End Game
|
00:01:31 |
Why don't you take me to a |
00:01:35 |
(Alex) It's cheap. |
00:01:36 |
And when they find your |
00:01:38 |
what's a beautiful girl like |
00:01:43 |
Don't joke around. |
00:01:44 |
You know I don't like it |
00:01:47 |
Watch it, honey. You're |
00:01:54 |
God, Bea, you have such a beautiful ass. |
00:01:57 |
I love it when you call me beautiful. |
00:02:01 |
Why don't you come back to bed? |
00:02:03 |
I want to take a few pictures first. |
00:02:17 |
Pervert. |
00:02:26 |
So, |
00:02:29 |
who's this disgusting old man |
00:02:34 |
What? |
00:02:37 |
Remember what we said, |
00:02:42 |
He's only my sponsor. |
00:02:47 |
A sponsor? |
00:02:48 |
Yes. |
00:02:51 |
He pays for my dance lessons. |
00:02:54 |
And? What else? |
00:02:58 |
Sometimes he helps me with |
00:03:01 |
Mm-hm. And what's this sponsor's name? |
00:03:07 |
Why do you want to know? |
00:03:09 |
Well, [dry chuckle] |
00:03:11 |
I wanna know if he gets |
00:03:14 |
For Chrissake, don't be disgusting! |
00:03:18 |
All you have to do is tell me his name. |
00:03:21 |
[sigh] |
00:03:23 |
Bergman. |
00:03:26 |
Richard Bergman. |
00:03:28 |
Now was that so hard? |
00:03:32 |
Now that we got that little |
00:03:36 |
I got something special for you tonight. |
00:03:49 |
You ever been handcuffed before? |
00:03:53 |
No. |
00:03:55 |
Mm. |
00:03:57 |
It can be quite fun. |
00:04:02 |
Does it hurt? |
00:04:03 |
Yes, it hurts. I don't |
00:04:06 |
Oh, relax. |
00:04:10 |
[moan] How about this, you like that? |
00:04:14 |
Uh-huh. |
00:04:16 |
Does it hurt? |
00:04:17 |
Yeah, it hurts. |
00:04:21 |
Like that, baby? |
00:04:23 |
Hm? |
00:04:24 |
[groaning] Yeah. |
00:04:26 |
Baby, you wanna come? |
00:04:29 |
Yeah. |
00:04:31 |
Oh, tell me you want to come. |
00:04:33 |
I wanna come! |
00:04:34 |
Tell me you want to come! |
00:04:36 |
I want to come! |
00:04:37 |
Come on baby, tell me you want to come! |
00:04:39 |
I want to come! |
00:04:41 |
[moans and groans] |
00:04:42 |
Oh, yeah! |
00:04:43 |
One last thing for me, baby! |
00:04:46 |
Yeah? |
00:04:51 |
[groans and whimpering] |
00:04:55 |
Oh, yeah!! Ah!! |
00:04:58 |
Oh, ohhhh. |
00:05:02 |
Ahh, ahh. |
00:05:05 |
Ahh. Mmm. |
00:05:09 |
Mmm, that's it. |
00:05:13 |
Oh, that's it. |
00:05:16 |
[kiss and heavy breathing] |
00:05:23 |
Was it good for you? |
00:05:25 |
[deep sigh] It was good for me. |
00:05:28 |
Mmm. |
00:06:41 |
(male voice) Morning, Lieutenant. |
00:06:43 |
For God's sake, cover her up! |
00:06:46 |
Go get some coffee, guys. |
00:06:50 |
What have we got, Thomas? |
00:06:53 |
Name is Bea Fraser. 26 |
00:06:57 |
Died after midnight from |
00:07:01 |
Okay. Burk's in charge. |
00:07:05 |
See you downstairs, Danny. |
00:07:12 |
Say, Danny. |
00:07:14 |
So what do you think? |
00:07:15 |
It's the best-looking stiff |
00:07:19 |
Can you explain to me |
00:07:21 |
why somebody would want |
00:07:23 |
You might want to talk |
00:07:26 |
He's in the hall. He's a good witness. |
00:07:32 |
You the hotel manager? |
00:07:35 |
I'm not the cleaning lady. |
00:07:37 |
Detective Burke. I understand |
00:07:44 |
You find all kinds of |
00:07:47 |
Old geezers, junkies, |
00:07:53 |
A kid like this? |
00:07:55 |
She was a good pick to take care of. |
00:07:58 |
What makes you think |
00:08:03 |
Think she comes here for the atmosphere? |
00:08:06 |
You ever seen her around here before? |
00:08:11 |
Nah. Nah, not this one. |
00:08:14 |
So you didn't hear anything |
00:08:17 |
Nothing suspicious? |
00:08:19 |
That's every night. |
00:08:21 |
You have my card. If |
00:08:23 |
please get in touch with us. |
00:08:27 |
Hey! Let's get this cleaned out! |
00:08:30 |
I gotta rent the room! |
00:08:34 |
Damn! |
00:08:37 |
I got it. |
00:08:39 |
I can do that. I'll be there. Thanks. |
00:08:44 |
So what have you got? |
00:08:46 |
The office contacted |
00:08:48 |
we got a break. |
00:08:50 |
She has a roommate. |
00:08:52 |
Good thing somebody's |
00:08:54 |
The hotel manager, he wasn't much help. |
00:09:22 |
(Mayfield) Hello, Miss Peterlake? |
00:09:24 |
Do you have any idea what time it is? |
00:09:26 |
I'm sorry. Detective Bishop. |
00:09:29 |
Homicide Division. |
00:09:31 |
Homicide? |
00:09:33 |
Yes, may I come in? |
00:09:35 |
Uh, yeah. Yeah, come in. |
00:09:37 |
Thank you. |
00:09:43 |
Thank you. |
00:09:44 |
You might want to sit down. |
00:09:46 |
I'm afraid I have some bad news for you. |
00:09:51 |
Your roommate, Beatrice, was murdered. |
00:09:54 |
We found her earlier this morning. |
00:09:56 |
She was found in a |
00:10:00 |
I'm sorry. |
00:10:05 |
Uh, Miss Peterlake, I'm |
00:10:10 |
I'm looking for evidence for the case. |
00:10:12 |
Do you know if Beatrice had any diaries, |
00:10:15 |
any phone books, anything like that? |
00:10:17 |
Um, she has some stuff |
00:10:22 |
This is her room? May I look? |
00:10:24 |
Yes. |
00:10:25 |
Thank you. |
00:10:55 |
Did Beatrice mention any boyfriends? |
00:10:59 |
Uh, she had a boyfriend but she |
00:11:04 |
Any phone numbers |
00:11:06 |
No, no. |
00:11:09 |
Well, this will do for now. |
00:11:10 |
We'll keep in touch, okay? |
00:11:15 |
By the way, I was wondering, |
00:11:17 |
maybe I could take |
00:11:19 |
Do you like Chinese food? |
00:11:20 |
[horrified] No! |
00:11:22 |
I'm sorry. It doesn't hurt to try. |
00:11:25 |
You have a good day, ma'am. |
00:11:53 |
So what are you thinking? |
00:11:56 |
That girl was about my daughter's age. |
00:11:59 |
I've been doing this mess for 30 years |
00:12:01 |
and I will never figure it out. |
00:12:03 |
I was thinking about that |
00:12:06 |
The one from Larox. |
00:12:08 |
What was her name? |
00:12:10 |
Orenstein, I think. You remember. |
00:12:12 |
Refresh my memory. |
00:12:14 |
Well, they found her |
00:12:17 |
Strangled, wasn't she? |
00:12:19 |
She drowned, actually. |
00:12:20 |
Killer got her to put her head |
00:12:23 |
They told the family |
00:12:25 |
to save them the embarrassment. |
00:12:27 |
Media woulda had a field day with it. |
00:12:28 |
Kind of sends them out with |
00:12:31 |
Let's see if anybody's in. |
00:12:45 |
Could you hold that for me? |
00:12:56 |
[knocking] |
00:13:05 |
Who is it? |
00:13:06 |
(Burk) Police, ma'am. |
00:13:16 |
Do you mind if we come in? |
00:13:17 |
Sure. |
00:13:28 |
That was fast. |
00:13:30 |
What do you mean by "fast? " |
00:13:31 |
The other cop, he just left. |
00:13:33 |
You must have passed him on your way in. |
00:13:35 |
She must be talkin' about that fat guy |
00:13:37 |
we just passed in the lobby. |
00:13:39 |
Yeah, the fat guy. He |
00:13:41 |
he told me that Bea was murdered. |
00:13:50 |
Son of a bitch. He's gone. |
00:13:54 |
He came for her stuff. |
00:13:56 |
What stuff? |
00:13:58 |
Um, phone book, scrap book, |
00:14:02 |
Did I screw up or something? |
00:14:04 |
Her body wasn't discovered |
00:14:06 |
I don't understand. |
00:14:07 |
The fat guy, impersonating |
00:14:10 |
could be the killer. |
00:14:12 |
Is there someplace you |
00:14:14 |
Oh, no, please, I'd rather stay here. |
00:14:16 |
We'll be doing a |
00:14:19 |
it might be inconvenient for you. |
00:14:21 |
Oh, I would rather stay. |
00:14:23 |
Certainly, if that's what you'd like. |
00:14:25 |
We'll leave a policeman here on guard. |
00:14:27 |
Outside, of course. |
00:14:29 |
Here's our card. If you |
00:14:32 |
please contact us. |
00:14:33 |
We'll see ourselves out. |
00:14:47 |
Can you believe the balls on this guy? |
00:14:50 |
He sure is methodical. |
00:14:52 |
I'll get a guy downstairs on the door. |
00:14:55 |
Yeah. |
00:15:09 |
[sigh] |
00:16:21 |
[deep sigh] |
00:16:31 |
[deep sigh] |
00:16:38 |
you're a handsome devil. |
00:18:35 |
[light thud] |
00:18:39 |
What time is? |
00:18:43 |
It's only a little after one. |
00:18:47 |
Have you eaten? |
00:18:50 |
Yeah, I ate. |
00:18:55 |
Why so late? |
00:18:58 |
Found a young ballet dancer, dead |
00:19:03 |
Seems she's gonna fit the profile. |
00:19:05 |
Hmm. Congratulations. |
00:19:08 |
You must have gone out celebrating. |
00:19:11 |
You reek like a brewery. |
00:19:15 |
Stopped to have a few beers with Mackle. |
00:19:18 |
You know he's trying to get me in |
00:19:20 |
down at the medical examiner's office. |
00:19:23 |
You know what that's like. |
00:19:26 |
It's like pulling teeth getting |
00:19:30 |
Medical examiner's office. |
00:19:34 |
I don't see why you don't just |
00:19:38 |
Get your degree and move on. |
00:19:44 |
[sigh] |
00:19:46 |
I'm happy where I am right now. |
00:19:50 |
Yeah, you're happy. |
00:19:53 |
I didn't marry you for better or worse, |
00:19:55 |
just for better. |
00:20:05 |
Is something wrong, Mr. Bergman? |
00:20:07 |
Bea Fraser was murdered last night. |
00:20:09 |
Sweet Jesus! |
00:20:11 |
I hope I can count on your |
00:20:16 |
Yes, sir. Of course. |
00:20:19 |
Terrible thing to happen. |
00:20:22 |
I must not be implicated |
00:20:26 |
It would destroy my marriage, |
00:20:28 |
ruin my reputation. |
00:20:30 |
You had nothing to do with |
00:20:34 |
We dropped her off at The |
00:20:37 |
and then l drove you home to Westport. |
00:20:39 |
The point is, I can't be |
00:20:44 |
It must be as if I never knew her! |
00:20:47 |
Never had anything to do with her. |
00:20:49 |
I see what |
00:20:51 |
how is that possible? |
00:20:54 |
By searching her apartment |
00:20:56 |
and finding anything |
00:20:59 |
Mr. Bergman, you're a |
00:21:03 |
Me, I'm just a driver, |
00:21:05 |
but I think you should go to the Police. |
00:21:07 |
I mean, look what happened to Nixon |
00:21:12 |
I have no choice, J.J. |
00:21:18 |
Yeah, I know somebody |
00:21:21 |
He worked for the ClA. |
00:21:24 |
How about making |
00:21:34 |
Excuse me, |
00:21:35 |
can you tell me where I |
00:21:37 |
Oh, yeah. I just left him. |
00:21:44 |
[piano playing] |
00:21:47 |
Mr. Ackerman, there's |
00:21:49 |
Thank you. |
00:21:56 |
Mr. Ackerman? |
00:21:57 |
Detective Dan Burk, Pittsburgh Police. |
00:22:00 |
I'm here investigating |
00:22:02 |
Girls, take five, please. |
00:22:11 |
I'm not really sure what |
00:22:14 |
I was hoping to gather as much |
00:22:17 |
as I possibly can, so any |
00:22:21 |
anything at all. |
00:22:23 |
Well, she was with me since |
00:22:28 |
she had a natural ability that I |
00:22:34 |
She was without a doubt a |
00:22:37 |
So there's no one that |
00:22:40 |
anyone suspicious, a boyfriend, |
00:22:42 |
anyone that would draw your attention? |
00:22:45 |
No, I don't think so. |
00:22:48 |
She rarely socialized |
00:22:51 |
Well, after interviewing her roommate, |
00:22:55 |
she seems to think there |
00:22:57 |
Carol? |
00:22:58 |
That's correct. |
00:23:01 |
Carol was a bad influence on Beatrice, |
00:23:03 |
ever since they moved in together. |
00:23:07 |
What makes you say that? |
00:23:09 |
How can I put this politely? |
00:23:13 |
Carol is a very materialistic girl. |
00:23:16 |
She was only ever interested |
00:23:19 |
Now I tried to tell her, |
00:23:21 |
the only people who do |
00:23:23 |
In order to be a great dancer, |
00:23:25 |
you have to dedicate |
00:23:28 |
And what would you say |
00:23:30 |
that don't dedicate themselves? |
00:23:33 |
I wouldn't know. I |
00:23:38 |
Where were you the night |
00:23:41 |
I was at home. |
00:23:44 |
Is there anybody that can verify that? |
00:23:47 |
No. Am l a suspect? |
00:23:50 |
It's a good possibility. |
00:23:53 |
Until you have anything |
00:23:57 |
I really have a class to teach. |
00:24:00 |
Thank you for your time. |
00:24:02 |
Good day, Detective. |
00:24:10 |
So, Gino, this is a piece of cake. |
00:24:13 |
You sure no one is home? |
00:24:16 |
The girl's a stripper. |
00:24:18 |
She works till 3 o'clock |
00:24:21 |
Nobody's gonna be there. |
00:24:23 |
What I need you to do is go in, |
00:24:26 |
get bank statements, phone books. |
00:24:28 |
Anything that pertains to Mr. Bergman, |
00:24:31 |
I need you to get it. |
00:24:32 |
I got something for you here. |
00:24:36 |
It's 500 dollars. |
00:24:38 |
When you finish the job, |
00:24:44 |
Come on. Have I ever steered you wrong? |
00:24:47 |
No, J.J. I appreciate |
00:24:50 |
Thanks, but just get |
00:24:52 |
it's important. |
00:24:53 |
I'll take care of it. |
00:25:25 |
Hey, Gus. |
00:25:26 |
Well, Officer Mullan. |
00:25:29 |
You're early tonight. |
00:25:31 |
The usual? |
00:25:33 |
Eggs over easy. |
00:25:35 |
You got it. |
00:25:53 |
[door bangs] |
00:25:54 |
[door slams] |
00:25:58 |
[clacks] |
00:26:04 |
[loud door bang] |
00:27:42 |
[police radio wallah] |
00:28:04 |
Do we know who he is? |
00:28:05 |
[sigh] No I D. |
00:28:07 |
Just five 100 dollar |
00:28:10 |
Strange, huh? |
00:28:11 |
So where was our on-duty |
00:28:14 |
Up at the corner doughnut shop. |
00:28:16 |
Don't worry, he's been suspended. |
00:28:18 |
Thanks. |
00:28:32 |
[knocks] Carol. |
00:28:36 |
Are you all right? |
00:28:38 |
Can you please tell me what's going on? |
00:28:40 |
As soon as we get an lD on this guy, |
00:28:42 |
I'll let you know. |
00:28:44 |
I thought you said there |
00:28:48 |
There was. |
00:28:49 |
Oh, really? You call this protection? |
00:28:52 |
Like, I was trying to say, |
00:28:54 |
there was an officer |
00:28:56 |
he left his post and |
00:28:59 |
Don't worry. It won't happen again. |
00:29:01 |
Was he after me? |
00:29:03 |
I don't know, it's hard to say. |
00:29:06 |
He could've been after |
00:29:08 |
but more than likely it |
00:29:11 |
Like what? |
00:29:14 |
We're questioning the |
00:29:16 |
If you need anything at all, |
00:29:20 |
please contact the officer downstairs. |
00:29:22 |
Oh, is he gonna be there this time? |
00:29:38 |
What do we know about last night? |
00:29:39 |
It has to be related to the murders. |
00:29:42 |
Question is, was he the killer? |
00:29:44 |
Mackle says he'll know for |
00:29:47 |
Good. Keep me posted. |
00:30:04 |
[soft weeping] |
00:30:18 |
So how are you? |
00:30:20 |
I'm okay, how are you, sir? |
00:30:25 |
As good as l can be, I guess. |
00:30:31 |
So how well did you know Beatrice? |
00:30:36 |
I'm a--good friend |
00:30:43 |
Do you mind if I ask you |
00:30:48 |
Excuse me, sir, I'm a little offended. |
00:30:50 |
We're in a funeral home. |
00:30:53 |
I said some identification, please. |
00:31:14 |
[groan] |
00:31:37 |
[approaching siren] |
00:31:55 |
This is the guy we're looking for. |
00:31:57 |
We're working on a search warrant. |
00:31:59 |
Working on a warrant, huh? |
00:32:03 |
I'm working on my fourth coffee. |
00:32:05 |
Yeah, I know. Some things |
00:32:07 |
Paperwork got put in the wrong place. |
00:32:09 |
You guys know as well as I do, |
00:32:11 |
nobody in or out of this apartment. |
00:32:13 |
As soon as I get that |
00:32:15 |
Gotcha. |
00:32:32 |
(male voice) Hi, can l help you? |
00:32:34 |
Yeah, l need a room. |
00:32:35 |
Okay. Sure, if you'll |
00:32:38 |
How much is it a night? |
00:32:39 |
29 a night. |
00:32:41 |
Know how long you're staying? |
00:32:43 |
A few days maybe, I |
00:32:45 |
That'll cover for it, sure. |
00:32:55 |
Thank you very much. |
00:32:56 |
Enjoy your stay. |
00:32:57 |
You have a good day. |
00:32:59 |
Hey, okay. Need anything, just holler. |
00:33:51 |
[tinkling] |
00:34:15 |
[sigh] |
00:34:18 |
Mr. Bergman. Detective Bishop, Homicide. |
00:34:22 |
Thank you for meeting me. |
00:34:24 |
What this all about? |
00:34:25 |
Well, it's about the |
00:34:28 |
What'd you think? |
00:34:30 |
I swear to you, I had |
00:34:34 |
We just had some dinner together. |
00:34:36 |
Oh, dinner. |
00:34:38 |
Well, Mr. Bergman, we know that |
00:34:42 |
What? |
00:34:45 |
Isn't that a relief? |
00:34:49 |
We know you had dinner |
00:34:51 |
we also know that you |
00:34:54 |
Weren't you? |
00:34:55 |
What are you getting at? |
00:34:57 |
Well, Mr. Bergman, |
00:35:00 |
we don't want your wife to find out |
00:35:02 |
that you were fucking |
00:35:04 |
I think you're out of line, Detective. |
00:35:07 |
Well, Mr. Bergman, I apologize. |
00:35:10 |
I didn't mean to upset you, I'm sorry. |
00:35:12 |
How can yo be so sure |
00:35:17 |
Well, that's simple. |
00:35:20 |
Because I did. |
00:35:23 |
That's it. |
00:35:25 |
That's it, Mr. Bergman. |
00:35:27 |
Nice and easy. |
00:35:29 |
[groan] |
00:35:45 |
Mr. Julian, what else can you tell me |
00:35:47 |
about this evening's events? |
00:35:51 |
Well, we were up at a |
00:35:56 |
he said his name was Detective Bishop. |
00:35:59 |
I mean, he had a badge. |
00:36:01 |
He said he was investigating |
00:36:04 |
I told my boss don't say |
00:36:08 |
he didn't listen. |
00:36:09 |
I got out of the car and I |
00:36:15 |
When I come back, Mr. Bergman was dead. |
00:36:19 |
Did Bergman ever mention |
00:36:24 |
Not that l can recall. |
00:36:28 |
Is this a good number we |
00:36:31 |
As soon as you say it's |
00:36:34 |
It's just a little bit too |
00:36:37 |
Why do you think you're in danger? |
00:36:39 |
People are dying all around me, |
00:36:41 |
and it's not from old age. |
00:36:43 |
So whenever you tell |
00:36:46 |
Write down anything else |
00:36:49 |
you might remember about Det. Bishop. |
00:38:28 |
[phone rings] |
00:38:37 |
Hello. |
00:38:38 |
(Brad) Hello, Mrs. Burk. |
00:38:41 |
How's your daughter? |
00:38:43 |
Huh? |
00:38:47 |
Who is this? |
00:38:48 |
It's Brad Mayfield, who'd you think? |
00:38:51 |
Calling to give yourself up? |
00:38:53 |
What made you think it was |
00:38:57 |
Call it a talent, or just luck. |
00:39:01 |
You are one second |
00:39:04 |
You won't get away next time. |
00:39:06 |
If you take me on, |
00:39:12 |
A man like you has a lot to lose. |
00:39:15 |
I have to go now. |
00:39:17 |
By the way, no need to |
00:39:22 |
If you come right now, |
00:39:32 |
What's going on? |
00:39:33 |
Mayfield's at his apartment. |
00:39:35 |
How can you be so sure of that? |
00:39:37 |
He told me. |
00:39:39 |
How did he get this number? |
00:39:41 |
I don't know. |
00:39:43 |
I told you he was dangerous. |
00:40:02 |
[firemen radio wallah] |
00:40:13 |
Hey, chief. Pretty good, and you? |
00:40:18 |
Mayfield said l wouldn't need a warrant. |
00:40:20 |
Huh! Not now. I could let you in. |
00:40:24 |
He didn't leave much. |
00:40:26 |
I think we lost him. |
00:40:28 |
I bet he leaves town. |
00:40:30 |
It won't be long. |
00:40:31 |
We're building up a pretty |
00:40:34 |
Yeah. So it can sit in the |
00:40:38 |
Any headway in what we talked about? |
00:40:42 |
Yeah, the people downtown. |
00:40:45 |
They got plenty of DNA |
00:40:48 |
The labs owe me favors. |
00:40:50 |
They're gonna check in, I'll tell ya. |
00:40:52 |
We'll have something solid real soon. |
00:40:55 |
Good. Good. |
00:40:58 |
From the look of things, Nick, |
00:41:00 |
you're gonna be here all night. |
00:41:02 |
Probably till to morning. |
00:41:04 |
When you find something, give me a call. |
00:41:09 |
You bet, buddy. |
00:41:17 |
[knocks] |
00:41:18 |
Who is it? |
00:41:20 |
(Burk) Detective Burk. |
00:41:22 |
It's open. |
00:41:29 |
Come on back here. |
00:41:35 |
Did you happen to get |
00:41:38 |
No, I'm sorry. I haven't had |
00:41:41 |
I've been really busy with work. |
00:41:42 |
Did you hear about the |
00:41:45 |
I did hear some sirens but I |
00:41:48 |
That's why I called you last night. |
00:41:50 |
There's a good possibility |
00:41:52 |
the killer lived in the |
00:41:55 |
and that he also torched it |
00:42:00 |
Wait. So you're telling me |
00:42:02 |
that you think that the |
00:42:05 |
Yeah. And possibly that's |
00:42:09 |
Oh. Now that you bring up Beatrice, |
00:42:14 |
I hope it doesn't sound weird but |
00:42:17 |
I've been wanting to |
00:42:22 |
She was suffocated during sex. |
00:42:24 |
Oh. God. |
00:42:28 |
Why would anyone do something like that? |
00:42:36 |
I think the killer gets off on it. |
00:42:38 |
You know what? |
00:42:39 |
I don't wanna talk about it anymore. |
00:42:41 |
I'm sorry, but |
00:42:43 |
But I didn't mean to upset you. |
00:42:45 |
I know, it's not your fault, I asked, |
00:42:47 |
but I just-- I don't want |
00:42:49 |
I have to go |
00:42:51 |
Well, can l give you a ride? |
00:42:52 |
No, I don't need a ride, |
00:43:05 |
David. |
00:43:06 |
Carol. |
00:43:08 |
How are you doing? |
00:43:11 |
One day at a time. |
00:43:13 |
Been more worried about how |
00:43:16 |
what happened with Beatrice. |
00:43:19 |
It's been really difficult, |
00:43:23 |
I'm okay. I'm just okay. |
00:43:29 |
The reason I asked |
00:43:33 |
I want you back. |
00:43:36 |
I'm offering you top |
00:43:39 |
What do you say? |
00:43:41 |
Oh, gosh. You put me |
00:43:43 |
You know how I love to dance, |
00:43:45 |
but your rules, you're so strict. |
00:43:48 |
I feel like a nun. |
00:43:50 |
And with everything that's happened, |
00:43:52 |
I feel like I should just |
00:43:55 |
I just don't know. |
00:43:56 |
I understand. |
00:43:58 |
And I agree I was-- |
00:44:01 |
You were. You really were. |
00:44:03 |
Yes. There's just one condition, though. |
00:44:08 |
That you give up your other dancing job. |
00:44:10 |
Oh. This again. |
00:44:13 |
Are you gonna pay me? Pay my bills? |
00:44:15 |
You know that job pays my |
00:44:19 |
We'll work something out. |
00:44:23 |
I really need you now, Carol. |
00:44:25 |
Think about it, all right? |
00:44:30 |
All right, I'll think about |
00:44:32 |
Good. |
00:44:34 |
Okay, I'm gonna go. |
00:44:37 |
I promise you I'll |
00:44:39 |
All right. |
00:44:40 |
I'll talk to you soon? Okay. |
00:44:57 |
Hi, guys. |
00:44:58 |
Hey, John. |
00:45:00 |
Brad, I understand this |
00:45:02 |
Yeah, sorry it was such short notice, |
00:45:05 |
but I got a pretty good offer. |
00:45:07 |
Good. Well, it's understandable. |
00:45:10 |
Good working with you. |
00:45:12 |
Oh, you too, John. Thank you. |
00:45:14 |
Hey, we were gonna go get some drinks, |
00:45:16 |
you wanna come with us? |
00:45:18 |
Appreciate the offer but |
00:45:20 |
a little too much going on right now. |
00:45:21 |
Okay. You have a good night. |
00:45:28 |
Hey, |
00:45:32 |
If that job doesn't work out, |
00:45:34 |
how about giving us a |
00:45:37 |
I sure will. Thanks. |
00:45:41 |
Okay. Good luck. |
00:45:53 |
[distant dancing music] |
00:45:56 |
So, Bonnie, how'd you do last night? |
00:45:57 |
I did absolutely fantastic. |
00:45:59 |
Did you see that big spender, |
00:46:02 |
Hi, Carol. |
00:46:03 |
Hello, miss. |
00:46:05 |
Ugh. |
00:46:06 |
What? |
00:46:09 |
Oh, shit. |
00:46:10 |
Wait. He wants me to come back, |
00:46:13 |
he said he's gonna take care of me, |
00:46:14 |
I think it's different this time. |
00:46:16 |
You can't trust him. |
00:46:18 |
You can't trust any man. |
00:46:20 |
Men that aren't even born |
00:46:22 |
all they wanna do is get |
00:46:24 |
I don't think David's like that. |
00:46:26 |
I think he's really a nice guy. |
00:46:28 |
Carol, are you stupid or something? |
00:46:31 |
You know, without stripping, |
00:46:34 |
you can't even pay your rent, can you? |
00:46:36 |
No, I can't, you're right. You're right. |
00:46:39 |
You're right. |
00:46:40 |
Get a big ass contract off his ass, |
00:46:43 |
and then we'll see. |
00:46:45 |
But you can't trust |
00:46:48 |
Oh, shit. There's my song, I have to go. |
00:46:50 |
Trust me, okay? Carol, please. |
00:46:52 |
I do, l |
00:46:54 |
Carol! |
00:46:55 |
I trust you. I promise. |
00:46:56 |
Think, girl. catch you later. |
00:46:59 |
Okay. |
00:47:13 |
How about a nightcap? |
00:47:16 |
Sure. Why not? |
00:47:18 |
Okay. |
00:47:31 |
Nice place. |
00:47:33 |
I could hang here for a while. |
00:47:36 |
(Helen Conover) What was that? |
00:47:38 |
Oh, nothing. Nothing. |
00:48:06 |
[heavy breathing] |
00:48:10 |
Mr. Mayfield, are you sure |
00:48:13 |
It's okay. We don't |
00:49:24 |
(Conover) My husband was sent to lraq |
00:49:27 |
one month after our wedding. |
00:49:31 |
He was hit by an RPG on |
00:49:38 |
He was such a klutz! |
00:49:41 |
He had no business going off to war. |
00:49:47 |
I still miss him every day. |
00:49:56 |
Brad? |
00:49:59 |
Are you listening to me? |
00:50:05 |
Brad? |
00:50:08 |
What's wrong? |
00:50:16 |
(Conover) Are you okay? |
00:50:39 |
Brad! |
00:50:43 |
Brad, talk to me. |
00:50:48 |
Helen. |
00:50:51 |
Can you do me a favor? |
00:51:01 |
Call me Alex. |
00:51:04 |
[shout] |
00:51:05 |
[groans] |
00:51:13 |
[crunch] |
00:51:15 |
[Latino music] |
00:51:46 |
[soft music] |
00:52:02 |
[male voice sings] |
00:52:52 |
Hang on there, tough guy. |
00:52:54 |
It's 10 bucks to get in. |
00:52:56 |
Doughnut shop's down the road, dude. |
00:52:59 |
Cops gotta pay too. |
00:53:03 |
Ah! Here you go, tough guy. |
00:53:36 |
What're you having? |
00:53:38 |
(Burk) I'll have a water. |
00:53:39 |
Water? |
00:53:48 |
What time does she get off? |
00:53:49 |
Huh? |
00:53:50 |
What time does her shift end? |
00:53:52 |
Depends. |
00:54:21 |
you caught my act last night? |
00:54:27 |
I was there. It was strictly business. |
00:54:30 |
Oh, yeah. Was it? |
00:54:32 |
How would you feel if it |
00:54:34 |
I don't know. |
00:54:36 |
I never really thought of her that way. |
00:54:40 |
You don't think about her much, do you? |
00:54:45 |
Not as much as I've been |
00:54:48 |
Oh. Now we're getting somewhere. |
00:55:05 |
Is this dirty? |
00:55:09 |
It's not my perfume. |
00:55:12 |
Yeah, well, Pat had some |
00:55:15 |
Iast night down at the station. |
00:55:17 |
I had to give her a hand. |
00:55:18 |
So does Pat wear the |
00:55:22 |
Mm, designer junkie? |
00:55:25 |
Mm, cute. Real cute. |
00:55:29 |
Wash your own damn shirt. |
00:55:42 |
Okay, so the cop, he's married. |
00:55:45 |
I know. |
00:55:46 |
Well, at least he has a job. |
00:55:48 |
He's not a loser. |
00:55:50 |
Oh, really? Is that what you call it? |
00:55:52 |
Why is it so hard to find |
00:55:56 |
Because they're either |
00:55:59 |
Aren't you a ray of |
00:56:01 |
Thanks for that. So depressing. |
00:56:04 |
Like my empty glass. I'm |
00:56:07 |
Want one? |
00:56:09 |
No, thanks. I need to work tomorrow. |
00:56:11 |
Very responsible of you. I'll be back. |
00:56:13 |
Okay. |
00:56:18 |
Thanks. |
00:56:19 |
Hey. Don't I know you from somewhere? |
00:56:24 |
Do you live around here? |
00:56:26 |
I used to. Before my |
00:56:28 |
Now I'm on the South Side. |
00:56:30 |
You come here often? |
00:56:31 |
Not really. |
00:56:32 |
Alex Minert. |
00:56:34 |
Nice to meet you. |
00:56:35 |
Nice to meet you. Listen, I'm starving. |
00:56:38 |
How'd you like to go to dinner? |
00:56:39 |
I can't, I'm actually with someone. |
00:56:43 |
Well, bring her with |
00:56:45 |
I don't think so, Casanova. |
00:56:49 |
How about dinner with |
00:56:52 |
Do you like Chinese food? |
00:56:53 |
What? |
00:56:54 |
What's your number? |
00:56:56 |
Carol Peterlake. I'm in the book. |
00:57:17 |
Here's the information on Conover. |
00:57:19 |
Thanks, Sarge. |
00:57:22 |
Mr. O'Connor, where did |
00:57:27 |
Leaving her office building. |
00:57:29 |
And when was that? |
00:57:31 |
About three days ago, |
00:57:35 |
Did anybody else see her leave, |
00:57:37 |
or did she leave with anybody else? |
00:57:39 |
She left with a coworker. |
00:57:42 |
Fella's name is Brad Mayfield. |
00:57:44 |
Do you have any |
00:57:48 |
As a matter of fact, I do. |
00:57:57 |
Burk! |
00:57:59 |
Burk, rise and shine! |
00:58:03 |
Burning the midnight oil again. |
00:58:10 |
Nah, |
00:58:12 |
Ann and l had a fight, |
00:58:14 |
I couldn't sleep. |
00:58:16 |
So I thought I'd come in and |
00:58:19 |
I've got some good news |
00:58:24 |
First the bad news. |
00:58:26 |
Someone in this department has leaked |
00:58:31 |
Your good news: |
00:58:32 |
your boy Mayfield |
00:58:34 |
he's just turned up on a |
00:58:39 |
Wait till you get this, Danny. |
00:58:41 |
A one Brad Mayfield has turned up |
00:58:44 |
on a missing person's report. |
00:58:46 |
A Helen Conover. |
00:58:48 |
He was the last one to see her. |
00:58:52 |
She's vanished. |
00:58:53 |
I've issued a search warrant |
00:58:55 |
and sent a Swat team |
00:58:58 |
Maybe you ought to |
00:59:01 |
[dogs barking] |
00:59:18 |
We roll on three. |
00:59:22 |
One, |
00:59:23 |
two, |
00:59:24 |
three. |
01:00:19 |
(officer) Freeze, Mayfield! |
01:00:21 |
Get down on the ground! |
01:00:22 |
All right, copper. |
01:00:24 |
Shut up, and down on the ground! |
01:00:26 |
Let me ask you something |
01:00:27 |
you ever shoot a man before? |
01:00:28 |
I said shut up and down on the ground! |
01:00:30 |
I don't think you have. |
01:00:31 |
I said shut up! |
01:00:32 |
Back up! |
01:00:33 |
Shoot me! |
01:00:36 |
[shout and thud] |
01:00:42 |
Pussy. |
01:02:06 |
Oh, sweet Jesus! |
01:02:12 |
Burk! You need to see this! |
01:02:18 |
[approaching steps on stairs] |
01:02:26 |
Oh, shit. |
01:02:33 |
You wanted to see me? |
01:02:35 |
(Latimore) Come on |
01:02:42 |
Look, Danny, you know |
01:02:45 |
about stampeding the public |
01:02:48 |
What do I care if the public |
01:02:50 |
I need to know if |
01:02:52 |
and all those other girls. |
01:02:54 |
Once it starts, there's no stopping it. |
01:02:56 |
And that's my fault? |
01:02:58 |
They've instructed me to pull |
01:03:01 |
And for you to move |
01:03:03 |
Is it all right if I |
01:03:05 |
It's over, Danny. Now if we get lucky, |
01:03:08 |
and Mayfield shows up, |
01:03:11 |
[sigh] Frankly, I |
01:03:14 |
What about Helen Conover? |
01:03:17 |
Police officer never saw his face. |
01:03:19 |
You're not even sure it was Mayfield. |
01:03:21 |
I'm sure. |
01:03:30 |
When you said boat, I |
01:03:33 |
big boat." Thank you. |
01:03:35 |
This is really nice. I |
01:03:37 |
in a really long time. |
01:03:39 |
Yeah, it's gorgeous out here. |
01:03:40 |
[inhales and exhales deeply] |
01:03:42 |
The summers are beautiful. |
01:03:44 |
The winters can get quite brutal. |
01:03:47 |
I'm thinking I could |
01:03:50 |
and maybe never come back. |
01:03:52 |
We could become river-rats, |
01:03:55 |
explore the islands |
01:03:58 |
weather permitting. |
01:03:59 |
And they'll never find us here. |
01:04:02 |
Who? |
01:04:04 |
The other guys in my life. |
01:04:07 |
Tell you what. |
01:04:09 |
Why don't you forget about |
01:04:12 |
You got me. And plus, |
01:04:15 |
you may never go back. |
01:04:18 |
Cheers. |
01:05:41 |
[phone rings] |
01:05:42 |
[gasp] |
01:05:55 |
[groan and beep] |
01:05:58 |
This is Burk. |
01:06:00 |
Bad dream? |
01:06:03 |
I'm your nightmare, Burk. |
01:06:07 |
You should've ran when |
01:06:09 |
Well then, come and get me. |
01:06:12 |
Why don't you tell me about Sara? |
01:06:14 |
Sara Orenstein. |
01:06:16 |
Tell you what. |
01:06:18 |
You |
01:06:21 |
I'll give you an exclusive interview. |
01:06:24 |
Is Carol there? |
01:06:27 |
[sigh] |
01:06:29 |
You know, I'd a-made made |
01:06:35 |
A little late for that, I guess. |
01:06:51 |
Hi. |
01:06:54 |
What's wrong? |
01:06:55 |
Go away. I'm not in the mood. |
01:07:01 |
Go away. |
01:07:16 |
It's Mayfield? |
01:07:18 |
Yeah. |
01:07:21 |
He sounds, actually, |
01:07:25 |
Very intelligent. |
01:07:26 |
You talked to him? |
01:07:28 |
Yeah, I mean, he called. |
01:07:31 |
Ann. I don't want you talking to him. |
01:07:35 |
If he calls this house, and |
01:07:40 |
Believe me, |
01:07:42 |
you don't want this guy |
01:07:53 |
Say, Danny. |
01:07:55 |
Hey, Mac. |
01:07:57 |
Where've you been? |
01:07:59 |
Over at Gilleptie's drinking |
01:08:01 |
Where've you been? You |
01:08:04 |
or you out screwing around, |
01:08:06 |
You know where I've been. |
01:08:08 |
Right here doing my job: |
01:08:10 |
bringing criminals to justice. |
01:08:12 |
[dry chuckle] Save that |
01:08:15 |
will you, Danny? Take a look at this. |
01:08:18 |
So you did find something then? |
01:08:20 |
Yeah, well, we found a photo, |
01:08:22 |
salvaged it from the Mayfield apartment. |
01:08:25 |
A lady with her two |
01:08:28 |
I turned it over, the name |
01:08:33 |
I think the boy might be him. |
01:08:36 |
Maybe his name is not Mayfield, get it? |
01:08:39 |
Now those numbers, I got off |
01:08:42 |
scorched but I managed |
01:08:44 |
But the big news, the |
01:08:49 |
matches the DNA we found |
01:08:53 |
No shit! |
01:09:09 |
Hello, I'm Father Clayton. |
01:09:10 |
Detective Burk? |
01:09:12 |
Yes. |
01:09:14 |
How can I help you? |
01:09:16 |
First off, thank you for seeing me. |
01:09:18 |
Glad to. |
01:09:20 |
I have some questions pertaining to |
01:09:24 |
And it has to do with a |
01:09:28 |
They used to go here. |
01:09:30 |
I want to know if |
01:09:32 |
Have you ever heard of a Mayfield? |
01:09:36 |
How about a Minert? |
01:09:39 |
Minert. Now that rings a bell. |
01:09:41 |
A mom, two small children. |
01:09:44 |
A little girl named Shirley. |
01:09:47 |
Yes, I remember. The mom |
01:09:50 |
But |
01:09:53 |
Alex was a sick boy. |
01:09:55 |
What do you mean "sick? " |
01:09:56 |
Well, for instance, |
01:09:59 |
He killed a cat. |
01:10:01 |
And they found that the |
01:10:06 |
The strangest thing about it was |
01:10:09 |
he had dolls lined up all the way |
01:10:12 |
around the cat. |
01:10:13 |
It seemed like this boy |
01:10:19 |
Every time I saw this kid, |
01:10:21 |
He loved dolls, and I |
01:10:26 |
It is strange. |
01:10:27 |
Do you know when this |
01:10:31 |
It's been a long time. |
01:10:35 |
Maybe 25 years. |
01:10:37 |
Is there anything else you recall? |
01:10:40 |
I remember they took the boy away. |
01:10:43 |
And soon after that, |
01:10:44 |
the family moved out of the parish. |
01:10:47 |
Took him away? |
01:10:48 |
Yes, they took him away. |
01:10:51 |
Would the church have any records |
01:10:53 |
on possibly where they took the boy? |
01:10:55 |
No, we wouldn't have |
01:10:59 |
Well, Father, thank you for your time. |
01:11:01 |
I appreciate your help. |
01:11:03 |
Glad to help. |
01:11:20 |
(male voice) Who is it? |
01:11:21 |
[gruff] Police! |
01:11:26 |
Yeah? What do you want? |
01:11:28 |
You the apartment manager? |
01:11:30 |
Yeah. I'm the "apartment manager." |
01:11:33 |
We're looking for a woman who |
01:11:37 |
Nah. I wouldn't know, I |
01:11:41 |
Besides, what's in it for me? |
01:11:49 |
Some friends downtown |
01:11:51 |
in that smell of cannabis |
01:11:54 |
Uh, you can try up in 2B, Mrs. Flannery. |
01:12:00 |
I heard she's been here forever. |
01:12:02 |
Thanks. |
01:12:04 |
Sure. |
01:12:22 |
(female voice) Yes, who is it? |
01:12:24 |
It's Detective Burk, ma'am, |
01:12:27 |
Just a minute, please. |
01:12:31 |
[much metallic clacking] |
01:12:40 |
I'll have to see some identification. |
01:12:45 |
All right. What can I do |
01:12:48 |
Are you Mrs. Flannery? |
01:12:50 |
Yes, I am. |
01:12:51 |
I understand you owned an apartment |
01:12:55 |
Yes, my husband and |
01:12:57 |
You wouldn't happen to |
01:13:00 |
at any time, did you? |
01:13:01 |
Minert, Minert. |
01:13:04 |
Yes, yes, I do remember that name. |
01:13:07 |
I didn't deal with the tenants, |
01:13:11 |
But l do remember that name. |
01:13:14 |
Why's that name stick out? |
01:13:16 |
Well, they had a boy that, um, |
01:13:23 |
What would make you |
01:13:26 |
I didn't see this for myself, |
01:13:29 |
but my husband told me |
01:13:31 |
that he used to find dead |
01:13:35 |
and he always thought that that |
01:13:38 |
You wouldn't happen to |
01:13:41 |
or any information |
01:13:43 |
No, I don't. |
01:13:44 |
When we sold the apartment building, |
01:13:46 |
all the records were destroyed. |
01:13:49 |
I seem to be at a dead end here. |
01:13:51 |
If you do come up with any information, |
01:13:53 |
please contact me. |
01:13:55 |
I'm sorry I couldn't |
01:13:58 |
Good luck. |
01:15:50 |
What? |
01:15:51 |
You don't like my company? |
01:15:55 |
[thud] |
01:16:13 |
Hello? |
01:16:15 |
Yes, this is Detective Burk of |
01:16:20 |
May I ask who I'm speaking with? |
01:16:24 |
Mr. Miller, your phone number was found |
01:16:27 |
in a Brad Mayfield's apartment. |
01:16:31 |
Yes, this has to do with an |
01:16:36 |
I was curious, how would |
01:16:41 |
You wouldn't. |
01:16:44 |
He also went by the name Alex Minert. |
01:16:48 |
Okay. Thank you for your time. |
01:16:51 |
If you do come up with anything, |
01:16:54 |
please feel free to contact me |
01:16:56 |
at the Pittsburgh Police Department. |
01:16:58 |
They'll know how to get ahold of me. |
01:17:01 |
All right. Thank you. |
01:17:31 |
[cell phone rings] |
01:17:43 |
Hello? |
01:17:45 |
Buffo? |
01:17:47 |
I'm sorry. |
01:17:49 |
He's a little tied up right now. |
01:17:53 |
You have a nice day too. |
01:18:36 |
Mommy didn't order a clown. |
01:18:38 |
Hello, Mrs. Burk. |
01:18:41 |
How do you know my name? |
01:18:44 |
Oh, these balloons, |
01:18:47 |
Chrissy's dad. |
01:18:48 |
Oh. What a nice surprise. |
01:18:51 |
It sure is. |
01:18:57 |
It's a beautiful day |
01:19:06 |
Chrissy, I want you to sit here. |
01:19:09 |
I want yo to be a really |
01:19:12 |
[whimpering] |
01:19:14 |
Who's the strongest clown now, Buffo? |
01:19:39 |
Up we go. |
01:19:41 |
Sit over there. |
01:19:47 |
(male voice) Hey, buddy. |
01:19:49 |
You gotta get a life jacket on that kid. |
01:19:51 |
What's that? |
01:19:52 |
You gotta get a life |
01:19:55 |
Ah. I've been meaning to get one. |
01:19:58 |
I can't let you go out without one. |
01:20:02 |
Come on, man, what's it to you? |
01:20:04 |
First off, I'm an officer in |
01:20:08 |
also an off-duty police officer. |
01:20:11 |
Come to think of it, I |
01:20:15 |
Let me see some lD. |
01:20:28 |
Come on, man, You can't cut me a break? |
01:20:31 |
Can't do it. Besides, |
01:20:37 |
You wanna see some lD? |
01:20:38 |
Yeah. |
01:20:49 |
Here's your lD. |
01:20:57 |
People ought to mind their own business. |
01:21:39 |
Hi, honey. I'm home. |
01:21:47 |
You look beautiful. |
01:21:49 |
It's been such a long day. |
01:22:00 |
I think it's time to play. |
01:22:24 |
Ann. |
01:22:25 |
Ann. What happened? |
01:22:28 |
It was a clown. |
01:22:30 |
A clown?! |
01:22:32 |
He took Chrissy. |
01:22:35 |
He took Chrissy? |
01:22:37 |
I think it was Mayfield. |
01:22:39 |
I'm so sorry I brought this home. |
01:22:42 |
Just find her. |
01:22:59 |
Now that lowlife is |
01:23:01 |
She's a special need child, |
01:23:14 |
[phone rings] |
01:23:21 |
Homicide. |
01:23:24 |
He's away from his desk right now. |
01:23:28 |
One second. |
01:23:29 |
Pat, have you seen Burk? |
01:23:31 |
Yeah, I know where he is. |
01:23:38 |
This is Detective Burk. |
01:23:40 |
[indistinct male voice] |
01:23:42 |
Mr. Miller. |
01:23:48 |
So you do remember something. |
01:23:54 |
You sold him a boat. |
01:23:55 |
Who? |
01:23:59 |
Alex Minert. |
01:24:02 |
So that's a 45-foot Gibson. |
01:24:09 |
Mr. Miller, thank you for calling back. |
01:24:12 |
I really appreciate your help. |
01:24:15 |
Bye. |
01:24:16 |
[buttons clicking] |
01:24:27 |
Come on, pick up. |
01:24:29 |
Bob! Bob! It's me, Dan. |
01:24:34 |
I need to borrow your boat. |
01:27:33 |
Burk. |
01:27:38 |
Where is he? |
01:27:39 |
I don't know. |
01:28:00 |
What are you doing here, Burk? |
01:28:02 |
Put the gun down. |
01:28:04 |
Put the gun down! |
01:28:08 |
Put these on. |
01:28:14 |
Right here. |
01:28:21 |
Right here, Burk. |
01:28:22 |
[grunt] |
01:28:24 |
I told you, Burk, |
01:28:26 |
when you started this |
01:28:29 |
The only loser I see here is you. |
01:28:32 |
How can l be the loser |
01:28:34 |
when you're the one that |
01:28:37 |
So, you kill me: then what? |
01:28:41 |
Then what? |
01:28:43 |
Then I take Carol and your little girl. |
01:28:46 |
And I slit their throats. |
01:28:48 |
Then I take your wife |
01:28:50 |
and I give her the lovemaking |
01:28:52 |
Then I kill her too! |
01:28:56 |
Enough of this bullshit. |
01:28:57 |
It's time to die. |
01:29:20 |
[police radio wallah] |
01:29:25 |
Get him to the county morgue. |
01:29:27 |
I'm going back to the office. |
01:29:30 |
Whoa, you can't come in here. |
01:29:31 |
It's a crime scene, a restricted area. |
01:29:34 |
We understand that you apprehended |
01:29:37 |
That's classified information, ma'am. |
01:29:39 |
Then who's in the bag? |
01:29:41 |
We will release a |
01:29:44 |
Let's just say the city can |
01:29:47 |
Now, I'm afraid I'm gonna |
01:29:51 |
Get them out of here. |
01:30:07 |
So, what are you going to do now? |
01:30:12 |
I think it's time for a career change. |