 |
(Cocks gun) |
00:26:07 |
William, no! |
00:26:09 |
No! No! |
00:26:17 |
No. |
00:26:20 |
No! No! No! |
00:26:21 |
- No! No! |
00:26:23 |
William, stop, please! |
00:26:25 |
Please stop! |
00:26:26 |
(Baby crying) |
00:26:29 |
No one here means you any harm. Please. |
00:26:34 |
Don't you care? |
00:26:36 |
Your husband and my wife. |
00:26:40 |
(Baby crying) |
00:26:50 |
My son. |
00:27:04 |
You've got a bruise. |
00:27:07 |
Take me home. |
00:27:09 |
Did I do that? |
00:27:14 |
- Take her home, William. |
00:27:19 |
Not without my gun. |
00:27:23 |
Give me the gun. Or I'll pull the pin |
00:27:29 |
My son. |
00:27:37 |
What'd you give it to her for, you daft sod? |
00:27:43 |
(Man) There isn't a pin in it, William. |
00:27:47 |
Either it's faulty or... |
00:27:49 |
it's just gone off and we're |
00:27:53 |
(Baby screaming) |
00:27:55 |
(Clicking) |
00:28:00 |
(Sighs) |
00:28:03 |
Look, the boy's screaming. |
00:28:08 |
(Door closes) |
00:28:14 |
Come home, William. |
00:28:17 |
William. |
00:28:45 |
(Dylan) All they care about |
00:28:50 |
that's Wales for you. |
00:28:53 |
Doesn't want the world |
00:28:55 |
We could have been killed! |
00:28:58 |
Cat. |
00:29:00 |
I haven't got any more money. |
00:29:06 |
I've nothing left, Dylan. |
00:29:56 |
Got your toe. Got your toe! |
00:30:12 |
(Rowatt gurgles) |
00:30:23 |
- Can I... |
00:30:35 |
See? |
00:30:40 |
You won't hurt him. |
00:30:49 |
Thank you. |
00:30:56 |
Shall we take him out? |
00:31:00 |
Now. |
00:31:16 |
You're an expert. |
00:31:22 |
Eyelashes like feathers. Like yours. |
00:31:26 |
(Knocking on door) |
00:31:28 |
Captain Killick, it's the police. Open up. |
00:31:31 |
Oh, God. |
00:31:33 |
- One way to get rid of me, eh? |
00:31:38 |
I love you. |
00:31:43 |
Come here. |
00:32:08 |
(Rowatt cries) |
00:32:27 |
Don't think I don't understand. |
00:32:33 |
I do. |
00:32:34 |
It's just I've never had a Sten gun handy. |
00:32:39 |
Tea's got scum on it. |
00:32:41 |
- (Rowatt gurgles) |
00:32:48 |
Does William think he's Dylan's? |
00:32:54 |
- Is he Dylan's? |
00:33:00 |
(Sighs) I've used up all the sugar. |
00:33:07 |
Were you sleeping with him? |
00:33:11 |
I love my husband. |
00:33:19 |
I should kill you. |
00:33:23 |
You're my friend. |
00:33:26 |
For lying, I mean. |
00:33:34 |
For lying to me... Vera. |
00:33:48 |
(Rowatt cries) |
00:33:51 |
(Door closes) |
00:34:03 |
You look smart. Quite your old self. |
00:34:12 |
(Officer) I recovered |
00:34:15 |
The walls being made |
00:34:18 |
the bullets had penetrated through |
00:34:21 |
where I also found |
00:34:25 |
(Whispers) All with him, aren't they? |
00:34:28 |
- At Captain Killick's bungalow... |
00:34:32 |
Shh. |
00:34:34 |
...a revolver, a grenade, and 100 rounds |
00:34:42 |
(Hosgood) Used to lay mine fields, |
00:34:45 |
When he left an area, he used |
00:34:51 |
Why don't you take the witness box |
00:34:54 |
and sing Killick's praises to his judgeship? |
00:34:56 |
- Why don't you do that? |
00:34:58 |
Are you telling me Killick didn't know |
00:35:02 |
Captain William Killick is an expert marksman. |
00:35:04 |
If he'd been intent on murder, |
00:35:07 |
I'd be obliged if you just answer |
00:35:11 |
(Dylan) Scratch my head, Cat. |
00:35:14 |
Can't. |
00:35:24 |
(Judge) Is there any reason |
00:35:26 |
why a man of your rank |
00:35:31 |
No, sir. |
00:35:32 |
Why did you go |
00:35:35 |
I have no idea why. They cut me dead. |
00:35:41 |
I suppose they didn't want to see |
00:35:45 |
I thought I'd show them that war is real. |
00:35:48 |
I could see there was no one in my line of fire, |
00:35:53 |
I never imagined the bullets |
00:35:56 |
- The walls were asbestos, Captain Killick. |
00:36:00 |
I wanted to frighten them, that's all. |
00:36:02 |
There was a child present. |
00:36:06 |
Is... is that a question, sir? |
00:36:20 |
(Vera) I can't live without him. |
00:36:24 |
(Dylan) Did you know the entire unit |
00:36:30 |
Wiped out. That would have been him. |
00:36:35 |
(Vera) I'm begging you to help him. |
00:36:37 |
(Dylan) It saved his life, this trial. |
00:36:40 |
Did him a favour. |
00:36:45 |
Dylan... please. |
00:37:03 |
You were the star in my sky. |
00:37:07 |
- You can't stay the same all your life. |
00:37:15 |
You'll help him, won't you? |
00:37:20 |
It means that much to you? |
00:37:22 |
William's my world. |
00:37:26 |
Him and Rowatt. |
00:37:29 |
I've no room for anyone else. |
00:37:31 |
I don't want... anyone else. |
00:37:42 |
I see. |
00:37:46 |
I do, I see. |
00:37:55 |
(Judge) Mr Thomas? |
00:38:10 |
Captain Killick and I were... |
00:38:16 |
We would occasionally stand |
00:38:19 |
Captain Killick was stone-cold sober |
00:38:24 |
and it is my firm belief that he tried to kill me, |
00:38:27 |
that he tried to kill my wife, |
00:38:38 |
(Vera) Why? |
00:38:40 |
You. |
00:38:44 |
Leave Caitlin. |
00:38:47 |
Go on. Leave Caitlin. |
00:38:53 |
You've got rid of the opposition. |
00:38:57 |
Leave your wife and live with me. |
00:39:05 |
Do you see? |
00:39:10 |
You want a 15-year-old girl back on the beach. |
00:39:15 |
Not me. |
00:39:20 |
You don't even see me, do you? |
00:39:23 |
Dylan! |
00:39:27 |
All you've got is stories in your head. Words. |
00:39:33 |
And I have to be real. |
00:39:37 |
William... makes me real. |
00:39:49 |
If you have sent |
00:39:54 |
I will never forgive you. |
00:40:18 |
It is my opinion that it is not |
00:40:22 |
against a civilian household. |
00:40:26 |
It is, however, your peers who judge you, |
00:40:30 |
They have found that there is no evidence |
00:40:36 |
I have, therefore, no choice |
00:40:41 |
(Hubbub) |
00:41:18 |
(Laughing) |
00:42:52 |
There's that smile. |
00:42:56 |
I never meant to hurt you. |
00:42:59 |
Might as well, I suppose. |
00:43:03 |
Smile, I mean. |
00:43:07 |
Write, Catty. |
00:43:09 |
- I'll leave that to Dylan. |
00:43:26 |
Don't be lonely. |
00:43:32 |
Don't you, Catty. |
00:43:39 |
Don't you. |
00:43:56 |
(Dylan) Not for the proud man apart |
00:43:58 |
From the raging moon I write |
00:44:01 |
On these spindrift pages |
00:44:03 |
Nor for the towering dead |
00:44:06 |
With their nightingales and psalms |
00:44:10 |
But for the lovers, their arms |
00:44:14 |
Round the griefs of the ages |
00:44:40 |
# Was it a marriage made in heaven? |
00:44:47 |
# Was it a gift from God above? |
00:44:54 |
# Do you believe the things you told me? |
00:45:01 |
# Or was it simply careless love? |
00:45:09 |
# You told me once when we were dreaming |
00:45:16 |
# Through life together we would walk |
00:45:23 |
# Those words of love seemed set in starlight |
00:45:31 |
# But now it seems like careless talk |
00:45:38 |
# All your lies are jolly melancholy |
00:45:46 |
# Your eyes were always slightly sad |
00:45:53 |
# But now you're always saying sorry |
00:46:00 |
# We've lost the good times that we had |
00:46:09 |
# Over all this careless talk of love |
00:46:18 |
# This careless talk |
00:46:23 |
# Over all this careless talk |
00:46:30 |
# This careless |
00:46:37 |
# Talk |
00:47:07 |
# The four of us, oh, yes, alone again |
00:47:11 |
# Our curtains drawn into the setting sun |
00:47:15 |
# Beautiful children that pretend to play |
00:47:18 |
# Pretending it's such fun |
00:47:22 |
# Playing with fire with you and with life |
00:47:26 |
# Only good men dying young |
00:47:29 |
# Soldiers and sailors and planes up above |
00:47:32 |
# All careless talk and careless love |
00:47:45 |
# You called it love, I called it lies |
00:47:48 |
# You stole my dreams but no one ever cries |
00:47:55 |
# Oh- ho-ho! # |
00:48:00 |
(# Trills) |
00:48:04 |
(Laughs) |
00:48:09 |
# Playing with fire with you and with life |
00:48:13 |
# Only good men dying young |
00:48:17 |
# Soldiers and sailors and planes up above |
00:48:20 |
# All careless talk and careless love |
00:48:25 |
# You called it love, I called it lies |
00:48:29 |
# You stole my dreams but no one ever cries |
00:48:33 |
# Just dies, |
00:48:37 |
# Just dies # |