Emotional Arithmetic Autumn Hearts A New Beginning
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00:00:44 |
MELANIE: |
00:00:47 |
" Forgive me if I answer, |
00:02:59 |
Dimski. |
00:03:02 |
Garbov. |
00:03:04 |
Limnit. |
00:03:07 |
Vogel. |
00:03:10 |
Tarnow. |
00:03:13 |
Davidowski. |
00:03:17 |
Paskett. |
00:03:20 |
Derndel. |
00:03:23 |
Derndel. Derndel. |
00:03:26 |
Dimpel. |
00:03:29 |
Garnowitz. |
00:03:48 |
TIMMY: Dinner's ready! |
00:04:16 |
Dinner's ready. |
00:04:19 |
Coming. |
00:04:28 |
(THUNDER RUMBLING) |
00:04:34 |
Mmm-hmm. |
00:04:35 |
Storm coming. |
00:04:39 |
Not that anyone listens, but I warned them. |
00:05:17 |
(DOOR OPENING) |
00:05:20 |
(DOOR CLOSES) |
00:05:28 |
- Hi, Mom. |
00:05:35 |
- Good morning, Mom. |
00:05:38 |
Have you seen your father around? |
00:05:41 |
He's gone into town. |
00:05:45 |
No, he didn't tell me. |
00:05:48 |
Ah... |
00:05:49 |
I wonder which of his fawning grad |
00:05:57 |
Mom, please. |
00:06:01 |
Oh, Benjamin. Benjamin, I'm sorry. |
00:06:03 |
You're always caught right between |
00:06:07 |
It's not fair. I'm really sorry, sweetie. |
00:06:13 |
What? |
00:06:16 |
You look great. |
00:06:18 |
- Really? |
00:06:21 |
What is the thing that you like |
00:06:25 |
- I can't decide with my eyes closed. |
00:06:30 |
Your wicked tongue. |
00:06:31 |
(MELANIE LAUGHING) |
00:06:32 |
Very good. |
00:06:41 |
MELANIE: Oh, my God. |
00:06:43 |
It's Jakob. It's my Jakob. |
00:06:51 |
He answered my letter. |
00:07:05 |
MELANIE: (READING) |
00:07:08 |
"you read about is the man you think. |
00:07:11 |
" I am your Jakob, as you say. |
00:07:16 |
" Older than the man you once knew, |
00:07:21 |
"my little American girl from Cleveland." |
00:07:38 |
CHRISTOPHER: |
00:07:41 |
She's from a place called Cleveland. |
00:07:45 |
- And does the American have a name? |
00:07:51 |
How do you do, Melanie? |
00:07:56 |
Well, too many places to mention. |
00:07:59 |
I hope we both live one week more, |
00:08:00 |
so you can teach me |
00:08:28 |
DAVID: That woman is not supposed to be |
00:08:35 |
Okay. Jesus, be careful! This is an antique. |
00:08:40 |
Now lift it up, can you? |
00:08:42 |
What's the matter, |
00:08:45 |
- Is that high enough? |
00:08:48 |
Thank you. |
00:08:51 |
You're doing great. Yeah. |
00:08:57 |
There, there! |
00:09:01 |
(DAVID SIGHS) |
00:09:03 |
- You okay? |
00:09:06 |
We can take a break. We're not in a hurry. |
00:09:10 |
No. No, that's good here. |
00:09:14 |
Mom loves the spot over there. |
00:09:17 |
She thought it would make it feel more like |
00:09:21 |
(CHUCKLES) |
00:09:23 |
All right. |
00:09:28 |
- How long is he going to stay? |
00:09:32 |
It's typical. She hasn't seen the man |
00:09:35 |
they exchange a couple of letters, |
00:09:41 |
I mean, he could have, God knows, |
00:09:45 |
not to mention his mental condition. |
00:09:47 |
He sounded fine in the letters. |
00:09:50 |
Thirty-five years in the Gulag, |
00:09:53 |
It'll be good for her, Dad. |
00:09:55 |
- Dr. Levin said... |
00:09:59 |
Dr. Levin and his good intentions. |
00:10:16 |
Jakob? |
00:10:20 |
Jakob. |
00:10:22 |
Melanie. |
00:10:23 |
(MELANIE LAUGHS) |
00:10:24 |
MELANIE: Oh, my gosh, you are a giant. |
00:10:26 |
I wasn't sure if I just made that up or, |
00:10:30 |
Oh, my. What happened to your hand? |
00:10:32 |
Oh, long ago. |
00:10:34 |
(STAMMERING) |
00:10:36 |
It's nothing. Punishment for stealing food. |
00:10:38 |
- Does it frighten you? |
00:10:42 |
(JAKOB CHUCKLING) |
00:10:46 |
Jakob. |
00:10:50 |
It's been so long. |
00:10:59 |
Yes. I brought you a present. |
00:11:05 |
Christopher? |
00:11:10 |
Melanie. |
00:11:14 |
Hello, Melanie. |
00:11:18 |
I would have recognized you anywhere. |
00:11:20 |
- What are you doing here? |
00:11:26 |
Poet of the Gulag, had been freed. |
00:11:30 |
I contacted him in Paris. |
00:11:32 |
I decided to come with him, |
00:11:37 |
I hope I'm not unwelcome. |
00:11:40 |
I don't know what to say. |
00:11:44 |
Your hair is, it's redder than I remember. |
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Well, you look different, too. |
00:11:53 |
- It suits you. |
00:11:55 |
Chit-chat later. Come on. |
00:12:06 |
- BENJAMIN: How is it now? |
00:12:12 |
Ah! |
00:12:13 |
Triumph. |
00:12:18 |
Shit. |
00:12:20 |
(DAVID CHUCKLES) |
00:12:24 |
Masterly done. |
00:12:26 |
(CAR HORN HONKING) |
00:12:30 |
Just in time. |
00:12:37 |
- Who the hell's that? |
00:12:43 |
Looks like your mother picked up a stray. |
00:12:57 |
Here, let me help you, come. |
00:13:01 |
Mr. Bronski. |
00:13:03 |
Jakob, please. |
00:13:05 |
No, don't worry, don't worry. |
00:13:08 |
David Winters. Welcome. |
00:13:10 |
Thank you. |
00:13:11 |
MELANIE: |
00:13:15 |
Well, well. The legendary Christopher Lewis. |
00:13:18 |
I was beginning to think you were just |
00:13:23 |
I hope I'm not intruding. |
00:13:26 |
- Of course not. You're most welcome. |
00:13:29 |
Oh, and this is Benjamin. Our son. |
00:13:32 |
- Welcome. |
00:13:34 |
- Nice to meet you, Benjamin. |
00:13:37 |
- You live in a paradise. |
00:13:42 |
Damn place is falling about our ears. |
00:13:46 |
Interesting looking beasts. |
00:13:49 |
- Do you milk them? |
00:13:54 |
We just fatten them up |
00:13:59 |
Maybe we could put Christopher |
00:14:03 |
It's a good idea. |
00:14:06 |
I'll just settle you in. Is this all you brought? |
00:14:09 |
Yes. I'm afraid I can't stay. |
00:14:12 |
I just can't believe that you're all here. |
00:14:17 |
- I never thought I'd see you again. |
00:14:20 |
Finished! |
00:14:23 |
Ah, my son. Timmy. |
00:14:24 |
JAKOB: Oh... |
00:14:26 |
And what exactly did you finish, Timmy? |
00:14:29 |
The carrots, I peeled them all. |
00:14:32 |
So you're the man in charge of food, huh? |
00:14:35 |
So we're saved. |
00:14:38 |
Well, shall we? |
00:14:45 |
- Here, Mom, let me take this. |
00:14:54 |
- Are they the Russians? |
00:15:00 |
- Would you like to see the lake? |
00:15:42 |
- Do you think he knows how to swim? |
00:15:56 |
- Where are your parents? |
00:15:59 |
they were gone and then I was taken here. |
00:16:08 |
What about your parents? |
00:16:19 |
You see? |
00:16:22 |
It's magic. |
00:16:25 |
You are now officially |
00:16:30 |
Ah. |
00:16:31 |
Chosen for what, you ask? |
00:16:36 |
An interesting question. |
00:16:45 |
His father was always running |
00:16:51 |
Trying to find a reason why they were there. |
00:16:57 |
" Why him? Why us, why all these people? |
00:17:05 |
One morning, he was gone. |
00:17:09 |
No explanation. |
00:17:14 |
Christopher just sat there in a corner, |
00:17:20 |
Wouldn't move, wouldn't talk. |
00:17:23 |
I forced him to eat and to follow me around. |
00:17:29 |
And then one day, you arrived |
00:17:33 |
and his eyes lit up again. |
00:17:40 |
He just needed to come here, you see. |
00:17:47 |
And you turned into a beautiful woman. |
00:17:51 |
- No. |
00:17:55 |
Inside, too. You are very brave |
00:18:01 |
Inside? |
00:18:05 |
Do you think they did something to us? |
00:18:12 |
Oh, yes. |
00:18:19 |
Bathroom's in there, and more blankets in |
00:18:26 |
A trifle rustic, I'm afraid. |
00:18:29 |
Makes a bit of a difference, |
00:18:32 |
No, no, it's really... |
00:18:35 |
- Actually, I live in Paris. |
00:18:41 |
So, what do you do? |
00:18:45 |
- I'm an entomologist. |
00:18:48 |
- Insects. |
00:18:52 |
- Wasps. |
00:18:56 |
You'll find lots of yellow jackets |
00:19:00 |
So why Paris? |
00:19:03 |
After everything that happened, |
00:19:05 |
to be as far away as possible. |
00:19:07 |
That's a good question. My work, mostly. |
00:19:12 |
I did go back to Drancy once. |
00:19:18 |
It's... |
00:19:20 |
It's a housing estate now. |
00:19:24 |
children playing soccer. |
00:19:27 |
Guess people have to live somewhere. |
00:19:30 |
You've put it all behind you now, then. |
00:19:35 |
- What do you mean? |
00:19:37 |
no black pit of depression, |
00:19:41 |
I admire that. Move on, that's the trick. |
00:19:44 |
So they say. So what about you? |
00:19:48 |
Melanie tells me that you're |
00:19:52 |
I was. A history professor. |
00:19:56 |
They made me retire last year. |
00:19:59 |
Take it all the way |
00:20:02 |
- Why? |
00:20:06 |
So how do you find her? |
00:20:14 |
She seems |
00:20:17 |
unchanged to me. |
00:20:19 |
Really? She did have a difficult time. |
00:20:21 |
She must've told you on the way down. |
00:20:26 |
She didn't say anything about that. |
00:20:30 |
I'd better let her tell you, |
00:20:33 |
Anyway, it's good to have you here. |
00:20:36 |
I suppose you're like a long-lost brother. |
00:20:41 |
Her only family really, you and Jakob. |
00:20:46 |
Does she ever talk about Drancy? |
00:20:49 |
No. Not to me. Not that I haven't asked. |
00:20:52 |
But, no, she won't talk about it. Not really. |
00:20:57 |
Maybe she can't. |
00:21:00 |
And I understand that. |
00:21:03 |
- Well, if you need anything, just shout. |
00:21:13 |
(SIGHS) |
00:22:01 |
(SPEAKING FRENCH) |
00:22:07 |
(SPEAKING FRENCH) |
00:22:10 |
- I'm Irish. |
00:22:18 |
- What's your name? |
00:22:21 |
- Christopher. |
00:22:26 |
I'm not a Jew. I'm here by mistake. |
00:22:30 |
(VEHICLE APPROACHING) |
00:22:34 |
Quick, come! |
00:22:43 |
Here. This is your room. |
00:22:47 |
(EXCLAIMS) |
00:22:49 |
Is that from the garden? |
00:22:50 |
Yes, yes, I picked this |
00:22:54 |
- and then over here, look, you've got... |
00:22:56 |
Thank you. Some pajamas |
00:22:59 |
and your toothbrush and |
00:23:01 |
Well, I have my things, you know. |
00:23:02 |
I know, but you can't have much |
00:23:04 |
and I thought maybe when you're rested, |
00:23:06 |
not now but when you're rested, |
00:23:08 |
and I'll get you some proper clothes, |
00:23:12 |
- Shorts? |
00:23:14 |
And here, look, this is where you can work. |
00:23:16 |
Look, you can sit right here |
00:23:21 |
- Oh, Melanie, I do not write anymore. |
00:23:26 |
It was an experiment, you know. |
00:23:30 |
They gave me drugs, |
00:23:34 |
It was like a river flowing out of me. |
00:23:40 |
But then... |
00:23:42 |
Ah... |
00:23:44 |
(STAMMERING) |
00:23:45 |
They gave me electroshocks. |
00:23:48 |
And, after it, I found it hard to concentrate. |
00:23:53 |
The words just dried up, |
00:23:58 |
So I am a... |
00:24:02 |
What is the word? I'm a fraud. You know. |
00:24:09 |
Well, maybe the words will |
00:24:33 |
This is for you. Open it. |
00:24:41 |
Look there, in front. |
00:24:45 |
" For Melanie, a light in the darkness." |
00:24:51 |
Thank you. |
00:25:00 |
Now I think I will rest. |
00:25:12 |
Thank you. |
00:25:14 |
- Here. |
00:25:18 |
You must not spoil me. |
00:25:21 |
I'm just so happy that you're here. |
00:25:25 |
Yeah. |
00:25:31 |
And this is your home now, you know. |
00:25:34 |
Thank you. |
00:25:38 |
Because I've never seen a man so nervous. |
00:25:43 |
and talking until my ears were hurting. |
00:25:50 |
Rest well. |
00:26:06 |
JAKOB: Here, |
00:26:10 |
you keep this notebook from now, okay? |
00:26:14 |
We need names, height, weight, |
00:26:21 |
all ages, yeah? |
00:26:25 |
Because we are witnesses. |
00:26:29 |
Someday people will want to know |
00:26:34 |
And we must be able to tell them. |
00:26:41 |
Come, take it. |
00:26:45 |
Good. |
00:26:47 |
Now to work, huh? |
00:26:49 |
Christopher, you take care of her, yeah? |
00:26:54 |
- Yes, Jakob. |
00:27:05 |
MELANIE: (READING) |
00:27:09 |
" Four buses arrived at 11:15 this morning. |
00:27:15 |
- "Two hundred and thirty-four adults." |
00:27:21 |
"Fifty-two children." |
00:28:42 |
MELANIE: Hey. Have you called that |
00:28:47 |
- Yes. |
00:28:49 |
Everything's fine. She says hi. |
00:28:52 |
And when is she coming? |
00:28:54 |
Soon. |
00:28:57 |
Soon, soon, soon. You have been saying |
00:29:03 |
You know, I was talking to Jakob, |
00:29:06 |
But I'm going to take him into town |
00:29:11 |
So I was thinking, maybe when you get |
00:29:14 |
bring up that great big dresser that's down |
00:29:17 |
you know, and he could use that. |
00:29:20 |
- Did you take your pill this morning? |
00:29:25 |
- Mom? |
00:29:27 |
- Mom? |
00:29:29 |
TIMMY: You should take your pill. |
00:29:30 |
" You should take your pill." |
00:29:37 |
How's your father doing with all this, |
00:29:40 |
Why don't you ask him? |
00:29:43 |
- He's apprehensive. What do you expect? |
00:29:48 |
About Jakob, his health, |
00:29:52 |
And about you, |
00:29:55 |
and whether you're up to it |
00:29:58 |
MELANIE: Hey, do you think I'm crazy? |
00:30:02 |
That was so honest. |
00:30:04 |
That is so honest I'm going to have |
00:30:07 |
- TIMMY: No! |
00:30:10 |
- No! |
00:30:12 |
(MELANIE LAUGHING EVILLY) |
00:30:14 |
Come here. |
00:30:15 |
I'm gonna get you this time. |
00:30:17 |
BENJAMIN: I gotta go into town |
00:30:20 |
(TIMMY LAUGHING) |
00:30:21 |
I could do that. Let me do it. |
00:30:27 |
And I'll ask Christopher if he wants to go, |
00:30:31 |
Don't you think that's a good idea? |
00:30:34 |
Hmm? |
00:30:36 |
Stop worrying. I'll be fine. |
00:30:39 |
(KNOCKING AT DOOR) |
00:30:40 |
Yeah? |
00:30:42 |
Hey. I'm gonna go into town and pick up |
00:30:48 |
No, no. |
00:30:49 |
(DAVID CHUCKLES) |
00:30:50 |
Oh, all these great minds, |
00:30:53 |
- still fighting, still arguing. |
00:30:56 |
Now in this case, Jacob struggles |
00:31:02 |
Biblical scholars all have |
00:31:05 |
I mean, most see this one |
00:31:08 |
not a real event at all. |
00:31:11 |
You see, in his prophetic dream, Jacob sees |
00:31:18 |
but it is such a clear and tangible vision |
00:31:22 |
that when Jacob wakes up, |
00:31:26 |
the blow inflicted on his body by the angel. |
00:31:32 |
You all right with all of this? |
00:31:36 |
Yeah. |
00:31:39 |
So you're going to stop being grumpy then? |
00:31:41 |
- No. Yeah. |
00:31:43 |
and maybe be a little more sociable? |
00:31:46 |
You're not suggesting that I tap dance |
00:31:49 |
someone says something wonderful |
00:31:51 |
- Careful. |
00:31:54 |
Actually, I would love to see you tap dance. |
00:32:19 |
Hello? |
00:32:23 |
Um... |
00:32:24 |
Come in. |
00:32:33 |
- Hi. |
00:32:34 |
- Everything okay? |
00:32:37 |
Cows giving you any trouble? |
00:32:39 |
(BOTH LAUGH) |
00:32:40 |
Look, I'm going to go into the village |
00:32:43 |
I thought maybe you'd wanna take a ride? |
00:32:45 |
- That would be wonderful, thank you. |
00:32:48 |
I can't believe that... |
00:32:51 |
I'm not a farmer, |
00:32:56 |
I should probably |
00:32:58 |
since he had a heart attack in the spring, |
00:33:01 |
and he's not supposed to do too much, |
00:33:04 |
And I'm always afraid I'm gonna find him, |
00:33:09 |
alone out in front of |
00:33:11 |
He's going to be 70 next month. |
00:33:15 |
But it sounds like |
00:33:18 |
Oh, we do, we do, it's, you know, we're two |
00:33:22 |
We wouldn't know what to do |
00:33:25 |
So you're happy? Together? |
00:33:31 |
Can we go see the frogs now? |
00:33:34 |
- MELANIE: Frogs? |
00:33:36 |
- You told him you would? |
00:33:40 |
Why don't you ask your grandfather, |
00:33:42 |
into town and get some stuff for dinner. |
00:33:44 |
(TIMMY SIGHS LOUDLY) |
00:33:46 |
(MELANIE SIGHS MOCKINGLY) |
00:33:50 |
- I can't believe you have a grandson. |
00:34:11 |
If you are about to request a visitation |
00:34:18 |
the moment is not good. |
00:34:32 |
So how's your sex life? |
00:34:36 |
Well, that's fairly blunt. |
00:34:39 |
Well, there's no point |
00:34:44 |
Well, most of my friends are wasps... |
00:34:47 |
- What? |
00:34:49 |
How did that happen? That is so |
00:34:52 |
I bet you've dated lots of girls. |
00:34:57 |
Yeah. Once. |
00:35:00 |
Really. Well, what happened? |
00:35:04 |
She, um... She married someone else. |
00:36:28 |
(TRUCK ACCELERATING) |
00:36:30 |
What are you doing? |
00:36:33 |
(TRAIN WHISTLE BLOWING) |
00:36:55 |
- Hold on. |
00:36:57 |
(TRAIN WHISTLE BLOWING) |
00:37:29 |
(LAUGHING) |
00:37:53 |
- Hello, Christopher. |
00:38:58 |
(CLANGING) |
00:39:03 |
DAVID: Goddamn son of a bitch, |
00:39:16 |
- Did you have a good rest? |
00:39:24 |
I envy you, you know. |
00:39:26 |
Oh? |
00:39:29 |
- Yes, all this. |
00:39:38 |
- I understand Melanie was your student. |
00:39:44 |
No, I envy you living out your life |
00:39:53 |
No? |
00:39:55 |
Oh, yes, yes, of course. |
00:40:02 |
Sorry to disappoint you. |
00:40:05 |
No, no, don't be sorry. |
00:40:20 |
JAKOB: Hello, Juliet. |
00:40:48 |
Let's get something special for Jakob. |
00:40:51 |
- Do you think he drinks? |
00:40:54 |
- But you know what he would like? |
00:40:56 |
- Cheeseburgers. |
00:40:58 |
- Yup. And chocolate pudding. |
00:41:00 |
I know he'd like that. |
00:41:02 |
MELANIE: And we have to get asparagus. |
00:41:06 |
- Why, if it isn't Melanie Winters! |
00:41:10 |
- I'm just great. |
00:41:13 |
I didn't know you were out. |
00:41:15 |
Yes, I escaped. |
00:41:19 |
- You look just fabulous. |
00:41:22 |
JANE: Who's your friend? |
00:41:25 |
Right. Sorry. |
00:41:28 |
And this is Christopher. |
00:41:34 |
- Christopher Lewis. Nice to meet you. |
00:41:39 |
So what do you think |
00:41:42 |
- It's very nice. |
00:41:46 |
But it's home. |
00:41:47 |
(MELANIE CHUCKLES SARCASTICALLY) |
00:41:49 |
Great seeing you. Very nice to meet you. |
00:41:52 |
- You, too. |
00:41:54 |
Sure. Bitch. |
00:41:58 |
- At camp? |
00:42:01 |
I mean, we met at Drancy. |
00:42:03 |
I mean, nobody knows. |
00:42:06 |
but a little transit camp outside of Paris, |
00:42:10 |
We're second-rate survivors. |
00:42:14 |
I say I was at Drancy with Melanie. |
00:42:18 |
Huh. |
00:42:19 |
Well, it works when you say it. |
00:42:40 |
- This is stupid. |
00:42:43 |
Because you're not supposed |
00:42:46 |
That's not why eggs were invented. |
00:43:40 |
(GUN FIRES) |
00:43:45 |
Son of a bitch! |
00:43:48 |
Are you all right? |
00:43:50 |
- That wasn't loaded. |
00:43:56 |
No need to worry. |
00:43:58 |
Oh? |
00:44:01 |
I never held one of these before. |
00:44:05 |
- Wasn't this the gun that won the wild west? |
00:44:13 |
I'll just take that. Thank you. Put it away. |
00:44:19 |
I used to hunt with the |
00:44:25 |
Really? He trusted you with a gun? |
00:44:29 |
Oh, yes. I was his tame Jew. |
00:44:35 |
I see. |
00:45:02 |
That lady back there, Jane. |
00:45:04 |
What did she mean when she said she didn't |
00:45:10 |
She loved your cute little accent. |
00:45:14 |
David said that you'd been... |
00:45:17 |
That you'd had a troubled time. |
00:45:20 |
Seemed to think you might tell me about it. |
00:45:26 |
There's a comfy little clinic |
00:45:29 |
when I'm having a breakdown. |
00:45:32 |
What kind of breakdown? |
00:45:35 |
How many different kinds |
00:45:55 |
I'm sorry. |
00:46:00 |
It's okay. |
00:46:06 |
- Are you all right? |
00:46:22 |
She's okay. I think I should drive. |
00:46:40 |
(DOOR CLOSES) |
00:46:42 |
- Thought I heard a shot. |
00:46:45 |
No wonder they stuck him in a loony bin! |
00:46:48 |
- Jakob? |
00:46:52 |
He found my rifle |
00:46:54 |
and was taking potshots in the barn. |
00:46:57 |
- Dad, calm down. |
00:46:59 |
We'll all be dead by morning, |
00:47:03 |
I don't care who the hell he is. |
00:47:07 |
I know, I know. I'll be accused |
00:47:11 |
but that's the way it's got to be. |
00:47:13 |
He's in his room. |
00:47:15 |
Being a victim of some terrible apocalyptic |
00:47:22 |
Doesn't work that way. |
00:47:25 |
I know that's the crazy equation that's been |
00:47:30 |
but it's a crazy equation, nonetheless. |
00:47:38 |
Thanks. |
00:47:43 |
Ben, he's got death written all over him. |
00:47:49 |
- Oh, come on, Dad. |
00:47:56 |
Oh, wonderful. Apart from everything else |
00:48:02 |
I tried, can't force it down her throat. |
00:48:14 |
Excuse me, |
00:48:16 |
but, tell me, are these shoes for running? |
00:48:21 |
Yeah, well, kind of. |
00:48:23 |
Oh, good. Very good because... |
00:48:27 |
(PAPER CRUMPLING) |
00:48:30 |
This is the foot of a young boy in Moscow, |
00:48:36 |
While I was waiting for my visa, |
00:48:39 |
send him some shoes just for running. |
00:48:43 |
Tell me, where can I buy shoes like that? |
00:48:47 |
Pretty much any shoe store. |
00:48:48 |
I can go with you to get some if you like. |
00:48:50 |
- Yes, thank you very much. |
00:49:10 |
(MELANIE PANTING) |
00:49:24 |
It's okay. It's okay. |
00:49:27 |
Breathe slowly. |
00:49:31 |
In and out. |
00:49:33 |
That's it. That's it. |
00:49:39 |
(BREATHING SLOWS) |
00:49:42 |
Why did you come? |
00:49:46 |
I came for Jakob. |
00:49:52 |
- I owed him that. |
00:49:59 |
I came to see you. |
00:50:04 |
(BREATHLESSLY) I wasn't exactly... |
00:50:08 |
- I'm sorry. I'm sorry, Melanie... |
00:50:13 |
You know, come here, |
00:50:15 |
after all this time and I would just... |
00:50:19 |
- I'm sorry, I didn't... I just didn't... |
00:50:26 |
And David said |
00:50:29 |
He knew how messed up I was, |
00:50:32 |
- that he still wanted to take care of me. |
00:50:36 |
No, I... I was already married |
00:50:40 |
Do you understand? |
00:50:43 |
It was... It was just too late. It was just, |
00:50:50 |
- I could have loved you. |
00:50:53 |
I mean, don't you know how hard it was |
00:50:56 |
after all this time? Don't you know, without |
00:50:59 |
to get my life together? Don't you know? |
00:51:02 |
(SOBBING) |
00:51:14 |
Don't you know that? |
00:51:20 |
I want to go home... I want to go home. |
00:52:06 |
(MAN SPEAKING FRENCH) |
00:52:08 |
(WOMAN SPEAKING FRENCH) |
00:52:09 |
Melanie. Melanie Lansing. |
00:52:12 |
- WOMAN: Nationality? |
00:52:15 |
You must be handed |
00:52:20 |
CHRISTOPHER: Christopher Lewis. |
00:52:22 |
- And what is your nationality, Christopher? |
00:52:27 |
WOMAN: You're free now. |
00:52:28 |
- We're from the Red Cross. |
00:52:31 |
- CHRISTOPHER: What? |
00:52:34 |
No! No! No, but, I don't want... No! |
00:52:37 |
- Christopher! |
00:52:38 |
- Christopher! |
00:52:40 |
Don't let go! I'm not losing you! |
00:52:42 |
(BOTH CRYING) |
00:52:44 |
- Don't touch her! Melanie! |
00:52:47 |
(MAN SHOUTING) |
00:52:49 |
CHRISTOPHER: Melanie! |
00:52:54 |
- Christopher! |
00:53:01 |
- Christopher... |
00:53:06 |
MAN: We are the Red Cross. |
00:53:52 |
DAVID: You're on a farm here. You gotta get |
00:54:01 |
- Hey, what's the matter with him? |
00:54:06 |
Did you have an argument? |
00:54:12 |
What's going on? |
00:54:15 |
CHRISTOPHER: Jakob? |
00:54:19 |
Jakob! |
00:54:37 |
You are a baker as well. |
00:54:40 |
BENJAMIN: I'm trying to. |
00:54:56 |
She writes letters. |
00:55:00 |
of all the political victims of oppression. |
00:55:04 |
Numbers... |
00:55:14 |
You're in there somewhere. |
00:55:20 |
Let's see... |
00:55:31 |
There's a picture of you. |
00:55:47 |
First time I saw this picture I thought... |
00:55:56 |
(KNOCKING AT DOOR) |
00:55:58 |
- Come in. |
00:56:02 |
- Can't it wait? |
00:56:09 |
I found him in the barn this afternoon |
00:56:15 |
Of course he's not stable! Look at his life! |
00:56:18 |
Melanie, I know what he means to you, |
00:56:23 |
to look after a crazy old man. |
00:56:25 |
I'm not asking you to do anything, |
00:56:27 |
- I'll look after him. |
00:56:30 |
(DAVID'S MUFFLED VOICE) |
00:56:33 |
DAVID: Old and painful memories. |
00:56:38 |
You're not serious. |
00:56:42 |
a Russian work camp, |
00:56:44 |
Now you're telling him that he has to go |
00:56:46 |
because he might stir up painful memories? |
00:56:51 |
I owe him my life! |
00:56:53 |
He's not going anywhere. He's now part |
00:57:06 |
Do you love me? |
00:57:09 |
What do you think? Of course I do. |
00:57:12 |
Then why don't you ever say it? |
00:57:28 |
Please, Melanie. No, no, no. Don't do that. |
00:57:40 |
(VERY QUIETLY) I love you. |
00:57:45 |
Okay? |
00:57:58 |
JAKOB: How old were you |
00:58:01 |
BENJAMIN: I was 11. |
00:58:04 |
Came back from school... |
00:58:07 |
My mother had left the book on the table. |
00:58:14 |
Found this picture. |
00:58:17 |
My mother had never mentioned anything |
00:58:21 |
Nothing, not a word. I got scared. |
00:58:27 |
All these people. |
00:58:34 |
Their faces. |
00:58:38 |
Their eyes. |
00:58:42 |
I ran away. |
00:58:45 |
Later my father found me hiding in the barn. |
00:58:50 |
He took me back to his study |
00:58:52 |
and told me that one day my mother |
00:58:57 |
and sent to this place called Drancy. |
00:59:01 |
He gave me the whole Drancy lecture. |
00:59:05 |
How it was set up by the French, |
00:59:10 |
in getting rid of the Jews. |
00:59:13 |
Jews like us, he said. |
00:59:18 |
Last stop before the death camps. |
00:59:25 |
Didn't seem real to me. I was a child. |
00:59:32 |
He wasn't really talking to me, |
00:59:38 |
He told me about her parents. |
00:59:44 |
They were deported, never to be seen again. |
00:59:48 |
The only thing I could think of |
00:59:56 |
Did you ever ask her to tell you? |
01:00:00 |
No, we keep on living as if |
01:00:06 |
But I don't. |
01:00:28 |
CHRISTOPHER: |
01:00:34 |
Okay. See how beautiful he is. |
01:00:37 |
Okay. Do you want to put him... |
01:00:41 |
- TIMMY: Okay. |
01:00:48 |
He's crawling out yours. |
01:00:54 |
Are you okay? |
01:00:57 |
Yeah. Yeah. I'm okay. |
01:01:01 |
- Where are they gone? |
01:01:04 |
Okay, be careful with the nest. That's it. |
01:01:08 |
Hello? |
01:01:17 |
Melanie? |
01:02:33 |
I was thinking I should leave in the morning. |
01:02:41 |
If that's what you want. |
01:02:46 |
I think it would be better for you. |
01:03:16 |
MELANIE: (READING) |
01:03:18 |
" I will say, 'Not yet' |
01:03:21 |
- " I have counted the perfect miracle |
01:03:24 |
- " Of ten fingers and ten toes |
01:03:26 |
- " On a newborn baby |
01:03:30 |
JAKOB: "And drunk the love |
01:03:34 |
" Until my own eyes wept |
01:03:39 |
"And yet I've seen that baby |
01:03:48 |
" And seen a thousand more fade into smoke |
01:03:57 |
" While choirs sang" |
01:04:03 |
(STAMMERS) |
01:04:06 |
" While choirs sang" |
01:04:12 |
" And flowers grew." |
01:04:18 |
Yes. |
01:04:20 |
" And flowers grew." |
01:04:24 |
" And if you ask me, Do you believe in God? |
01:04:30 |
" Forgive me if I answer, |
01:04:55 |
TIMMY: Dinner's ready! |
01:05:06 |
Are you talking to yourself? |
01:05:09 |
No, I am talking to Juliet. |
01:05:14 |
- Cows can't talk. |
01:05:20 |
Is that why you stay here all the time? |
01:05:24 |
I suppose. |
01:05:26 |
My grandfather says |
01:05:32 |
Well, he might be right, you know. |
01:05:37 |
My grandmother was in jail |
01:05:40 |
That's why we have to be nice to her. |
01:05:43 |
Yeah, but then you have to be |
01:05:46 |
Okay. Dinner's ready. |
01:05:54 |
Thank you. |
01:05:56 |
- You're welcome. |
01:06:11 |
TIMMY: Dinner's ready! |
01:06:15 |
Coming. |
01:06:47 |
DAVID: Cheers. |
01:06:51 |
- Good Scotch. |
01:06:54 |
My doctor... My bloody doctor |
01:06:59 |
keeps me on a strict regime. |
01:07:01 |
But since we're celebrating, |
01:07:08 |
Dad. |
01:07:10 |
What doesn't kill you |
01:07:14 |
Down the hatch! |
01:07:17 |
Have a drink, for Christ's sake. Lighten up. |
01:07:22 |
Now, what shall we drink to? |
01:07:28 |
I know. To Melanie. |
01:07:33 |
Melanie. |
01:07:37 |
- Dinner's ready. |
01:07:42 |
Thank you very much! What's this? |
01:07:47 |
Oh no, no, no! Where is it? Where is it? |
01:07:54 |
You'll never get my button! No, no, no! |
01:07:58 |
So, Jakob. |
01:08:04 |
- It's a long story. Not very interesting. |
01:08:13 |
I killed a man. |
01:08:19 |
A prison guard. |
01:08:22 |
They were taking the women prisoners out |
01:08:29 |
I expected they would kill me, |
01:08:32 |
The judge said |
01:08:36 |
and instead they gave me drugs, |
01:08:42 |
And other things. |
01:08:47 |
- It's amazing you survived. |
01:08:55 |
BENJAMIN: Mom! |
01:09:08 |
(DAVID EXCLAIMS) |
01:09:11 |
Finally. We were about to start without you. |
01:09:17 |
Thank you. |
01:09:22 |
I'm so lucky to be at a table |
01:09:31 |
To Jakob. |
01:09:35 |
- To Jakob. |
01:09:38 |
- To Jakob. |
01:09:44 |
And to the miracle that brought you to us. |
01:09:52 |
Bon appétit. |
01:09:54 |
- Thank you. |
01:09:55 |
- Looks wonderful. |
01:09:59 |
(LAUGHS) |
01:10:00 |
Timmy. |
01:10:03 |
You know, I can never eat asparagus |
01:10:06 |
Oh? Me? Why? |
01:10:10 |
Well, in this camp |
01:10:14 |
And even if there wasn't any food, Jakob... |
01:10:16 |
Jakob would sit us all down nicely |
01:10:19 |
an imaginary waiter in a fine restaurant, |
01:10:22 |
- With the little pretend napkin... |
01:10:26 |
And he would announce the items |
01:10:28 |
" Tonight we have Sole Meunière, |
01:10:33 |
- " and asparagus." |
01:10:36 |
It was an anti-starvation therapy. |
01:10:40 |
Yes, the famous death camp humor. |
01:10:46 |
(THUNDER RUMBLING) |
01:10:48 |
- I told you it was going to rain. |
01:10:54 |
Jakob, I have a surprise for you. |
01:11:05 |
Go ahead. Open it. |
01:11:10 |
Help him, Christopher. |
01:11:24 |
It's the book that you gave me |
01:11:30 |
I gave you a book? |
01:11:33 |
It's the book that you gave me |
01:11:40 |
I gave you a book? |
01:11:45 |
Here, look. |
01:11:49 |
I'll show you. It's... Okay, here it is. |
01:11:54 |
" September 16, 1943, raining again. |
01:11:57 |
" 512 arrived this morning. |
01:11:59 |
" 247 men, 116 women, |
01:12:02 |
" 48 children, |
01:12:06 |
" 467 left by train at 8:00 in the morning... " |
01:12:11 |
You see? " Write it all down." |
01:12:13 |
" Be a witness because someday someone |
01:12:17 |
and I did. You see, |
01:12:21 |
all the ages, everything. |
01:12:23 |
I mean, even after they took you away. |
01:12:25 |
Look, I kept doing it. See, after you left? |
01:12:28 |
I didn't forget. You see, you have |
01:12:33 |
I remember. |
01:12:36 |
I can't believe that... I don't know... |
01:12:39 |
I don't know how |
01:12:42 |
(JAKOB STAMMERING) |
01:12:44 |
My memory... |
01:12:46 |
Since the electroshocks, |
01:12:47 |
many, many things are lost, you know. |
01:12:53 |
DAVID: Melanie, he doesn't remember. |
01:12:57 |
Or else, perhaps he just wants to forget. |
01:13:01 |
- Forget? |
01:13:05 |
Forgetting isn't such a bad thing, you know. |
01:13:07 |
No, you must remember and |
01:13:12 |
Or else it won't count for anything, |
01:13:15 |
again and again, and again. That's what you |
01:13:20 |
I mean, I'm right, am I not? Christopher? |
01:13:24 |
I mean, if not, then, well then why? |
01:13:30 |
Why are we alive? Why us? |
01:13:34 |
TIMMY: I'm not really hungry. |
01:13:44 |
Yes, sweetheart, I'll take you up. Come on. |
01:14:03 |
Sweet dreams. Take good care of him, |
01:14:12 |
And we'll have asparagus for breakfast. |
01:14:16 |
Okay. |
01:14:24 |
You have no idea what it is to be with her. |
01:14:30 |
She's... She's... |
01:14:34 |
Obsessed. |
01:14:36 |
Everything that happens, happens to her. |
01:14:40 |
Melanie feels the pain of the world |
01:14:44 |
- Dad. |
01:14:47 |
six million Jews living upstairs in the attic. |
01:14:52 |
Along with the victims of Pol Pot, |
01:14:58 |
They're all there in the attic. |
01:15:02 |
Next to her, suffering from a migraine |
01:15:09 |
And it's true. |
01:15:12 |
How can anyone pretend to be in |
01:15:23 |
I guess that's my story. The story of a man |
01:15:29 |
because the pain his wife endured |
01:15:35 |
You are an indirect victim |
01:15:41 |
Yes, maybe. But what about us? |
01:15:46 |
Your husband, your son? Your family? |
01:15:52 |
Do we have to be tortured |
01:16:21 |
Ben, that looks beautiful. |
01:16:24 |
Thank you. |
01:16:26 |
- Look, I'll help you bring stuff down, okay? |
01:16:34 |
Look, honey, I'm sorry. |
01:16:36 |
Your father and I, it's okay. |
01:16:44 |
What do you mean? |
01:16:48 |
It's always been my life. |
01:17:01 |
I'm sorry. It's not the time for this. |
01:17:06 |
- Where are you going? |
01:17:10 |
I need to be with some strangers. |
01:17:15 |
Don't wait too long, it's gonna get cold. |
01:17:21 |
- It's okay, Mom. |
01:17:23 |
I love you. |
01:19:13 |
Too many numbers, too many details. |
01:19:23 |
Too many smiles, too many eyes, |
01:19:31 |
I was wrong. |
01:19:35 |
You were a child. |
01:19:38 |
I should not have said, " Remember." |
01:19:44 |
I should have said, " Live." |
01:20:08 |
Melanie? |
01:20:18 |
Melanie? |
01:20:26 |
Melanie, I just want you to know that... |
01:20:31 |
That I'm there too. |
01:20:41 |
That was the day my life stopped. |
01:20:48 |
Could you believe it? |
01:20:51 |
I still miss it. |
01:20:55 |
Not the... Not the inhumanity |
01:21:02 |
Just the sheer joy of being alive. |
01:21:08 |
With you. |
01:21:17 |
I never got a chance to say it. |
01:21:27 |
I should never have let you go. |
01:21:32 |
I was a kid. |
01:21:39 |
Do you still remember us sometimes? |
01:21:50 |
Always. |
01:21:54 |
MELANIE: I'm afraid. Are we going to |
01:22:25 |
Don't be afraid. We'll die together. |
01:23:40 |
(MELANIE LAUGHING) |
01:23:48 |
(MELANIE LAUGHING) |
01:24:29 |
(SIGHS) |
01:24:36 |
(GROANS) |
01:25:05 |
I can't sleep. |
01:25:16 |
Sit. |
01:25:26 |
I'm afraid |
01:25:29 |
if I close my eyes, |
01:25:33 |
I'm afraid I won't wake up. |
01:25:37 |
Well, eat. |
01:25:52 |
If you don't want to die, you have to eat. |
01:25:58 |
It's the only solution. |
01:26:28 |
Better? No? |
01:26:30 |
Ah. |
01:26:33 |
A beer. |
01:26:44 |
Oh, uh... |
01:26:46 |
You twist it. |
01:27:23 |
It's good. Some kind of spice? |
01:27:30 |
- Yeah, I think it's nutmeg. |
01:29:28 |
CHRISTOPHER: |
01:29:32 |
The day you bribed the guards. |
01:29:39 |
A pack of Lucky Strikes? |
01:29:41 |
To take our names off the list |
01:29:49 |
I never got the chance |
01:29:55 |
Two packs of Lucky Strikes. |
01:30:01 |
It was a good bargain. |
01:30:05 |
I was happy, you know. I am happy. |
01:30:13 |
- You sacrificed your life for ours. |
01:30:25 |
Thank you, Jakob. |
01:30:55 |
DAVID: Morning. |
01:31:43 |
MELANIE: |
01:31:45 |
- DAVID: Which one? |
01:31:47 |
DAVID: (LAUGHING) |
01:31:49 |
MELANIE: Oh, yes, we do, it's fabulous. |
01:31:51 |
I love when you say that. |
01:31:52 |
TIMMY: Yeah, tell us your theory. |
01:31:53 |
MELANIE: Yeah, come on, |
01:31:55 |
Yeah, tell us your theory. |
01:31:57 |
Well, it's not just my theory, |
01:32:02 |
Cervantes calls his hero Don Quixote |
01:32:06 |
Well, La Mancha is a region in Spain, |
01:32:08 |
but mancha also means stain, |
01:32:11 |
and the theory is |
01:32:14 |
that the Neo-Christians were marked |
01:32:18 |
And if you look very closely, |
01:32:20 |
you'll see that the book is full of little clues |
01:32:26 |
that indicate that something |
01:32:29 |
I mean, it's fascinating! Really! |
01:32:32 |
- Good morning. |
01:32:34 |
DAVID: Good morning. |
01:32:40 |
Well, you just missed David's theory |
01:33:25 |
Goodbye, Melanie. |
01:33:28 |
Goodbye, Christopher. |
01:33:31 |
Can we go see the frogs now? |
01:33:43 |
Oh! Ah! |
01:33:46 |
Magic. |
01:33:53 |
No, I'll keep it till the next time. |
01:34:09 |
(CAR STARTING) |
01:34:21 |
JAKOB:Come, |