|
Even Cowgirls Get the Blues
|
| 00:00:24 |
# Happy birthday to you, |
| 00:00:29 |
# Happy birthday, |
| 00:00:34 |
The surprise |
| 00:00:38 |
is that she did not grow up |
| 00:00:41 |
If you were a small girl |
| 00:00:44 |
of Richmond, Virginia, |
| 00:00:47 |
and your own daddy |
| 00:00:49 |
about you being |
| 00:00:52 |
then you toughen up... |
| 00:00:55 |
# ...Happy birthday |
| 00:01:00 |
Oh yes! |
| 00:01:02 |
Oh, did you make a wish? |
| 00:01:07 |
No, and I'm afraid she ain't gonna |
| 00:01:10 |
Hey, she could |
| 00:01:12 |
She could retire in two years |
| 00:01:16 |
She might make a hell |
| 00:01:20 |
If she were a boy, |
| 00:01:22 |
She is, |
| 00:01:25 |
somewhat |
| 00:01:28 |
Well, the Lord made them things |
| 00:01:31 |
Although... |
| 00:01:32 |
Lord only knows |
| 00:01:36 |
Doc, oh Doc... |
| 00:01:38 |
if a young man |
| 00:01:42 |
with ugly fingers... |
| 00:01:45 |
you know, |
| 00:01:48 |
Dear lady, please remember the words |
| 00:01:53 |
who said, |
| 00:01:56 |
but the pretty, never." |
| 00:02:00 |
I don't suppose that means |
| 00:02:03 |
I'm not stupid. |
| 00:02:06 |
There's nothing about your past, |
| 00:02:08 |
that your hands |
| 00:02:10 |
And there is nothing |
| 00:02:12 |
that Madame Zoe |
| 00:02:14 |
I, Madame Zoe... |
| 00:02:17 |
er... |
| 00:02:21 |
Husband... |
| 00:02:23 |
is she gonna find |
| 00:02:26 |
Oh... |
| 00:02:34 |
I see men in your life. |
| 00:02:37 |
Oh... |
| 00:02:38 |
I also see women. |
| 00:02:42 |
Lots and lots |
| 00:02:47 |
Oh... |
| 00:02:51 |
let's get out of here. |
| 00:02:57 |
The gods did not choose |
| 00:03:00 |
for her thumbs per se, |
| 00:03:02 |
but rather for the use |
| 00:03:04 |
Hitchhiking would become |
| 00:03:07 |
Hitchhiking would become, |
| 00:03:11 |
a calling to which |
| 00:03:14 |
"Greater freedom |
| 00:03:48 |
# In perfect dreams # |
| 00:03:54 |
# Love has no extremes # |
| 00:04:01 |
# All the world can be # |
| 00:04:04 |
# Endlessly |
| 00:04:15 |
# In perfect dreams # |
| 00:04:22 |
# You can fly, it seems # |
| 00:04:29 |
# Sailing nakedly # |
| 00:04:32 |
# Weightlessly, |
| 00:04:43 |
# Dream... # |
| 00:04:46 |
# Have a rendezvous # |
| 00:04:50 |
# A fling... # |
| 00:04:53 |
# Or two # |
| 00:04:57 |
# Dream... # |
| 00:05:00 |
# And I promise you # |
| 00:05:04 |
# It all rings true # |
| 00:05:11 |
# In perfect dreams # |
| 00:05:17 |
# Life is quite serene # |
| 00:05:24 |
# You and I could be # |
| 00:05:27 |
# Happily |
| 00:05:39 |
# Dreams... # |
| 00:05:45 |
# Dreams... # |
| 00:06:47 |
"Sissy, precious being, |
| 00:06:51 |
how are you, |
| 00:06:54 |
Next time you're near |
| 00:06:58 |
There is a man to whom |
| 00:07:05 |
- Crimeny. |
| 00:07:59 |
# Moving # |
| 00:08:04 |
# Give me motion # |
| 00:08:07 |
# Grooving # |
| 00:08:12 |
# On a notion # |
| 00:08:17 |
# Ooh... # |
| 00:08:20 |
# Ooh ooh-ooh... # |
| 00:08:59 |
Goin' north? |
| 00:09:07 |
- You want some? |
| 00:09:14 |
American cheese. |
| 00:09:16 |
It's the king of road food. |
| 00:09:22 |
You in show business? |
| 00:09:25 |
- I was a successful model once. |
| 00:09:29 |
I was the "Yoni Yum |
| 00:09:32 |
from 1965 to 1970, |
| 00:09:36 |
- So now you're bumming around? |
| 00:09:38 |
Hitchhiking? |
| 00:09:41 |
Please don't think me |
| 00:09:43 |
but I'm really the best. |
| 00:09:45 |
- You're the best? |
| 00:09:49 |
I am. |
| 00:09:51 |
When I was younger, I hitchhiked |
| 00:09:57 |
I crossed the continent |
| 00:09:59 |
cooled my thumbs |
| 00:10:01 |
and caught rides after midnight |
| 00:10:04 |
When I'm really moving... |
| 00:10:06 |
moving so freely, |
| 00:10:09 |
that even the sex maniacs |
| 00:10:12 |
can only blink |
| 00:10:14 |
then I embody the spirit |
| 00:10:20 |
I have the rhythms |
| 00:10:24 |
I'm in a state of grace. |
| 00:10:35 |
Well, right off... |
| 00:10:37 |
I don't remember how old I was |
| 00:10:41 |
My mama's family, a lot of them |
| 00:10:46 |
One of them had married a squaw, |
| 00:10:50 |
You may say |
| 00:10:53 |
and my passion for car travel |
| 00:10:57 |
if not mutually exclusive... |
| 00:10:59 |
but after all, first car |
| 00:11:03 |
had been named in honor |
| 00:11:12 |
New York City. |
| 00:11:15 |
Sure is a hell of a town. |
| 00:11:26 |
Ominous. |
| 00:11:38 |
...gold or silver beads, she has... |
| 00:11:42 |
Sit down, dear, |
| 00:11:47 |
Take a load off |
| 00:11:51 |
Would you fancy |
| 00:11:54 |
Shit, oh goodness, |
| 00:11:57 |
How about |
| 00:12:01 |
You know what red Ripple is, |
| 00:12:03 |
Fruit punch |
| 00:12:06 |
To my own |
| 00:12:12 |
So my letter |
| 00:12:15 |
Now where were you? |
| 00:12:17 |
Salt Lake City? |
| 00:12:19 |
I may have |
| 00:12:22 |
But first tell me |
| 00:12:25 |
It's been six months, hasn't it? |
| 00:12:29 |
- How are you? |
| 00:12:31 |
That is the very first time |
| 00:12:33 |
in the eons |
| 00:12:36 |
that I have ever |
| 00:12:38 |
and now you're tired, |
| 00:12:40 |
"Born freak |
| 00:12:42 |
Freak shmeak! |
| 00:12:44 |
All of us are freaks |
| 00:12:47 |
Try being born |
| 00:12:49 |
into a white, middle-class |
| 00:12:51 |
Baptist family in Mississippi |
| 00:12:54 |
Well, I've always been proud |
| 00:12:56 |
It's the people who have been |
| 00:13:00 |
I've been steady moving |
| 00:13:04 |
I think I should rest up |
| 00:13:07 |
I'm not as young |
| 00:13:09 |
Shit, oh goodness! |
| 00:13:12 |
and you're more |
| 00:13:14 |
Does that mean you have |
| 00:13:20 |
You were |
| 00:13:22 |
from... let's see... |
| 00:13:25 |
1965... |
| 00:13:29 |
through 1970. |
| 00:13:33 |
And you always |
| 00:13:36 |
like a little sister. |
| 00:13:38 |
I loathe the stink |
| 00:13:41 |
They're so sweet |
| 00:13:43 |
Then they start |
| 00:13:45 |
and soon they're stinking |
| 00:13:48 |
like an excessively |
| 00:13:51 |
like a tuna fish's ree-tirement party. |
| 00:13:54 |
from the Queen of England |
| 00:13:59 |
- Bonanza Jellybean? |
| 00:14:02 |
Oh... |
| 00:14:06 |
Jellybean... |
| 00:14:08 |
Well, she's a young thing |
| 00:14:11 |
Anyway, my dear, |
| 00:14:14 |
and into watercolors. |
| 00:14:16 |
The exact man |
| 00:14:20 |
is my artist, |
| 00:14:23 |
- But Countess... |
| 00:14:25 |
Don't get agitated. I realize |
| 00:14:29 |
all but the most rudimentary |
| 00:14:31 |
and I might add, |
| 00:14:34 |
But what I am getting at, |
| 00:14:36 |
when it is psychologically impossible |
| 00:14:40 |
She can't wait too long, |
| 00:14:43 |
Now I'm not saying |
| 00:14:46 |
but uh... just ponder it a bit, |
| 00:14:50 |
Well, what makes you think |
| 00:14:52 |
would develop |
| 00:14:55 |
I can't be sure that it would, |
| 00:14:57 |
but what have you |
| 00:15:01 |
Well, okay, I'll try it... |
| 00:15:04 |
for you. |
| 00:15:07 |
me goin' out with an artist |
| 00:15:10 |
Oh good, good, |
| 00:15:12 |
You'll enjoy it, |
| 00:15:13 |
Julian is a gentleman. |
| 00:15:17 |
And by the way, Sissy, |
| 00:15:20 |
he is a |
| 00:15:40 |
Hi. |
| 00:15:51 |
Julian? |
| 00:15:53 |
This is bad. |
| 00:15:55 |
He has asthma. |
| 00:15:58 |
- You come with us. |
| 00:16:00 |
- The cigarette is not helping. |
| 00:16:03 |
Hold up. |
| 00:16:05 |
I've been enthralled |
| 00:16:08 |
When the Countess said |
| 00:16:11 |
he never explained why. |
| 00:16:14 |
I was ready to paint... |
| 00:16:19 |
And now I had |
| 00:16:22 |
Let's talk |
| 00:16:25 |
Come on, honey. It's gonna be fine. |
| 00:16:33 |
- Oh God, this is dreadful! |
| 00:16:38 |
You know, asthma attacks |
| 00:16:41 |
Poor Julian he |
| 00:16:44 |
The excitement |
| 00:16:46 |
must have upset |
| 00:16:48 |
because, my dear, |
| 00:16:51 |
Don't be afraid of us, |
| 00:16:53 |
- Come on. |
| 00:16:56 |
The whole idea |
| 00:16:59 |
just makes |
| 00:17:01 |
That is so interesting, |
| 00:17:03 |
It's not nearly as bad |
| 00:17:07 |
Just take a nice seat |
| 00:17:16 |
...what I was saying, |
| 00:17:23 |
"Crazy Guggenheim" |
| 00:17:25 |
I'm saying... |
| 00:17:32 |
Ooh... |
| 00:17:35 |
Lay him out on the couch. |
| 00:17:45 |
Keep the airways open |
| 00:17:47 |
- What do you mean? |
| 00:17:53 |
Just take a nice seat, honey. |
| 00:18:00 |
- Is this right? |
| 00:18:04 |
You want a drink? |
| 00:18:06 |
- Hey! You want a drink? |
| 00:18:14 |
There, that ought to beat them |
| 00:18:19 |
I was a medic in the army. |
| 00:18:21 |
Thank you. |
| 00:18:24 |
I really should have gone into |
| 00:18:27 |
Sometimes though... |
| 00:18:29 |
I think pushing books |
| 00:18:36 |
Think of books as pills. |
| 00:18:38 |
And I have pills |
| 00:18:40 |
pills to cure boredom... |
| 00:18:43 |
pills to elevate moods, |
| 00:18:45 |
and pills to open people's eyes |
| 00:18:49 |
Too bad they don't have a pill |
| 00:18:55 |
So, where do you live, |
| 00:18:57 |
I'm staying |
| 00:19:01 |
I know. |
| 00:19:08 |
But uh... where do you live |
| 00:19:13 |
- I don't. |
| 00:19:17 |
I mean, I don't live |
| 00:19:20 |
I just keep movin'. |
| 00:19:24 |
Hmm... |
| 00:19:28 |
the traveler, eh? |
| 00:19:30 |
Well, you might |
| 00:19:32 |
but I don't really |
| 00:19:34 |
Well, what do you |
| 00:19:37 |
Movin'. |
| 00:19:41 |
Oh... |
| 00:19:45 |
How unusual. |
| 00:19:49 |
Hmm... |
| 00:19:50 |
Well, Rupert, before |
| 00:19:53 |
in your research on scotch |
| 00:19:57 |
are you |
| 00:19:59 |
and cancel our |
| 00:20:01 |
What would we do without our little |
| 00:20:04 |
Without her the whole world |
| 00:20:06 |
She's gonna be running |
| 00:20:10 |
Hey, Rupert... |
| 00:20:14 |
Up yours... |
| 00:20:17 |
Will the demands of your |
| 00:20:21 |
allow you to cancel |
| 00:20:23 |
- Oh let me do it! |
| 00:20:29 |
The girl's gonna do it. |
| 00:20:49 |
Where are the others? |
| 00:20:51 |
Rupert and Carla |
| 00:20:57 |
Julian fell asleep. |
| 00:20:59 |
We covered him up. |
| 00:21:03 |
We thought we should |
| 00:21:06 |
Yes, thanks. |
| 00:21:08 |
Oh... mine... |
| 00:21:10 |
mine are fuller, but yours |
| 00:21:14 |
Highly... |
| 00:21:20 |
I'll wager they're |
| 00:21:25 |
Hmm... |
| 00:21:28 |
yours are large, Marie, |
| 00:21:31 |
but Ms. Hankshaw's... |
| 00:21:35 |
You'd think they would have |
| 00:21:38 |
I mean, from not |
| 00:21:41 |
Howard, watch your manners. |
| 00:21:43 |
You're embarrassing her. |
| 00:21:45 |
Here, Sissy, |
| 00:21:53 |
This is a finer place |
| 00:22:16 |
Oh, Howard! |
| 00:22:19 |
Sissy... |
| 00:22:23 |
- What are you doing? |
| 00:22:26 |
But... but I don't |
| 00:22:29 |
Please, stay. |
| 00:22:31 |
l... ahem... |
| 00:22:33 |
I owe you a dinner and, |
| 00:22:35 |
- Julian, I have to go. |
| 00:22:39 |
My thumbs hurt. |
| 00:22:41 |
I've made a mistake. |
| 00:22:44 |
I have to hitchhike a little bit |
| 00:22:48 |
or my thumbs, |
| 00:22:51 |
I have to go, Julian. |
| 00:23:09 |
Sissy had crossed |
| 00:23:11 |
and passed everybody twice... |
| 00:23:13 |
but she had never |
| 00:23:15 |
like what she had just |
| 00:23:18 |
Turning to the Countess' |
| 00:23:21 |
she received instead, |
| 00:23:25 |
Sissy... |
| 00:23:27 |
Sissy, you can desist |
| 00:23:31 |
in those |
| 00:23:33 |
The Countess |
| 00:23:36 |
And what a job. |
| 00:23:38 |
A job for me? |
| 00:23:39 |
I am once more about |
| 00:23:43 |
And only you, the original |
| 00:23:46 |
could possibly assist me. |
| 00:23:48 |
"The Food and Drug Administration |
| 00:23:51 |
female deodorant sprays |
| 00:23:55 |
as blisters, |
| 00:23:59 |
Although FDA judges |
| 00:24:01 |
are not sufficient |
| 00:24:03 |
removal of these pr-products |
| 00:24:06 |
they are sufficient |
| 00:24:08 |
the proposed mandatory |
| 00:24:12 |
Shit, oh dear, it's enough |
| 00:24:14 |
The nerve of those twits. |
| 00:24:18 |
Don't interrupt... |
| 00:24:20 |
here's my concept. |
| 00:24:23 |
My little ranch out west, |
| 00:24:26 |
it's a beauty ranch. |
| 00:24:28 |
Well, it has a few head |
| 00:24:30 |
for atmosphere |
| 00:24:32 |
but it is |
| 00:24:35 |
a place where unhappy women, |
| 00:24:39 |
can go to lose weight, |
| 00:24:42 |
uh, remove wrinkles, |
| 00:24:44 |
and pretty themselves up |
| 00:24:47 |
My ranch is called |
| 00:24:51 |
after the "Rubber Rose" |
| 00:24:53 |
My own invention and, |
| 00:24:56 |
is the most popular |
| 00:24:58 |
So, get this. |
| 00:25:01 |
It is on the migratory flight path |
| 00:25:05 |
The last flock of wild |
| 00:25:10 |
Whooping cranes, |
| 00:25:13 |
are noted for their |
| 00:25:16 |
Now picture these birds |
| 00:25:19 |
doing their sex dance on TV... |
| 00:25:22 |
right there |
| 00:25:24 |
creation's most elaborate |
| 00:25:27 |
but clean and pure enough |
| 00:25:33 |
with lovely Sissy Hankshaw |
| 00:25:37 |
her white gown, |
| 00:25:40 |
big, feathery sleeves, |
| 00:25:43 |
And then, |
| 00:25:45 |
in a very subdued imitation |
| 00:25:49 |
she dance-walks |
| 00:25:54 |
where there sits... |
| 00:25:58 |
a can of Yoni Yum |
| 00:26:01 |
Oh my very |
| 00:26:04 |
Grandiose, lyrical, |
| 00:26:07 |
erotic... |
| 00:26:09 |
and Girl Scout-oriented. |
| 00:26:21 |
So the Countess |
| 00:26:24 |
for her first |
| 00:26:26 |
but not before warning her |
| 00:26:29 |
from those nasty |
| 00:26:31 |
who worked |
| 00:26:33 |
He also insisted |
| 00:26:35 |
that she avoid any contact |
| 00:26:37 |
who lived on the ridge |
| 00:26:39 |
known as "The Chink," though |
| 00:26:43 |
He appeared to be one of those |
| 00:26:47 |
The kind of old kumquat |
| 00:26:51 |
and then write |
| 00:27:01 |
# I long to be lifted... # |
| 00:27:08 |
# I long to be lifted # |
| 00:27:17 |
# Lifted high... # |
| 00:27:19 |
So we take in |
| 00:27:22 |
Taking in, we turn. |
| 00:27:25 |
And we give them out. |
| 00:27:27 |
And take in |
| 00:27:36 |
You feel that? |
| 00:27:42 |
# I long to be carried # |
| 00:27:49 |
# I long to be carried # |
| 00:27:57 |
# Carried by... # |
| 00:28:05 |
# Carried by... # |
| 00:28:09 |
I've traveled through the Yucatan |
| 00:28:13 |
popping false eyelashes |
| 00:28:18 |
when one night I ate peyote |
| 00:28:22 |
Niwetúkame, |
| 00:28:27 |
came to me |
| 00:28:29 |
with hummingbirds sipping |
| 00:28:32 |
crying, "Delores... |
| 00:28:36 |
you must lead my daughters |
| 00:28:40 |
You must come |
| 00:28:43 |
and prepare |
| 00:28:48 |
the details of which will be |
| 00:28:54 |
Whoo! |
| 00:29:07 |
Usually she preferred |
| 00:29:09 |
without a fixed destination... |
| 00:29:11 |
hitching |
| 00:29:13 |
for freedom and movement |
| 00:29:16 |
But something was pulling her |
| 00:29:19 |
something softer than money |
| 00:29:25 |
Someday... |
| 00:29:27 |
if that Sissy Hankshaw |
| 00:29:29 |
I'm gonna teach her |
| 00:29:34 |
Did you know chickens are the easiest |
| 00:29:38 |
You just twirl a chicken |
| 00:29:40 |
it's yours forever. |
| 00:29:42 |
How exciting. |
| 00:30:04 |
Are you a pilgrim? |
| 00:30:06 |
No, I'm more |
| 00:30:08 |
l... I think she means are you |
| 00:30:10 |
Well, I may, |
| 00:30:12 |
But seeing him's |
| 00:30:16 |
You know, th-that's good 'cause, |
| 00:30:19 |
I mean, we drove all the way |
| 00:30:21 |
and the crazy bastard |
| 00:30:23 |
Yeah, it bummed me out. |
| 00:30:27 |
but he's nothing |
| 00:30:29 |
He took out his wanker |
| 00:30:33 |
I mean, I wouldn't go up there |
| 00:30:36 |
I wouldn't, okay? |
| 00:30:41 |
It was like |
| 00:30:45 |
I had a vision that it |
| 00:32:09 |
By any chance, |
| 00:32:12 |
Yes, I am. |
| 00:32:14 |
Well, my goodness, |
| 00:32:17 |
Someone would have driven |
| 00:32:20 |
I'm Miss Adrian |
| 00:32:23 |
The Countess wrote me |
| 00:32:25 |
Oh, get in. |
| 00:32:28 |
Uh, Donna, help |
| 00:32:32 |
...with her luggage. |
| 00:32:43 |
Twit. |
| 00:32:46 |
We were just in Sisters |
| 00:32:48 |
escorting some guests |
| 00:32:51 |
More guests leaving |
| 00:32:54 |
Three checked out today. |
| 00:32:56 |
They decided to transfer |
| 00:32:58 |
to Elizabeth Arden's Main Chance Spa |
| 00:33:04 |
It costs $250 a week more |
| 00:33:09 |
So, why are our guests leaving |
| 00:33:13 |
I'll tell you why. |
| 00:33:16 |
It's that plague of cowgirls. |
| 00:33:18 |
I'd like to complain. |
| 00:33:20 |
Some of you cowgirls have been |
| 00:33:25 |
in violation of the agreement |
| 00:33:28 |
are to be kept confined |
| 00:33:31 |
Yeah. |
| 00:33:33 |
Well, I don't care who sleeps with who |
| 00:33:37 |
But the moaners and the groaners |
| 00:33:39 |
ought to turn down |
| 00:33:41 |
'cause some of us |
| 00:33:43 |
or meditate. |
| 00:33:45 |
I'd like to complain |
| 00:33:47 |
It's rotten to the core. |
| 00:33:51 |
Hallelujah, sister. |
| 00:33:53 |
They've gradually infiltrated |
| 00:33:56 |
The one named Debbie... |
| 00:33:58 |
she considers herself an expert |
| 00:34:02 |
The ball... |
| 00:34:04 |
with Bonanza Jellybean's |
| 00:34:06 |
- And against my explicit orders... |
| 00:34:09 |
she's been coercing |
| 00:34:11 |
into trying something |
| 00:34:13 |
Do you know |
| 00:34:15 |
It's trying |
| 00:34:18 |
a serpent of fire |
| 00:34:22 |
Humph. |
| 00:34:23 |
Oh, and there's |
| 00:34:26 |
The one called |
| 00:34:29 |
- She has the goodwill of a scorpion. |
| 00:34:32 |
The little barbarians are destroying |
| 00:34:36 |
mocking all that the company |
| 00:34:47 |
But now that the season |
| 00:34:51 |
we operate |
| 00:34:54 |
and the Countess |
| 00:34:59 |
I'll get those |
| 00:35:04 |
Our ranch has all the latest |
| 00:35:07 |
Guests can relax on our veranda |
| 00:35:12 |
all in view of spectacular |
| 00:35:16 |
At the Rubber Rose Ranch, |
| 00:35:18 |
we prepare more than 850 |
| 00:35:22 |
Your attention... |
| 00:35:25 |
We have a facial wing |
| 00:35:26 |
and next to that |
| 00:35:31 |
We have 15 hair experts |
| 00:35:35 |
Up there is where |
| 00:35:39 |
at the rate of about |
| 00:35:44 |
That's a lot |
| 00:35:46 |
- Wow, you're gonna make a movie. |
| 00:35:50 |
Ladies, as most of you |
| 00:35:52 |
one of the fringe benefits of your stay |
| 00:35:56 |
is a rare opportunity |
| 00:35:58 |
last surviving flock |
| 00:36:01 |
They stop off here |
| 00:36:03 |
at that marshy little lake |
| 00:36:06 |
and you're in luck |
| 00:36:08 |
the flock's |
| 00:36:09 |
Our special guest |
| 00:36:12 |
uh, Ms. Sissy Hankshaw |
| 00:36:19 |
Merciful Jesus, |
| 00:36:24 |
Es gibt soviele verschiedene farben |
| 00:36:27 |
in Deutschland |
| 00:36:30 |
Ja, ja, ja. |
| 00:36:31 |
Where are the guests? |
| 00:36:34 |
Take it easy, lady. They just rode |
| 00:36:37 |
You're Miss Adrian. |
| 00:36:40 |
Not now, you fool, |
| 00:36:41 |
Those crazed bitches |
| 00:36:45 |
and are slaughtering them |
| 00:36:47 |
We'll all be killed. |
| 00:36:49 |
Oh... |
| 00:36:51 |
there's a slaughter |
| 00:36:53 |
but it ain't the fat ladies |
| 00:36:56 |
Your hired hands |
| 00:36:58 |
The cattle? |
| 00:37:01 |
That's what they said, |
| 00:37:03 |
How dare you slaughter |
| 00:37:06 |
What's a ranch |
| 00:37:08 |
We're replacing them |
| 00:37:09 |
The cows are diseased |
| 00:37:12 |
We're just putting them |
| 00:37:14 |
According to |
| 00:37:17 |
the Rubber Rose is indicative |
| 00:37:21 |
They purchased a cheap but weak |
| 00:37:25 |
- And within... |
| 00:37:26 |
I don't want to hear what Bonanza |
| 00:37:30 |
Come on, Sissy. |
| 00:37:34 |
Hören sie, wir müssen |
| 00:37:37 |
Es ist sehr wichtig. |
| 00:37:38 |
warum bin ich so weit |
| 00:37:49 |
Excuse me, miss. |
| 00:37:50 |
Would you care |
| 00:37:52 |
I feel a bit hungry. |
| 00:37:57 |
Okay. |
| 00:38:02 |
Road food! |
| 00:38:06 |
Well, it is a change of the usual |
| 00:38:10 |
"Compliments |
| 00:38:13 |
She'll be up |
| 00:38:25 |
Yep? |
| 00:38:28 |
Welcome, partner! |
| 00:38:31 |
You seem to know |
| 00:38:33 |
Maybe even what I am. |
| 00:38:37 |
Thanks |
| 00:38:38 |
Oh I know about |
| 00:38:41 |
I've done a little |
| 00:38:44 |
I'd heard tales |
| 00:38:46 |
from people I'd meet |
| 00:38:48 |
Jail cells? |
| 00:38:50 |
I heard about your, uh... |
| 00:38:53 |
Hm... |
| 00:38:56 |
Well, you may claim that |
| 00:38:59 |
but no more so |
| 00:39:02 |
whose reputation as the world's |
| 00:39:04 |
is untainted by the fact |
| 00:39:07 |
havin' the bone structure |
| 00:39:10 |
Nature built Nijinsky |
| 00:39:12 |
me to direct traffic. |
| 00:39:31 |
The example of your life |
| 00:39:33 |
has helped me in my struggle |
| 00:39:35 |
- Tell me about it. |
| 00:39:38 |
About being a cowgirl. |
| 00:39:42 |
you make it sound like it was painted |
| 00:39:50 |
Well, I saw my first cowgirl |
| 00:39:54 |
I was three. |
| 00:39:56 |
Up until then, I'd only |
| 00:40:00 |
Years later, |
| 00:40:03 |
I had been teased |
| 00:40:07 |
about my particular |
| 00:40:10 |
Cowgirls exist as an image, |
| 00:40:14 |
The idea of cowgirls, |
| 00:40:17 |
especially for little girls, |
| 00:40:20 |
Therefore, |
| 00:40:23 |
that the existence |
| 00:40:26 |
I mean, otherwise |
| 00:40:29 |
Like in the Rodeo Hall of Fame |
| 00:40:33 |
there are just two cowgirls. |
| 00:40:35 |
and both of them |
| 00:40:37 |
Trick ridin' is what cowgirls |
| 00:40:42 |
Our society sure likes to see |
| 00:40:47 |
That's what prostitutes call it... |
| 00:40:55 |
Did you know that cowgirls |
| 00:40:59 |
Long before America. |
| 00:41:03 |
In ancient India, |
| 00:41:04 |
was always left up to these |
| 00:41:07 |
Now being alone |
| 00:41:10 |
these gopis got awfully horny, |
| 00:41:15 |
Each gopi was in love |
| 00:41:17 |
a good lookin' hunk |
| 00:41:19 |
who played the flute |
| 00:41:22 |
And when the moon |
| 00:41:24 |
this Krishna would play |
| 00:41:27 |
and call the gopis to him. |
| 00:41:28 |
Then he would |
| 00:41:32 |
16,000 times... |
| 00:41:35 |
and make love to each one |
| 00:41:39 |
There they were... |
| 00:41:42 |
16,000 gopis balling |
| 00:41:45 |
and the energy |
| 00:41:48 |
that it created a huge oneness, |
| 00:41:52 |
and it was God. |
| 00:41:55 |
Quite a picture, huh? |
| 00:41:57 |
Wow. |
| 00:42:02 |
Cowgirls...! |
| 00:42:06 |
Well, that couldn't be |
| 00:42:08 |
A bit shrill for a flute. |
| 00:42:15 |
Well, I gotta run. |
| 00:42:18 |
Somebody's here. |
| 00:42:34 |
# Wondering, wondering # |
| 00:42:38 |
# Wanting it all # |
| 00:42:40 |
# A curious soul... # |
| 00:42:44 |
# Astray # |
| 00:42:48 |
# A curious soul... # |
| 00:42:52 |
# Astray. # |
| 00:43:44 |
So you look like a big bird, |
| 00:43:47 |
Go down and you protect |
| 00:43:51 |
But I'm not a bird, sir. |
| 00:43:53 |
But you look like a bird to me |
| 00:43:55 |
and you will look to the people |
| 00:43:57 |
Come on, Sissy. |
| 00:43:59 |
Okay... slowly you rise. |
| 00:44:02 |
And you look at the product, |
| 00:44:05 |
and the camera |
| 00:44:07 |
and the camera's |
| 00:44:09 |
- You got it? |
| 00:44:11 |
All right, |
| 00:44:14 |
And remember... |
| 00:44:18 |
Thank you, sir. |
| 00:44:20 |
Okay, do it. |
| 00:44:23 |
and stand by. |
| 00:44:25 |
Music. Action! |
| 00:45:21 |
Cut! |
| 00:45:24 |
Delores zonks out on peyote |
| 00:45:27 |
But so far her third vision |
| 00:45:30 |
Niwetúkame, the mother goddess, |
| 00:45:33 |
has not gotten back |
| 00:45:34 |
Huh. |
| 00:45:35 |
Meanwhile, she and Debbie |
| 00:45:39 |
like a couple |
| 00:45:41 |
Tension... cowgirl tension. |
| 00:45:45 |
Well, what is |
| 00:45:47 |
Well, Debbie says that if women |
| 00:45:50 |
they must do it |
| 00:45:52 |
They mustn't resort to aggressive |
| 00:45:56 |
She says that it's up to women |
| 00:45:59 |
To love men and set |
| 00:46:02 |
Guide them tenderly |
| 00:46:04 |
She's a real dreamer, |
| 00:46:07 |
So, you don't agree |
| 00:46:11 |
Well, I wouldn't |
| 00:46:13 |
I expect she's right |
| 00:46:15 |
But I'm with Delores when it comes |
| 00:46:18 |
This is cowgirl territory, |
| 00:46:21 |
and fight any bastards |
| 00:46:23 |
I guess I've always |
| 00:46:27 |
Look, this scar... |
| 00:46:31 |
only 12 years old and I was |
| 00:47:32 |
He's here. |
| 00:47:36 |
Look at him... |
| 00:47:40 |
Hmm. |
| 00:47:41 |
Well, he's in a snit. |
| 00:47:43 |
He wants to see you |
| 00:47:45 |
- Oh really? |
| 00:47:48 |
Well, why don't you go ahead |
| 00:47:50 |
'cause he's gonna |
| 00:47:52 |
Okay. |
| 00:48:40 |
You will all be rounded up |
| 00:48:42 |
if this goes any farther. |
| 00:48:44 |
This is not your ranch. |
| 00:48:46 |
You pathetic |
| 00:48:50 |
Do you actually believe |
| 00:48:52 |
that this exhibition |
| 00:48:55 |
is advancing |
| 00:48:57 |
Yes! |
| 00:48:59 |
You owe us. |
| 00:49:02 |
to your disgusting |
| 00:49:04 |
That's right! |
| 00:49:09 |
Then take it. |
| 00:49:15 |
Go for it, girls! |
| 00:49:19 |
Go to your bunkhouse |
| 00:49:34 |
Better reach |
| 00:49:35 |
Yee-hah! |
| 00:49:46 |
Not one of these pussies |
| 00:49:48 |
Yeah, smell this! Woo. |
| 00:49:53 |
Ooh! |
| 00:50:03 |
Shit, oh goodness! |
| 00:50:29 |
Any of you ladies |
| 00:50:32 |
you're welcome to stay as full-working |
| 00:50:35 |
The rest of you get packed, |
| 00:50:37 |
You've got 15 minutes to move |
| 00:50:56 |
# Cowgirl pride... # |
| 00:50:59 |
# Cowgirl pride... # |
| 00:51:14 |
Torn between her loyalty |
| 00:51:18 |
and her growing affection |
| 00:51:21 |
a confused Sissy |
| 00:51:25 |
with not a Pontiac |
| 00:51:28 |
# Cowgirl, cowgirl... # |
| 00:51:43 |
Ha ha! |
| 00:51:46 |
Ha ha! |
| 00:51:48 |
Ha ha! |
| 00:51:53 |
Ho-ho. |
| 00:51:56 |
Ho-ho. |
| 00:51:58 |
Ho-ho. |
| 00:52:20 |
Hee hee! |
| 00:52:23 |
Hee hee! |
| 00:52:25 |
Hee hee! |
| 00:52:32 |
Ha ha. Ho ho. |
| 00:52:36 |
Hey, wait! |
| 00:53:00 |
Come on, baby! |
| 00:53:08 |
I'm a friend |
| 00:53:10 |
l... I know. |
| 00:53:22 |
Whoo-hoo-hoo! |
| 00:53:29 |
There's been some trouble |
| 00:53:32 |
It's so dark now. |
| 00:53:34 |
Doubt if I could find my way back |
| 00:53:37 |
You save your breath |
| 00:54:26 |
I don't know |
| 00:54:28 |
Me neither. |
| 00:54:39 |
Personally I prefer |
| 00:54:43 |
but what the hell? |
| 00:54:45 |
Those cowgirls are always |
| 00:54:49 |
about there's only |
| 00:54:52 |
and all it does |
| 00:54:54 |
Well, I say you can |
| 00:54:58 |
as long as you |
| 00:55:02 |
I pledge to you tonight |
| 00:55:05 |
that I will do everything |
| 00:55:07 |
that the guilty are |
| 00:55:09 |
and that such abuses are purged |
| 00:55:13 |
in the years to come |
| 00:55:17 |
Some people... |
| 00:55:30 |
Sissy... |
| 00:55:33 |
the earth is alive. |
| 00:55:38 |
She burns from the heat |
| 00:55:42 |
of eternal cosmic longing. |
| 00:55:44 |
- She longs for her mate. |
| 00:55:48 |
She groans, she moans... |
| 00:55:52 |
she turns softly |
| 00:56:02 |
I love those cowgirls. |
| 00:56:10 |
But... |
| 00:56:16 |
I just can't be a party to their... |
| 00:56:25 |
Hmm. |
| 00:56:35 |
What do you |
| 00:56:41 |
Ha ha... |
| 00:56:44 |
ho ho... |
| 00:56:46 |
hee hee. |
| 00:58:34 |
This is uh, point 3, |
| 00:58:37 |
Roger. Standby... |
| 00:58:41 |
Where the hell |
| 00:58:45 |
When in doubt, |
| 00:58:48 |
There was no road |
| 00:58:51 |
nor vehicle |
| 00:58:54 |
In the post office boxes |
| 00:58:57 |
near a dozen different |
| 00:58:59 |
she frequently found letters |
| 00:59:03 |
And thus, |
| 00:59:06 |
Jellybean traveled with her. |
| 00:59:25 |
Sissy, don't act dumb |
| 00:59:29 |
The cowgirls are involved |
| 00:59:33 |
You know perfectly well |
| 00:59:35 |
Last seen in Canada, |
| 00:59:37 |
Siwash Lake is between |
| 00:59:40 |
The cowgirls have possession |
| 00:59:43 |
I don't know anything |
| 00:59:46 |
Sissy! |
| 00:59:48 |
You are trying to protect |
| 00:59:52 |
Well, "Let conscience be your guide," |
| 00:59:56 |
but it won't work. |
| 00:59:58 |
Those stinking sluts |
| 01:00:01 |
Shut your mouth! |
| 01:00:06 |
Argh! |
| 01:00:08 |
Oh, oh dear! |
| 01:00:11 |
Ahh. |
| 01:00:16 |
Ooh. |
| 01:00:48 |
"Sissy, I'm remembering |
| 01:00:50 |
In a few minutes, I'm going to return |
| 01:00:54 |
Last spring Debbie and I |
| 01:00:57 |
for the cranes to munch. |
| 01:00:59 |
longer than they ever had |
| 01:01:01 |
This time, we're gonna try |
| 01:01:04 |
to see if they won't stay |
| 01:01:06 |
By the way, I'm visiting |
| 01:01:09 |
Now you know |
| 01:01:11 |
Well, I hear that you |
| 01:01:13 |
listening to Bible stories. |
| 01:01:15 |
He's really something, isn't he? |
| 01:01:18 |
I love you, |
| 01:01:39 |
Well, he's not |
| 01:01:43 |
But I think we can safely say |
| 01:01:46 |
Now I'd be pretty |
| 01:01:48 |
However, there is evidence |
| 01:01:52 |
And I have reason to fear |
| 01:01:55 |
Brain damage? |
| 01:01:57 |
You mean he's gonna |
| 01:02:00 |
A vegetable? |
| 01:02:04 |
No, I wouldn't say that. |
| 01:02:06 |
We won't know the extent |
| 01:02:09 |
But there is |
| 01:02:12 |
of severe and lasting |
| 01:02:15 |
I wouldn't classify it in |
| 01:02:22 |
Thumbs that not once |
| 01:02:24 |
had been raised in anger, |
| 01:02:26 |
that had often known bliss |
| 01:02:29 |
that were wound 'round |
| 01:02:33 |
now had been reduced |
| 01:02:36 |
A sorrowful Sissy |
| 01:02:39 |
to the one person she knew |
| 01:02:42 |
or should we say, |
| 01:02:51 |
I'm afraid |
| 01:02:53 |
- Oh Doctor! |
| 01:02:55 |
Don't be dismayed. |
| 01:02:57 |
We all have our problems |
| 01:03:00 |
But as the painter |
| 01:03:02 |
"Mysteries remain, sorrow |
| 01:03:06 |
but the everlasting |
| 01:03:08 |
by the positive work which |
| 01:03:12 |
I don't suppose that means |
| 01:03:14 |
I have retired... a victim |
| 01:03:19 |
- Oh... |
| 01:03:21 |
was a simple reworking |
| 01:03:23 |
I was a bit |
| 01:03:25 |
succumbing to my suppressed |
| 01:03:28 |
I sculpted, |
| 01:03:30 |
on the face |
| 01:03:33 |
the world's first |
| 01:03:40 |
Ah, the thumb! |
| 01:03:43 |
The thumb, the thumb, |
| 01:03:47 |
The thumb, the thumb, |
| 01:03:54 |
One of evolution's |
| 01:03:57 |
A built-in tool, |
| 01:03:59 |
sensitive to texture, contour, |
| 01:04:01 |
An alchemical lever, |
| 01:04:05 |
the link between |
| 01:04:09 |
The humanizing device. |
| 01:04:11 |
The marmoset and the lemur |
| 01:04:15 |
None of the new world monkeys |
| 01:04:17 |
The spider monkey's thumbs |
| 01:04:20 |
or reduced |
| 01:04:21 |
The thumbs |
| 01:04:24 |
at an angle of 180 degrees |
| 01:04:31 |
And so... |
| 01:04:33 |
you are demanding at last, |
| 01:04:35 |
the privileges of thumb that nature |
| 01:04:42 |
I just want to be normal, |
| 01:04:44 |
Give me that old-fashioned |
| 01:04:48 |
It was good enough |
| 01:04:50 |
and it's good enough |
| 01:04:55 |
Ah yes. |
| 01:05:00 |
Very well, my dear. |
| 01:05:02 |
Here's what we can do. |
| 01:07:27 |
The whooping cranes |
| 01:07:29 |
They're in fine shape... |
| 01:07:31 |
and as you must have saw |
| 01:07:34 |
unrestrained, |
| 01:07:37 |
But this is private property |
| 01:07:41 |
None of you. |
| 01:07:43 |
We'll be back, and when we come back |
| 01:07:45 |
and a fistful |
| 01:07:49 |
I'm scared of you. |
| 01:07:51 |
Yee-hah! |
| 01:08:01 |
It will be my extreme pleasure |
| 01:08:04 |
who has been gravely concerned |
| 01:08:07 |
...and the Interior Secretary |
| 01:08:11 |
that the entire flock of cranes |
| 01:08:14 |
and in apparently |
| 01:08:17 |
The cranes have built |
| 01:08:19 |
around the entire |
| 01:08:21 |
and have hatched |
| 01:08:23 |
Uh, including the young birds, there are |
| 01:08:27 |
While this is good news, |
| 01:08:31 |
Er, whooping cranes |
| 01:08:33 |
and have never been known to nest |
| 01:08:37 |
and yet here they're |
| 01:08:42 |
The whooping crane has been driven |
| 01:08:45 |
...by an aggressive, brutal, |
| 01:08:49 |
intent on subduing |
| 01:08:51 |
and establishing its dominion |
| 01:08:53 |
In the name of God the Father, |
| 01:08:59 |
From men, the whooping crane |
| 01:09:04 |
Men have drained |
| 01:09:06 |
...stolen its eggs, |
| 01:09:09 |
polluted its food, |
| 01:09:13 |
Obviously, a patriarchal society |
| 01:09:15 |
anything as grand |
| 01:09:17 |
and wild and free |
| 01:09:21 |
You men have failed |
| 01:09:23 |
now it is women's turn. |
| 01:09:25 |
The cranes are |
| 01:09:28 |
We will protect them as long |
| 01:09:31 |
while working toward a day |
| 01:09:34 |
no longer have to suffer man's egoism, |
| 01:09:39 |
We refuse your order. |
| 01:09:42 |
...take your order and shove it. |
| 01:09:45 |
This awesome bird's staying with us. |
| 01:09:49 |
# I've pinned myself |
| 01:09:51 |
# Stationed |
| 01:09:53 |
# Just wishin' |
| 01:09:57 |
# There I hung |
| 01:09:59 |
# Collectin' dust, |
| 01:10:00 |
# That's all |
| 01:10:04 |
# While in the corner, |
| 01:10:06 |
# He sits talkin' |
| 01:10:08 |
# Hopin' |
| 01:10:12 |
# But no matter |
| 01:10:14 |
# I'll just look him |
| 01:10:16 |
# That's all |
| 01:10:19 |
# That's all it took to see |
| 01:10:22 |
# That's all it took to see # |
| 01:10:24 |
# I was |
| 01:10:26 |
# I'm gonna ride high |
| 01:10:30 |
# I look behind |
| 01:10:32 |
# Following me. # |
| 01:10:36 |
# Yee-hoo! # |
| 01:10:43 |
there came a point |
| 01:10:46 |
to get in her peyote wagon |
| 01:10:50 |
She had a mission |
| 01:10:52 |
The cowgirls protested |
| 01:10:56 |
But they knew better |
| 01:10:58 |
Unfortunately, there were federal agents |
| 01:11:14 |
Yeah, yeah, right, right... |
| 01:11:49 |
We heard on the radio |
| 01:11:52 |
where they set |
| 01:11:56 |
Man, right when |
| 01:12:03 |
Whoo-hoo! Yeow! |
| 01:12:24 |
Well, let's celebrate! |
| 01:12:36 |
Ain't that |
| 01:12:40 |
Looks like every time |
| 01:12:42 |
- Things are in a mess. |
| 01:12:44 |
It's pretty serious this time, |
| 01:12:47 |
You're actually prepared |
| 01:12:51 |
Hell, no! |
| 01:12:54 |
but I'm not in this |
| 01:12:56 |
I'm in it for cowgirls. |
| 01:12:58 |
If we cowgirls give in to authority |
| 01:13:01 |
then cowgirls become |
| 01:13:03 |
I want a finer fate than that... |
| 01:13:07 |
Better no cowgirls at all |
| 01:13:11 |
How did this business |
| 01:13:13 |
Why are the birds |
| 01:13:15 |
You were aware we were |
| 01:13:18 |
We fed 'em brown rice. |
| 01:13:22 |
Then we decided to try |
| 01:13:24 |
We mixed our brown rice with fishmeal. |
| 01:13:27 |
Then Delores suggested |
| 01:13:32 |
We think |
| 01:13:34 |
- You mean...? |
| 01:13:37 |
They're drugged? |
| 01:13:39 |
Oh come off it, Sissy. |
| 01:13:42 |
Every living thing |
| 01:13:44 |
and anything that is added to it |
| 01:13:47 |
If you eat a cheeseburger |
| 01:13:51 |
it changes |
| 01:13:54 |
The kind of food you eat, |
| 01:13:56 |
the kind of air you breathe |
| 01:13:59 |
- Does that mean you're drugged? |
| 01:14:04 |
"Drugged" is a stupid word. |
| 01:14:10 |
But the peyote is obviously |
| 01:14:13 |
It's made them break |
| 01:14:16 |
that goes back |
| 01:14:18 |
The way I see it, |
| 01:14:20 |
the peyote mellowed them out, |
| 01:14:22 |
They were afraid of humans |
| 01:14:26 |
That's why they migrated |
| 01:14:29 |
Peyote has enlightened them. |
| 01:14:32 |
It's taught them there's |
| 01:14:35 |
Now they're digging life |
| 01:14:39 |
"Don't worry, |
| 01:14:42 |
Be here now. |
| 01:14:45 |
This here discussion |
| 01:14:47 |
because we've got less |
| 01:14:50 |
and Delores' run ended up |
| 01:14:53 |
So any day now, |
| 01:14:55 |
to see how the whoopers behave |
| 01:14:57 |
But in the meantime, |
| 01:15:02 |
Judge Greenfield, |
| 01:15:06 |
has granted a 48-hour extension |
| 01:15:08 |
by which the Rubber Rose cowgirls |
| 01:15:13 |
Negotiations between |
| 01:15:15 |
are expected to follow. |
| 01:15:17 |
Another "ride 'em in," |
| 01:15:20 |
a Delores del Ruby, |
| 01:15:26 |
...after having been |
| 01:15:28 |
with more than 50 pounds |
| 01:15:31 |
Her bail has been paid |
| 01:15:33 |
Countess Products, Inc. |
| 01:15:36 |
Ms. del Ruby's bail having come |
| 01:15:40 |
- A Dr. Robbins of New York City. |
| 01:15:56 |
It isn't for ourselves |
| 01:15:59 |
it isn't for cowgirls. |
| 01:16:04 |
It's for all the daughters |
| 01:16:06 |
That ain't no lie! |
| 01:16:10 |
This is an extremely |
| 01:16:14 |
This is womankind's chance |
| 01:16:19 |
that she is willing |
| 01:16:24 |
And if we women |
| 01:16:27 |
that we're willing |
| 01:16:30 |
then our enemy |
| 01:16:33 |
That's right! |
| 01:16:35 |
And men know that no matter |
| 01:16:39 |
or determined our deeds, |
| 01:16:41 |
there is a point where we'll back down |
| 01:16:45 |
No way! |
| 01:16:57 |
I love you. |
| 01:17:01 |
Every time I tell you |
| 01:17:04 |
That's your problem. |
| 01:17:10 |
If I flinch when you say you love me, |
| 01:17:15 |
My confusion |
| 01:17:19 |
Students |
| 01:17:23 |
Patients confuse |
| 01:17:41 |
Lovers |
| 01:17:43 |
confuse lovers |
| 01:17:49 |
I'm prepared to win! |
| 01:17:52 |
Victory for every female |
| 01:17:55 |
who has suffered under |
| 01:17:59 |
of masculine insensitivity |
| 01:18:03 |
I'll fight the bastards! |
| 01:18:06 |
I'll fight them with bean gas |
| 01:18:15 |
Sun's gone down. |
| 01:18:18 |
So those of you |
| 01:18:21 |
get a good night's sleep. |
| 01:18:24 |
Tomorrow morning, |
| 01:18:29 |
Tomorrow afternoon, those of you |
| 01:18:34 |
in the reeds... |
| 01:18:40 |
the cranes and I will be sharing |
| 01:18:49 |
I love you, Jelly. |
| 01:19:15 |
Lost in a psychedelic |
| 01:19:18 |
Delores, queen |
| 01:19:21 |
wandered among the nests |
| 01:19:24 |
who would rather go extinct than change |
| 01:19:28 |
Peyote buttons sang |
| 01:19:32 |
and above |
| 01:19:35 |
there eventually rose |
| 01:19:37 |
the divine mother, calling |
| 01:19:41 |
There the promise |
| 01:19:47 |
But what was said, |
| 01:20:33 |
It is woman's mission |
| 01:20:36 |
to destroy as well |
| 01:20:40 |
We will destroy |
| 01:20:44 |
but we cannot do it |
| 01:20:47 |
or with whips... |
| 01:20:49 |
oh no, we will destroy |
| 01:20:55 |
The peyote mother |
| 01:21:01 |
But it won't come |
| 01:21:04 |
It'll come |
| 01:21:07 |
every cowgirl |
| 01:21:12 |
But first we have to end |
| 01:21:15 |
with the government |
| 01:21:18 |
It's been positive and fruitful, |
| 01:21:21 |
Playfulness ceases to have |
| 01:21:26 |
when it takes itself |
| 01:21:59 |
Well, |
| 01:22:00 |
is one of us |
| 01:22:02 |
and tell them boys that America |
| 01:22:05 |
Now since |
| 01:22:07 |
since I'm responsible |
| 01:22:09 |
choosing to be cowgirls |
| 01:22:11 |
it's gonna be me |
| 01:22:14 |
No buts about it. |
| 01:22:17 |
You partners |
| 01:22:21 |
I'll see you soon. |
| 01:22:58 |
Yep, better get rid |
| 01:23:01 |
Might give those |
| 01:23:03 |
She's gonna fire. |
| 01:23:06 |
Shit! Shit! |
| 01:23:09 |
Hey, no, no, no... |
| 01:23:14 |
You've got two minutes |
| 01:23:21 |
No! |
| 01:23:24 |
No! |
| 01:23:39 |
Take that, |
| 01:23:42 |
Stop! Stop! Stop! |
| 01:25:09 |
Rotten scar. I fell on a wooden horse |
| 01:25:15 |
I wasn't really shot |
| 01:25:23 |
Or was I? |
| 01:26:17 |
You know, partners, |
| 01:26:19 |
you can tune a guitar, |
| 01:26:28 |
God, but it's good |
| 01:26:37 |
# Happy trails to you # |
| 01:26:42 |
# Until we meet again # |
| 01:26:47 |
# Happy trails to you # |
| 01:26:52 |
# Dearly parted friend # |
| 01:26:58 |
# When we meet |
| 01:27:02 |
# Where pastures |
| 01:27:08 |
# Happy trails to you # |
| 01:27:12 |
# Until we meet again. # |
| 01:27:36 |
Everything getting worse? |
| 01:27:38 |
Yeah. |
| 01:27:41 |
Everything's getting worse. |
| 01:27:43 |
But it's also getting better. |
| 01:27:47 |
- Yeah. |
| 01:27:51 |
The Countess |
| 01:27:53 |
The Rubber Rose Ranch has been |
| 01:27:57 |
I've been asked |
| 01:28:00 |
- For $300 a week. |
| 01:28:04 |
And the Countess... he's not going to be |
| 01:28:08 |
Here's a picture. |
| 01:28:14 |
There he is. |
| 01:28:20 |
Hmm... |
| 01:28:25 |
Help me up. |
| 01:28:33 |
Look, the westbound choo-choo's |
| 01:28:40 |
Will you drive me |
| 01:28:48 |
Agh, don't ever bet |
| 01:28:52 |
If complexity doesn't get you, |
| 01:28:56 |
Ha-ha! |
| 01:28:58 |
Ho-ho! |
| 01:29:00 |
Hee-hee! |
| 01:29:06 |
The brown paper bag |
| 01:29:08 |
is the only thing |
| 01:29:12 |
that does not seem |
| 01:29:14 |
Crumpled into a wad |
| 01:29:17 |
like the fossilized brain |
| 01:29:20 |
blending with rock |
| 01:29:23 |
as if it were |
| 01:29:26 |
or a jackrabbit's |
| 01:29:28 |
a number eight |
| 01:29:31 |
lay discarded |
| 01:29:34 |
and appeared to live |
| 01:29:37 |
Once long ago, |
| 01:29:40 |
and a jar of mustard |
| 01:29:42 |
to a kitchenette rendezvous |
| 01:29:45 |
Most recently, |
| 01:29:50 |
As a hole in an oak |
| 01:29:53 |
the bag had hidden |
| 01:29:55 |
in the bottom |
| 01:29:57 |
Then one day after work, |
| 01:30:00 |
the lanky filly to whom |
| 01:30:03 |
gathered bag and contents |
| 01:30:07 |
slipped down to the corral |
| 01:30:09 |
past ranch hands |
| 01:30:11 |
and ranch hands |
| 01:30:14 |
saddled up and trotted |
| 01:30:18 |
A mile or so |
| 01:30:20 |
she dismounted |
| 01:30:22 |
She fed the fire letters, |
| 01:30:26 |
the way her girlfriend |
| 01:30:30 |
As words such as "sweetheart" |
| 01:30:34 |
and "forever" and "always" |
| 01:30:37 |
the cowgirl squirted |
| 01:30:40 |
Her eyes were so misty, |
