|
El secreto de sus ojos The Secret in Their Eyes
|
| 00:02:55 |
On June 21st, 1974, |
| 00:03:00 |
Liliana Colotto for the last time. |
| 00:03:03 |
For the rest of his life he'd rememberevery single detail |
| 00:03:08 |
Planning their first vacation, |
| 00:03:11 |
for his nagging cough, |
| 00:03:14 |
lump and a half of sugar. |
| 00:03:19 |
The fresh berry jam |
| 00:03:21 |
he'd never taste again. |
| 00:03:23 |
The flowers on her nightgown, and |
| 00:03:29 |
That smile like the sunrise |
| 00:03:34 |
blending in with the sunlight on |
| 00:03:49 |
No, no, no! |
| 00:03:54 |
Please, don't! |
| 00:04:58 |
"I FEAR" |
| 00:05:22 |
The gates of Heaven have opened, |
| 00:05:25 |
- Esposito... |
| 00:05:28 |
Look what the cat dragged in. |
| 00:05:30 |
How are you, Counselor? |
| 00:05:32 |
And you, Lieutenant? |
| 00:05:34 |
Go right in, Your Honor. |
| 00:05:36 |
Thanks, Reverend. |
| 00:05:37 |
You look good and rested. |
| 00:05:41 |
What a fucking asshole! |
| 00:05:43 |
Takes one to know one. |
| 00:05:48 |
The gates of Heaven have opened... |
| 00:05:59 |
Your Highness. |
| 00:06:01 |
What a surprise! |
| 00:06:05 |
- May I? |
| 00:06:08 |
Just wanted to chat. |
| 00:06:11 |
You busy? |
| 00:06:12 |
Jut overpreparing for a hearing. |
| 00:06:14 |
Coffee? |
| 00:06:16 |
I'm asking just in case retirement |
| 00:06:20 |
Mariano! |
| 00:06:24 |
Yes, Your Honor. |
| 00:06:25 |
Bring us two of those great coffees |
| 00:06:28 |
I'm typing a deposition. |
| 00:06:30 |
A deposition? |
| 00:06:33 |
our recently retired |
| 00:06:36 |
and an old friend. |
| 00:06:37 |
Mariano, our |
| 00:06:40 |
Not bad, huh? |
| 00:06:42 |
Here, bring some petit-fours |
| 00:06:46 |
I'll take extra cream. |
| 00:06:48 |
That's right, you're not well. |
| 00:06:50 |
What was your problem again? |
| 00:06:54 |
Extra cream for the man, |
| 00:06:57 |
Yes, ma'am. |
| 00:06:58 |
Wait. Is it important? |
| 00:07:01 |
No. |
| 00:07:04 |
Leave the door open, son. |
| 00:07:06 |
Come on, sit down. |
| 00:07:08 |
What do you know about writing novels? |
| 00:07:11 |
I've been writing all my life. |
| 00:07:14 |
Take a look in the archive. |
| 00:07:15 |
Oh, the case files. |
| 00:07:19 |
How many pages will your file be? |
| 00:07:22 |
Does it have a cover? |
| 00:07:23 |
A little encouragement |
| 00:07:28 |
What should I do? |
| 00:07:28 |
Act like some unwanted retiree |
| 00:07:30 |
who wants to help out? |
| 00:07:35 |
I want to write, so what? |
| 00:07:38 |
I want to write about |
| 00:07:53 |
I don't know why, |
| 00:07:57 |
We actually never talked about it. |
| 00:07:59 |
Why was that? |
| 00:08:05 |
With your handwriting, |
| 00:08:08 |
Wait, look. |
| 00:08:12 |
My biggest problem |
| 00:08:15 |
and never got past the 5th line. |
| 00:08:18 |
At this rate, I'll spend |
| 00:08:21 |
on spiral notebooks. |
| 00:08:25 |
Come here, give me a hand. |
| 00:08:27 |
Here, let me. |
| 00:08:30 |
I can't... |
| 00:08:33 |
It weighs a ton. |
| 00:08:39 |
I can't believe it. |
| 00:08:42 |
It was in storage. |
| 00:08:46 |
Think they fixed the "A"? |
| 00:08:48 |
The "A" is for pansies. |
| 00:08:50 |
Take it. Dinosaurs |
| 00:08:56 |
Now I'm out of excuses. |
| 00:09:00 |
I'll have to write. |
| 00:09:02 |
But where do I start? |
| 00:09:05 |
Wherever you remember the most. |
| 00:09:07 |
It was over 20 years ago. |
| 00:09:08 |
Which part comes back most often? |
| 00:09:11 |
That's the image |
| 00:09:15 |
It's a start. |
| 00:09:17 |
IThis is your new boss, |
| 00:09:20 |
IMiss Irene Menendez Hastings. I |
| 00:09:24 |
"Hastings" |
| 00:09:26 |
It's pronounced "Hastings." |
| 00:09:29 |
Sorry. Hastings, |
| 00:09:33 |
Your deputy, Benjamin Esposito. |
| 00:09:37 |
Actually I went to Cornell, |
| 00:09:42 |
Pablo Sandoval, deputy clerk, |
| 00:09:46 |
your humblest servant. |
| 00:09:48 |
Hey! |
| 00:09:51 |
Are you here? |
| 00:09:56 |
Yes, it's just that... |
| 00:10:02 |
but I'm not sure they have to do |
| 00:10:08 |
Then start at the beginning |
| 00:10:22 |
Blood Bank, good morning. |
| 00:10:24 |
Mr. Esposito... |
| 00:10:25 |
The 25th called. A homicide. |
| 00:10:28 |
Court 18. It's their turn. |
| 00:10:29 |
They said it's rape and murder. |
| 00:10:31 |
Court 18. |
| 00:10:33 |
Good morning. |
| 00:10:36 |
Hi, fellas. |
| 00:10:37 |
Good morning. |
| 00:10:38 |
Ma'am, did a saint die this morning? |
| 00:10:41 |
Why? |
| 00:10:43 |
Because an angel in mourning |
| 00:10:45 |
Ah, no. |
| 00:10:47 |
It's just a trick we angels have |
| 00:10:51 |
Can you bring in the Chavez file? |
| 00:10:54 |
Of course. |
| 00:11:01 |
You smooth fucker. |
| 00:11:05 |
Why? |
| 00:11:06 |
Why? |
| 00:11:08 |
You have a compliment ready |
| 00:11:10 |
the moment she walks in the door. |
| 00:11:13 |
Well, I may dress like a toad, |
| 00:11:15 |
but I'm actually Prince Charming. |
| 00:11:17 |
- Mr. Esposito! |
| 00:11:19 |
Counselor Romano... |
| 00:11:21 |
He told them it was our turn. |
| 00:11:22 |
Counselor Romano? |
| 00:11:23 |
Tell him Sheriff Esposito |
| 00:11:26 |
- Okay |
| 00:11:28 |
Three hours thinking of what to say, |
| 00:11:31 |
I freeze up. |
| 00:11:34 |
It's easier for me, I'm not in love. |
| 00:11:36 |
Neither am I, moron. |
| 00:11:38 |
Go on. |
| 00:11:41 |
I want you to get the files |
| 00:11:43 |
and put them on this side. |
| 00:11:45 |
All together, it's simple enough. |
| 00:11:47 |
Romano, what did you tell the Precinct? |
| 00:11:49 |
It's your turn. |
| 00:11:50 |
We're alternating. |
| 00:11:52 |
We got another case, what's the problem? |
| 00:11:54 |
A mini-mart robbery, smart-ass. |
| 00:11:56 |
Alternating similar cases. |
| 00:11:57 |
What do you want me to do? |
| 00:11:58 |
Ask Judge Fortuna. |
| 00:12:00 |
I want a solution, |
| 00:12:02 |
Why is asking me a problem? |
| 00:12:07 |
It's not that. |
| 00:12:08 |
It's just silly to bother you |
| 00:12:11 |
with something trivial like this, |
| 00:12:12 |
if we can handle it ourselves. |
| 00:12:15 |
Strictly speaking, it's your turn. |
| 00:12:17 |
And hurry up, or you'll find a wake |
| 00:12:25 |
What's up, Baez? |
| 00:12:27 |
Still here. And you? |
| 00:12:29 |
Tired of being happy. |
| 00:12:30 |
You look happy. |
| 00:12:32 |
As a dog with two tails. |
| 00:12:33 |
I just love it |
| 00:12:34 |
when that moron |
| 00:12:36 |
Come on in. |
| 00:12:38 |
Morons are a dime a dozen. |
| 00:12:39 |
Quiet, easy-going ones |
| 00:12:43 |
Live and let live. |
| 00:12:45 |
They don't bother. |
| 00:12:46 |
- How are you, Inspector? |
| 00:12:49 |
Then there are morons |
| 00:12:51 |
They shit everywhere |
| 00:12:53 |
and someone has to wipe their asses. |
| 00:12:54 |
Of those morons I know not one, |
| 00:12:57 |
The judge and my buddy at Court 18, |
| 00:12:59 |
a son of a bitch, or both. |
| 00:13:02 |
It was his turn, |
| 00:13:04 |
so I'm asking you to tell the Judge. |
| 00:13:07 |
Tell him I have nothing to do with... |
| 00:13:39 |
Liliana Colotto, 23 years old, teacher, |
| 00:13:43 |
Recently married to Ricardo Morales, |
| 00:13:48 |
bank clerk. |
| 00:14:38 |
The old lady mentioned |
| 00:14:43 |
on the terrace in number 3, |
| 00:14:46 |
but they haven't shown up in 2 days |
| 00:14:48 |
Sure she didn't see them? |
| 00:14:49 |
She says no. |
| 00:14:50 |
I'll go see the husband. |
| 00:14:53 |
See you, Esposito. |
| 00:14:54 |
I'll go with you. |
| 00:15:11 |
Good afternoon, |
| 00:15:13 |
Ricardo Morales? |
| 00:15:14 |
That way. |
| 00:15:17 |
- Ricardo Morales? |
| 00:15:19 |
Inspector Baez, Federal Police. |
| 00:15:26 |
Anyone else have a key to your home? |
| 00:15:32 |
See any strangers around |
| 00:15:42 |
The neighbor said you came home |
| 00:15:48 |
Out of the way, isn't it? |
| 00:15:56 |
Sorry, I didn't get that. |
| 00:16:02 |
We had a habit, a routine. |
| 00:16:08 |
We liked watching The Three Stooges |
| 00:16:13 |
She thought they were funny. |
| 00:16:20 |
You'll have to come with me |
| 00:16:23 |
We'll do the best we can, |
| 00:16:27 |
I know it's unpleasant. |
| 00:16:48 |
What is wrong with this typewriter? |
| 00:16:51 |
Could you please get rid of it? |
| 00:16:52 |
I can't take it anymore. |
| 00:16:54 |
- Who will want it? |
| 00:16:55 |
Just get it out of my sight. |
| 00:16:57 |
Okay, Benja, |
| 00:17:02 |
With this statement, |
| 00:17:03 |
I, Criminal JudgeRaimundo Fortuna Lacalle, |
| 00:17:07 |
hereby declare myselfcompletely insane and |
| 00:17:11 |
That's wrong. |
| 00:17:20 |
It goes like this: Pursuant to articles 141, |
| 00:17:26 |
MY RULING -in capital letters- |
| 00:17:31 |
is mentally ill, legally-speaking, insane, |
| 00:17:35 |
suffering from chronic delirium |
| 00:17:39 |
and is therefore unable to carry out |
| 00:17:42 |
his functions as a civil servant." |
| 00:17:47 |
How are things, Miss? |
| 00:17:50 |
Yes. We have the Nicolosi case. |
| 00:17:52 |
No big deal, Your Honor. |
| 00:17:54 |
Witness statements, nothing more. |
| 00:17:57 |
Very good. |
| 00:17:58 |
Sorry, there's one file left, Your Honor. |
| 00:18:02 |
Thank you. |
| 00:18:07 |
Hello, Your Honor. |
| 00:18:08 |
- How are you? |
| 00:18:10 |
- Benjamin, Pablo... Ma'am. |
| 00:18:13 |
Hey, Benjamin... |
| 00:18:15 |
just to show you Court 18is acting in good faith, |
| 00:18:17 |
remember you were upset the other day |
| 00:18:20 |
over getting a case? |
| 00:18:21 |
Well, the case has been solved. |
| 00:18:24 |
Two builders working in number 3. |
| 00:18:28 |
They're under arrest in the 25th. |
| 00:18:32 |
you can bring them in |
| 00:18:34 |
Hold on... What builders? |
| 00:18:36 |
Their names are... |
| 00:18:37 |
Jacinto Caceres, Bolivian, 35 years old. |
| 00:18:44 |
At least he's Argentinean. |
| 00:18:45 |
I'm blown away, Romano. |
| 00:18:47 |
Keep this up and I'll give Court 18all the hard cases. |
| 00:18:50 |
Bad news for you, son. |
| 00:18:52 |
Please, sir. |
| 00:18:53 |
Always happy to help out. |
| 00:19:00 |
Esposito, how are you? |
| 00:19:01 |
Romano warned you I was coming? |
| 00:19:03 |
I was already typing the report. |
| 00:19:05 |
You'll get the guys tomorrow: |
| 00:19:08 |
they signed a confession. |
| 00:19:10 |
Monday at the latest. |
| 00:19:11 |
Let me in. |
| 00:19:12 |
Sergeant Sicora has to authorize it. |
| 00:19:14 |
Sicora is about to eata plate full of shit. |
| 00:19:16 |
Really, |
| 00:19:18 |
You wanna go join him? |
| 00:19:20 |
Two for the price of one. |
| 00:19:22 |
Well? |
| 00:19:36 |
Are you Caceres? |
| 00:19:39 |
No, I'm Robles, he's Caceres. |
| 00:19:52 |
Caceres, It's okay. |
| 00:20:10 |
You stupid son of a bitch! |
| 00:20:12 |
Are you fucking sick or what? |
| 00:20:14 |
You arrested two nobodies! Nobodies! |
| 00:20:17 |
They weren't even there! |
| 00:20:19 |
Let them go, |
| 00:20:21 |
You ordered it beat the hell out of them! |
| 00:20:23 |
Know where I'm going? |
| 00:20:26 |
We'll see who saves your ass this time! |
| 00:20:30 |
Fuck your complaint! |
| 00:20:31 |
Don't worry, you're going to. |
| 00:20:34 |
Go file it. |
| 00:20:35 |
All this fuss over two lousy blacks! |
| 00:20:37 |
Your eyes will be black |
| 00:20:41 |
Knock it off! |
| 00:20:43 |
You better check the wanted ads. |
| 00:20:45 |
You'll never set foot here again! |
| 00:20:46 |
You don't know who you're fucking with! |
| 00:20:49 |
You have no idea. |
| 00:20:52 |
Benjamin... |
| 00:20:54 |
It's okay, |
| 00:20:56 |
I'm going to file a complaint. I'll be right back. |
| 00:21:02 |
Fine by me. |
| 00:21:03 |
Don't worry, I'll be right back. |
| 00:21:07 |
- Did you see Sandoval? |
| 00:21:09 |
- Where? |
| 00:21:14 |
This country is upside down. |
| 00:21:16 |
You're upside down. |
| 00:21:21 |
How can you defendthisdemagoguepresident of ours? |
| 00:21:25 |
Watch what you say, you'll get into trouble. |
| 00:21:28 |
Attention, everybody, please. |
| 00:21:30 |
Chief Justice Benjamin Espositojust walked in the door. |
| 00:21:35 |
Hail, Your Honor. |
| 00:21:37 |
Oh come on... |
| 00:21:38 |
How much does he owe? |
| 00:21:39 |
Nothing, nothing at all, |
| 00:21:41 |
I pay for my own drinks, |
| 00:21:43 |
Besides, it's early. |
| 00:21:45 |
I'll pay for it, |
| 00:21:52 |
That's it. |
| 00:21:53 |
No no, I have money... |
| 00:21:54 |
It's paid. |
| 00:21:55 |
Fine. |
| 00:21:56 |
In that case, Mr. Esposito can buy |
| 00:21:59 |
No no... |
| 00:22:01 |
Thanks! |
| 00:22:02 |
Hands off, hands off, |
| 00:22:06 |
you're not the boss in here, |
| 00:22:09 |
in front of my friends, got it? |
| 00:22:10 |
I'll never spot you money again. |
| 00:22:13 |
Why do you keep screwing around? |
| 00:22:15 |
Okay, okay, let's go. Slowly, everything's fine. |
| 00:22:17 |
It's fine. |
| 00:22:18 |
We're leaving. |
| 00:22:20 |
Come on. |
| 00:22:21 |
I'm going... |
| 00:22:22 |
well, see you. |
| 00:22:23 |
Here we go. Goodbye! |
| 00:22:26 |
My jacket. |
| 00:22:27 |
I've got it. |
| 00:22:31 |
See you, Emilio. |
| 00:22:33 |
Bye... |
| 00:22:34 |
Why don't you two speak? |
| 00:22:35 |
You're his wife and this is his home... |
| 00:22:37 |
You bring him at this hour, I don't know where he's |
| 00:22:39 |
You bring him now, |
| 00:22:40 |
It's early, |
| 00:22:42 |
You can't drop him off like this. It's your problem. |
| 00:22:46 |
Mine? |
| 00:22:47 |
You brought him like this. |
| 00:22:48 |
You mean it's my fault? |
| 00:23:28 |
Who is it? |
| 00:23:29 |
Benjamin Espósito. |
| 00:23:31 |
Who? |
| 00:23:31 |
From the courts, remember? |
| 00:23:40 |
Pretty, wasn't she? |
| 00:23:43 |
Very. |
| 00:23:45 |
I really am sorry for those guys. |
| 00:23:47 |
They should be getting out by now. |
| 00:23:50 |
Habia que esperar a que |
| 00:23:52 |
for that lawsuit I mentioned. |
| 00:23:54 |
No, keep looking. |
| 00:23:57 |
That way you'll get |
| 00:23:59 |
Here's another album. |
| 00:24:01 |
I look at her picturesall day long |
| 00:24:07 |
I know I'm in denial, but... |
| 00:24:09 |
it helps me go onuntil we find the guy. |
| 00:24:14 |
That's when she graduated. |
| 00:24:16 |
Then she came from Chivilcoyand moved in with her |
| 00:24:20 |
She worked in a school in Almagro, |
| 00:24:23 |
She used to pay her billsat the bank. |
| 00:24:27 |
I still don't know where I gotthe courage to talk to her. |
| 00:24:37 |
Tell me one thing. When we get this guy, |
| 00:24:47 |
Rape and homicide. He'll get life. |
| 00:24:51 |
We don't have the death penalty. |
| 00:24:54 |
I don't agree with the death penalty. |
| 00:24:59 |
Me neither. I thought maybe |
| 00:25:01 |
for you it could serve as retribution. |
| 00:25:04 |
Retribution? Will they rape himand beat him to death? |
| 00:25:08 |
No, they'll give him an injectionand he'll take a nap. |
| 00:25:12 |
It's not fair. |
| 00:25:15 |
I'd gladly trade places with him. |
| 00:25:23 |
Those are from whenshe was 17 or 18. |
| 00:25:27 |
That's the spring picnic in Chivilcoy. |
| 00:25:30 |
Ever been there? |
| 00:25:32 |
No. |
| 00:25:32 |
I have, she took me |
| 00:25:43 |
Let him grow old. |
| 00:25:49 |
Live a life full of nothing. |
| 00:26:07 |
What is it? |
| 00:26:12 |
Nothing... |
| 00:26:27 |
Did she have any brothers? |
| 00:26:30 |
No, why? |
| 00:26:39 |
Do you know who this is? |
| 00:26:42 |
He's in several. |
| 00:26:45 |
I showed Liliana this system, |
| 00:26:47 |
otherwise, years pass and you forget |
| 00:26:48 |
who's in the photo. |
| 00:26:50 |
True... |
| 00:26:51 |
Laporta, Rodriguez, Cardozo, |
| 00:27:23 |
Well? |
| 00:27:25 |
I always thought the photo thing |
| 00:27:28 |
Yeah, but I think... |
| 00:27:32 |
it's the look in their eyes. |
| 00:27:34 |
You see this kid looking |
| 00:27:40 |
The eyes... Speak... |
| 00:27:52 |
They bullshit too, |
| 00:27:56 |
Sometimes it's better not to look. |
| 00:28:03 |
What? |
| 00:28:04 |
We never talked about this case. |
| 00:28:08 |
In '85. |
| 00:28:09 |
Why now? |
| 00:28:12 |
Better than planting begonias... |
| 00:28:15 |
Why? |
| 00:28:20 |
Because I've been sidetrackedfor over 20 years. |
| 00:28:23 |
Courts, cases, friends, pranks, |
| 00:28:28 |
A marriage, several affairs... |
| 00:28:34 |
And now that I'm retired, nothing sidetracks me. |
| 00:28:37 |
I was in a bar the other night |
| 00:28:40 |
and I saw myself having dinner alone... and I didn't like |
| 00:28:49 |
I know it doesn't happen to you. |
| 00:28:54 |
And in trying to... find the reasons, the moments... |
| 00:29:03 |
leads me Morales. |
| 00:29:06 |
It's as if my life had... |
| 00:29:11 |
Answer it. |
| 00:29:12 |
It's Alfonso, I'll call him back. |
| 00:29:14 |
Answer it, I'll wait. |
| 00:29:15 |
I'll call him back. |
| 00:29:16 |
It's no problem, answer it. |
| 00:29:21 |
I'm finishing up here, I'll be right there. |
| 00:29:26 |
Start without me, I'll be right there. |
| 00:29:36 |
IHi? I |
| 00:29:37 |
Good evening. Does Isidoro Gomez live there? |
| 00:29:40 |
Yes... |
| 00:29:42 |
- Is he home? |
| 00:29:48 |
No? |
| 00:29:49 |
No, he moved away, to Buenos Aires. |
| 00:29:53 |
Ah... Buenos Aires? |
| 00:29:56 |
Who's calling? |
| 00:29:58 |
I'm calling on behalf of |
| 00:30:05 |
it's for a job. |
| 00:30:06 |
Has he been in Buenos Aires long? |
| 00:30:08 |
A month, a little longer. |
| 00:30:13 |
Do you know where I can find him? Have you got an |
| 00:30:17 |
This job is pretty urgent. |
| 00:30:21 |
He's working on a construction site. |
| 00:30:24 |
On a site? |
| 00:30:26 |
Yes, he said it was... |
| 00:30:37 |
I don't remember very well, but... |
| 00:30:43 |
What type of job is it? |
| 00:30:45 |
It's a job that will interest him. |
| 00:30:49 |
It's for Councilman Mendez and... |
| 00:30:54 |
Tell me something. |
| 00:30:56 |
Yes... |
| 00:30:57 |
Were he and Liliana Colotto friends? |
| 00:31:01 |
They used to see each other. She's from here. Why? |
| 00:31:11 |
She works for the councilman. |
| 00:31:16 |
She's the one who recommended himfor the job. |
| 00:31:19 |
She did, did she? He'll be glad to hear that. |
| 00:31:26 |
Really? Do you thinkhe'll remember her? |
| 00:31:30 |
Oh, yesÉ He really liked that girl. |
| 00:31:35 |
But then she moved away... |
| 00:31:40 |
and they never saw each other again, |
| 00:31:45 |
Hello... Hello? Hello! |
| 00:31:57 |
If he's here, it's a miracle. |
| 00:32:01 |
Poor guy. Imagine losing |
| 00:32:04 |
Not him, you. |
| 00:32:05 |
If you'd kept your mouth shut |
| 00:32:07 |
without saying anything. |
| 00:32:08 |
Morning, we're looking for Isidoro Gomez. |
| 00:32:11 |
What is it? Who are you? |
| 00:32:13 |
Mike Hammer, asshole. |
| 00:32:16 |
No he didn't. |
| 00:32:17 |
We know nothing about him. |
| 00:32:19 |
Give me his address. |
| 00:32:20 |
Right away. |
| 00:32:21 |
Fernandez! Fernandez! |
| 00:32:30 |
We know Gomez got a phone calllast night. |
| 00:32:35 |
He went in the bedroomand came out 10 minutes later |
| 00:32:38 |
with his coat and suitcase packed. |
| 00:32:41 |
The foreman says they owed hima week's pay |
| 00:32:44 |
but that he left without any fuss. |
| 00:32:47 |
I can ask around if you want, lnspector. |
| 00:32:52 |
I saw the same photographs you did. I should have |
| 00:33:01 |
Forget it, Esposito. That case is nothing but hot air. |
| 00:33:06 |
If you think I'll do all that paperworkto issue a request in |
| 00:33:08 |
to search some old lady's house |
| 00:33:11 |
to find letters the son |
| 00:33:14 |
may or may not have sent |
| 00:33:15 |
and yadda, yadda, yadda... Please, Esposito. You're |
| 00:33:20 |
We have nowhere else to look, sir. |
| 00:33:24 |
Your little game of Don Quixotewith Romano was |
| 00:33:27 |
Poor guy got transferred to bumfuck, lowa. |
| 00:33:31 |
Or maybe he's in Chivilcoy, try asking him. |
| 00:33:47 |
Anyway... the general saidwhat he had to. |
| 00:33:51 |
Oh well... |
| 00:34:00 |
I don't know what to do. |
| 00:34:06 |
Morales is getting worse every day, |
| 00:34:09 |
the murderer knows we're after him, |
| 00:34:12 |
my judge is a moron, I want to kill Irene, |
| 00:34:18 |
and the only guy I can trustin this world is a drunk, |
| 00:34:22 |
a total fucking imbecile. |
| 00:34:28 |
I have an advantage. A small one, but an advantage. |
| 00:34:32 |
Today's the 28th, right? |
| 00:34:34 |
The drunk idiot hasn't got paid yet. |
| 00:34:37 |
Last month's he already drank. |
| 00:34:40 |
So when it's time to pay the bill, he'll have a dilemma. |
| 00:34:45 |
Either he says he's broke, gets arrested, beat up, |
| 00:34:48 |
goes home a mess and his wifekicks him out for good, |
| 00:34:51 |
or he turns to his boss the chump, who happens to be |
| 00:34:58 |
But one thing. Since his bossis a chump, but not a |
| 00:35:03 |
he'll pay one last time. |
| 00:35:07 |
But in exchange for a favor. And the drunk idiot |
| 00:35:11 |
can't say no. Isn't that right? |
| 00:35:28 |
I gotta pee. |
| 00:35:30 |
Hold on. The old lady |
| 00:35:36 |
Too much Napoleon Solo and Perry Mason. That's your |
| 00:35:45 |
I'm serious, I gotta take a leak. |
| 00:38:14 |
Son of a bitch! Damn you! Damn you! |
| 00:38:20 |
You scared the fucking crapout of me! |
| 00:38:22 |
I scared you? What are you doing here? |
| 00:38:25 |
I came to help you. |
| 00:38:27 |
You're supposed to keep watch outside. |
| 00:38:29 |
If she comes back, we're screwed. |
| 00:38:30 |
She ain't coming back. |
| 00:38:32 |
How do you know? |
| 00:38:33 |
She's in the grocery store, she'll be a while. |
| 00:38:36 |
Calm down, for God's sake. |
| 00:38:39 |
Did you find anything? |
| 00:38:41 |
The letters... |
| 00:38:42 |
Huh? |
| 00:38:43 |
The letters, but no... |
| 00:38:46 |
There's no address. |
| 00:38:51 |
This one's from the other day. |
| 00:38:53 |
So? |
| 00:38:55 |
It's recent! |
| 00:38:57 |
The trash. The envelopesmay still be in the trash. |
| 00:39:01 |
So! |
| 00:39:08 |
No, nothing here! |
| 00:39:18 |
Nothing at all? |
| 00:39:19 |
Nothing. |
| 00:39:21 |
Did you go through it? |
| 00:39:22 |
Wanna try? |
| 00:39:23 |
Knock it off! |
| 00:39:38 |
Go on! What is it? |
| 00:39:42 |
Calm down, I'll let you out. |
| 00:40:00 |
Want me to drive? |
| 00:40:04 |
The dog probably had rabies, you're gonna die. |
| 00:40:07 |
Why didn't you keep watch? |
| 00:40:08 |
If she finds out we broke in... |
| 00:40:11 |
Benjamin, as soon aswe came for the letters, |
| 00:40:14 |
sooner or later she'd realize. |
| 00:40:16 |
That's why we didn't take the letters. |
| 00:40:22 |
You weren't stupid enoughto bring them, were you? |
| 00:40:25 |
Ah... |
| 00:40:29 |
And what if I did? |
| 00:40:30 |
What if? What if? |
| 00:40:34 |
If she finds out, she'll tell Gomez |
| 00:40:37 |
and the guy will disappear for good. |
| 00:40:40 |
No. |
| 00:40:42 |
You don't? |
| 00:40:43 |
Because you... |
| 00:40:46 |
The whole thing about the date... |
| 00:40:49 |
I'd much rather work alone! |
| 00:40:59 |
Tactical Revolutionary Command, may I help you? |
| 00:41:03 |
Wrong number. That's quite all right. |
| 00:41:09 |
Nothing at all? |
| 00:41:11 |
Or I'm missing something. |
| 00:41:13 |
It's like the guy knewwe were going to read the letters. |
| 00:41:16 |
It's just names. Bullshit, nothing concrete. |
| 00:41:22 |
"Don't worry about me. I'm like Manfredini, |
| 00:41:29 |
not Bavastro."People from Chivilcoy. |
| 00:41:35 |
Here, let me see. Oh, shit... |
| 00:41:40 |
Sperm Bank, loan department. Good morning... We |
| 00:41:45 |
Deposit or withdrawal? |
| 00:41:46 |
Esposito! Sandoval! |
| 00:41:47 |
Wrong number... |
| 00:41:48 |
Sandoval! |
| 00:41:49 |
Judge Fortuna wants to see you. |
| 00:41:55 |
You hear my voice when I speak to you, don't you, |
| 00:41:59 |
Yes, sir. |
| 00:42:00 |
Then I have to assumethat if I tell you something |
| 00:42:04 |
and you do exactly the opposite, |
| 00:42:06 |
but that you could give a flying fuckabout the order I |
| 00:42:11 |
Isn't that right, Esposito? |
| 00:42:13 |
Not quite like that, sir. |
| 00:42:15 |
And if my colleague from Chivilcoycalls me very angry |
| 00:42:19 |
to tell me that two of my employees |
| 00:42:22 |
broke into some poor old lady's house, |
| 00:42:24 |
that means what I say isn't wortha bucket of shit. |
| 00:42:32 |
I don't know where your colleaguecould have heard |
| 00:42:36 |
That's exactly what I told him, Esposito. |
| 00:42:40 |
However, my colleague tells me |
| 00:42:43 |
that the other day in Chivilcoy |
| 00:42:48 |
at the intersection of Franciso Saveyand the corner of |
| 00:42:54 |
in the city limits of Chivilcoy |
| 00:42:58 |
a black Peugeot was parked with aBuenos Aires |
| 00:43:07 |
and my colleague asks the Federal Policeto run a |
| 00:43:13 |
Guess whose name the car is registered to? |
| 00:43:17 |
Tell me, who? |
| 00:43:20 |
A certain... Espo... Esposi! |
| 00:43:37 |
To. |
| 00:43:42 |
And the Federal Policetell him where he works. |
| 00:43:49 |
And the judge calls meto see if I can clear things up. |
| 00:43:54 |
And the truth is, Esposito, I can't. Because I don't look |
| 00:43:58 |
a judge anymore, I look like afirst class fucking idiot. |
| 00:44:02 |
Because I say I want Aand I people give me Z. |
| 00:44:06 |
Just like this piece of shittypewriter they gave me! |
| 00:44:13 |
Excuse me, sir, but... |
| 00:44:18 |
I think something weirdis going on here. |
| 00:44:20 |
Exactly. Wait, wait. Wait a minute. You ain't heard |
| 00:44:25 |
After you can go right backto treating me like a fucking |
| 00:44:29 |
But listen to this. |
| 00:44:31 |
Because what stood out mostin that little town |
| 00:44:36 |
wasn't the two guysfrom Buenos Aires, no. |
| 00:44:38 |
Or that one of them was seen |
| 00:44:42 |
tying his shoelaceswhen he was wearing loafers. |
| 00:44:46 |
What stood out most was that one of themwalked into |
| 00:44:51 |
greeted them pleasantly, |
| 00:44:55 |
drinking straight from the bottle. |
| 00:44:59 |
Shall I describe him for you? |
| 00:45:02 |
We have to deny it, Benjamin."It wasn't me, I don't |
| 00:45:07 |
Don't ever talk to me again. |
| 00:45:08 |
Never again. |
| 00:45:10 |
Deny everything. |
| 00:45:16 |
Ma'am, honestly... |
| 00:45:17 |
Get out of my sight. |
| 00:45:18 |
Are you against us too? |
| 00:45:20 |
Irene, I'm talking to you! |
| 00:45:22 |
Irene! |
| 00:45:24 |
Not only was it a stupid move, |
| 00:45:26 |
but you did it behind my back. |
| 00:45:28 |
I didn't think you'd be... |
| 00:45:29 |
You think I'm here to joke around. |
| 00:45:31 |
I didn't say that. |
| 00:45:32 |
You didn't need to. I can tell. |
| 00:45:34 |
Let's get this straight. |
| 00:45:35 |
I'm the boss and you're the employee. |
| 00:45:43 |
Twelve letters.31 pages on thin paper. |
| 00:45:46 |
He mentions 5 jobs, two as a builder, |
| 00:45:50 |
one delivering groceries, two without details. |
| 00:45:53 |
Three neighborhoods in Buenos Aires: Monte Grande, |
| 00:45:58 |
Six names: Anido, |
| 00:46:02 |
Bavastro y Sanchez. |
| 00:46:05 |
Only one reference to a woman: Rosa, |
| 00:46:07 |
apparently an aunt. |
| 00:46:10 |
That's it. That's all I've got. The rest is nothing. |
| 00:46:14 |
Benjamin! |
| 00:46:15 |
This is nothing too? |
| 00:46:16 |
Please... |
| 00:46:29 |
Leave it open, it isn't private. |
| 00:46:31 |
I talked to Fortuna. |
| 00:46:36 |
I used my irresistible smile |
| 00:46:39 |
and convinced him to call the judge |
| 00:46:41 |
and forget the whole thing. |
| 00:46:43 |
I don't know how to thank you. |
| 00:46:46 |
I ask that you refrain |
| 00:46:51 |
You're free to go. |
| 00:46:52 |
One question, if I may. |
| 00:46:56 |
I don't think I've seen it. |
| 00:46:59 |
Of course not. I save it for |
| 00:47:03 |
Of course. Right. |
| 00:47:10 |
And bring me the Liliana Colotto file, |
| 00:47:12 |
to seal it and archive it. |
| 00:47:19 |
The case is closed. |
| 00:47:30 |
Getting engaged. |
| 00:47:34 |
Who gets engaged anymore? |
| 00:47:37 |
And this kid? What was his name? |
| 00:47:40 |
Godoy. |
| 00:47:41 |
Godoy! |
| 00:47:43 |
- Larreta got him the job. |
| 00:47:45 |
Yes... Silly me, I didn't put |
| 00:47:48 |
When was it? Two or three months |
| 00:47:52 |
A week later. |
| 00:47:55 |
A week after we fought you showed up |
| 00:47:58 |
with Alfonso whatever his name was |
| 00:48:04 |
Look at Sandoval, |
| 00:48:12 |
It's so weird, I don't recognize myself. |
| 00:48:18 |
Who were you? |
| 00:48:22 |
I don't know. |
| 00:48:26 |
Stuck-up. |
| 00:48:27 |
Structured. |
| 00:48:29 |
Inflexible. |
| 00:48:30 |
Young. Young, Benjamin. |
| 00:48:35 |
You were young, too. |
| 00:48:40 |
And here, looking to the side, |
| 00:48:51 |
I was another person. |
| 00:49:07 |
Your novel might be really good. |
| 00:49:14 |
You've reached the end of your life |
| 00:49:17 |
and you want to look back. |
| 00:49:22 |
I have to go to work every day. |
| 00:49:26 |
And live with this. It may not be |
| 00:49:33 |
And at the end of the day I have to |
| 00:49:39 |
and with my children, |
| 00:49:44 |
My whole life I've looked forward. |
| 00:49:52 |
I declare myself incompetent. |
| 00:50:02 |
What a case, Jesus Christ. |
| 00:50:44 |
Morales! Morales! |
| 00:50:47 |
Hello! |
| 00:50:49 |
How are you? |
| 00:50:50 |
- How are you? |
| 00:50:51 |
Of course. How are you? |
| 00:50:52 |
Fine, and you? |
| 00:50:54 |
Here I am. |
| 00:50:58 |
Yes... |
| 00:51:05 |
How are things? |
| 00:51:07 |
This month I'm here |
| 00:51:09 |
What? |
| 00:51:11 |
In this station. |
| 00:51:13 |
The other days of the week |
| 00:51:17 |
I change it every month. |
| 00:51:22 |
He must live out of town, |
| 00:51:25 |
he knows in the city he'd be caught. |
| 00:51:29 |
It's been a year but I imagine |
| 00:51:33 |
- Right? |
| 00:51:42 |
You must think I'm crazy. |
| 00:51:45 |
No. |
| 00:51:46 |
Don't worry about me, please. |
| 00:51:48 |
No, I won't. |
| 00:51:54 |
The worst part is |
| 00:51:58 |
I have to constantly make myself |
| 00:52:01 |
Every day. |
| 00:52:05 |
The day she was killed, |
| 00:52:10 |
I'd been coughing all night |
| 00:52:12 |
and she said it would help. |
| 00:52:17 |
Can you see? |
| 00:52:20 |
Then I start having doubts |
| 00:52:24 |
or honey in the tea. |
| 00:52:28 |
And I don't know if it's a memory |
| 00:52:30 |
or a memory of a memory I'm left with. |
| 00:52:46 |
Excuse me. |
| 00:52:50 |
Come in. |
| 00:52:52 |
Thank you. |
| 00:52:57 |
Something happened to me yesterday. |
| 00:53:02 |
I thought about you... |
| 00:53:04 |
have you ever seen |
| 00:53:11 |
You see someone else |
| 00:53:16 |
and what the other person is going |
| 00:53:24 |
Go on. |
| 00:53:26 |
Yes. And I thought, |
| 00:53:32 |
You might get pissed at me... |
| 00:53:35 |
You might want to kill me, but... |
| 00:53:42 |
Wait a moment while I close the door. |
| 00:53:49 |
Sandoval, I'm busy. |
| 00:53:52 |
Benjamin asked me to come. |
| 00:53:53 |
Yes, I was hoping the three of us |
| 00:53:57 |
Excuse me, ma'am. |
| 00:54:08 |
I ran into Morales yesterday |
| 00:54:15 |
My crystal ball is broken. |
| 00:54:19 |
He goes to the terminals every day |
| 00:54:21 |
looking for the killer. |
| 00:54:23 |
Every single day after working |
| 00:54:27 |
You can't imagine his love. |
| 00:54:34 |
It's as if his wife's death |
| 00:54:38 |
stuck in time forever. |
| 00:54:42 |
You should see his eyes. |
| 00:54:49 |
Can you imagine a love like that? |
| 00:54:52 |
Unaffected by the wear and tear |
| 00:54:59 |
Speak for yourself, |
| 00:55:06 |
We think the guy |
| 00:55:13 |
Where do I come in? |
| 00:55:15 |
The case is closed. |
| 00:55:20 |
You're asking me to destroy |
| 00:55:23 |
with mine and the judge's |
| 00:55:26 |
and to falsify statements and dates |
| 00:55:28 |
so it will look like the case |
| 00:55:31 |
That's a brilliant idea. We hadn't... |
| 00:55:33 |
Don't fuck with me. |
| 00:56:04 |
Everything okay, sir? |
| 00:56:09 |
Tell me. Decime... Did you see |
| 00:56:12 |
No. |
| 00:56:15 |
Sandoval? |
| 00:56:16 |
He left down Talcahuano. |
| 00:56:27 |
Not only do you sneak off to get drunk, |
| 00:56:30 |
Everything's under control. |
| 00:56:31 |
If Irene reads the file... |
| 00:56:33 |
Hands off. Are you nuts? |
| 00:56:35 |
We're going back. |
| 00:56:36 |
Sit down for a second. |
| 00:56:45 |
Know why we can't find him, Benjamin? |
| 00:56:49 |
Because we're stupid. |
| 00:56:51 |
Look: "Twelve letters. 31 pages. |
| 00:57:00 |
Can we go? |
| 00:57:01 |
Hold on a second. |
| 00:57:06 |
I kept asking myself, |
| 00:57:07 |
"Why can't we find this guy?" |
| 00:57:09 |
He always vanishes. |
| 00:57:13 |
And I started thinking about guys. |
| 00:57:19 |
Guys in general. |
| 00:57:23 |
Guys in general. |
| 00:57:25 |
"The" guy. The guy can do anything |
| 00:57:32 |
But there's one thing he can't change. |
| 00:57:38 |
Take me, for example. I'm young, |
| 00:57:44 |
a wife who loves me... |
| 00:57:47 |
I keep throwing my life away |
| 00:57:51 |
Many times you've asked, |
| 00:57:54 |
"Why?" |
| 00:57:56 |
You know why, Benjamin? |
| 00:58:03 |
I love coming here, |
| 00:58:08 |
slugging it out with anyone |
| 00:58:13 |
Just like you, Benjamin. |
| 00:58:17 |
There's nothing you can do |
| 00:58:22 |
She's dying to marry someone else, |
| 00:58:25 |
her desk drawer is full of |
| 00:58:30 |
She got engaged, had a party, |
| 00:58:36 |
for the miracle, Benjamin. |
| 00:58:39 |
Why? Come here. |
| 00:58:42 |
How's it going, notary? |
| 00:58:44 |
How are you? |
| 00:58:45 |
This is that friend I mentioned, Esposito. |
| 00:58:49 |
Andretta the notary. |
| 00:58:50 |
A real notary, |
| 00:58:52 |
Here's my card. |
| 00:58:54 |
Let's begin with the first letter |
| 00:58:56 |
It's okay, keep it. |
| 00:58:59 |
"I swear it rained so hard |
| 00:59:03 |
Notary, please. |
| 00:59:04 |
Juan Carlos Oleniak. |
| 00:59:08 |
In '62 he went to Argentinos Juniors, |
| 00:59:12 |
In a classic match |
| 00:59:15 |
and fell face-first |
| 00:59:20 |
We call him Plato. |
| 00:59:24 |
"I'll send for you. |
| 00:59:28 |
Anido by himself isn't the same |
| 00:59:32 |
Anido and Mesias, backs on the club |
| 00:59:36 |
Anido and Mesias. Blanco, Peano |
| 00:59:41 |
Sosa and Belén. |
| 00:59:43 |
"Don't worry about me. |
| 00:59:46 |
not Bavastro." Notary? |
| 00:59:49 |
Pedro Waldemar Manfredini. |
| 00:59:52 |
and he ended up being |
| 00:59:59 |
Julio Bavastro, right forward. |
| 01:00:02 |
between '62 and '63 without scoring. |
| 01:00:06 |
Quote: "I don't want |
| 01:00:08 |
Who's he talking about? |
| 01:00:10 |
He can only mean the goalie, |
| 01:00:14 |
Eternal benchwarmer. |
| 01:00:18 |
between '57 and '61. |
| 01:00:21 |
Notary, what is Racing to you? |
| 01:00:24 |
A passion. |
| 01:00:26 |
Even after 9 years |
| 01:00:28 |
A passion is a passion. |
| 01:00:30 |
You see, Benjamin? |
| 01:00:31 |
A guy can change anything. |
| 01:00:36 |
his girlfriend, his religion, his God. |
| 01:00:40 |
But there's one thing he can't change. |
| 01:00:44 |
He can't change his passion. |
| 01:00:51 |
It's a beautiful night for soccer! |
| 01:00:53 |
IHuracán hosts Avellaneda's Racing Club |
| 01:00:58 |
lon a splendid night for soccer. I |
| 01:01:02 |
IRacing has slipped in the standingsl |
| 01:01:06 |
land can't waste |
| 01:01:11 |
lto stay in the race |
| 01:01:14 |
IJorge has the ball. |
| 01:01:16 |
IGreat move. |
| 01:01:20 |
IHe shakes Houseman perfectly. |
| 01:01:25 |
IOver to Roberto Diaz. |
| 01:01:29 |
IHe hits the bar! Incredible! |
| 01:01:33 |
IEspectacular, |
| 01:01:39 |
Academy! Academy! Academy! |
| 01:02:08 |
This is madness. It's chaos. |
| 01:02:10 |
You just don't know soccer. |
| 01:02:13 |
You have to be a little more patient. |
| 01:02:15 |
There's too many people. |
| 01:02:17 |
Impossible! |
| 01:02:19 |
There he is! |
| 01:02:22 |
Where? |
| 01:02:23 |
- Over there! |
| 01:02:25 |
Excuse me. Pardon me. |
| 01:02:28 |
Come on Benja... |
| 01:02:32 |
Sorry, sorry! |
| 01:02:46 |
Isidoro Gómez. |
| 01:02:51 |
Come on, let's go. |
| 01:02:54 |
What's up, Benjamin? |
| 01:02:56 |
I'm sick of this. It's been a month. |
| 01:02:58 |
We've been to 4 matches! |
| 01:03:00 |
I said to be patient. |
| 01:03:16 |
Gómez? |
| 01:03:17 |
IGoal!!! Racing Club scored!!! I |
| 01:03:34 |
Damn it... |
| 01:03:49 |
Come here! |
| 01:03:52 |
Benjamin hurry up! |
| 01:03:54 |
I had him! |
| 01:03:56 |
Where's Baez? Baez! Baez! |
| 01:04:01 |
What's he look like? |
| 01:04:02 |
I gave you the photo! |
| 01:04:04 |
I mean how tall is he? |
| 01:04:05 |
Medium-height, skinny... |
| 01:04:07 |
He's getting away! |
| 01:04:10 |
I can't take it, Benjamin. |
| 01:04:12 |
Son of a bitch! |
| 01:04:14 |
He should have been there, not us! |
| 01:04:16 |
He doesn't know him, we do! |
| 01:04:17 |
Why didn't you give him the photo? |
| 01:04:18 |
I did! |
| 01:04:20 |
IGo to hell, you motherfucker! I |
| 01:04:35 |
Can't I take a crap in peace? |
| 01:04:44 |
Come out! |
| 01:04:45 |
Fuck off! It's occupied! |
| 01:04:48 |
Come on out, the cops are here. |
| 01:04:51 |
What police? |
| 01:04:53 |
Pablo! |
| 01:05:07 |
Police, stop! |
| 01:05:25 |
Stay there, don't jump! |
| 01:05:34 |
Where is he going? |
| 01:06:07 |
Sorry. How's it going? |
| 01:06:09 |
I'm waiting for Sandoval. |
| 01:06:10 |
What for? |
| 01:06:11 |
I play the nice guy, |
| 01:06:13 |
I'll explain later, |
| 01:06:16 |
Oldest trick in the book. |
| 01:06:18 |
without the judge. |
| 01:06:19 |
Of course we do! |
| 01:06:21 |
Actually, we have to pull it off |
| 01:06:23 |
Questioning a prisoner |
| 01:06:26 |
Ordoñez! You seen Sandoval? |
| 01:06:29 |
He left a while ago. |
| 01:06:30 |
Damn it! |
| 01:06:31 |
It won't stand up. |
| 01:06:32 |
What will you charge him with? |
| 01:06:33 |
What do you mean? |
| 01:06:36 |
Looking at the victim in a photo? |
| 01:06:38 |
Yes, it is. |
| 01:06:39 |
That's why we have to soften him up. |
| 01:06:41 |
What if it's not him? |
| 01:06:42 |
Don't look at me like that. |
| 01:06:44 |
Eduardo! |
| 01:06:45 |
- What if it's not him? |
| 01:06:47 |
Yes, Counselor? |
| 01:06:47 |
Don't call me that. |
| 01:06:50 |
Should I take a taxi? |
| 01:06:51 |
Yes. INo! No, no... |
| 01:06:53 |
In Viamonte, hurry! |
| 01:06:55 |
No. Wait, Eduardo. |
| 01:06:57 |
Wait, wait! |
| 01:06:58 |
What are you doing? |
| 01:06:59 |
I'm sorry, I'm sorry! |
| 01:07:01 |
It's him. |
| 01:07:02 |
How do you know? |
| 01:07:04 |
I don't know. |
| 01:07:05 |
- See? |
| 01:07:08 |
How? |
| 01:07:17 |
Gomez, Isidoro Néstor. |
| 01:07:22 |
I.D. Number. |
| 01:07:24 |
10,740,925. |
| 01:07:26 |
- Marital status? |
| 01:07:29 |
Address. |
| 01:07:31 |
Mocoretá 2428, Isidro Casanova. |
| 01:07:37 |
What train do you take into town? |
| 01:07:41 |
What train do you take into town? |
| 01:07:44 |
I don't take the train. |
| 01:07:54 |
What's the problem? |
| 01:07:59 |
Mo, core... ah... |
| 01:08:10 |
The "A" doesn't work. |
| 01:08:12 |
Wait, hold on. |
| 01:08:15 |
What is this about? |
| 01:08:25 |
You're implicated in the Liliana |
| 01:08:28 |
rape and homicide. |
| 01:08:30 |
It happened on June 21st, 1974. |
| 01:08:35 |
I'm going to take your statement. |
| 01:08:39 |
You'll be assigned a public defender. |
| 01:08:43 |
Wait, wait. |
| 01:08:44 |
Liliana Colotto? I knew her |
| 01:08:54 |
Tell me, Gómez, |
| 01:08:56 |
Why do you think you've spent |
| 01:09:00 |
I have no idea. |
| 01:09:02 |
Yeah, and you took off running. |
| 01:09:04 |
What would you do? |
| 01:09:06 |
jump you... What happened to Liliana? |
| 01:09:09 |
Look, Gomez, don't... |
| 01:09:14 |
you raped and killed her. |
| 01:09:15 |
Liliana... Are you serious? |
| 01:09:19 |
I haven't set foot in Chivilcoy |
| 01:09:22 |
We looked for you |
| 01:09:25 |
and you disappeared, |
| 01:09:27 |
What hostal? |
| 01:09:29 |
Gomez, don't play dumb. |
| 01:09:34 |
That was a year ago! |
| 01:09:35 |
I left because I couldn't afford it. |
| 01:09:38 |
And your job? |
| 01:09:40 |
I found one that paid better. |
| 01:09:42 |
What's that got to do with Liliana? |
| 01:09:45 |
I've known her my whole life, |
| 01:10:04 |
They can't find Sandoval. |
| 01:10:07 |
What? |
| 01:10:08 |
They can't find Sandoval. |
| 01:10:12 |
Okay, let me think... |
| 01:10:17 |
Listen. |
| 01:10:18 |
Fortuna should be here any minute. |
| 01:10:20 |
Please, wait for him... |
| 01:10:23 |
Huh, yeah... |
| 01:10:28 |
Maybe... |
| 01:10:31 |
It might be preferable, |
| 01:10:34 |
Let me see, one second. |
| 01:10:47 |
Look, Gomez. The judge handling |
| 01:10:54 |
so we'll wait. |
| 01:10:58 |
Ma'am? |
| 01:10:59 |
Sorry to interrupt, deputy, |
| 01:11:02 |
I know you're handling this case. |
| 01:11:05 |
But this kid couldn't have done it. |
| 01:11:14 |
We'll talk outside. |
| 01:11:15 |
Wait, just a minute. |
| 01:11:18 |
Look at him. |
| 01:11:25 |
Let me see the autopsy. |
| 01:11:30 |
The Colotto girl... |
| 01:11:35 |
128 pounds. |
| 01:11:41 |
I'm sorry, Gomez. |
| 01:11:45 |
The Amazon and the Pigmy? |
| 01:11:51 |
Besides, she was a beautiful woman. |
| 01:11:55 |
Please, look at this face. |
| 01:12:00 |
A beauty like her |
| 01:12:04 |
It takes a real man |
| 01:12:09 |
You think so? I mean... |
| 01:12:19 |
That means she knew her assailant. |
| 01:12:23 |
Yes. But there's no way such a woman |
| 01:12:27 |
this twinkie! |
| 01:12:29 |
Unless she was a hooker. |
| 01:12:32 |
Some guys you only do for money. |
| 01:12:35 |
Who is she? |
| 01:12:36 |
Keep your fucking mouth shut. |
| 01:12:40 |
No, she was a decent girl, |
| 01:12:47 |
I agree with the kid about that. |
| 01:12:49 |
She was two-timing that bank clerk |
| 01:12:51 |
I'll bet his horns were so big |
| 01:12:55 |
he needed a convertible. |
| 01:12:57 |
What are you laughing at, retard? |
| 01:13:00 |
That guy who gave testimony last time. |
| 01:13:03 |
Sandoval? |
| 01:13:04 |
Right. I bet it was him. |
| 01:13:09 |
broad shoulders. A man truly capable of |
| 01:13:14 |
Look at this pussy. |
| 01:13:18 |
I'll bet when she saw him |
| 01:13:20 |
"Oh, no, it's that schmuck |
| 01:13:23 |
mushy faces in all the photos." |
| 01:13:25 |
Isn't that right? Yes or no? |
| 01:13:39 |
That's how I wanted you motherfucker! |
| 01:13:43 |
Get him out of here! |
| 01:13:47 |
I caught you motherfucker! |
| 01:13:49 |
Get him out, please! |
| 01:14:14 |
You people are crazy. |
| 01:14:22 |
Listen, Benjamin. |
| 01:14:27 |
demonstrates the assailant had |
| 01:14:35 |
Look, two noodles. |
| 01:14:42 |
"Likewise, due to the depth |
| 01:14:47 |
we may deduce that the assailant |
| 01:14:50 |
Obviously they're not talking about |
| 01:14:53 |
He must have a peanut. |
| 01:15:12 |
There it is, bitch. |
| 01:15:29 |
Sweetheart, you'll never reach |
| 01:15:34 |
Second, you're not man enough |
| 01:15:38 |
Not man enough? Fucking bitch! |
| 01:15:41 |
I fucked the shit out of her! |
| 01:15:44 |
I fucked her brains out! |
| 01:15:47 |
Stop, stop, let him go... |
| 01:15:53 |
Let go of me! |
| 01:15:56 |
Touch her and I'll kill you. |
| 01:16:55 |
Are you Espósito? |
| 01:16:58 |
Are you Espósito or are you Espósito? |
| 01:17:13 |
Hello? |
| 01:17:14 |
It's me, did I wake you? |
| 01:17:17 |
No, no... |
| 01:17:20 |
Why are you up so late? |
| 01:17:22 |
I was thinking... |
| 01:17:24 |
You don't say. |
| 01:17:26 |
Yeah, silly. No, about the novel. |
| 01:17:32 |
Great, I'd love that! |
| 01:17:37 |
Sure you don't want to talk |
| 01:17:39 |
No, I'll drink my tea |
| 01:17:43 |
Okay. |
| 01:17:45 |
Bye. |
| 01:17:46 |
Bye. |
| 01:17:47 |
IThis morning, at the presidential |
| 01:17:52 |
IDoña Maria Estela Martinez de Perón... I |
| 01:17:55 |
Irene, Irene! The dressmaker is here! |
| 01:17:57 |
Look, she made the cape |
| 01:17:59 |
Come on and try it on. |
| 01:18:01 |
I'll be right in. |
| 01:18:05 |
Imunicipalities and public facilities |
| 01:18:10 |
IShe personally delivered clothing, |
| 01:18:15 |
lto be distributed in Lobos, a village |
| 01:18:37 |
Hello? Morales, how are you? |
| 01:18:44 |
Yeah, I'm watching it, |
| 01:19:01 |
IAnd also, thanks to them, |
| 01:19:04 |
lbecause people |
| 01:19:06 |
IThey help a lot |
| 01:19:17 |
Good morning. Miss Menendez Hastings, |
| 01:19:20 |
from Court 42. |
| 01:19:22 |
We're here to see Mr. Romano. |
| 01:19:23 |
He's very busy. |
| 01:19:26 |
Sir! Sir! You can't go in there! |
| 01:19:29 |
I'll leave my credentials, |
| 01:19:31 |
These two, raising their hands. |
| 01:19:34 |
Just go and find them. |
| 01:19:36 |
What are you doing here? |
| 01:19:38 |
No, you are. |
| 01:19:39 |
Ma'am! |
| 01:19:40 |
We need to talk to you. |
| 01:19:42 |
Fellas, would you mind? |
| 01:19:50 |
If you'd called first, |
| 01:19:54 |
Isidoro Gómez. |
| 01:19:56 |
arrested by the court. |
| 01:19:58 |
Penitentiaries informed us |
| 01:20:01 |
by Executive Order. |
| 01:20:02 |
We checked, and here we are. |
| 01:20:05 |
Yeah, sure. That you two |
| 01:20:08 |
Justice is nothing but an island. |
| 01:20:10 |
This is the real world. |
| 01:20:12 |
While you two are shooting birds, |
| 01:20:15 |
fighting in the middle of the jungle. |
| 01:20:18 |
Gómez, Gómez, Gómez... Yes... |
| 01:20:23 |
He started working with us |
| 01:20:25 |
He'd give us information, |
| 01:20:27 |
spy on young guerrillas... |
| 01:20:30 |
What's the problem? |
| 01:20:33 |
Do you realize what you're saying? |
| 01:20:36 |
He's confessed, |
| 01:20:38 |
Perhaps, but he's also |
| 01:20:42 |
He can break into a home |
| 01:20:45 |
His personal life |
| 01:20:48 |
With all the subversives out there... |
| 01:20:49 |
Who cares? |
| 01:20:51 |
If we only used good guys... |
| 01:20:57 |
He was arrested under |
| 01:21:00 |
and we want... |
| 01:21:01 |
Do you think I don't know you let him go |
| 01:21:04 |
You think I'm stupid? |
| 01:21:06 |
That's two questions. |
| 01:21:10 |
Is that true? |
| 01:21:11 |
Ma'am... |
| 01:21:16 |
What are you gonna do, |
| 01:21:19 |
No offense, but there's nothing |
| 01:21:22 |
Except go back to your office, |
| 01:21:24 |
take a seat, and watch and learn. |
| 01:21:26 |
They don't teach the new Argentina |
| 01:21:32 |
And why do you come with her? |
| 01:21:36 |
You think it gives you immunity? |
| 01:21:37 |
Leave her alone, |
| 01:21:40 |
She studied law, you barely finished |
| 01:21:45 |
She's rich, you're poor. |
| 01:21:48 |
She's Menendez Hastings |
| 01:21:52 |
She's untouchable, you aren't. |
| 01:21:57 |
But if you have a problem with me, |
| 01:22:01 |
come alone and we'll settle it. |
| 01:22:10 |
Come on, Irene. |
| 01:22:17 |
You do have one thing in common. |
| 01:23:48 |
You said life. |
| 01:23:51 |
Yes, he should get life. |
| 01:23:55 |
Well, then? |
| 01:23:59 |
These people don't give a shit |
| 01:24:04 |
And where he is now, |
| 01:24:12 |
If I could, what for? What would I do? |
| 01:24:18 |
A lifetime in jail. |
| 01:24:20 |
Gomez goes free without ever serving |
| 01:24:22 |
and I spend 50 years |
| 01:24:25 |
envying him... No. |
| 01:24:31 |
No, life in prison |
| 01:24:39 |
I wish I could help, |
| 01:24:46 |
Who knows? |
| 01:24:55 |
Anyway! |
| 01:24:57 |
I'll get it. |
| 01:24:59 |
No, please. |
| 01:25:00 |
It's just a coffee. |
| 01:25:01 |
I'm very grateful for everything |
| 01:25:09 |
I wouldn't have made it this far |
| 01:25:14 |
I owe you one. |
| 01:25:45 |
Counselor, sir. |
| 01:25:46 |
It's about the lgarzabal file, sir. |
| 01:25:48 |
Stop calling me Counselor, |
| 01:25:51 |
If you do it in front of the judge |
| 01:25:54 |
What about the file? |
| 01:25:56 |
I'm on it. |
| 01:25:58 |
No, you aren't. |
| 01:26:00 |
but you're here! |
| 01:26:05 |
Benjamin... |
| 01:26:10 |
Yes? |
| 01:26:14 |
How long before you talk to me again? |
| 01:26:17 |
I talk to you every day. |
| 01:26:21 |
I'm not untouchable. |
| 01:26:23 |
Or from another world. |
| 01:26:26 |
If only you were... |
| 01:26:30 |
Drop what? |
| 01:26:31 |
You're marrying the engineer, |
| 01:26:40 |
You're not jealous... |
| 01:26:42 |
For God's sake. |
| 01:26:46 |
Any objections? |
| 01:26:48 |
No, none. |
| 01:26:49 |
Go on, object. |
| 01:26:51 |
Irene, please... |
| 01:26:55 |
What are you looking at? |
| 01:26:57 |
What do you want? |
| 01:26:58 |
Go away! |
| 01:27:02 |
Where can we meet? |
| 01:27:03 |
What for? |
| 01:27:04 |
So you can present your objections |
| 01:27:07 |
my marriage and anything else |
| 01:27:14 |
We coulf meet for coffee |
| 01:27:17 |
Time. |
| 01:27:22 |
Eight thirty. Place? |
| 01:27:24 |
Los Inmortales. |
| 01:27:25 |
La Richmond. |
| 01:27:26 |
Sorry, my suggestion |
| 01:27:30 |
No, Benjamin. |
| 01:27:38 |
Who are you spying on? |
| 01:27:40 |
Sorry. Phone call for you, sir. |
| 01:27:44 |
Pablo Sandoval. |
| 01:27:48 |
Wash your fucking mouth! |
| 01:27:50 |
No, Benjamin... |
| 01:27:54 |
Damn it! I told everyone... |
| 01:27:57 |
"Don't bother my friend, |
| 01:28:00 |
You're not a man, you stinking drunk. |
| 01:28:03 |
What? Me, drunk? |
| 01:28:05 |
Fascist! Fascist! He's a Nazi! |
| 01:28:11 |
Listen, officer. |
| 01:28:14 |
Don't worry. |
| 01:28:15 |
Come with me. |
| 01:28:16 |
Arrest the motherfuckers! |
| 01:28:19 |
Show them some fucking justice! |
| 01:28:21 |
Come here! |
| 01:28:22 |
My jacket, my jacket! |
| 01:28:23 |
You're wearing it. |
| 01:28:38 |
What time does your wife get home? |
| 01:28:40 |
At eight. |
| 01:28:43 |
How odd. There's no answer... |
| 01:28:45 |
My mouth is dry... |
| 01:28:51 |
There's no answer! |
| 01:28:53 |
Leave that alone! |
| 01:28:55 |
She's never going to answer. |
| 01:28:57 |
Why? |
| 01:28:58 |
Because the phone doesn't work. |
| 01:29:00 |
What do you mean? |
| 01:29:03 |
I told you a thousand times, Benjamin. |
| 01:29:07 |
And you didn't help me. |
| 01:29:10 |
That was six months ago! |
| 01:29:12 |
The phone hasn't worked for a year! |
| 01:29:15 |
Motherfuckers never fixed it! |
| 01:29:16 |
Damn it! |
| 01:29:19 |
Put that down! |
| 01:29:22 |
If you ever called me, |
| 01:29:26 |
Leave that. |
| 01:29:29 |
I wanted to sue them. |
| 01:29:35 |
No, no! |
| 01:29:37 |
You have a date. |
| 01:29:39 |
And I'm leaving... |
| 01:29:41 |
is you calling me a party pooper. |
| 01:29:44 |
Damn it, too much furniture in here! |
| 01:29:46 |
Sit here! |
| 01:29:48 |
I always run into shit! |
| 01:29:50 |
Have a seat until you feel better. |
| 01:29:51 |
Stay there until you feel better. |
| 01:29:54 |
What time is it? |
| 01:29:56 |
I have a watch in the bedroom. |
| 01:29:57 |
What bedroom, idiot? This is my house. |
| 01:29:59 |
Yes... |
| 01:30:00 |
It's alright, we're okay. |
| 01:30:02 |
Easy... |
| 01:30:04 |
Come on Benja... |
| 01:30:05 |
I'll go try to convince your wife |
| 01:30:09 |
Call her on the phone. |
| 01:30:12 |
You said it didn't work. |
| 01:30:17 |
Mine doesn't work, Benjamin... |
| 01:30:26 |
Just stay here. Don't touch anything, |
| 01:30:30 |
I'll be right back. |
| 01:30:33 |
Turn off the light. |
| 01:30:37 |
We'll catch that son of a bitch! |
| 01:30:40 |
We'll catch him... |
| 01:30:45 |
We were working all day... |
| 01:30:47 |
Save it for some other time. |
| 01:30:50 |
Please, let me explain. |
| 01:30:51 |
It's the last time! |
| 01:30:54 |
Okay, okay. |
| 01:30:58 |
Be patient with him, |
| 01:31:00 |
He needs help? |
| 01:31:02 |
No, I know... |
| 01:31:03 |
if we help him, |
| 01:31:05 |
You want to get rid of him. |
| 01:31:07 |
Don't say that! |
| 01:31:12 |
What's this? |
| 01:31:13 |
What happened? |
| 01:31:14 |
Hold on a second. |
| 01:31:23 |
Pablo! |
| 01:31:24 |
What happened? |
| 01:31:25 |
I don't know! Pablo! |
| 01:31:26 |
Don't scare me! |
| 01:31:27 |
Hold on! |
| 01:31:30 |
Pablo! |
| 01:31:33 |
Hey! Nooo! |
| 01:31:36 |
What, what happened?! |
| 01:31:39 |
Nooo... |
| 01:31:40 |
What happened? |
| 01:31:43 |
No! No, no! |
| 01:31:49 |
What happened? What happened? |
| 01:32:04 |
This is madness. |
| 01:32:05 |
It will be if that bastard finds you. |
| 01:32:07 |
He's gonna go after you. |
| 01:32:09 |
No, my father knows who to talk to. |
| 01:32:11 |
He works for Romano, |
| 01:32:14 |
Don't worry, I'll be fine! |
| 01:32:15 |
But, Jujuy! For God's sake, Irene! |
| 01:32:17 |
My cousins are like feudal lords there. |
| 01:32:21 |
Not Romano, not anyone. |
| 01:32:22 |
What will I do in Jujuy?! |
| 01:32:23 |
Same as here. Sign and stamp... |
| 01:32:26 |
They have your desk ready. |
| 01:32:27 |
No, no, no no, no Irene, I can't! |
| 01:32:31 |
I have my old man! |
| 01:32:38 |
I have everything here. |
| 01:32:42 |
What we can do here? Us... |
| 01:33:03 |
We can't do anything. |
| 01:33:39 |
Bye. |
| 01:35:24 |
It's a rough draft. |
| 01:35:29 |
I'll make more. |
| 01:35:35 |
Your house is exactly as I imagined it. |
| 01:35:37 |
How did you imagine it? |
| 01:35:40 |
Exactly like this. |
| 01:35:43 |
Sure, I imagined your house |
| 01:35:48 |
You've seen my house? |
| 01:35:49 |
No, I mean unlike this one. |
| 01:35:52 |
Totally different. |
| 01:35:56 |
What does this mean? |
| 01:35:58 |
Huh? |
| 01:36:00 |
This piece of paper says "I FEAR" |
| 01:36:03 |
No! No no no no... |
| 01:36:07 |
A writing excercise, half asleep... |
| 01:36:11 |
To inspire imagination... |
| 01:36:14 |
Okay, shoot. |
| 01:36:19 |
It's a novel, |
| 01:36:23 |
or even believable. |
| 01:36:27 |
Yes... No, what? |
| 01:36:30 |
No, Benjamin. That part when... |
| 01:36:36 |
What's the problem? |
| 01:36:38 |
Crying like he's all broken up... |
| 01:36:41 |
So what? |
| 01:36:42 |
Her running on the platform |
| 01:36:45 |
Well... |
| 01:36:46 |
Touching hands through the glass, |
| 01:36:47 |
like they're one. |
| 01:36:48 |
And her crying, as if she knew |
| 01:36:52 |
mediocrity and never loving anyone, |
| 01:36:54 |
practically falling on the tracks, |
| 01:36:57 |
she'd never had the courage to confess... |
| 01:36:59 |
That's what happened, isn't it? |
| 01:37:06 |
If that's what happened, |
| 01:37:26 |
Dimwit. |
| 01:37:46 |
How does the case proceed? |
| 01:37:51 |
I don't know. I can say |
| 01:37:55 |
counting llamas in the Andes. |
| 01:37:59 |
married and with two kids. |
| 01:38:03 |
Or that he came back married |
| 01:38:07 |
pretty, rich... |
| 01:38:09 |
She was wonderful. It wasn't her fault |
| 01:38:18 |
It's a lousy ending. |
| 01:38:21 |
It's crap. You see? |
| 01:38:29 |
How can I do nothing about it? |
| 01:38:33 |
for 25 years and I've only been able |
| 01:38:36 |
"Forget it, it was another lifetime. |
| 01:38:40 |
It wasn't another lifetime. |
| 01:38:48 |
I want to understand. |
| 01:38:50 |
How do you live a life |
| 01:39:00 |
This is a waste of time. |
| 01:39:03 |
We'll never find him! |
| 01:39:04 |
Trust me, remember how formal he was? |
| 01:39:06 |
Nobody notifies a change of address. |
| 01:39:08 |
I danced the pata-pata. |
| 01:39:11 |
Gomez, Isidoro. Espora 691, |
| 01:39:15 |
You see, that's his mother. |
| 01:39:17 |
Sir, we are required by law |
| 01:39:21 |
It's not something we do because |
| 01:39:25 |
I do now. |
| 01:39:26 |
Morales, Ricardo. There's one, two... |
| 01:39:30 |
Let's search by I.D. Number. |
| 01:39:32 |
What's your first number? |
| 01:39:33 |
Three, what's yours? |
| 01:39:35 |
What do you care? |
| 01:39:37 |
What? I can't? |
| 01:39:38 |
Here's a 5 and a 6. |
| 01:39:43 |
He changed addresses in 1975. |
| 01:41:09 |
Who are you looking for? |
| 01:41:13 |
Morales. How are you? Remember me? |
| 01:41:17 |
Esposito. From the courts... |
| 01:41:27 |
Quite a surprise. |
| 01:41:29 |
I know, sorry. |
| 01:41:41 |
How are you? |
| 01:41:42 |
Everything okay? |
| 01:41:50 |
What a surprise! |
| 01:41:51 |
Yeah... |
| 01:41:58 |
Come in, please. |
| 01:42:01 |
Shall I make coffee? |
| 01:42:03 |
Coffee? |
| 01:42:04 |
You're not drinking mate out here? |
| 01:42:07 |
Out here? I'm in the bank all day long. |
| 01:42:11 |
You're still at the bank? |
| 01:42:21 |
You moved out here right after. |
| 01:42:23 |
Yes. I wanted to start over, |
| 01:42:29 |
That's the good thing |
| 01:42:32 |
They have branches everywhere. |
| 01:42:36 |
so here I am, with a promotion |
| 01:42:39 |
How about that... |
| 01:42:49 |
Remember Liliana? |
| 01:42:53 |
Yes, of course. |
| 01:43:02 |
How are you doing? |
| 01:43:04 |
Still here. |
| 01:43:07 |
No, I mean single, married... |
| 01:43:10 |
No! No, really... I think I just... |
| 01:43:19 |
I tried, but you know what? |
| 01:43:25 |
I got married. |
| 01:43:28 |
You don't say. |
| 01:43:29 |
Yeah, for a while, but it didn't work. |
| 01:43:38 |
It's complicated. |
| 01:43:39 |
It's complicated. |
| 01:43:49 |
Quite a story, I can't believe it. |
| 01:43:53 |
Never thought I had a novel in me. |
| 01:43:55 |
You should flesh it out. |
| 01:43:59 |
Crazy. |
| 01:44:01 |
I could never forget it. |
| 01:44:03 |
A mistake. You should put it |
| 01:44:11 |
You came here because of Gomez, right? |
| 01:44:14 |
What do you mean? |
| 01:44:16 |
He was on the loose, |
| 01:44:19 |
No, no. |
| 01:44:26 |
Maybe he's dead. |
| 01:44:28 |
Maybe. |
| 01:44:38 |
They came looking for me. |
| 01:44:40 |
Yes, I know. |
| 01:44:44 |
How do you know? |
| 01:44:45 |
I just read it. |
| 01:44:48 |
Yes, poor Sandoval. |
| 01:44:53 |
No! No... |
| 01:44:55 |
My coworker at the courts. |
| 01:44:59 |
didn't find me |
| 01:45:03 |
Bastards! |
| 01:45:10 |
Guess. |
| 01:45:15 |
Those guys always get away with it. |
| 01:45:22 |
You know, there's something |
| 01:45:28 |
How did you learn to live |
| 01:45:32 |
It was 25 years ago, Esposito. |
| 01:45:34 |
I was sure you wouldn't be able to. |
| 01:45:36 |
It was 25 years ago, Esposito. |
| 01:45:38 |
Especially with him on the loose. |
| 01:45:41 |
It was 25 years ago! |
| 01:45:43 |
Forget it. |
| 01:45:58 |
If it weren't for me, |
| 01:46:04 |
You owe me one. |
| 01:46:07 |
I don't know what you want me to say! |
| 01:46:09 |
You didn't care |
| 01:46:12 |
There was nothing I could do. |
| 01:46:13 |
- No? |
| 01:46:14 |
- No!? |
| 01:46:15 |
You spent a year looking for the guy, |
| 01:46:18 |
they let him go and you do nothing? |
| 01:46:20 |
I wasted a year looking for him |
| 01:46:21 |
and they let him go! |
| 01:46:23 |
That's it? |
| 01:46:24 |
Yes! |
| 01:46:25 |
The rest of your life behind a desk? |
| 01:46:26 |
Look who's talking. |
| 01:46:27 |
You're better than I am. |
| 01:46:29 |
What do you care? |
| 01:46:31 |
It's my life, not yours. |
| 01:46:33 |
No, Morales, it's my life too! |
| 01:46:37 |
Your love for that woman... |
| 01:46:40 |
In anybody! Nobody! Ever! |
| 01:46:50 |
Get out of my house! |
| 01:46:55 |
Right now, please! |
| 01:47:08 |
I'm sorry, I'm getting old, that's it. |
| 01:47:26 |
I couldn't stop thinking about it! |
| 01:47:29 |
Go dwell on it at home! |
| 01:47:48 |
Gómez didn't kill Sandoval. |
| 01:47:52 |
So? |
| 01:47:53 |
Gómez knew us both! |
| 01:47:56 |
If he'd been there, |
| 01:48:03 |
There's something... I had |
| 01:48:10 |
When Sandoval got killed, |
| 01:48:15 |
Nothing else had been touched. |
| 01:48:18 |
I thought... I think... |
| 01:48:42 |
Are you Espósito? |
| 01:48:46 |
Huh? |
| 01:48:48 |
Did you hear what I said, asshole? |
| 01:48:56 |
What's going on? |
| 01:48:57 |
What are you doing? |
| 01:48:58 |
Huh? |
| 01:49:00 |
Answer me! |
| 01:49:04 |
Where are you going!? |
| 01:49:06 |
Stop it, dude... |
| 01:49:07 |
Where are you going? |
| 01:49:09 |
Here... |
| 01:49:10 |
What are you going to do? |
| 01:49:12 |
I'm going to put on a record. |
| 01:49:17 |
You're going to put on a record? |
| 01:49:19 |
Listen to me, are you Espósito or not? |
| 01:49:31 |
Yes, I am. |
| 01:50:10 |
I'm so ashamed I can't even bring myself |
| 01:50:12 |
to put flowers on his grave. |
| 01:50:20 |
Maybe that's not what happened. |
| 01:50:26 |
and they killed him |
| 01:50:29 |
somebody knocked over the photos |
| 01:50:38 |
I don't know what to think anymore. |
| 01:50:41 |
Choose carefully. |
| 01:50:47 |
At least pick the nice ones. |
| 01:50:52 |
But there's one thing |
| 01:50:56 |
The last thing Pablo said to me |
| 01:51:00 |
"Don't worry, Benjamin. |
| 01:51:07 |
And I will. |
| 01:51:19 |
Well... |
| 01:51:20 |
Wait, come in... Sit down. |
| 01:51:39 |
You can stop looking. |
| 01:51:42 |
I couldn't go to the authorities. |
| 01:51:48 |
But I also knew sooner or later |
| 01:52:23 |
IMeet you there, |
| 01:52:33 |
Hey, Gómez! |
| 01:53:20 |
I got rid of the body |
| 01:53:38 |
Was it worth it? |
| 01:53:41 |
Forget about it! Forget it! Who cares? |
| 01:53:50 |
Your friend is dead! Gomez is dead too! |
| 01:53:53 |
They're all dead! Stop dwelling on it! |
| 01:53:56 |
You'll start wondering |
| 01:53:59 |
You'll have a thousand pasts |
| 01:54:04 |
Forget about it, trust me. |
| 01:54:15 |
I owed you one, right? |
| 01:54:19 |
Now we're even. |
| 01:54:43 |
IForget about it, forget it! I |
| 01:54:49 |
I couldn't stop thinking about it! |
| 01:54:51 |
What would four bullets get me? |
| 01:54:59 |
It's my life, not yours. |
| 01:55:03 |
Go dwell on it at home! |
| 01:55:05 |
We'll catch him... |
| 01:55:09 |
I've been wondering for 25 years. |
| 01:55:13 |
Bye. |
| 01:55:17 |
It wasn't another lifetime. |
| 01:55:19 |
A guy can do anything to be different. |
| 01:55:22 |
What would four bullets get me? |
| 01:55:25 |
But there's one thing he can't change. |
| 01:56:16 |
How can someone live |
| 01:56:25 |
How do you live a life |
| 01:56:35 |
How do you do it? |
| 01:57:33 |
Please! |
| 01:57:35 |
I fucked the shit out of her! |
| 01:57:36 |
What retribution? |
| 01:57:38 |
IPlease, please! I |
| 01:57:43 |
It's as if his wife's death |
| 01:57:45 |
stuck in time forever. |
| 01:57:50 |
My wife is dead! |
| 01:57:53 |
Gómez is dead too! |
| 01:57:56 |
They'd give him an injection |
| 01:58:00 |
INobody, Benjamin. I |
| 01:58:03 |
Let him grow old. |
| 01:58:07 |
Live a life full of nothing. |
| 01:58:08 |
IHow did you start over? I |
| 01:58:10 |
IThat was 25 years ago! |
| 02:00:12 |
Please. Tell him... |
| 02:00:42 |
Please... |
| 02:01:26 |
You said life. |
| 02:03:02 |
"I FEAR" |
| 02:03:10 |
"I LOVE YOU" |
| 02:03:33 |
Is she in? |
| 02:03:34 |
Yeah, in her office? |
| 02:03:47 |
You're alive! |
| 02:03:49 |
Yeah... I need to talk to you. |
| 02:04:02 |
Shall I bring coffee, Ma'am? |
| 02:04:03 |
Go away. |
| 02:04:11 |
It'll be complicated. |
| 02:04:13 |
I don't care. |
| 02:04:27 |
Shut the door. |
