|
Enfants du si cle Les The Children of the Century
|
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Children of The Century |
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We were born |
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The wars were over, |
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leaving no glory or ideals to die for. |
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Despair was our religion |
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and scorn our only passion. |
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Women dressed in white like brides, |
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while we, the young men, |
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wore black like orphans, |
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and stared empty-hearted at them, |
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I was living in this wilderness, |
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until, suddenly, |
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one day, I met her. |
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Wait for me, for God's sake! |
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What's wrong? |
| 00:02:59 |
- It's only a novel. |
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Which means telling the truth! |
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Am I really like that stuffy lady? |
| 00:03:05 |
No one recognizes themselves in books. |
| 00:03:08 |
Readers will. Believe me, Buloz! |
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For pity's sake... George! |
| 00:03:17 |
His leg's better. |
| 00:03:21 |
- Water him. |
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Boucoiran! |
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Mama! |
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The pumpkins are ripe. |
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Let's go to the kitchen garden! |
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George! |
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If you don't like his version, |
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Perhaps I will, one day. |
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But you won't be the publisher. |
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You can catch the midday coach |
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SEVERAL YEARS EARLIER-JUNE 1832 |
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Mama... |
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What are you doing down here? |
| 00:04:07 |
They're all so noisy. |
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Go back to bed. |
| 00:04:19 |
I'll tell them to be quieter. |
| 00:04:24 |
Is it Papa shouting? |
| 00:04:25 |
- They're talking politics. |
| 00:04:28 |
No, you know how he likes his drink. |
| 00:04:31 |
Come on now. It's been a long day |
| 00:04:35 |
No, leave it. |
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Will we go to Paris one day? |
| 00:04:39 |
Why? |
| 00:04:40 |
To get away from his shouting. |
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I don't know. |
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PARIS, A FEW DAYS LATER... |
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Come on! |
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stay there! Don't move! Hold on tight! |
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Solange! |
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My book! |
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Maurice! |
| 00:06:03 |
Mama! |
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Let go of me! |
| 00:06:19 |
You have to let me in! |
| 00:06:20 |
- sorry, not dressed like that. |
| 00:06:23 |
- You have no hat! |
| 00:06:27 |
I was told you were here. |
| 00:06:28 |
Where have you come from? |
| 00:06:30 |
Chateauroux. |
| 00:06:36 |
But I've left my husband. |
| 00:06:44 |
Can we at least sit down? |
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Come this way. |
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- Is she hurt? |
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Get her some salts. |
| 00:06:59 |
I'm not likely to faint now, |
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but give the children |
| 00:07:03 |
You risk cholera! |
| 00:07:06 |
Don't people know what's happening? |
| 00:07:09 |
Boulevard St. Martin is a bloodbath. |
| 00:07:11 |
I live near there! |
| 00:07:13 |
I must go. |
| 00:07:16 |
I'm home most afternoons. |
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I'm Marie Dorval. |
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I'm sorry... |
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Baroness Dudevant. |
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You're Jules Sand? |
| 00:07:32 |
Yes. Well, it was us. |
| 00:07:34 |
I couldn't use my married name, |
| 00:07:37 |
Aurore sand, then... |
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I want a man's name. |
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Women will. |
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I'm a writer, |
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I'd like to call myself George. |
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George without an s. |
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George! |
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Cigar? |
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He won't spread his tail. |
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show him your feathery rumps. |
| 00:08:10 |
Put some life into it! |
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Put some life into it! |
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The peacock's call |
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Well, Musset? |
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Put them in the cage, |
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You can stop now. |
| 00:08:35 |
- What's wrong? |
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They irritate me. |
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Let's change prey. |
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How about an actress? |
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- she is? |
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You're on. |
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see that woman over there? |
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- That's Marie Dorval. |
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I want to see |
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Go on, I'm watching. |
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What's the matter? |
| 00:09:17 |
I'm scared. |
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Of who? |
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Musset. |
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Beware! |
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Who with? |
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Women, of course. |
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Unlike us, men are fragile lovers. |
| 00:09:33 |
They pick at old wounds. |
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Come on, Marie, |
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It's odd how experience hardens men |
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but makes women softer. |
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There you are! |
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I knew it. |
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Will you accept my dirty money? |
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Dirty? You don't even know |
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And now, |
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Did you think |
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show me! |
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No. It's not very good. |
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Don't toy with desire, Musset. |
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Come with me. |
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You know, drawing the two of you |
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- Care to join us? |
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Excuse me, sir. |
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Musset! |
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Your father's very ill. |
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Don't go in there! Alfred! |
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Alfred! |
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No one's here. |
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Where is he? |
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You even missed our father's death. |
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ONE YEARLATER... |
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Flat sleeves are the best. |
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Did Palmyre make this? |
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- Do you want the waist tighter? |
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I wore trousers too |
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I want to feel at ease, |
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When I come to see you at the theater, |
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I'll fetch the jacket. |
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I can't afford to have |
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They won't have |
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I couldn't care less. |
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You're the best thing |
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- Solange, what are you doing? |
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In marriage, |
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a woman is enslaved. |
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she can't think for herself, |
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can't own property |
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nor feel erotic pleasure. |
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Quiet! |
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It is easier |
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than to try to give her pleasure. |
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Modern man's ideal wife is a whore. |
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An honest woman has no choice |
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It's a scandal! |
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Marie! You're leaving? |
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Yes, I need some air. |
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To tell the truth? |
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some written words |
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Was it Buloz's idea? |
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Do you think it was wrong? |
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she doesn't understand. |
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What counts is that your true friends |
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Beuve, Pinson's leaving. |
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Your name will be on everyone's lips. |
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You sound like a baker. |
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Come on! |
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I know. |
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- Give me a cigar. |
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What public? |
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- What do I tell Buloz? |
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He'll send you a set of proofs. |
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To shine my boots! |
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Instead of licking other people's. |
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Musset, I had no idea you were coming. |
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Beuve, how are you? |
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Why, it's Marie Dorval. |
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Alfred, where have you been? |
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I was gambling. |
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- You're joking. |
| 00:14:13 |
so, is the reading over? |
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Capo de Feuillide, critic, |
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Your reading will be featured |
| 00:14:22 |
Thank you, sir. |
| 00:14:23 |
No need to thank me. |
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You may dress like a man, |
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With just enough syntax |
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Fear not. It will sell. |
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By the pound! Like manure! |
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I'll see to him. |
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Drink this. Don't cry. |
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Why should I cry? |
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I don't know. |
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That wasn't stupidity. |
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A critic's hatred. What of it? |
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You know what? |
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That idiot has made me |
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I've been through this too. |
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Three years ago, |
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At the Odeon, no less. |
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I felt like killing |
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Critics, audience, actors |
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What for? For boring them? |
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I tried to please them. |
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- You hate the public? |
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I realized then |
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You and I know that the joy of writing |
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something terrible is happening. |
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I hardly dare tell you. |
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I want to kiss you here and now. |
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Don't worry, I won't. |
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I know it's impossible. |
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I'm thirsty. |
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Don't move. |
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What's this story of a Fiasco |
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What? |
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Dorval is telling |
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- You're joking. |
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What are you doing? |
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You tell everyone my secrets? |
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I was trying to explain your nature, |
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that you'd never known pleasure. |
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Anyway, you have no secrets now. |
| 00:17:00 |
At least 30 men |
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But it'll still be a Fiasco. |
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You force yourself. |
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And you force others. |
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You impose yourself on them. |
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she just left, I think. |
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Here. |
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You just missed him. |
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- The night is young for him. |
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- I've had a row with Marie. |
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That's it. |
| 00:18:19 |
They're here! |
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It's like a coffin. |
| 00:18:22 |
No, it's a bathtub. |
| 00:18:25 |
- Is it heavy? |
| 00:18:28 |
Why are they washing you? |
| 00:18:30 |
For his portrait. |
| 00:18:31 |
Mr. Delacroix is painting a battle, |
| 00:18:35 |
Naked soldiers? |
| 00:18:36 |
Bath time, Planche. |
| 00:18:38 |
No, it was a bad idea. |
| 00:18:42 |
Come on! |
| 00:18:44 |
- I'll pay for the water. |
| 00:18:50 |
- Hello. What's your name? |
| 00:18:54 |
Is your mother in? |
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Ouch, I'm not a lobster! |
| 00:18:57 |
some cold water? |
| 00:19:01 |
You'll be the death of me. |
| 00:19:04 |
We have a visitor. |
| 00:19:11 |
- Musset! |
| 00:19:14 |
Forgive me... |
| 00:19:15 |
Don't worry. |
| 00:19:18 |
- You all know Alfred de Musset. |
| 00:19:21 |
I agreed to undergo this humiliation |
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Now I'm getting cold. |
| 00:19:30 |
I've just Finished your book. |
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I was afraid that I'd dislike it. |
| 00:19:35 |
You look like Marat. |
| 00:19:38 |
Musset, would you care |
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I chose the wrong day. |
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Musset in the tub! |
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Come on. |
| 00:19:52 |
I'll let him take my turn. |
| 00:19:56 |
Enjoy yourself. |
| 00:19:59 |
I'll come another day. |
| 00:20:11 |
Have you seen Bocage's Louis XI? |
| 00:20:13 |
I hear the play is dreadful. |
| 00:20:15 |
I have a box for tonight. |
| 00:20:24 |
- Are you angry? |
| 00:20:27 |
It's the actors who ruin plays. |
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Not actresses? |
| 00:20:32 |
No, they ruin one's life. |
| 00:20:36 |
- Who is it? |
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I'll say good night then. |
| 00:20:48 |
Please come up. |
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- Do you have Five minutes? |
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Drat! |
| 00:21:10 |
You'll wake Boucoiran. |
| 00:21:12 |
Is that the dog? |
| 00:21:18 |
Are you still up? |
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I was preparing tomorrow's lessons. |
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What would I do without you? |
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- Mama! |
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- I'll go. |
| 00:21:36 |
How was the play? |
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A dozen butcher's boys dressed as pages |
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Romantic drama is dead. |
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Hugo and Dumas |
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That bogus Renaissance! |
| 00:21:53 |
You've been spoiled! |
| 00:21:55 |
They're this century's |
| 00:21:57 |
This century has barely started. |
| 00:22:00 |
- I must be going... |
| 00:22:02 |
That's our only copy. |
| 00:22:03 |
Maurice wants a glass of water. |
| 00:22:06 |
He had a nightmare. |
| 00:22:07 |
Good, it will make a writer of him. |
| 00:22:12 |
Here... I'd like your opinion. |
| 00:22:15 |
Not a historic drama, I hope. |
| 00:22:17 |
Yes, but since you hate the genre, |
| 00:22:20 |
A Conspiracy in 1 537 |
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Good night, then. |
| 00:22:29 |
Would you like a candle? |
| 00:22:30 |
No need. I'm like a cat. |
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I live by night. |
| 00:22:37 |
- Did you land on your feet? |
| 00:23:02 |
- What's wrong? |
| 00:23:04 |
I read it in one go. |
| 00:23:05 |
I've just Finished. It's amazing! |
| 00:23:08 |
Lower your voice. |
| 00:23:10 |
You know what you have here? |
| 00:23:14 |
- Your Lorenzo is Hamlet! |
| 00:23:16 |
An Italian Hamlet! |
| 00:23:20 |
- What is it? |
| 00:23:22 |
Yes. Why? |
| 00:23:26 |
- I've woken you up... |
| 00:23:31 |
- Would you like some coffee? |
| 00:23:36 |
Where did you Find this story? |
| 00:23:38 |
In the Varchi chronicles. |
| 00:23:42 |
In 1 537, the tyrant who ruled Florence |
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was murdered by his cousin, |
| 00:23:47 |
It's true. |
| 00:23:49 |
It's a true story. |
| 00:23:52 |
I like the character, |
| 00:23:56 |
I'd make him die like a dog at the end. |
| 00:24:00 |
- No, he wants freedom. |
| 00:24:03 |
People dream of freedom, |
| 00:24:07 |
Freedom is terrifying. |
| 00:24:08 |
Oppression is so much more comfortable. |
| 00:24:13 |
sit down. |
| 00:24:20 |
I see I've shocked |
| 00:24:24 |
My republican conscience |
| 00:24:28 |
I was a baroness for ten years. |
| 00:24:33 |
No, you're wrong. |
| 00:24:34 |
Oppression in marriage |
| 00:24:43 |
This place is so calm |
| 00:24:50 |
What do we do with Lorenzo? |
| 00:24:52 |
Kill him? |
| 00:24:53 |
It's the only possible ending. |
| 00:24:57 |
so we've got the ending to do. |
| 00:24:59 |
No, we have to redo the whole play. |
| 00:25:04 |
Lorenzaccio enters, |
| 00:25:06 |
The Duke, in a low tone: |
| 00:25:10 |
Look at him, |
| 00:25:14 |
Look, he shames his parents, |
| 00:25:19 |
Look at that ambling aftermath |
| 00:25:25 |
Look at that... |
| 00:25:26 |
ambling... |
| 00:25:29 |
aftermath... |
| 00:25:31 |
of an orgy. |
| 00:25:35 |
He shames his parents, |
| 00:25:37 |
his mother weeps and Florence says: |
| 00:25:40 |
Here's the wicked Lorenzaccio, |
| 00:25:42 |
the spy, the traitor... |
| 00:25:44 |
Have you ever betrayed anyone? |
| 00:25:47 |
Perhaps. |
| 00:25:48 |
Did you enjoy doing it? |
| 00:25:50 |
I hope not! |
| 00:25:52 |
Then your heart's too pure |
| 00:25:55 |
To him, betrayal |
| 00:25:59 |
His pleasure comes when he sees |
| 00:26:05 |
I think you're right. |
| 00:26:08 |
I can't begin |
| 00:26:11 |
I Find it hard to believe it exists. |
| 00:26:13 |
I learned that |
| 00:26:16 |
she seduced me |
| 00:26:20 |
I know Lorenzo |
| 00:26:25 |
I could do everything he does. |
| 00:26:27 |
You could kill your cousin? |
| 00:26:28 |
I almost killed my brother |
| 00:26:30 |
in a hunting accident. |
| 00:26:32 |
Your hero is just like me. |
| 00:26:37 |
How did you do that? |
| 00:26:38 |
I just imagined the worst. |
| 00:26:42 |
And you turned up. |
| 00:26:45 |
Mama! |
| 00:26:49 |
You didn't fall. |
| 00:26:50 |
Liar! I didn't push her! |
| 00:26:55 |
What are you doing? |
| 00:26:59 |
Don't wake them, they're asleep. |
| 00:27:03 |
What's happened? |
| 00:27:04 |
They've been working. |
| 00:27:06 |
Let's surprise them. |
| 00:27:10 |
How late did they work? |
| 00:27:12 |
All night. |
| 00:27:16 |
We'll bake them an apple pie. |
| 00:27:25 |
Have a safe journey. |
| 00:27:27 |
Three months isn't long. |
| 00:27:29 |
I'll think of you every night. |
| 00:27:32 |
Yes, I'll think of you. |
| 00:27:41 |
There's a chicken and some bottled pears |
| 00:27:45 |
Come here, my darling. |
| 00:27:49 |
Hold me tight. |
| 00:27:51 |
Give my love to everyone. |
| 00:27:58 |
Can we go to the zoo again? |
| 00:28:00 |
Yes, we'll see the monkeys next time. |
| 00:28:03 |
He's right. |
| 00:28:06 |
They won't. Their father's sending them |
| 00:28:09 |
- They learn more with you. |
| 00:28:14 |
Don't you want to see Rome? |
| 00:28:18 |
Florence? |
| 00:28:21 |
Touch the marble, see the palaces? |
| 00:28:29 |
A moth has a Fine life. |
| 00:28:32 |
-Just a few days spent dancing... |
| 00:28:36 |
They're right to burn. |
| 00:28:37 |
Life is too short to be petty. |
| 00:28:50 |
No, we mustn't. |
| 00:28:56 |
I can't love you in that way. |
| 00:29:02 |
There's a place in my heart, |
| 00:29:05 |
If you want it, it's yours. |
| 00:29:18 |
What's the matter? |
| 00:29:20 |
I've swallowed a moth. |
| 00:29:27 |
Mother, did you know |
| 00:29:30 |
He is? |
| 00:29:32 |
Hermine, you haven't eaten a thing. |
| 00:29:34 |
Leave her plate, please. |
| 00:29:38 |
A new poem? |
| 00:29:39 |
No, you'll be pleased. |
| 00:29:41 |
About time, too. |
| 00:29:43 |
I knew you wouldn't dwell on a failure. |
| 00:29:47 |
Yes, because I've rid myself |
| 00:29:51 |
the audience and the actors. |
| 00:29:54 |
It's only to be read, |
| 00:29:56 |
I'm calling it armchair theater. |
| 00:29:58 |
A play without performances? |
| 00:30:01 |
What's the subject? |
| 00:30:03 |
It's about a conspiracy in Florence, |
| 00:30:08 |
By the way, I must tell you |
| 00:30:12 |
I need to touch the marble, |
| 00:30:14 |
see the palaces. |
| 00:30:17 |
I'm going to Italy. |
| 00:30:21 |
Do you plan to go alone? |
| 00:30:25 |
Nothing has been decided yet. |
| 00:30:26 |
Until Madame sand decides. |
| 00:30:29 |
- Where are you going? |
| 00:30:32 |
sit down, please! |
| 00:30:34 |
Hermine, leave us. |
| 00:30:45 |
shouldn't I have mentioned it? |
| 00:30:48 |
- Is it a secret? |
| 00:30:50 |
We're talking about today. |
| 00:30:53 |
You won't waste your life on an |
| 00:30:57 |
He has given her back her freedom! |
| 00:31:00 |
That's what they all say! |
| 00:31:03 |
I will not let you go. |
| 00:31:05 |
Not with that woman! |
| 00:31:12 |
You'll thank us one day. |
| 00:31:22 |
You're out of your mind! |
| 00:31:36 |
- I beg of you, Alfred! |
| 00:31:41 |
Don't go. I fear for you. |
| 00:31:42 |
You fear for yourself. |
| 00:31:44 |
Alfred's leaving! |
| 00:31:46 |
You don't understand. |
| 00:31:47 |
You may respect her, |
| 00:31:51 |
And you destroy those who love you. |
| 00:32:17 |
What's happened? |
| 00:32:18 |
Can you put me up? |
| 00:32:20 |
Come in. |
| 00:32:25 |
Have you lost your key? |
| 00:32:27 |
In a manner of speaking. |
| 00:32:34 |
You can have the sofa. |
| 00:32:37 |
Any earlier |
| 00:32:39 |
I'm off to the Girardins'. |
| 00:32:43 |
No, thank you. |
| 00:32:49 |
- There are sheets in the cupboard. |
| 00:32:58 |
It's too dull, isn't it? |
| 00:33:01 |
- The color, maybe? |
| 00:33:04 |
It's taffeta. |
| 00:33:07 |
Or the shawl.... |
| 00:33:10 |
No, it's the dress. |
| 00:33:34 |
Is this the latest Byron translation? |
| 00:33:36 |
Buloz sent it over this afternoon. |
| 00:33:43 |
Have you told your mother |
| 00:33:45 |
We've fallen out. |
| 00:33:47 |
It's not good |
| 00:33:49 |
That's exactly what she said. |
| 00:33:55 |
Ah, no comparison! |
| 00:34:03 |
- What's that? |
| 00:34:06 |
The First woman |
| 00:34:09 |
she must know a thing or two. |
| 00:34:14 |
There. |
| 00:34:15 |
Could you do me up? |
| 00:34:22 |
Are you sure you won't come? |
| 00:34:25 |
I hate to abandon you. |
| 00:34:27 |
Don't worry. |
| 00:34:32 |
It lingers in rooms after you've gone. |
| 00:34:49 |
You're armed? |
| 00:34:53 |
Paris is a dangerous city. |
| 00:34:55 |
I wouldn't like to meet you |
| 00:34:59 |
Then again... |
| 00:35:15 |
Go, before it's too late. |
| 00:37:02 |
Your carriage is here. |
| 00:37:06 |
Pay it off and send it away! |
| 00:37:20 |
Wait. |
| 00:37:26 |
You imitate passion |
| 00:37:47 |
I know men aren't meant |
| 00:37:50 |
But to the author of Lelia... |
| 00:37:53 |
savor this moment with me... |
| 00:38:07 |
Every day, I think of your body... |
| 00:38:13 |
In every shade of light, |
| 00:38:17 |
its hidden secrets. |
| 00:39:37 |
What skill! |
| 00:39:39 |
Absolutely! I was doing |
| 00:39:50 |
Those words I swore not to say... |
| 00:39:52 |
should I utter them, |
| 00:40:13 |
Come here. |
| 00:40:15 |
I hate heights. |
| 00:40:18 |
- shall we jump? |
| 00:40:21 |
We'll never live |
| 00:40:25 |
Are you ready? |
| 00:40:28 |
shall we do it? |
| 00:40:38 |
see the way I am? |
| 00:40:40 |
I want to give you so much |
| 00:40:41 |
and the best I can offer |
| 00:40:46 |
Escape while you still |
| 00:40:49 |
It's too late. |
| 00:40:55 |
Baroness Dudevant |
| 00:40:58 |
Please wait. |
| 00:41:10 |
I'm against this journey. |
| 00:41:13 |
That must be why you're here. |
| 00:41:15 |
It's not a whim. |
| 00:41:20 |
My son keeps me informed |
| 00:41:24 |
But why not wait until spring? |
| 00:41:28 |
His mind is set on the new year. |
| 00:41:31 |
Bring him back to me. |
| 00:41:34 |
Don't worry, Madame. |
| 00:41:37 |
I love him... I love him like... |
| 00:41:40 |
Like a mother? |
| 00:41:48 |
Wait. |
| 00:42:02 |
2,000 francs for his journey. |
| 00:42:04 |
I'd rather give it to you. |
| 00:42:07 |
Don't thank me. |
| 00:42:13 |
Are you taking your whole library? |
| 00:42:16 |
Keep the key. You might want |
| 00:42:19 |
You'd think I was headed |
| 00:42:21 |
I'm staying here. |
| 00:42:22 |
I'll be right here when you return, |
| 00:42:24 |
a bit more covered with more dust |
| 00:42:28 |
Come now. |
| 00:42:31 |
Your beard scratches! |
| 00:42:33 |
Forgive me for staying behind. |
| 00:42:37 |
What do you mean? |
| 00:42:39 |
Or a wedding procession, |
| 00:42:41 |
sadder still. |
| 00:42:43 |
Like a Fish marrying a rabbit. |
| 00:42:45 |
- I suppose I'm the Fish! |
| 00:42:50 |
I almost forgot. |
| 00:42:53 |
Father would have |
| 00:42:56 |
Thank you, Paul. |
| 00:42:59 |
Wonderful! |
| 00:43:02 |
I'm glad you came, Paul. |
| 00:43:04 |
so you're really going to go? |
| 00:43:07 |
A thousand francs says you'll return |
| 00:43:10 |
- Very thoughtful, Tattet. |
| 00:43:13 |
Forgive me. |
| 00:43:15 |
- I'll write. |
| 00:43:17 |
Off to a good start! |
| 00:43:20 |
Friends, I will not write. |
| 00:43:23 |
Charming. Thanks, Musset. |
| 00:43:26 |
so is it Florence or Venice? |
| 00:43:29 |
We'll draw lots on the way. |
| 00:43:41 |
- You're in love. |
| 00:44:25 |
What is it? |
| 00:44:27 |
I don't want to be eaten by bedbugs. |
| 00:44:31 |
They should be so lucky. |
| 00:44:40 |
I'm not well. |
| 00:44:48 |
I'm in pain. |
| 00:44:56 |
Do you regret this journey? |
| 00:44:59 |
I've never been so happy. |
| 00:45:12 |
Where are you going? |
| 00:45:14 |
I'm not sleepy. |
| 00:46:10 |
Where were you? |
| 00:46:14 |
Mind my papers! |
| 00:46:47 |
You're quiet. Don't you like Italy? |
| 00:46:50 |
I didn't expect to spend |
| 00:46:54 |
while you're out on the town |
| 00:46:58 |
The Venice coach is leaving. |
| 00:47:02 |
What do you two |
| 00:47:04 |
He's a local. |
| 00:47:17 |
What do you expect me to do? |
| 00:47:20 |
If you want me to stay in, |
| 00:47:23 |
It's not in my nature. |
| 00:47:26 |
It's beneath your pride. |
| 00:47:29 |
What you retain by force, you kill. |
| 00:47:46 |
Haven't you noticed? |
| 00:47:49 |
What? Is he still drunk? |
| 00:47:51 |
No, we're alone. |
| 00:47:54 |
Alone at last! |
| 00:48:14 |
I can't go on. |
| 00:48:18 |
- I'm letting go. |
| 00:48:30 |
Good day. |
| 00:48:33 |
Austrian territory. |
| 00:48:44 |
This is Venice? We're in Venice? |
| 00:50:27 |
His pockets! |
| 00:50:28 |
Got it! |
| 00:50:42 |
Get the key. |
| 00:50:43 |
It's a great honor for us, |
| 00:50:46 |
to have you here at our hotel |
| 00:50:49 |
My God, I'm so impressed. |
| 00:50:53 |
I'm not very well. Could you send up |
| 00:50:59 |
Do you require a doctor? |
| 00:51:00 |
If you can Find one. |
| 00:51:02 |
Let me take care of it. |
| 00:51:05 |
send for Dr. Pagello. |
| 00:51:11 |
I must go and lie down. |
| 00:51:12 |
Will you send up the bags |
| 00:51:16 |
I can't, I... |
| 00:51:18 |
What's wrong? |
| 00:51:21 |
- I've been robbed. |
| 00:51:25 |
I've just been attacked. |
| 00:51:52 |
Close that window, I beg of you. |
| 00:52:04 |
Why are you in a bad mood? |
| 00:52:06 |
Another attack of the spleen? |
| 00:52:08 |
Yes, so I'll take my spleen |
| 00:52:12 |
Of course. Enjoy yourself. |
| 00:52:15 |
- At least you do that well. |
| 00:52:25 |
May I? |
| 00:52:26 |
Where will you go? |
| 00:52:28 |
The nearest casino. |
| 00:52:32 |
I thought you had no money. |
| 00:52:36 |
I'll wager my inheritance. |
| 00:52:40 |
Excuse me. |
| 00:52:41 |
I'm Dr. Pagello. |
| 00:52:46 |
Thank you for coming so quickly. |
| 00:52:53 |
You're running a fever. |
| 00:52:55 |
I may have dysentery too. |
| 00:52:57 |
Is it serious, Doctor? |
| 00:53:00 |
Don't worry. |
| 00:53:11 |
I'm not a very good nurse. |
| 00:53:15 |
I think I'll take another room. |
| 00:53:17 |
Don't unpack my bags, please. |
| 00:54:43 |
Come in. |
| 00:54:46 |
- How's my patient today? |
| 00:54:50 |
I feel much better. |
| 00:54:52 |
Good. |
| 00:54:54 |
Really? |
| 00:54:57 |
Good. |
| 00:55:00 |
They've featured you in the gazette. |
| 00:55:05 |
I didn't know you were so famous. |
| 00:55:07 |
- Neither did I. |
| 00:55:09 |
Excuse me. |
| 00:55:10 |
What a miraculous recovery! |
| 00:55:15 |
How are you today? |
| 00:55:18 |
Andante ma non troppo. |
| 00:55:21 |
What have you done to yourself? |
| 00:55:22 |
- What? |
| 00:55:26 |
- Let me clean it up. |
| 00:55:29 |
I want a reminder |
| 00:55:34 |
What's the news? |
| 00:55:38 |
Our arrival is announced |
| 00:55:40 |
Our arrival? |
| 00:55:43 |
It's mostly about you. |
| 00:55:46 |
Allow me. |
| 00:55:50 |
Can one Find opium here? |
| 00:55:53 |
Of course. |
| 00:55:54 |
- For insomnia? |
| 00:55:56 |
For boredom. |
| 00:55:58 |
It's the only thing |
| 00:56:01 |
You don't like my city? |
| 00:56:03 |
It disappoints me. |
| 00:56:04 |
I wanted Casanova's Venice, |
| 00:56:08 |
Not some petty Austrian garrison town. |
| 00:56:15 |
You promised |
| 00:56:19 |
Well done! |
| 00:56:27 |
What's going on? |
| 00:56:29 |
I don't know. |
| 00:56:31 |
This is ours. |
| 00:56:33 |
Just a minute. |
| 00:56:36 |
Friends, we need your help. |
| 00:56:39 |
We're selling everything, |
| 00:56:43 |
They're being deported |
| 00:56:46 |
- And the others are just as poor. |
| 00:56:49 |
Jews are forbidden to do business |
| 00:56:52 |
We need money... |
| 00:56:57 |
- No, you mustn't. |
| 00:57:00 |
Thank you! |
| 00:57:03 |
- You said you had nothing left. |
| 00:57:27 |
see you tomorrow. |
| 00:57:32 |
I must ask your forgiveness. |
| 00:57:34 |
I've been odious |
| 00:57:38 |
I was angered by your illness. |
| 00:57:45 |
Never leave me. |
| 00:58:09 |
My papers! |
| 00:58:11 |
Fancy writing in bed! |
| 00:58:15 |
You sleep where you like... |
| 00:58:18 |
but you don't write anywhere. |
| 00:58:22 |
Will Lorenzaccio ever be Finished? |
| 00:58:25 |
You might say why Finish a play |
| 00:58:29 |
Why perform a play |
| 00:58:35 |
You don't deserve your talent. |
| 00:58:53 |
There he is. |
| 00:58:56 |
Oh, no, he's brought his friends. |
| 00:58:59 |
shall we go back to the hotel? |
| 00:59:02 |
We can't do that. |
| 00:59:04 |
We'll stay Five minutes, |
| 00:59:13 |
What's wrong? |
| 00:59:14 |
- We're not married. |
| 00:59:18 |
If it's an arm you need, you should have |
| 00:59:37 |
Did you Find any opium? |
| 00:59:39 |
sorry, I forgot. |
| 00:59:44 |
Please... |
| 00:59:48 |
He's leaving? |
| 00:59:54 |
He's leaving. |
| 01:00:00 |
- Fourteen. |
| 01:01:45 |
George... |
| 01:01:47 |
meet Romeo. |
| 01:01:51 |
He'll keep you company |
| 01:01:53 |
Whenever he sings, |
| 01:01:55 |
Then he won't sing often. |
| 01:01:57 |
It's the quality of the song |
| 01:02:01 |
Get dressed. |
| 01:02:02 |
I have work to do. |
| 01:02:04 |
I promised Buloz 1 50 pages |
| 01:02:07 |
He won't pay until he gets them. |
| 01:02:10 |
Doesn't he realize |
| 01:02:15 |
Touch the marble, see the palaces... |
| 01:02:18 |
Is that why you spend |
| 01:02:20 |
You've come a long way |
| 01:02:22 |
Maybe I'm a poor judge. |
| 01:02:25 |
Venetian whores must be |
| 01:02:29 |
Can't you see |
| 01:02:32 |
I'm sure you do. |
| 01:02:38 |
so? |
| 01:02:41 |
For someone who defends women, |
| 01:02:59 |
Is this some game? |
| 01:03:00 |
If I have to compete, |
| 01:03:05 |
Draw me like them. |
| 01:03:08 |
How much would you pay me? |
| 01:03:11 |
I think he's dumb. |
| 01:03:12 |
As much as 40? |
| 01:03:14 |
Twenty. |
| 01:03:16 |
Charming. |
| 01:03:17 |
If you want to play, |
| 01:03:19 |
It's not just bestiality. |
| 01:03:22 |
Men enjoy lowering the price. |
| 01:03:24 |
How do you want me |
| 01:03:28 |
Tender? Docile? |
| 01:03:33 |
Passionate? |
| 01:03:35 |
- Brutal? |
| 01:03:38 |
Don't try to imitate them. |
| 01:03:40 |
For them, it comes naturally. |
| 01:03:43 |
They have the grace of animals. |
| 01:03:46 |
Ah! You're no longer with me. |
| 01:03:48 |
You're right. |
| 01:03:53 |
Once you've loved someone |
| 01:03:57 |
You taught me how to love that way. |
| 01:04:01 |
so if you can't give me that, |
| 01:04:13 |
We'll have tried everything. |
| 01:04:16 |
We've exhausted each other. |
| 01:04:19 |
Love shouldn't demand such effort. |
| 01:04:22 |
Forgive me... |
| 01:04:26 |
I don't think I love you anymore. |
| 01:04:43 |
Monsieur de Musset, |
| 01:04:49 |
Not too much at once. |
| 01:04:52 |
Take a coat. |
| 01:06:13 |
Is anyone there? |
| 01:07:14 |
show yourself!. |
| 01:07:53 |
We found him in a canal. |
| 01:07:57 |
send for a stretcher. |
| 01:08:00 |
A stretcher? |
| 01:08:01 |
send word to Dr. Pagello. |
| 01:08:04 |
Dr. Pagello, yes... |
| 01:08:29 |
Madame sand... |
| 01:08:34 |
- I fell asleep. |
| 01:09:20 |
Nothing more can be done. |
| 01:09:24 |
It's my fault. |
| 01:09:37 |
Calm down... |
| 01:10:35 |
What are you doing? |
| 01:10:40 |
Give me that. |
| 01:10:45 |
I can't do anything. |
| 01:10:47 |
But he can Fight it. |
| 01:10:51 |
Get some rest now, please. |
| 01:10:53 |
I'll stay with him. |
| 01:10:56 |
Please. |
| 01:11:05 |
'My dear Buloz, |
| 01:11:07 |
Alfred is critically ill. |
| 01:11:10 |
He has a brain fever |
| 01:11:12 |
and his doctor is at a loss. |
| 01:11:15 |
I fear for his life. |
| 01:11:17 |
If he dies, |
| 01:11:21 |
If he recovers, I don't know |
| 01:11:24 |
I can't send you anything for now. |
| 01:11:27 |
He is delirious, |
| 01:11:31 |
Farewell, my friend. |
| 01:12:27 |
Don't drink my blood, Mother. |
| 01:12:30 |
It's poisoned. |
| 01:12:40 |
You must get better, Alfred. |
| 01:12:48 |
Why are you burying me? |
| 01:12:50 |
I'm alive. |
| 01:12:53 |
You've put me in a coffin, |
| 01:12:58 |
Alive! |
| 01:13:04 |
Urine! |
| 01:13:07 |
It's urine! He's going to live! |
| 01:13:29 |
A few days ago, |
| 01:13:31 |
Now I wish his illness |
| 01:13:45 |
I'm going mad. |
| 01:13:47 |
In that case, I'm mad as well. |
| 01:13:54 |
I won't be able |
| 01:13:57 |
We've saved him, |
| 01:14:01 |
You and I have saved his life. |
| 01:14:10 |
Leave me, you murderers! |
| 01:14:14 |
- Take your medicine. |
| 01:14:17 |
The doctor's here to look after you. |
| 01:14:21 |
No, he's not here to look after me! |
| 01:14:23 |
He wants to bleed me! |
| 01:14:25 |
He wants to bleed me like a pig! |
| 01:14:27 |
That's it, isn't it? |
| 01:14:30 |
Give me some air! |
| 01:14:32 |
I want air! |
| 01:14:34 |
Let go of me! |
| 01:14:41 |
Don't open the window! |
| 01:14:44 |
Let go of me! |
| 01:14:47 |
Don't move! |
| 01:14:54 |
Get down from there. |
| 01:14:57 |
I want a doctor who speaks French! |
| 01:15:00 |
I am a doctor, |
| 01:15:02 |
No, you... |
| 01:15:04 |
You're a conspiratore! |
| 01:15:08 |
Not a dottore, a conspiratore. |
| 01:15:13 |
Right, George? |
| 01:15:17 |
That's it, isn't it? |
| 01:15:21 |
He's mad! |
| 01:15:23 |
I'm alive! |
| 01:15:24 |
Take the key. |
| 01:15:27 |
I'll kill you both. |
| 01:15:30 |
Open this door! George! |
| 01:15:34 |
What's going on? |
| 01:15:36 |
Everything's Fine. |
| 01:15:39 |
I'll give him a sedative. |
| 01:15:41 |
He'll soon calm down. |
| 01:15:42 |
I need to talk to you. |
| 01:15:44 |
I'll kill you all! |
| 01:15:50 |
Dr. Pagello says Mr. de Musset |
| 01:15:58 |
It's been more than two weeks |
| 01:16:01 |
We can't travel now. |
| 01:16:04 |
You haven't paid |
| 01:16:07 |
Is that the director |
| 01:16:11 |
Excuse me, I must go. |
| 01:16:13 |
It's the director of the asylum! |
| 01:16:18 |
The French... |
| 01:16:25 |
He's mad. |
| 01:16:26 |
No, he's raving, but he's not mad. |
| 01:16:29 |
Drink this. |
| 01:16:35 |
What would I have done without you? |
| 01:16:38 |
George, open this door! |
| 01:16:42 |
Open it or I'll break it down! |
| 01:16:45 |
What will become of us? |
| 01:16:47 |
When I get out of here, I will kill |
| 01:16:50 |
every one of your old lovers |
| 01:16:54 |
Don't go to him. |
| 01:17:00 |
You don't know |
| 01:17:02 |
He's the devil! |
| 01:17:04 |
- What is this? |
| 01:17:10 |
'Dear Pietro, |
| 01:17:12 |
When you receive this letter, |
| 01:17:15 |
Perhaps you will never receive it. |
| 01:17:18 |
Alfred is fully recovered, |
| 01:17:21 |
My life is bound to his |
| 01:17:24 |
I'll never forget you. |
| 01:17:27 |
Farewell. Pity us. |
| 01:17:33 |
Just a second. Doctor! |
| 01:17:36 |
Madame sand has said she is leaving, |
| 01:17:40 |
It's about her bill... |
| 01:17:51 |
What are those for? |
| 01:17:53 |
My resurrection. |
| 01:17:55 |
Here. |
| 01:17:58 |
You went out? |
| 01:18:01 |
I'm in the pink. |
| 01:18:04 |
Were you writing? A new novel? |
| 01:18:07 |
No, still the same one. |
| 01:18:11 |
Am I interrupting you? |
| 01:18:12 |
No, I'd just started. |
| 01:18:13 |
Of course... Buloz! |
| 01:18:16 |
Give us each day our daily chapter. |
| 01:18:19 |
I haven't written a line |
| 01:18:21 |
That's not like you. |
| 01:18:23 |
I've been looking after you |
| 01:18:25 |
We have no money left. |
| 01:18:27 |
You should have left me with the nuns. |
| 01:18:32 |
I wasn't the only one |
| 01:18:35 |
Or so I believe. |
| 01:18:38 |
What if we were to talk frankly? |
| 01:18:40 |
About what? |
| 01:18:44 |
You're right. |
| 01:18:47 |
I must start writing again, too. |
| 01:18:53 |
What did you want to say? |
| 01:18:55 |
During my fever, |
| 01:18:59 |
between the doctor and you. |
| 01:19:02 |
- Was I mistaken? |
| 01:19:06 |
swear to me. |
| 01:19:09 |
I swear. |
| 01:19:33 |
Let go. |
| 01:19:37 |
Let go of me. |
| 01:19:38 |
Look. |
| 01:19:40 |
Look. |
| 01:19:42 |
Look at the face of a liar. |
| 01:19:45 |
Look! |
| 01:19:47 |
Eat it. |
| 01:19:49 |
Go on, eat it. |
| 01:19:51 |
Eat your words! |
| 01:19:53 |
You never loved me! |
| 01:19:54 |
Never... |
| 01:20:01 |
Liar! |
| 01:20:02 |
Liar! |
| 01:20:04 |
You never loved me! |
| 01:20:16 |
Oh, my God! Help! |
| 01:20:18 |
Help! |
| 01:20:29 |
Come on. |
| 01:20:39 |
Never leave me alone with him again. |
| 01:20:41 |
- You have nothing to fear now. |
| 01:20:44 |
We'll have him locked away. |
| 01:20:47 |
Don't send me to a madhouse. |
| 01:20:49 |
I'll get help there. |
| 01:20:52 |
I'll go back. Please... |
| 01:20:54 |
Don't send me to the madhouse. |
| 01:21:14 |
Go and say good-bye to her. |
| 01:21:36 |
It's a long journey. |
| 01:21:39 |
If I end up in an asylum, |
| 01:21:45 |
You're not mad. |
| 01:21:49 |
In Paris, you'll recover and forget. |
| 01:21:51 |
I don't want to forget. |
| 01:21:53 |
I don't want to recover from you. |
| 01:21:58 |
The coach won't wait! |
| 01:22:00 |
What did he say? |
| 01:22:01 |
You didn't understand. |
| 01:22:09 |
Deep down, you're lucky. |
| 01:22:11 |
You'll have no regrets. |
| 01:22:13 |
I've left you nothing |
| 01:22:15 |
I have no bad memories. |
| 01:22:20 |
I only remember the good things. |
| 01:22:25 |
Will you write? |
| 01:22:34 |
No, you're right... |
| 01:22:39 |
Farewell, George. |
| 01:22:43 |
Farewell. |
| 01:22:59 |
Take care of her. |
| 01:23:07 |
Write to me soon! |
| 01:23:12 |
Write to me! |
| 01:23:15 |
Go! |
| 01:23:23 |
'George, in four days, |
| 01:23:27 |
Why not be frank? |
| 01:23:30 |
That far away, |
| 01:23:35 |
If our last kiss |
| 01:23:38 |
I want you to know that as I left, |
| 01:23:41 |
I realized how much |
| 01:23:45 |
You told me to leave and I left. |
| 01:23:48 |
But I am lost. |
| 01:23:51 |
I no longer know if I'm walking, |
| 01:23:55 |
But that's fine |
| 01:23:59 |
I have been such a poor lover. |
| 01:24:03 |
'I am in Geneva. |
| 01:24:06 |
I wanted to be sure of myself |
| 01:24:09 |
My love is still as strong. |
| 01:24:12 |
But I am serene. |
| 01:24:14 |
By taking you, |
| 01:24:17 |
Yet I love him |
| 01:24:21 |
Is it not absurd |
| 01:24:24 |
Write to me. |
| 01:24:29 |
'It has rained for a week |
| 01:24:33 |
I live almost alone. |
| 01:24:40 |
I shut my bedroom door |
| 01:24:43 |
Sometimes, I burst out laughing |
| 01:24:47 |
but then it makes me cry. |
| 01:24:53 |
Now I know we'll be |
| 01:24:56 |
But without passion or despair. |
| 01:25:02 |
'I've been in Paris since April 1 2. |
| 01:25:04 |
Two weeks before I got here, |
| 01:25:08 |
Planche and Sandeau have been dragging |
| 01:25:14 |
I want to write our story. |
| 01:25:16 |
I think it could save me. |
| 01:25:19 |
When we met, I couldn't speak. |
| 01:25:22 |
Now that I can, |
| 01:25:25 |
and I haven't said anything yet. |
| 01:25:28 |
Your letters hurt, but I prefer the pain |
| 01:25:35 |
'I've started a new novel. |
| 01:25:39 |
I can't write about myself |
| 01:25:43 |
But for your book, |
| 01:25:45 |
I offer myself to you blindly. |
| 01:25:49 |
I'm sending you an article |
| 01:25:52 |
hoping you'll approve. |
| 01:25:54 |
I wanted to write |
| 01:25:57 |
and silence those who say |
| 01:26:02 |
'I received your article. |
| 01:26:06 |
I believe it. I can feel it. |
| 01:26:08 |
It's true then. Friendship can live on |
| 01:26:11 |
Tell Pagello |
| 01:26:16 |
'Boucoiran hasn't written for months. |
| 01:26:19 |
Please go see my son |
| 01:26:24 |
'Maurice is well. |
| 01:26:28 |
I went to your apartment. |
| 01:26:31 |
I found the cigarettes |
| 01:26:34 |
They were in the saucer. |
| 01:26:37 |
I smoked them |
| 01:26:44 |
I only ask one thing of you: |
| 01:26:46 |
to see you just for one hour |
| 01:26:50 |
We won't talk about the past, |
| 01:26:54 |
Please don't use Pagello as an excuse |
| 01:26:58 |
Let him suffer for once, like I have. |
| 01:27:00 |
Look, it's dead. |
| 01:27:19 |
I must return to Paris. |
| 01:27:23 |
I'll go with you. |
| 01:27:36 |
Alfred... |
| 01:27:38 |
Yes, Alfred. |
| 01:27:42 |
she's back and she's brought |
| 01:27:48 |
For God's sake, Find another woman! |
| 01:27:56 |
I ought to blow my brains out. |
| 01:27:58 |
Hurry up and do it then. |
| 01:28:00 |
I'd prefer a dead man |
| 01:28:11 |
Ah! How divine... |
| 01:28:37 |
Good day, Madame sand. |
| 01:28:42 |
Let me guess: |
| 01:28:45 |
No, a souvenir from Italy for you. |
| 01:28:48 |
A peace offering? |
| 01:28:51 |
Gautier isn't there. |
| 01:28:53 |
Go see Dumas or the others, |
| 01:28:57 |
- The latest issue? |
| 01:28:59 |
I need 20 more pages |
| 01:29:03 |
Would the account |
| 01:29:05 |
By tonight? |
| 01:29:06 |
It's already written. |
| 01:29:08 |
- I have no choice. |
| 01:29:11 |
I've acquired the bad habit |
| 01:29:15 |
Did you miss me? |
| 01:29:17 |
Yes, and I wasn't the only one. |
| 01:29:19 |
The social set got its revenge by |
| 01:29:24 |
Like what? |
| 01:29:25 |
That you entered a convent |
| 01:29:28 |
I should have. |
| 01:29:32 |
An Estruscan vase. |
| 01:29:33 |
A conversation piece |
| 01:29:36 |
Quite risque, your Etruscans... |
| 01:29:42 |
Who's the Italian? |
| 01:29:46 |
- He saved my life. |
| 01:29:51 |
Oh, well, |
| 01:29:54 |
Let's just say I've found peace. |
| 01:29:57 |
Have you seen him? |
| 01:29:59 |
How is he? |
| 01:30:01 |
In a very bad state. |
| 01:30:03 |
He asked me to arrange |
| 01:30:05 |
a chance encounter. |
| 01:30:13 |
You'll have your 20 pages tonight. |
| 01:30:15 |
I'll drop them by |
| 01:30:17 |
You're leaving us again? |
| 01:30:18 |
I'm off to Nohant. |
| 01:30:33 |
What are you doing here? |
| 01:30:41 |
Did you get my last letter? |
| 01:30:46 |
Why didn't you reply? |
| 01:30:55 |
You can't do this. |
| 01:30:59 |
You can't kill love before it's over. |
| 01:31:09 |
Dare to tell me you don't love me. |
| 01:31:17 |
Dare to tell me you weren't happy. |
| 01:31:20 |
Let go of me. |
| 01:31:38 |
Is that you? |
| 01:31:48 |
It looks good there, no? |
| 01:31:58 |
Tell me it's not over. |
| 01:32:00 |
George! I've changed! |
| 01:32:05 |
I'm not jealous anymore. |
| 01:32:07 |
I'll open the door. |
| 01:32:09 |
I'm not violent anymore. |
| 01:32:14 |
I am nothing. |
| 01:32:16 |
Without you, I'm nothing. |
| 01:32:19 |
Open the door! |
| 01:32:22 |
George! |
| 01:32:33 |
- Wait, Mother. |
| 01:32:35 |
Please... I'm scared. |
| 01:32:36 |
What of, for God's sake? |
| 01:32:38 |
I dance so badly... |
| 01:32:40 |
Typical of you |
| 01:32:43 |
someone has to ask you First. |
| 01:32:45 |
Isn't that poor Edmee? |
| 01:32:47 |
Isn't she in mourning? |
| 01:32:48 |
she has a daughter to marry. |
| 01:32:50 |
What are her chances? |
| 01:32:52 |
A father carried off by cholera: |
| 01:32:56 |
Two brothers in literature: |
| 01:32:59 |
As for the rest, |
| 01:33:00 |
no conversation, |
| 01:33:04 |
Why is she here then? |
| 01:33:09 |
My dear Edmee, |
| 01:33:12 |
The feeling's mutual, |
| 01:33:14 |
You know my son Paul. |
| 01:33:17 |
My, hasn't she grown! |
| 01:33:20 |
Alfred couldn't come. |
| 01:33:22 |
What do you mean? He's here! |
| 01:33:24 |
Fancy that! Your brother's here! |
| 01:33:32 |
I'm sorry. |
| 01:33:37 |
It's my fault. Forgive me. |
| 01:33:38 |
No, don't bother. |
| 01:33:40 |
Please don't bother. |
| 01:33:42 |
Do they soothe your throat? |
| 01:33:45 |
No, they soothe my life. |
| 01:33:49 |
Would you like one? |
| 01:33:55 |
- Thank you. |
| 01:34:06 |
You dance the waltz here? |
| 01:34:08 |
Everyone does. It's all the rage. |
| 01:34:11 |
Hermine, if someone should ask you, |
| 01:34:18 |
May I have the pleasure |
| 01:34:43 |
Look at them! |
| 01:34:47 |
They're falling all over the place! |
| 01:34:50 |
silly girls! |
| 01:35:08 |
- Why did you drag me here? |
| 01:35:11 |
With my family here? Brilliant. |
| 01:35:13 |
Enjoy the party. |
| 01:35:16 |
They're young and rich. |
| 01:35:21 |
Alfred! |
| 01:35:23 |
Alfred de Musset... Aimee d'Alton. |
| 01:35:26 |
- Delighted. |
| 01:35:28 |
Mr. de Musset gave me |
| 01:35:32 |
Now, you promised me this waltz. |
| 01:35:35 |
- Did I really? |
| 01:35:37 |
Perhaps Alfred can replace me. |
| 01:35:39 |
I'd be delighted. |
| 01:35:41 |
Come on, then. |
| 01:35:53 |
Come quickly! |
| 01:35:55 |
He's fallen down! |
| 01:36:10 |
Mademoiselle d'Alton... |
| 01:36:11 |
will you marry me? |
| 01:36:39 |
We've raised 1 ,000 francs. |
| 01:36:43 |
In praising you, |
| 01:36:46 |
He wanted to surprise me. |
| 01:36:48 |
she's delightful. I'm subjugated! |
| 01:36:51 |
You stand no chance. |
| 01:36:54 |
The dream after the nightmare. |
| 01:36:56 |
That woman will suffer |
| 01:36:58 |
she already has been. |
| 01:37:00 |
How's that? |
| 01:37:01 |
- Didn't I tell you? |
| 01:37:04 |
That Italian doctor... |
| 01:37:06 |
He was selling fake Etruscan antiques |
| 01:37:10 |
People go to prison for less. |
| 01:37:11 |
she sent him home. |
| 01:37:20 |
Look, doughnuts... |
| 01:37:22 |
I'll be right back. |
| 01:37:31 |
He's mad. |
| 01:37:34 |
It looks like a skirt. |
| 01:37:38 |
He's such a child! |
| 01:37:40 |
You'll need a lot of patience. |
| 01:37:42 |
You and I will protect him |
| 01:37:45 |
I have 25,000 pounds in income. |
| 01:37:47 |
I'll use it to further his career. |
| 01:37:50 |
I'll start a salon. |
| 01:37:51 |
In ten years, he'll be |
| 01:40:03 |
Julie, have the bailiffs been? |
| 01:40:05 |
Madame, it's worse than that. |
| 01:40:08 |
I couldn't stop them. |
| 01:40:16 |
They've gone mad! |
| 01:40:19 |
Isn't this better? |
| 01:40:20 |
Look how beautiful it is! |
| 01:40:21 |
No more of that Turkish bazaar. |
| 01:40:23 |
It was like living |
| 01:40:26 |
One curtain to go, children. |
| 01:40:30 |
Not the curtains! |
| 01:40:36 |
Come on, get up. |
| 01:40:39 |
Look at the state you're in. |
| 01:40:42 |
You too, Maurice. |
| 01:40:45 |
It wasn't my idea. |
| 01:40:47 |
Off you go. |
| 01:40:49 |
Are you angry with me? |
| 01:40:51 |
It was Alfred's idea. |
| 01:40:53 |
Don't be such a telltale. |
| 01:40:56 |
Can I at least keep the carpet? |
| 01:41:00 |
What's this? |
| 01:41:01 |
It's coral. |
| 01:41:02 |
Who gave it to you? |
| 01:41:06 |
There's a trunk here. |
| 01:41:07 |
I've had my things brought over. |
| 01:41:18 |
April 2 4, 1 81 9. |
| 01:41:21 |
I feel a love for God within me. |
| 01:41:23 |
A vast and limitless |
| 01:41:29 |
I long to follow it. |
| 01:41:32 |
How old were you? |
| 01:41:33 |
Fifteen. |
| 01:41:37 |
One writes like that at 1 5. |
| 01:41:40 |
I want to love, |
| 01:41:42 |
I want to love eternally |
| 01:41:49 |
see how we change? |
| 01:41:51 |
You wrote me |
| 01:41:57 |
Listen to this. |
| 01:42:00 |
One day you'll look back, |
| 01:42:03 |
'I have often suffered... |
| 01:42:05 |
and sometimes been deceived... |
| 01:42:08 |
but I have loved. |
| 01:42:10 |
It is I who have lived, not some |
| 01:42:16 |
That's beautiful. What is it? |
| 01:42:18 |
A Schubert transcription |
| 01:42:21 |
When did you see Liszt? |
| 01:42:23 |
Actually, no, I didn't see him. |
| 01:42:29 |
What are you talking about? |
| 01:42:30 |
I wrote that piece. |
| 01:42:33 |
I didn't want to look |
| 01:42:37 |
so you just lied to me, then. |
| 01:42:40 |
I was just being modest. |
| 01:42:42 |
You're not modest. |
| 01:42:44 |
If you'll lie for no reason... |
| 01:42:48 |
how can I believe you |
| 01:42:51 |
It's got nothing to do with that! |
| 01:42:54 |
so did you see him or not? |
| 01:42:56 |
- Who? |
| 01:42:58 |
Franz, Ferencz, Francois, |
| 01:43:00 |
No, I didn't, |
| 01:43:03 |
If you can't see that that's irrelevant, |
| 01:43:07 |
The truth! |
| 01:43:09 |
The truth? |
| 01:43:12 |
The truth is I love you, |
| 01:43:15 |
I love you, and it's killing me! |
| 01:43:16 |
Will your suspicions and jealousy |
| 01:43:19 |
Yes, the moment you tell me |
| 01:43:24 |
You have no right to ask that. |
| 01:43:25 |
You left me when we got |
| 01:43:29 |
You said traveling with a sick woman |
| 01:43:32 |
We parted the First day. |
| 01:43:35 |
The date of our First kiss? |
| 01:43:37 |
That period of my life |
| 01:43:45 |
so you don't love me. |
| 01:43:49 |
Lovers can tell each other everything. |
| 01:43:51 |
I'm tired. I'm going to bed. |
| 01:43:54 |
Use that line |
| 01:43:56 |
No, I have something better. |
| 01:44:02 |
All men are untruthful... |
| 01:44:05 |
inconstant... |
| 01:44:07 |
false, chatterers, hypocritical... |
| 01:44:10 |
proud, cowardly... |
| 01:44:13 |
contemptible and sensual. |
| 01:44:15 |
All women are perfidious... |
| 01:44:17 |
cunning, vain, inquisitive and depraved. |
| 01:44:20 |
The world is a bottomless sewer... |
| 01:44:23 |
where misshapen creatures |
| 01:44:27 |
There is, though, in this world |
| 01:44:31 |
the union of two of these beings, |
| 01:44:47 |
Where have you been? |
| 01:44:48 |
The circus. |
| 01:44:50 |
We saw a battle. |
| 01:44:51 |
And elephants. |
| 01:44:54 |
Two... |
| 01:44:56 |
Have you been crying? |
| 01:44:59 |
I just Finished reading |
| 01:45:01 |
I thought it was a comedy. |
| 01:45:02 |
It's a sad comedy, Maurice, like life. |
| 01:45:06 |
Unreasonable Love. |
| 01:45:07 |
Now it's Don't Play With Love. |
| 01:45:09 |
Come along. |
| 01:45:10 |
Go on, Maurice. |
| 01:45:17 |
It's your best play yet. |
| 01:45:21 |
It will still be staged in 1 00 years. |
| 01:45:25 |
You used my farewell letter |
| 01:45:29 |
You might have said farewell, |
| 01:45:33 |
My God, we're going to be late. |
| 01:45:36 |
Come as you are. |
| 01:45:38 |
What if we stayed in? |
| 01:45:39 |
Dinner now and then to bed. |
| 01:45:41 |
I've made blancmange. |
| 01:45:50 |
You're wearing that? |
| 01:45:51 |
Yes. Don't you like it? |
| 01:45:53 |
You look like an undertaker's horse. |
| 01:45:57 |
What shall I wear then? |
| 01:45:58 |
The Spanish comb. |
| 01:45:59 |
Again! |
| 01:46:01 |
I like the look it gives you, |
| 01:46:05 |
Do we really have to go? |
| 01:46:07 |
Yes, I want to go out. |
| 01:46:11 |
But most of all, |
| 01:46:14 |
Yes. |
| 01:46:33 |
They say he's a priest. |
| 01:46:35 |
I didn't know |
| 01:46:39 |
Your brother |
| 01:46:42 |
It's only fair. |
| 01:46:48 |
I've just had a brilliant idea. |
| 01:46:51 |
Your portrait by Delacroix |
| 01:46:53 |
That will cause a stir. |
| 01:46:54 |
You want to end up as wrapping |
| 01:46:58 |
I'll get us a drink. |
| 01:47:01 |
I'll talk him into it. |
| 01:47:06 |
Your rekindled passion |
| 01:47:08 |
They'll get used to it. |
| 01:47:12 |
I thought you'd sworn |
| 01:47:15 |
We couldn't help it. |
| 01:47:19 |
To surgery's failures then. |
| 01:47:21 |
And to my lost wager that he'd return |
| 01:47:26 |
I'd like to listen to the music. |
| 01:47:35 |
You haven't sent me much |
| 01:47:39 |
I was waiting |
| 01:47:45 |
It's time |
| 01:47:48 |
Planche, you're bitter. |
| 01:47:50 |
No, you just don't know her. |
| 01:47:53 |
- Go home. |
| 01:47:56 |
she's just very... organized. |
| 01:48:02 |
The Italian was next door. |
| 01:48:05 |
she went to warm the other up. |
| 01:48:07 |
Be quiet! |
| 01:48:10 |
It was the Italian |
| 01:48:12 |
she can satisfy |
| 01:48:15 |
Just ignore him. |
| 01:48:17 |
she's depraved. |
| 01:48:18 |
No, just a little agile. |
| 01:48:21 |
One from in front |
| 01:48:24 |
- from behind. |
| 01:48:27 |
He's right, Alfred. |
| 01:48:36 |
Musset! |
| 01:48:41 |
I don't know this new dance. |
| 01:48:45 |
But I'm not sure |
| 01:48:47 |
Get up, you fool. |
| 01:48:51 |
You must be joking. |
| 01:48:53 |
so I'm staying down here. |
| 01:48:57 |
Malicious, yes... |
| 01:49:01 |
I'll kill you, Planche. |
| 01:49:03 |
By the book. |
| 01:49:09 |
Who says I won't kill you? |
| 01:49:11 |
Apologize... He'll accept. |
| 01:49:13 |
Never. |
| 01:49:16 |
- see what drink does to you? |
| 01:49:18 |
You're in a Fine state. |
| 01:49:20 |
Planche, this is madness. |
| 01:49:22 |
- I'm sober. |
| 01:49:24 |
Let me talk to him. |
| 01:49:27 |
What's going on? |
| 01:49:29 |
Try to reason with him. |
| 01:49:34 |
I forbid you to Fight for my honor. |
| 01:49:39 |
I settle my own accounts. |
| 01:49:41 |
I'm just ridding the world of an idiot. |
| 01:49:44 |
- By killing him? |
| 01:49:46 |
Will you miss him? |
| 01:49:47 |
stop it. |
| 01:49:49 |
You're right. |
| 01:49:52 |
- would require an army. |
| 01:49:55 |
Yes, here we go again. |
| 01:49:57 |
The handsome doctor |
| 01:49:59 |
He may be gone but, miraculously, |
| 01:50:03 |
Here! |
| 01:50:05 |
this taste for pleasure! |
| 01:50:08 |
His parting gift? |
| 01:50:15 |
You've been odious before. |
| 01:50:19 |
You're the vulgar one, |
| 01:50:27 |
Find someone else for this game. |
| 01:50:29 |
This is where I stop. |
| 01:50:39 |
Careful! That's too much glue. |
| 01:50:40 |
Careful! That's too much glue. |
| 01:50:41 |
Leave me alone. |
| 01:50:43 |
Mother, pass me the fern. |
| 01:50:47 |
Look out! |
| 01:50:51 |
Madame, Mr. de Musset... |
| 01:51:09 |
Paul... |
| 01:51:11 |
Am I disturbing you? |
| 01:51:13 |
No, no, not at all. |
| 01:51:16 |
My brother asked me |
| 01:51:23 |
He has taken our advice |
| 01:51:28 |
Would you kindly return his things? |
| 01:51:32 |
Not forgetting... |
| 01:51:33 |
the small Fragonard |
| 01:51:37 |
Mother's very fond of it. |
| 01:51:38 |
Please, take it with you now. |
| 01:51:43 |
Don't make things any harder. |
| 01:51:58 |
Madame sand to see Mr. de Musset. |
| 01:52:01 |
He's not here, Madame. |
| 01:52:03 |
I assure you. |
| 01:52:05 |
He's expecting me. |
| 01:52:06 |
Don't insist, Madame. |
| 01:52:41 |
Alfred. |
| 01:52:55 |
Why won't you answer my letters? |
| 01:53:00 |
I have things to say to you. |
| 01:53:46 |
At the risk of losing you forever, |
| 01:53:48 |
I'll tell you now |
| 01:53:51 |
Yes, I lied to you in Venice. |
| 01:53:53 |
I would have told you |
| 01:53:55 |
but you were sick and delirious |
| 01:53:59 |
Yes, I betrayed you, my love, |
| 01:54:02 |
and I should have died |
| 01:54:20 |
Look. |
| 01:54:22 |
Literature will never |
| 01:54:26 |
All of Lamartine is there. |
| 01:54:29 |
But after a while |
| 01:54:35 |
Did you see her again? |
| 01:54:40 |
Does she know you're here? |
| 01:54:44 |
You can't remain angry forever. |
| 01:54:49 |
You'll either forgive her |
| 01:54:52 |
- People forget quickly. |
| 01:54:55 |
It's over! |
| 01:54:57 |
It's over. |
| 01:55:07 |
This book is my farewell. |
| 01:55:11 |
You'll take it to her for me |
| 01:55:16 |
I'll never see her again. |
| 01:55:18 |
- It won't be easy on your friends. |
| 01:55:21 |
Tattet's the only one |
| 01:55:27 |
Will we walk much further? |
| 01:55:33 |
shall I tell you the simple truth? |
| 01:55:36 |
All this greenery doesn't inspire you. |
| 01:55:39 |
stop playing the hermit |
| 01:55:58 |
Once I stop loving him, |
| 01:56:03 |
Ask him to see me one last time. |
| 01:56:08 |
One last time... |
| 01:56:12 |
Can you give him this letter |
| 01:56:20 |
shall we begin? |
| 01:56:34 |
How do you manage, Lacroix, |
| 01:56:36 |
I give in to it. |
| 01:56:38 |
When it's run its course, |
| 01:56:51 |
Put this on. |
| 01:56:57 |
suffering is like time itself. |
| 01:57:01 |
It has to be tamed. |
| 01:57:07 |
It leaves scars. |
| 01:57:10 |
But scars are beautiful. |
| 01:57:12 |
They tell a story. |
| 01:57:34 |
I'm ready. |
| 01:57:51 |
- Yes? |
| 01:58:01 |
I'm sorry, but I'm busy. |
| 01:58:10 |
You've come for news? |
| 01:58:15 |
she wants to know how I am? |
| 01:58:18 |
Well, tell her... |
| 01:58:23 |
Tell her that I'm well. |
| 01:58:25 |
That I'm managing |
| 01:58:27 |
That's a good thing. |
| 01:58:29 |
Your happiness |
| 01:58:32 |
You're not the same species of animal. |
| 01:58:34 |
Is the book going well? |
| 01:58:39 |
I've almost Finished. |
| 01:58:50 |
Why do we write |
| 01:58:53 |
To immortalize them? |
| 01:58:57 |
A critic like you |
| 01:59:00 |
I think you've just answered it. |
| 01:59:16 |
she insisted on coming with me. |
| 01:59:19 |
I suppose you have no wish |
| 01:59:26 |
It's wiser... |
| 01:59:32 |
I'll be right back. |
| 01:59:39 |
He's gone to see her! |
| 01:59:41 |
Calm down. |
| 01:59:43 |
They'll mention the letters! |
| 01:59:45 |
What letters? |
| 01:59:46 |
Those she writes every day. |
| 01:59:49 |
Are you that afraid of her? |
| 01:59:50 |
Don't worry. |
| 01:59:53 |
How can you tell? |
| 01:59:55 |
I trust in their pride. |
| 01:59:57 |
You have nothing more to fear. |
| 02:00:00 |
see, he's just saying good-bye |
| 02:00:05 |
The real George, for Alfred, |
| 02:00:08 |
Name me one writer |
| 02:00:18 |
You've changed. |
| 02:00:22 |
You've cut your hair... |
| 02:00:26 |
Don't look at me. |
| 02:00:29 |
I'm not a pretty sight. |
| 02:00:32 |
I'm going back to Nohant. |
| 02:00:36 |
I wanted to see you again |
| 02:00:44 |
Get in. You're soaked. |
| 02:00:58 |
What are you looking at? |
| 02:01:03 |
You want to see |
| 02:01:08 |
You know it is. |
| 02:01:13 |
That's the worst part. |
| 02:01:16 |
That's how love avenges itself. |
| 02:01:30 |
Adieu, George. |
| 02:01:41 |
Drive! |
| 02:02:14 |
stand back. |
| 02:02:17 |
Why are they attacking me? |
| 02:02:20 |
They know you're a stranger. |
| 02:02:22 |
You smell of the city. |
| 02:02:24 |
I'd like to see you |
| 02:02:28 |
You see? I warned you. |
| 02:02:32 |
Let me see. |
| 02:02:33 |
Here. |
| 02:02:40 |
There. |
| 02:02:42 |
- I'm so glad to see you again. |
| 02:02:44 |
Don't you country people embrace? |
| 02:02:49 |
My, you're looking prosperous. |
| 02:02:51 |
You've eaten up |
| 02:02:54 |
I'll put some arnica on that. |
| 02:03:00 |
Did you get them? |
| 02:03:01 |
I have them here. |
| 02:03:04 |
He said you can keep them, |
| 02:03:07 |
It's only fair. |
| 02:03:10 |
Now perhaps you can tell me |
| 02:03:13 |
I'm writing my version of our story |
| 02:03:17 |
I've waited so long for this. |
| 02:03:20 |
My writing slanted |
| 02:03:27 |
Is he still as handsome? |
| 02:03:28 |
He's not at all well. |
| 02:03:30 |
He tried to Find inspiration |
| 02:03:33 |
It's his heart. |
| 02:03:34 |
What heart? |
| 02:03:36 |
You're hard on him. |
| 02:03:43 |
some are missing. |
| 02:03:46 |
The last ones. |
| 02:03:48 |
Did he keep them? |
| 02:03:49 |
Why would he do that? |
| 02:04:04 |
I had a hard time convincing Paul. |
| 02:04:07 |
It wasn't easy... |
| 02:04:09 |
with those two women. |
| 02:04:13 |
Is Paul married? |
| 02:04:14 |
To Aimee d'Alton. |
| 02:04:20 |
What's going on? |
| 02:04:29 |
Hermine! |
| 02:04:38 |
- What's going on? |
| 02:04:45 |
I'll walk the rest of the way. |
| 02:04:47 |
I'll be there in Five minutes. |
| 02:04:49 |
- Are you sure? |
| 02:04:51 |
Don't be too hard on him, for once. |
| 02:05:17 |
Mr. de Musset. I'm expected. |
| 02:05:19 |
Madame, it's impossible. |
| 02:05:23 |
Not this time. |
| 02:05:37 |
You don't understand. |
| 02:05:42 |
I was there at his birth, Madame. |
| 02:05:57 |
He was destined |
| 02:06:00 |
We forgave him everything |
| 02:06:03 |
Then he met you |
| 02:06:05 |
and his inspiration dried up. |
| 02:06:08 |
And earlier today, |
| 02:06:12 |
he died. |
| 02:06:15 |
Your betrayal destroyed him. |
| 02:06:19 |
Here. |
| 02:06:31 |
He never read them? |
| 02:06:33 |
He never received them. |
| 02:07:05 |
'I want you to read this one day |
| 02:07:10 |
Oh, my tears, sign this page |
| 02:07:13 |
so that his may find your traces |
| 02:07:19 |
There, that's the last one. |
| 02:07:23 |
And now it's my turn |
| 02:07:28 |
And you'll have no say in it. |
| 02:07:40 |
No need to feel embarrassed, Madame. |
| 02:07:43 |
It would be a sad thing |
| 02:07:48 |
He never received them. |
| 02:07:51 |
Look at this tree, dry as a bone. |
| 02:07:55 |
Fancy planting a willow here. |
| 02:07:58 |
It's sandy, and there's no water. |
| 02:08:03 |
If he had received them, |
| 02:08:06 |
Yes. |
| 02:08:10 |
No. |
| 02:08:13 |
I don't know. |
| 02:08:16 |
I don't know. |
| 02:08:20 |
Love does exist. |
| 02:08:24 |
I'm sure of that now. |
| 02:08:27 |
One merely has to recognize it |
| 02:08:30 |
and be humble before it. |
| 02:08:34 |
We didn't understand it. |
| 02:08:38 |
We didn't know then |
| 02:08:43 |
We only love once |
| 02:08:46 |
Today, I know it. |
| 02:08:50 |
He was that one time. |
