Entrapment
|
00:05:37 |
Hello? |
00:05:38 |
Ming! |
00:05:42 |
Oh, it's you! |
00:05:44 |
Where's my painting? I want my painting. |
00:05:48 |
In the mail? Well, that's original! |
00:05:52 |
I have to say, I'm astonished |
00:05:56 |
The climb! All that schlepping |
00:06:00 |
Anyway, bad news. |
00:06:04 |
The Rembrandt's |
00:06:09 |
Under the circumstances, |
00:06:13 |
I don't care how you get it. |
00:06:20 |
Tick-tock... tick-tock. |
00:06:36 |
- Morning, Mr Cruz. |
00:06:50 |
First you insure the art, only to watch it |
00:06:57 |
Well, it could become |
00:07:00 |
I'll remember that when I go upstairs to hear |
00:07:06 |
I called you at 4.30 this morning. |
00:07:10 |
I was home in bed. |
00:07:12 |
- You didn't pick up. |
00:07:14 |
You had company. |
00:07:17 |
- He came in the window. |
00:07:20 |
I think that's how he got in. |
00:07:23 |
This was 70 storeys up with smart-glass |
00:07:27 |
He rigged something. |
00:07:32 |
And I think it was... |
00:07:35 |
- ..telescoping bolts. |
00:07:40 |
Excuse me. |
00:07:46 |
- You're showing off again. |
00:07:50 |
- Chairman Mao. |
00:07:53 |
He left the window open when he came in. |
00:07:56 |
The draught blew over the flowers. |
00:07:59 |
I'll bet the bolts on that window |
00:08:02 |
- And who do we like for this? |
00:08:05 |
Oh, gee. I wonder. |
00:08:08 |
Indulge me. |
00:08:10 |
Indulge you? |
00:08:13 |
- Bob, may I? |
00:08:19 |
Four weeks ago, when our client |
00:08:23 |
- See anyone we know? |
00:08:26 |
No, and neither did anyone else. |
00:08:33 |
Now look again. |
00:08:36 |
You think he marked the buyer |
00:08:39 |
- Right. |
00:08:42 |
- And let's not forget the calling card. |
00:08:49 |
This is classic Mac, Hector. |
00:08:51 |
In the five years I've known you, you've liked |
00:08:56 |
- He's the best. |
00:08:59 |
He ain't Spiderman any more. He's a rich guy. |
00:09:04 |
You think he steals because he has to? |
00:09:08 |
Keep working. |
00:09:31 |
So you get in here at 7am, |
00:09:33 |
you work until 10, eat lunch alone, |
00:09:38 |
- Wow, you've been paying attention. |
00:09:43 |
Maybe I like being alone. |
00:09:48 |
Well, they say nothing gets you over |
00:09:53 |
Is this your way of asking me out, |
00:09:57 |
Well, um... not if youre gonna say no. |
00:10:03 |
You may be right. |
00:10:07 |
- He was here this week. |
00:10:11 |
It might be worth sending someone |
00:10:18 |
- I know this guy. |
00:10:20 |
Sure! |
00:10:21 |
Some years back, when I was at the Bureau, |
00:10:25 |
I know, I know. They disappeared. |
00:10:28 |
- And these were both good agents. |
00:10:32 |
What do you have in mind for bait? |
00:10:39 |
- The one thing I know he wants. |
00:10:43 |
Our guy likes a challenge. |
00:10:46 |
Come on. |
00:10:48 |
I want this back. |
00:11:16 |
Thank you, sir. |
00:13:17 |
God! |
00:13:24 |
Shit! |
00:13:48 |
Rule number one: |
00:13:50 |
Never carry a gun, or you |
00:13:53 |
- Why are you here? |
00:13:56 |
If I don't like your answers, |
00:14:00 |
- Why are you following me? |
00:14:04 |
- How do I know that you're not a cop? |
00:14:09 |
Rule number two: |
00:14:11 |
I had nothing to sleep in. |
00:14:15 |
Really? I'm shocked. |
00:14:17 |
It's amazing what gets stolen |
00:14:21 |
That Rembrandt. |
00:14:24 |
Indeed. That Rembrandt. |
00:14:27 |
- And this is your proposition? |
00:14:30 |
- I don't think it's for sale. |
00:14:34 |
From Bedford Palace? |
00:14:38 |
By its own random-access security code, |
00:14:43 |
- Well, good for you. |
00:14:46 |
I can't get in and out. |
00:14:48 |
I've already got a buyer |
00:14:52 |
I have no reason to believe |
00:14:55 |
- But you want to. |
00:15:00 |
Because you want the mask. |
00:15:06 |
First we try, then we trust. |
00:15:09 |
Meaning what? |
00:15:11 |
Meet me outside the hotel, 9am. |
00:15:14 |
- How do I know you'll be there? |
00:15:19 |
- Not ever? |
00:15:21 |
If I'm late... it's because I'm dead. |
00:15:24 |
Whose hotel? Yours or mine? |
00:15:28 |
Mac? |
00:15:32 |
Mac? |
00:15:48 |
Ah, here we are. |
00:15:50 |
You go straight in there and ask for Haas. |
00:15:53 |
- Haas? |
00:15:55 |
Very low-key. |
00:15:56 |
You tell him you want to buy a Qing vase. |
00:16:01 |
- which, of course, you won't pay. |
00:16:04 |
Because you're going to steal it. |
00:16:09 |
Take this card, which is fake. |
00:16:16 |
OK. |
00:16:18 |
Enjoy. I'll be waiting. |
00:16:20 |
- Ooh! |
00:16:39 |
- Hello! |
00:16:43 |
- I'm here for the Qing vase. |
00:16:47 |
We've never met before. Mac sent me. |
00:16:51 |
- Where's the money? |
00:17:07 |
- OK, show me the real one. |
00:17:12 |
This is better than a real one. 200,000. |
00:17:18 |
- What's that? |
00:17:21 |
Yeah. And? |
00:17:23 |
I need the miles. |
00:17:26 |
What exactly... do you think this is? |
00:17:30 |
- Harrods? |
00:17:34 |
You like a joke, don't you? |
00:17:37 |
Sure. |
00:17:39 |
How funny is this? |
00:17:45 |
I'm sorry. |
00:17:48 |
Too right. |
00:17:56 |
Uh, yeah, I did. |
00:18:19 |
Time's running out. |
00:18:23 |
Now listen. |
00:18:26 |
- Where's the vase? |
00:18:27 |
- What! |
00:18:43 |
Oh, God! |
00:18:45 |
God bless! |
00:18:48 |
The man had a knife. |
00:18:51 |
- You were supposed to get the damn vase! |
00:19:01 |
You missed the point of the entire exercise. |
00:19:04 |
No, I didn't. |
00:19:07 |
Oh. Good. |
00:19:09 |
Good girl! |
00:19:11 |
- Give it to me. |
00:19:13 |
Give it to me! |
00:19:15 |
What is it?! |
00:19:17 |
Bedford Palace. |
00:19:18 |
The complete plans, |
00:19:38 |
Man, look what you've done |
00:19:42 |
Yeah, thank God it's not mine. |
00:19:45 |
- Where are we going? These are my clothes! |
00:19:50 |
- It was you? You stole my luggage? |
00:19:55 |
- And where are we going? |
00:20:00 |
- Mac, where is my suitcase? |
00:20:06 |
With what?! |
00:20:09 |
Why? |
00:20:11 |
Well, there was a robbery yesterday |
00:20:14 |
And someone stole five prototype super chips |
00:20:20 |
And one of these chips |
00:20:24 |
- With hotel security. |
00:20:26 |
And one anonymous phone call, |
00:20:32 |
- What photos? |
00:20:35 |
These. |
00:20:39 |
Who took...? |
00:20:45 |
Hey! |
00:20:47 |
- This is entrapment! |
00:20:50 |
- This is called entrapment! |
00:20:55 |
Entrapment... |
00:20:57 |
is what cops do to thieves. |
00:21:01 |
You coming? |
00:21:22 |
Almost there. |
00:21:57 |
No lock? No security? |
00:22:00 |
You're not casing the joint already, are you? |
00:22:03 |
This way. |
00:22:07 |
Oh, wow! |
00:22:10 |
Shall we? |
00:22:20 |
Oh, my God. |
00:22:29 |
- This is quite a collection. |
00:22:33 |
Only contemporary art? |
00:22:35 |
- You sound surprised. |
00:22:40 |
Where are the suits of armour |
00:22:43 |
Up in the attic. Whiskey? |
00:22:45 |
Sure. I'd love one. |
00:22:49 |
Wow! |
00:22:52 |
Is all this paid for? |
00:22:55 |
- With blood. Cheers. |
00:23:02 |
- I'll show you to your room. |
00:23:07 |
No-one. |
00:23:10 |
- That's sad. |
00:23:12 |
Well, to have something like this |
00:23:16 |
I don't need to share it with anyone. |
00:23:20 |
I collect art for me. |
00:23:23 |
Your room's this way. |
00:23:30 |
Good night, then. |
00:23:33 |
- But it's still early. |
00:23:36 |
But I'm not tired! |
00:23:39 |
Where do you sleep? |
00:23:44 |
Why? |
00:23:47 |
Just in case I need anything. |
00:23:52 |
- May I ask you something? |
00:23:55 |
Has there ever been anyone you couldn't |
00:24:02 |
No. |
00:24:05 |
Why, do I make you uneasy, Mac? |
00:24:09 |
No. No, not at all. |
00:24:12 |
In fact, I think now might be a good time |
00:24:19 |
Well, what do you have in mind? |
00:24:23 |
The rules. |
00:24:25 |
Oh! OK. |
00:24:27 |
In order for there to be |
00:24:32 |
there can be nothing personal. |
00:24:39 |
A job is a job. You do your part, I do mine. |
00:24:43 |
If one of us thinks about something |
00:24:47 |
we'll either both get caught, |
00:24:54 |
Good night again. |
00:25:12 |
No... |
00:25:14 |
Nope. No... |
00:25:17 |
No. No. |
00:25:20 |
Nope. |
00:25:22 |
- That's the way in. |
00:25:25 |
Yes, I know it's the lake, dear. The first duke |
00:25:31 |
100 years later, they flooded the place. |
00:25:33 |
OK, so we go underwater. |
00:25:36 |
I go underwater. I steal the mask. |
00:25:41 |
But I have the code to the mask case, dear. |
00:25:45 |
Which you're now going to give to me. |
00:25:49 |
No! |
00:25:53 |
- Have you been wasting my time? |
00:26:03 |
I'll arrange your return to London. |
00:26:09 |
I'm not who you think I am, Mac. |
00:26:12 |
I hope not, for your sake. |
00:26:15 |
I'm a thief. |
00:26:17 |
So you keep telling me. |
00:26:22 |
I stole the Rembrandt. |
00:26:26 |
- Mac, I stole the Rembrandt! |
00:26:31 |
Come on! Ask me how I did it! |
00:26:34 |
- How did you do it? |
00:26:36 |
I dropped 20 floors down |
00:26:42 |
- You must be a hell of a climber. |
00:26:47 |
Mm? |
00:26:51 |
I am a hell of a climber! |
00:26:55 |
I am... one... hell of a climber. |
00:27:01 |
But how did you get it out of there? |
00:27:05 |
Now that... |
00:27:08 |
is the most... |
00:27:09 |
beautiful part! |
00:27:16 |
- I mailed it. |
00:27:18 |
I put it down their own mail chute. |
00:27:23 |
Simple... |
00:27:26 |
effective... safe. |
00:27:29 |
That's very clever. |
00:27:31 |
Nope. Not clever. |
00:27:39 |
It was perfect! |
00:27:42 |
Absolutely unbelievable! |
00:27:48 |
You're right. It is beautiful. |
00:27:53 |
Did you know that Rembrandt lived |
00:27:58 |
But of course you'd know that. |
00:28:04 |
How did you get that? |
00:28:06 |
Why rob the penthouse... when |
00:28:12 |
How did you know I took it? |
00:28:14 |
There's only a handful of people |
00:28:19 |
And I know all of them. |
00:28:21 |
- Someone was expecting that. |
00:28:25 |
- Mr Conrad Greene of Kuala Lumpur. |
00:28:28 |
What was it? A down payment? |
00:28:34 |
Yeah, something like that. |
00:28:39 |
What could you possibly |
00:28:44 |
- Hm? |
00:28:49 |
What's the job? |
00:28:51 |
Like the wise man said: |
00:28:58 |
First we try, then we trust. |
00:29:16 |
Ah, good morning. |
00:29:18 |
Wanna tell me why my Jaguar looks like |
00:29:22 |
Thibadeaux, I'm awfully sorry. |
00:29:25 |
- You owe me 140 G's. |
00:29:30 |
Is it turbocharged with a six-CD changer? |
00:29:35 |
Did you get everything I need? |
00:29:37 |
- When we done, you buyin' me a new car. |
00:29:43 |
Yeah, I got the small pneumatics. |
00:29:47 |
- The det cord? |
00:29:49 |
That's some nasty shit. Don't mix it with |
00:29:58 |
- What the hell's this? |
00:30:02 |
- I specifically said no liquid-plasma screen. |
00:30:08 |
How can I do this without the right tools? |
00:30:11 |
Gimme a break, man. |
00:30:16 |
Figure out something. You always do. |
00:30:20 |
- Where's the honey? |
00:30:25 |
I told her I swim for an hour every day, |
00:30:33 |
So, when is it we do the dirty? |
00:30:36 |
Maybe we should wait a bit. |
00:30:41 |
She's got a bigger job after this one. |
00:30:44 |
This is big enough, man. |
00:30:47 |
It's never big enough. |
00:30:50 |
- You are keepin' this strictly business, right? |
00:30:58 |
Have you ever bought a woman's dress? |
00:31:02 |
It's for the job. For her. |
00:31:05 |
I don't know her size. |
00:31:07 |
Well, I'd say she's probably a six, but |
00:31:11 |
she'd look real fine in a four. |
00:31:14 |
I had this girl, Tina. She said the dress made |
00:31:20 |
That's a lovely story. |
00:31:23 |
But could you get the dress? |
00:31:25 |
Mac, you're too old for this shit. |
00:31:30 |
This mask thing better be worth it. |
00:31:33 |
Oh, it is. |
00:31:36 |
It better be worth it for me. |
00:32:29 |
Our gear has arrived. |
00:32:33 |
Who brought it? |
00:32:36 |
Delivery man. |
00:32:38 |
- You order this stuff from a catalogue? |
00:32:44 |
There's lots more, if youre not too tired. |
00:33:04 |
Left a bit. Left a bit. What is it? |
00:33:08 |
- It's 15. |
00:33:12 |
Straight back, straight back. |
00:33:16 |
There you go. There. |
00:33:21 |
There. That's it. Ah, finally! |
00:33:24 |
Good. Well done. |
00:33:38 |
Three... |
00:33:40 |
two... |
00:33:42 |
one. |
00:33:46 |
- Five decibels. |
00:33:53 |
Set? |
00:33:55 |
- One and... |
00:33:57 |
- Two and... |
00:34:00 |
- Three and... |
00:34:02 |
Four and... |
00:34:04 |
Oh, yeah. Bang. |
00:34:06 |
- The bangs must be with the clock's chimes! |
00:34:11 |
Again. |
00:34:12 |
Knees together. Down, down, tuck. |
00:34:17 |
I'll watch the mask. |
00:34:21 |
Reach! |
00:34:22 |
No, no, no! These are the lasers! Hm? |
00:34:25 |
I am your eyes. So you keep yours closed, |
00:34:30 |
But I'll be watching |
00:34:35 |
Come on, move! You have three minutes |
00:34:40 |
Up... Good! |
00:34:43 |
Better. Left leg. Left! |
00:34:45 |
There you... |
00:34:49 |
I need a break! |
00:34:50 |
You'll get a break... when you get it right! |
00:34:54 |
Number one! |
00:34:56 |
Two and... |
00:34:58 |
- Bang. |
00:34:59 |
- Bang. |
00:35:01 |
- Bang. |
00:35:08 |
Well, what's this? |
00:35:11 |
- You're supposed to open the valve full! |
00:35:16 |
All right, very well! I'll rectify it later. Hm? |
00:35:19 |
Six. |
00:35:21 |
Lever. Seven. Drop. |
00:35:24 |
- Eight. |
00:35:27 |
Well done! |
00:35:29 |
I did open it full, OK? |
00:35:39 |
Come on! |
00:35:46 |
Here... |
00:35:48 |
This is where I'm gonna enter into them. |
00:35:51 |
Then I'll come up through the first beam. |
00:35:55 |
I'm just gonna... You see? Right here. |
00:35:59 |
Once I get under the first beam, I'll be fine. |
00:36:04 |
Once I have this on the computer, I can |
00:36:10 |
Really? |
00:36:17 |
- Is this absolutely necessary? |
00:36:21 |
- Because you won't be able to see them... |
00:36:26 |
Trust me. |
00:38:42 |
We're ready! |
00:38:44 |
I'll tell you when we're ready. |
00:38:47 |
You forgot the damn pressure switch, |
00:38:52 |
Jesus! You just can't help it, can you? |
00:38:55 |
- Help what? |
00:39:00 |
This is how it has to be. |
00:39:03 |
- But if you can't deal with it... |
00:39:08 |
You know what? |
00:39:24 |
Bastard! |
00:39:33 |
Merry Christmas! |
00:39:36 |
- For me? |
00:39:40 |
Open it. |
00:39:47 |
I thought you were probably a six, |
00:39:59 |
It's beautiful. |
00:40:00 |
But? |
00:40:04 |
Believe it or not, |
00:40:08 |
Well, it comes out of your share. |
00:40:16 |
I didn't get you anything. |
00:40:19 |
- Not necessary. |
00:40:24 |
I won't be long. |
00:40:26 |
I'll be waiting! |
00:40:47 |
Waverly lnsurance. |
00:40:50 |
Hi, this is Virginia Baker. |
00:40:57 |
Didn't I say something about |
00:41:02 |
I'm sorry, Hector, but I can't |
00:41:06 |
- I've been worried about you. Where are you? |
00:41:12 |
- Spare me the details. Did he take the bait? |
00:41:20 |
Well...! Tilt bingo jackpot! |
00:41:23 |
You wanna pick him up now? |
00:41:25 |
- We've got him for possession, conspiracy... |
00:41:30 |
- Grand larceny, 25years to life. |
00:41:34 |
- Hector, I know so. |
00:41:37 |
- Look, I'll call you as soon as I know, OK? |
00:41:42 |
- Course it's a promise. Look, I gotta go. |
00:41:48 |
Hello? |
00:42:04 |
Mac! |
00:42:10 |
Mac? |
00:42:15 |
Mac? |
00:42:18 |
Mac? |
00:42:55 |
Mac? |
00:43:29 |
- Did you find what you were looking for? |
00:43:33 |
- God, you scared me! |
00:43:36 |
- The only remedy's to cut off the head. |
00:43:41 |
Beautiful view, isn't it? |
00:43:44 |
It helps me to see things more clearly. |
00:43:50 |
You know, I never come up here |
00:43:59 |
Go ahead, then. |
00:44:06 |
We leave in two hours. |
00:44:24 |
Gin! |
00:44:37 |
Well? |
00:44:42 |
Well. |
00:44:47 |
You're the most beautiful crook |
00:44:51 |
Why, thank you, kind sir. |
00:44:56 |
So I'll recognise you. |
00:44:59 |
I wouldn't wanna go home |
00:45:02 |
It is a masked ball. |
00:45:06 |
We all go as someone else. |
00:46:11 |
Ten-thirty in... three... |
00:46:15 |
two... |
00:46:16 |
one. Now. |
00:46:20 |
We should pay our respects |
00:46:23 |
Shall we? |
00:46:32 |
One, two, three, four, five. |
00:46:35 |
And... north. |
00:46:38 |
One, two, three. |
00:46:41 |
Dum-de-dum, dum-de-dum. |
00:46:43 |
Oh, here we are. |
00:46:46 |
Oh! |
00:49:33 |
- 15 seconds. |
00:49:47 |
Seven... six... |
00:49:48 |
five... |
00:49:50 |
four... |
00:49:51 |
three... two... |
00:49:53 |
one. And one. |
00:50:00 |
And two. |
00:50:03 |
And three. |
00:50:07 |
And four. |
00:50:09 |
And five. |
00:50:13 |
Six. |
00:50:15 |
And seven. |
00:50:17 |
And eight. |
00:50:20 |
- More air. |
00:50:23 |
- More. |
00:50:25 |
More! |
00:50:27 |
- Eleven. It's too loud! |
00:51:13 |
OK. |
00:51:49 |
Up. |
00:52:25 |
Good. You've got three minutes on the guard. |
00:52:35 |
Balance. One point. |
00:52:39 |
Now lift. |
00:52:47 |
Two minutes on the guard. |
00:52:59 |
Lift. |
00:53:01 |
Extend. Now turn. |
00:53:18 |
Up a little more. |
00:53:23 |
Now bend the knee. |
00:53:42 |
75 seconds. |
00:54:03 |
Freeze. |
00:54:04 |
You're blocking the beam. I can't see it. |
00:54:07 |
Got it covered. |
00:54:19 |
Clever girl. |
00:54:38 |
Now, remember the damn pressure switch! |
00:55:12 |
Good girl. |
00:55:18 |
35 seconds. |
00:55:24 |
Preparing pressure switch |
00:55:43 |
Now get out of there - fast! |
00:56:19 |
Unbelievable! |
00:56:29 |
- Let me have the mask. |
00:56:40 |
Now this is where we play Truth or Dare. |
00:56:43 |
What? |
00:56:51 |
First we start with truth, huh? |
00:56:54 |
You work for Hector Cruz |
00:57:01 |
Now, |
00:57:03 |
I dare you to lie to me. |
00:57:06 |
- I don't know what you're talking about. |
00:57:12 |
The job was a cover! |
00:57:16 |
No, no, no, you're playing both sides. |
00:57:19 |
You're gonna sell the mask |
00:57:23 |
- No, I need you for the job. |
00:57:26 |
There is! It's worth over... |
00:57:30 |
And don't tell me it's worth a hundred million. |
00:57:33 |
It's not. It's, it's... You're right, it's not. |
00:57:53 |
And that's just your share! |
00:57:56 |
I'm not lying! |
00:58:04 |
I can't do this job without you, Mac. |
00:58:07 |
Please come with me to Kuala Lumpur. |
00:58:20 |
Can you just decide soon, please? |
00:58:28 |
Four, three, |
00:58:31 |
two, one. |
00:58:33 |
Your time's up. You said you would tell me |
00:58:40 |
It's a bank. |
00:58:44 |
And? |
00:58:46 |
And I didn't say I'd tell you any more. |
00:58:50 |
Isn't it beautiful here? |
00:59:13 |
Banks have never really been my thing. |
00:59:17 |
Think a billion dollars and change your mind. |
00:59:20 |
- I just don't like surprises. |
00:59:25 |
Trust me. There always are surprises. |
00:59:46 |
I must say, it's, uh... very homey. |
00:59:50 |
Why, thank you! |
01:00:00 |
Of course, when I said bank, |
01:00:04 |
I didn't mean just any bank. |
01:00:08 |
A room with a view! |
01:00:09 |
- I give you the world's tallest building. |
01:00:14 |
Home of the International Clearance Bank, |
01:00:18 |
which I'm sure you know controls all big |
01:00:25 |
- Do I have your attention now? |
01:00:29 |
Here, the headquarters of the International |
01:00:34 |
Running from there are hack proof, |
01:00:39 |
to computers in its branch offices |
01:00:42 |
The only access is from |
01:00:45 |
or from the totally secure computers |
01:00:50 |
In Kuala Lumpur, |
01:00:54 |
Lee Kuan Hong, Chairman of the International |
01:01:00 |
Vaults are accessed by two things: a key code |
01:01:06 |
- Morning, everyone. Nice day, uh? |
01:01:11 |
Which we're gonna fake. |
01:01:14 |
Right now, our Chairman, |
01:01:17 |
is getting his eyes checked, |
01:01:20 |
with a little help from |
01:01:23 |
hopefully. |
01:01:26 |
- With me so far? |
01:01:29 |
Now, because of the millennium bug, |
01:01:34 |
will be running integrity tests, |
01:01:39 |
- Prepare test shutdown for Sydney in... |
01:01:44 |
they'll shut down the mainframe |
01:01:48 |
- Sydney is shut down. |
01:01:51 |
Now we need those 30 seconds |
01:01:55 |
We then need ten seconds of one-on-one time |
01:02:01 |
- .."the stuff'. |
01:02:04 |
We steal 'em. |
01:02:06 |
The transmitter I left behind simply overrides |
01:02:12 |
from 11pm tomorrow night their clocks gain |
01:02:17 |
and we gain our ten seconds. |
01:02:20 |
And what is this "stuff' we are downloading? |
01:02:35 |
Enya? |
01:02:37 |
Cunningly disguised in there is a disk |
01:02:42 |
cooped up in my broom closet |
01:02:45 |
It tells the ICB computer to transfer |
01:02:50 |
from hundreds of corporations all over |
01:02:55 |
- Our account. |
01:02:58 |
Eight billion dollars in total. |
01:03:02 |
You said one billion. |
01:03:04 |
I said that was your share. |
01:03:07 |
What can you do with seven billion |
01:03:13 |
Hold the record. |
01:03:16 |
Alone. |
01:03:18 |
Sounds rather lonely. |
01:03:20 |
Alone? |
01:03:22 |
No. Alone is good. |
01:03:26 |
- You want a beer? |
01:03:29 |
- We'll need three weeks to prepare. |
01:03:33 |
- Minimum. |
01:03:37 |
No way. |
01:03:39 |
You don't understand. It has to be |
01:03:44 |
Then it's never. It's impossible. |
01:03:52 |
You... |
01:03:58 |
OK. Fifty-fifty. |
01:04:02 |
What? |
01:04:04 |
You heard. |
01:04:09 |
It's impossible. |
01:04:14 |
But doable. |
01:04:44 |
Ladies and gentlemen, we are |
01:04:49 |
Our sky bridge is the longest |
01:04:53 |
It stretches over 300ft to the opposite tower. |
01:04:57 |
It is supported, as you can see, |
01:05:01 |
The lights are being hung |
01:05:05 |
Over 40,000 light bulbs |
01:07:17 |
So, what have we here? We have the goggles |
01:07:22 |
And we have the chairman's |
01:07:29 |
in the bag. |
01:07:30 |
Anything else I need to know? |
01:07:32 |
Confucius, he say: |
01:07:38 |
Right! |
01:07:40 |
Well, now that I've shown you mine, |
01:07:45 |
- Well, here she is. |
01:07:50 |
Bring it to Papa. |
01:07:52 |
Oh! A thing of beauty, huh? A joy forever! |
01:07:58 |
And where's the mask? |
01:08:02 |
Oh! So you're working |
01:08:06 |
Yeah. |
01:08:07 |
Uh-huh. |
01:08:12 |
I would suggest that you have |
01:08:17 |
If he's still in the country. |
01:08:19 |
In the meantime, |
01:08:25 |
Conrad, you've gotta believe me. |
01:08:29 |
- I swear to God, I'd never do this to you! |
01:08:35 |
- Come on, Conrad. |
01:08:38 |
Get out! Just get out! Get outta here! |
01:08:48 |
Baby, I'm glad to see you! |
01:08:51 |
I'm calling it off. |
01:08:53 |
You take this. |
01:08:57 |
- What you sayin'? |
01:09:02 |
What about the big, giant, huge job |
01:09:06 |
Now you wouldn't be tryin' |
01:09:10 |
- There's nothing to cut you out of. |
01:09:13 |
Sit down. |
01:09:15 |
I said, sit the fuck down. |
01:09:27 |
You know, Mac, I think it's time |
01:09:33 |
- and get down to the you-and-me of it all. |
01:09:38 |
See, I'm gettin' this little Yoko vibe, like all of |
01:09:57 |
Now, you change partners, |
01:10:02 |
And the rules are... Mac does the job. |
01:10:06 |
I watch Mac's back. |
01:10:08 |
You don't call off nothin' unless I say so. |
01:10:27 |
Gin? |
01:10:36 |
Gin? |
01:10:41 |
Where is it, you bastard?! I trusted you! |
01:10:46 |
- You bastard! I trusted you! I trusted you! |
01:10:49 |
Where is it?! |
01:10:59 |
Why'd you take it? |
01:11:01 |
Get up! I know you're faking! |
01:11:35 |
Where'd you go? |
01:11:38 |
- Why'd you take it? |
01:11:42 |
Then why didn't you? |
01:11:45 |
Because... I... couldn't do it. |
01:11:50 |
Why not? |
01:11:53 |
I knew that if I told you to forget this job, |
01:11:57 |
get the hell outta here, |
01:12:00 |
you wouldn't do it, would you? |
01:12:03 |
- Hm? |
01:12:05 |
Right. |
01:12:13 |
- Were you worried about me, Mac? |
01:12:17 |
- Were you? |
01:12:25 |
Don't be. |
01:12:29 |
Whoops, sorry. Forgot about the rules. |
01:12:38 |
Have you ever broken 'em, Mac? |
01:12:41 |
No. |
01:12:43 |
- Not once? |
01:12:49 |
Never? |
01:12:51 |
Never. |
01:12:57 |
Alone is... good, eh? |
01:13:00 |
No. Bullshit. |
01:13:02 |
I hate alone. Alone sucks. |
01:13:05 |
- Really? |
01:13:19 |
Hey... Gin... |
01:13:22 |
Gin... |
01:13:24 |
Gin. |
01:13:29 |
Mm! Gin! |
01:13:31 |
- Gin... Gin. |
01:13:39 |
My situation is... |
01:13:42 |
so complicated, |
01:13:45 |
I can't... |
01:13:48 |
I can't explain. |
01:13:51 |
Well, can you try? |
01:14:06 |
I'm sorry. |
01:14:48 |
Yeah, I love you, too, guys. |
01:15:24 |
Hey! What are you doing! Get off me! |
01:15:27 |
Help! |
01:15:37 |
Hector...! |
01:15:40 |
What are you doing here? |
01:15:42 |
Oh, I read in the newspapers |
01:15:46 |
I don't hear from my trusty agent, |
01:15:51 |
I call the hospitals, I call the morgue, |
01:15:56 |
and, finally, I call the airlines. |
01:16:00 |
I'm a man badly in need of news here, |
01:16:05 |
You want news, Hector? The news is, I don't |
01:16:11 |
He's planning a job that's |
01:16:17 |
You don't believe me? Fine. |
01:16:22 |
Why would I pull you in when you |
01:16:32 |
Oh, jeez! |
01:16:34 |
- This was business, Hector! |
01:16:37 |
Are you sure there's nothing else |
01:16:40 |
Look, give me until tomorrow. |
01:16:48 |
Can I go back to work now? |
01:16:57 |
Don't lose her. |
01:17:04 |
Guess she didn't appreciate my pictures. |
01:17:09 |
- She's screwin' you both, man. |
01:17:13 |
Yeah, she's probably on her way to Mr Mac |
01:17:18 |
Don't do that. You do not do that! |
01:17:22 |
Hector, baby! There ain't no need |
01:17:27 |
Now I said I'd make this trip |
01:17:31 |
You better be right. |
01:17:35 |
All you gotta do is listen to old Thibadeaux. |
01:17:50 |
I've never felt so underdressed in all my life. |
01:17:54 |
Synchronise |
01:17:57 |
now. |
01:17:59 |
OK. The dish should be coming on-line. |
01:18:02 |
Every minute, from now to midnight, |
01:18:06 |
from our friends |
01:18:14 |
They're still there. |
01:18:17 |
So, uh, be careful, OK? |
01:18:23 |
Wait. |
01:18:34 |
- Gin... |
01:19:09 |
Shoot! |
01:19:12 |
Hey, have you seen a guy in blue overalls? |
01:19:15 |
Four to Base. No, I'm sorry, sir, I lost him. |
01:19:20 |
I don't know. Just somewhere |
01:19:43 |
Ma'am. |
01:20:07 |
Boys, this is Chief lnspector Yeng San, and |
01:20:13 |
They have a special interest |
01:20:55 |
Elevator. One minute. |
01:21:00 |
This one's not working. |
01:21:02 |
I'd use that one. |
01:21:18 |
Do try to put a smile on your face, dear. |
01:21:23 |
So, this is your international art thief, |
01:21:27 |
He doesn't look very dangerous, does he? |
01:21:34 |
Not yet. |
01:21:42 |
OK. |
01:21:44 |
And now... |
01:21:49 |
Now time stands still. |
01:21:52 |
Hopefully. |
01:22:03 |
Excuse me. |
01:22:05 |
- Did you see where they went? |
01:22:09 |
- Watching the fireworks, probably. |
01:22:13 |
- Of course. |
01:22:30 |
- I can't find them, sir. |
01:22:34 |
Sir, I... I just can't find them. |
01:22:36 |
There are 2,000 cameras in this building! |
01:22:39 |
Listen, I don't mean to intrude, |
01:22:45 |
If they've disappeared, it's because they |
01:22:50 |
Some. |
01:22:51 |
- And the Bank Clearance House? |
01:22:57 |
Something doesn't smell right. |
01:23:00 |
Well, Mr Cruz, on the say-so of you |
01:23:06 |
I have a lot of men on standby here. |
01:23:14 |
I think you should pick them up. |
01:23:38 |
Sonic pulse. |
01:23:40 |
Five milliseconds. |
01:23:51 |
- Now, put your feet down... |
01:23:55 |
Now... three, |
01:23:57 |
two, one. |
01:24:01 |
And... |
01:24:03 |
Two. |
01:24:05 |
Three. |
01:24:07 |
Four. |
01:24:09 |
Five! |
01:24:11 |
Six. |
01:24:13 |
Seven. |
01:24:15 |
Eight. |
01:24:17 |
Nine... ten. |
01:24:20 |
Eleven. |
01:24:22 |
Twelve. |
01:24:26 |
Fingerprint brush. |
01:24:33 |
Kill... mosquito... |
01:24:35 |
- Cannon... |
01:24:39 |
- Confucius. |
01:25:06 |
This is it? Whatever happened to money? |
01:25:09 |
- Gimme the goggles. |
01:25:14 |
Oh, God! |
01:25:17 |
This is why I don't do banks now. There used |
01:25:22 |
I mean, where's the good old-fashioned loot? |
01:25:29 |
The loot, my dear, |
01:25:32 |
is right in there. |
01:25:42 |
20 seconds. |
01:26:07 |
Prepare to go off-line in KL in |
01:26:09 |
- five, four, three, |
01:26:13 |
two, one, go. |
01:26:22 |
- They're ten seconds early. |
01:26:35 |
- Ten seconds in. |
01:26:37 |
Clear. |
01:26:38 |
Approaching... fifteen. |
01:26:40 |
Clear. |
01:26:42 |
- Here we go! |
01:26:43 |
- All clear. |
01:26:50 |
- Five, four, three, |
01:26:54 |
two, one... |
01:26:57 |
We're clear. |
01:26:58 |
Happy New Year, Malaysia! |
01:27:00 |
- Ten, nine, eight, |
01:27:03 |
seven, six, |
01:27:06 |
five, four, three, |
01:27:08 |
- two, |
01:27:09 |
one! |
01:27:13 |
- We did it! |
01:27:24 |
Happy Millennium! |
01:27:32 |
That was perfect. |
01:27:47 |
Ah, Gin...! |
01:27:52 |
The disk! |
01:27:56 |
- Get me the spanner! |
01:27:58 |
The wrench! |
01:28:01 |
If they find that disk, we're dead! |
01:28:04 |
The door! |
01:28:13 |
I can't stop it, Mac! |
01:28:21 |
Armed Response Unit, Code Red. |
01:28:32 |
Leave it! Come on! |
01:28:59 |
- Elevator five's on the move, sir. |
01:29:02 |
- It's empty. |
01:29:05 |
I think they're still in it. Look. |
01:29:11 |
Shut it down. |
01:29:15 |
There's always a surprise. |
01:29:20 |
Here. |
01:29:25 |
Suspects in the vicinity of floor 50. |
01:29:28 |
OK, Mr Cruz, your friends are rats in a trap. |
01:29:45 |
- Where to? |
01:29:58 |
Get out! Out! Out! |
01:30:05 |
Try the stairs. |
01:30:16 |
Get back! |
01:30:23 |
Hang on. |
01:30:25 |
Got a better idea. |
01:30:35 |
Temper, temper, Mr MacDougal. |
01:30:38 |
Confirm suspects on floor 50, |
01:30:42 |
They'll think we'll try to avoid the gas, so |
01:31:30 |
Get back. |
01:32:03 |
Here. |
01:32:05 |
- What's this? |
01:32:08 |
- For what? |
01:32:11 |
Now, if we can get across the vent shaft, |
01:32:15 |
Across where? |
01:32:18 |
There. |
01:32:27 |
Let's go. |
01:33:03 |
OK. |
01:33:19 |
Move it! |
01:33:40 |
Keep moving! |
01:33:42 |
Come on! |
01:33:56 |
Oh, God! |
01:34:12 |
Gin! Watch out! |
01:34:35 |
Gin! We're nearly there! Move it! |
01:34:39 |
Come on! |
01:35:03 |
Oh, God! |
01:35:15 |
Next stop, vent shaft. |
01:36:01 |
Armed police! |
01:36:05 |
- Do not move. Remain where you are. |
01:36:11 |
SWAT team to the roof. |
01:36:12 |
Let's go, let's go! |
01:36:15 |
Move, move, move! |
01:36:17 |
If you can't feel alive now, you never will. |
01:36:23 |
Go! |
01:36:25 |
Control, we have a clean shot. Do we take it? |
01:36:28 |
- I repeat, do we take it? |
01:36:32 |
Do you copy? |
01:36:37 |
Go! Get up into the shaft! |
01:36:50 |
Come on! |
01:36:55 |
Now... |
01:36:58 |
- Plan B. Turn around. |
01:37:00 |
Turn around. |
01:37:04 |
This is a mini-chute. |
01:37:09 |
- I'm not going without you. We go together. |
01:37:15 |
So when will I see you again? |
01:37:18 |
Meet me at 6.30am, Pudu train station. |
01:37:20 |
You'd better be there, OK? |
01:37:24 |
I will be there. I'm never late. |
01:37:28 |
Now, |
01:37:30 |
rip cord. |
01:37:37 |
Ho! |
01:39:44 |
My God! Mac! |
01:39:46 |
Oh, I'm sorry! I'm sorry. Are you all right? |
01:39:52 |
So what's wrong? |
01:39:54 |
Wrong? Nothing's wrong. |
01:39:59 |
- What? |
01:40:01 |
- Special Agent Aaron Thibadeaux, FBl. |
01:40:04 |
You're under arrest for grand larceny. |
01:40:08 |
Mac? |
01:40:10 |
Mac! |
01:40:12 |
Anything you say can be used |
01:40:14 |
Thanks, Mac. You got your one minute. |
01:40:30 |
You're a cop. |
01:40:32 |
No. Well, not exactly. |
01:40:35 |
Thibadeaux, believe it or not, |
01:40:39 |
he caught me and, uh, cut a deal. |
01:40:46 |
They've been onto you for quite a while. |
01:40:51 |
- And Cruz knew, too? |
01:40:55 |
I don't get it. Why didn't you pick me up |
01:41:01 |
Well, at first I, uh... well, |
01:41:06 |
Bullshit! Come on! |
01:41:09 |
And I wanted to see if I could do it. |
01:41:13 |
Weren't we partners? |
01:41:15 |
I can't believe you'd do this to me. |
01:41:18 |
Well, you'd better believe it! It's all over. |
01:41:22 |
I gave them Greene, |
01:41:26 |
and the full seven billion. |
01:41:30 |
What do you mean, seven? |
01:41:33 |
So you'll just have to make do with one, hm? |
01:41:38 |
- I thought you said one minute. |
01:41:43 |
Now, plan C. |
01:41:46 |
In your pocket, you'll find an envelope. |
01:41:51 |
Where you go from here is up to you. |
01:41:57 |
Mac! |
01:42:00 |
- I don't understand. Why are you doing this? |
01:42:06 |
I was prepared for everything, except you. |
01:42:15 |
Mac! Time's up! |
01:42:18 |
Come with me. |
01:42:20 |
Gin, |
01:42:23 |
your life, it's all ahead of you. |
01:42:26 |
Mine... this is all I've got. |
01:42:29 |
No. You've got me. |
01:42:33 |
You got me. |
01:42:40 |
Listen carefully. In your other pocket... |
01:42:45 |
Let's do it. |
01:42:53 |
- Move and I blow his head off! |
01:42:57 |
- Nobody move! No-one moves, OK? |
01:43:01 |
- You, too, Hector! I'll kill him if you move! |
01:43:07 |
Bye, Mac. |
01:43:10 |
She's headed toward the next station. |
01:43:13 |
- No guns! Get out of here! |
01:43:42 |
You know, I don't know |
01:43:47 |
but I'm gonna see that you're busted |
01:43:52 |
- It ain't over, Mac. |
01:44:09 |
Well, Mac, this looks like |
01:44:14 |
But you still owe me for today. |
01:44:19 |
I always pay my debts. |
01:44:22 |
Four prototype super chips. |
01:44:37 |
Hope she was worth it. |
01:44:39 |
Oh, she was. |
01:44:42 |
I'll be seein' you, Mac. |
01:44:46 |
I don't think so. |
01:44:53 |
OK, Bob, let the people back on the platform. |
01:44:56 |
Bring me a damn car. |
01:46:09 |
How did you do it? |
01:46:12 |
I jumped trains mid-station. |
01:46:16 |
- It was perfect. |
01:46:21 |
You know what, Mac? |
01:46:26 |
- No? |
01:46:29 |
- The Crown Jewels or something? |
01:46:34 |
I was thinking of... Well... |
01:46:38 |
Diamonds, diamonds, diamonds! The biggest |
01:46:42 |
Have I told you how much I love diamonds? |
01:46:46 |
Mac? |
01:46:51 |
Mac? |
01:46:55 |
- Mac! |
01:47:01 |
So, what do you think? |
01:47:04 |
- About what? |
01:47:09 |
It's doable. |
01:47:15 |
- Ohh! |