Eyes of Laura Mars

en
00:06:55 -Good luck tonight, Miss Mars.
00:06:59 You are perfect.
00:07:02 -How is it in there?
00:07:05 -We're about to be clotheslined.
00:07:07 Sheila Weissman.
00:07:08 Miss Mars, I'm Sheila Weissman.
00:07:10 I remember you. How are you?
00:07:12 We agreed that interviews
00:07:15 I want to ask her if she knows
00:07:20 -Cute.
00:07:23 Photography is becoming
00:07:25 And there is suspicion
00:07:30 ...a feeling that we're running
00:07:32 ...and photography
00:07:35 That an artificial market
00:07:37 ...and photography is just a hype.
00:07:40 These are not easy
00:07:42 ...but here in this gallery...
00:07:44 ...there is a fabulous exhibit
00:07:54 Aren't you doing
00:07:55 Recycled photographs, really.
00:07:57 Does anyone have
00:08:00 Do you consider yourself
00:08:03 -I'm very serious about my work.
00:08:06 -By my own standards.
00:08:10 Honestly, I think
00:08:13 You can do better than that,
00:08:16 Fellas, come on.
00:08:20 She'll see you later, I promise.
00:08:23 We have to mix
00:08:39 -ls there a back door?
00:08:42 You're the right
00:08:43 Traffic was terrible.
00:08:45 We are going to sell
00:08:48 Now, who shall we work on first?
00:08:50 The art world is
00:08:53 ...these provocative pictures
00:08:55 We'll be examining
00:08:58 ...and meeting people on all sides...
00:09:01 ...of what is rapidly
00:09:04 I don't know when I've seen
00:09:06 If they don't stop drinking,
00:09:10 -Have you seen Doris Spenser yet?
00:09:13 What I think Laura is saying
00:09:15 ...is "Okay, America.
00:09:21 You are pushing all this murder on us.
00:09:23 So here it comes right back at you.
00:09:26 And we'll use murder
00:09:28 ...so that you'll just get bored
00:09:40 Oh, my God, I don't believe this.
00:09:44 Do you have to do it now?
00:09:45 -We want to question certain people.
00:09:50 This will spread like wildfire.
00:09:54 -Can't you give us an hour?
00:09:58 Really, that's so gross.
00:10:09 I hear you did some work in Negev.
00:10:11 I didn't have a chance
00:10:15 ...so I'm going back in two weeks
00:10:18 -And if she goes, I'm going with her.
00:10:21 Like hell you will.
00:10:26 -Whatever happened to beautif ul?
00:10:32 That is tragic. Absolutely tragic.
00:10:36 You really think so?
00:10:38 Yes, I think it's really tragic
00:10:41 ...that's passing for art these days.
00:10:45 That's a completely
00:10:48 -Don't you think it's a hype?
00:10:51 Hype, hustle, rip-off.
00:10:54 Are you a critic?
00:10:59 Do you know the artist?
00:11:01 What's her name?
00:11:03 Laura Mars.
00:11:06 I know her fairly well.
00:11:09 Well, if you see her,
00:11:14 I'd be interested to find out...
00:11:15 ...what kind of f rustrated
00:11:21 She's nothing like that at all.
00:11:24 Sort of like Grandma Moses.
00:11:29 Laura.
00:11:31 Ex cuse me. Could I
00:11:33 Are you her?
00:11:38 Her stuff is really disgracef ul,
00:11:42 Doris Spenser's
00:11:44 There's a detective here,
00:11:49 Oh, shit!
00:11:50 Everything happens to me.
00:11:55 Murdered.
00:11:59 Something about her eyes.
00:12:03 What did you say about her eyes?
00:12:06 Something sharp.
00:12:12 Let's get you a drink.
00:12:15 Laura?
00:12:16 Come on, darling.
00:12:20 It's all right, Billy.
00:12:35 Tonight at the
00:12:38 ...fans awaited
00:12:40 ...for the opening
00:12:43 But the glamour was disrupted...
00:12:45 ...by news of the brutal murder
00:12:47 ...editor of the soon-to-be-published
00:12:51 Miss Mars left
00:12:53 But as word
00:12:55 ...it had the effect of increasing
00:12:59 More after this message.
00:13:08 Elaine.
00:13:11 I'm all right. Are you?
00:13:14 We're all over the goddamn news.
00:13:19 I don't think I'll be able to shoot.
00:13:21 Of course you're going to shoot.
00:13:26 Elaine...
00:13:30 ...do you believe in...
00:13:34 ...psychic...
00:13:35 ...psychic experience?
00:13:38 I believe in a good night's sleep.
00:13:39 I'm gonna take something
00:13:43 I suggest you do the same.
00:13:45 All right.
00:13:50 The opening was beautif ul.
00:13:53 That's very sweet of you.
00:13:55 Sleep tight.
00:14:00 She's still beautif ul, isn't she?
00:14:03 That's the problem.
00:14:07 -Come on.
00:14:09 Let go of me, you pig!
00:14:21 Don't push me!
00:14:34 Morning, Wendy.
00:14:41 You like?
00:14:44 Good. Michele.
00:14:50 For Lulu.
00:15:01 Good morning.
00:15:07 Robert, the fan
00:15:10 ...so let's get the hair on the right.
00:15:12 Fine, there's plenty of volume here.
00:15:20 -Mighty tired eyes.
00:15:23 Everything under control?
00:15:25 -Tea, tea!
00:15:31 Joey, the same colour on the nails.
00:15:37 Joey.
00:15:43 I'd like her mouth more f uchsia,
00:15:46 I'd like them to pop.
00:15:48 I want to see the mouth
00:15:57 -Bert, how's this look?
00:16:00 -Which one are we gonna use?
00:16:03 Now this one.
00:16:06 -lt's beautif ul. We'll just...
00:16:09 That's right. I'm very pleased.
00:16:11 These are really wonderf ul.
00:16:15 Coats and lingerie.
00:16:17 Okay, but on this one
00:16:20 Don't worry.
00:16:21 You can do anything you want to do,
00:16:25 -Here, check the layout.
00:16:28 Every photographer's
00:16:31 She doesn't have to look at layouts.
00:16:33 Nickey.
00:16:35 -Move the main light lower.
00:16:38 Don't forget why
00:16:41 You want lace?
00:16:42 Today is lace day here.
00:16:45 We'll have lace on the cherub.
00:16:50 You hired this woman,
00:16:52 She's beautif ul. Watch.
00:17:46 God, Lulu!
00:17:50 Girls, I love it!
00:17:55 Broader action.
00:17:59 Ready?
00:18:43 Check that.
00:18:55 -Hey, we gonna work or what?
00:18:58 She was out late last night.
00:19:01 You all right?
00:19:02 Yeah. I'm just a little dizzy.
00:19:06 All right, kill the fire.
00:19:08 Turn off the fans.
00:19:11 Hold it together.
00:19:15 -What's the problem?
00:19:19 Did you have breakfast?
00:19:21 I'm fine.
00:19:23 Here we go. Start the fire.
00:19:25 Everybody get in your places now.
00:19:56 I have an appointment.
00:19:59 I got nothing to do, right?
00:20:05 -Hey, come on! I ain't got all day.
00:21:46 Let me through.
00:21:48 -Please, let me through.
00:21:52 Come on, let's go.
00:21:58 No! I saw it! I saw it!
00:22:02 Sal, I think we got a witness here.
00:22:09 I'm Detective Sergeant Volpe.
00:22:13 Yes.
00:22:15 Did you see the perpetrator?
00:22:18 His size, his colour?
00:22:21 No, no. I didn't see who.
00:22:23 What the hell did you see?
00:22:25 I saw it happen. But I...
00:22:27 Where were you standing?
00:22:30 -Where were you when it happened?
00:22:33 You were a few blocks away?
00:22:35 What did you see it with,
00:22:41 Go get her.
00:22:44 Hey, lady!
00:22:46 Hey, lady.
00:22:47 Hey, hold it a minute!
00:23:06 Okay, who's next?
00:23:11 -I feel like a hooker.
00:23:26 I'm bored.
00:23:31 Tommy Ludlow?
00:23:32 That's me.
00:23:36 How long do we have to sit around
00:23:41 Ex cuse me.
00:23:43 I represent Laura Mars.
00:23:45 -Who are you?
00:23:47 Okay, Donald Phelps, sit down
00:23:51 Pigsty.
00:23:55 You're a pretty
00:24:24 Is this an accurate statement
00:24:29 Why were you at my opening?
00:24:31 Just getting to know you.
00:24:34 Why am I here?
00:24:37 I've given you a statement.
00:24:40 You certainly have.
00:24:42 Look, what's on those pages
00:24:47 You can see that we might be having
00:24:50 ...even though
00:24:57 I'm going to call my lawyer.
00:25:01 Or do you have
00:25:04 Hell, no.
00:25:10 What about this?
00:25:14 That's legal.
00:25:16 Yeah, I know it's legal.
00:25:18 Why do you carry it?
00:25:21 Cut rope and shit.
00:25:24 Yeah, I know.
00:25:28 ...to protect Miss Mars'
00:25:32 And maybe protect her
00:25:35 You're the man.
00:25:37 This whole city's f ull of creeps.
00:25:41 Guess which creep's arrest record
00:25:47 What I'm trying to do is give...
00:25:50 ...an account of the times
00:25:53 I've seen all kinds of murder.
00:25:55 Physical, yes. But moral,
00:25:59 I can't stop it, but I can show it.
00:26:02 I can make people look at it.
00:26:08 That's a very moral point of view.
00:26:11 Thank you.
00:26:13 I've got something
00:26:29 Where did you get that?
00:26:31 This is you on the f ront
00:26:37 Have you ever seen...
00:26:39 ...this particular copy
00:26:49 Yes. I saw it happen.
00:26:51 With your own eyes?
00:26:55 In a nightmare.
00:26:57 Were you f riends with Doris Spenser?
00:26:59 I knew her.
00:27:01 Business acquaintances.
00:27:03 And Miss Elaine Cassell?
00:27:07 I knew her...
00:27:09 ...well.
00:27:11 I am sick and tired
00:27:14 Now I want to know
00:27:17 -My father is a very...
00:27:21 Get him out of here.
00:27:26 If you want real suspects,
00:27:29 ...you just dragged out.
00:27:30 That's right.
00:27:34 Why don't you give me
00:27:38 Frankly, I don't do Rona Barrett.
00:27:42 How'd you like to see
00:27:44 Hey, I do a terrific Lloyd Bridges.
00:27:52 These are classified police
00:27:57 They've never been
00:28:02 Now, what I would like you to do
00:28:07 ...in this case...
00:28:14 ...and in this case.
00:28:31 -My question is simple...
00:28:35 That's right.
00:28:36 When were these taken?
00:28:38 About two years ago.
00:28:43 -lt's disturbing.
00:28:45 -No, the timing is disturbing.
00:28:49 You go through definite periods
00:28:53 About two years ago,
00:28:55 ...images of murder, violence.
00:28:58 And it started to become
00:29:02 By "see, " do you mean...
00:29:05 ..."see" as you see
00:29:09 No, I would just be in
00:29:12 ...and suddenly,
00:29:16 ...well, like those.
00:29:22 You think I was in
00:29:25 ...committed the murders and
00:29:29 I don't buy it.
00:29:56 Keep it moving, please.
00:29:59 -Get rid of him.
00:30:02 Let's go.
00:30:18 -How you doing, lieutenant?
00:30:33 Just send it up. Elaine Cassell
00:30:44 I'd like to know if you recognize
00:31:08 I think...
00:31:12 ...they're my husband's.
00:31:15 Husband?
00:31:17 Ex-husband.
00:31:20 The last I heard, he was
00:31:23 Well, he's back.
00:31:26 Obviously.
00:31:28 Was this going on
00:31:33 -What's his name?
00:31:37 Michael Reisler.
00:31:47 Is this him?
00:31:50 Is this a picture of your ex-husband?
00:31:55 Those are very nice clothes.
00:31:57 What does he do?
00:32:01 Michael couldn't kill anyone.
00:32:03 Do you have any idea where he is?
00:32:07 No idea.
00:32:08 Are you still in love with him?
00:32:11 -May I go home now?
00:32:13 Thank you.
00:32:22 Good evening.
00:32:26 Good night.
00:32:29 Good night.
00:32:44 In case you need me, this is my number.
00:32:49 John Neville.
00:32:52 Thank you.
00:32:56 Lt. Neville...
00:32:59 Should I hire a bodyguard?
00:33:02 You already have one.
00:33:40 Quiet! Quiet now!
00:33:43 Michael!
00:33:45 What are you doing here?
00:33:58 How did you get in?
00:34:01 I still have a set of keys.
00:34:11 Don't look at me like that.
00:34:14 Why would I? She was the best
00:34:18 Second best. I was the best.
00:34:26 I was in San Francisco,
00:34:30 ...and I ran into her.
00:34:32 She convinced me to come back,
00:34:36 ...make it easier for me to write.
00:34:41 I've missed you.
00:34:46 Oh, come on.
00:34:47 You know I only came back
00:34:51 I would have called you sooner or later.
00:35:00 Michael, stop it!
00:35:04 Oh, poor Elaine.
00:35:07 What good, good f riends.
00:35:09 I was your husband.
00:35:13 But Elaine was.
00:35:15 Why Elaine?
00:35:17 Do you have to destroy
00:35:19 This whole thing
00:35:22 ...and I did not do it!
00:35:25 Everything I have is in Elaine's
00:35:29 The police are after me,
00:35:33 You deliberately provoke me!
00:35:35 You may have these other
00:35:38 ...but I know what a killer you can
00:35:44 -A killer at 3:00...
00:35:46 When I needed some comfort,
00:35:50 In your darkroom.
00:35:51 Where else could I find peace?
00:35:53 -You were drunk!
00:35:57 That's not true!
00:35:59 You've been drunk
00:36:02 But you!
00:36:03 Instant star of the world of chic!
00:36:09 Will $50 be enough?
00:36:40 I don't give a damn if everybody else
00:36:45 I don't want you talking.
00:36:47 That guy's bullshit just won't quit.
00:36:51 -I don't think he could hack it.
00:36:54 Hey, John, how come in that meeting...
00:36:57 ...you didn't mention anything
00:37:00 ...seeing those things
00:37:03 You don't believe her, Sal?
00:37:05 No.
00:37:19 You're playing with the big boys now!
00:37:22 Jesus!
00:37:25 -Hi, darling.
00:37:27 Sleep well?
00:37:30 There's a very interesting case
00:37:32 ...in France who had
00:37:35 What happened?
00:37:36 She died in an insane asylum.
00:37:38 -Good morning, Miss Mars.
00:37:42 Maybe you shouldn't talk
00:37:45 It might just go away.
00:37:56 Big boys!
00:38:03 Look at that.
00:38:05 That's the fourth I've seen today.
00:38:10 They'll be so famous we won't
00:38:14 You'll find a way.
00:38:18 Miss Mars, I don't know if the cops
00:38:21 Let's talk about this some other time.
00:38:24 Mr. Phelps here has things
00:38:28 ...but I'd rather tell you them myself.
00:38:30 -What things?
00:38:33 I'm trying very hard to keep
00:38:38 -...and myself on the street.
00:38:40 I did a bit.
00:38:43 I mean I've been in prison.
00:38:49 What did you do?
00:38:51 I was in for armed robbery
00:38:56 -And I have some prior arrests.
00:39:00 You knew that when you
00:39:03 But what kind of deadly...
00:39:06 Why is that so amazing? You can't
00:39:10 I believe in giving people a chance.
00:39:13 You believe in spit.
00:39:16 -I'm not putting up with this...
00:39:18 Five minutes ago, you sat in
00:39:22 -Are you going to let him...
00:39:25 I don't want to hear anymore.
00:39:30 -I'm sorry.
00:39:33 That's it.
00:39:36 " Both of you"?
00:39:39 " Both of you."
00:39:40 Me and your driver.
00:40:04 I'll do some straightening up down here.
00:40:12 Don't forget the flowers.
00:40:14 -The Greek's?
00:41:02 -I'm sorry if I caused you problems...
00:41:08 It's a difficult time
00:41:11 ...so could we just keep
00:41:13 -You can count on me for that.
00:41:18 You don't need that.
00:41:21 Thanks, Tommy.
00:42:53 Donald!
00:43:26 Laura!
00:43:28 What is it?
00:43:29 -He's up there.
00:43:31 -He's up there.
00:43:34 I saw him looking at me.
00:44:10 Darling, I know what you're
00:44:13 But there's a lot of money involved.
00:44:16 I don't care about the money.
00:44:19 And there is the ad agency.
00:44:23 Bert is depending on you.
00:44:27 Okay, you're right.
00:44:31 Let's wrap this thing, go home
00:44:36 Really, you're right.
00:44:38 I'm sorry.
00:44:39 I thought if you kept busy...
00:44:41 You really know how to
00:44:45 Manipulate.
00:44:47 " Manipulate" is just
00:44:50 And to be f rank, I'm beginning
00:44:53 ...that you don't really
00:44:59 Look, get them ready.
00:45:46 Put them in the sink
00:45:49 Don't disappear.
00:45:52 -Rita?
00:45:55 The eyes are perfect.
00:45:59 -Morning.
00:46:03 Anna.
00:46:07 Cover her shoulder.
00:46:11 John...
00:46:12 ...will I get enough height
00:46:15 Sure, definitely. Once I brush it,
00:46:20 Michele's eye. Cover it.
00:46:22 Okay, I saw that. I'll do it.
00:46:44 Perfect. Much better.
00:46:48 I don't like the pink.
00:46:50 Lulu, it likes you.
00:46:52 -lt's perfect.
00:46:54 Really.
00:47:00 I got this for you, man.
00:47:06 A stolen flower.
00:47:09 How nice.
00:47:52 Here I am, girls.
00:48:10 -Hi, Laura.
00:48:12 You're in the pool, dead.
00:48:14 For a hundred bucks an hour...
00:48:19 There.
00:48:22 You want the eyes opened or closed?
00:48:25 Your head over.
00:48:27 Eyes open. Wide.
00:48:29 -Where do you want the blood?
00:48:35 That's enough.
00:48:37 That's enough!
00:48:40 Here's your gun.
00:48:46 Give it to Lulu.
00:48:50 Here you go. Be caref ul.
00:49:26 All right, kill the shoot.
00:49:29 Try and pick it up tomorrow.
00:49:56 Do you ever have any warning
00:49:59 It terrifies me.
00:50:02 I find myself waiting
00:50:04 Maybe that's what does it.
00:50:06 People who are af raid of
00:50:09 ...can bring one on just
00:50:12 It's not an anx...
00:50:16 -You don't believe me.
00:50:19 I've been talking to your associates.
00:50:24 -Overworked?
00:50:25 Overworked?
00:50:28 Am I hallucinating all of this?
00:50:32 Tell me it's all a dream.
00:50:35 Tell me Elaine is still
00:50:39 Overworked!
00:50:42 I'm leaving now with Bert.
00:50:44 Lock up, will you?
00:50:47 -Tommy'll wait for you.
00:50:50 I'll take a taxi.
00:50:54 I'm sorry.
00:50:57 I'll call you.
00:51:10 I think I can show you what I mean.
00:51:14 About what?
00:51:16 About what I'm seeing.
00:51:26 Look through that.
00:51:28 Now if you...
00:51:31 ...think of that camera...
00:51:34 ...as the eyes of the killer...
00:51:36 ...what you're seeing through that lens
00:51:42 It's on the monitor there.
00:51:46 When it happens to me...
00:51:50 ...I can't see...
00:51:53 ...what's in f ront of me.
00:51:55 What I see...
00:51:58 ...is that.
00:52:05 Do you understand?
00:52:11 Let me try.
00:52:13 What?
00:52:16 Is that how I look?
00:52:18 I think that's how you look.
00:52:21 I look like a damn cop,
00:52:26 No, it's...
00:52:28 May I ask you a few questions
00:52:32 It makes me nervous.
00:52:35 Why is he killing my f riends?
00:52:37 Why is he after me? Why me?
00:52:40 A variety of things might attract
00:52:44 It could be a person
00:52:49 It could be a person who,
00:52:52 ...feels your work is promoting
00:52:55 ...and he has a mission
00:52:58 It could be a person who is outraged
00:53:05 Whoever it was...
00:53:08 ...was here this afternoon...
00:53:11 ...and he was looking for me.
00:53:16 You know, I find all of this...
00:53:20 ...very interesting...
00:53:27 I'm gonna double
00:53:30 I'd advise you to stay
00:53:34 Goodbye.
00:53:43 Hey, John, you need
00:53:45 No thank you, Officer Feeney.
00:53:49 Thank you.
00:53:50 Feeney, get the hell out of here!
00:53:55 What a creep.
00:53:57 Did either of you ever receive
00:54:02 ...in relation to your work
00:54:04 I got a few letters.
00:54:06 Did you get more than one
00:54:08 I don't think so.
00:54:09 Do you remember things they said?
00:54:12 The tone?
00:54:13 Oh, yeah.
00:54:14 Or anything specific?
00:54:20 " Even though I'm so ugly
00:54:24 I'm so ugly that you would spit at me
00:54:29 -Do I have to go on?
00:54:32 -I kept mine.
00:54:34 Can you bring them
00:54:36 And I can read them too?
00:54:38 Sure. Yeah.
00:54:43 All right.
00:54:44 -Any more questions, officer?
00:54:49 Either one of you need a ride home?
00:54:51 Hey, Feeney, get back in here.
00:54:57 Taxi.
00:55:10 -Anything doing?
00:55:13 -Hey, thanks.
00:57:07 Lulu!
00:57:58 -This is Lulu...
00:58:00 We're not home, so go to hell!
00:58:02 But if you're not a horny creep,
00:58:08 That was so dumb!
00:58:19 Senseless violence,
00:58:23 ...hatef ul violence,
00:58:28 Each one of us has some purpose
00:58:32 ...some role to play...
00:58:34 ...and in the case
00:58:37 ...the role that they had chosen to play
00:58:42 Now, not having met either
00:58:47 ...but knowing that I did want
00:58:50 ...meaningf ul about them today...
00:58:53 ...I went to my Webster's Dictionary
00:58:59 " Model: A person that serves
00:59:04 ...specifically a person
00:59:09 But beyond that, it says...
00:59:13 ..."An example for imitation."
00:59:18 The Lord is my shepherd,
00:59:21 He maketh me to lie down
00:59:25 He leadeth me beside the still waters.
00:59:28 He restoreth my soul.
00:59:30 He leadeth me in the paths of
00:59:35 Yea, though I walk through
00:59:39 ...I will fear no evil,
00:59:43 Thy rod and Thy staff,
00:59:46 Thou preparest a table before me
00:59:51 Thou anointest mine head with oil.
00:59:55 My cup runneth over.
00:59:57 Surely, goodness and mercy shall
01:00:02 ...and I will dwell in
01:00:06 ...forever.
01:00:24 Do you intend to go on with
01:00:29 I blame you.
01:00:30 No matter who did the killing,
01:00:35 Don't walk away f rom me!
01:00:37 You're the murderer!
01:00:39 Because of you, she's dead.
01:00:42 You're gonna pay for this!
01:00:49 -Where would you like to go?
01:00:51 Clear out of here, fellas.
01:00:55 I'm gonna take the lady home.
01:01:57 Do we have to go
01:02:22 There he is. Look.
01:02:25 It's a finch.
01:02:26 Do you think Robert is right?
01:02:29 Should I take this all on myself?
01:02:31 -But I am guilty.
01:02:33 Please listen to me very caref ully.
01:02:35 I want you to understand
01:02:40 I feel that everything
01:02:46 ...before I really knew you...
01:02:50 ...is not what I feel anymore.
01:03:10 This is incredible.
01:03:14 In the midst of all this,
01:03:17 -I know.
01:03:19 I don't know.
01:03:20 It's unprofessional of me
01:03:23 -...in the woods.
01:03:26 I'm supposed to catch a killer.
01:03:28 -I'm completely out of control!
01:03:31 But I can't stand being so...
01:04:10 I can't understand
01:04:21 ...to live your whole life...
01:04:25 ...without someone...
01:04:28 ...and be doing more or less okay.
01:04:36 And then, suddenly, you find them.
01:04:39 You recognize them.
01:04:50 You recognize them...
01:04:56 ...and you know without them...
01:05:00 It's terrifying.
01:05:10 It's beautif ul.
01:05:41 Thank you, ma'am.
01:05:54 There's something I want you to have.
01:06:00 -No, I don't want that.
01:06:04 You've got me so well protected
01:06:08 I don't need it.
01:06:09 Michele and Lulu
01:06:15 -I don't know how to use it.
01:06:18 Just put your hand on the...
01:06:21 Put your finger through there and
01:06:25 Push it as far away
01:06:29 Look right down the barrel.
01:06:31 And when he comes at you,
01:06:34 He'll go away.
01:06:40 I'll keep it.
01:06:42 If you have to, use it.
01:06:45 Promise me that.
01:06:48 You'll be doing
01:07:24 What's going on up there?
01:07:27 -Her agent. It's his birthday.
01:07:30 Party time.
01:07:33 It'll be a long night.
01:07:38 Refill!
01:07:42 There she is.
01:07:50 -I didn't know if you'd come.
01:07:53 Happy birthday.
01:07:54 Come on in. Take this off.
01:07:56 Tonight, we forget everything.
01:08:00 -All right.
01:08:04 -For you.
01:08:06 Aunt Caroline!
01:08:09 What's going on with you,
01:08:13 I think I'm in love.
01:08:15 Oh, I can't wait!
01:08:17 Wait a minute. What is this?
01:08:26 -Look at this! When was this taken?
01:08:29 I hate it! I love it.
01:08:35 I'm sorry. Tommy, would you
01:08:39 Yeah. It's just hard to figure out
01:08:44 Could you work it out?
01:08:49 -We'll save you a piece of cake.
01:09:06 For he's a jolly good fellow
01:09:08 For he's a jolly good fellow
01:09:15 Which nobody can deny
01:09:17 Which nobody can deny
01:09:23 It looks like the burning of Atlanta.
01:09:27 Don't catch that wig on fire!
01:09:37 Happy birthday, Donald.
01:09:48 A man.
01:09:54 Michael?
01:09:59 Michael, where are you?
01:10:05 Birthday boy!
01:10:06 You take over.
01:10:09 Now you have 15 seconds
01:10:11 "Gallop this up"?
01:10:15 For I'm a jolly good fellow
01:10:20 Don't take your fingers off the keys.
01:10:22 You gotta play too, Laura.
01:10:27 Now who's been murdered?
01:10:30 It's Michael.
01:10:33 I have to go to him.
01:10:34 What do you mean,
01:10:38 He's in a laundromat in Brooklyn.
01:10:41 He just woke up there.
01:10:44 -He may kill himself.
01:10:46 He won't.
01:10:49 I don't agree.
01:10:52 The night Elaine was murdered,
01:10:56 He came to you,
01:10:59 Yes, he took money, but he was
01:11:03 I could have been kinder.
01:11:10 Get the men downstairs
01:11:12 I won't lead the police to him.
01:11:13 It's time for bridge.
01:11:15 -Just a second, just go back...
01:11:21 Donald, I don't know
01:11:25 Who is?
01:11:27 The lieutenant.
01:11:30 Now he's getting into her?
01:11:32 -That's what I hear.
01:11:37 Hey, it's her.
01:11:39 Why is she going away f rom her car?
01:11:41 Come on, let's go.
01:12:12 Miss Mars, wait up.
01:12:15 Where you going?
01:12:18 What are you...?
01:12:21 You're not Miss Mars!
01:12:23 So? You're not Kojak.
01:12:25 Hey, it's him!
01:12:27 -Why are you all dressed up like this?
01:12:31 Wait a minute, you son of a bitch.
01:12:34 What are you, nuts?
01:12:36 I'm sick of this name-calling crap!
01:13:57 The doctor asked you
01:14:01 You could have at least
01:14:04 -I'm sorry.
01:14:07 Please, don't.
01:14:09 I'm fine! I'm fine.
01:14:24 All right, I'm sorry.
01:14:29 I just don't think
01:14:32 I can't stand to lose you.
01:14:41 Time for one of these bombs.
01:14:42 It's doctor's orders.
01:14:44 It'll make you feel
01:14:47 -I'll take one with you.
01:14:49 We'll get high.
01:14:51 -Where's your kitchen?
01:15:08 Now take your medicine for me
01:15:15 Come on.
01:15:30 Thank you.
01:15:39 I can't cry.
01:15:44 I haven't been able
01:15:49 I can't cry anymore.
01:15:54 I want to get you away f rom here.
01:15:59 Not without you.
01:16:18 I'll get it.
01:16:37 I hate bothering you, John...
01:16:40 ...but I think we finally
01:16:45 That's good.
01:16:57 -I think we have some evidence.
01:17:01 -Still have that gun?
01:17:03 Good.
01:17:04 Why?
01:17:06 Hang on, Laura.
01:17:09 I think we got the son of a bitch.
01:17:12 -Be caref ul.
01:17:22 Junk, junk, more junk.
01:17:30 -Look at this!
01:17:33 It smells like a gorilla cage in here.
01:17:36 It started f rom the f ront door.
01:17:39 I see nothing but pictures
01:17:43 -What's under the mattress?
01:17:45 Bunch of pictures.
01:17:50 No letters, no weapons.
01:17:52 You haven't seen anything
01:18:10 Who is this?
01:18:15 It's for you.
01:18:22 I wanna talk to you, man.
01:18:25 It doesn't matter where the f uck I am.
01:18:29 You're in a lot of trouble.
01:18:32 I know that.
01:18:39 Right where you are,
01:18:43 They're on their way out.
01:18:50 Okay, get everybody off the street.
01:18:52 Find something to do for a while.
01:18:55 The man's going to come in.
01:18:57 Okay, boss.
01:19:02 Let's go.
01:20:52 What, you gonna arrest me now?
01:20:56 Let's talk for a while.
01:20:58 All right.
01:21:00 Look, man, I mean, I was just
01:21:05 And it came time for me
01:21:07 Wait. Start at the beginning.
01:21:12 I was down in the basement
01:21:16 And when it came time for me
01:21:19 ...I went to the elevator.
01:21:23 And then I saw...
01:21:30 And then I remembered
01:21:34 ...the back door of the bar.
01:21:36 So I said to myself...
01:21:38 ..."What the f uck are you doing?
01:21:40 Sneaking out the back door,
01:21:44 I mean, you didn't do nothing.
01:21:46 Nobody can prove that you did nothing
01:21:51 We have a problem.
01:21:56 We found something that
01:22:00 It's a playing card.
01:22:03 It's f rom your deck, I believe.
01:22:06 And it was in the elevator
01:22:08 It was underneath him.
01:22:10 Do you know how it got there?
01:22:16 Do you think whoever killed Donald
01:22:20 ...after you had already
01:22:26 It must have been that way, man.
01:22:29 All right, you're in the basement,
01:22:32 ...there was the body.
01:22:36 The next thing you know you're
01:22:39 What bar?
01:22:40 Do you know what you had to drink?
01:22:43 Do you drink a lot?
01:22:45 Are you drunk now?
01:22:47 -Do you know the bartender's name?
01:22:52 If there's any kind
01:22:55 ...or if there's any period
01:22:59 ...that you just can't remember...
01:23:02 If there's anything
01:23:05 ...it's very important
01:23:09 ...what it is.
01:23:19 You're trying to put me
01:23:28 What's going on here?
01:23:30 No, I didn't arrest him.
01:23:34 Come on, let's go.
01:23:37 I'd rather go to the f ucking tombs
01:23:41 Get out of here!
01:23:44 Stop!
01:23:51 He pulled a knife on me.
01:24:03 Tommy, don't run!
01:24:05 Come on, let's go.
01:24:43 Stop!
01:24:59 There he is!
01:25:01 Down 49th!
01:25:07 Pull up ahead of him.
01:25:14 Stop!
01:25:24 Hey, nice work!
01:25:28 -He didn't know what he was doing.
01:25:31 Call a supervisor.
01:25:38 He was sick, Sally.
01:25:44 Sick!
01:25:50 We got him. It's all over.
01:25:56 It's over. Pack your bags.
01:25:59 All right, all right.
01:26:01 I love you.
01:26:04 I love you.
01:26:14 We're being sent home now.
01:26:18 No.
01:26:20 -Thank you.
01:27:30 Ex cuse me.
01:28:43 Go away! Go away!
01:29:15 He's in here? Who's here?
01:29:18 He's in the elevator.
01:29:21 -I saw him in the elevator.
01:29:24 No, I saw it.
01:29:25 -I just got out of the elevator.
01:29:28 It's over. Tommy's dead.
01:29:30 He's dead. Tommy's dead.
01:29:33 Tommy's dead?
01:29:37 I don't understand.
01:29:40 -Why'd he kill those people?
01:29:42 He hated you.
01:29:45 -He had the idea...
01:29:47 He had an idea that your work
01:29:52 He had the idea that
01:29:55 ...to sell things.
01:29:58 Death...
01:30:01 ...is a sacred thing.
01:30:04 What are you talking about?
01:30:07 His mother.
01:30:10 I don't understand.
01:30:12 Tommy's mother.
01:30:14 Hysterical woman.
01:30:17 Leave him sitting three, four days
01:30:24 ...in the same pair of diapers...
01:30:26 ...while she sold her ass on the
01:30:30 It wasn't very pretty.
01:30:34 No. That's not Tommy's story.
01:30:37 One day, the father comes home.
01:30:41 I think it was the father.
01:30:44 It might have been a john,
01:30:49 Outraged about the condition of
01:30:53 ...right there on the spot.
01:30:59 I watched the blood dry
01:31:03 ...until it was just about
01:31:12 You said " I."
01:31:15 I don't know what you see
01:31:18 Can't even pay his bills.
01:31:21 He cannot finish his dissertation.
01:31:26 I'm the one that keeps him in shape.
01:31:29 That's my work. If it was up to him,
01:31:33 I'm the one that feeds him.
01:31:36 I answer the Christmas cards.
01:31:42 I'm the one you want.
01:32:27 I love you! I love you.
01:33:42 If you love me...
01:33:45 ...kill him.
01:33:50 Now.
01:33:53 Please.
01:33:58 If you love me, you'll kill him.
01:34:07 I love you.
01:34:16 Please, kill him.
01:34:41 Police operator 834.
01:34:45 I want to report a death.
01:34:47 Ma'am, please give me
01:34:53 Give me your address, please.
01:34:56 He came here to kill me.
01:34:58 Be calm. I'll have someone
01:35:02 He couldn't do it.
01:35:05 Ma'am?
01:35:07 Because he...
01:35:10 In order to help you, I have to
01:35:15 He really did love me.
01:35:21 Just give me your name.
01:35:23 What?
01:35:25 Your name.
01:35:37 I'm Laura Mars.
01:39:04 Ripped by thewildbunch22