Elephant Walk
|
00:01:59 |
"And she was preparing to close her |
00:02:15 |
I know you're in a hurry to close. I can't |
00:02:20 |
I don't think authors should write |
00:02:23 |
after all we've been through. |
00:02:24 |
What with the air raids and buzz bombs |
00:02:28 |
Now let me see. Just a quick look. |
00:02:34 |
I knew it. She dies. |
00:02:38 |
Take it, dear. Much as I'd love it, |
00:02:42 |
Do you think they're all right? |
00:02:45 |
Hello. I'm sorry. |
00:02:48 |
Am I too early? I mean, too late to... |
00:02:53 |
If you try to be quick in deciding. |
00:02:56 |
I won't be a minute. Lovely day. |
00:03:05 |
That's John Wiley. |
00:03:09 |
He's been visiting his cousins, |
00:03:13 |
Oh, really? |
00:03:15 |
They say he's been here looking for |
00:03:18 |
He didn't find her. |
00:03:20 |
So he's going back alone next week. |
00:03:23 |
What civilised girl |
00:03:26 |
Lmagine. Snakes and tigers and things. |
00:03:32 |
I'll take these. |
00:03:35 |
- Did you find something? |
00:03:38 |
Poisonous Reptiles of Ceylon. |
00:03:45 |
- Good night, dear. |
00:03:56 |
Are you really John Wiley from Ceylon? |
00:03:59 |
Are you really Ruth Lakin |
00:04:01 |
Yes, I am! |
00:04:05 |
By the way, Mr. John Wiley... |
00:04:07 |
the Shillingworth lending library |
00:04:11 |
Don't they? |
00:04:13 |
to get rid of that one hissing in your ear. |
00:04:15 |
By the way, I've got something for you. |
00:04:19 |
Two weeks in Paris, two days in Cairo, |
00:04:23 |
and then home to Elephant Walk. |
00:04:25 |
Darling, to really see |
00:04:30 |
Only two weeks ago, I didn't know |
00:04:35 |
Ruth, are you quite sure |
00:04:39 |
No, I knew it. |
00:04:42 |
I knew I could love you |
00:04:46 |
Darling. |
00:04:48 |
But, Mother, you must admit |
00:04:51 |
He seems a nice young man, |
00:04:54 |
At such short notice, |
00:04:57 |
I don't care what people think. |
00:05:04 |
I shall pray for your happiness. |
00:05:07 |
- Good night, darling. |
00:05:14 |
It's just that you're going so far |
00:05:18 |
I know, Mums. |
00:06:03 |
- Welcome, master. Welcome, mistress. |
00:06:08 |
John, a Rolls! |
00:06:09 |
Yes. It's about 15 years old, I'm afraid. |
00:06:13 |
It belonged to my father. |
00:06:18 |
It's brand-new to me. |
00:06:19 |
Sit back, darling. |
00:06:38 |
Well, do you like it? |
00:06:40 |
You should've told me |
00:06:42 |
I didn't want to paint any pictures. |
00:06:45 |
You wanted to be loved |
00:06:54 |
Are those tea fields? |
00:06:56 |
No, darling. |
00:06:58 |
It grows on bushes, high up |
00:07:01 |
Those are rice paddies. |
00:07:03 |
I always thought tea grew in yellow tins. |
00:07:18 |
Welcome, master, welcome. |
00:07:27 |
- Welcome. |
00:07:29 |
Hello, Rong. |
00:07:38 |
John, I can't believe this! |
00:07:40 |
They wanted to impress you. |
00:07:51 |
A champagne lunch in the middle |
00:07:56 |
Deeper into my heart. |
00:07:59 |
A pretty speech. |
00:08:07 |
Hello, we better start. We've got guests. |
00:08:22 |
What's that building? |
00:08:24 |
That's my factory, |
00:08:27 |
Are we on your plantation now? |
00:08:29 |
Our plantation, darling. |
00:08:33 |
Half an hour? That's miles! |
00:08:36 |
Yes, it is a few. |
00:08:50 |
That's that lop-eared old bull again. |
00:08:52 |
- I'll take a picture. |
00:08:55 |
- Is he dangerous? |
00:09:06 |
Tomas, let's give him a noise |
00:09:21 |
I'm certainly glad he did understand. |
00:09:30 |
John? |
00:09:36 |
It should have been done long ago. |
00:09:39 |
The trouble is, |
00:09:42 |
- To do what? |
00:09:46 |
- Then they are dangerous. |
00:09:50 |
Dangerous and destructive. |
00:10:12 |
There you are, darling. |
00:10:28 |
- Welcome, master. |
00:10:31 |
Welcome, master. |
00:10:35 |
- Welcome, master. |
00:10:37 |
Ruth, this is Appuhamy. He was with |
00:10:42 |
- He runs the place. |
00:10:46 |
Let's have the customary ceremony |
00:11:00 |
I can't believe it! |
00:11:05 |
If this is a bungalow... |
00:11:07 |
They call everything out here |
00:11:10 |
I'm sorry if it's a little small. |
00:11:12 |
Then I did marry a millionaire. |
00:11:14 |
I'm afraid so. |
00:11:16 |
I should have known when you bought |
00:11:23 |
What a beautiful view! |
00:11:35 |
That's the Elephant Walk, |
00:11:38 |
Before the Governor built here... |
00:11:40 |
the elephants used to come down that |
00:11:43 |
They don't still try to come through, |
00:11:46 |
Elephants always remember. |
00:11:48 |
In the Governor's time, a couple of them |
00:11:51 |
Perhaps it's revenge. |
00:11:53 |
Don't worry, darling. |
00:11:56 |
They try it from time to time, |
00:12:00 |
Led by that big bull we saw? |
00:12:02 |
- Why did you say that? |
00:12:06 |
It's just that he looks so fierce. |
00:12:22 |
Why did your father choose |
00:12:25 |
He liked it. |
00:12:26 |
- It was a big risk, wasn't it? |
00:12:30 |
- What's that, John? |
00:12:32 |
What is it? |
00:12:36 |
That's his grave. |
00:12:39 |
You mean your father's buried |
00:12:41 |
Why not? That's where he wanted it, |
00:12:48 |
- Come on, darling. You must be tired. |
00:12:52 |
Inquiring little head... |
00:12:54 |
you ask as many questions as you like. |
00:13:00 |
Master, Mr. Carver requests |
00:13:03 |
All right, Appuhamy. |
00:13:05 |
Appuhamy, tell the groom boys |
00:13:08 |
Yes, master. |
00:13:10 |
Carver's my assistant. He's a nice chap. |
00:13:14 |
Is there going to be a party? |
00:13:16 |
No, just the usual Saturday night crowd. |
00:13:23 |
- Here you are. I hope you like it. |
00:13:28 |
The Governor built it |
00:13:30 |
before he went to England |
00:13:32 |
- Before he met her? |
00:13:34 |
He thought it was time to have an heir, |
00:13:40 |
He must have expected |
00:13:43 |
The horse is saddled, master. |
00:13:45 |
- Do you mind if I go down to the factory? |
00:13:51 |
I'll find you again. |
00:14:13 |
Is there anything mistress wishes? |
00:14:15 |
No, nothing. Thank you, Appuhamy. |
00:14:17 |
I hope you will be very happy |
00:14:21 |
Thank you. |
00:14:23 |
That's a beautiful comb you're wearing. |
00:14:26 |
It is the comb of caste, mistress. |
00:14:29 |
It is to signify that those who wear it |
00:14:34 |
I have a great deal to learn, Appuhamy. |
00:14:45 |
Appuhamy? |
00:14:48 |
Mistress? |
00:14:49 |
Mr. Wiley's mother, |
00:14:53 |
In England, mistress. |
00:15:53 |
Master. |
00:16:02 |
Darling, you look very beautiful. |
00:16:10 |
Chaps, this is my wife. |
00:16:13 |
- Gordon Gregory. |
00:16:14 |
- Charles MacDougal. |
00:16:16 |
- James Strawson. |
00:16:17 |
- Charles Beresford. |
00:16:19 |
- Robbie Norbet. |
00:16:20 |
- Sit down, darling. |
00:16:25 |
I've so been looking forward |
00:16:29 |
I was rather nervous of this meeting, |
00:16:33 |
Wait till you know them better. |
00:16:36 |
- Where's everybody else? |
00:16:39 |
The wives, of course. |
00:16:40 |
These blighters married? Hardly. |
00:16:43 |
We're not all as fortunate as John. |
00:16:46 |
As a matter of fact, |
00:16:48 |
around this district since... |
00:16:50 |
When was the last time |
00:16:54 |
Two years, anyhow. |
00:16:56 |
Don't worry, darling. |
00:16:59 |
No. Elephant Walk |
00:17:03 |
Why, it's better than living in a club... |
00:17:05 |
so don't you go thinking |
00:17:08 |
There's more social activity |
00:17:10 |
All right, Peter. |
00:17:11 |
I was only trying to welcome |
00:17:14 |
Thank you very much. |
00:17:15 |
It's the finest club in the world, |
00:17:19 |
old Tom Wiley, the Governor. |
00:17:25 |
I'd like to hear more |
00:17:27 |
He was the biggest-hearted man |
00:17:29 |
All his good fortune |
00:17:32 |
You could talk for a month and |
00:17:35 |
about the Governor. He was a legend. |
00:17:37 |
He's been dead for many years, |
00:17:41 |
The truth is he's much more alive today |
00:17:44 |
Let's drink to the Governor! |
00:17:46 |
- To the Governor! |
00:17:51 |
Let's go in to dinner. It's no use |
00:17:56 |
- You've met Dick Carver? |
00:17:58 |
Not a bad type. A bit unsociable. |
00:18:02 |
He works, which is more than you do. |
00:18:05 |
You? Retire? Never. |
00:18:07 |
Not until you're lying out there |
00:18:15 |
- That chair's been vacant far too long. |
00:18:35 |
- How did you find things in England? |
00:18:39 |
I hope they ease up |
00:18:41 |
But, darling, |
00:18:44 |
I can't imagine |
00:18:47 |
Then I shan't put a blight |
00:18:51 |
Good evening, everybody. |
00:18:53 |
Dick, this is my wife. Dick Carver, Ruth. |
00:18:58 |
Well, hello. If I had known, |
00:19:02 |
If you'd known what, old man? |
00:19:05 |
All I can say now is welcome. |
00:19:10 |
- Lf it is, it's nice to hear again. |
00:19:13 |
We've already done that, |
00:19:16 |
Mrs. Wiley, here's to your happiness |
00:19:25 |
That's that lop-eared old bull again. |
00:19:29 |
No, never mind, I'll do it myself. |
00:19:47 |
There's only one answer |
00:19:50 |
Yeah, he's a real troublemaker. |
00:19:55 |
- Persistence? |
00:19:56 |
He wants their trail back. |
00:20:00 |
John showed me the trail, |
00:20:03 |
Back of the house? We're sitting on it. |
00:20:06 |
This house is built plumb across it, |
00:20:10 |
It's not really as bad as it sounds. |
00:20:14 |
There are always men patrolling |
00:20:17 |
- But the servants, they ran away. |
00:20:21 |
You see, Mrs. Wiley, |
00:20:25 |
The elephant people, they call them. |
00:20:27 |
And their road was taken from them, |
00:20:30 |
Carver, I want that patrol |
00:20:33 |
Check. |
00:20:34 |
Ruth, the right of way |
00:20:37 |
Nothing was taken away |
00:20:46 |
Well done! |
00:20:48 |
One more for $500? |
00:20:49 |
Good shot, man! Excellent. |
00:21:00 |
Good shot! |
00:21:05 |
My shot. Darling, you watch this. |
00:21:19 |
All right. |
00:21:51 |
Please don't stop. |
00:21:53 |
You like it? It's Chopin. |
00:21:55 |
Yes, I know. |
00:21:59 |
Touché. |
00:22:02 |
Is that where you're from, Shillingworth? |
00:22:04 |
It can't be just plain Shillingworth. |
00:22:06 |
Must be Shillingworth-on-the something |
00:22:09 |
- On the Thames. |
00:22:15 |
- I played! |
00:22:22 |
It's a strange country, isn't it? |
00:22:24 |
Any country's strange... to a stranger. |
00:22:28 |
Thank you for that. |
00:22:31 |
- Enough of that. |
00:22:34 |
It's getting late. |
00:22:35 |
According to the men, |
00:22:38 |
That's when I steal away |
00:22:40 |
It's a little different in size from this. |
00:22:42 |
They warned me you were unsociable. |
00:22:47 |
In your case, |
00:22:51 |
Pardon me for staring at you. |
00:22:53 |
But it's a new experience |
00:22:57 |
A dress as pretty as that, |
00:23:04 |
Look at that! |
00:23:13 |
- Tell me about the elephants. |
00:23:17 |
I would like to know more about Ceylon. |
00:23:19 |
Those elephants have been |
00:23:22 |
and they'll go on making trouble |
00:23:24 |
They must resent this house a lot. |
00:23:27 |
- Wouldn't you if you were an elephant? |
00:23:32 |
I wonder why he did it. |
00:23:34 |
Why he built across their trail, why |
00:23:39 |
Tom Wiley was Tom Wiley. |
00:23:41 |
That doesn't tell me very much. |
00:23:43 |
He was the best tea planter in Ceylon |
00:23:46 |
But they talk about him |
00:23:49 |
He was a king, in his way. |
00:23:51 |
But what kind of a man beneath it all? |
00:23:55 |
Hard, stubborn. |
00:23:59 |
Too stubborn even to die. |
00:24:01 |
Don't get your impressions |
00:24:04 |
I'm not a disciple like the rest of them. |
00:24:06 |
Yes, I know. That's why I asked. |
00:24:09 |
Can I give you some advice, |
00:24:12 |
Get Tom Wiley out of your mind, |
00:24:14 |
Let the others hang onto their myths |
00:24:17 |
Just remember that grave out there is a |
00:24:22 |
He's very dead. |
00:24:25 |
- Good night. |
00:24:29 |
When I wished you happiness |
00:24:33 |
I mean it even more now. |
00:24:36 |
Thank you. Please come see us often. |
00:24:39 |
Didn't John tell you? |
00:24:42 |
- You're leaving? |
00:24:44 |
I only stuck around |
00:24:46 |
while John went to England |
00:24:50 |
I guess I'm the one |
00:24:54 |
Where are you going? |
00:24:55 |
First stop, Paris... |
00:24:57 |
to make up for anything I have missed |
00:25:00 |
After that... |
00:25:01 |
I wish you luck, Mr. Carver, |
00:25:06 |
I'm almost sorry myself now. |
00:25:09 |
Good night, Mrs. Wiley. |
00:25:14 |
Good night. |
00:25:24 |
...and old Charlie Mitchell went into the |
00:25:31 |
Charlie always was one to be interested |
00:25:35 |
I hope you'll all excuse me. |
00:25:38 |
- Darling, have I been neglecting you? |
00:25:40 |
Would you mind awfully |
00:25:42 |
Not a bit. We'd all understand. |
00:25:45 |
Good night. |
00:25:47 |
I hope I see you again soon. |
00:25:49 |
- Of course, you will. |
00:25:52 |
They're all weekend guests. |
00:25:56 |
How nice. I didn't know. |
00:26:00 |
- Good night. |
00:26:06 |
Did you like them? |
00:26:08 |
- They're all nice chaps. |
00:26:09 |
- They're delighted with you. |
00:26:14 |
- Will you come up soon? |
00:26:22 |
I won't be long. |
00:26:30 |
Good shot! |
00:27:47 |
Right-o. Pass it. |
00:28:01 |
- To the Governor. |
00:28:10 |
John! |
00:28:15 |
Master, mistress is calling. |
00:28:25 |
What's the matter? |
00:28:29 |
I heard all the noise, and I was... |
00:28:33 |
Frightened of what? |
00:28:36 |
You're not a child, Ruth. |
00:28:40 |
I don't enjoy being embarrassed |
00:29:45 |
Forgive me. I don't want to hurt you. |
00:29:47 |
John, darling. |
00:29:49 |
I don't know why I said what I did. |
00:29:53 |
Don't say that. I belong with you. |
00:30:06 |
John? |
00:30:19 |
John? |
00:30:25 |
Old master, hear me, I beg you. |
00:30:29 |
Your servant, |
00:30:36 |
...but concerning the new mistress, |
00:30:42 |
...as was the woman, |
00:30:47 |
She is not one of us... |
00:30:50 |
and her ways are cold and strange. |
00:30:53 |
Appuhamy. |
00:31:02 |
Good morning, mistress. |
00:31:05 |
Good morning, Appuhamy. |
00:31:07 |
Where's Mr. Wiley? |
00:31:10 |
The master has left for the workday. |
00:31:12 |
At this hour? |
00:31:14 |
The workers of Elephant Walk |
00:31:18 |
As long as I have known... |
00:31:20 |
the master of Elephant Walk is always |
00:31:25 |
Shall I bring you your morning tea now? |
00:31:29 |
- Yes, thank you. |
00:31:56 |
- Edward. |
00:31:57 |
- Get as many pluckers as you can. |
00:32:00 |
- Remember, we want a record year. |
00:32:03 |
I hear you've had a record year |
00:32:06 |
Yes, sir. Three big boys. |
00:32:08 |
You're quite a boy yourself. |
00:33:13 |
How's your new humidifier working? |
00:33:15 |
Fermentation's improved considerably, |
00:33:28 |
- You know, you're a good tea maker. |
00:33:30 |
Why don't you stay? |
00:33:32 |
Next boat that hits Colombo, I'll be on it. |
00:33:36 |
Pity. |
00:33:37 |
I hate changes around Elephant Walk. |
00:33:40 |
I wouldn't say that. |
00:33:42 |
You've got yourself quite a change |
00:33:45 |
Ruth? She's no change. She'll fit in. |
00:33:48 |
It's a pity she never knew the Governor. |
00:33:51 |
She will. |
00:34:00 |
- Good morning, mistress. |
00:34:04 |
Old master's room, mistress. |
00:34:07 |
It is always locked, mistress. |
00:34:09 |
Ever since old master died. |
00:34:11 |
Only Appuhamy goes to clean |
00:34:21 |
Will you tell me |
00:34:23 |
In kitchen, mistress. |
00:35:01 |
Mistress. |
00:35:03 |
Looks like we're feeding |
00:35:06 |
I beg your pardon, mistress? |
00:35:08 |
- Who are all of these men cooking for? |
00:35:11 |
Excuse me, mistress. |
00:35:34 |
I've never seen |
00:35:37 |
The estate is remote, mistress. |
00:35:38 |
- We must buy in bulk. |
00:35:49 |
Madeira, Appuhamy? |
00:35:52 |
I know my husband doesn't like it. |
00:35:54 |
The old master |
00:36:29 |
- Appuhamy! |
00:36:31 |
About those cigars. |
00:36:35 |
- Must we be so wasteful? |
00:36:38 |
His regular guests. |
00:36:41 |
There was only one man that I saw |
00:36:44 |
The old master always smoked cigars. |
00:36:50 |
Excuse me. |
00:37:08 |
Hello. |
00:37:10 |
Please don't stop singing. |
00:37:14 |
Don't run away. |
00:37:20 |
Whose children are those? |
00:37:22 |
Their parents work |
00:37:24 |
And they're left alone all day? |
00:37:26 |
They're quite safe, mistress, |
00:37:38 |
They seem afraid of me. |
00:37:40 |
What they do not understand, |
00:37:56 |
Appuhamy. |
00:38:00 |
Mistress. |
00:38:01 |
Why are they throwing away |
00:38:03 |
Nothing once cooked at Elephant Walk |
00:38:07 |
What shocking waste! |
00:38:09 |
Why, that's six months' ration |
00:38:11 |
There's no rationing |
00:38:15 |
Nevertheless, I'd still like to cut down |
00:38:19 |
Perhaps we could work |
00:38:26 |
I have just completed |
00:38:56 |
Appuhamy. |
00:39:04 |
Mistress. |
00:39:05 |
I've decided to continue my inspection |
00:39:08 |
- May I have the keys? |
00:39:11 |
All doors are open. |
00:39:13 |
All but one. May I have the key? |
00:39:17 |
I am sorry, mistress. |
00:39:19 |
It is the old master's study you refer to. |
00:39:22 |
I cannot give you the key to that room. |
00:39:27 |
Is there anything else? |
00:39:30 |
That will be all. |
00:39:39 |
Ruth! |
00:39:40 |
Ruth, where are you? |
00:39:47 |
Hello, darling. I just got in. |
00:39:50 |
- Carver's called in for a farewell drink. |
00:39:54 |
- Come down and charm us, will you? |
00:39:57 |
I've been looking forward |
00:40:01 |
I'm feeling the heat since I got back. |
00:40:03 |
That's one thing I won't miss |
00:40:10 |
Dick, there's a refreshing sight. |
00:40:12 |
That makes a drink |
00:40:14 |
Steady now, man, don't go too far. |
00:40:16 |
Letters? Is that what you've been doing? |
00:40:18 |
Just this afternoon. |
00:40:20 |
I see. Complaining about me already. |
00:40:21 |
"Dear Mother, |
00:40:23 |
Of course! |
00:40:25 |
- Drink, darling? |
00:40:27 |
Know why I don't write letters? |
00:40:28 |
You write, they answer, |
00:40:30 |
they answer your answer, and so on... |
00:40:32 |
Stop teasing and tell me |
00:40:34 |
Give them to Appuhamy. He's going |
00:40:38 |
- I'll be glad to mail them for you. |
00:40:41 |
- Thank you. That's fine. |
00:40:43 |
- Darling, tell us about your day. |
00:40:47 |
- It's just kitchen talk. |
00:40:50 |
I thought you were going to work |
00:40:54 |
- Yes, I did. |
00:41:03 |
What's the matter, Ruth? |
00:41:05 |
Don't you think this is rather boring |
00:41:09 |
Dick? He's practically one of the family. |
00:41:12 |
It's pretty late. |
00:41:13 |
- I'd better be getting along. |
00:41:19 |
Now I have. |
00:41:22 |
- Same here. |
00:41:24 |
- Goodbye, Ruth. |
00:41:26 |
Don't be nice to him. |
00:41:29 |
There's just the possibility |
00:41:31 |
I understand you can run out of money |
00:41:34 |
Do it as quickly as you can. |
00:41:36 |
- Okay. |
00:41:38 |
Goodbye. |
00:41:40 |
- All the luck in the world, Dick. |
00:41:46 |
My letters. |
00:41:50 |
Dick! |
00:41:54 |
I forgot to give you my letters. |
00:41:58 |
For a moment, I thought |
00:42:03 |
Why should I interfere with your life? |
00:42:06 |
Maybe you have already. |
00:42:11 |
- Goodbye, Dick. |
00:42:13 |
If you should ever need me |
00:42:16 |
you can always get in touch with me |
00:42:20 |
- If I should need you? |
00:42:23 |
So long. |
00:42:35 |
Where is it now? Where is it? |
00:43:02 |
Right. |
00:43:16 |
Come on. Monkey in the middle? |
00:43:20 |
All right. |
00:43:25 |
Come on now. |
00:43:37 |
Don't ever startle me like that again. |
00:43:39 |
Excuse me, mistress. |
00:43:43 |
Please don't kill it. |
00:43:52 |
Appuhamy! |
00:43:57 |
What is it? |
00:44:00 |
What's happened? John! |
00:44:02 |
I can't get the bicycle free. |
00:44:04 |
- What happened? |
00:44:06 |
Appuhamy, call the doctor at once. |
00:44:10 |
- I'd say a few weeks in bed will do it. |
00:44:13 |
I'm being optimistic. |
00:44:16 |
But I can't lie here, |
00:44:18 |
Run it from your bed. |
00:44:22 |
Traction. |
00:44:23 |
I've got a new crop, |
00:44:26 |
Unfortunately, the leg must stay there, |
00:44:30 |
- Very amusing. |
00:44:32 |
How? They're all fighting time |
00:44:35 |
and he picks this time to lay me up. |
00:44:37 |
- Good night. |
00:44:40 |
If you come in here, |
00:44:42 |
Master, please. |
00:44:44 |
He never was a doctor. Few weeks! |
00:45:00 |
He'll be a difficult patient. |
00:45:03 |
Did you know John's father? |
00:45:04 |
You see this scar? |
00:45:06 |
Tom Wiley threw his water carafe at me |
00:45:11 |
I can believe it. |
00:45:13 |
You should get yourself some sleep, |
00:45:15 |
I'll be all right. Don't worry about me. |
00:45:17 |
I've given your husband a strong |
00:45:20 |
There's no reason |
00:45:23 |
- I will. I promise. |
00:45:25 |
- I'll be back in the morning. Good night. |
00:47:17 |
She has brought evil spirits. |
00:47:19 |
The master lies hurt. |
00:47:21 |
There is sadness in my heart. |
00:47:23 |
Since her coming here, I have felt it. |
00:47:25 |
She does not belong to Elephant Walk. |
00:47:55 |
- How is he, Doctor? |
00:47:59 |
I'm afraid this may take longer |
00:48:02 |
Why do you say that? |
00:48:03 |
Even broken bones require |
00:48:05 |
during the mending process... |
00:48:07 |
from their owner, that is. |
00:48:09 |
If only we could relieve |
00:48:12 |
I wish I could help. |
00:48:17 |
Doctors are notoriously pessimistic, |
00:48:21 |
It's possible that just having you around |
00:48:26 |
- Goodbye for now, Mrs. Wiley. |
00:49:00 |
Look here. Elephant tracks all over. |
00:49:03 |
Here. There. Ruined tea fields all over. |
00:49:08 |
They sure did a good job |
00:49:12 |
Hello, Ruth. |
00:49:14 |
Hello. |
00:49:17 |
The elephants got in here last night and |
00:49:21 |
You can see how much |
00:49:23 |
John know I'm back yet? |
00:49:25 |
Appuhamy told him first thing |
00:49:28 |
He should be. |
00:49:30 |
- Are you coming up to the house later? |
00:49:34 |
When you speak to John, |
00:49:36 |
Don't tell him I sent for you. |
00:49:38 |
Let him think it was your idea, that you |
00:49:42 |
Dick Carver to the rescue? |
00:49:46 |
Thank you, Dick. |
00:49:48 |
- I'll see you at the bungalow. |
00:49:58 |
- Come on, boys. What's holding us up? |
00:50:02 |
Get them. |
00:50:03 |
- Patrols were on the job, John. |
00:50:07 |
Relax, man. You couldn't check on them |
00:50:10 |
They've all been alerted. |
00:50:13 |
What am I, a blasted contortionist? |
00:50:15 |
What do we do about the young plants |
00:50:18 |
We put back more than a third |
00:50:20 |
How? |
00:50:21 |
We stopped the pickers |
00:50:23 |
You stopped the pickers? |
00:50:25 |
It makes sense. Nothing much to pick |
00:50:28 |
Everything's drying up. |
00:50:29 |
There's been a rule here for 50 years. |
00:50:33 |
Weather and elephants don't change it. |
00:50:35 |
You put those pickers back to work. |
00:50:37 |
Okay, John. |
00:50:42 |
You're giving the orders. |
00:50:52 |
What's this? |
00:50:53 |
Your lunch. |
00:50:56 |
The menu said roast pork. |
00:50:58 |
I thought it was too heavy for you |
00:51:01 |
Appuhamy, will you get what's ordered? |
00:51:02 |
But, darling, it's not good for you. |
00:51:05 |
Ruth, once and for all, will you stop |
00:51:08 |
that's been running smoothly for |
00:51:13 |
I order you to stop interfering. |
00:51:21 |
May I leave now, master? |
00:51:33 |
If this is the kind of ideas you have, |
00:51:37 |
Playing nurse to John |
00:51:42 |
Have you lost your voice? |
00:51:45 |
Not really. It's just that... |
00:51:48 |
Rather just ride? |
00:51:50 |
For a while, yes. |
00:51:52 |
Okay. Let's go. |
00:52:13 |
Where are we? |
00:52:15 |
Polonnaruwa, |
00:52:18 |
Or what's left of it. |
00:52:37 |
This is a very sacred place |
00:52:42 |
That's the Sleeping Buddha |
00:52:48 |
and his faithful disciple Ananda. |
00:52:51 |
It's so beautiful, still. |
00:52:54 |
I feel like we're trespassing. |
00:52:57 |
They like company. |
00:53:05 |
These are fake. |
00:53:09 |
They're lovely. |
00:53:29 |
Ruth, you remember once |
00:53:35 |
- The offer still holds? |
00:53:39 |
You're the only one I can try... |
00:53:43 |
the only one that doesn't |
00:53:47 |
Then it's Tom Wiley. |
00:53:50 |
I know you told me to try |
00:53:52 |
but it's not that easy. |
00:53:56 |
He's all around me. |
00:54:01 |
Sometimes in John. |
00:54:03 |
- What made you say that? |
00:54:07 |
Old Tom Wiley still rules |
00:54:15 |
Do you know anything |
00:54:18 |
As far as the house is concerned, |
00:54:22 |
Not even a picture. |
00:54:24 |
It's as if she'd never been |
00:54:26 |
All I know is what the natives tell, |
00:54:30 |
They blame Tom Wiley for her death, |
00:54:35 |
- Killed her? |
00:54:39 |
The doctors in London said |
00:54:42 |
she might die. |
00:54:45 |
Tom Wiley insisted his son |
00:54:49 |
so he brought her back. |
00:54:52 |
The doctors were right. |
00:54:53 |
A few days after John was born, |
00:54:59 |
- What was she doing in England? |
00:55:02 |
I guess she couldn't take |
00:55:05 |
He brought her back. |
00:55:13 |
I'm sorry, Ruth. |
00:55:16 |
Also, I said it was just local gossip. |
00:55:21 |
We'd better get back. |
00:55:41 |
Dick. |
00:55:43 |
Now you know why I came back. |
00:55:46 |
Dick, I love John. |
00:56:09 |
Dick! |
00:56:14 |
You wait here. |
00:57:01 |
Old Lop-Ear and company. |
00:57:03 |
It's all right now. They're under control. |
00:57:13 |
- Hello, John. |
00:57:17 |
Don't I get a kiss now |
00:57:26 |
Sit with me for a minute. |
00:57:31 |
I was riding this afternoon |
00:57:35 |
- We ran into elephants... |
00:57:38 |
Just as well Dick was with you. |
00:57:42 |
Ruth, forgive me... |
00:57:44 |
for barking at you like that. |
00:57:49 |
I've missed you. |
00:57:51 |
John, I'm tired, and messy. |
00:57:55 |
Let me clean up. |
00:57:58 |
Yes, of course. |
00:58:02 |
You watch this. |
00:58:03 |
- Crutches. |
00:58:05 |
The old place looks good. I've missed it. |
00:58:07 |
Come on. That wasn't very good. |
00:58:12 |
How do you manage these? |
00:58:14 |
Darling, don't you think |
00:58:16 |
- Yes. Appuhamy. |
00:58:20 |
Sit up. |
00:58:22 |
There you are. |
00:58:24 |
Darling, how can I ever thank you for |
00:58:27 |
I've been spoiled before, |
00:58:30 |
I haven't finished spoiling you. |
00:58:33 |
What is it? |
00:58:34 |
The cruise boat comes into Ceylon |
00:58:36 |
Why don't we get on it and |
00:58:39 |
- I'm sorry, darling. |
00:58:43 |
It would be good for both of us. |
00:58:46 |
It's a wonderful idea, |
00:58:49 |
Besides I'd have to put off the surprise |
00:58:52 |
- Surprise? |
00:58:55 |
That's why I had to get up |
00:58:57 |
- Tell me what it is. |
00:59:33 |
- John, what is it? |
00:59:36 |
Oh, darling. |
00:59:55 |
- Where are they from? |
00:59:58 |
The rest are gypsies from the villages. |
01:00:15 |
Do you like them? |
01:00:17 |
- They're wonderful. Just wonderful. |
01:00:44 |
Hi. |
01:00:45 |
- Look who's here. |
01:00:48 |
Good afternoon, everybody. |
01:00:49 |
- Drink? |
01:00:52 |
Whiskey, Appuhamy. |
01:01:06 |
- And how's Mrs. Wiley? |
01:01:12 |
All the troubles of Elephant Walk |
01:01:20 |
I told John |
01:01:24 |
I told him it was my fault, which it was. |
01:02:28 |
I say! |
01:02:33 |
What do we have here? |
01:02:50 |
She is the hit of the show, |
01:02:53 |
- Do you like her? |
01:02:56 |
Not your type? |
01:02:58 |
No, she's not my type. |
01:03:02 |
The way you're getting around |
01:03:04 |
there doesn't seem to be much sense |
01:03:09 |
I'm very grateful to you for pitching in. |
01:03:12 |
- This week, if it's convenient. |
01:03:16 |
I'm still in your debt. |
01:03:34 |
- I'm going to dance. |
01:03:37 |
Be a good boy or I'm going to strike you. |
01:03:38 |
Be a good boy, come and have a drink. |
01:03:46 |
I envy you. |
01:03:48 |
You make decisions quickly. |
01:03:51 |
I didn't make this decision, Ruth. |
01:04:26 |
What's going on now? |
01:04:28 |
That's the tea planter's version |
01:04:32 |
old Tom Wiley holding back |
01:04:35 |
- And my cue to leave. |
01:04:38 |
That's right. I've seen it all. |
01:04:40 |
Every year since I've been here. |
01:04:42 |
This has been going on |
01:04:45 |
Today happens to be his birthday. |
01:04:47 |
Old master left 30,000 rupees... |
01:04:49 |
so every year |
01:04:52 |
in the loyal hearts of his subjects. |
01:04:58 |
Nice isn't it? Sort of a black Christmas. |
01:05:05 |
But don't let him spoil it for you. |
01:05:07 |
They're only getting started. |
01:06:22 |
All is ready, master. |
01:06:25 |
- Good. Well, give out the presents. |
01:06:28 |
Just a minute. Where's Mrs. Wiley? |
01:06:30 |
Mistress went upstairs |
01:06:32 |
- Well, I'll get her. You go ahead. |
01:07:14 |
Ruth! |
01:07:24 |
Ruth, where are you? |
01:07:30 |
Ruth? |
01:07:33 |
There you are. |
01:07:38 |
I've got your present. |
01:07:41 |
From the Governor to you, |
01:07:45 |
You be quiet down there. |
01:07:47 |
He designed it himself for Mother... |
01:07:50 |
to be presented to each new mistress |
01:07:53 |
- Do you like it? |
01:08:04 |
Come on. Let's go down. |
01:08:06 |
You go ahead. I'll be down in a moment. |
01:08:08 |
All right. Don't be long. |
01:08:12 |
For he's a jolly good fellow |
01:08:15 |
For he's a jolly good fellow |
01:08:17 |
For he's a jolly good fellow |
01:08:21 |
That nobody can deny |
01:08:25 |
To the Governor! |
01:08:26 |
To the Governor! |
01:08:50 |
Why was his horse so beautiful? |
01:08:54 |
Why, why, why? |
01:08:58 |
Why was his horse so beautiful? |
01:09:04 |
We finally drank old Wiley |
01:09:07 |
I never would have thought |
01:09:10 |
There's no cause for alarm, mistress. |
01:09:13 |
I think it's time we had a little breakfast. |
01:09:16 |
Appuhamy! |
01:09:20 |
We want breakfast! |
01:09:28 |
I think another round |
01:09:32 |
You're not having another round, |
01:09:36 |
- You're getting out of here. All of you. |
01:09:39 |
You heard what I said. Go home. |
01:09:41 |
But it's the Governor's birthday |
01:09:45 |
The Governor's dead, |
01:09:49 |
And you're not friends, |
01:09:51 |
You're leeches and scrounges, trying |
01:09:55 |
trying to make another Tom Wiley out |
01:09:59 |
in your big free playpen. |
01:10:01 |
Well, that's finished. |
01:10:04 |
This is no longer Tom Wiley's |
01:10:06 |
This is John's home, and mine. |
01:10:09 |
Now get out of here. |
01:10:11 |
Very well, Mrs. Wiley. |
01:10:36 |
- Good morning, John. |
01:10:42 |
- I asked them to leave. |
01:10:46 |
Because I don't believe |
01:10:48 |
They're a lot of drunks |
01:10:52 |
Now, listen... |
01:10:53 |
these drunks, as you call them, |
01:10:56 |
They go for months |
01:10:58 |
and you object |
01:11:01 |
Please, John. |
01:11:03 |
There's been a tradition in this house... |
01:11:05 |
of hospitality for over 50 years, |
01:11:10 |
I can't talk to you, can I? |
01:11:12 |
The man I married in England |
01:11:15 |
but you're not that man. |
01:11:17 |
- You're Tom Wiley's son. |
01:11:21 |
Isn't it? |
01:11:23 |
You hate him, don't you? |
01:11:26 |
No, I don't hate him. I only... |
01:11:30 |
Say it. |
01:11:33 |
I hate what he's doing to you, |
01:11:37 |
making you like him... |
01:11:39 |
so he can preserve his house, |
01:11:43 |
Ruth, stop it! |
01:11:46 |
Foolish girl. Foolish and very young. |
01:11:50 |
Am I, John? |
01:11:52 |
I should never have brought you here. |
01:11:57 |
Maybe you're right, |
01:12:01 |
something I couldn't have known before. |
01:12:03 |
You weren't like this in England. |
01:12:07 |
You hate him, John. |
01:12:09 |
You won't admit it, |
01:12:19 |
I'm sorry. I... |
01:12:25 |
- Ruth! |
01:12:30 |
Ruth, come back. |
01:12:36 |
What's that? |
01:12:39 |
Don't touch. |
01:12:42 |
Appuhamy, get Dr. Pereira at once. |
01:13:09 |
Ruth! |
01:13:15 |
What's happened? |
01:13:21 |
I've left Elephant Walk. |
01:13:24 |
Have you left Elephant Walk |
01:13:27 |
He's won. |
01:13:30 |
Tom Wiley's won. |
01:13:32 |
- Then John Wiley's a fool. |
01:13:37 |
He can't help himself. Or won't. |
01:13:44 |
You've got to get me out of here. |
01:13:47 |
There's a plane out on Wednesday. |
01:13:51 |
Take me to Colombo. I'll wait there. |
01:13:55 |
I can't go back. |
01:13:57 |
I wouldn't let you go back. |
01:13:59 |
I'm not giving you a chance |
01:14:02 |
No. |
01:14:18 |
- What is it? |
01:14:26 |
- What's the matter? |
01:14:28 |
No. Quarantine. It's cholera. |
01:14:30 |
- You'll have to turn back. |
01:14:34 |
- Where are we going? |
01:14:44 |
You wait here. |
01:14:55 |
Even if I let you go, the authorities |
01:14:59 |
Another good reason for staying, |
01:15:03 |
Chunsa's dead. |
01:15:06 |
There're nurses coming up |
01:15:08 |
We have to set up |
01:15:12 |
Mrs. Wiley, we need all the sheets, |
01:15:17 |
They must be sprayed and hung |
01:15:28 |
Appuhamy. Will you come with me? |
01:16:43 |
John, Dr. Pereira wants to see you. |
01:16:46 |
- Any more deaths? |
01:16:49 |
What are those drums for? |
01:16:51 |
Kerosene to burn the infected huts |
01:17:02 |
- You haven't slept for two days. |
01:17:05 |
You're killing yourself. |
01:17:07 |
I thought you said |
01:17:22 |
How are things in the fields, Dick? |
01:17:25 |
There's not a leaf of new flush |
01:17:27 |
Even the weeds won't grow. |
01:17:29 |
Irrigation tanks are down to dried mud |
01:17:32 |
It's no good worrying |
01:17:34 |
Keep all labour in their quarters. |
01:17:37 |
Pete and Robbie tried to come over... |
01:17:39 |
but the authorities |
01:17:41 |
- They wanted to know if they could help. |
01:17:43 |
Why not? They're my friends. |
01:17:48 |
Did you hear the elephants last night? |
01:17:50 |
Yes. They're looking for water, too. |
01:17:53 |
Look. Another poor devil. |
01:18:09 |
Stop him! Come back! |
01:18:12 |
Come back! |
01:18:15 |
John! |
01:18:18 |
What do you want me to do? |
01:18:21 |
Carver, get that fellow to hospital |
01:18:25 |
Show him around to the others as an |
01:18:30 |
That's one way of stopping an epidemic: |
01:18:33 |
He had to do it, Dick. |
01:18:35 |
If they'd gotten away, they could've |
01:18:48 |
Master. |
01:18:49 |
- You wanted to see me, Doctor? |
01:19:12 |
No, darling. |
01:19:30 |
- Not Coru's mother? |
01:19:35 |
Isn't there anything more |
01:19:38 |
Make them as comfortable as we can. |
01:19:40 |
If they last 36 hours, |
01:19:44 |
Make sure everyone disinfects |
01:19:47 |
- John. |
01:19:49 |
I don't like to press you to a decision, |
01:19:52 |
- What is it? What can I do? |
01:19:55 |
The men are frightened. |
01:19:58 |
John, the bodies must be buried |
01:20:02 |
All right. I'll do it myself. |
01:20:36 |
Master. |
01:20:37 |
Look, master. |
01:20:40 |
Look. |
01:20:58 |
No water. Elephant people blame us. |
01:21:14 |
We wait for rain. |
01:21:15 |
Each day we feel it must come, |
01:21:19 |
The monsoon has never been so late. |
01:21:24 |
Soon our Lord Buddha |
01:21:35 |
Put them over there, Coru, and go over |
01:21:47 |
Have there been any more |
01:21:51 |
Coru, have there been... |
01:21:53 |
Coru, come back! |
01:22:04 |
Ruth. |
01:22:05 |
You shouldn't be lifting things like this. |
01:22:08 |
- Where do you want it? |
01:22:14 |
Coru just ran away. |
01:22:17 |
I hope he doesn't try |
01:22:19 |
I don't blame him. |
01:22:26 |
We're running out of water. |
01:22:28 |
I know. |
01:22:30 |
It's down next to nothing. |
01:22:32 |
I pray. |
01:22:33 |
I pray all the time. |
01:22:35 |
- A lot of good that will do. |
01:22:37 |
Ruth, what's the use? |
01:22:39 |
What's the good of killing yourself |
01:22:42 |
that are going to die anyway? |
01:22:49 |
I've just been down at the hospital. |
01:22:50 |
Pereira says there have been |
01:22:54 |
If that keeps up, they'll lift |
01:22:58 |
You can both leave |
01:23:12 |
- By the end of the week, Ruth... |
01:23:15 |
If it keeps up. |
01:23:20 |
Appuhamy, there's some |
01:23:25 |
- We might as well eat now. |
01:23:39 |
John, you must eat something. |
01:23:41 |
- Lf you won't sleep, you must eat. |
01:23:47 |
There was a big thundercloud |
01:23:52 |
Then they disappeared. |
01:25:07 |
Mistress has been working very hard |
01:25:11 |
Won't you rest now? |
01:25:13 |
- I will do this. |
01:25:18 |
It's just this heat. |
01:25:26 |
- Will it rain? |
01:25:29 |
We have all been praying. |
01:25:33 |
Keep on praying, Appuhamy. |
01:25:39 |
- Are the supplies ready? |
01:25:46 |
- Did you hear the thunder? |
01:25:50 |
In this part of the world, |
01:25:54 |
Dr. Pereira has some good news, Ruth. |
01:25:56 |
Yes. We've just made a tour |
01:25:59 |
- Not one new case in three days. |
01:26:03 |
- That's wonderful news. |
01:26:06 |
Can you stay? |
01:26:08 |
Appuhamy can make |
01:26:10 |
I told John and the men I'd pick them up |
01:26:14 |
Where is John? |
01:26:15 |
They're burning |
01:26:18 |
We'll see you in an hour or so. |
01:26:22 |
We can leave tomorrow, Ruth. |
01:26:26 |
Not yet, Dick. We shouldn't. |
01:26:30 |
Why not? We've done all that |
01:26:36 |
We can't leave John alone now. |
01:26:39 |
If the rain comes, then, maybe. |
01:26:44 |
John's done a good job |
01:26:46 |
I'll give him credit for that. |
01:26:48 |
But don't fool yourself. |
01:26:51 |
As long as there's an Elephant Walk, |
01:27:35 |
I have misjudged her, master. |
01:27:38 |
Forgive me. I have made much trouble. |
01:27:41 |
She is mistress of this house now. |
01:27:46 |
It is my earnest prayer |
01:28:07 |
- It's over at last, Appuhamy. |
01:28:12 |
The time will come when my people |
01:28:17 |
They will listen to the master |
01:28:23 |
They will learn. They are learning fast. |
01:28:30 |
Will you make some tea |
01:28:34 |
The men should be back soon. |
01:28:37 |
- Will the mistress sleep now? |
01:28:47 |
Thank you, Appuhamy. |
01:29:55 |
Boy, get out. Go on. |
01:30:01 |
Master! Master! Look! |
01:30:43 |
Where's Ruth? |
01:30:46 |
We just left her at the bungalow. |
01:30:48 |
The elephants are headed there. |
01:30:52 |
No. You go down to the moat and |
01:30:56 |
You better come along, Doctor. |
01:31:57 |
Mistress. |
01:32:03 |
- What is it? |
01:32:09 |
No. |
01:32:26 |
Go back! |
01:32:39 |
Go back, elephant people! Go back! |
01:33:00 |
Appuhamy! |
01:35:19 |
Ruth! |
01:35:22 |
John! |
01:35:38 |
Oh, John! |
01:37:34 |
Looks like I get to Paris one boat late, |
01:37:54 |
- I'm sorry, darling. |
01:37:57 |
Let them have their Elephant Walk. |
01:38:00 |
Ruth, we'll build a new place, |