Enemy Of The State
|
00:00:47 |
Come on. |
00:00:50 |
Come on, mutt. |
00:00:52 |
Come on. Get that ball. Ah! |
00:00:55 |
There's no problem with that. |
00:00:58 |
Oh, goddamn it. |
00:01:02 |
- If it happens, let me know. |
00:01:06 |
- This is my private time. |
00:01:09 |
No! I said no Tuesday, |
00:01:12 |
and I'm gonna keep sayin' no |
00:01:14 |
Five minutes, Mr. Chairman. |
00:01:17 |
It's all I ask... five minutes. |
00:01:20 |
- Want some coffee? |
00:01:22 |
I want to play with my dog. |
00:01:25 |
Look, I'm not asking you |
00:01:28 |
I know you can't. |
00:01:31 |
Let them go the way they want. |
00:01:34 |
Telecommunications |
00:01:38 |
Invasion of privacy is more like it. |
00:01:41 |
You read the Post? |
00:01:45 |
It is the surveillance society." |
00:01:48 |
- Uh, liberal hysteria. |
00:01:51 |
and pass a law |
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point a camera and a microphone |
00:01:57 |
Phil, look. |
00:02:02 |
what cabinet officers get stoned. |
00:02:04 |
But this is the richest, |
00:02:08 |
And you and I know |
00:02:10 |
That we are at war |
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Yeah, yeah, yeah. |
00:02:16 |
Do I have to itemize the number |
00:02:18 |
in the past 12 months alone |
00:02:23 |
Thomas, cut the crap. |
00:02:26 |
in the Syracuse area alone who are |
00:02:33 |
I promise to get you funds |
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whatever those companies |
00:02:38 |
I'm not talking about |
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I'm talking about my constituents |
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Jesus, man! Wake up! |
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National security isn't the only thing |
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God. |
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This conversation is over. |
00:02:58 |
I beg of you, Phil. |
00:03:02 |
I've been there for you in the past, |
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personal situations, when you needed |
00:03:09 |
Are you blackmailing me, |
00:03:12 |
I'm sorry we can't find a common ground |
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You're a good man. |
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to have you representing them. |
00:03:28 |
Come on. Come on. |
00:03:32 |
Come on. |
00:06:28 |
Let me fight management. |
00:06:31 |
But this is our own |
00:06:34 |
tryin' to railroad us into signing |
00:06:37 |
Look... Look, everybody knows... |
00:06:40 |
that, that the mob |
00:06:43 |
And now, uh... now we got Pintero's goons |
00:06:48 |
Well, first off, that's a Hobbs Act |
00:06:52 |
- Hey. |
00:06:53 |
- How you doin'? |
00:06:55 |
- Robert Dean. |
00:06:58 |
A Hobbs and a RICO. |
00:07:02 |
Sounds like you guys need |
00:07:07 |
We were in Louie's two nights ago. |
00:07:09 |
and these two fuckin' guidos jump me. |
00:07:11 |
Uh, I prefer we use the term |
00:07:15 |
Eh, whatever, but they were |
00:07:19 |
- But then Larry Cash came in |
00:07:23 |
with a broken jaw |
00:07:26 |
Is this becoming |
00:07:29 |
Um, no, it would take years |
00:07:31 |
Besides, these people have families |
00:07:36 |
Hey, Julie, can we send |
00:07:40 |
- Larry Cash? |
00:07:42 |
And send some flowers to his wife, |
00:07:45 |
Yes, Mr. Dean. |
00:07:49 |
- Well, why don't you guys |
00:07:52 |
I'm your lawyer. I'm in the process of |
00:07:57 |
Pintero doesn't stand a chance. |
00:08:03 |
So how's the trout? |
00:08:06 |
- Tastes like fish. |
00:08:09 |
No, I mean it tastes like |
00:08:12 |
Okay. |
00:08:17 |
Brill's note said that this |
00:08:21 |
And watch out for the FBI. Brill says |
00:08:25 |
- So when do I get to meet him? |
00:08:29 |
Brill. |
00:08:32 |
Never. |
00:08:35 |
Okay. Um... |
00:08:37 |
Wow. That's not exactly |
00:08:40 |
Oh, and what was the answer |
00:08:42 |
Oh, I don't know. Soon. |
00:08:46 |
Bobby, why do we have to |
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Brill talks to me, I talk to you. |
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Well, pardon me for being |
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with hiring someone that I don't know |
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Then don't hire him. |
00:09:05 |
Ten thousand dollars. |
00:09:07 |
And I'm also a little |
00:09:11 |
Well, this should lighten your load. |
00:09:13 |
I don't know if it's Brill's price |
00:09:16 |
I take 15%, as always. |
00:09:19 |
Brill's fee varies with risk. |
00:09:21 |
Maybe you'd be more comfortable |
00:09:24 |
- What, other than Brill? |
00:09:28 |
- What's wrong with you? |
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Just, you know, someone |
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I like our history, and I like you. |
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I like you too. |
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Look, I-I just want to make sure that |
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- You're not. |
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Because I wouldn't let you. |
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So, Mr. Pintero, the guy on the left is |
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And this is Dave Early, |
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Oh, right there, you see... |
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Uh, that's Hugh Simic. |
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Hey, you're going to recognize |
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That's you. |
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That ain't me. |
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Let's watch a little more of this. |
00:10:36 |
- Take a... Take a picture of this. |
00:10:39 |
Here comes a great shot right here. |
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Wait. Everybody say "not guilty." |
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Right here; here it comes. |
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- That's not you? |
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Well, you know, that-that's actually |
00:10:54 |
It lifts a huge weight |
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Because, you know, the conditions of |
00:11:00 |
from having any contact of any kind |
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- I know that. |
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had that been you, I mean, |
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15... I don't know... |
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But, you know, I mean, that ain't you, |
00:11:19 |
Are you fuckin' with me? |
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Oh, that's not you. Well, I'm sorry |
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you know, since |
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Oh, you know what? I'm thinkin'. |
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run this tape past |
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You know, they have |
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A lot of times, they can see |
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You ain't runnin' this by nobody. |
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- What do you want? |
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as they see fit, without, |
00:11:59 |
Okay. Sit down. |
00:12:02 |
- No, I'm fine, thank you. |
00:12:04 |
Now sit your ass down. |
00:12:18 |
I would like my clients to be able |
00:12:22 |
And if that happens, |
00:12:26 |
along with the Zapruder film |
00:12:32 |
- Do you got any copies of this thing? |
00:12:34 |
Who made it? You make it? |
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I'm an attorney. |
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Now you listen to me, |
00:12:44 |
This fuckin' videotape |
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but you can be goddamned sure |
00:12:51 |
Now, who made |
00:12:55 |
- I don't know. |
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Through an acquaintance. |
00:13:03 |
Mr. Dean, he's got acquaintances. |
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Vic, get outside. See if they're |
00:13:08 |
that are of the black persuasion. |
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Carlos, why don't you |
00:13:15 |
Talk to Mr. Dean. |
00:13:21 |
Who's your fucking acquaintance? |
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Listen to me. I wanna know |
00:13:31 |
but I wanna know in a week... |
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or I'll kill ya. |
00:13:39 |
Hey, smile. |
00:13:42 |
- What? |
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- Who's the brother? |
00:13:55 |
Table Harvest to 101. |
00:14:09 |
Give me a loose one. |
00:14:19 |
I'm standing by live at the |
00:14:22 |
where police and fire officials |
00:14:25 |
a classic Mercedes owned |
00:14:28 |
Phillip Hamersly |
00:14:30 |
This accident comes |
00:14:33 |
since the congressman was |
00:14:37 |
opposing the Telecommunications |
00:14:41 |
Fire officials do tell me |
00:14:44 |
was by himself in the car. |
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We have confirmed that. |
00:14:49 |
his favorite dog, Bob, |
00:14:52 |
I understand there was |
00:14:54 |
There was, in fact, |
00:14:56 |
In fact, the congressman |
00:15:00 |
Homicide investigators have told me they |
00:15:04 |
That might mean that the congressman... |
00:15:08 |
may have suffered a heart attack before |
00:15:12 |
He leaves behind a family of four. |
00:15:14 |
We'll have more details |
00:15:49 |
I need a 10-27 on a... |
00:15:52 |
brown and tan '75 GMC Jimmy. |
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D.C. Tags. Eight, kilo... |
00:15:58 |
six, three, nine, four. |
00:16:01 |
And a 10-28 on the registered owner. |
00:16:24 |
Jake, please do not give me |
00:16:27 |
- Sir? |
00:16:28 |
aren't gonna change their mind |
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Thank you. |
00:16:35 |
We may have a problem |
00:16:37 |
This is Daniel Zavitz. |
00:16:40 |
One of them is for monitoring |
00:16:45 |
Or lack thereof. |
00:16:47 |
The box is called a hide. |
00:16:51 |
digital video camera |
00:16:54 |
It was aimed directly |
00:17:10 |
We need two techs with full electronic |
00:17:14 |
Get Fiedler to organize it, |
00:17:17 |
to get us some ex-military cutouts. |
00:17:19 |
How do I describe the project? |
00:17:23 |
Call it a training op hosted here. |
00:17:28 |
- That's good. |
00:17:32 |
And none of this goes beyond our team. |
00:17:36 |
- Of course. |
00:17:40 |
You got it. |
00:17:43 |
Fiedler, it's Hicks. I need |
00:17:47 |
202-555-0108. |
00:17:49 |
And, uh, what's our authorization? |
00:17:52 |
We're calling it a P-1 training op. |
00:17:55 |
Krug and Jones, sir. |
00:17:57 |
We were with the 22nd Marine |
00:18:00 |
- Oh, nice haircut. |
00:18:03 |
at Marion, Illinois, for a GVH-1... |
00:18:07 |
The guy was an asshole, sir, |
00:18:19 |
All new, designed for today. |
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The electric car is here. |
00:18:28 |
A sedan for you. |
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I'm standing by live |
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right now, where police |
00:18:35 |
a classic Mercedes owned by |
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You may be able to see it here, |
00:18:42 |
Now, fire and police officials |
00:18:45 |
Here's what I do know. |
00:18:48 |
was alone in the vehicle |
00:18:53 |
You may know that the congressman |
00:18:56 |
Homicide investigators |
00:19:00 |
That might mean that the congressman... |
00:19:03 |
may have suffered a heart attack before |
00:19:07 |
I am also told that there was no one |
00:19:10 |
- Fuck a duck. |
00:19:13 |
Holy shit! |
00:19:16 |
... on the ground, |
00:19:18 |
He's from Syracuse, New York. |
00:19:21 |
The congressman was a key opponent |
00:19:27 |
- News desk. |
00:19:30 |
you are not going to believe |
00:19:33 |
- Zavitz. Long time. |
00:19:36 |
the Phil Hamersly murder on videotape. |
00:19:39 |
Phil Hamersly died |
00:19:42 |
Negative. Hamersly was professionally |
00:19:45 |
of some anal-retentive with what looks |
00:19:50 |
- Well, how did you get this tape? |
00:19:55 |
- You're kidding me! |
00:19:58 |
right where Phil Hamersly was killed. |
00:20:00 |
- How fast can you get |
00:20:05 |
Uh, Mark, I have to take this. |
00:20:07 |
Good. Thank you. |
00:20:16 |
- Fiedler, is this line secure? |
00:20:20 |
Zavitz is speaking |
00:20:23 |
a former anti-war activist. |
00:20:25 |
He publishes a variety |
00:20:29 |
- He's taking the tape now |
00:20:33 |
- And give us a dedicated |
00:20:37 |
Yeah, so, Julie, I'm gonna take |
00:20:40 |
Uh, finish up my Christmas shopping. |
00:20:45 |
Hey, do chicks dig lingerie? |
00:20:49 |
All right. |
00:20:53 |
- Hi. |
00:20:56 |
How you doin'? |
00:20:58 |
Why, hello. |
00:21:01 |
- Hi. |
00:21:03 |
- Uh, yes. |
00:21:07 |
- Uh, I'm married. |
00:21:10 |
Uh... Uh, um, I just... |
00:21:13 |
uh, a... a Christmas present. |
00:21:15 |
- For your wife? |
00:21:19 |
- So you want some |
00:21:23 |
Do you like Christian Dior? |
00:21:25 |
You know, I have to be really |
00:21:30 |
- I don't... |
00:21:33 |
I-I mean, don't get me wrong. I mean, |
00:21:36 |
- Yeah. |
00:21:39 |
You know, I don't want to come in here |
00:21:43 |
Too late. |
00:21:45 |
- Yeah. What size? |
00:21:48 |
- Oh, my wife. Oh. |
00:21:52 |
- She's about, uh... She... |
00:21:54 |
Yeah, right, she's, uh... |
00:21:57 |
Right. And what about cup size? |
00:21:59 |
Um... |
00:22:01 |
Oh! Oh, she's way bigger than that. |
00:22:04 |
I mean, uh, not... |
00:22:07 |
- Oops. |
00:22:11 |
- So far... |
00:22:13 |
- It's me, Ruthie. |
00:22:18 |
Uh, mine's not working either. |
00:22:23 |
Um... |
00:22:25 |
Let me borrow some change |
00:22:29 |
Come on. I gotta call Dr. Mike. |
00:22:36 |
Danny! |
00:22:40 |
Danny, I always pay you back. |
00:22:45 |
Danny! |
00:22:53 |
Open the door! |
00:22:56 |
Shit. Fuck. |
00:23:02 |
- Come on, man! |
00:23:05 |
- I'm goin'. |
00:23:11 |
Come on. Come on. |
00:23:15 |
Oh, shit. |
00:23:27 |
Ah, shit. |
00:23:32 |
I got him! I got him! |
00:23:37 |
- He's out the back. |
00:23:42 |
Got it. Base, this is local control. |
00:23:44 |
Request immediate keyhole |
00:23:47 |
LAT38, 55, LONG 77, 00. Over. |
00:23:49 |
Roger that. I'll need a minute |
00:23:53 |
Run, run, Danny! |
00:23:56 |
- Where is he? |
00:24:01 |
- Okay, satellite imagery coming through. |
00:24:05 |
Confirm visual. Thank you much. |
00:24:08 |
All units: |
00:24:11 |
Columbia and 18th. |
00:24:14 |
Roger that. We have visual. |
00:24:30 |
Everybody move. |
00:24:38 |
- All units, |
00:24:41 |
- Captain Ike's. |
00:24:53 |
Get out of the way! |
00:25:01 |
Hey! |
00:25:06 |
- Air One, be advised, suspect |
00:25:09 |
- Detail front of building on Columbia. |
00:25:19 |
I got him! I got him! |
00:25:23 |
All units, target |
00:25:34 |
- Hah! Bullshit! |
00:25:37 |
- I can't... |
00:25:51 |
- Okay, I'm blank. I can't see anything. |
00:25:53 |
- I'm blank. What do you got? |
00:25:59 |
Zavitz! Dan Zavitz! |
00:26:03 |
Hey, uh... It's me, Bobby Dean. We were |
00:26:07 |
- Help me. |
00:26:10 |
Yeah, this is Becky. |
00:26:13 |
I'm s... Can I have one second, please? |
00:26:18 |
Oh, he's right on top of Pratt. |
00:26:20 |
- Pratt, he's on your 6:00. Turn around. |
00:26:23 |
Move, move, move. |
00:26:26 |
Hey, hey! |
00:26:31 |
Hey, I got him! |
00:26:34 |
Target northbound... |
00:26:37 |
Okay, got him. |
00:26:39 |
Go, go, go, go! |
00:26:52 |
Switching targets. Switching. |
00:27:06 |
Stop! |
00:27:26 |
Target down on Connecticut Avenue. |
00:27:29 |
Target is down. |
00:27:44 |
- What happened? |
00:27:51 |
Oh, Jesus. |
00:28:23 |
- I'm beatin' you. |
00:28:25 |
- Oh, you are. |
00:28:29 |
- Hey, hey! |
00:28:31 |
- I just caught up. |
00:28:35 |
Am I in the wrong house? |
00:28:37 |
I'm looking for an eight-year-old boy, |
00:28:40 |
- Kinda good-looking. Allegedly my son. |
00:28:43 |
- Hmm. Maybe he's behind the TV. |
00:28:47 |
- Eric? |
00:28:49 |
What? What? Oh, I'm sorry. |
00:28:52 |
- Are those my Christmas presents? |
00:28:55 |
- Can I open 'em? |
00:28:58 |
- Seriously? |
00:29:01 |
- Are you staying for dinner |
00:29:04 |
- Got any money? |
00:29:07 |
- I'm going to sleep over |
00:29:10 |
I was going to, but she's |
00:29:13 |
Oh, well, there goes the Fourth |
00:29:17 |
- Hey, Maria. |
00:29:20 |
Don't you honestly doubt |
00:29:23 |
Hey, you're about a bark-and-a-half |
00:29:26 |
Baby, listen to |
00:29:30 |
- Uh-oh. |
00:29:33 |
in a very precarious balance, |
00:29:38 |
- He's got a point there, sweetie. |
00:29:41 |
- I mean, who is this idiot? |
00:29:46 |
- Do you want your phone tapped? |
00:29:50 |
Well, how do we know until we've heard |
00:29:54 |
You're just gonna have to trust me. |
00:29:57 |
Oh, I know. |
00:30:00 |
We won't suspend the civil rights |
00:30:03 |
- Right. |
00:30:06 |
- I think you should. |
00:30:10 |
Honey, I think you're taking it |
00:30:13 |
and half the people on the block. |
00:30:19 |
Tens of millions of foreign nationals |
00:30:22 |
and many of these people consider |
00:30:25 |
- And they see acts of terrorism as... |
00:30:30 |
- We were at Georgetown together? |
00:30:33 |
- I saw him today. |
00:30:36 |
- He's dead. |
00:30:39 |
- He got hit by a fire engine |
00:30:44 |
I ran into him in a store, |
00:30:47 |
- About what? |
00:30:49 |
Before we had a chance to talk about it, |
00:30:52 |
and next time I saw him, |
00:30:56 |
Baby! Come here. |
00:30:59 |
Ohh, I love you so much! |
00:31:03 |
I love you, too, sweetie. |
00:31:07 |
Oh, that's not even to mention |
00:31:10 |
- Hah! Very funny! |
00:31:15 |
- Hmm. What'd you get me? |
00:31:19 |
No more of that MSNBC terrorist talk. |
00:31:22 |
We'll be back with your phone calls for |
00:31:28 |
- Tell me. |
00:31:31 |
- What about the tape? |
00:31:34 |
- The original? |
00:31:36 |
- There was a copy? |
00:31:38 |
They never made it to the newspaper, |
00:31:41 |
- Who was that? |
00:31:43 |
- Who? |
00:31:46 |
Lives in Georgetown with his wife, |
00:31:50 |
She's with the ACLU, as it happens. |
00:31:52 |
Well, I suppose he could've given it |
00:31:55 |
Maybe we dodged a bullet. |
00:32:00 |
- Make contact. |
00:32:02 |
I hate doing this at Christmas. |
00:32:09 |
Fiedler, we need |
00:32:11 |
and a DRD work-up |
00:32:13 |
His social's 986-26-0901. |
00:32:19 |
Let's go! |
00:32:22 |
Eric, just call me in the morning |
00:32:26 |
You know, if you decide |
00:32:29 |
or the end of the century, |
00:32:33 |
It'll be difficult initially, |
00:32:37 |
Dad's kidding. |
00:32:42 |
Honey, hurry back. |
00:32:46 |
Mm-hmm. That you're gonna |
00:32:48 |
That only happened |
00:32:51 |
We're running |
00:32:55 |
Brian did a preliminary |
00:32:57 |
and he came up with |
00:33:03 |
Thanks, Brian. |
00:33:06 |
Thank you. |
00:33:08 |
Prioritize his phone bill. |
00:33:12 |
Who's he been calling? |
00:33:16 |
- Oh, man. Check this one. |
00:33:19 |
Rachel F-For-You-Know-What Banks. God, |
00:33:23 |
Do a cross. |
00:33:25 |
They were at Georgetown |
00:33:27 |
They have the same address, |
00:33:31 |
They remain close. |
00:33:35 |
- Oh, here we go. |
00:33:37 |
Dean, over the past 18 months... |
00:33:40 |
has four, five, seven cash |
00:33:45 |
and up, and up... |
00:33:47 |
and each time, |
00:33:50 |
makes large cash deposits |
00:33:53 |
- Blackmail? |
00:33:58 |
Ah, yes, they're exactly... exactly |
00:34:04 |
Brian, can we get some more? |
00:34:07 |
I mean, you know, we got the blimp cam, |
00:34:10 |
we've got, uh, two ATM cameras, |
00:34:14 |
This is the security camera |
00:34:19 |
Rotate us 75 degrees |
00:34:23 |
Freeze there. Times ten. |
00:34:28 |
Focus on the drop. |
00:34:33 |
Enhance, then forward frame-by-frame. |
00:34:39 |
All right. Now, just before |
00:34:42 |
See the shadow variance? See? |
00:34:44 |
The shadow's wrong. Zavitz changed |
00:34:49 |
- Is it a tape? |
00:34:53 |
- Can the computer take us |
00:34:57 |
- Yeah? |
00:35:04 |
- What do you think it is? |
00:35:08 |
Zavitz had digital compression |
00:35:12 |
Or maybe the bag twisted |
00:35:14 |
Or something moved in front |
00:35:18 |
Maybe it's everything. |
00:35:24 |
Beat it. I got work to do. |
00:35:26 |
Go. Porsche! |
00:35:33 |
Go away! |
00:35:36 |
Damn it, Porsche! |
00:35:39 |
- Hello, Mr. Dean? |
00:35:41 |
This is Detective Benning. |
00:35:45 |
Uh, sorry to bother you at home, sir. |
00:35:49 |
- Wh... I'm s... Can I see |
00:35:52 |
Sure. |
00:35:56 |
All right. Come on. |
00:36:03 |
- All right. Nice and smooth. |
00:36:05 |
I didn't really see the accident. |
00:36:07 |
- Oh, we're not here to talk |
00:36:11 |
We should apologize |
00:36:13 |
It's just that we're handling |
00:36:16 |
Um, it turns out Mr. Zavitz was |
00:36:19 |
- What kind of watch is that? |
00:36:23 |
- No, I didn't. |
00:36:26 |
- Shh-shh. Yeah, that's correct. |
00:36:29 |
we have reason to believe |
00:36:34 |
- What kind of materials? |
00:36:39 |
Uh, no, he-he didn't pass me anything. |
00:36:41 |
These voice stress points indicate |
00:36:45 |
- Anxiety about what? |
00:36:48 |
If he'd have given me something, |
00:36:51 |
- Oh, he's lying! |
00:36:55 |
Could something have slipped in amongst |
00:36:58 |
Excuse me. Daniel Zavitz |
00:37:01 |
- That's a Parker pen. |
00:37:04 |
He didn't secrete it |
00:37:07 |
- Whatever it is, I don't have it. |
00:37:11 |
- I don't think so. |
00:37:14 |
- This guy's good. |
00:37:17 |
I was shopping for some lingerie. |
00:37:19 |
- You buying that for your wife? |
00:37:23 |
I do a little cross-dressing |
00:37:26 |
how a nice pair of edible panties |
00:37:29 |
We thought it might be |
00:37:33 |
Good night, gentlemen. |
00:37:37 |
- Good night, sir. |
00:37:57 |
What are they talking about, Porsche? |
00:38:07 |
Honey, I'm home. |
00:38:10 |
Uh, yeah, uh, just a second, sweetie. |
00:38:22 |
Well, either he's getting ready |
00:38:25 |
Or he doesn't have it. |
00:38:28 |
You know what I've seen? |
00:38:30 |
I've seen killers walk free |
00:38:35 |
I've seen sex offenders |
00:38:39 |
Credibility... It's the only |
00:38:45 |
Dean's got the tape, |
00:38:49 |
I want people to know he's lying |
00:38:52 |
We could take his wife and kid. |
00:38:55 |
We'd have the police and the FBI |
00:38:58 |
Put taps on his 20 |
00:39:01 |
The union situation has... |
00:39:04 |
And he's definitely vulnerable |
00:39:06 |
I want to know about his wife, |
00:39:08 |
I want to know about |
00:39:12 |
I want to use every means possible |
00:39:15 |
because this little |
00:39:24 |
- Tell me something. |
00:39:26 |
How did you find out Pintero |
00:39:30 |
I'm just that good. |
00:39:33 |
I hired an investigator. |
00:39:45 |
- Hey. |
00:39:48 |
My mom used to have one of these. |
00:39:52 |
- Oh, who was the investigator? |
00:39:57 |
Come on, Bobby. You know what I'm |
00:40:02 |
Ca... Why do we... Why do we have |
00:40:05 |
- Bobby, I'm just asking, okay? |
00:40:25 |
You are the only woman |
00:40:30 |
You and Janet Jackson. |
00:40:33 |
I-I have to be honest. |
00:40:36 |
I w... I... I might have to change |
00:40:39 |
Yeah, right. I'd have to break |
00:40:52 |
- Lower, lower, |
00:40:56 |
Ooh, sensitive. |
00:40:59 |
All right. Jones has some issues |
00:41:04 |
- Oh. Hey, Control, they are home. |
00:41:13 |
Move, guys. |
00:41:15 |
Oh, nice blender. |
00:41:23 |
Oh, my God. |
00:41:30 |
Oh, Porsche. |
00:41:34 |
Oh, damn. The dog is green. |
00:41:39 |
Jones painted the... the dog! |
00:41:42 |
This is Robert Dean, 2811 Sutton. |
00:41:45 |
I don't know. Um, it's been vandalized. |
00:41:48 |
but I need a squad car |
00:41:59 |
- Here we go. |
00:42:10 |
At least they left me one. |
00:42:18 |
How do you know |
00:42:21 |
I don't. It was just |
00:42:24 |
I guess I'm just hopin' |
00:42:37 |
John. |
00:42:49 |
What have we here? |
00:42:54 |
I think we have a winner. |
00:42:59 |
Phone for phone. |
00:43:01 |
- Take any of your clothes? |
00:43:03 |
They threw all my shoes |
00:43:06 |
and spray painted my damn dog. |
00:43:09 |
- Black. |
00:43:12 |
Perfect. How does that look? |
00:43:14 |
Paging Mr. Dean. |
00:43:16 |
We have you bugged, Mr. Dean. |
00:43:19 |
They thrashed my computers, |
00:43:24 |
- What about jewelry? |
00:43:27 |
- What about silverware? |
00:43:31 |
- Blender, huh? |
00:43:34 |
You know, I did stuff |
00:43:37 |
I mean, not breaking-and-entering, |
00:43:40 |
Yeah, we all did stuff. I just wish |
00:43:43 |
You seem a little attached |
00:43:46 |
Yeah, well, some people meditate, |
00:43:51 |
- I blend. |
00:43:55 |
Yeah, then on top of it, the only suit |
00:43:59 |
Hasn't gotten any better with age. |
00:44:04 |
Blow over? I'm not... |
00:44:07 |
Jerry, I... I'm, I'm suing their |
00:44:11 |
This is flagrant! They never even called |
00:44:14 |
- They have no Sullivan |
00:44:17 |
- Yes. |
00:44:20 |
and, uh, Silverberg and Blake |
00:44:22 |
All right. Uh, Jerry, uh, |
00:44:26 |
- Hey, what's up? |
00:44:30 |
- What? Why not? |
00:44:33 |
Reporters are calling, asking me |
00:44:36 |
and how long |
00:44:38 |
- The mob, Bobby. |
00:44:41 |
- Do you know how hard |
00:44:45 |
Mr. Dean, Silverberg and Blake |
00:44:48 |
- I heard you the first time. |
00:44:52 |
Uh, no, Rachel. It's fine. |
00:44:54 |
Oh, g... |
00:45:03 |
I just got off the phone |
00:45:05 |
A grand jury is being convened |
00:45:10 |
as far back as the |
00:45:12 |
- And why is that? |
00:45:18 |
and that through your continuing |
00:45:22 |
to exert influence and provide |
00:45:27 |
- Oh, well, that's true. |
00:45:29 |
Sure. Everything except |
00:45:33 |
or even knowing anyone |
00:45:36 |
or having any relationship |
00:45:40 |
- This is ridiculous! |
00:45:43 |
This is Pintero. |
00:45:45 |
You give me one week... one week |
00:45:48 |
and I guarantee you, |
00:45:51 |
Tell us about Rachel Banks. |
00:45:57 |
Tell you what. Uh, she was my girlfriend |
00:46:00 |
We keep in touch. |
00:46:05 |
Did you have an affair |
00:46:11 |
You ever beat off |
00:46:14 |
Hmm? You ever have |
00:46:16 |
- Bobby, that is... |
00:46:21 |
I love my wife, |
00:46:24 |
with no equivocations, and that's |
00:46:28 |
Uh, we think that you |
00:46:31 |
until we're able |
00:46:33 |
- Are you firing me? |
00:46:48 |
Carla! |
00:46:52 |
Where is she, Jen? |
00:46:56 |
- Don't go in there. |
00:46:59 |
Because she's reading the paper. |
00:47:05 |
- Asshole. |
00:47:10 |
- How could you let me |
00:47:13 |
This is all lies. |
00:47:16 |
- So you're saying |
00:47:19 |
We have lunch once a month. She's the |
00:47:23 |
You were right about that. Someone |
00:47:27 |
- You said she wasn't an issue. |
00:47:31 |
- And I... And I knew if I told you that... |
00:47:36 |
We went to a counselor for a year! |
00:47:39 |
And now you're standin' there lyin' |
00:47:46 |
Carla, I am smeared all over |
00:47:51 |
I lost my job. I am asking you... |
00:47:54 |
I'm asking you to please just trust me |
00:47:58 |
How in God's name can I trust you? |
00:48:03 |
- Carla, I'm telling you |
00:48:06 |
I don't wanna hear anything else. |
00:48:10 |
- What do you need to think about? |
00:48:13 |
Just leave, so I can think! |
00:48:15 |
Just go, Bobby. Go. Go. |
00:48:23 |
- You want a blend? |
00:48:26 |
Thanks. |
00:48:35 |
- Hi. |
00:48:40 |
Okay. Thank you. |
00:48:46 |
- I'm sorry, sir. This card was declined. |
00:48:51 |
Yes, sir. |
00:48:55 |
You know, maybe it's |
00:48:58 |
Thank you. |
00:49:01 |
Yes, sir. |
00:49:04 |
No, it didn't go through. |
00:49:07 |
- But I'll try it again. |
00:49:11 |
- My briefcase is gone. |
00:49:13 |
- My briefcase was right here. |
00:49:16 |
Yes, I'm sure I brought it in! |
00:49:22 |
Hi. This is Rachel. |
00:49:26 |
Hey, Rachel, it's Bobby. |
00:49:29 |
and I need to talk to you |
00:49:31 |
Uh, meet me tomorrow, 11:00 a.m., |
00:49:37 |
Yes. |
00:49:48 |
All right, we're moving into |
00:49:50 |
Selb's gonna brief you on this, |
00:49:53 |
We're gonna be following |
00:49:56 |
We're gonna have three listening |
00:50:00 |
Pratt, you're three. |
00:50:03 |
you guys are at ground level. |
00:50:05 |
You move when I say, |
00:50:08 |
All handoffs go on my command. |
00:50:10 |
Now, for the uninitiated, |
00:50:13 |
we can't hear |
00:50:16 |
- Right? |
00:50:18 |
- All right. You guys clear? |
00:50:21 |
Jones, Krug, what, are you guys |
00:50:24 |
- No, we're ops. |
00:50:35 |
I would like to sit down |
00:50:38 |
so he and I can discuss |
00:50:40 |
I called; they said he was here. |
00:50:42 |
Mr. Pintero would like to help you. |
00:50:48 |
- But he won't. |
00:50:50 |
Well, because first, you haven't |
00:50:53 |
and second, we've spent hundreds |
00:50:58 |
on shyster lawyers just like you... |
00:51:01 |
because of shyster lawyers |
00:51:06 |
Actually, I believe |
00:51:09 |
is generally reserved |
00:51:12 |
I believe the proper slur |
00:51:15 |
would be, uh, "eggplant." |
00:51:18 |
Boom. This kid gets brighter |
00:51:27 |
- You said 11:00 sharp. |
00:51:32 |
You know, it's not so smart, us being |
00:51:38 |
- Do we have anything to hide? |
00:51:41 |
- Unfortunately not. |
00:51:44 |
I RS contacted me this morning. |
00:51:47 |
- Two, you're good. Hold position. |
00:51:51 |
Ohh. You're being audited? |
00:51:53 |
For the last four years. |
00:51:57 |
Uh, look, don't worry about that. |
00:52:02 |
- Eighty percent. |
00:52:06 |
- It's a temporary situation. |
00:52:09 |
- On three. Much better. Much better. |
00:52:12 |
- Wake up, one. |
00:52:17 |
Rachel, I'm going to fix this. |
00:52:21 |
- How? |
00:52:23 |
- Did he say "Bill"? |
00:52:27 |
- Cross-reference Rachel's file. |
00:52:30 |
Rachel, don't you see that he is |
00:52:34 |
From the second you gave me that tape, |
00:52:37 |
You assured me |
00:52:39 |
- You needed information,: |
00:52:43 |
- Three is good. |
00:52:49 |
- Okay, here we go. |
00:52:52 |
- Want your job back... |
00:52:55 |
I don't have a life. |
00:52:58 |
I'm in love with a married man. |
00:53:06 |
Okay, I have 'em on the bench. |
00:53:09 |
Rachel, I'm sorry, but there's |
00:53:15 |
What makes you think it's you? |
00:53:19 |
It's not me? |
00:53:23 |
I j... I just as-assumed from... |
00:53:25 |
- You're a moron, you know that? |
00:53:34 |
Rachel, you're gonna have |
00:53:39 |
Let's get outta here. |
00:53:42 |
All right. They're on the move. |
00:53:44 |
- Comin' to three. |
00:53:50 |
- You're following through trees. |
00:53:53 |
- Repeat, I have lost line-of-sight. |
00:53:56 |
- Lost line-of-sight. I'm out. |
00:54:01 |
When I need to reach Brill, I... |
00:54:03 |
I chalk the mailbox |
00:54:07 |
When he crosses the mark, |
00:54:10 |
The location's always the same... |
00:54:14 |
3:00 p.m. Ferry to Gibson Island. |
00:54:18 |
- You ever see him in person? |
00:54:21 |
He's not gonna like you |
00:54:26 |
The drop is behind seat 32. |
00:54:28 |
I leave something; |
00:55:25 |
I'm sorry it took so long. I had to |
00:55:29 |
- Brill. |
00:55:32 |
Died of smallpox when he was two. |
00:55:35 |
- What is that? |
00:55:40 |
- Take off your left shoe. |
00:55:43 |
Take off your shoe. I don't have time to |
00:55:47 |
Come on. |
00:55:58 |
It's a beacon transmitter. |
00:56:02 |
They're close. Let's go. |
00:56:05 |
Who is "they"? |
00:56:09 |
And why are they puttin' things |
00:56:17 |
No, get in the back, |
00:56:26 |
Everything's gone... |
00:56:29 |
bank accounts, everything. |
00:56:32 |
You said Zavitz was behind |
00:56:35 |
- No, they said it. |
00:56:38 |
- Yeah. |
00:56:42 |
- Help me with what? |
00:56:47 |
- What did he give you? |
00:56:58 |
Listen, you gotta come clean. |
00:57:01 |
- No! I'm tellin' ya, |
00:57:05 |
No, nothing! |
00:57:15 |
- Who the hell is that? |
00:57:18 |
Well, he's doing a good job. |
00:57:24 |
Two-zero-nine to anybody. |
00:57:27 |
- Who you calling? |
00:57:47 |
- Stay exactly where you are. |
00:57:52 |
Look what you did to my car! |
00:58:02 |
Shit! |
00:58:12 |
Okay, gentlemen, we have a subject |
00:58:17 |
That's 105 Chambers Avenue. |
00:58:20 |
- Run a check on all six tracers. |
00:58:24 |
- Call up geo-position. |
00:58:27 |
All right. LAT, 39 degrees, 14 minutes. |
00:58:47 |
- Hello. |
00:58:50 |
- Robert, do you know what |
00:58:53 |
Photographs of you and Rachel |
00:58:58 |
Carla... Carla, how did |
00:59:01 |
By messenger, Robert! |
00:59:03 |
- What does it matter? |
00:59:06 |
Some... Something's going on. |
00:59:09 |
Robert, |
00:59:12 |
and my ATM and my credit cards |
00:59:15 |
- I know. Mine either. |
00:59:20 |
- I gotta go. |
00:59:24 |
- Carla... Carla, I gotta... I gotta go. |
00:59:35 |
Get on the fucking elevator. |
00:59:44 |
Oh, really? |
00:59:51 |
Got vertical movement here. |
00:59:55 |
Elevator. |
00:59:58 |
- We're losing our tracking. |
01:00:01 |
- I'm on it. |
01:00:15 |
What the fuck is going on? |
01:00:20 |
- Shh. |
01:00:30 |
Hold it. |
01:00:36 |
- I don't know what your problem... |
01:00:59 |
I'm getting high-frequency clutter. |
01:01:02 |
Their signals are completely dead. |
01:01:21 |
Get up. |
01:01:26 |
- Tracers three, four and five |
01:01:30 |
We had an arrangement. |
01:01:33 |
They got to be heading for the roof. |
01:01:36 |
northeast corner, |
01:01:38 |
Copy that. Rooftop, |
01:01:41 |
Do you know how many federal agents |
01:01:45 |
- I-I don't... |
01:01:48 |
Is that about me? Am I a target here? |
01:01:51 |
- Who is "they"? |
01:01:57 |
You're either very smart |
01:02:00 |
Get off. Come on. |
01:02:07 |
- I got separating signals here. |
01:02:11 |
Where did he go? |
01:02:12 |
How did you find out about the ferry? |
01:02:14 |
- Who set that up for you? |
01:02:17 |
- What did he say, exactly? |
01:02:21 |
Did he say it or did you say it, |
01:02:25 |
- Shit, I said it. |
01:02:28 |
- Is all this about Pintero? |
01:02:38 |
- Excuse me, sir. |
01:02:42 |
- Pulse is at 24 gigahertz. |
01:02:45 |
It's like a Lo Jack, |
01:02:48 |
- And what does that mean? |
01:02:51 |
You're kind of a jerk, aren't you? |
01:02:56 |
All right. Enough of this bullshit. |
01:03:02 |
- Jones, you take the stairs. |
01:03:06 |
The National Security Agency |
01:03:09 |
fax, phones, |
01:03:11 |
They're the only ones in the country, |
01:03:15 |
- Why are they after me? |
01:03:18 |
Here they come. I thought these |
01:03:22 |
Control, this is Air One. |
01:03:24 |
105 Chambers Avenue. |
01:03:26 |
You're transmitting. |
01:03:29 |
Your collar, your belt, your zipper. |
01:03:32 |
- And then what am I supposed to do? |
01:03:37 |
- Two targets, rooftop, north side. |
01:03:41 |
- You have something they want. |
01:03:44 |
Maybe you do and you don't know it. |
01:03:48 |
You come near either one of us, I'm |
01:03:51 |
- My wife gave me this |
01:04:04 |
- Wait a minute. Either he just |
01:04:07 |
- Air One, stay with him. |
01:04:11 |
Satellite imagery |
01:04:14 |
One meter res layering wireframe |
01:04:18 |
Okay, gentlemen, |
01:04:20 |
Okay. Wireframe download complete. |
01:04:23 |
All right. We have a tracer |
01:04:26 |
Nineteen, eighteen... |
01:04:31 |
seventeen... |
01:04:34 |
Moving up! |
01:04:41 |
He's out of the stairwell |
01:04:50 |
Oh, shit. |
01:05:05 |
Shit. Mr. Wu. |
01:05:07 |
- Target is holding on 17. |
01:05:12 |
Mr. Wu. |
01:05:17 |
- Thank you very much. |
01:05:19 |
Hi. I'm from hotel hospitality |
01:05:22 |
Oh, no, no. No tip. I'm fine. |
01:05:25 |
- Hello. |
01:05:29 |
- to be completely comfortable. |
01:05:34 |
- We got him. |
01:05:37 |
get your asses up here |
01:05:39 |
That's really important |
01:05:42 |
- Mr. Dean? I'd like to talk to you |
01:05:46 |
My clothes. |
01:05:49 |
- Shit! |
00:00:08 |
Mr. Dean, if you could just come |
00:00:14 |
I can't... I got rabies or something. |
00:00:30 |
Let's go. |
00:00:42 |
- Okay, that's our last tracer. |
00:00:45 |
Let's not let this get out of hand. |
00:00:51 |
Down, ma'am, sir. |
00:00:58 |
- Door! |
00:01:04 |
Krug, balcony! |
00:01:07 |
Air One and Control, we got him. |
00:01:11 |
Air One, visual support. Check |
00:01:14 |
Ten-four, Control. |
00:01:24 |
- He jumped to 15. Go to 15. |
00:01:29 |
Grab his clothes. |
00:01:32 |
Let's go, gentlemen. |
00:01:40 |
Go! |
00:01:44 |
Move! |
00:01:53 |
- Dean, open this door, Goddamn it! |
00:02:08 |
Dean, come on now! |
00:02:26 |
Open that door! |
00:02:34 |
- D.C. Metro. |
00:02:44 |
Control, Air One. We have |
00:02:46 |
Team, the show's going public, |
00:02:51 |
This is Air One. |
00:02:57 |
We have a friend, Chavez, |
00:03:01 |
Hey, there's a guy |
00:03:14 |
You're going to be okay, guy. |
00:03:20 |
- Okay, we are traveling. |
00:03:24 |
- We need sat backup now. |
00:03:36 |
Hey. Take it easy, guy. |
00:03:43 |
- Easy, fella. |
00:03:47 |
- Tell him to stop... |
00:03:54 |
- He's getting out! He's getting out! |
00:03:59 |
He's escaped the ambulance and he's |
00:04:02 |
- Task keyhole their coordinates. |
00:04:05 |
LONG, 74 degrees, |
00:04:11 |
- Move, guys. |
00:04:23 |
- You're on. Go. |
00:04:26 |
In pursuit armed felon loose |
00:04:31 |
Metro, this is Tunnel Control. |
00:04:36 |
Copy that. |
00:04:40 |
Yeah, we got him, we got him. He's right |
00:04:43 |
- He's heading south down tunnel six. |
00:04:50 |
He crossed over. |
00:04:57 |
Stop! Stop! |
00:05:02 |
We lost him. We lost him. |
00:05:08 |
- He's currently entering |
00:05:12 |
Five leads to main access |
00:05:15 |
- Request closest vehicular access. |
00:05:20 |
Boys, he's in the ventilation tunnel. |
00:05:24 |
- There is no visual coverage. |
00:05:28 |
To the service entrance |
00:05:31 |
Come on! Go! |
00:06:31 |
- Normally, I wouldn't do this. |
00:06:46 |
- Shit! |
00:06:55 |
I don't understand |
00:06:57 |
He shed the sensors. He's clever. |
00:07:00 |
- Maybe it's the real Brill. |
00:07:05 |
None of them check out. We're running it |
00:07:07 |
- Do you think we're being set up? |
00:07:11 |
I don't know. |
00:07:13 |
It just tastes |
00:07:17 |
- I know what you mean. |
00:07:21 |
Make things a bit more serious for Mr. |
00:07:24 |
Okay. Good. |
00:07:32 |
- Anything wrong? |
00:07:37 |
You know, you should have made deputy |
00:07:42 |
But it'll happen now. Once this bill |
00:07:54 |
Thanks, Maria. |
00:08:05 |
Porsche, what are you |
00:08:20 |
- Porsche? |
00:08:23 |
- Hey, it's me. It's me. |
00:08:26 |
The house is bugged. Electronically. |
00:08:30 |
Listen to me. |
00:08:32 |
I never... I sw... I swear to God. |
00:08:36 |
I never... Ever since the problem, |
00:08:39 |
I never... I never even looked at her |
00:08:43 |
I love you, and that is it. |
00:08:47 |
- What about Eric? |
00:08:51 |
And I love your family. |
00:08:57 |
I need you. I need you real bad. |
00:09:04 |
Okay. |
00:09:07 |
I told you, Bobby. |
00:09:10 |
I told you they had |
00:09:12 |
And that goddamn privacy bill |
00:09:16 |
- Shh. |
00:09:21 |
You were right. I was wrong. |
00:09:26 |
That day when Daniel Zavitz got hit |
00:09:30 |
The same people... I know it now... |
00:09:33 |
- Bobby, are you serious? |
00:09:37 |
- Ju-Just give me time to work this out. |
00:09:40 |
They're not chasing me |
00:09:42 |
They're not chasing me... |
00:09:44 |
Shh, shh. |
00:09:48 |
Just one time can I make |
00:09:51 |
Just go to Philadelphia. |
00:09:54 |
- Okay. |
00:10:00 |
Oh, God. |
00:10:02 |
Oh, I miss you so much. |
00:10:07 |
- You can't wear that. |
00:10:10 |
- But, baby, I missed you. I was lonely. |
00:10:15 |
Baby, until I actually give it to you, |
00:10:18 |
Yeah, but it looks better on me, |
00:10:22 |
Baby, you're |
00:10:25 |
I missed you so much. |
00:10:32 |
- What? |
00:10:34 |
That was the night |
00:10:37 |
- Where is Eric? |
00:10:39 |
He's probably on the way to school. |
00:10:43 |
- What are you doing with that? |
00:10:47 |
- Take it. Take it. |
00:10:50 |
- Okay. Okay. |
00:10:53 |
Oh, shit. Eric. |
00:11:06 |
Base, this is unit one. |
00:11:09 |
Stay put. We have satellite tracking |
00:11:21 |
Aw, man, let me follow |
00:11:25 |
She doesn't shave |
00:11:29 |
Women like that |
00:11:31 |
- Is there anybody following us? |
00:11:35 |
All right. |
00:11:44 |
- There they are. |
00:11:47 |
Okay. |
00:11:50 |
Eric, Dylan, |
00:11:52 |
- No, we're okay. |
00:11:55 |
But school's right down the block. |
00:11:57 |
You heard me. |
00:12:04 |
Come on! |
00:12:11 |
- What's up, fellas? |
00:12:13 |
No, no. Turn around. |
00:12:16 |
- But, Dad... |
00:12:18 |
You guys both pick a spot |
00:12:22 |
You can't let anyone know |
00:12:26 |
How you been, E? |
00:12:28 |
I missed you, too, Dad. |
00:12:30 |
Oh, they've been keeping me really busy |
00:12:35 |
- Are you and Mom getting a divorce? |
00:12:39 |
What are you talking about? |
00:12:42 |
I mean, so we, we had a little fight. |
00:12:45 |
- That's nothing |
00:12:49 |
This is your dad, Eric. You know |
00:12:52 |
- My mom won. |
00:12:56 |
and it is absolutely imperative |
00:12:59 |
Now, no matter what you say, |
00:13:03 |
- All right? You ready? |
00:13:05 |
You remember that night I came home |
00:13:08 |
I just looked in the bag, Dad. |
00:13:13 |
All right, so we're clear. |
00:13:18 |
- Dad. |
00:13:22 |
It's not Eric's fault, Mr. Dean. |
00:13:25 |
The screen just scrambles |
00:13:28 |
- All right, but I need it, guys. |
00:13:31 |
Eric, just pass it |
00:13:55 |
Yes. Hello. Hi. |
00:13:59 |
I'm sorry. |
00:14:01 |
Sergeant Miller. Yes, we live |
00:14:04 |
Actually, my mother lives there. |
00:14:07 |
There's been a-a van sitting |
00:14:10 |
I'm not trying to get anyone |
00:14:12 |
but, uh, I think they might be |
00:14:15 |
I was hoping you |
00:14:19 |
Thirty-one Allison, |
00:14:21 |
Check out a white van at 454 Beaumont |
00:14:27 |
- Oh, eat me. That's us. |
00:15:07 |
Rachel. |
00:15:09 |
Rachel. |
00:16:29 |
Oh, shit. |
00:17:02 |
Open the door. Open the door! |
00:17:13 |
- I thought I told you |
00:17:24 |
- All right, what happened? |
00:17:34 |
I told you not |
00:17:42 |
Get out of the car. |
00:17:45 |
- I think I found what they're |
00:18:31 |
Give me the toy. |
00:18:43 |
- You know why they killed her? |
00:18:46 |
They... They had my stuff planted |
00:18:49 |
First, if you're a murder suspect, |
00:18:53 |
and second, to discredit you, |
00:18:58 |
The NSA set you up. |
00:19:03 |
Absolutely nothing. |
00:19:12 |
- What do we got? |
00:19:15 |
All right. Pull up everything |
00:19:17 |
the square, |
00:19:19 |
Van, give me the sat imagery |
00:19:22 |
Okay, here. These are the parametrics |
00:19:28 |
Can we take a look at this guy |
00:19:33 |
Can you get a feature extraction |
00:19:35 |
Mm-mmm. |
00:19:38 |
- He's smart. |
00:19:41 |
The satellite's about |
00:19:45 |
- That's kind of limited, isn't it? |
00:19:48 |
Oh, maybe I will, idiot. |
00:19:53 |
Stay put. I need some food. |
00:19:56 |
Rockin' around the Christmas tree |
00:19:59 |
Let the Christmas spirit ring |
00:20:03 |
Later we'll have some pumpkin pie |
00:20:06 |
And we'll do some caroling |
00:20:09 |
You will get a sentiment... |
00:20:15 |
- Hello. |
00:20:18 |
- What are you calling me for? |
00:20:21 |
Go to the house. Go. |
00:20:24 |
Rachel Banks is dead. The papers will |
00:20:28 |
Tell her that I didn't do it. |
00:20:30 |
Make sure she goes. Get her |
00:20:34 |
The call is coming from 840 McClean, |
00:20:40 |
Copy that. Yes! |
00:21:01 |
What's up, man? We're gonna have |
00:21:07 |
- Hey, Larry! |
00:21:12 |
Freeze it and process it |
00:21:23 |
Pratt, do we see |
00:21:27 |
No, sir. This kid here at the register |
00:21:30 |
Unfortunately, the shot's too tight. |
00:21:36 |
- Order satellite coverage |
00:21:53 |
- You planning a quick getaway? |
00:22:21 |
Hate to see the chicken |
00:22:25 |
This is where I work. |
00:22:29 |
It's completely secure. Copper wire mesh |
00:22:38 |
This is the satellite imagery |
00:22:42 |
- They're in an El Camino. |
00:22:47 |
- There it is. |
00:22:53 |
- That's affirmative. |
00:22:57 |
It's coming in from top left. |
00:23:02 |
Let's go in there and get them. |
00:23:07 |
I call it the jar. |
00:23:11 |
Self-contained. |
00:23:14 |
Nothing for a wire bug |
00:23:17 |
That leaves only transmitters. It's |
00:23:21 |
Signal-sweeping for transmitters. |
00:23:27 |
See, the government's been in bed |
00:23:31 |
They've infected everything. They |
00:23:35 |
your computer files, your e-mail, |
00:23:39 |
- My wife's been saying that for years. |
00:23:44 |
The more technology you use, the easier |
00:23:49 |
It's a brave new world out there. |
00:24:11 |
There it goes. |
00:24:16 |
Oh, conspiracy theorists |
00:24:19 |
It's more than a theory with me. |
00:24:23 |
Yeah, I used to work for the NSA. |
00:24:27 |
Listen to international calls, |
00:24:30 |
That GPS tracking device we found |
00:24:33 |
I designed one of the first models |
00:24:44 |
Fort Meade has 18 acres |
00:24:49 |
You're talking to your wife |
00:24:53 |
any of a hundred key words, |
00:24:56 |
automatically records it, |
00:24:59 |
That was 20 years ago. |
00:25:07 |
You know the Hubble Telescope |
00:25:09 |
They've got over a hundred spy |
00:25:14 |
In the old days, we actually had |
00:25:17 |
Now calls bouncing off satellites, |
00:25:24 |
What's this? |
00:25:31 |
- That's Phil Hamersly. |
00:25:43 |
Who's this guy? I'm gonna check |
00:25:47 |
Let's run a photo I D on him. |
00:26:00 |
Reynolds, Thomas Brian. |
00:26:04 |
Attended Episcopal School, D.C. |
00:26:08 |
On loan from the State Department |
00:26:10 |
This guy's not a professional. |
00:26:18 |
Aw, shit! Take that. |
00:26:21 |
- When was the last time |
00:26:24 |
- Didn't I tell you |
00:26:28 |
- What did I tell you? |
00:26:31 |
I told you no calls. |
00:26:34 |
- Get the cat. Get the cat. |
00:26:38 |
- What's the cat's name? |
00:26:40 |
Come here, baby. Come here, baby. |
00:26:52 |
Shit! |
00:26:57 |
Goddamn it. |
00:27:09 |
All right, baby, |
00:27:14 |
What the... |
00:27:25 |
- Subjects exiting. |
00:27:29 |
This bitch is gonna blow! |
00:27:51 |
Come on! Go! |
00:27:57 |
Move! Move! Move! |
00:28:07 |
Move! Move! |
00:28:20 |
- What the hell is happening? |
00:28:22 |
- Why? |
00:28:34 |
- Tell him to pull over! |
00:28:42 |
Pull over now! |
00:29:00 |
Pump action! |
00:29:20 |
Gosh damn! |
00:29:26 |
Fuel line must be broken. |
00:29:29 |
- Get it out! Get it out! Goddamn! |
00:29:41 |
- Where's the disk? |
00:29:44 |
No! Shit! |
00:29:48 |
- Ah, that's ruined. |
00:29:52 |
- I'm leaving. |
00:29:54 |
- What do you mean you're leaving? |
00:30:11 |
We have control. |
00:30:22 |
You think I wanted that disk? |
00:30:26 |
Who gives a fuck what you wanted? |
00:30:35 |
Onto you? What do you mean onto you? |
00:30:38 |
You're not the target. |
00:30:52 |
This time we got him. We got him. |
00:30:58 |
Come on, come on. |
00:31:02 |
We got him. |
00:31:16 |
Air One to ground, |
00:31:19 |
Get the fuck away from me. |
00:31:23 |
- Damn it! |
00:31:27 |
- You're blowing my whole life. |
00:31:30 |
You live in a fucking jar |
00:31:33 |
And Rachel... You didn't give a shit |
00:31:41 |
- Come on! |
00:31:46 |
I'm all you've got! |
00:31:57 |
Got 'em. |
00:32:10 |
- Get out of the fucking car! Get out! |
00:32:14 |
- Come on. Get out. Move. |
00:32:17 |
- Tell your story walking. |
00:32:21 |
- Thanks for your help back at the train. |
00:32:25 |
Oh, for Jesus... |
00:32:28 |
Air One to ground, I think we lost them. |
00:32:41 |
Well, you certainly carjacked |
00:32:45 |
This is a piece of shit. |
00:32:51 |
- I need sugar, you know. |
00:32:56 |
I'm hypoglycemic. Uh, my body |
00:32:59 |
So you're a real, you know, |
00:33:02 |
Basically. |
00:33:05 |
Yeah. Right. |
00:33:07 |
- We should eat then. |
00:33:11 |
His real name is Edward Lyle. |
00:33:17 |
Rapid promotion, excelled |
00:33:22 |
- Of course. |
00:33:27 |
- Hasn't been seen since. |
00:33:31 |
Lots of black bags, |
00:33:33 |
He's familiar |
00:33:36 |
His last assignment, he went into Iran, |
00:33:40 |
- This is our problem. |
00:33:46 |
So, we were helping |
00:33:51 |
to the Afghani rebels |
00:33:53 |
My partner and I were |
00:33:58 |
It was kind of fun, actually. |
00:34:02 |
But back in Tehran, |
00:34:05 |
and overnight, |
00:34:07 |
People we'd been working with, |
00:34:11 |
My partner didn't. |
00:34:14 |
By the time I got home, |
00:34:18 |
Aiding and abetting |
00:34:20 |
The agency conveniently |
00:34:25 |
I don't blame them. |
00:34:29 |
I loved the agency. |
00:34:33 |
I loved the work. |
00:34:36 |
It was my whole life. |
00:34:39 |
Your partner |
00:34:42 |
Yeah. The idea was... |
00:34:46 |
The idea always was that if one |
00:34:51 |
Rachel was all he had, |
00:34:55 |
- Here you go, hon. |
00:35:03 |
Maybe we can still keep |
00:35:05 |
You're a threat now, |
00:35:08 |
Threat to whom? To them? |
00:35:11 |
To your family, to your friends, |
00:35:14 |
That's why I went away and didn't |
00:35:19 |
No, I don't think so. |
00:35:22 |
I worked hard for it, |
00:35:25 |
I grew up without a father. I know what |
00:35:30 |
Mommy, I don't wanna |
00:35:41 |
Wanna take a poke at me? Come on. |
00:35:44 |
I don't hit senior citizens. |
00:35:50 |
Oh, come here, Babe. Come on. Hey. |
00:35:51 |
Come up here. Come on. |
00:35:53 |
You know, in guerilla warfare, you try |
00:35:57 |
- Such as? |
00:36:00 |
if they're big and you're small, |
00:36:06 |
You're hidden |
00:36:09 |
You only fight battles you know you can |
00:36:13 |
You capture the weapons and then |
00:36:17 |
That way they're supplying you. |
00:36:22 |
- Hey, try these. |
00:36:25 |
- Yeah. Here. |
00:36:29 |
- That's my best aloha shirt. |
00:36:42 |
- Steve, how you doing? |
00:36:46 |
- Say hi to Bill. |
00:36:51 |
Steve, where's the two gigahertz |
00:36:53 |
Right behind you, |
00:36:56 |
Steve? I thought you said |
00:36:58 |
No. You're Bill. |
00:37:01 |
- If I'm Bill, you're going to have |
00:37:04 |
The, uh, president has not |
00:37:07 |
but he does recognize |
00:37:12 |
And I think that he will come to see |
00:37:15 |
provide the kind |
00:37:18 |
- What security? |
00:37:26 |
Ah, here we go. Modified cell phone |
00:37:31 |
- Creates an enormously powerful tool. |
00:37:34 |
This is Congressman Albert's |
00:37:40 |
Now, we reprogram our phone... |
00:37:43 |
with Congressman Albert's ESN, |
00:37:47 |
Hi, sweetie. We just landed. |
00:37:50 |
- Melissa has a fever. |
00:37:53 |
- When will you have |
00:37:56 |
- I'll be in suite 59, Lincoln Hotel. |
00:38:01 |
Oh, shit. |
00:38:07 |
Aw, shit. |
00:38:23 |
- Say something. |
00:38:25 |
- Louder. |
00:38:31 |
- Won't they look in there? |
00:38:34 |
Great plan. |
00:38:37 |
I've been a law-abiding citizen |
00:38:40 |
I'm sh-shooting... and breaking... |
00:38:44 |
I have to go to the bathroom. |
00:38:46 |
- Rest well. |
00:38:51 |
Good work, guys. |
00:39:11 |
We got him. |
00:39:14 |
Yeah, go for it, |
00:39:22 |
- I think you're too young |
00:39:40 |
Yeah, hello. Could you send somebody |
00:39:43 |
Yes, this is Christa, |
00:39:45 |
- Might be able to piggyback it |
00:39:48 |
I'm just a congressman, |
00:39:51 |
Security expert tells me it's like |
00:39:57 |
except it's-it's |
00:40:01 |
Of course I'm going to send it down, |
00:40:05 |
Because I want to know |
00:40:19 |
- Hi there. Hey. |
00:40:39 |
- The category, Barbara. |
00:40:47 |
- Stop jumping... |
00:40:50 |
- I told you to stop jumping around. |
00:41:09 |
Okay, these are the ones |
00:41:13 |
They're all ours. |
00:41:16 |
Thomas, could |
00:41:24 |
Look, there's $140,000 here. |
00:41:28 |
- What are you talking about? |
00:41:32 |
Look, it's right here. |
00:41:35 |
Two separate $70,000 deposits |
00:41:38 |
Yes, I see the deposits, |
00:41:40 |
- What I'm saying is |
00:41:44 |
I'm sorry. That was Shaffer. He wants |
00:41:50 |
You're going in on Sunday. |
00:41:53 |
- That's just great. |
00:41:57 |
This is your separate account. |
00:42:00 |
By the way, who is Christa? |
00:42:05 |
"Eternally yours"? |
00:42:10 |
I want the entire history |
00:42:14 |
on my desk in two hours. |
00:42:19 |
I want the name |
00:42:24 |
I want to know |
00:42:28 |
who checked it out |
00:42:31 |
and for what purpose. |
00:42:36 |
Most important, |
00:42:39 |
it got into Congressman Albert's |
00:42:43 |
Listen, people, everyone here knows |
00:42:46 |
Now, if this was a legit op... |
00:42:54 |
If this was a legit op... |
00:42:56 |
and I can't possibly see |
00:43:03 |
But if this was somebody's |
00:43:07 |
then that somebody |
00:43:12 |
It's him. |
00:43:17 |
- Yes? |
00:43:20 |
- Who is this? |
00:43:26 |
- Can we discuss this in person? |
00:43:31 |
I'll be there at 4:00. |
00:43:35 |
We have to get a confession out of |
00:43:38 |
get it on tape, and we have |
00:43:43 |
Oh, you shouldn't have. This thing |
00:43:48 |
Now, they expect me |
00:43:50 |
So what they'll do |
00:43:53 |
But once they're done, |
00:43:57 |
- and, uh, you turn the mike on. |
00:43:59 |
Signal is putting, uh, gum in my mouth. |
00:44:02 |
So after the signal, you turn |
00:44:05 |
- Let's try it. |
00:44:09 |
Good. Now, to be safe, |
00:44:12 |
to scan all the frequencies |
00:44:15 |
Now, if these guys are good, |
00:44:19 |
they'll have you |
00:44:21 |
So let's say in four minutes time, |
00:44:25 |
regardless of what's happening, |
00:44:28 |
- Now, you got that? |
00:44:46 |
Record. On-off. |
00:44:50 |
All right, |
00:44:54 |
Hey there. |
00:44:59 |
Edward Lyle. Policeman. |
00:45:02 |
- Very clever. |
00:45:07 |
Pratt. |
00:45:14 |
Step towards the fence for me. |
00:45:24 |
He's clear, sir. |
00:45:26 |
So, do you have the tape? |
00:45:29 |
- Yes, I have. |
00:45:33 |
- No. |
00:45:36 |
- Money. |
00:45:41 |
Have you looked at the tape? |
00:45:44 |
- What's on it? |
00:45:48 |
It shows the death |
00:45:51 |
The needle behind the ear. |
00:45:53 |
- Three faces, readily identifiable. |
00:45:57 |
- 1.8 million dollars. |
00:46:00 |
And my file cleared. |
00:46:03 |
My 1980 salary with cost-of-living |
00:46:07 |
- Plus interest. |
00:46:11 |
Comes to 1.85. |
00:46:14 |
And for this, |
00:46:17 |
- Actually, it's Dean that has the tape. |
00:46:20 |
- So what does he want? |
00:46:24 |
- What girl you talking about? |
00:46:29 |
You're getting self-righteous on me? |
00:46:32 |
- Not exactly a beacon of light. |
00:46:35 |
It's just that... |
00:46:38 |
I wouldn't have, |
00:46:40 |
But why the girl? |
00:46:45 |
- Schmuck? |
00:46:49 |
You won the war. Now we're fighting |
00:46:53 |
Does he take this long |
00:46:56 |
Now we've got ten million crackpots |
00:47:00 |
Ten-year-olds go on the Net, downloading |
00:47:05 |
- Aw, shit. |
00:47:08 |
Privacy's been dead for 30 years |
00:47:12 |
The only privacy that's left |
00:47:15 |
- Come on. Get him to say something. |
00:47:19 |
You think we're the enemy of democracy, |
00:47:24 |
- There's always going to be power. |
00:47:28 |
They're onto us. |
00:47:33 |
Get out now, Robert. |
00:47:52 |
- You gonna shoot a policeman |
00:48:02 |
- Yeah? |
00:48:05 |
- Tom, our Visa card's been canceled. |
00:48:08 |
- Yeah, I tried that too, and it's not... |
00:48:11 |
- I'll call you back. |
00:48:13 |
Credit cards not working, huh? |
00:48:27 |
Come in. |
00:48:33 |
- Asshole. |
00:48:43 |
Tell him |
00:48:47 |
- What guarantees do we have if... |
00:48:51 |
None? |
00:48:53 |
Does everybody here know that you |
00:48:57 |
This guy is going down, and he's going |
00:49:01 |
Trust me on this. Aah! Goddamn! |
00:49:06 |
- Rachel Banks is not the issue. |
00:49:13 |
Oh... Oh, shit. |
00:49:16 |
Where's the tape? |
00:49:20 |
- Tom! |
00:49:23 |
- I'll-I'll give it to you. |
00:49:25 |
What are you doing, you moron? |
00:49:29 |
- For Christ's sake. |
00:49:34 |
- Where is it? |
00:49:46 |
- That's my blender. |
00:49:49 |
Fourth and Washington. |
00:49:58 |
- Where is it? |
00:50:01 |
11169 Fourth Street. |
00:50:16 |
Wait a second. |
00:50:19 |
See if you can get |
00:50:22 |
T-S-1-8-7-8-5. |
00:50:26 |
- You go in with Pratt and bring it out. |
00:50:32 |
- Oh, you don't think so? |
00:50:36 |
I'm a dead man. |
00:50:38 |
We go together, you and me. And you |
00:50:41 |
They let Brill go, and you take the tape |
00:50:46 |
What assurances do I have |
00:50:50 |
You think I want copies? That tape has |
00:50:54 |
I wish the one that we have |
00:50:57 |
I wanna go home. |
00:51:06 |
- Give me a piece. |
00:51:11 |
All right, you and me. |
00:51:16 |
And Pratt and Bingham. |
00:51:19 |
Fiedler, get one of those |
00:51:30 |
Guess what. |
00:51:33 |
I'm going in cold. If I need you, |
00:51:41 |
- You guys got some food |
00:51:57 |
You're either incredibly smart |
00:52:02 |
We'll see in a minute. |
00:52:13 |
- I'll be back to get my blender. |
00:52:21 |
It's your show. |
00:52:24 |
- Isn't that the guy that was here |
00:52:36 |
- No, no. Thank you. |
00:52:39 |
- Yeah. It's good food. |
00:52:42 |
- Yeah, yeah. |
00:52:45 |
- Come on. Eat your food. |
00:52:48 |
- Boss. |
00:52:58 |
Hey, how you doing? |
00:53:02 |
What's this, the FBI? |
00:53:04 |
No, sir, Mr. Pintero. This is |
00:53:07 |
- Oh, that's him? |
00:53:11 |
- So you made the tape? |
00:53:14 |
Did you make the videotape? |
00:53:17 |
Look, look. He wants it back. |
00:53:20 |
Really? I don't give a shit |
00:53:27 |
Could we have |
00:53:30 |
Yeah, maybe we should. |
00:53:34 |
- Maria, get the kids out of here. |
00:53:38 |
Get 'em out of here. |
00:53:41 |
Maria, come on! Get 'em out! |
00:53:47 |
- Ooh, ooh, Hicks. |
00:53:51 |
No, no, no, no. Not on the equipment. |
00:54:03 |
Check this out. |
00:54:07 |
Tony, they just pulled |
00:54:09 |
He's puking and bleeding |
00:54:15 |
Shit. It's a city cop. |
00:54:19 |
Hey, Babe. Come on. Come on. |
00:54:23 |
- Oh, yeah. Okay. |
00:54:27 |
Hey, look. Number one, |
00:54:32 |
- And number two, it's not his tape. |
00:54:35 |
It's mine, okay? |
00:54:39 |
You sold it to him? |
00:54:45 |
Now, you listen to me. |
00:54:50 |
Who are you? What the fuck |
00:54:53 |
- Oh, this looks bad. |
00:54:58 |
- You guys oughta get in there. |
00:55:02 |
Now, we can go get a warrant |
00:55:05 |
arrest anybody that we want... |
00:55:09 |
Hey, only one gonna get arrested here |
00:55:12 |
with an attempt to swallow |
00:55:14 |
And you, get the fuck |
00:55:17 |
Go get your warrant. |
00:55:19 |
Come on. You gotta get in there! |
00:55:22 |
- Shut up! |
00:55:25 |
- Shit, forget it. Come on. |
00:55:27 |
This is it! This is it! Krug, |
00:55:30 |
Jones, you're on the side entrance. |
00:55:33 |
- So what are we waiting for? |
00:55:38 |
- Put the guns away. |
00:55:41 |
Put it away. |
00:55:48 |
Put it away. |
00:55:55 |
All right, |
00:56:03 |
- Now, what will it take |
00:56:11 |
Let's go. We're leaving. |
00:56:14 |
- Everybody, drop your weapons! |
00:56:49 |
Go! Go! Go! |
00:56:59 |
- Get your hands up. |
00:57:02 |
- On your knees. |
00:57:05 |
Easy, easy. Get up. Get up. |
00:57:08 |
- All right. Let's get |
00:57:12 |
Let's go. |
00:57:16 |
Right there. |
00:57:18 |
We need some paramedics in here. |
00:57:34 |
All right, listen up. |
00:58:08 |
This guy is going down. |
00:58:11 |
- Goddamn! |
00:58:15 |
Hamersly is the issue. He was killed |
00:58:22 |
- Why did you record it? |
00:58:25 |
first of all, we were there for |
00:58:30 |
- Do they know that Reynolds is dead? |
00:58:34 |
- Right, but they're still stalling. |
00:58:36 |
- A tape. |
00:58:39 |
- What did you think was going on? |
00:58:42 |
- STO? |
00:58:50 |
Congressman! Rhonda Overby, CNN. |
00:58:54 |
Uh, in its current form, yes, |
00:58:58 |
unless, of course, no one worries |
00:59:10 |
We knew that we had |
00:59:14 |
We also have come |
00:59:16 |
to monitor the people |
00:59:19 |
Well, who's going to monitor |
00:59:23 |
I wouldn't mind doing |
00:59:27 |
Mmm. Yeah, and you got lots |
00:59:31 |
Are you guys talking |
00:59:34 |
- Boy... |
00:59:37 |
Get in there and eat your dinner. |
01:00:15 |
Brill, you are one sick man. |
01:00:20 |
Yeah, me too. |
01:00:25 |
Ooh, you're gonna need |
01:00:33 |
Congressman Sam Albert, how do we |
01:00:36 |
between protection |
01:00:39 |
obviously the government's need |
01:00:42 |
and the protection of civil liberties, |
01:00:47 |
You've got no right |