English Patient The

en
00:04:30 - How are you?
00:04:32 Your leg
00:04:34 A lot of shrapnel came out.
00:04:37 You are the prettiest girl
00:04:40 I don't think so.
00:04:42 - Would you kiss me?
00:04:46 - It would mean such a lot to me.
00:04:55 Thank you.
00:05:00 - I can't sleep.
00:05:03 - You're so pretty.
00:05:06 Very funny.
00:05:09 - Where's the doctor?
00:06:33 God, I hate giving blood.
00:06:43 Is there anybody
00:06:46 Picton?
00:06:50 I'd like to see somebody
00:07:01 - Do we have anybody from Picton?
00:07:04 He's from there. Edge of Lake Ontario,
00:07:07 That's where your sweetie's from,
00:07:11 Ask him what company
00:07:13 - Third Canadian Fusiliers.
00:07:21 Does he know
00:07:23 He bought it yesterday.
00:07:27 - What did he say?
00:07:33 Hana, get down!
00:07:39 He's dead. He's dead.
00:07:44 He's dead.
00:07:48 He's dead.
00:09:13 Name, rank, serial number?
00:09:17 No, sorry.
00:09:19 I think I was a pilot.
00:09:22 I was found in the wreckage of a plane
00:09:25 Can you remember
00:09:27 Am I being interrogated?
00:09:30 You should be trying to
00:09:34 - Which I can, by the way.
00:09:36 - Are you German?
00:09:39 How do you know you're not German
00:09:43 Might... Might I have
00:09:58 - Thank you.
00:10:02 I remember
00:10:04 I remember her garden,
00:10:09 - Nothing between you and France.
00:10:12 - Or my wife's.
00:10:15 I think so. Although I believe that
00:10:22 Look.
00:10:24 I have this much lung.
00:10:28 The rest of my organs
00:10:30 What could it possibly matter
00:10:34 I'm a bit of...
00:10:38 Sorry I can't help you.
00:10:56 Are you all right?
00:10:58 I know you hate to be moved.
00:11:04 Hana!
00:11:08 - Jan?
00:11:11 There's meant to be lace in the next
00:11:15 - You don't have any money, do ya?
00:11:18 - Just in case there's a sale.
00:11:19 Hana, I know you do.
00:11:21 - No!
00:11:23 I swear to God,
00:11:25 She's a softie.
00:11:30 I'll pay you back! I promise!
00:11:33 I'm not sewing
00:11:36 I love you!
00:11:39 Whoa!
00:11:59 Get some water
00:12:01 Jan!
00:12:07 Hana, where're
00:12:10 - Stay back!
00:12:14 Stay...
00:12:21 No!
00:12:23 No!
00:13:10 - Hey! Hey!
00:13:13 Don't move!
00:13:15 Stand absolutely still!
00:13:18 You're walking in
00:13:23 Good.
00:13:26 That's good.
00:13:28 Just stay still
00:13:32 and we'll be fine.
00:13:36 What are you doing?
00:13:38 What the bloody hell do
00:13:42 It's Jan's.
00:14:13 Are you in pain?
00:14:16 - Yes.
00:14:19 Are you okay?
00:14:22 - You and Jan were...
00:14:26 Why? He's dying.
00:14:29 We can hardly leave him.
00:14:31 No, no,
00:14:42 This will help you.
00:14:48 I must be a curse.
00:14:50 Anybody who loves me...
00:14:55 Anybody who gets
00:14:59 Oh, I must be cursed.
00:15:07 Which is it?
00:16:35 - When he dies, I'll catch up.
00:16:39 The whole country's crawling with
00:16:43 - It's madness! I can't allow it.
00:16:45 How can it be
00:16:47 It's not over everywhere.
00:16:51 This is normal, a shock,
00:16:54 I need morphine, a lot.
00:17:02 If anything ever happened to you,
00:17:08 We're heading
00:17:11 "Livorno,"
00:17:13 We'll expect you.
00:17:25 Fine.
00:17:33 - Thank you.
00:17:39 - Oh, Hana.
00:17:42 I'll catch up.
00:18:51 What... What was
00:18:54 Are you... Are you fighting rats
00:19:00 No. I was repairing
00:19:05 I found a library,
00:19:09 Before you find too many
00:19:12 you might
00:19:15 I think they're all in Italian,
00:19:18 - What about your own book?
00:19:20 Oh, yes,
00:19:23 Yes, you can read him.
00:19:26 Oh. I found plums.
00:19:30 We have plums
00:19:33 We have an orchard.
00:19:36 Herodotus is
00:19:40 - Do you know that?
00:19:53 Hmm.
00:20:04 It's a...
00:20:06 It's a very plum...
00:20:09 plum.
00:21:36 A mountain the shape
00:22:05 - Hello, Geoffrey!
00:22:08 - Welcome to the expedition.
00:22:12 Splendid to finally
00:22:13 This is Dante D'Agostino
00:22:15 - Beautiful plane.
00:22:18 - And this is my wife, Katharine.
00:22:21 We're your
00:22:23 Welcome to the International Sand Club.
00:22:25 - To the International Sand Club.
00:22:29 - Marvelous plane. Did you look?
00:22:32 Isn't it? A wedding present
00:22:35 We're calling it
00:22:37 - Hello. Geoffrey Clifton.
00:22:40 We can finally consign my old bird
00:22:43 Mrs. Clifton,
00:22:46 - Count Almásy.
00:22:49 Geoffrey gave me your monograph
00:22:51 - Very impressive.
00:22:54 I wanted to meet the man who could write
00:22:58 Well, a thing is still a thing,
00:23:02 Big car, slow car,
00:23:06 - Broken car.
00:23:09 - Not much use, though.
00:23:12 Romantic love,
00:23:16 - Quite different things, surely.
00:23:18 That's my favorite kind of love.
00:23:23 Now there you have me.
00:23:27 - They're tourists.
00:23:29 They're highly recommended
00:23:32 She's charming and
00:23:34 - He's meant to be a ruddy good flier.
00:23:37 He can make aerial maps
00:23:39 You can't explore
00:23:42 If you could explore from the air,
00:23:46 Contact.
00:23:49 Contact.
00:25:08 I should try
00:25:11 I want you to be able
00:25:13 It's good. It's a view
00:25:16 - I can already see.
00:25:20 - How can you see anything?
00:25:23 I can't bear
00:25:26 I can see all the way
00:25:28 I'm turning you.
00:25:30 Exploring before the war,
00:25:34 Is there sand in my eyes?
00:25:37 No sand.
00:25:48 I can see my wife
00:25:53 Are you
00:25:56 - Could I have a cigarette?
00:26:04 Why... Why are you so determined
00:26:09 Because I'm a nurse.
00:27:01 Bravo.
00:27:26 - Next!
00:27:28 "The King insisted that
00:27:31 "to prove beyond dispute...
00:27:33 "that his wife
00:27:37 "'I will hide you in your room
00:27:41 - said Candaules."
00:27:44 "Candaules."
00:27:46 Candaules.
00:27:49 Candaules tells Gyges that the Queen has
00:27:53 She takes off
00:27:56 and puts them on the chair
00:28:00 "'And from where you stand,
00:28:02 you will be able to gaze
00:28:07 And that evening, it's exactly as
00:28:11 She goes
00:28:13 removes her clothes
00:28:15 until she's standing naked
00:28:19 And indeed, she was more lovely
00:28:24 But then,
00:28:28 and saw Gyges concealed
00:28:32 And although she said
00:28:41 And the next day,
00:28:43 she sends for... for Gyges
00:28:47 - And hearing his story,
00:28:55 She said, "Either you
00:28:58 "for gazing on that
00:29:01 "or else kill my husband
00:29:06 and become King
00:29:11 So Gyges kills the King,
00:29:14 marries the Queen and becomes ruler
00:29:20 The end.
00:29:25 Shall I spin
00:29:27 So, Geoffrey,
00:29:30 - D'Agostino!
00:29:34 Are you asleep?
00:29:37 Yes.
00:29:40 No. I'm dropping off.
00:30:26 Go away!
00:30:29 Go! Go!
00:30:46 Buon giorno.
00:30:49 - Hana?
00:30:52 I met your friend Mary.
00:30:55 She said I should stop and see
00:30:58 Apparently we're neighbors. My house
00:31:03 Cabot, north of Laurier.
00:31:06 - Bonjour.
00:31:11 For you.
00:31:13 I'd like to take credit for it,
00:31:16 My name is David Caravaggio,
00:31:19 Caravaggio they find
00:31:24 Oh!
00:31:26 Oh!
00:31:28 Oh, shit.
00:31:31 Let me do that.
00:31:40 They're fresh.
00:31:42 I haven't had
00:31:47 Have you noticed
00:31:50 In Italy, you get chickens
00:31:52 In Africa, they're always eggs
00:31:55 - Who's separating them?
00:31:59 Yes, I was.
00:32:01 So was my patient.
00:32:04 Look, I'd like to
00:32:07 I have to do
00:32:09 I speak the language.
00:32:12 We embrace them and see
00:32:16 you know,
00:32:18 I was a thief, so the army
00:32:22 - So you can shoot a pistol?
00:32:25 Do you have a problem
00:32:29 No.
00:32:31 - I should look at them before you go.
00:32:34 It's a big place.
00:32:36 I'll sleep in the stable.
00:32:38 It doesn't matter where I sleep.
00:32:40 I don't know what Mary told you
00:32:44 I don't need
00:32:51 There is a man
00:32:54 He brought us eggs.
00:32:58 Why?
00:33:01 He's Canadian.
00:33:03 Why are people always so happy when they
00:33:07 What happened in Montreal
00:33:10 Did you invite him
00:33:14 He needn't
00:33:17 He can't.
00:33:22 There's a war. Where you come from
00:33:26 Why? I hate that idea.
00:33:35 Ah!
00:33:39 Gently.
00:33:46 Can I help?
00:33:48 It's finished.
00:33:50 So, you're our
00:33:52 Thief I think
00:33:55 I understand you were in Africa.
00:33:59 Oh, all over.
00:34:02 All over?
00:34:05 I kept trying to cover
00:34:09 - Are you leaving us?
00:34:12 Now's our opportunity
00:34:15 Then I'm definitely going.
00:34:22 Does she have
00:34:24 I think anybody
00:34:27 tends to die on her.
00:34:29 - Are you planning to be the exception?
00:34:32 I think you've got...
00:34:35 the wrong end
00:34:37 So...
00:34:40 Caravaggio.
00:34:42 Hana thinks
00:34:45 And you've
00:34:48 I said that no one would ever invent
00:34:53 And I said you can
00:34:57 but you never forget
00:35:00 Count Almásy.
00:35:02 That name mean
00:35:05 Or Katharine Clifton?
00:35:16 Oh, I'm sorry.
00:35:18 - How much did you pay?
00:35:21 They don't see foreign women
00:35:25 Um, £7, £8, I suppose.
00:35:28 - Which store?
00:35:30 You've been cheated.
00:35:34 I don't want
00:35:36 - This is not worth £8.
00:35:39 - Did you bargain?
00:35:42 That insults them.
00:35:45 I don't believe that. I think
00:35:49 I'd be very happy to obtain
00:35:53 I apologize
00:35:55 I'm rusty at social graces.
00:36:02 How do you find Cairo?
00:36:04 - Did you visit the pyramids?
00:36:08 Or the Sphinx?
00:36:14 Latitude, 25, 33.
00:36:18 We attempt to drive northeast of Kofer,
00:36:22 - I disagree.
00:36:25 - Good evening, gentlemen.
00:36:27 - How is your charming wife?
00:36:29 She's in love
00:36:32 She's either in the swimming pool.
00:36:34 She's a fish. It's quite incredible.
00:36:37 Actually, she's just outside.
00:36:41 Chaps only
00:36:48 Mrs. Clifton.
00:36:50 You'll have to forgive us. We're not
00:36:55 Not at all. I was thoroughly
00:36:58 - The team is in mourning, darling.
00:37:01 I'm afraid we're not having much luck
00:37:05 Oh. Well, what'll you do?
00:37:07 More modest expedition,
00:37:09 - It's a disaster.
00:37:12 Good heavens,
00:37:14 Very much so.
00:37:18 - Save my friend Almásy here.
00:37:20 Don't you, darling?
00:37:24 Let's toast, then.
00:37:26 - Absent wives.
00:37:29 And future ones.
00:37:52 Thank you.
00:37:54 Excuse me.
00:38:11 - Why did you follow me yesterday?
00:38:14 After the market,
00:38:17 I was concerned. A woman
00:38:21 - I felt obliged to.
00:38:24 As the wife of
00:38:27 So why follow me?
00:38:30 But following me
00:39:16 Could I ask you
00:39:20 I'm sorry, but I...
00:39:24 I'm sorry.
00:39:27 - It's just when you move.
00:39:30 - I can't really bear the pressure...
00:39:35 I was dreaming.
00:40:28 Hana.
00:40:33 Hana, are you
00:40:36 Leave me alone.
00:41:00 You're in love with him,
00:41:02 Your poor patient.
00:41:05 You think he's a saint
00:41:08 I don't think he is.
00:41:12 I'm not so
00:41:14 I'm in love with ghosts.
00:41:18 So is he.
00:41:21 What if I told you
00:41:27 How could he have?
00:41:30 I'm one of his ghosts,
00:41:33 - I don't know what that means.
00:41:38 Ask him
00:41:43 Please, don't creep
00:41:48 See, I don't think
00:41:50 I think he wants to forget!
00:41:55 Gentlemen, to mapmaking.
00:41:58 To mapmaking!
00:42:00 And a special thank you
00:42:02 without whose fund-raising heroics,
00:42:06 - To arm-twisting.
00:42:09 Did Katharine say Geoffrey
00:42:13 Return the favor.
00:42:16 Oh, um, what kind
00:42:18 Portraits.
00:42:20 The brigadier,
00:42:23 the brigadier's dog, brigadier
00:42:27 And I shall,
00:42:29 I'll finally be able to
00:42:32 I shall produce an authoritative guide
00:42:35 I want to say hareems. Are we
00:42:38 Harems.
00:42:45 - Bye, my love.
00:42:48 Catch up
00:42:53 Clifton, safe journey.
00:42:56 You too. Good luck.
00:43:01 Clifton.
00:43:07 This is probably
00:43:09 Your wife.
00:43:12 - Think it's appropriate to leave her?
00:43:16 Well, the desert is, it's, uh...
00:43:19 I wonder if it's
00:43:22 Are you mad? Katharine loves it here.
00:43:24 - All the same, were I you...
00:43:27 We were practically brother and sister
00:43:30 I think I'd know what is and what isn't
00:43:33 I think
00:43:36 Very well.
00:43:38 Why are you people
00:44:23 I have come to love...
00:44:25 that little tap of the
00:44:30 Tap.
00:44:33 Tap.
00:44:36 Tap.
00:44:59 Stop playing! Please, stop playing.
00:45:07 I don't have the key
00:45:13 The Germans were here.
00:45:16 They left mines
00:45:19 And pianos were their
00:45:21 I see.
00:45:29 Then maybe you're safe
00:45:34 He's German.
00:45:38 Is something funny?
00:45:40 No. I'm sorry.
00:45:57 I've met you before.
00:46:00 I don't think so.
00:46:14 Look. See?
00:46:16 Move that,
00:46:19 Lieutenant!
00:46:22 Fine, Sergeant.
00:46:25 So you're working
00:46:27 Yeah, trying to get them
00:46:29 I was a thief, so the army
00:46:32 I like the Italians.
00:46:34 He wants us to move out.
00:46:37 He says there could be
00:46:40 He thinks I'm mad
00:46:45 He's Indian.
00:46:48 - He wears a turban.
00:46:52 If he wears a turban,
00:46:54 I'll probably marry him.
00:46:56 Really?
00:46:59 My mother
00:47:01 I would summon my husband
00:47:11 - I liked it better when
00:47:15 With his sergeant,
00:47:20 We should charge.
00:47:24 They have to clear all the roads
00:47:28 In that case, I...
00:47:31 No, we can't.
00:47:36 Thank you.
00:48:31 I've been thinking. How does someone
00:48:36 What is it? You...
00:48:38 You're doing whatever you're doing in
00:48:41 and one day you say,
00:48:45 I once traveled with a guide
00:48:49 He didn't speak
00:48:56 At the end of it, he pointed
00:49:01 That was a good day.
00:49:14 Actually, you sing.
00:49:19 - What?
00:49:21 All the time.
00:49:24 - I do not.
00:49:27 Al Auf!
00:50:12 Give me your hand.
00:50:17 Thanks.
00:51:55 Madox!
00:51:57 Madox!
00:52:00 Madox!
00:52:02 - Come quickly! I've found something!
00:52:05 D'Ag! Bermann!
00:52:26 My God.
00:52:30 They're swimming.
00:52:37 They're swimming.
00:53:08 Ow!
00:53:13 - You okay?
00:53:42 How do you explain...
00:53:44 to someone who has
00:53:48 feelings which seem
00:53:55 I don't know,
00:53:59 I don't know.
00:54:05 - Aaah!
00:54:07 Bermann,
00:54:09 Bermann!
00:54:13 Watch out!
00:54:25 - Get them out of the car!
00:54:29 Almásy,
00:54:31 Yes, yes,
00:54:36 My wrist!
00:54:52 I'll be back as quick as I can,
00:54:57 Try to get
00:55:00 We can store it between here
00:55:05 - We planned badly.
00:55:22 Safe journey.
00:55:26 Now what?
00:55:28 Let's get all
00:55:32 - I'll stay behind, of course.
00:55:35 - I caused the problem. I shall stay.
00:55:38 No, I insist. There clearly
00:55:43 I'm the least able to dig, and I'm not
00:55:46 It's only one night.
00:55:48 If I remain, it's the most effective
00:55:52 to abandon whatever he's doing
00:55:55 - All right.
00:56:42 I thought you might like to
00:56:52 Well, we...
00:56:55 We took
00:57:00 There's no need.
00:57:03 No, really.
00:57:06 Well, there's really no need.
00:57:08 This is just a scrapbook.
00:57:12 I should feel obliged.
00:57:31 And that would be unconscionable,
00:57:34 To feel any obligation.
00:57:40 Yes, of course it would.
00:58:12 You should come
00:58:15 I'm quite all right,
00:58:17 - Look over there.
00:58:21 Do you see what's happening to them,
00:58:23 - They're so untidy.
00:58:27 Over there.
00:58:33 In a few minutes,
00:58:35 The air
00:59:41 - This is not very good, is it?
00:59:48 - Will we be all right?
00:59:51 Yes.
00:59:54 Absolutely.
00:59:57 "Yes" is a comfort.
01:00:16 Let me tell you
01:00:20 There is a, a whirlwind
01:00:23 the Aajej,
01:00:25 against which the Fellahin
01:00:30 And there is a,
01:00:34 - A Ghibli?
01:00:37 Which rolls and rolls
01:00:41 a rather strange nervous condition.
01:00:46 And then there is the,
01:00:50 a red wind, which mariners call
01:00:57 And red sand
01:00:59 has flown as far as
01:01:02 apparently producing...
01:01:04 showers so dense that they were
01:01:08 Fiction!
01:01:10 We have a house on that coast
01:01:14 No, it's all true.
01:01:17 - My friend.
01:01:20 He writes about it...
01:01:22 and he writes about...
01:01:26 a, a wind, the Simoon,
01:01:29 which a nation thought
01:01:32 they declared war on it
01:01:37 In full battle dress.
01:01:42 Their swords raised.
01:02:09 Katharine, Katharine, I need
01:02:13 A car!
01:02:15 Of course.
01:02:18 Ridiculous
01:02:20 Unforgivable!
01:02:22 Damn!
01:02:26 Stop!
01:02:28 - Here!
01:02:31 Stop!
01:02:33 Madox!
01:02:36 Madox! Madox!
01:02:53 Our tracks
01:02:56 Madox will calculate how many miles.
01:03:04 Could I ask you,
01:03:07 paste your paintings
01:03:11 I... I should like
01:03:13 I should be honored.
01:03:18 The others!
01:03:22 - Oh, God.
01:03:29 Oh, how awful!
01:03:33 Quick!
01:03:39 Am I a terrible coward
01:03:42 A little in our can. We have, uh, water
01:03:46 And, uh, that's not cowardly at all.
01:03:51 We, uh... Oh, come on!
01:03:54 There's also a plant.
01:03:58 I've never seen it,
01:04:02 and the next morning it'll be filled
01:04:06 Find that plant,
01:04:14 Here.
01:04:22 Here's the window.
01:04:24 Clear the glass. I'll clear the door.
01:04:28 It's okay. We're here.
01:04:31 Come on,
01:04:35 Hang on.
01:04:47 - I've got it. I've got it.
01:06:01 Katharine.
01:06:08 Water.
01:06:26 Geoffrey's not in Cairo.
01:06:32 He's not actually
01:06:35 The plane wasn't
01:06:37 It belongs
01:06:40 They want aerial maps
01:06:43 So I think
01:06:48 In case you're counting
01:06:55 And the marriage.
01:06:58 Is that a fiction?
01:07:03 No, the marriage
01:07:10 Oh, thank God.
01:07:14 Thank God.
01:07:16 Madox.
01:07:24 Am I K. In your book?
01:07:27 I think I must be.
01:07:52 Chapter one.
01:07:54 "He sat in defiance of municipal orders
01:07:59 I can't read these words. I can't
01:08:02 Because you're
01:08:05 - Not at all.
01:08:08 Your eye is too impatient.
01:08:11 What is it?
01:08:15 "in defiance of
01:08:18 "astride the gun
01:08:21 on her brick..."
01:08:25 "Brick platform, opposite the old
01:08:28 "The wonder house, comma,
01:08:33 as the natives called
01:08:36 It's still there, the cannon,
01:08:40 Made of metal cups and bowls taken
01:08:43 then melted down.
01:08:46 Then later, they fired
01:08:50 comma,
01:08:54 Full stop.
01:08:58 What exactly
01:09:00 The writer,
01:09:03 What I really
01:09:07 is your finishing
01:09:09 And the message everywhere in your book,
01:09:12 that the best thing for India
01:09:15 Hana, we have discovered
01:09:19 - Arguing about books?
01:09:21 One of the truly
01:09:24 I'll get
01:09:27 I didn't like that book either.
01:09:30 Too many men.
01:09:34 You like him, don't you?
01:09:37 No, I don't
01:09:40 Anyway,
01:09:42 I don't think
01:09:46 - Hana was just telling me,
01:09:48 To her cooking.
01:09:52 Well, I'm indifferent
01:09:54 Not Hana's cooking
01:09:57 Have either of you tried
01:10:02 They're very good
01:10:25 Welcome back, Madam.
01:10:40 Will you not come in?
01:10:42 No.
01:10:45 - I should go home.
01:10:49 Mrs. Clifton.
01:10:53 Don't.
01:10:56 I believe
01:11:14 Thank you.
01:12:40 You still have
01:13:17 I'm impressed
01:13:19 Good.
01:13:28 You sew very badly.
01:13:31 Well, you don't
01:13:33 A woman should
01:13:35 and if she can,
01:13:46 Close your eyes.
01:13:49 It makes it harder still.
01:13:55 Hmm.
01:14:00 When were you
01:14:02 Now.
01:14:06 And when were you
01:14:11 Now.
01:14:18 - What do you love?
01:14:20 - Say everything.
01:14:24 - Water.
01:14:29 Fish in it.
01:14:31 And hedgehogs.
01:14:34 And what else?
01:14:36 Marmite.
01:14:41 And baths.
01:14:49 Islands.
01:14:53 And your handwriting.
01:14:58 - Mmm.
01:15:01 Go on all day.
01:15:11 My husband.
01:15:15 And what do you
01:15:21 A lie.
01:15:25 What do you
01:15:31 Ownership.
01:15:34 Being owned.
01:15:37 When you leave,
01:16:10 - Who is this?
01:16:14 Is it you? So fat.
01:16:22 - Hmm.
01:16:25 Firecracker.
01:16:27 - This isn't your handwriting, is it?
01:16:31 "December 22nd.
01:16:34 "Betrayals in war
01:16:38 "compared with our
01:16:41 "New lovers are nervous
01:16:46 "but smash everything.
01:16:49 For the heart
01:16:57 "For the heart
01:17:04 I love that.
01:17:07 I believe that.
01:17:11 K?
01:17:14 - Who is K?
01:17:18 is for Katharine.
01:17:31 Merry Christmas!
01:17:39 - Say you're sick.
01:17:43 Say you're feeling faint.
01:17:46 - No.
01:17:49 - I can't sleep.
01:17:53 Coming.
01:17:57 I can't sleep. I wake up shouting
01:18:00 - Geoffrey thinks it's the
01:18:08 - Fill up this. It's empty.
01:18:11 I try to write,
01:18:18 Swoon.
01:18:21 They'll catch you.
01:18:26 Ho, ho, ho, ho, ho!
01:18:40 - Come along with me now!
01:18:43 Merry Christmas!
01:18:45 - Katharine! Oh, my goodness!
01:18:48 Fetch a chair.
01:18:50 No, I'm fine.
01:18:52 - It's this heat. It's terrible.
01:18:54 - She's quite all right.
01:18:57 - Are you pregnant?
01:19:00 How romantic.
01:19:02 With Fiona, I fell over
01:19:05 Ronnie christened me
01:19:08 Do you know, I think I might go inside
01:19:12 - I'll come with you.
01:19:15 Are you sure?
01:21:41 Happy Christmas!
01:21:50 - Have you seen Katharine?
01:21:53 - It's Clifton under here.
01:21:55 No, I haven't. Sorry.
01:22:03 Darling,
01:22:08 You poor sausage.
01:22:11 I'm fine.
01:22:13 Lady H thought you
01:22:16 I'm not pregnant. I'm just hot.
01:22:20 I'm sweltering,
01:22:26 Come on,
01:22:29 Can we really go home?
01:22:34 I am dying for green.
01:22:37 It's Christmas and it's all...
01:22:47 If you asked me, I'd go home tomorrow.
01:22:51 Darling, you know we can't go home.
01:23:01 Oh, Geoffrey,
01:23:04 I do so love you.
01:23:09 Mmm.
01:23:12 - What do you smell of?
01:23:17 Marzipan. I think you've
01:23:21 No wonder
01:23:45 Is it you?
01:23:48 What?
01:23:51 If I said "Moose"...
01:23:53 Moose?
01:23:59 I look different.
01:24:01 Why shouldn't you?
01:24:10 I heard your breathing.
01:24:12 I thought it was the rain.
01:24:16 Well, I'm dying anyway,
01:24:19 I long for
01:24:22 First wedding anniversary,
01:24:26 Ha, I don't know.
01:24:29 Is it?
01:24:32 Paper.
01:24:34 Paper?
01:24:37 Darling, it's me.
01:24:39 - Oh, no.
01:24:42 I'm going to sulk, and I'm not moving
01:24:45 Promise?
01:24:47 Okay, my sausage,
01:24:52 - I didn't know you were going anywhere.
01:24:55 I'm going to surprise her. It's our
01:25:00 What's the symbol of your first
01:25:02 Is it cotton or paper?
01:25:04 Your first anniversary? I thought you
01:25:07 We've been friends for donkey's years.
01:25:11 She was always crying on
01:25:14 I finally persuaded her to settle
01:25:20 - Moose, are you there?
01:25:23 - First anniversary. Is that cotton?
01:25:27 First wedding anniversary.
01:25:30 Your first anniversary
01:25:46 - Stop.
01:25:49 S... Stop here.
01:25:51 - Here?
01:25:53 Yes, sir.
01:26:32 This...
01:26:35 It's a folk song.
01:26:38 - Arabic.
01:26:43 My daijka sang it to me.
01:26:45 When I was a child
01:26:56 It's beautiful.
01:26:58 Hmm.
01:27:00 What's it about?
01:27:03 Szerelem means love.
01:27:05 And the story...
01:27:08 this Hungarian count.
01:27:11 He's a wanderer.
01:27:13 And for years he's on
01:27:17 who knows what.
01:27:20 And then one day, he falls under
01:27:26 a harpy, who beats him
01:27:29 And he becomes her slave
01:27:33 Stop!
01:27:35 Stop! You're always
01:27:38 Bastard.
01:27:40 You bastard!
01:27:42 You should be
01:27:51 I claim this
01:27:56 No, wait. No, I want...
01:28:00 I want this, this...
01:28:06 I love this place.
01:28:12 This is mine.
01:28:15 I'm going to ask the king permission
01:28:22 I thought we were
01:28:34 I can stay tonight.
01:28:43 Madox knows,
01:28:45 He keeps talking about
01:28:48 I think it's his idea
01:28:51 Well, it's my idea
01:29:00 This is a different world,
01:29:06 A different life.
01:29:11 And here
01:29:17 Yes.
01:29:19 Here you are
01:29:59 Oh, they're darling.
01:30:02 Yes, and they're
01:30:05 It's full of saffron.
01:30:08 Just in case you think
01:30:19 I don't care
01:30:23 That day, did you follow me
01:30:26 Yes, of course.
01:30:34 Shall we be
01:30:37 Yes.
01:30:40 Yes.
01:30:44 Absolutely.
01:30:46 Oh, dear.
01:31:42 - Thought you'd never wake up.
01:31:46 - Where did you find that?
01:31:49 - I think that's called looting.
01:31:54 - Who wrote the song?
01:31:55 - For?
01:31:57 Is there a song
01:31:59 Nope.
01:32:02 Good morning. Did you know that?
01:32:06 I've been told before.
01:32:09 Kip's another one.
01:32:17 "Wang Wang Blues."
01:32:19 You're incredible.
01:32:30 - Good mornin', Miss.
01:32:32 You saved my life.
01:32:35 I haven't forgotten.
01:32:38 I thought you were
01:32:41 You seemed so big
01:32:46 I felt like a child
01:32:48 - A toddler.
01:33:16 My hair was long
01:33:22 I've forgotten what
01:33:28 Try this. I found
01:33:31 Olive oil.
01:33:33 Thank you.
01:33:44 Is this for my hair?
01:33:47 Yes, for your hair.
01:33:58 There was a general
01:34:01 over a perfectly
01:34:04 The men fought
01:34:12 Sometimes I think
01:34:17 What's under
01:34:25 What's under
01:34:49 He's waiting for you.
01:34:52 I'll see you
01:34:56 Look, Moose, we need you
01:34:59 I know it's a bit of a short straw,
01:35:03 And now they're getting
01:35:06 They'll get Rommel into Cairo
01:35:08 The whole of the desert's like a bloody
01:35:12 Any foreigner
01:35:14 "Welcome to the Royal Geographic.
01:35:17 Old Madox went mad,
01:35:19 - Did you know Peter Madox?
01:35:21 Magnificent explorer.
01:35:24 And after he found out
01:35:26 His best friend.
01:35:29 Absolutely destroyed
01:35:51 Hey, Commandant,
01:36:06 - Jah.
01:36:11 Hello, little Tommy.
01:36:17 - Recognize him? British friend?
01:36:19 Aaah!
01:36:25 - Get up!
01:36:27 Get up at once!
01:36:29 No, I don't have a boyfriend.
01:36:32 I don't know anybody!
01:36:35 Halt!
01:36:38 No! No!
01:36:51 David Caravaggio.
01:36:53 - No.
01:36:57 July '41.
01:37:00 And so was this.
01:37:02 August '41.
01:37:06 February '42.
01:37:08 It's possible.
01:37:10 I was buying or selling something.
01:37:14 You are a Canadian spy
01:37:18 Code name: Moose.
01:37:28 Jah?
01:37:30 Can you get me a doctor?
01:37:33 - I'm leaking blood!
01:37:37 You want a doctor?
01:37:39 I've been askin'
01:37:41 We don't have a doctor.
01:37:43 But we do have a nurse.
01:37:46 Sure, great.
01:37:50 Look, give me something.
01:37:54 So we can all
01:37:59 I can't think
01:38:01 - It's too hot.
01:38:06 I've got a wife
01:38:09 A girl comes up and points
01:38:14 Fire!
01:38:18 I'll tell you what
01:38:21 This is your nurse,
01:38:23 She's Muslim, so she'll understand
01:38:26 What's the punishment for adultery?
01:38:30 You're married and you were
01:38:35 Is it the hands that are cut off?
01:38:38 Or is that for stealing?
01:38:41 Well, you must know.
01:38:44 - Don't cut me.
01:38:47 Ten fingers.
01:38:50 How about this?
01:38:52 You give me a name for every finger.
01:38:55 I get something,
01:38:58 - I'm trying to be reasonable.
01:39:04 Are thumbs fingers?
01:39:15 - I get no help from these people.
01:39:17 I'm sick of this room, I'm sick of
01:39:29 - Ah! The Geneva Convention!
01:39:31 Hey, come on!
01:39:34 - Come over here.
01:39:37 - You!
01:39:40 - Come on!
01:39:42 Aaah! Aaah! Let me think!
01:39:47 I can't think! I know them!
01:39:50 I promise!
01:39:53 - What name did you say? I knew them!
01:39:56 - I can't think of any names!
01:39:59 Jesus Christ!
01:40:02 I promise!
01:40:05 No! Jesus!
01:40:09 - Please don't cut me!
01:40:11 Aaah!
01:40:14 Please don't cut!
01:40:16 Don't!
01:40:21 The man who took my thumbs?
01:40:25 I found him eventually.
01:40:29 The man who took my photograph?
01:40:31 That took me a year.
01:40:36 Another man
01:40:38 a way to get
01:40:41 I've been
01:40:44 You can't get through there.
01:40:47 I was looking again
01:40:49 If we can find a way
01:40:52 we can drive
01:40:54 - This whole spur is a real possibility.
01:40:57 you don't trust Bell's map, Bell was
01:41:00 But on Friday,
01:41:03 - And where are the expedition maps?
01:41:06 Those maps belong to
01:41:08 They shouldn't be left lying around for
01:41:11 What on earth's
01:41:14 Don't be so bloody naive!
01:41:24 This arrived this morning.
01:41:27 "By order of
01:41:29 all international expeditions
01:41:37 What do they care
01:41:40 What do we find
01:41:43 Arrowheads,
01:41:46 In a war, if you own the desert,
01:41:49 Own the desert?
01:41:52 Um, Madox?
01:41:58 That place at the base
01:42:03 You know,
01:42:07 Does it have
01:42:11 For God's sake, man,
01:42:25 Nowhere is there any
01:42:28 but everywhere there is
01:42:31 The answer lies
01:42:33 and the solid mass of the crowd
01:42:37 are a symbol that the British people are
01:42:41 than at any other time
01:42:49 There's a great to-do
01:42:52 with rowing and sailing, and
01:42:59 Sorry.
01:43:05 I can't...
01:43:11 I can't do this.
01:43:43 I'd better go now.
01:43:47 Say goodbye here.
01:43:50 I'm not agreeing. Don't think
01:43:54 Any minute now,
01:43:56 We'll barge into someone.
01:43:58 Don't go over it again,
01:44:11 Katharine?
01:44:18 I...
01:44:20 I just want you
01:44:23 I'm not missing you yet.
01:44:28 You will.
01:45:04 I believe I'm rather late.
01:45:09 Good.
01:45:11 A toast to the
01:45:15 May it soon resurface.
01:45:18 The International Sand Club.
01:45:20 The International Sand Club:
01:45:25 God bless us, every one.
01:45:28 Mustn't say "International."
01:45:31 His Majesty, die Fuhrer,
01:45:35 Sorry.
01:45:36 And the people here don't want us.
01:45:39 Egyptians are desperate to get rid of
01:45:43 Some of their best people
01:45:47 begging to be spared
01:45:49 Isn't that right? Hmm?
01:45:53 What's my point?
01:45:57 Anybody up for it?
01:45:59 It's called
01:46:01 Madox?
01:46:03 Bermann?
01:46:08 D'Ag.
01:46:11 Let's eat first.
01:46:25 They're playing it far too slowly,
01:46:28 actually, before
01:46:32 Might be a song for you,
01:46:35 You either shut up
01:46:38 - Sit down!
01:46:41 Sorry. Sorry.
01:46:45 I can't think
01:46:48 Lashings of apologies...
01:46:51 all around.
01:47:26 Thank you.
01:47:37 - Why were you holding his collar?
01:47:40 "What"? That boy.
01:47:44 You were holding his collar.
01:47:47 Hmm?
01:47:50 Are you going to drag him
01:47:52 Is this it?
01:47:54 - Don't do this.
01:47:57 I've watched you
01:47:59 on verandas,
01:48:02 - How can you... stand there?
01:48:06 How can you
01:48:09 as if your life
01:48:14 You know why?
01:48:19 Dance with me.
01:48:22 No.
01:48:25 Dance with me.
01:48:28 I want to touch you.
01:48:31 I want the things which are mine,
01:48:38 Do you think you're the
01:48:42 Is that what
01:49:04 Why don't you go?
01:49:07 - Get some sleep.
01:49:17 Good night.
01:49:48 Hana.
01:49:55 Kip.
01:50:31 Just wait.
01:50:57 Wait.
01:51:15 Kip!
01:52:38 Oh, thank you!
01:52:42 Mmm!
01:52:57 If one night I didn't come
01:53:03 what would you do?
01:53:05 I try not
01:53:11 Yes, but if it
01:53:15 I hadn't shown up?
01:53:19 Then I'd think
01:53:24 You wouldn't come
01:53:29 Hmm. That makes me
01:53:37 Then I'd tell myself,
01:53:39 he spends all day
01:53:43 In the night,
01:53:51 I do. I do want you
01:53:55 I do want
01:54:15 I was looking for
01:54:18 - He's sleeping.
01:54:22 I'll tell him.
01:54:26 What is it?
01:54:28 It's a bomb
01:54:32 - Does he have to go?
01:54:35 What if you couldn't find him?
01:54:39 - What's happening? Am I needed?
01:54:44 Don't go.
01:54:47 This is what I do.
01:54:50 I do this
01:55:12 Hardy!
01:55:14 Serial number
01:55:17 2-6-0-0.
01:55:20 K-K-I-P2600, sir!
01:55:23 I'll get the oxygen.
01:56:22 Hardy, what's happening?
01:56:25 Can't see, sir!
01:56:30 Corporal?
01:56:33 Tanks, sir!
01:56:37 - Stop 'em!
01:56:40 Stop!
01:56:42 - Hardy!
01:56:46 What is this,
01:56:48 The fuse has snapped!
01:56:50 - What's happened? Is it armed?
01:56:54 Hang on a second.
01:56:57 I'll be right with you.
01:56:59 Can you see
01:57:03 You've got to cut it, sir.
01:57:07 Stop! Stop!
01:57:14 Stop! Stop!
01:57:17 - Go away!
01:57:20 - This is making me incredibly angry.
01:57:25 Watch out!
01:57:27 Ow!
01:57:34 Can you feel 'em?
01:57:46 Cut it, sir.
01:57:49 - You've gotta cut it!
01:57:51 Choose. Just choose a loop
01:58:17 Get a blanket! Spaulding, get a blanket
01:58:21 Sarge! Sarge!
01:58:24 - Jerry's surrendered!
01:58:32 Sir, congratulations.
01:58:41 Kip? Kip?
01:58:44 Kip!
01:58:55 Hey, we're goin' home!
01:59:03 It's raining.
01:59:51 Kip, come and
01:59:54 - Later.
01:59:59 Clap now.
02:00:03 Yeah.
02:00:21 Come on, Sarge!
02:00:24 Hardy's coming!
02:00:28 Here comes the bomb squad!
02:00:37 Hey, where's my helmet?
02:00:39 Go on,
02:00:51 Bring 'em home!
02:00:54 Hardy! Hardy! Hardy!
02:01:02 What was that?
02:01:08 I'm never going
02:01:11 I'm never going
02:01:17 Sergeant Hardy, sir.
02:01:20 They was runnin' up the Union Jack, sir,
02:01:24 It just went off, sir.
02:01:27 Sergeant Hardy climbed up,
02:01:31 It should've been me.
02:01:33 - Sir, you don't wanna look.
02:01:36 Who's that girl?
02:01:38 His fiancée, sir.
02:01:41 - Hardy's?
02:01:53 Kip?
02:01:56 Kip, it's me.
02:02:00 I'm so sorry about
02:02:04 Can I talk to you?
02:02:09 Kip, why won't
02:02:15 Oh, Kip.
02:02:21 Oh, let me come in!
02:02:50 Hana tells me you're leaving.
02:02:54 There's going to be trials.
02:02:56 They want me to interpret.
02:02:58 Don't they know
02:03:06 So...
02:03:10 I come across
02:03:12 They're looking
02:03:15 This nurse, Mary,
02:03:17 tells me about
02:03:20 hiding in some
02:03:22 What do you call it?
02:03:26 How you came
02:03:28 and you were burned
02:03:32 but you knew the words
02:03:35 and you had one possession:
02:03:39 And it was filled...
02:03:42 with letters and cuttings.
02:03:45 Then I knew it was you.
02:03:50 Me?
02:04:03 I saw you...
02:04:05 writing in that book
02:04:12 when I had thumbs
02:04:16 and a name.
02:04:18 I see.
02:04:21 Before you went
02:04:24 before you found a way to get
02:04:29 He took some
02:04:31 I saw mine in that
02:04:34 So, it made an impression.
02:04:39 I had to get back to the desert.
02:04:43 The rest meant
02:04:46 What did you say?
02:04:48 That the rest...
02:04:52 There was a result
02:04:54 It wasn't just another expedition.
02:04:58 If the British hadn't
02:05:01 thousands of people
02:05:03 Thousands of people did die.
02:05:07 - Yes, like Madox.
02:05:11 You know he shot himself,
02:05:14 - when he found out you were a spy.
02:05:19 Madox thought
02:05:23 No, I was never a spy.
02:05:27 It's ghastly.
02:05:29 Anybody remotely foreign
02:05:32 - So watch out.
02:05:34 We didn't care about
02:05:38 Brits, Arabs,
02:05:41 None of that mattered, did it?
02:05:43 Yes, it was.
02:05:47 I'll leave the plane
02:05:51 - So, if you need it...
02:05:53 Hard to know
02:05:56 We might all be back
02:06:03 Hmm.
02:06:09 I have to teach myself not to
02:06:13 It comes of too long having to read
02:06:22 Good-bye, my friend.
02:06:31 There is no God.
02:06:33 But I hope someone
02:06:38 In case you're
02:06:42 this is called
02:06:49 Come and visit us in Dorset
02:06:58 You'll never come
02:07:10 So, you didn't know
02:07:17 No.
02:07:19 And you didn't kill
02:07:30 Sh...
02:07:38 She...
02:07:43 She die...
02:07:46 She...
02:07:52 Well,
02:07:55 maybe I did.
02:08:02 Maybe I did.
02:08:11 I was packing up
02:08:14 at the Cave of Swimmers.
02:08:17 Clifton had offered to fly down
02:08:21 He flew like
02:08:24 so I...
02:08:36 Aaah!
02:09:02 Katharine?
02:09:06 Dear God, Katharine,
02:09:10 I can't get out.
02:09:16 "Surprise,"
02:09:20 Poor Geoffrey.
02:09:23 He knew. He must've
02:09:28 He was shouting, "I love you, Katharine.
02:09:34 Is he badly hurt?
02:09:38 I have to
02:09:40 - Please don't move me.
02:09:43 - It hurts too much.
02:09:46 Come on.
02:09:50 Now!
02:10:10 Why did you hate me?
02:10:13 What?
02:10:17 Don't you know
02:10:20 Shh.
02:10:23 You speak so many
02:10:26 and you never
02:10:34 - You're wearing the thimble.
02:10:38 You idiot.
02:10:40 I always wear it.
02:10:44 I've always loved you.
02:11:22 It's so cold.
02:11:24 I know.
02:11:29 I'll make a fire.
02:11:36 Did you get Geoffrey
02:11:39 - Yes, I did.
02:11:46 Listen to me,
02:11:49 You've broken
02:11:51 and I'm going to have
02:11:54 I think you've also
02:11:56 and maybe some ribs, which is why
02:12:00 I'm going to have to
02:12:03 Although, given all the traffic
02:12:07 I'm bound to bump into
02:12:10 And then I'll come back
02:12:14 You promise?
02:12:16 I wouldn't want
02:12:20 I don't want to die
02:12:26 I've always had a rather
02:12:31 Particular hymns.
02:12:34 And I know exactly
02:12:38 In our garden,
02:12:42 with a view of the sea.
02:12:45 So promise me
02:12:48 I promise...
02:12:51 I'll come back for you.
02:12:54 I promise...
02:12:57 I'll never leave you.
02:13:04 You have plenty
02:13:07 and, um, food.
02:13:09 I'll open them
02:13:17 A good read.
02:13:23 Don't waste this.
02:13:29 Will you bury Geoffrey?
02:13:36 I know he's dead.
02:13:41 I'm sorry, Katharine.
02:13:45 I know.
02:13:54 Every night...
02:13:57 I cut out my heart.
02:14:04 But in the morning
02:14:14 Darling.
02:14:18 My darling.
02:15:09 I stopped at noon
02:15:13 Three days there on foot,
02:15:18 and three hours
02:15:24 Don't go anywhere.
02:15:27 I'll be back.
02:15:32 I'll be back.
02:15:51 Just walked in
02:15:55 Morning.
02:16:10 Dear golly, where have
02:16:14 There's been an accident.
02:16:17 I need a doctor...
02:16:19 to come with me,
02:16:23 I'll pay,
02:16:25 - And I need... I need morphine.
02:16:29 What?
02:16:31 If I could just see
02:16:34 I'm sorry, I'm not making sense.
02:16:38 I've been walking and...
02:16:40 A woman is badly injured
02:16:45 I'm a member of the
02:16:48 Right.
02:16:51 Now, if I could...
02:16:57 Count Laszlo de Almásy.
02:17:04 "Almásy." Would you mind
02:17:08 - Look, listen to me, will you?
02:17:12 A woman is dying.
02:17:16 I have been... walking...
02:17:21 I have been walking
02:17:24 I do not want
02:17:27 - I want you to give me this car.
02:17:30 Perhaps if you'd like to sit down,
02:17:33 No. No, don't...
02:17:38 Just give me
02:18:41 Stop the car, please.
02:18:46 Listen, Fritz, if I have to listen
02:18:48 I'm going to give you
02:18:50 Fritz? What are you
02:18:53 Well, that's your name,
02:18:55 Count Fuckin' Asshole
02:18:57 - What's that supposed to be, Irish?
02:18:59 You have to listen!
02:19:03 Katharine!
02:19:18 Excuse me.
02:19:20 - I also need to use the lavatory.
02:19:24 - It's urgent.
02:19:28 Sarge, Jerry wants
02:19:31 Says it's urgent.
02:19:36 - Where are we going, please?
02:19:39 Benghazi.
02:19:42 You can get your boat
02:19:44 All right, go on then.
02:19:48 I've been up and down
02:20:07 It doesn't open.
02:20:23 Aaah!
02:21:19 So yes,
02:21:23 she died because of me.
02:21:29 Because I loved her.
02:21:34 Because I...
02:21:40 Because I had
02:21:52 - And you never got back to the cave?
02:21:57 I kept my promise.
02:22:01 I was assisted
02:22:04 There was a...
02:22:07 I had our expedition maps.
02:22:10 And after the British
02:22:13 I gave their enemy
02:22:30 So I got back
02:22:32 and to Katharine...
02:22:35 in Madox's English plane...
02:22:37 with German gasoline.
02:22:44 When I arrived
02:22:47 on my medical chart
02:22:50 "English Patient."
02:22:53 Isn't that funny?
02:22:55 After all that,
02:23:02 You get to the morning and the
02:23:10 Black nights.
02:23:16 - I thought I would kill you.
02:23:21 I died years ago.
02:23:27 No, I can't
02:23:49 We've been posted.
02:23:58 I was thinking yesterday...
02:24:02 yesterday...
02:24:05 The patient and Hardy.
02:24:07 They're everything
02:24:11 I couldn't even say
02:24:15 We didn't exchange
02:24:19 and we've been together
02:24:22 Some terrible things.
02:24:24 He was engaged
02:24:29 I mean...
02:24:31 And us,
02:24:35 He didn't ask me if I could spin
02:24:54 I don't even know
02:24:57 You loved him.
02:26:24 Katharine.
02:26:39 I'm still here.
02:26:43 You'd better be.
02:26:46 Don't depend on it,
02:26:50 That little bit of air
02:26:53 each day
02:26:59 Which is all right.
02:27:01 It's quite all right.
02:27:05 I've been speaking
02:27:09 my research assistant.
02:27:12 He tells me there's a ghost
02:27:17 I can join him.
02:27:21 - Hana!
02:27:48 I'll always
02:27:52 Look at my paintings.
02:27:59 I'll always
02:28:03 So one day we'll meet.
02:29:56 Thank you.
02:30:10 Read to me,
02:30:18 Read me to sleep.
02:30:43 "My darling,
02:30:46 "I'm waiting for you.
02:30:49 "How long is a day
02:30:52 "Or a week?
02:31:03 "The fire is gone now...
02:31:06 and I'm horr...
02:31:10 I really ought
02:31:13 but then
02:31:16 I'm afraid
02:31:18 on the paintings
02:31:25 We die.
02:31:27 "We die.
02:31:29 "We die rich with
02:31:33 "tastes we have swallowed,
02:31:36 "bodies we have entered...
02:31:39 and swum up like rivers."
02:31:42 Fears we've hidden in,
02:31:45 like this wretched cave.
02:31:53 I want all this
02:31:58 We're the real countries.
02:32:01 Not the boundaries
02:32:04 the names of powerful men.
02:32:17 I know you'll come and carry me
02:32:29 That's all I've wanted,
02:32:32 to walk in such
02:32:36 with friends.
02:32:39 An Earth without maps.
02:32:47 "The lamp's gone out,
02:32:50 "and I'm writing...
02:32:53 in the darkness."
02:33:58 Hana?
02:34:01 Hana, come on!
02:34:05 Hana,
02:34:09 this is Gioia.
02:34:11 - Buon giorno.
02:34:14 She'll take you
02:34:16 I can get