|
Evita
|
| 00:03:05 |
It is my sad duty to inform you |
| 00:03:08 |
that Eva Perón, spiritual leader |
| 00:03:13 |
at 8:25 |
| 00:03:15 |
this evening. |
| 00:05:39 |
- You are not welcome here. |
| 00:05:42 |
They have a right to see him, |
| 00:05:45 |
You are not his wife. |
| 00:06:29 |
No, no! He's my papa! |
| 00:08:34 |
Oh what a circus |
| 00:08:36 |
Oh what a show |
| 00:08:38 |
Argentina has gone to town |
| 00:08:42 |
Over the death of an actress |
| 00:08:44 |
Called Eva Perón |
| 00:08:46 |
We've all gone crazy |
| 00:08:50 |
Mourning all day and mourning all night |
| 00:08:53 |
Falling over ourselves to get all |
| 00:08:57 |
Of the misery right |
| 00:09:01 |
Oh what an exit |
| 00:09:03 |
That's how to go |
| 00:09:06 |
When they're ringing your curtain down |
| 00:09:09 |
Demand to be buried |
| 00:09:11 |
Like Eva Perón |
| 00:09:14 |
It's quite a sunset |
| 00:09:17 |
And good for the country |
| 00:09:21 |
We've made the front page of all |
| 00:09:25 |
The world's papers today |
| 00:09:28 |
But who is this Santa Evita? |
| 00:09:31 |
Why all this howling, hysterical sorrow? |
| 00:09:35 |
What kind of goddess has lived among us? |
| 00:09:38 |
How will we ever get by without her? |
| 00:09:45 |
She had her moments |
| 00:09:50 |
The best show in town was the crowd |
| 00:09:53 |
Outside the Casa Rosada |
| 00:09:55 |
Crying, "Eva Perón" |
| 00:09:58 |
But that's all gone now |
| 00:10:01 |
As soon as the smoke |
| 00:10:05 |
We're all gonna see, and how |
| 00:10:09 |
She did nothing for years |
| 00:10:40 |
You let down your people, Evita |
| 00:10:43 |
You were supposed to have been immortal |
| 00:10:47 |
That's all they wanted |
| 00:10:48 |
Not much to ask for |
| 00:10:50 |
But in the end you |
| 00:10:52 |
Could not deliver |
| 00:10:57 |
Sing, you fools, but you got it wrong |
| 00:10:59 |
Enjoy your prayers |
| 00:11:01 |
Your queen is dead |
| 00:11:03 |
She's not coming back to you |
| 00:11:07 |
Show business kept us all alive |
| 00:11:09 |
Since 1 7 October 1 945 |
| 00:11:12 |
But the star has gone |
| 00:11:15 |
That's a pretty bad state for a state to be in |
| 00:11:17 |
Instead of government, we had a stage |
| 00:11:20 |
Instead of ideas, a prima donna's rage |
| 00:11:22 |
Instead of help, we were given a crowd |
| 00:11:24 |
She didn't say much, but she said it loud |
| 00:13:20 |
Don't cry for me, Argentina |
| 00:13:24 |
For I am ordinary |
| 00:13:27 |
Unimportant |
| 00:13:29 |
And undeserving |
| 00:13:32 |
Of such attention |
| 00:13:35 |
Unless we all are |
| 00:13:37 |
I think we all are |
| 00:13:40 |
So share my glory |
| 00:13:44 |
So share my coffin |
| 00:14:00 |
It's our funeral too |
| 00:14:56 |
Senor Magaldi? |
| 00:14:58 |
It's seven o' clock. You'll be late. |
| 00:15:10 |
Now, Eva Perón |
| 00:15:12 |
Had every disadvantage |
| 00:15:14 |
You need if you're going to succeed |
| 00:15:16 |
No money, no cash |
| 00:15:18 |
No father, no bright lights |
| 00:15:20 |
There was nowhere she'd been |
| 00:15:22 |
At the age of 1 5 |
| 00:15:25 |
As this tango singer found out |
| 00:15:31 |
Agustin Magaldi |
| 00:15:34 |
Who has the distinction of being the first |
| 00:15:37 |
Man to be of use |
| 00:15:39 |
To Eva Duarte |
| 00:15:53 |
On this night of 1 000 stars |
| 00:15:59 |
Let me take you to heaven's door |
| 00:16:03 |
Where the music of love's guitars |
| 00:16:07 |
Plays forever more |
| 00:16:11 |
In the glow of those twinkling lights |
| 00:16:15 |
We shall love through eternity |
| 00:16:20 |
On this night in a million nights |
| 00:16:24 |
Fly away with me |
| 00:16:29 |
I never dreamed that a kiss |
| 00:16:34 |
Now I know that it can |
| 00:16:38 |
I used to wander alone |
| 00:16:42 |
I was a desperate man |
| 00:16:47 |
But all my grief disappeared |
| 00:16:49 |
And all the sorrow I'd feared |
| 00:16:56 |
On that magical day |
| 00:18:00 |
To think that a man |
| 00:18:03 |
Could love a poor little nothing like me |
| 00:18:07 |
I want to be a part of B.A. |
| 00:18:20 |
Just listen to that |
| 00:18:21 |
They're onto you, Magaldi |
| 00:18:23 |
I'd get out while you can |
| 00:18:25 |
It's happened at last |
| 00:18:27 |
I'm starting to get started |
| 00:18:29 |
I'm moving out with my man |
| 00:18:31 |
Now, Eva, don't get carried away |
| 00:18:33 |
Monotony passed, suburbia departed |
| 00:18:37 |
Who could ever be fond |
| 00:18:40 |
Don't hear words that I didn't say |
| 00:18:43 |
What's that? |
| 00:18:44 |
You desert the girl you love? |
| 00:18:46 |
The girl I love? |
| 00:18:49 |
What are you talking about? |
| 00:18:51 |
She really brightened up |
| 00:18:57 |
She gave you all she had |
| 00:19:04 |
You must be quite relieved |
| 00:19:06 |
That no one's told the papers |
| 00:19:09 |
So far |
| 00:19:11 |
I want to be a part of B.A. |
| 00:19:19 |
Would I have done |
| 00:19:21 |
What I did |
| 00:19:24 |
If I hadn't thought |
| 00:19:27 |
If I hadn't known |
| 00:19:30 |
We would stay together? |
| 00:19:53 |
Seems to me there's no point in resisting |
| 00:19:57 |
She's made up her mind, |
| 00:20:00 |
Why don't you be the man |
| 00:20:03 |
You'll never be remembered for your voice |
| 00:20:07 |
The city can be paradise |
| 00:20:09 |
For those who have the cash |
| 00:20:13 |
The class and the connections |
| 00:20:16 |
What you need to make a splash |
| 00:20:19 |
The likes of you get swept up |
| 00:20:22 |
In the morning with the trash |
| 00:20:26 |
If you were rich or middle class... |
| 00:20:28 |
Screw the middle classes |
| 00:20:31 |
I will never accept them |
| 00:20:34 |
My father's other family were middle class |
| 00:20:38 |
And we were kept out of sight |
| 00:20:40 |
Hidden from view at his funeral |
| 00:20:43 |
Do all your one night stands |
| 00:20:46 |
Give you this trouble? |
| 00:20:52 |
Eva, beware of the city |
| 00:20:55 |
It's hungry and cold |
| 00:20:58 |
Can't be controlled |
| 00:20:59 |
It is mad |
| 00:21:01 |
Those who are fools |
| 00:21:06 |
And those who are not become |
| 00:21:08 |
What they should not become |
| 00:21:10 |
Changed, in short they go bad |
| 00:21:12 |
Bad is good for me |
| 00:21:14 |
I'm bored, so clean and so ignored |
| 00:21:16 |
I've only been predictable, respectable |
| 00:21:19 |
Birds fly out of here |
| 00:21:23 |
I only want variety of society |
| 00:21:27 |
I want to be a part of B.A. |
| 00:21:37 |
Five years from now I shall come back |
| 00:21:41 |
And finally say |
| 00:21:45 |
Come to town |
| 00:21:47 |
But you'll look at me |
| 00:21:51 |
The magical city |
| 00:21:53 |
A younger girl's city |
| 00:21:55 |
A fantasy long since put down |
| 00:21:58 |
All you've done to me |
| 00:22:01 |
I played your city games all right, didn't l? |
| 00:22:04 |
I already know what cooks |
| 00:22:06 |
How the dirty city feels and looks |
| 00:22:08 |
I tasted it last night, didn't l? |
| 00:22:22 |
Eva, beware your ambition |
| 00:22:26 |
It's hungry and cold |
| 00:22:28 |
Can't be controlled, will run wild |
| 00:22:32 |
This in a man is danger enough |
| 00:22:35 |
But you are a woman |
| 00:22:38 |
Not even a woman |
| 00:22:39 |
Not very much more than a child |
| 00:22:42 |
And whatever you say |
| 00:23:27 |
What's new, Buenos Aires? |
| 00:23:31 |
I'm new |
| 00:23:34 |
You'll be on me too |
| 00:23:37 |
I get out here, Buenos Aires |
| 00:23:42 |
Stand back |
| 00:23:43 |
You oughta know |
| 00:23:45 |
Just a little touch of star quality |
| 00:23:53 |
Fill me up with your heat |
| 00:23:57 |
Let me dance to your beat |
| 00:24:02 |
Don't hold back |
| 00:24:05 |
Tell the driver this is where I'm staying |
| 00:24:13 |
Get this! Just look at me |
| 00:24:16 |
We'll put on a show |
| 00:24:23 |
Take me in at your flood, give me speed |
| 00:24:27 |
Shoot me up with your blood |
| 00:24:29 |
Watch me coming |
| 00:24:32 |
All I want is a whole lot of excess |
| 00:24:35 |
Tell the singer this is where I'm playing |
| 00:24:40 |
Stand back, Buenos Aires |
| 00:24:43 |
Because you oughta know |
| 00:24:47 |
Just a little touch of star quality |
| 00:24:51 |
And |
| 00:24:54 |
If ever I go to far |
| 00:24:57 |
It's because of the things you are |
| 00:25:02 |
Beautiful town |
| 00:25:05 |
I love you |
| 00:25:07 |
And |
| 00:25:10 |
If I need a moment's rest |
| 00:25:13 |
Give your lover the very best |
| 00:25:17 |
Real eiderdown |
| 00:25:21 |
And silence |
| 00:26:28 |
You're a tramp, you're a treat |
| 00:26:31 |
You are shoddy |
| 00:26:32 |
But you're flesh, you are meat |
| 00:26:37 |
Put me down for a lifetime of success |
| 00:26:40 |
Give me credit, I'll find ways of paying |
| 00:26:45 |
Rio de la Plata |
| 00:26:48 |
Florida, Corrientes, Nueve de Julio |
| 00:26:52 |
All I want to know |
| 00:28:02 |
I don't expect my love affairs |
| 00:28:05 |
To last for long |
| 00:28:09 |
Never fool myself |
| 00:28:13 |
That my dreams will come true |
| 00:28:17 |
Being used to trouble |
| 00:28:20 |
I anticipate it |
| 00:28:25 |
But all the same I hate it |
| 00:28:28 |
Wouldn't you? |
| 00:28:31 |
So what happens now? |
| 00:28:33 |
Another suitcase in another hall |
| 00:28:37 |
Take your picture off another wall |
| 00:28:39 |
- Where am I going to? |
| 00:29:01 |
Time and time again |
| 00:29:03 |
I've said that |
| 00:29:05 |
I don't care |
| 00:29:08 |
That I'm immune to gloom |
| 00:29:12 |
That I'm hard through and through |
| 00:29:16 |
But every time it matters |
| 00:29:19 |
All my words desert me |
| 00:29:23 |
So anyone can hurt me |
| 00:29:28 |
And they do |
| 00:29:30 |
So what happens now? |
| 00:29:33 |
Another suitcase in another hall |
| 00:29:36 |
Take your picture off another wall |
| 00:29:40 |
You'll get by you always have before |
| 00:29:42 |
Where am I going to? |
| 00:30:38 |
Call in three months time |
| 00:30:41 |
And I'll be fine |
| 00:30:44 |
I know |
| 00:30:46 |
Well, maybe not that fine |
| 00:30:49 |
But I'll survive anyhow |
| 00:30:53 |
I won't recall the names and places |
| 00:30:57 |
Of each sad occasion |
| 00:31:01 |
But that's no consolation |
| 00:31:05 |
Here and now |
| 00:31:19 |
Where am I going to? |
| 00:31:23 |
Don't ask any more |
| 00:33:00 |
Good night and thank you, whoever |
| 00:33:02 |
She's in every magazine |
| 00:33:06 |
She is known |
| 00:33:08 |
We don't like to rush |
| 00:33:11 |
If she's missed anything |
| 00:33:14 |
But she won't always answer the phone |
| 00:33:18 |
Oh but it's sad when a love affair dies |
| 00:33:21 |
But we have pretended enough |
| 00:33:24 |
It's best that we both |
| 00:33:27 |
Which means...! |
| 00:33:31 |
There is no one, no one at all |
| 00:33:34 |
Never has been and never will be a lover, |
| 00:33:39 |
Who hasn't an eye on |
| 00:33:41 |
In fact they rely on tricks |
| 00:33:46 |
They're hoping their lover |
| 00:33:49 |
Support them, promote them |
| 00:33:51 |
Don't blame them |
| 00:34:08 |
Good night and thank you, Emilio |
| 00:34:11 |
You've completed your task |
| 00:34:13 |
What more can we ask of you now? |
| 00:34:16 |
Please sign the book |
| 00:34:19 |
And that will be all |
| 00:34:22 |
But I don't think that's likely somehow |
| 00:34:25 |
Oh but it's sad when a love affair dies |
| 00:34:29 |
But when we were hot |
| 00:34:32 |
I know you'll look back |
| 00:34:35 |
Which means...! |
| 00:34:39 |
There is no one, no one at all |
| 00:34:41 |
Never has been |
| 00:34:45 |
Male or female |
| 00:34:47 |
Who hasn't an eye on |
| 00:34:51 |
Tricks they can try on their partner |
| 00:34:54 |
They're hoping their lover |
| 00:34:57 |
Support them, promote them |
| 00:34:59 |
Don't blame her |
| 00:35:02 |
There is no soap |
| 00:35:05 |
No detergent, lotion or oil |
| 00:35:09 |
In the shower |
| 00:35:11 |
It's the mother and father |
| 00:35:13 |
Of luxury lather |
| 00:35:15 |
The talk of the bath |
| 00:35:18 |
One little frolic |
| 00:35:20 |
You're scented |
| 00:35:23 |
You'll be sent |
| 00:35:31 |
Good night and thank you, Senor Jabón |
| 00:35:33 |
We are grateful |
| 00:35:35 |
You found her a spot on the sound radio |
| 00:35:39 |
We'll think of you |
| 00:35:42 |
We'd love you to stay |
| 00:35:45 |
So do up your trousers and go |
| 00:35:55 |
Oh but it's sad when a love affair dies |
| 00:35:58 |
The decline into silence and doubt |
| 00:36:01 |
Our passion was just too intense to survive |
| 00:36:05 |
Which means...! |
| 00:36:08 |
This is a club I should never have joined |
| 00:36:11 |
Someone has made us look fools |
| 00:36:15 |
Argentine men call the sexual shots |
| 00:36:18 |
Someone has altered the rules |
| 00:36:21 |
Fame on the wireless as far as it goes |
| 00:36:24 |
Is all very well, but every girl knows |
| 00:36:28 |
She needs a man she can monopolise |
| 00:36:31 |
With fingers in dozens of different pies |
| 00:37:14 |
In June of '43 |
| 00:37:16 |
There was a military coup |
| 00:37:18 |
Behind it was a gang called |
| 00:37:20 |
The G.O.U. |
| 00:37:22 |
Who did not feel |
| 00:37:23 |
The need to be elected |
| 00:37:29 |
They had themselves a party |
| 00:37:32 |
They were slightly to the right |
| 00:37:36 |
A bomb or two |
| 00:37:43 |
Just one shell |
| 00:37:44 |
And governments fall like flies |
| 00:37:48 |
Ka-pow, die |
| 00:37:52 |
Bye-bye |
| 00:37:55 |
Aim high |
| 00:37:58 |
The tank and bullet ruled |
| 00:38:14 |
The lady's got potential |
| 00:38:18 |
On making it in movies |
| 00:38:21 |
The greatest social climber |
| 00:38:29 |
OK, she couldn't act |
| 00:38:32 |
And we all know |
| 00:38:35 |
On knowing the right fella |
| 00:38:38 |
To be stellar |
| 00:38:43 |
Just one shell |
| 00:38:58 |
That's how we get |
| 00:39:14 |
Now, the man behind the president |
| 00:39:17 |
Involved so discreetly |
| 00:39:21 |
Was Colonel Juan Perón |
| 00:39:23 |
Would-be dictator |
| 00:39:28 |
He began in the army out in ltaly so |
| 00:39:34 |
Saw Mussolini's rise |
| 00:39:35 |
And reckoned he'd do likewise |
| 00:39:38 |
Sooner or later |
| 00:39:42 |
Just one blast |
| 00:39:49 |
They haven't a chance |
| 00:39:52 |
The terrorists advance |
| 00:39:54 |
But one guy doesn't dirty his hands |
| 00:39:58 |
Perón was biding time out |
| 00:40:00 |
In the slow lane |
| 00:40:08 |
Suddenly an earthquake hit |
| 00:40:11 |
The town of San Juan |
| 00:40:15 |
They stumble and fall |
| 00:40:19 |
Keep away from the wall |
| 00:40:21 |
But one guy |
| 00:40:22 |
Was having a ball |
| 00:40:24 |
The tragedy a golden chance for Perón |
| 00:40:36 |
He organised a concert |
| 00:40:40 |
In aid of all the victims |
| 00:40:43 |
Politicians, actors |
| 00:40:50 |
It was January 22, 1 944 |
| 00:40:54 |
A night to remember, that's for sure |
| 00:40:57 |
For that's the night |
| 00:41:15 |
On this night |
| 00:41:21 |
On this night |
| 00:41:27 |
On this night of 1 000 stars |
| 00:41:32 |
Let me take you to heaven's door |
| 00:41:36 |
Where the music of love's guitars |
| 00:41:42 |
Plays for evermore |
| 00:42:26 |
Your act hasn't changed much |
| 00:42:31 |
Neither has yours |
| 00:42:55 |
I stand here |
| 00:43:02 |
As we come together |
| 00:43:06 |
You've shown by your presence |
| 00:43:08 |
Your deeds and applause |
| 00:43:11 |
What the people can do |
| 00:43:14 |
True power is yours |
| 00:43:18 |
Unless it represents |
| 00:43:22 |
The people |
| 00:43:44 |
One always picks |
| 00:43:47 |
The easy fight |
| 00:43:49 |
One praises fools |
| 00:43:52 |
One smothers light |
| 00:43:56 |
One shifts |
| 00:43:59 |
From left to right |
| 00:44:02 |
Politics |
| 00:44:04 |
The art of the possible |
| 00:44:45 |
I've heard so much about you |
| 00:44:51 |
I'm amazed |
| 00:44:53 |
- For I'm only an actress |
| 00:44:56 |
- Nothing to shout about |
| 00:44:58 |
- Only a girl on the air |
| 00:45:07 |
But when you act |
| 00:45:08 |
The things you do affect us all |
| 00:45:14 |
But when you act |
| 00:45:16 |
You take us away |
| 00:45:22 |
- Are you here on your own? |
| 00:45:28 |
So am I |
| 00:45:30 |
What a fortunate coincidence |
| 00:45:33 |
Maybe you're my reward |
| 00:45:36 |
For my efforts here tonight |
| 00:45:40 |
It seems crazy |
| 00:45:42 |
But you must believe |
| 00:45:46 |
There's nothing calculated |
| 00:45:48 |
Nothing planned |
| 00:45:51 |
Please forgive me |
| 00:45:52 |
If I seem naive |
| 00:45:55 |
I would never want to force your hand |
| 00:45:59 |
But please understand I'd be good for you |
| 00:46:05 |
I don't always rush in like this |
| 00:46:10 |
20 seconds after saying hello |
| 00:46:15 |
Telling strangers I'm too good to miss |
| 00:46:20 |
If I'm wrong I hope you'll tell me so |
| 00:46:24 |
But you really should know |
| 00:46:29 |
I'd be surprisingly good for you |
| 00:46:43 |
I won't go on if I'm boring you |
| 00:46:47 |
But do you understand my point of view |
| 00:46:52 |
Do you like what you hear |
| 00:46:54 |
And would you be |
| 00:46:58 |
Good for me too? |
| 00:47:05 |
I'm not talking of a hurried night |
| 00:47:09 |
A frantic tumble then a shy goodbye |
| 00:47:14 |
Creeping home before it gets too light |
| 00:47:19 |
That's not the reason |
| 00:47:23 |
Which has to imply I'd be good for you |
| 00:48:01 |
Please go on. You enthral me |
| 00:48:05 |
I can understand you perfectly |
| 00:48:09 |
And I like what I hear, what I see |
| 00:48:12 |
And knowing me |
| 00:48:16 |
I would be good for you too |
| 00:48:25 |
I'm not talking |
| 00:48:27 |
Of a hurried night |
| 00:48:30 |
A frantic tumble |
| 00:48:32 |
Then a shy goodbye |
| 00:48:35 |
Creeping home before it gets too light |
| 00:48:39 |
That's not the reason |
| 00:48:43 |
Which has to imply I'd be good for you |
| 00:49:26 |
There is no one, no one at all |
| 00:49:29 |
Never has been, and never will be a lover |
| 00:49:33 |
Male or female |
| 00:49:35 |
Who hasn't an eye on |
| 00:49:38 |
Tricks they can try on their partner |
| 00:49:41 |
They're hoping their lover |
| 00:49:45 |
Support them, promote them |
| 00:50:01 |
Hello and goodbye |
| 00:50:03 |
I've just unemployed you |
| 00:50:06 |
You can go back to school |
| 00:50:08 |
You've had a good run |
| 00:50:09 |
I'm sure he enjoyed you |
| 00:50:12 |
Don't act sad or surprised |
| 00:50:18 |
Come on, little one |
| 00:50:23 |
The day you knew would arrive is here |
| 00:50:26 |
You'll survive |
| 00:50:28 |
So move, funny face |
| 00:50:32 |
I like your conversation |
| 00:50:36 |
You've a catchy turn of phrase |
| 00:50:40 |
You're obviously going through |
| 00:51:10 |
So what happens now? |
| 00:51:19 |
Where am I going to? |
| 00:51:21 |
You'll get by, you always have before |
| 00:51:27 |
Don't ask any more |
| 00:52:12 |
At the watering-holes |
| 00:52:15 |
Of the well-to-do |
| 00:52:18 |
I detect a resistance to |
| 00:52:21 |
Precisely |
| 00:52:22 |
Our heroine's style |
| 00:52:24 |
We're glad you noticed |
| 00:52:26 |
The shooting sticks |
| 00:52:29 |
Of the upper class |
| 00:52:31 |
Give her an inch... |
| 00:52:33 |
Aren't supporting a single ass |
| 00:52:36 |
That would rise for the girl |
| 00:52:38 |
...She'll take a mile |
| 00:52:40 |
Such a shame she wandered |
| 00:52:44 |
Into our enclosure |
| 00:52:47 |
How unfortunate this person |
| 00:52:51 |
Has forced us to be blunt |
| 00:52:54 |
No, we wouldn't mind |
| 00:52:59 |
Seeing her at Harrods |
| 00:53:01 |
But behind the jewellery counter |
| 00:53:06 |
Not in front |
| 00:53:10 |
Could there be |
| 00:53:13 |
In our fighting corps |
| 00:53:17 |
A lack of enthusiasm for |
| 00:53:20 |
Perón's latest flame? |
| 00:53:22 |
You said it, brother |
| 00:53:25 |
Should you wish |
| 00:53:28 |
To cause great distress |
| 00:53:31 |
In the tidiest officer's mess |
| 00:53:35 |
Just mention her name |
| 00:53:37 |
That isn't funny |
| 00:53:39 |
Perón is a fool, breaking every taboo |
| 00:53:42 |
Installing the girl in the army H.Q. |
| 00:53:46 |
And she's an actress, the last straw |
| 00:53:50 |
Her only good parts |
| 00:53:54 |
She should stare at the ceiling |
| 00:53:57 |
Or she could be his last whore |
| 00:54:01 |
The evidence suggests |
| 00:54:04 |
She has other interests |
| 00:54:08 |
If it's her that's using him |
| 00:54:11 |
He's exceptionally dim |
| 00:54:20 |
Dangerous Jade |
| 00:54:23 |
We have allowed ourselves to slip |
| 00:54:26 |
We have completely lost our grip |
| 00:54:29 |
We have declined to an all-time low |
| 00:54:33 |
Tarts have become the set to know |
| 00:54:36 |
I'm only a radio star |
| 00:54:41 |
But speaking as one of the people |
| 00:54:44 |
I want you to know |
| 00:54:47 |
We are tired of |
| 00:54:49 |
The decline of Argentina |
| 00:54:52 |
With no sign of |
| 00:54:54 |
A government |
| 00:54:59 |
It's no crime for officers |
| 00:55:03 |
As long as they're discreet |
| 00:55:06 |
We ignore, we disregard |
| 00:55:10 |
But once they allow a bit on the side |
| 00:55:14 |
To move to the centre |
| 00:55:17 |
We are forced to mark his card |
| 00:55:21 |
She should get into her head |
| 00:55:25 |
She should not get out of bed |
| 00:55:28 |
She should know that she's not paid |
| 00:55:32 |
To be loud, but to be laid |
| 00:55:35 |
Slut |
| 00:55:41 |
Dangerous Jade |
| 00:55:45 |
This has really been your year |
| 00:55:48 |
Tell us where you go from here |
| 00:55:52 |
Which are the roles that you yearn to play? |
| 00:55:55 |
Whom did you sleep...dine with |
| 00:55:58 |
Acting is limiting |
| 00:56:01 |
That's no help to the Argentine |
| 00:56:04 |
Can we assume then that you'll quit? |
| 00:56:07 |
Is this because of your involvement |
| 00:56:11 |
With Colonel Perón? |
| 00:56:15 |
She won't be kept happy |
| 00:56:18 |
She says it's his body |
| 00:56:20 |
But she's after his files |
| 00:56:22 |
So get back onto the street |
| 00:56:25 |
She should get into her head |
| 00:56:29 |
She should not get out of bed |
| 00:56:33 |
She should know that she's not paid |
| 00:56:36 |
To be loud, but to be laid |
| 00:56:40 |
The evidence suggests |
| 00:56:43 |
She has other interests |
| 00:56:47 |
If it's her that's using him |
| 00:56:51 |
He's exceptionally dim |
| 00:56:54 |
Things have reached a pretty pass |
| 00:56:57 |
When someone pretty lower class |
| 00:57:01 |
Graceless and vulgar, uninspired |
| 00:57:05 |
Can be accepted and admired |
| 00:57:27 |
Dice are rolling |
| 00:57:31 |
Would-be presidents are all around |
| 00:57:34 |
I don't say they mean harm |
| 00:57:40 |
To see us six feet underground |
| 00:57:47 |
It doesn't matter |
| 00:57:49 |
What those morons say |
| 00:57:52 |
Our nation's leaders are a feeble crew |
| 00:57:57 |
There's only 20 of them anyway |
| 00:58:02 |
What is 20 next to millions who |
| 00:58:05 |
Are looking to you? |
| 00:58:11 |
All you have to do is sit and wait |
| 00:58:16 |
Keeping out of everybody's way |
| 00:58:20 |
We'll... You'll be handed power |
| 00:58:24 |
On a plate |
| 00:58:27 |
When the ones who matter |
| 00:58:31 |
And with chaos installed |
| 00:58:36 |
You can reluctantly agree |
| 00:58:39 |
To be called |
| 00:58:42 |
There again we could be foolish |
| 00:58:45 |
Not to quit while we're ahead |
| 00:58:48 |
For distance lends enchantment |
| 00:58:51 |
And that is why |
| 00:58:54 |
All exiles |
| 00:58:56 |
Are distinguished |
| 00:58:57 |
More important, they're not dead |
| 00:59:00 |
I could find job satisfaction in Paraguay |
| 00:59:04 |
This is crazy defeatist talk |
| 00:59:07 |
Why commit political suicide |
| 00:59:10 |
There's no risk |
| 00:59:16 |
When you have unions on your side |
| 01:00:15 |
A new Argentina |
| 01:00:18 |
The chains of the masses untied |
| 01:00:27 |
The voice of the people |
| 01:00:30 |
Cannot be denied |
| 01:00:36 |
There is only one man |
| 01:00:43 |
He lives for your problems |
| 01:00:49 |
He supports you, for he loves you |
| 01:00:52 |
Understands you, is one of you |
| 01:00:56 |
If not |
| 01:00:58 |
How could he love me? |
| 01:01:02 |
A new Argentina |
| 01:01:05 |
The workers' battle song |
| 01:01:14 |
The voice of the people |
| 01:01:17 |
Rings out loud and long |
| 01:01:23 |
Now, I am a worker |
| 01:01:25 |
I've suffered the way that you do |
| 01:01:30 |
I've been unemployed |
| 01:01:36 |
But I found my salvation in Perón |
| 01:01:41 |
May the nation let him save them |
| 01:01:45 |
As he saved me |
| 01:01:52 |
A new age about to begin |
| 01:02:01 |
We face the world together |
| 01:02:04 |
And no dissent within |
| 01:02:10 |
There again we could be foolish |
| 01:02:13 |
Not to quit while we're ahead |
| 01:02:16 |
I can see us many miles away, inactive |
| 01:02:23 |
Sipping cocktails on a terrace |
| 01:02:26 |
Taking breakfast in bed |
| 01:02:29 |
Sleeping easy, doing nothing |
| 01:02:32 |
It's attractive |
| 01:02:34 |
Don't think I don't think like you |
| 01:02:38 |
They always take some swallowing |
| 01:02:41 |
Sometimes it's very difficult to keep |
| 01:02:47 |
Don't close doors |
| 01:02:51 |
Because we might lose |
| 01:02:53 |
The Big Apple |
| 01:02:57 |
But would I have done what I did |
| 01:03:01 |
If I hadn't thought |
| 01:03:03 |
If I hadn't known |
| 01:03:06 |
We would take the country? |
| 01:03:25 |
Perón has resigned from the army |
| 01:03:31 |
The descamisados are those |
| 01:03:37 |
He supports you, for he loves you |
| 01:03:41 |
Understands you, is one of you |
| 01:03:44 |
If not |
| 01:03:46 |
How could he love me? |
| 01:04:17 |
Release him. |
| 01:06:31 |
How annoying |
| 01:06:35 |
For their cause |
| 01:06:37 |
The inconvenience |
| 01:06:39 |
Having to get a majority |
| 01:06:43 |
If normal methods of persuasion |
| 01:06:47 |
Fail to win them applause |
| 01:06:50 |
There are other ways |
| 00:01:50 |
We are all workers now |
| 00:01:55 |
Fighting against our common enemies |
| 00:02:00 |
Poverty, social injustice... |
| 00:02:05 |
Foreign domination of our industries |
| 00:02:09 |
Reaching for our common goals |
| 00:02:13 |
Our independence, our dignity |
| 00:02:16 |
Our pride |
| 00:02:21 |
Let the world know |
| 00:02:23 |
That our great nation is awakening |
| 00:02:29 |
And that its heart beats |
| 00:02:33 |
Of Juan Perón |
| 00:02:36 |
And his wife |
| 00:02:37 |
The first lady of Argentina |
| 00:02:41 |
Eva |
| 00:02:43 |
Duarte |
| 00:02:45 |
De Perón |
| 00:03:57 |
It won't be easy |
| 00:04:01 |
You'll think it strange |
| 00:04:04 |
When I try to explain how I feel |
| 00:04:10 |
That I still need your love |
| 00:04:13 |
After all that I've done |
| 00:04:17 |
You won't believe me |
| 00:04:22 |
All you will see is a girl you once knew |
| 00:04:28 |
Although she's dressed up to the nines |
| 00:04:33 |
At sixes and sevens with you |
| 00:04:43 |
I had to let it happen |
| 00:04:47 |
I had to change |
| 00:04:50 |
Couldn't stay all my life down at heel |
| 00:04:57 |
Looking out of the window |
| 00:05:00 |
Staying out of the sun |
| 00:05:04 |
So I chose freedom |
| 00:05:10 |
Running around |
| 00:05:12 |
Trying everything new |
| 00:05:15 |
But nothing |
| 00:05:17 |
Impressed me at all |
| 00:05:21 |
I never expected it to |
| 00:05:30 |
Don't cry for me, Argentina |
| 00:05:35 |
The truth is |
| 00:05:37 |
I never left you |
| 00:05:40 |
All through my wild days |
| 00:05:43 |
My mad existence |
| 00:05:46 |
I kept my promise |
| 00:05:49 |
Don't keep your distance |
| 00:05:58 |
And as for fortune |
| 00:06:01 |
And as for fame |
| 00:06:04 |
I never invited them in |
| 00:06:10 |
Though it seemed to the world |
| 00:06:13 |
They were all I desired |
| 00:06:17 |
They are illusions |
| 00:06:21 |
They're not |
| 00:06:22 |
The solutions they promised to be |
| 00:06:26 |
The answer was here all the time |
| 00:06:31 |
I love you |
| 00:06:33 |
And hope you love me |
| 00:07:39 |
Have I said too much? |
| 00:07:42 |
There's nothing more |
| 00:07:53 |
But all you have to do is |
| 00:07:57 |
Look at me to know |
| 00:07:59 |
That every word is true |
| 00:08:36 |
Just listen to that |
| 00:08:37 |
The voice of Argentina |
| 00:08:40 |
We are adored, we are loved |
| 00:08:43 |
Statesmanship is more |
| 00:08:47 |
We shall see, little man |
| 00:09:19 |
I am only a simple woman |
| 00:09:22 |
who lives to serve Perón |
| 00:09:24 |
in his noble crusade to rescue his people. |
| 00:09:29 |
I was once as you are now, |
| 00:09:31 |
and I promise you this, |
| 00:09:34 |
we will take the riches from the oligarchs. |
| 00:09:37 |
Only for you, for all of you. |
| 00:09:40 |
And one day |
| 00:09:51 |
When they fire those cannons, |
| 00:09:53 |
when crowds sing of glory, |
| 00:09:58 |
but for all of us! For all of us! |
| 00:10:06 |
Things have reached a pretty pass |
| 00:10:09 |
When someone pretty lower class |
| 00:10:12 |
Can be respected and admired |
| 00:10:18 |
But our privileged class is dead |
| 00:10:23 |
Look who they are calling for now |
| 00:11:32 |
High flying, adored |
| 00:11:35 |
So young, the instant queen |
| 00:11:39 |
A rich, beautiful thing |
| 00:11:43 |
Of all the talents a cross between |
| 00:11:47 |
A fantasy of the bedroom |
| 00:11:51 |
And a saint |
| 00:11:55 |
You were just a back street girl |
| 00:11:59 |
Hustling and fighting |
| 00:12:01 |
Scratching and biting |
| 00:12:03 |
High flying, adored |
| 00:12:07 |
Did you believe in your wildest moments |
| 00:12:11 |
All this would be yours |
| 00:12:14 |
That you'd become the lady of them all? |
| 00:12:20 |
Were there stars in your eyes |
| 00:12:24 |
When you crawled in at night |
| 00:12:28 |
From the bars, from the sidewalks |
| 00:12:32 |
From the gutter theatrical? |
| 00:12:36 |
Don't look down |
| 00:12:38 |
It's a long, long way to fall |
| 00:12:52 |
What happens now? |
| 00:12:53 |
Where do you go from here? |
| 00:12:55 |
For someone on top of the world |
| 00:12:59 |
The view is not exactly clear |
| 00:13:03 |
A shame you did it all |
| 00:13:07 |
At 26 |
| 00:13:12 |
There are no mysteries now |
| 00:13:15 |
Nothing can thrill you |
| 00:13:19 |
High flying, adored |
| 00:13:23 |
I hope you come to terms with boredom |
| 00:13:27 |
So famous, so easily |
| 00:13:30 |
So soon |
| 00:13:32 |
Is not the wisest thing to be |
| 00:13:36 |
You won't care if they love you |
| 00:13:40 |
It's been done before |
| 00:13:43 |
You'll despair |
| 00:13:45 |
If they hate you |
| 00:13:48 |
You'll be drained of all energy |
| 00:13:52 |
All the young who've made it |
| 00:13:56 |
Would agree |
| 00:14:04 |
High flying, adored |
| 00:14:07 |
That's good to hear, but unimportant |
| 00:14:12 |
My story's quite usual |
| 00:14:16 |
Local girl |
| 00:14:17 |
Makes good, weds famous man |
| 00:14:21 |
I was slap in the right place |
| 00:14:25 |
At the perfect time |
| 00:14:28 |
Filled a gap, I was lucky |
| 00:14:33 |
But one thing I'll say for me |
| 00:14:37 |
No one else can fill it like I can |
| 00:14:53 |
There again I've more to do |
| 00:14:55 |
Than simply get the message through |
| 00:14:58 |
Let's get this show on the road |
| 00:15:01 |
Let's make it obvious |
| 00:15:03 |
Perón is off and rolling |
| 00:15:07 |
Eyes, hair |
| 00:15:08 |
Mouth, figure |
| 00:15:09 |
Dress, voice |
| 00:15:10 |
Style, movement |
| 00:15:12 |
Hands, magic |
| 00:15:13 |
Rings, glamour |
| 00:15:15 |
Face, diamonds |
| 00:15:17 |
I came from the people |
| 00:15:19 |
They need to adore me |
| 00:15:21 |
So Christian Dior me |
| 00:15:24 |
From my head to my toes |
| 00:15:26 |
I need to be dazzling |
| 00:15:28 |
I want to be rainbow high |
| 00:15:32 |
They must have excitement |
| 00:15:34 |
And so must I |
| 00:15:40 |
I'm their product, it's vital to sell me |
| 00:15:43 |
So Machiavell me |
| 00:15:48 |
I need to be thrilling |
| 00:15:51 |
I want to be rainbow high |
| 00:15:55 |
They need their escape, and so do I |
| 00:16:10 |
All my descamisados expect me |
| 00:16:14 |
I won't disappoint them |
| 00:16:17 |
I'm their saviour |
| 00:16:20 |
That's what they call me |
| 00:16:22 |
So Lauren Bacall me |
| 00:16:26 |
To make me fantastic |
| 00:16:28 |
I have to be rainbow high |
| 00:16:33 |
In magical colours |
| 00:16:36 |
You're not decorating a girl |
| 00:16:38 |
For a night on the town |
| 00:16:41 |
And I'm not a second-rate queen |
| 00:16:44 |
Getting kicks with a crown |
| 00:16:47 |
Next stop will be Europe |
| 00:16:52 |
The Rainbow's gonna tour |
| 00:17:02 |
Look out, mighty Europe |
| 00:17:06 |
Because you ought to know |
| 00:17:21 |
People of Europe |
| 00:17:24 |
I send you the Rainbow of Argentina |
| 00:17:46 |
Spain has fallen to the charms of Evita |
| 00:17:52 |
She can do what she likes |
| 00:17:55 |
She's our lady of the New World |
| 00:18:00 |
She filled a bull ring |
| 00:18:04 |
But if you're prettier than General Franco |
| 00:18:08 |
That's not hard |
| 00:18:12 |
Franco's reign in Spain |
| 00:18:15 |
Should see out the '40s |
| 00:18:19 |
So you've just acquired an ally |
| 00:18:22 |
Who looks as secure in his job as you |
| 00:18:25 |
But more important |
| 00:18:27 |
Current political thought is |
| 00:18:31 |
Your wife's a phenomenal asset |
| 00:18:34 |
Your trump card |
| 00:18:37 |
Let's hear it for the Rainbow tour |
| 00:18:40 |
It's been an incredible success |
| 00:18:44 |
We weren't quite sure |
| 00:18:48 |
Will Evita win through? |
| 00:18:50 |
But the answer is yes |
| 00:18:52 |
There you are, I told you so |
| 00:18:56 |
Makes no difference where she goes |
| 00:19:00 |
The whole world over, just the same |
| 00:19:04 |
Just listen to them call her name |
| 00:19:07 |
And who would underestimate |
| 00:19:11 |
The actress now? |
| 00:19:15 |
Now, I don't like to spoil a wonderful story |
| 00:19:20 |
But the news from Rome |
| 00:19:24 |
She hasn't gone down |
| 00:19:28 |
Italy's unconvinced |
| 00:19:30 |
By Argentine glory |
| 00:19:32 |
They equate Perón with Mussolini |
| 00:19:36 |
Can't think why |
| 00:19:42 |
Did you hear that? |
| 00:19:46 |
They actually called me a whore |
| 00:19:48 |
But Senora Perón |
| 00:19:50 |
It's an easy mistake |
| 00:19:52 |
I'm still called an admiral |
| 00:19:54 |
Yet I gave up the sea long ago |
| 00:20:00 |
More bad news from Rome |
| 00:20:02 |
She met with the Pope |
| 00:20:05 |
She only got a rosary |
| 00:20:07 |
A kindly word |
| 00:20:09 |
I wouldn't say the Holy Father |
| 00:20:13 |
But Papal decorations |
| 00:20:16 |
Never a hope |
| 00:20:18 |
She still looked the part at St. Peter's |
| 00:20:44 |
Eva started well, no question, in France |
| 00:20:50 |
Shining like a sun |
| 00:20:53 |
A beautiful reminder of the carefree days |
| 00:20:57 |
She nearly captured the French |
| 00:20:59 |
She sure had the chance |
| 00:21:02 |
But she suddenly seemed to lose interest |
| 00:21:06 |
She looked tired |
| 00:21:10 |
Face the facts |
| 00:21:12 |
The Rainbow started to fade |
| 00:21:15 |
I don't think |
| 00:21:19 |
It wasn't on the schedule anyhow |
| 00:21:23 |
You'd better get out the flags |
| 00:21:25 |
And fix a parade |
| 00:21:29 |
Some kind of |
| 00:21:34 |
Let's hear it for the Rainbow Tour |
| 00:21:38 |
It's been an incredible success |
| 00:21:41 |
We weren't quite sure |
| 00:21:43 |
We had a few doubts |
| 00:21:46 |
Would Evita win through? |
| 00:21:48 |
And the answer is yes |
| 00:21:49 |
And no |
| 00:22:30 |
Thus all fairy stories end |
| 00:22:33 |
Only an actress would pretend |
| 00:22:36 |
Affairs of state are her latest play |
| 00:22:40 |
Eight shows a week, two matinees |
| 00:22:44 |
My, how the world begins to turn |
| 00:22:48 |
When will the chorus girl ever learn? |
| 00:23:27 |
The chorus girl |
| 00:23:29 |
Hasn't learned the lines |
| 00:23:34 |
She won't go scrambling |
| 00:23:37 |
Over the backs of the poor |
| 00:23:40 |
To be accepted |
| 00:23:44 |
By making donations |
| 00:23:46 |
Just large enough |
| 00:23:49 |
To the correct charity |
| 00:23:53 |
She won't be president |
| 00:23:56 |
Of your wonderful societies of philanthropy |
| 00:24:03 |
Even if you asked her to be |
| 00:24:07 |
As you should have asked her to be |
| 00:24:13 |
The actress hasn't learned the lines |
| 00:24:16 |
You'd like to hear |
| 00:24:20 |
She won't join your clubs |
| 00:24:24 |
She won't dance in your halls |
| 00:24:27 |
She won't help the hungry once a month |
| 00:24:31 |
At your tombolas |
| 00:24:33 |
She'll simply take control |
| 00:24:37 |
As you disappear |
| 00:24:49 |
Forgive my intrusion |
| 00:24:52 |
But fine as those sentiments sound |
| 00:24:56 |
Little has changed for us peasants |
| 00:25:00 |
Down here on the ground |
| 00:25:05 |
I hate to sound childish, ungrateful |
| 00:25:09 |
I don't like to moan |
| 00:25:12 |
But do you now represent |
| 00:25:15 |
Anyone's cause but your own? |
| 00:25:20 |
Everything done |
| 00:25:22 |
Will be justified by my foundation |
| 00:25:28 |
And the money kept rolling in |
| 00:25:31 |
From every side |
| 00:25:45 |
Eva's pretty hands reached out |
| 00:25:48 |
Now you may feel it should have been |
| 00:25:51 |
A voluntary cause |
| 00:25:53 |
But that's not the point, my friends |
| 00:25:57 |
When the money keeps rolling in |
| 00:26:01 |
Think of all the people |
| 00:26:04 |
Eva has called the hungry to her |
| 00:26:07 |
Opened up the doors |
| 00:26:10 |
Never been a fund |
| 00:26:14 |
Rolling, rolling, rolling |
| 00:26:22 |
Rolling on in |
| 00:26:30 |
Would you like to try a college education? |
| 00:26:34 |
Own your landlord's house |
| 00:26:38 |
Eva and her blessed fund |
| 00:26:40 |
Can make your dreams come true |
| 00:26:43 |
Here's all you have to do, my friends |
| 00:26:46 |
Write your name and your dream |
| 00:26:50 |
Throw it high in the air |
| 00:26:54 |
She will change your way of life |
| 00:26:56 |
For a week or even two |
| 00:26:59 |
Name me anyone |
| 00:27:18 |
The money kept rolling out in all directions |
| 00:27:22 |
To the poor, to the weak |
| 00:27:26 |
Now, cynics claim |
| 00:27:31 |
But that's not the point, my friends |
| 00:27:35 |
When the money keeps rolling out |
| 00:27:38 |
You can tell you've done well |
| 00:27:42 |
Accountants only slow things down |
| 00:27:45 |
Figures get in the way |
| 00:27:47 |
Never been a lady |
| 00:29:32 |
Perón is everything. |
| 00:29:35 |
He's the soul, |
| 00:29:36 |
the nerve, |
| 00:29:38 |
the hope and the reality |
| 00:29:42 |
We all know |
| 00:29:44 |
that there is only one man in our |
| 00:29:49 |
we all feed from his light, |
| 00:30:39 |
And now she wants to be |
| 00:30:42 |
Vice-president |
| 00:30:47 |
That was the over-the-top |
| 00:30:52 |
We didn't approve |
| 00:30:56 |
The games of the wife of the president |
| 00:31:01 |
But to give her intentions |
| 00:31:04 |
Encouragement |
| 00:31:06 |
She's out of her depth |
| 00:31:08 |
And out of the question |
| 00:31:18 |
But on the other hand |
| 00:31:20 |
She's all they have |
| 00:31:23 |
She's a diamond in their |
| 00:31:25 |
Dull, grey lives |
| 00:31:28 |
And that's the hardest kind of stone |
| 00:31:31 |
It usually survives |
| 00:31:34 |
And when you think about it... |
| 00:31:37 |
Can you recall |
| 00:31:39 |
The last time they loved |
| 00:31:42 |
Anyone at all? |
| 00:31:46 |
She's not a bauble |
| 00:31:48 |
You can brush aside |
| 00:31:51 |
She's been out doing |
| 00:31:53 |
What we just talked about |
| 00:31:55 |
Example: gave us back our businesses |
| 00:31:59 |
Got the English out |
| 00:32:02 |
And when you think about it... |
| 00:32:05 |
Well, why not do |
| 00:32:08 |
One or two of the things |
| 00:32:10 |
We promised to? |
| 00:32:14 |
But on the other hand |
| 00:32:17 |
She's slowing down |
| 00:32:19 |
She's lost a little of that magic drive |
| 00:32:24 |
But I would not advise those critics present |
| 00:32:28 |
To derive |
| 00:32:30 |
Any satisfaction from her fading star |
| 00:32:36 |
She's the one who's kept us |
| 00:32:39 |
Where we are |
| 00:32:43 |
She's the one who's kept you |
| 00:32:47 |
Where you are |
| 00:35:12 |
Turn a blind eye, Evita |
| 00:35:46 |
Please, gentle Eva |
| 00:35:51 |
Will you bless a little child? |
| 00:35:58 |
For I love you |
| 00:36:01 |
Tell Heaven I'm doing my best |
| 00:36:04 |
I'm praying for you |
| 00:36:06 |
Even though you're already blessed |
| 00:36:09 |
Please, mother Eva |
| 00:36:15 |
Will you look upon me as your own? |
| 00:36:18 |
Make me special |
| 00:36:22 |
Be my angel, be my everything |
| 00:36:24 |
Wonderful, perfect and true |
| 00:36:27 |
And I'll try to be |
| 00:36:30 |
Exactly like you |
| 00:36:47 |
Turn a blind eye, Evita |
| 00:37:46 |
Why try to govern a country |
| 00:37:50 |
When you can become a saint? |
| 00:39:25 |
Tell me before I waltz out of your life |
| 00:39:29 |
Before turning my back on the past |
| 00:39:32 |
Forgive my impertinent behaviour |
| 00:39:36 |
But how long do you think |
| 00:39:39 |
Tell me before I ride off in the sunset |
| 00:39:43 |
There's one thing I never got clear |
| 00:39:47 |
How can you claim you're our saviour |
| 00:39:50 |
When those who oppose you |
| 00:39:54 |
Or simply disappear? |
| 00:39:56 |
Tell me before you get onto your bus |
| 00:39:59 |
Before joining the forgotten brigade |
| 00:40:03 |
How can one person like me, say |
| 00:40:07 |
Alter the time-honoured way |
| 00:40:10 |
Tell me before you get |
| 00:40:14 |
Just what you expect me to do |
| 00:40:17 |
I don't care what the bourgeoisie say |
| 00:40:21 |
I'm not in business for them |
| 00:40:23 |
But to give all my descamisados |
| 00:40:26 |
A magical moment or two |
| 00:40:29 |
There is evil |
| 00:40:32 |
Ever around, fundamental |
| 00:40:35 |
System of government quite incidental |
| 00:40:39 |
So what are my chances |
| 00:40:43 |
I'd say low |
| 00:40:44 |
Better to win by admitting my sin |
| 00:40:46 |
Than to lose with a halo |
| 00:40:51 |
Tell me before I seek worthier pastures |
| 00:40:54 |
And thereby restore self-esteem |
| 00:40:57 |
How can you be so short-sighted |
| 00:41:01 |
To look never further |
| 00:41:04 |
To have no impossible dream? |
| 00:41:08 |
Allow me to help you |
| 00:41:12 |
I'll mark your adieu with three cheers |
| 00:41:15 |
But first tell me who'd be delighted |
| 00:41:19 |
If I said I'd take on |
| 00:41:22 |
From war to pollution |
| 00:41:26 |
Even if I lived for 1 00 years |
| 00:41:30 |
There is evil |
| 00:41:32 |
Ever around, fundamental |
| 00:41:35 |
System of government quite incidental |
| 00:41:39 |
So go, if you're able |
| 00:41:41 |
To somewhere unstable |
| 00:41:43 |
And stay there |
| 00:41:44 |
Whip up your hate |
| 00:41:47 |
But not here, dear |
| 00:42:21 |
Oh what I'd give for 1 00 years |
| 00:42:26 |
But the physical interferes |
| 00:42:31 |
Every day more |
| 00:42:35 |
Oh my creator |
| 00:42:40 |
What is the good |
| 00:42:44 |
Of the strongest heart |
| 00:42:47 |
In a body that's falling apart? |
| 00:42:53 |
A serious flaw |
| 00:42:56 |
I hope you know that |
| 00:43:31 |
Your little body's slowly breaking down |
| 00:43:36 |
You're losing speed |
| 00:43:37 |
You're losing strength |
| 00:43:41 |
That goes on flourishing forever |
| 00:43:44 |
But your eyes, your smile |
| 00:43:48 |
Do not have the sparkle |
| 00:43:54 |
If you climb one more mountain |
| 00:43:56 |
It could be your last |
| 00:44:00 |
I'm not that ill |
| 00:44:02 |
Bad moments come |
| 00:44:05 |
But they go |
| 00:44:07 |
Some days are fine |
| 00:44:10 |
Some a little bit harder |
| 00:44:13 |
But that doesn't mean |
| 00:44:15 |
We should give up our dream |
| 00:44:18 |
Have you ever seen me defeated? |
| 00:44:23 |
Don't you forget |
| 00:44:25 |
What I've been through, and yet... |
| 00:44:28 |
I'm still standing |
| 00:44:34 |
Eva, you're dying |
| 00:44:43 |
So what happens now? |
| 00:44:51 |
Where am I going to? |
| 00:45:00 |
Don't ask any more |
| 00:45:18 |
Where do we go from here? |
| 00:45:23 |
This isn't where we intended to be |
| 00:45:29 |
We had it all |
| 00:45:31 |
You believed in me |
| 00:45:34 |
I believed in you |
| 00:45:41 |
Certainties disappear |
| 00:45:46 |
What do we do |
| 00:45:51 |
How do we keep all our passions alive |
| 00:46:02 |
Deep in my heart I'm concealing |
| 00:46:07 |
Things that I'm longing to say |
| 00:46:12 |
Scared to confess what I'm feeling |
| 00:46:18 |
Frightened you'll slip away |
| 00:46:23 |
You must love me |
| 00:46:56 |
Why are you at my side? |
| 00:47:02 |
How can I be any use to you now? |
| 00:47:07 |
Give me a chance |
| 00:47:12 |
Nothing has changed |
| 00:48:15 |
The actress |
| 00:48:18 |
Hasn't learned the lines |
| 00:48:20 |
You'd like to hear |
| 00:48:38 |
She's sad for her country |
| 00:48:43 |
Sad to be defeated |
| 00:48:49 |
By her own weak body |
| 00:50:06 |
I want to tell the people |
| 00:50:12 |
Of Argentina |
| 00:50:19 |
I've decided |
| 00:50:22 |
I should decline |
| 00:50:27 |
All the honours and titles |
| 00:50:32 |
You've pressed me to take |
| 00:50:36 |
For I'm contented |
| 00:50:42 |
Let me simply go on |
| 00:50:45 |
As the woman who brings her people |
| 00:50:53 |
To the heart of Perón |
| 00:51:06 |
The truth is I shall not leave you |
| 00:51:12 |
Though it may get harder |
| 00:51:16 |
For you to see me |
| 00:51:23 |
I'm Argentina |
| 00:51:29 |
And always will be |
| 00:51:43 |
Have I said too much? |
| 00:51:47 |
There's nothing more I can think of |
| 00:51:51 |
To say to you |
| 00:51:56 |
But all you have to do |
| 00:52:00 |
Is look at me to know |
| 00:52:03 |
That every word |
| 00:52:06 |
Is true |
| 00:54:28 |
She had her moments |
| 00:54:30 |
She had some style |
| 00:54:33 |
The best show in town was the crowd |
| 00:54:36 |
Outside the Casa Rosada |
| 00:54:41 |
But that's all gone now |
| 00:54:59 |
The choice was mine |
| 00:55:04 |
And mine completely |
| 00:55:09 |
I could have any prize |
| 00:55:14 |
That I desired |
| 00:55:18 |
I could burn |
| 00:55:21 |
With the splendour |
| 00:55:24 |
Of the brightest fire |
| 00:55:33 |
Or else, or else I could choose time |
| 00:55:41 |
Remember? |
| 00:55:45 |
I was very young then |
| 00:55:51 |
And a year |
| 00:55:54 |
Was forever |
| 00:55:56 |
And a day |
| 00:56:02 |
So what use could |
| 00:56:05 |
50 |
| 00:56:08 |
60 |
| 00:56:09 |
70 be? |
| 00:56:14 |
I saw the lights |
| 00:56:18 |
And I was on my way |
| 00:56:27 |
And how I lived |
| 00:56:35 |
How they shone |
| 00:56:42 |
But how soon |
| 00:56:44 |
The lights were gone |
| 00:58:21 |
The choice was yours |
| 00:58:24 |
And no one else's |
| 00:58:28 |
You can cry for a body |
| 00:58:32 |
In despair |
| 00:58:36 |
Hang your head |
| 00:58:39 |
Because she is no longer there |
| 00:58:44 |
To shine, or dazzle, or betray |
| 00:58:52 |
How she lived |
| 00:58:56 |
How she shone |
| 00:58:58 |
But how soon |
| 00:59:01 |
The lights were gone |
| 00:59:16 |
Eyes, hair |
| 00:59:18 |
Face, image |
| 00:59:21 |
All must be preserved |
| 00:59:27 |
Still life displayed forever |
| 00:59:34 |
No less |
| 00:59:36 |
Than she deserved |
| 01:06:19 |
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