|
Fallen
|
| 00:00:33 |
I want to tell you about the time |
| 00:00:54 |
I never thought it would happen to me. |
| 00:00:56 |
Not at this age. |
| 00:00:58 |
Beaten... |
| 00:00:59 |
...outsmarted. |
| 00:01:01 |
How did I get into this fix? |
| 00:01:05 |
If I go back to the beginning |
| 00:01:07 |
So, let's start more recently. |
| 00:01:11 |
Somewhere. |
| 00:01:12 |
Anywhere. |
| 00:01:15 |
Reese. |
| 00:01:48 |
I thought the governor |
| 00:01:51 |
The more they don't approve, |
| 00:01:54 |
So what is this, six notches on your belt? |
| 00:01:57 |
Eight. |
| 00:01:59 |
Congratulations. |
| 00:02:01 |
Fuck you. |
| 00:02:02 |
Ask me more nicely, huh? |
| 00:02:04 |
John Hobbes. |
| 00:02:07 |
You're wanted in the dance hall. |
| 00:02:22 |
Edgar Reese. |
| 00:02:24 |
Well, well, well. |
| 00:02:25 |
Look who's here. |
| 00:02:29 |
It's the brilliant detective |
| 00:02:31 |
That's right. |
| 00:02:35 |
So, what's this? |
| 00:02:37 |
Big time. They're gonna put me |
| 00:02:41 |
All courtesy of the ACLU. |
| 00:02:46 |
Who knows? |
| 00:02:49 |
All these society ladies showing it |
| 00:02:51 |
"You see that there? |
| 00:02:55 |
"Oh, my, it's not urine." |
| 00:02:58 |
It's good to see you, Hobbes. |
| 00:02:59 |
It's good to be seen by you, Reese. |
| 00:03:04 |
You're... |
| 00:03:06 |
...my best pal. |
| 00:03:22 |
You're still a good fella. |
| 00:03:45 |
Open the gate. |
| 00:03:49 |
You remind me of somebody, Hobbes. |
| 00:03:52 |
Indeed you do. |
| 00:03:54 |
Indeed you do. |
| 00:03:56 |
Do you like riddles? |
| 00:03:58 |
No, I don't. |
| 00:04:00 |
Here's a beaut. |
| 00:04:03 |
Why is there... |
| 00:04:05 |
...a space between Lyons and Spakowsky? |
| 00:04:08 |
What? |
| 00:04:09 |
Come on. You should know this one, pal. |
| 00:04:13 |
Open your eyes. Look around sometime. |
| 00:04:21 |
Open the gate. |
| 00:04:24 |
Remember this, Hobbes. |
| 00:04:26 |
A day... |
| 00:04:28 |
...a week, a month. |
| 00:04:33 |
What are you, a Nazi now? |
| 00:04:37 |
It's Dutch. |
| 00:04:38 |
What goes around... |
| 00:04:41 |
...really goes around. |
| 00:04:44 |
You have a safe trip. |
| 00:04:46 |
I'll be looking for you. |
| 00:04:55 |
What goes around really goes around. |
| 00:05:02 |
Howdy, folks. |
| 00:05:04 |
Ladies, gents... |
| 00:05:05 |
...cocksuckers, pederasts... |
| 00:05:08 |
...I hope you all enjoy the show. Yes, I do. |
| 00:06:22 |
I'll give you a blowjob |
| 00:06:35 |
"Time |
| 00:06:38 |
"Is on my side |
| 00:06:40 |
"Yes, it is |
| 00:06:42 |
"Time |
| 00:06:44 |
"Is on my side |
| 00:06:47 |
"Yes, it is |
| 00:06:49 |
"Now, you always say |
| 00:06:51 |
"That you want to be free |
| 00:06:54 |
"But I'll come running back |
| 00:06:57 |
"I'll come running back to you" |
| 00:07:02 |
Baby, come on, go ahead... |
| 00:07:05 |
...light up my life! |
| 00:07:35 |
Something is always happening. |
| 00:07:38 |
But when it happens, |
| 00:07:43 |
...or understand it... |
| 00:07:46 |
...or accept it. |
| 00:08:55 |
The criminals don't accept consequences. |
| 00:08:58 |
They kill. It's not their fault. |
| 00:09:02 |
-Look who made it. How'd it go? |
| 00:09:04 |
-He died. |
| 00:09:06 |
Get one more. |
| 00:09:08 |
Nice to see you. |
| 00:09:09 |
How you doing, Gracie? |
| 00:09:12 |
-Don't tempt me with that. |
| 00:09:14 |
What's your poison? We got some Becks. |
| 00:09:16 |
We got some Guinness. |
| 00:09:20 |
-Budweiser's good for me. |
| 00:09:22 |
-Yeah. |
| 00:09:23 |
No, we're going imported here. |
| 00:09:25 |
-If you can't afford it, I'll buy. |
| 00:09:28 |
At least have a Bud lce |
| 00:09:32 |
It is just a Bud, okay? |
| 00:09:35 |
-You guys want anything? |
| 00:09:37 |
Here's your Bud. |
| 00:09:38 |
He was one of the most notorious inmates. |
| 00:09:40 |
Here you go. |
| 00:09:42 |
Thank you, sweetheart. |
| 00:09:44 |
You're an unusual cop, Hobbes. |
| 00:09:46 |
Really? |
| 00:09:48 |
I've been in this precinct about what, |
| 00:09:52 |
Everybody says, |
| 00:09:54 |
"Hobbes don't take no cream." |
| 00:09:56 |
Now is that true, or what? |
| 00:09:59 |
No, I don't like cream. |
| 00:10:00 |
That means "no"? |
| 00:10:01 |
Yeah, it means "no." |
| 00:10:03 |
Now, is that "no" as in "never," |
| 00:10:06 |
...or "no" as in "I do, |
| 00:10:09 |
"No" as in "never." |
| 00:10:14 |
This is a big city, Hobbesy. |
| 00:10:16 |
We got a tradition to uphold. |
| 00:10:17 |
Got something wrong with your ears? |
| 00:10:21 |
This is hypothetical: |
| 00:10:22 |
A cop who's trying to make ends meet |
| 00:10:26 |
I don't like cream... |
| 00:10:28 |
...and I don't judge. |
| 00:10:29 |
You don't judge? |
| 00:10:31 |
He's a fucking saint, huh? |
| 00:10:33 |
So you're telling me |
| 00:10:35 |
...would a holy man like you ever, |
| 00:10:38 |
...break the law or do something.... |
| 00:10:41 |
Look, Lou... |
| 00:10:44 |
...I could jump across the table, |
| 00:10:48 |
...squeeze the blood out, |
| 00:10:51 |
Oh, yeah? |
| 00:10:52 |
If I lost control. But if I did... |
| 00:10:55 |
...I'd be no different |
| 00:10:58 |
Now, as to your general question.... |
| 00:11:01 |
You take any cop on the force, |
| 00:11:04 |
...ninety-nine percent of the time |
| 00:11:08 |
Ninety-nine five. |
| 00:11:09 |
Point five. |
| 00:11:10 |
So he or she, cream or no... |
| 00:11:13 |
...is doing more good out there every day... |
| 00:11:16 |
...than any lawyer or a stockbroker or... |
| 00:11:20 |
...President of the United States |
| 00:11:25 |
Cops are the "chosen people." |
| 00:11:27 |
Amen. |
| 00:11:36 |
Guess I'm switching to Bud. |
| 00:11:39 |
Gracie, come here and get this foreign shit |
| 00:11:42 |
...and bring me three Buds. |
| 00:13:03 |
Damn it, what took you so long? |
| 00:13:06 |
You know what you'd look like |
| 00:13:10 |
Pardon me? |
| 00:13:11 |
Like a fat, stupid fuck |
| 00:13:15 |
Charles, I hate to do this, but.... |
| 00:13:18 |
Put the job where the sandwich goes. |
| 00:13:41 |
Hello? |
| 00:13:43 |
Hello? |
| 00:13:47 |
Hello? |
| 00:13:58 |
Here we go. Juice, pretzels... |
| 00:14:01 |
...apple.... |
| 00:14:02 |
Peanut butter and jelly sandwich. |
| 00:14:05 |
Uncle John, will you please |
| 00:14:07 |
Here's Toby. |
| 00:14:10 |
I can't be having the same thing every day. |
| 00:14:13 |
What do you want, |
| 00:14:17 |
Jelly and peanut butter? |
| 00:14:21 |
I love you, Dad. |
| 00:14:23 |
Don't forget your Uncle Johnny. |
| 00:14:25 |
I can feel the love in this room, man. |
| 00:14:29 |
-Bye. |
| 00:14:31 |
-Have a good day at school. |
| 00:14:36 |
You're doing a good job, Art. |
| 00:14:37 |
-Yeah? |
| 00:14:39 |
Why don't you sit down with me? |
| 00:14:42 |
You're not in a hurry? |
| 00:14:43 |
No, no.... |
| 00:14:45 |
I can relax today. |
| 00:14:46 |
Besides, what are they going to do? |
| 00:14:51 |
-How're you doing? |
| 00:14:52 |
-You're all right? |
| 00:14:58 |
I love you, Johnny. |
| 00:15:03 |
You ever think it would be easier, |
| 00:15:06 |
...if maybe me and Sam |
| 00:15:10 |
No, no. |
| 00:15:13 |
-Maybe Marcy wouldn't have left. |
| 00:15:16 |
If she loved me, she would've never left. |
| 00:15:18 |
Besides, family's always first. |
| 00:15:24 |
I love you, too. |
| 00:15:28 |
But don't make the boy any more |
| 00:15:32 |
-No more peanut butter and jelly. |
| 00:16:13 |
A cop knows. |
| 00:16:16 |
A cop sees. |
| 00:16:18 |
Even the most casual thing, it registers. |
| 00:16:24 |
Often you don't remember till later on. |
| 00:16:27 |
...you look back and you realize... |
| 00:16:31 |
...you knew. |
| 00:16:37 |
Good morning, Detective. |
| 00:16:39 |
How're you doing, Lieutenant? |
| 00:16:41 |
Look who's feeling good today. |
| 00:16:42 |
Hey, what can I say? |
| 00:16:46 |
Got a call on four, Hobbes. |
| 00:16:47 |
Thank you, Denise. Jonesy? |
| 00:16:51 |
How's everything today? Good? |
| 00:16:54 |
Detective Hobbes. |
| 00:16:55 |
Pal, you got a pen? |
| 00:16:57 |
4541... |
| 00:16:59 |
...South Stender, Apartment 2. |
| 00:17:02 |
Who's there? |
| 00:17:03 |
A clue, Magoo. |
| 00:17:08 |
Couldn't sleep last night. |
| 00:17:10 |
Who can? |
| 00:17:12 |
Remember I used to get calls at two or |
| 00:17:16 |
He loved you. He truly did. |
| 00:17:18 |
Somebody called me last night. |
| 00:17:20 |
Imagine that. |
| 00:17:21 |
-Denise? |
| 00:17:23 |
Send a car to 4541 South Stender, |
| 00:17:26 |
Make sure we gain entry. |
| 00:17:28 |
Got a body? |
| 00:17:29 |
No, it's probably just some knucklehead, |
| 00:17:33 |
-How'd I look last night? |
| 00:17:35 |
You saw that? Four different channels. |
| 00:17:37 |
You're a god. You're a god. |
| 00:17:44 |
Name's Muskavich. Russian expatriate. |
| 00:17:48 |
Super says no family, |
| 00:17:51 |
Why is he dead, then? |
| 00:17:54 |
What've you got? |
| 00:17:57 |
I've got puncture wounds. |
| 00:18:00 |
Look for a syringe, or something. |
| 00:18:03 |
Eighteen. |
| 00:18:05 |
-What's that, his eighteenth victim? |
| 00:18:08 |
Could be. |
| 00:18:19 |
Very tidy. |
| 00:18:21 |
The DO A's been dead awhile, |
| 00:18:24 |
Killer slept over and then... |
| 00:18:27 |
...had a nice, neat breakfast. |
| 00:18:29 |
Looks like it. |
| 00:18:33 |
Check this out. |
| 00:18:45 |
Shit. |
| 00:18:47 |
What? |
| 00:18:48 |
It's a riddle. |
| 00:18:50 |
Reese, in his cell before he died, |
| 00:18:54 |
"...between Lyons and Spakowsky?" |
| 00:18:57 |
Yeah? |
| 00:19:03 |
Accomplice? |
| 00:19:04 |
Reese had an accomplice? |
| 00:19:07 |
Unless it's a copycat. Maybe the... |
| 00:19:10 |
...prison guards or the people |
| 00:19:13 |
-You got a minute? |
| 00:19:15 |
Fifty people must have seen |
| 00:19:18 |
Me and Jonesy will run them down. |
| 00:19:22 |
Yeah, good. |
| 00:19:24 |
Fingerprint. Perp wore no gloves. |
| 00:19:26 |
Left prints on the spoon and cereal bowl |
| 00:19:30 |
Maybe his prints aren't in the system. |
| 00:19:32 |
I hate to be stupid... |
| 00:19:33 |
Enjoy it, Lou. |
| 00:19:35 |
...but is motive still something |
| 00:19:37 |
...or is it that all these crimes |
| 00:19:41 |
Number 2. |
| 00:19:42 |
Everything is motive. |
| 00:19:44 |
Sickness is motive. |
| 00:19:45 |
Sharp. |
| 00:19:47 |
The coroner's prelim on the Ruski. |
| 00:19:48 |
Isn't that the wacko poison |
| 00:19:56 |
-Tiff? |
| 00:19:58 |
You like riddles? You know, |
| 00:20:01 |
Sure, as long as I'm doing the teasing. |
| 00:20:04 |
Why is there a space |
| 00:20:08 |
What does that even mean? Come on! |
| 00:20:10 |
We had a Spakowsky in my rookie year. |
| 00:20:12 |
South Precinct. |
| 00:20:15 |
Come again? |
| 00:20:16 |
Not your Spakowsky. This guy's a cop. |
| 00:20:18 |
Keep talking. |
| 00:20:20 |
The guy's a fucking asshole. |
| 00:20:22 |
He's the King Kong of assholes. |
| 00:20:25 |
His name's up on the wall. |
| 00:20:31 |
What? |
| 00:20:35 |
Some chief in the '30s |
| 00:20:38 |
They kept it up until '81 or '82, |
| 00:20:42 |
It was downtown in the lobby... |
| 00:20:46 |
Must've passed it by 1,000 times. |
| 00:20:48 |
I guess I need to open my eyes |
| 00:20:51 |
Lyons, I don't remember him, |
| 00:20:55 |
This guy was so fucking mean |
| 00:20:58 |
Who was '65? |
| 00:21:00 |
Who was in that space? |
| 00:21:01 |
You got me, bud. I don't know. |
| 00:21:04 |
You're saying they took a name off? |
| 00:21:08 |
I don't know. I called Records. |
| 00:21:12 |
...and they don't know why it's not there. |
| 00:21:14 |
We'd better find out. |
| 00:22:09 |
Lieutenant, just the man I wanted to see. |
| 00:22:16 |
"Robert Milano." |
| 00:22:17 |
That's right. |
| 00:22:19 |
Cop of the Year, 1965. |
| 00:22:21 |
Eight months later, goes up to a cabin, |
| 00:22:25 |
So it's either two things: |
| 00:22:31 |
What? |
| 00:22:32 |
I met him once...Milano. |
| 00:22:35 |
He had a poker up his ass, |
| 00:22:38 |
-What I want to know is-- |
| 00:22:42 |
I can't help you. |
| 00:22:44 |
Can't help me? |
| 00:22:45 |
Look... |
| 00:22:47 |
...do all of us a favor, okay? |
| 00:22:50 |
Whatever you find out... |
| 00:22:52 |
...keep it to yourself. |
| 00:22:58 |
I got something for you. |
| 00:23:00 |
Documentary on Reese. |
| 00:23:02 |
Thank you. You're a real white man. |
| 00:23:05 |
Jonesy. |
| 00:23:06 |
-Tape on Reese. You want to view it? |
| 00:23:09 |
What do you got on Muskavich? |
| 00:23:11 |
Fingerprints were bust. |
| 00:23:13 |
The crime scene says |
| 00:23:15 |
He probably was left-handed. |
| 00:23:17 |
Yeah, like Reese. |
| 00:23:18 |
He had bad teeth. |
| 00:23:22 |
Directory Assistance. |
| 00:23:24 |
Can you give me a number on a Milano... |
| 00:23:26 |
...Sylvia M-I-L-A-N-O. |
| 00:23:27 |
Hold, please. |
| 00:23:29 |
Hey, Lieutenant. |
| 00:23:30 |
Excuse me, Boss. |
| 00:23:35 |
If somebody dies because you kept |
| 00:23:39 |
When it's a perfect world, let me know. |
| 00:23:42 |
In the meantime, |
| 00:23:46 |
-Is that clear enough for you? |
| 00:23:48 |
I'm sorry. There's no listing. |
| 00:23:50 |
Okay, thanks. No, listen, listen. |
| 00:23:53 |
Check and see if there's a G. Milano, |
| 00:23:58 |
-Hold, please. |
| 00:23:59 |
Syringe had the same prints. |
| 00:24:02 |
-So now what? Video time? |
| 00:24:06 |
You know, I was thinking.... |
| 00:24:08 |
Don't hurt yourself. |
| 00:24:10 |
Eat me. |
| 00:24:11 |
Hold for the number. |
| 00:24:12 |
Whoever did Muskavich, |
| 00:24:16 |
He quotes Reese. He could be a cop. |
| 00:24:19 |
He could be, huh? |
| 00:24:20 |
Lou, could be a cop, huh? |
| 00:24:22 |
Please leave a message. Thank you. |
| 00:24:26 |
Make sure Hobbes gets a copy of this. |
| 00:24:28 |
Are you watching, Johnny-boy? |
| 00:24:32 |
Every gesture! |
| 00:24:33 |
Every word! |
| 00:24:43 |
Wait a second. |
| 00:24:44 |
What? |
| 00:24:45 |
Check something out. |
| 00:24:53 |
That... |
| 00:24:54 |
...language he was speaking... |
| 00:24:56 |
...later. |
| 00:24:58 |
That's Dutch? |
| 00:25:00 |
That's what he said. |
| 00:25:02 |
What's he speaking now? Is that Dutch? |
| 00:25:05 |
This now? |
| 00:25:08 |
This is mumbo-jumbo, gibberish. |
| 00:25:12 |
You sure on that? |
| 00:25:33 |
Who is it? |
| 00:25:34 |
It's Detective John Hobbes. |
| 00:25:39 |
-Oh, yes. You left a message. |
| 00:25:42 |
I wanted to talk to you about your father. |
| 00:25:50 |
How're you doing? |
| 00:25:53 |
May I come in? |
| 00:25:56 |
Sure. |
| 00:26:07 |
You're surrounded by angels. |
| 00:26:10 |
I teach theology at the university. |
| 00:26:13 |
I see. Very beautiful. |
| 00:26:15 |
Thank you. |
| 00:26:17 |
Why do you want to know |
| 00:26:22 |
It's 30 years later and the files are sealed... |
| 00:26:28 |
...and my boss was told to let it alone, so... |
| 00:26:31 |
...here I am. |
| 00:26:34 |
I can tell you what my mother told me |
| 00:26:39 |
Why do you want to know? |
| 00:26:41 |
No, ma'am. |
| 00:26:42 |
See, I'm the detective |
| 00:26:46 |
I'm not sure if you're familiar with him. |
| 00:26:49 |
-Yeah, I read about him. |
| 00:26:50 |
And this Reese fella, he... |
| 00:26:54 |
...in a roundabout way, |
| 00:27:02 |
Did Reese like to sing? |
| 00:27:04 |
Yeah, he did, actually. |
| 00:27:07 |
And at the execution, |
| 00:27:11 |
Yeah, he did. He shook my hand. |
| 00:27:15 |
Do you want some coffee? |
| 00:27:16 |
Sure. |
| 00:27:19 |
One condition: |
| 00:27:22 |
You and I never spoke. |
| 00:27:24 |
You say nothing to your boss or partner. |
| 00:27:27 |
My name and everything I say |
| 00:27:31 |
Will I get a cup of coffee if I say yes? |
| 00:27:36 |
Detective, my dad was a good cop. |
| 00:27:40 |
"Pride of the force" and all that. |
| 00:27:43 |
A reporter found out |
| 00:27:47 |
He'd caught a killer, |
| 00:27:50 |
Evidence mounted up against him: |
| 00:27:53 |
The press never got real proof, |
| 00:27:58 |
I see. |
| 00:27:59 |
So you're saying that when he died |
| 00:28:04 |
The mayor, the governor and |
| 00:28:08 |
Some of these people are |
| 00:28:10 |
-I see. |
| 00:28:13 |
My father saw the evidence against him, |
| 00:28:18 |
So, he went to this cabin in the mountains. |
| 00:28:20 |
It's a place that's been |
| 00:28:24 |
He went there and.... |
| 00:28:29 |
The thing is... |
| 00:28:31 |
...I know my father was innocent |
| 00:28:34 |
How do you know? |
| 00:28:37 |
How do you know he was innocent? |
| 00:28:42 |
It was 30 years ago. |
| 00:28:44 |
It's important to me, Miss Milano. |
| 00:28:47 |
Don't you want the truth to come out, |
| 00:28:49 |
-Of course, I do. |
| 00:28:55 |
Are you afraid that if you tell me |
| 00:29:00 |
Yeah. |
| 00:29:01 |
That's it? |
| 00:29:03 |
Yes. |
| 00:29:06 |
Okay. |
| 00:29:09 |
Okay. |
| 00:29:11 |
Thank you very much. |
| 00:29:12 |
-For the coffee as well. |
| 00:29:17 |
Oh, listen.... |
| 00:29:19 |
If I have any more questions, |
| 00:29:22 |
I'd rather you didn't. |
| 00:29:29 |
Detective.... |
| 00:29:32 |
Do you believe in God? |
| 00:29:35 |
Yeah. I go to church every now and then. |
| 00:29:38 |
What I see in my line of work... |
| 00:29:40 |
...faith's a little hard to sustain. |
| 00:29:44 |
Good luck. |
| 00:29:54 |
Sometimes I think the basic job |
| 00:29:58 |
...is just to figure out |
| 00:30:01 |
Example: Gretta Milano. |
| 00:30:03 |
What was she hiding? |
| 00:30:07 |
And then her question about God. |
| 00:30:18 |
You never know. |
| 00:30:22 |
The man who passes you |
| 00:30:26 |
Did you go to school together? Is he a |
| 00:30:35 |
Or is it nothing? |
| 00:30:37 |
Nothing at all. |
| 00:31:25 |
Wake up. |
| 00:31:30 |
Go to bed. |
| 00:31:34 |
I know. I know. |
| 00:31:37 |
Here we go. Up. Up. |
| 00:31:39 |
I'm going, Uncle John. |
| 00:31:45 |
Hello? |
| 00:31:48 |
Hello? |
| 00:31:54 |
Let's go, Sam. |
| 00:32:05 |
Good night. |
| 00:32:06 |
Good night, son. |
| 00:32:12 |
-Johnny? |
| 00:32:14 |
Do you ever get scared? |
| 00:32:18 |
Yeah, sometimes. |
| 00:32:24 |
Me, too. |
| 00:32:36 |
Good night, Art. |
| 00:32:58 |
-Hello? |
| 00:33:01 |
Apparently, I must have gotten drunk |
| 00:33:04 |
...because the last few days.... |
| 00:33:07 |
Am I working tonight? |
| 00:33:08 |
You quit. |
| 00:33:10 |
I quit? |
| 00:33:11 |
Yes. You insulted Harry |
| 00:33:14 |
But.... I mean.... How...? |
| 00:33:20 |
Look, I'm really sorry.... |
| 00:33:22 |
Could you apologize, please, |
| 00:33:25 |
We always liked you, Charles. Goodbye. |
| 00:33:48 |
Hello? |
| 00:33:53 |
Well, well, well. Look who's here. |
| 00:34:35 |
I played Reese's tape on the phone |
| 00:34:38 |
Yeah? Prelim? |
| 00:34:39 |
Said it sounded Mideastern. |
| 00:34:41 |
-Anything on Muskavich? |
| 00:34:43 |
Now, we're hitting |
| 00:34:45 |
Pizza is a staff of life. |
| 00:34:48 |
Without pizza and other fine Italian foods, |
| 00:34:52 |
There was one slice left: |
| 00:34:53 |
Garlic, linguiça and pineapple. |
| 00:34:56 |
Plus, there was nothing |
| 00:34:59 |
So it was the killer's eats. |
| 00:35:00 |
Hell of a clue. You better write |
| 00:35:03 |
I will, Lou. And I will laud you copiously. |
| 00:35:07 |
Thank you. |
| 00:35:08 |
Detectives? Your guy's in Video. |
| 00:35:11 |
The linguist guy's here. |
| 00:35:13 |
I'll be right there. |
| 00:35:18 |
Any luck? |
| 00:35:19 |
John Hobbes, Professor Richard Louders. |
| 00:35:22 |
-How do you do? |
| 00:35:23 |
This is completely exhilarating. |
| 00:35:25 |
Who is this convict? Can I speak to him? |
| 00:35:28 |
Not now. Have a seat. |
| 00:35:30 |
Professor says it's a language. |
| 00:35:34 |
-Meaning? |
| 00:35:36 |
I believe this is a Biblical tongue: |
| 00:35:40 |
Only a few nomadic tribes still use it. |
| 00:35:43 |
So you don't know what he's saying? |
| 00:35:44 |
I haven't the faintest. |
| 00:35:46 |
He's not too pleasant, is he? |
| 00:35:49 |
But if you'd spare me a copy, |
| 00:35:53 |
I'd appreciate it. If you could wait out front |
| 00:35:57 |
...we'll dupe one off for you. |
| 00:35:58 |
I'll be waiting. |
| 00:36:00 |
-See you in a minute. |
| 00:36:08 |
-Syrian Aramaic. |
| 00:36:11 |
I got something else, too. |
| 00:36:14 |
...of Reese, high-school baseball team. |
| 00:36:17 |
He bats right. |
| 00:36:20 |
He throws right. |
| 00:36:23 |
What are you saying, Hobbes? |
| 00:36:25 |
Reese pulled off some of the sickest shit |
| 00:36:27 |
He speaks a language 2,000 years old and |
| 00:36:31 |
I'm worried about everything. |
| 00:36:33 |
-Hobbes, call on Line 1. |
| 00:36:38 |
Detective Hobbes. |
| 00:36:39 |
Hey, pal, need another clue? |
| 00:36:42 |
1339 South Grove... |
| 00:36:45 |
...Apartment 9. |
| 00:36:50 |
Jonesy, that pizza place |
| 00:36:53 |
Is that close to Grove? |
| 00:36:55 |
I think so. |
| 00:37:12 |
They're in the same place... |
| 00:37:14 |
...exactly. |
| 00:37:19 |
-It's like he's laughing at us. |
| 00:37:28 |
Cash, not a check? |
| 00:37:30 |
That's right. |
| 00:37:39 |
Take a look at this. |
| 00:37:45 |
What the hell is this? |
| 00:37:54 |
You know what's scary? |
| 00:37:58 |
I'm going home last night, this guy's |
| 00:38:03 |
He looks me right in the eye. |
| 00:38:05 |
The kind of look like he knows you. |
| 00:38:12 |
It's the same guy that's in the bathtub. |
| 00:38:15 |
-The stiff. |
| 00:38:16 |
I shit you not. Same guy. |
| 00:38:20 |
Oh, man. |
| 00:38:22 |
I ain't smart enough to figure this out. |
| 00:38:24 |
Me, neither. |
| 00:38:26 |
Found under the sink. |
| 00:38:31 |
Same poison? |
| 00:38:32 |
Same poison. |
| 00:38:35 |
-What else have you got? |
| 00:38:38 |
Last Thursday it's 18, now it's 2? |
| 00:38:41 |
Everything's under a Charles Olom, |
| 00:38:45 |
So, we're running his prints. |
| 00:38:55 |
To quote Yogi Berra , |
| 00:38:59 |
-You mean Reese? |
| 00:39:03 |
Whoever is doing it... |
| 00:39:05 |
...has a thing for Hobbes. |
| 00:39:07 |
Seems like. |
| 00:39:10 |
How is he? |
| 00:39:11 |
Who, Hobbes? |
| 00:39:13 |
How is he ever? He's fine. He's great. |
| 00:39:16 |
If it starts to work at him, |
| 00:39:20 |
And if it starts to work on me, |
| 00:39:44 |
I thought that was you. |
| 00:39:46 |
What are you doing, more... |
| 00:39:48 |
...historical research? |
| 00:39:53 |
Nice talking to you. See you Monday. |
| 00:39:55 |
All right, Lou. |
| 00:39:58 |
Come on, Jimmy. |
| 00:40:00 |
Over here, shoot it! |
| 00:40:01 |
Shoot it, shoot it! |
| 00:40:03 |
Come on, come on, Sam. Okay. |
| 00:40:06 |
That's okay, that's okay. |
| 00:40:08 |
Score is tied. |
| 00:40:09 |
No, 19 to 17. |
| 00:40:12 |
You can take him. |
| 00:40:13 |
Pass the ball. I'm open. |
| 00:40:15 |
Take the ball back. |
| 00:40:18 |
Johnny's going to make a point. |
| 00:40:21 |
-Hi, Art. |
| 00:40:23 |
Good one! Three, two, one! |
| 00:40:27 |
That's it for me. I've gotta go. |
| 00:40:29 |
No, I've gotta go. I have a long drive. |
| 00:40:31 |
Art, get in here. |
| 00:40:33 |
Uncle John, but he's a spaz. |
| 00:40:35 |
You don't disrespect your father, okay? |
| 00:40:38 |
Cherish what you got. |
| 00:40:41 |
Get on in there. |
| 00:40:42 |
-Want to come with us? |
| 00:40:45 |
Come on. |
| 00:40:47 |
What's up? |
| 00:40:48 |
-Tiffany didn't get you? |
| 00:40:50 |
You know how weird this case is? |
| 00:40:54 |
We got a positive I.D... |
| 00:40:56 |
...on Charles Olom. |
| 00:40:58 |
Real name's Mickey Noons. |
| 00:41:00 |
Born in Canada, illegal alien. |
| 00:41:03 |
Blah, blah, blah. Smalltime shithead. |
| 00:41:05 |
That ain't bad. |
| 00:41:07 |
That ain't it. |
| 00:41:09 |
Noons killed the Ruski. It's his prints |
| 00:41:13 |
What? |
| 00:41:15 |
Let's see, Noons poisons Muskavich... |
| 00:41:17 |
...dumps him in the tub, |
| 00:41:21 |
Three days later somebody does |
| 00:41:25 |
"Exact," because Noons and Muskavich |
| 00:41:28 |
Some kind of ringmaster? |
| 00:41:29 |
I think so. |
| 00:41:31 |
Hey, Art. You and Sam don't forget lunch, |
| 00:41:34 |
I don't know. |
| 00:41:38 |
I got a bad feeling about this. |
| 00:41:40 |
Me, too. |
| 00:41:42 |
Somebody's playing with my dick |
| 00:41:46 |
-Yeah. See you. |
| 00:41:49 |
-Ten minutes, Art! |
| 00:43:29 |
There are moments which mark your life. |
| 00:43:32 |
Moments when you realize |
| 00:43:36 |
And time is divided into two parts: |
| 00:43:40 |
Before this... |
| 00:43:41 |
...and after this. |
| 00:44:12 |
Sometimes you can feel |
| 00:44:16 |
That's the test...or so I tell myself. |
| 00:44:19 |
I tell myself that at times like that... |
| 00:44:22 |
...strong people keep moving forward, |
| 00:44:28 |
...no matter what they're going to find. |
| 00:47:38 |
-Miss Milano. |
| 00:47:42 |
I went to your family's place |
| 00:47:45 |
-Beautiful, isn't it? |
| 00:47:47 |
Let me get that for you. |
| 00:47:49 |
Trees and the water.... |
| 00:47:50 |
Absolutely beautiful. |
| 00:47:55 |
Your father wrote it in the basement |
| 00:48:00 |
My dictionary... |
| 00:48:01 |
...says that it's "the... |
| 00:48:03 |
"...evil spirit of the wilderness." |
| 00:48:05 |
Whatever that means. |
| 00:48:06 |
One of the books your father had up there |
| 00:48:09 |
...and how they move by touch. |
| 00:48:11 |
Walk away, Mr. Hobbes. |
| 00:48:13 |
-Say again? |
| 00:48:15 |
...if there's even one human being |
| 00:48:24 |
It's out of my hands, Miss Milano. |
| 00:48:29 |
'Bye, Mr. Hobbes. |
| 00:48:32 |
That's it? |
| 00:48:33 |
Yeah, I'm afraid so. |
| 00:48:49 |
-Fax. |
| 00:48:53 |
Phone company sent MUDs and LUDs |
| 00:48:57 |
See those calls there? |
| 00:48:58 |
They were made right around |
| 00:49:02 |
You're saying the killer called me |
| 00:49:05 |
Sure looks like it. |
| 00:49:06 |
-Reese used to call me at night. |
| 00:49:09 |
Whoever's doing this |
| 00:49:11 |
...or was imitating Reese. |
| 00:49:15 |
How many times have I got to change |
| 00:49:17 |
The more you change it, the more it looks |
| 00:49:20 |
Like a cop? |
| 00:49:22 |
Yeah. |
| 00:49:29 |
It's nothing to me... |
| 00:49:31 |
...but the egos upstairs.... |
| 00:49:35 |
-You hear me? |
| 00:49:41 |
I'm going to lose my sense of humor. |
| 00:49:45 |
A translation from the Aramaic: |
| 00:49:47 |
"I can't enter you by touch. |
| 00:49:49 |
"But even when I can get inside you, |
| 00:49:53 |
"I'll fuck you up and down, left and right." |
| 00:49:56 |
"lf that doesn't work, I have other ways." |
| 00:49:59 |
We need a translation of the translation. |
| 00:50:11 |
Anything else? |
| 00:50:13 |
No, I'm okay. Thanks. |
| 00:50:49 |
I like the night. |
| 00:50:50 |
The street. |
| 00:50:52 |
The smells. |
| 00:50:54 |
The sense of another world. |
| 00:51:01 |
Sometimes you come |
| 00:53:00 |
Now... |
| 00:53:01 |
...put that card back in. |
| 00:53:03 |
-Anywhere. |
| 00:53:06 |
-Tell me when to stop, okay? |
| 00:53:08 |
Can you pronounce it for me again? |
| 00:53:13 |
Okay, Professor, I think I got it. |
| 00:53:38 |
I can get inside you. |
| 00:53:42 |
No. |
| 00:53:43 |
Better I get you for real. |
| 00:53:46 |
Fuck you... |
| 00:53:47 |
...up, down, left, right, coming, going.... |
| 00:53:51 |
I'll get so close to you... |
| 00:53:53 |
...so close it breaks you. |
| 00:53:56 |
And if that doesn't work... |
| 00:53:58 |
...well, I have other ways. |
| 00:54:01 |
I have so many... |
| 00:54:03 |
...many ways. |
| 00:54:22 |
Right. |
| 00:54:23 |
Fifteen minutes. |
| 00:54:28 |
Hi. Can I help you? |
| 00:54:31 |
You're releasing a Richard Suckle? |
| 00:54:35 |
-He called a cab. |
| 00:54:43 |
-Looking good today. |
| 00:54:50 |
Rap sheet on Bobby Stiggers. |
| 00:54:51 |
Thank you. |
| 00:55:04 |
Hobbesy, tell me something. |
| 00:55:06 |
Shoot. |
| 00:55:07 |
The other day you were |
| 00:55:10 |
What about it? |
| 00:55:11 |
Looked like a map in there. |
| 00:55:15 |
I went up to the country. |
| 00:55:16 |
It's great to get out of town. |
| 00:55:18 |
Lovely. Fresh air, you know? |
| 00:55:20 |
I used to do that. Go up to a house |
| 00:55:24 |
It was beautiful. |
| 00:55:27 |
So I'm curious. Where'd you go? |
| 00:55:31 |
Why do you ask? |
| 00:55:35 |
Come here. |
| 00:55:37 |
Come here. |
| 00:55:38 |
Come on, come here. |
| 00:55:43 |
"Time |
| 00:55:46 |
"Is on my side |
| 00:55:48 |
"Yes, it is |
| 00:55:50 |
"Time |
| 00:55:53 |
"Is on my side |
| 00:55:55 |
"Yes, it is" |
| 00:55:56 |
-Lou? |
| 00:56:00 |
"You're always saying |
| 00:56:02 |
"That you want to be free |
| 00:56:04 |
"But I'll come running back" |
| 00:56:25 |
Why were you singing that song? |
| 00:56:27 |
-Song? |
| 00:56:29 |
I was singing? |
| 00:56:30 |
Did they put you up to this? |
| 00:56:33 |
What're you talking about? |
| 00:56:34 |
-You don't know what I'm talking about? |
| 00:56:37 |
You don't know what I'm talking about? |
| 00:56:56 |
Hey, you! |
| 00:57:08 |
Syrian Aramaic. |
| 00:57:11 |
How clever. |
| 00:57:13 |
Jesus. |
| 00:57:16 |
It's true what I said. |
| 00:57:18 |
I do know who you are. |
| 00:57:21 |
Azazel. |
| 00:57:22 |
Where'd you get that? |
| 00:57:25 |
From Milano's place? |
| 00:57:26 |
You found something up there. |
| 00:57:29 |
Well, some things, pal, you shouldn't know. |
| 00:57:33 |
Like what? |
| 00:57:35 |
Like what? |
| 00:57:37 |
If you know, you should never, ever tell. |
| 00:57:50 |
Beware of my wrath. |
| 00:59:05 |
Well? |
| 00:59:09 |
What were you doing back then? |
| 00:59:12 |
-What are you talking about? |
| 00:59:17 |
No. |
| 00:59:18 |
-I wasn't singing. |
| 00:59:19 |
Lawrence and Mike were singing |
| 00:59:22 |
There you go. |
| 00:59:25 |
I wasn't singing it. I hated the fucking '60s. |
| 00:59:31 |
I wasn't singing. |
| 00:59:35 |
I appreciate your situation, okay? |
| 00:59:39 |
Your father, mother, they're dead, |
| 00:59:43 |
I'm very sorry about that. |
| 00:59:44 |
But I gotta know what's going on. |
| 00:59:48 |
...if this thing is what the book says |
| 00:59:58 |
Is this for real? Do you believe this stuff? |
| 01:00:01 |
I believe more is hidden than is seen. |
| 01:00:02 |
I believe what I see. I'm trying to get |
| 01:00:07 |
Something... |
| 01:00:08 |
...threatened me. |
| 01:00:10 |
Reese threatened me in Aramaic. |
| 01:00:12 |
What else did Reese say? |
| 01:00:14 |
I'm asking the questions here. |
| 01:00:16 |
You answer the questions I ask. |
| 01:00:21 |
We're not supposed to know. |
| 01:00:24 |
It's like the Mafia. They don't even exist. |
| 01:00:27 |
Okay...okay. |
| 01:00:29 |
That's good. That's a start. |
| 01:00:32 |
So where are they from? |
| 01:00:35 |
There are certain phenomena... |
| 01:00:37 |
...which can only be explained |
| 01:00:41 |
...and if there are angels. |
| 01:00:44 |
Some angels were cast down. A few |
| 01:00:49 |
They can only survive in the bodies |
| 01:00:52 |
Inside of human beings, |
| 01:00:58 |
That's it? |
| 01:01:01 |
Come on, get out of here. |
| 01:01:03 |
Come on. |
| 01:01:05 |
I mean.... |
| 01:01:07 |
Miss Milano, I'm just a cop, okay? |
| 01:01:09 |
I'm a detective. |
| 01:01:10 |
My work is based upon evidence, facts. |
| 01:01:12 |
Mine, too. Mine, too. |
| 01:01:14 |
Aren't your facts here |
| 01:01:20 |
So you're saying that... |
| 01:01:22 |
...Edgar Reese is actually-- |
| 01:01:24 |
At the time you knew him, |
| 01:01:27 |
-He was Azazel? |
| 01:01:29 |
Sadistic, left-handed, likes to sing. |
| 01:01:31 |
Reese? Why does he focus in on me? |
| 01:01:34 |
You got his attention. |
| 01:01:37 |
He shook your hand. That didn't work, |
| 01:01:44 |
Like he did with your father? |
| 01:01:53 |
How do we fight him? Is it possible? |
| 01:01:56 |
I believe it is. And I'm not alone. |
| 01:01:58 |
There's a network. I don't even know |
| 01:02:01 |
These people know the-- |
| 01:02:03 |
We believe that God limited demons |
| 01:02:07 |
He put a few of us here to fight them. |
| 01:02:09 |
Us? Us who? |
| 01:02:11 |
Who, us? |
| 01:02:13 |
You're saying I'm one of these people? |
| 01:02:16 |
I don't know. Maybe. Maybe not. |
| 01:02:19 |
You're just doing your job. |
| 01:02:21 |
Okay. |
| 01:02:23 |
Touché. |
| 01:02:24 |
So these demons are mortal? |
| 01:02:27 |
-By the right person. |
| 01:02:28 |
This is religion, Mr. Hobbes. |
| 01:02:31 |
These are matters of fate and divine order. |
| 01:02:34 |
-Or woman. |
| 01:02:36 |
It could be you, me, anybody? |
| 01:02:38 |
The right person of the right character |
| 01:02:41 |
So, this is what you've been doing. |
| 01:02:43 |
You've been preparing for this, |
| 01:02:50 |
Can I ask you something personal? |
| 01:02:53 |
Everything's personal if you're a person. |
| 01:02:56 |
Is this why you live alone? |
| 01:03:00 |
There's a difference between |
| 01:03:04 |
That's true. |
| 01:03:05 |
I mean... |
| 01:03:06 |
...if I had someone, I'd want to share |
| 01:03:11 |
If I shared this, I'd put them at risk |
| 01:03:16 |
You can talk to me. |
| 01:03:18 |
You don't have to. I'm not saying that.... |
| 01:03:22 |
Do whatever you want to do. I'm just |
| 01:03:27 |
Thanks. |
| 01:03:28 |
That's a very nice thing to say. |
| 01:03:31 |
I've got to go. |
| 01:03:33 |
I hope I've been helpful. |
| 01:03:36 |
-Thanks for listening. |
| 01:04:45 |
I'm sorry. |
| 01:04:46 |
I was about to tap you on the shoulder. |
| 01:04:48 |
You're a friend of John Hobbes, right? |
| 01:04:51 |
I'm Jay Reynolds. |
| 01:04:56 |
You know? |
| 01:04:58 |
How lovely. |
| 01:05:02 |
You're not just Hobbes' chippy. |
| 01:05:04 |
Have we met? |
| 01:05:06 |
You seem vaguely familiar. |
| 01:05:09 |
Come on... |
| 01:05:10 |
...tell me. |
| 01:05:12 |
I'm about to find out anyway. |
| 01:05:20 |
Foreplay. |
| 01:05:21 |
Watch out. |
| 01:05:22 |
No, you don't! |
| 01:05:48 |
Please, help me! |
| 01:05:51 |
Go! Go! |
| 01:05:53 |
-Open up! |
| 01:06:04 |
Jesus, are you all right? |
| 01:06:27 |
Are you all right? |
| 01:06:34 |
Thanks for coming. |
| 01:06:41 |
I ran. |
| 01:06:44 |
He came after me and I ran. |
| 01:06:49 |
Maybe you weren't ready yet. |
| 01:06:50 |
That's the point. You have to be ready. |
| 01:06:54 |
You know what it is? |
| 01:06:57 |
I never believed this day would come. |
| 01:07:00 |
I thought God would make it up to me. |
| 01:07:02 |
...and God would show me |
| 01:07:07 |
Do they know who you are? |
| 01:07:15 |
We shouldn't be seen together. |
| 01:07:17 |
Not anymore. |
| 01:07:25 |
Wipe your tears. |
| 01:07:40 |
You wanted to see me, Lieutenant? |
| 01:07:42 |
How're you doing? |
| 01:07:43 |
Fine. |
| 01:07:45 |
Murders not getting you wound up? |
| 01:07:48 |
Bag the chocolates. You ain't got |
| 01:07:53 |
Where were you |
| 01:07:57 |
Where was I? |
| 01:07:59 |
Am I a suspect? |
| 01:08:01 |
Sit down. |
| 01:08:06 |
Not to me, you're not. |
| 01:08:08 |
But.... |
| 01:08:09 |
Lieutenant, you know.... |
| 01:08:14 |
What do they think I did? |
| 01:08:15 |
I committed murder, then called home, |
| 01:08:19 |
No, it's something else. |
| 01:08:21 |
Your prints. |
| 01:08:24 |
My prints? |
| 01:08:25 |
On what? |
| 01:08:26 |
On that fucking little coin of yours. |
| 01:08:29 |
-Where? |
| 01:08:41 |
Shit. |
| 01:08:44 |
This is a frame-up. |
| 01:08:46 |
Is it? |
| 01:08:47 |
Anybody could have got those coins. |
| 01:08:49 |
They could've got them |
| 01:08:52 |
They could've taken them off my desk. |
| 01:08:54 |
We always said it could be a cop. |
| 01:08:57 |
We did always say that. |
| 01:09:00 |
I'm not stupid, you know. |
| 01:09:02 |
I know you know more than you're saying. |
| 01:09:05 |
So tell me. |
| 01:09:09 |
You don't really want to know. |
| 01:09:11 |
You'd have to be there. |
| 01:09:14 |
Try me. |
| 01:09:21 |
You remember Robert Milano? |
| 01:09:23 |
Listen to me. |
| 01:09:25 |
This is exactly what happened to him. |
| 01:09:29 |
He was framed. |
| 01:09:34 |
I'll give you some advice. |
| 01:09:37 |
Let go of it for a couple of hours. |
| 01:09:39 |
Go home. |
| 01:09:41 |
See your family. |
| 01:09:43 |
Take a load off. |
| 01:09:52 |
The hell with Stanton. |
| 01:09:54 |
The hell with all of them. |
| 01:09:56 |
Nobody likes to get |
| 01:09:59 |
Nobody likes to get hit from every angle. |
| 01:10:01 |
But evil just keeps on coming. |
| 01:10:05 |
You saw it before, but now... |
| 01:10:07 |
...it's in your face, laughing at you. |
| 01:10:13 |
-Hi, Unc. |
| 01:10:17 |
How're you doing? |
| 01:10:18 |
Hi, Mr. Hobbes. |
| 01:10:21 |
You're home early today. |
| 01:10:23 |
For a change. |
| 01:10:52 |
-Did you move my address book? |
| 01:10:54 |
No. |
| 01:10:56 |
What? |
| 01:11:03 |
What's wrong with your eye? |
| 01:11:10 |
Who hit you in the eye? |
| 01:11:12 |
I fell. |
| 01:11:14 |
You fell? |
| 01:11:16 |
I fell, or something. |
| 01:11:19 |
People don't fall down and get a black eye. |
| 01:11:21 |
-No? |
| 01:11:25 |
All right, it's okay. |
| 01:11:27 |
It's okay. Look.... |
| 01:11:29 |
What happened? |
| 01:11:32 |
Sammy hit me. |
| 01:11:34 |
What? |
| 01:11:35 |
It was an accident though. |
| 01:11:38 |
He didn't mean to. |
| 01:11:41 |
It was an accident. It was an accident! |
| 01:11:43 |
John...John! |
| 01:11:45 |
Sam? |
| 01:11:48 |
Where's Toby? |
| 01:11:49 |
Outside, I guess. |
| 01:11:52 |
Okay, go back in the house. |
| 01:12:01 |
-Toby? |
| 01:12:09 |
Leave my family alone, you hear me? |
| 01:12:11 |
Go back in the house. |
| 01:12:12 |
-What's going on? |
| 01:12:20 |
-You leave my family alone. |
| 01:12:22 |
You came after me. |
| 01:12:50 |
Toby, you all right? |
| 01:12:52 |
Go right home. Go. |
| 01:12:53 |
-Okay, I will. |
| 01:13:17 |
What's the matter, pal? |
| 01:13:21 |
Come on, Hobbes. Come on out. |
| 01:13:24 |
Come on, Hobbes. |
| 01:13:27 |
Put the gun down. |
| 01:13:30 |
I knew you'd come out. |
| 01:13:31 |
Put the gun on the ground! |
| 01:13:33 |
I know you, Hobbes. |
| 01:13:35 |
Set the gun down, sir! |
| 01:13:41 |
Put the gun down! |
| 01:14:49 |
"Yes, it is |
| 01:14:52 |
"Time |
| 01:14:54 |
"Is on my side" |
| 01:14:57 |
Hey, pal. |
| 01:14:59 |
Wake up, Hobbes. |
| 01:15:01 |
I'm not that easy to kill. |
| 01:15:03 |
When my host dies and I move as spirit, |
| 01:15:08 |
What are you going to do, arrest me? |
| 01:15:11 |
I'd love to hear that one. |
| 01:15:14 |
It's me you want, isn't it? |
| 01:15:16 |
Why don't you just kill me? |
| 01:15:18 |
But I'm still having fun. |
| 01:15:20 |
Aren't you still having fun? |
| 01:16:11 |
He was standing in the street, |
| 01:16:14 |
...shooting at him. |
| 01:16:17 |
I guess that's it. |
| 01:16:26 |
There's no question |
| 01:16:28 |
No question at all. My wife saw it too, |
| 01:16:34 |
A schoolteacher. |
| 01:16:38 |
What am I going to say? |
| 01:16:40 |
What am I going to do? |
| 01:16:41 |
We know that he fired first. |
| 01:16:45 |
But his gun was filled with blanks. |
| 01:16:49 |
-It was a setup. |
| 01:16:51 |
That's right. A setup. |
| 01:16:52 |
He set it up for you to kill him? |
| 01:16:54 |
Committing suicide by-- |
| 01:16:56 |
Excuse me. |
| 01:16:59 |
What the hell are you doing out here? |
| 01:17:01 |
You take Sam home, lock every door, |
| 01:17:04 |
You don't let anybody in. Can you do that? |
| 01:17:07 |
Can you remember that? All right, do it. |
| 01:17:09 |
-Johnny? |
| 01:17:12 |
Are you mad at me or something? |
| 01:17:14 |
No, Art. Never. Just.... |
| 01:17:17 |
Do what I told you. |
| 01:17:23 |
Hate to see the mighty fall, |
| 01:17:26 |
Now it's letters. Fuck you, Lou. |
| 01:17:30 |
I told you, it's a cult. |
| 01:17:32 |
Some weird, psycho, |
| 01:17:36 |
He's got A-P-O written on his chest. |
| 01:17:39 |
Trying to send some kind of message. |
| 01:17:44 |
The killer's sending a message? |
| 01:17:47 |
Hobbes.... |
| 01:17:50 |
This time, you are the killer. |
| 01:17:53 |
Yeah, sort of. |
| 01:17:54 |
No fucking "sort of." |
| 01:17:56 |
No breaks. No benefit of the doubt. |
| 01:17:59 |
We're going back to the precinct. Now. |
| 01:18:13 |
Tonight, another shocking murder |
| 01:18:15 |
A well-respected schoolteacher |
| 01:18:20 |
The officer... |
| 01:18:21 |
...John Hobbes, was forced to return fire. |
| 01:18:24 |
Our report now, from the scene. |
| 01:18:27 |
We're on the scene |
| 01:18:31 |
Close the door. |
| 01:18:32 |
Detective Hobbes shot and killed |
| 01:18:35 |
The police have not yet identified him. |
| 01:18:37 |
According to witnesses, |
| 01:18:40 |
...who was off duty at the time. |
| 01:18:44 |
I talked to the schoolteacher's wife. |
| 01:18:47 |
He got married four months ago. |
| 01:18:49 |
She's pregnant. He just got a raise. |
| 01:18:51 |
So much for suicide by a cop! |
| 01:18:59 |
The shooting team will need your gun. |
| 01:19:02 |
I'll get the hearing as soon as I can. |
| 01:19:06 |
People want the world to make sense. |
| 01:19:07 |
If the only way I can get the world |
| 01:19:12 |
...then I'll have to do it. |
| 01:19:18 |
Get the fuck out of here. |
| 01:20:01 |
-It was a clean shoot. |
| 01:20:03 |
It doesn't help, but I know. |
| 01:20:07 |
Coffee? |
| 01:20:08 |
No, thanks. |
| 01:20:10 |
Want to talk? From where I sit, we're |
| 01:20:17 |
Where do they buy coffee with dirt in it? |
| 01:20:25 |
What's the point of life? |
| 01:20:28 |
-"The point"? |
| 01:20:32 |
-"Of life"? |
| 01:20:37 |
The point of life.... You want a cigarette? |
| 01:20:38 |
No, thanks. |
| 01:20:43 |
The point of life is we catch bad guys. |
| 01:20:46 |
That's what I used to think. |
| 01:20:49 |
It's not good enough. |
| 01:20:51 |
You can shoot me for talking like this, but-- |
| 01:20:54 |
It's two o'clock in the morning. |
| 01:21:00 |
What are we doing here? |
| 01:21:02 |
Why do we even exist? |
| 01:21:04 |
Us. |
| 01:21:07 |
Maybe it's God, Hobbes. |
| 01:21:09 |
Yeah, it could be. |
| 01:21:14 |
I have a hard time believing that we're... |
| 01:21:17 |
...part of some huge... |
| 01:21:19 |
...moral experiment, you know, |
| 01:21:24 |
If there's a greater being than we are, |
| 01:21:28 |
There are five billion of us. |
| 01:21:31 |
...what ants do, from a moral standpoint? |
| 01:21:34 |
"Ants"? No. |
| 01:21:36 |
I'm following you, |
| 01:21:39 |
Are you heading someplace here? |
| 01:21:41 |
That's my point. |
| 01:21:43 |
Are we headed someplace? |
| 01:21:46 |
If we don't figure it out.... |
| 01:21:50 |
Maybe if you figure it out... |
| 01:21:53 |
...you die. |
| 01:21:54 |
Heart attack, stroke. |
| 01:21:58 |
...you don't get to hang around anymore. |
| 01:22:03 |
Meanwhile, Delores... |
| 01:22:06 |
...says we're put here to do one thing. |
| 01:22:08 |
One thing? |
| 01:22:10 |
What's that? |
| 01:22:11 |
It's different. It's different for everybody. |
| 01:22:15 |
Lasagna? |
| 01:22:18 |
And just one thing, not two or...? |
| 01:22:20 |
Maybe two, I don't know. |
| 01:22:23 |
But it's like... |
| 01:22:26 |
...when a moment comes... |
| 01:22:29 |
...we either do the right thing... |
| 01:22:32 |
...or wrong. |
| 01:22:35 |
When do you know |
| 01:22:47 |
So, like this could be it for me? |
| 01:22:49 |
That's the beauty. You never know. |
| 01:22:54 |
-Hello? |
| 01:22:55 |
Is that you? |
| 01:22:58 |
Hi. I just wanted to see if you were okay. |
| 01:23:02 |
I'll call you back. I'll call you later. |
| 01:23:12 |
That was the killer. |
| 01:23:26 |
I'm going home. |
| 01:23:29 |
Yeah, fuck it. |
| 01:23:44 |
I killed someone. |
| 01:23:46 |
He got me to kill an innocent man. |
| 01:23:49 |
I know. |
| 01:23:50 |
What do they want, Gretta? |
| 01:23:52 |
Just tell me what they want. |
| 01:23:54 |
The demons? |
| 01:23:56 |
They want the fall of civilization. |
| 01:23:58 |
"The fall of Babylon, " as they put it. |
| 01:24:01 |
-The whole thing? |
| 01:24:04 |
They're doing a good job, aren't they? |
| 01:24:06 |
You know, after I shot the teacher... |
| 01:24:09 |
...Azazel moved to someone else. |
| 01:24:11 |
Are you sure? After death? |
| 01:24:14 |
I'm positive. After death. Yeah, I saw it. |
| 01:24:16 |
Listen to this. |
| 01:24:18 |
I was looking through |
| 01:24:21 |
...and it says "outside"... |
| 01:24:26 |
"Outside, they can survive |
| 01:24:30 |
A Hebrew text says that the breath |
| 01:24:34 |
I never knew what it meant. |
| 01:24:36 |
A cubit, that's a distance |
| 01:24:38 |
From your elbow to your fingertips. |
| 01:24:40 |
So 500 cubits would be what? |
| 01:24:44 |
Yeah, well, you're right then. |
| 01:24:48 |
They are limited in certain ways. |
| 01:24:52 |
What are you thinking? |
| 01:24:54 |
I don't know. |
| 01:24:58 |
I don't know. Are you okay? |
| 01:25:01 |
Yeah. |
| 01:25:03 |
All right. Well, then... |
| 01:25:05 |
...maybe I'll check up on you tomorrow. |
| 01:25:10 |
Good night. |
| 01:25:11 |
Good night. |
| 01:25:35 |
Good morning, Sam. |
| 01:25:37 |
Good morning, Sam. |
| 01:25:39 |
Oh, hi, Uncle John. |
| 01:25:40 |
Oh, hi. |
| 01:25:41 |
-Thanks for tucking me in last night. |
| 01:25:47 |
We sent Michael Aaron to the scene... |
| 01:25:49 |
...where he'll be ready with a live report |
| 01:26:44 |
Were you asleep when I tucked you in? |
| 01:26:46 |
I don't know. All I remember |
| 01:26:50 |
Tickling my chest. |
| 01:26:57 |
Why'd you write that? |
| 01:27:01 |
-Where's your father? |
| 01:27:03 |
He's a sleepyhead. |
| 01:27:10 |
If you watched the national news |
| 01:27:13 |
...you might have seen |
| 01:27:15 |
...of a decorated cop accused of murder. |
| 01:29:29 |
Hello? |
| 01:29:31 |
Have you seen the news? |
| 01:29:32 |
The cop was shooting first. |
| 01:29:37 |
Lou's coming to get you. |
| 01:29:39 |
He'll bring you down |
| 01:29:41 |
-Lou? |
| 01:29:42 |
-They get him yet? |
| 01:29:46 |
I gotta go. |
| 01:30:24 |
Here. Put these clothes on. |
| 01:30:27 |
-Why? |
| 01:30:38 |
Are you ready? |
| 01:30:39 |
Almost. What's going on here? |
| 01:30:42 |
We're just going to play |
| 01:30:45 |
Cool. |
| 01:30:51 |
We're going out the window. |
| 01:30:56 |
What about my dad? |
| 01:30:59 |
He's sleeping. He's still asleep. |
| 01:31:47 |
-Excuse me, Sister. How're you doing? |
| 01:31:50 |
Good. |
| 01:31:53 |
Does "apocalypse" mean anything to you? |
| 01:31:56 |
Sure it does. |
| 01:31:57 |
"Apocalypse" was the Greek word |
| 01:32:01 |
"Revelation"? |
| 01:32:03 |
-You mean like the book of the Bible? |
| 01:32:05 |
Revelation. |
| 01:32:06 |
All right. Thank you. |
| 01:32:37 |
Pack of cigarettes. |
| 01:32:39 |
-Any special kind? |
| 01:32:42 |
Okay, out of five. |
| 01:32:46 |
Detective Hobbes? |
| 01:32:48 |
Sir, you forgot your change. |
| 01:32:50 |
Detective Hobbes. |
| 01:32:52 |
I want to talk to you. |
| 01:32:57 |
Go, Sam. Run! Down the stairs, |
| 01:33:01 |
All units in the area-- |
| 01:33:40 |
Why don't you close that coat up? |
| 01:33:54 |
Cigarettes? |
| 01:33:55 |
I thought you quit. |
| 01:33:58 |
I did quit and they are bad for you. |
| 01:34:04 |
You know what's going on? |
| 01:34:10 |
The police think that I did some bad things. |
| 01:34:15 |
-You are the police. |
| 01:34:18 |
Why do they think you did that? |
| 01:34:20 |
Because.... |
| 01:34:22 |
Because somebody... |
| 01:34:25 |
...made it look like I did. |
| 01:34:28 |
I once saw that on a show. |
| 01:34:39 |
I want to talk to you |
| 01:34:42 |
About your dad. |
| 01:34:48 |
He's not asleep, is he? |
| 01:34:53 |
No, son. He's not asleep. |
| 01:34:57 |
Did it hurt? |
| 01:35:01 |
I don't think so. |
| 01:35:05 |
-Do you think he's gonna go to Heaven? |
| 01:35:08 |
Yes, I do. |
| 01:35:09 |
If anybody deserves to go to Heaven, |
| 01:35:15 |
I think so, too. |
| 01:35:46 |
We've got no place else to go. |
| 01:35:48 |
This is my nephew, Sam. |
| 01:35:52 |
Okay. Hi, Sam. |
| 01:35:54 |
Nice to meet you. I'm Gretta. |
| 01:35:59 |
You're in your pajamas. |
| 01:36:01 |
I wasn't expecting company, |
| 01:36:06 |
Why don't you go over there |
| 01:36:11 |
Azazel wrote on his chest. |
| 01:36:13 |
Unless I do something-- |
| 01:36:17 |
I'll get you a coffee. |
| 01:36:18 |
Thank you. |
| 01:37:20 |
I think I got my mind |
| 01:37:23 |
...let me run this by you, okay? |
| 01:37:26 |
After the host body dies... |
| 01:37:29 |
...the demon can survive |
| 01:37:32 |
At the same time... |
| 01:37:33 |
...Azazel says to me when he moves |
| 01:37:37 |
So someone he can't get into by touch, |
| 01:37:41 |
Because, if when he's in spirit form... |
| 01:37:45 |
...he's fighting for his life, |
| 01:37:53 |
Please tell me what you're going to do. |
| 01:37:55 |
Whatever I do... |
| 01:37:57 |
...I have to make sure |
| 01:38:02 |
Will you take him somewhere... |
| 01:38:04 |
...nobody knows about? |
| 01:38:06 |
Even me. |
| 01:38:22 |
Listen.... |
| 01:38:26 |
I gotta go. |
| 01:38:28 |
You're gonna stay with Gretta |
| 01:38:31 |
Maybe for a long while. |
| 01:38:35 |
And I want you to remember this: |
| 01:38:36 |
Whatever people say about me... |
| 01:38:40 |
...or whatever I do... |
| 01:38:43 |
...I just want you to remember |
| 01:38:47 |
Because I love you. |
| 01:38:50 |
You understand? |
| 01:38:55 |
I'm gonna go back to sleep... |
| 01:38:58 |
...and when I wake up |
| 01:39:37 |
Thank you. |
| 01:39:41 |
You know what this means, right? |
| 01:39:44 |
I'm ready. |
| 01:40:23 |
Hey, Jonesy, how're you doing? |
| 01:40:25 |
Look, I'm worried, man. |
| 01:40:27 |
What are you gonna do? |
| 01:40:29 |
I'm going nowhere. |
| 01:40:32 |
I'm taking a long drive... |
| 01:40:35 |
...where nobody will find me... |
| 01:40:37 |
...and sit by the water and think. |
| 01:40:40 |
I gotta ask you something. |
| 01:40:42 |
Yeah, shoot. |
| 01:40:44 |
We've been partners a long time. |
| 01:40:46 |
Twelve plus, Jonesy. Twelve plus. |
| 01:40:49 |
So, is there anything you gotta tell me? |
| 01:40:53 |
Yeah, remember what |
| 01:40:57 |
When the moment comes... |
| 01:40:59 |
...you know it. |
| 01:41:02 |
Be careful, okay? |
| 01:41:05 |
I'll see you, partner. |
| 01:41:06 |
Yeah, you too. |
| 01:41:08 |
Be good. |
| 01:41:39 |
You're probably wondering: |
| 01:41:43 |
This is where things get a little tricky. |
| 01:41:46 |
It's just him and me now. |
| 01:41:48 |
Hobbes versus Azazel. |
| 01:41:52 |
I thought I had him. |
| 01:41:54 |
But he thought he had me, too. |
| 01:43:47 |
Come on out. |
| 01:43:48 |
I know you're here. |
| 01:43:52 |
I knew you'd come. |
| 01:44:04 |
Haven't you done enough? |
| 01:44:09 |
You made me kill an innocent man. You... |
| 01:44:15 |
...murdered my brother! |
| 01:44:17 |
Come out, you son of a bitch! |
| 01:44:20 |
How much more fun can you have! |
| 01:44:27 |
Jesus, Hobbes. |
| 01:44:30 |
What are you talking about? |
| 01:44:35 |
I didn't do any of that. |
| 01:44:38 |
Me, I'm the poor schmo |
| 01:44:44 |
So it's you now. |
| 01:44:46 |
It's me. |
| 01:44:47 |
Who'd you expect it'd be? |
| 01:44:50 |
Now drop your gun, Hobbes. |
| 01:44:53 |
I know you've got one. |
| 01:44:55 |
Or what? |
| 01:44:57 |
You'll shoot me? |
| 01:45:00 |
Where is the fun in that? |
| 01:45:02 |
Fuck you, huh? |
| 01:45:04 |
You're making me do this. |
| 01:45:06 |
Now, drop the goddamn gun. |
| 01:45:08 |
Do what he says, Hobbes. |
| 01:45:15 |
Jonesy? |
| 01:45:27 |
Who else is out here, huh? |
| 01:45:29 |
Lou? Tiff? Come on out! |
| 01:45:31 |
No, it's just the two of us. |
| 01:45:36 |
The gun, Hobbes. |
| 01:46:03 |
Jonesy, you know I didn't do this. |
| 01:46:06 |
You know I didn't do any of it. |
| 01:46:08 |
I know that, Hobbes. |
| 01:46:10 |
We both want to believe you, |
| 01:46:26 |
Stan.... |
| 01:46:28 |
I don't know if I can do this. |
| 01:46:31 |
What the fuck you talking...? |
| 01:46:34 |
Say Hobbes disappears into the woods.... |
| 01:46:37 |
We drive his car into the lake. |
| 01:46:40 |
We bring the son of a bitch in. |
| 01:46:43 |
He did it, fine. |
| 01:46:45 |
He didn't do it, even better. |
| 01:46:47 |
But it's not our job to decide. |
| 01:46:55 |
Jonesy? |
| 01:46:58 |
Put the goddamn gun down. |
| 01:47:10 |
Okay. |
| 01:47:26 |
Thank you. |
| 01:47:32 |
I'm sorry, Stan. |
| 01:47:34 |
Been on the force so many years you think |
| 01:47:38 |
Life always gives you one more surprise. |
| 01:47:40 |
One more. |
| 01:47:47 |
Sometimes it's a big one. |
| 01:47:50 |
Azazel. |
| 01:47:52 |
I'm your partner, man. |
| 01:47:54 |
You're free. Run. |
| 01:47:57 |
Keep thinking, Hobbes. |
| 01:48:04 |
How about that! |
| 01:48:06 |
Jonesy's fucked. He just killed his boss. |
| 01:48:11 |
Jonesy's fucked! |
| 01:48:12 |
You're fucked! |
| 01:48:14 |
One at a time, huh? |
| 01:48:16 |
That's how we do it. One by one. |
| 01:48:20 |
Olly-olly-oxen-free! |
| 01:48:24 |
"Time |
| 01:48:27 |
"Is on my side |
| 01:48:29 |
"Yes, it is |
| 01:48:32 |
"Time |
| 01:48:34 |
"Is on my side" |
| 01:48:36 |
You like the Stones, Hobbes? |
| 01:48:38 |
I bet you didn't, you big Monkee-fan pussy. |
| 01:48:46 |
Time's up! |
| 01:48:49 |
See the deal? |
| 01:48:52 |
If I kill you... |
| 01:48:56 |
...it's just the final... |
| 01:48:58 |
...pathetic chapter... |
| 01:49:00 |
...in the life of a disgraced hero. |
| 01:49:03 |
Just one more piece of shit, human scum. |
| 01:49:08 |
But... |
| 01:49:09 |
...turn it around. |
| 01:49:12 |
If I die... |
| 01:49:18 |
...I enter you... |
| 01:49:20 |
...put 20 more murders on your tab... |
| 01:49:23 |
...before you go down. |
| 01:49:27 |
Maybe your nephew or that... |
| 01:49:31 |
...chippy you were talking to. |
| 01:49:34 |
How do you want to do this? |
| 01:49:37 |
What's maximum fun? Can you guess... |
| 01:49:41 |
...what maximum fun is? |
| 01:49:44 |
Sure you can. |
| 01:49:47 |
Now that I've played you |
| 01:49:50 |
...maximum fun is... |
| 01:49:52 |
...I become you. |
| 01:50:26 |
You got me, Hobbes. You got me good. |
| 01:50:30 |
But I gotta ask you something. |
| 01:50:33 |
You wouldn't let me kill myself. |
| 01:50:36 |
Because I need more time. |
| 01:50:37 |
Time for what, asshole? |
| 01:50:41 |
Five hundred cubits. |
| 01:50:44 |
If Jonesy dies too fast... |
| 01:50:46 |
...as powerful as you are... |
| 01:50:49 |
...I might never get away from you. |
| 01:50:51 |
Oh, he's catching on. |
| 01:50:54 |
What? You think you're going to win? |
| 01:50:57 |
God willing. |
| 01:51:05 |
You never know. |
| 01:51:14 |
Let me ask you something. |
| 01:51:20 |
Why do you think... |
| 01:51:22 |
...Milano... |
| 01:51:24 |
...came all the way out here... |
| 01:51:27 |
...in the middle of nowhere? |
| 01:51:28 |
To die, the little chickenshit. |
| 01:51:32 |
I don't think so. |
| 01:51:35 |
I think that he wanted to do... |
| 01:51:37 |
...what I'm going to do. |
| 01:51:39 |
-Only he couldn't pull it off. |
| 01:51:42 |
Oh, come on, Azazel. |
| 01:51:45 |
Open your eyes. |
| 01:51:49 |
Look around sometime. |
| 01:51:51 |
Here we are in this beautiful place... |
| 01:51:55 |
...not another human being |
| 01:51:58 |
It's just you and me. |
| 01:52:08 |
What is this? You don't smoke anymore. |
| 01:52:16 |
That's right. I don't. |
| 01:52:19 |
You know why? |
| 01:52:23 |
Because cigarettes kill. |
| 01:52:27 |
Especially cigarettes laced with poison. |
| 01:52:32 |
Bullshit. |
| 01:52:35 |
Same poison that you used |
| 01:52:42 |
Fuck you. |
| 01:52:44 |
It's beautiful, isn't it? |
| 01:52:46 |
Isn't it so sweet? |
| 01:52:48 |
We die together... |
| 01:52:50 |
...just you and me. |
| 01:52:59 |
"Time |
| 01:53:02 |
"Is on my side |
| 01:53:06 |
"Yes, it is" |
| 01:53:08 |
Fuck you, motherfucker! |
| 01:53:19 |
I'm sorry, Jonesy. |
| 01:53:34 |
I'm sorry. |
| 01:54:37 |
So, like I said at the start... |
| 01:54:40 |
...I was beaten... |
| 01:54:41 |
...outsmarted, poisoned... |
| 01:54:44 |
...by Detective John Hobbes. |
| 01:54:57 |
Can you imagine what it feels like |
| 01:55:02 |
...and realize you're actually going to die... |
| 01:55:05 |
...because some self-righteous cop decided |
| 01:55:12 |
Yes, a demon can die... |
| 01:55:14 |
...and Hobbes figured out |
| 01:55:18 |
So what? |
| 01:55:20 |
The war isn't over, I promise you. |
| 01:55:24 |
Not by a long shot. |
| 01:55:43 |
You forgot something, didn't you? |
| 01:55:47 |
At the beginning I said |
| 01:55:49 |
...about the time I almost died. |
| 01:55:59 |
See you around. |
