Fantasia 2000

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00:00:11 It's my verypleasantduty
00:00:14 onbehalfofall the otherartists
00:00:18 wentinto the creation ofthis new
00:00:23 Whatyou willsee
00:00:25 is apicture
00:00:28 thatmightpass throughyourmind...
00:00:30 ifyousatin a concerthall
00:00:38 Now, there are threekinds ofmusic
00:00:41 First there's thekind
00:00:45 Then there's thekindthat,
00:00:48 doespaintaseries
00:00:53 Then there's a thirdkind--
00:00:55 music thatexists
00:00:59 Thenumberthatopens
00:01:02 is music ofthis thirdkind.
00:04:09 You know, what's amazing
00:04:11 are playing for the very fi rst time...
00:04:14 thanks to Steve Martin's Two-Week
00:04:19 More about that later.
00:04:20 Hello, and welcome
00:04:24 It's been more than 60 years
00:04:26 teamed up with maestro
00:04:29 to create a fi lm they titled
00:04:33 I thinkwe're all glad
00:04:36 You know, Fantasia was meant to be
00:04:40 Every timeyou went to see it,
00:04:43 along with some
00:04:45 But that idea fell by the wayside
00:04:49 So let me turn things over
00:04:52 who, I havejust been informed,
00:04:56 Well, so do l. Big deal.
00:04:59 Ah, thankyou.
00:05:00 All right, boys, let's--
00:05:03 Oh, sorry. Could I have
00:05:05 Oh, and camera back on me.
00:05:07 Camera back on me.
00:05:13 When you hear a title like
00:05:16 you might think oftree-lined streets
00:05:21 But when the Disney animators
00:05:24 they thought ofsomething
00:05:27 Here is the Chicago Symphony Orchestra
00:05:31 performing Ottorino Respighi's
00:16:04 Beautiful, Ralph.
00:16:07 Hi. Next, we're gonna takeyou
00:16:12 for a piece that's inspired by
00:16:15 First there's the illustrator
00:16:18 who's been drawing celebrities
00:16:20 for most ofthe 20th century.
00:16:22 And then there's
00:16:25 who tookjazz off the streets,
00:16:28 and took her to the concert hall.
00:16:30 My friend Ralph Grierson
00:16:33 And it all starts with a single
00:16:37 and a simple line
00:16:40 Ladies and gentlemen,
00:29:19 Hi. You may not know this,
00:29:22 the Disney artists have cooked up dozens
00:29:26 Some ofthem made it
00:29:29 but others--
00:29:31 how can I put this politely--
00:29:35 For example, the Danish illustrator
00:29:38 for a segment inspired
00:29:42 Here they are...
00:29:44 and there they go.
00:29:47 Now, Salvador Dali--
00:29:50 he got into the act with an idea
00:29:53 as a metaphor for life.
00:29:55 How come that didn't work?
00:29:58 Let's see. Then we had
00:30:01 and for a time, they even considered
00:30:05 The Polka and The Fugue...
00:30:06 from Weinberger's
00:30:10 But fi nally, a success.
00:30:13 The Disney artists
00:30:15 based on Hans Christian Andersen's
00:30:18 TheSteadfast Tin Soldier...
00:30:20 but they could never fi nd
00:30:24 Here is Yefi m Bronfman...
00:30:26 playing the Shostakovich
00:30:29 and TheSteadfast Tin Soldier.
00:38:11 These drawing boards
00:38:13 ofsome ofthe most beloved
00:38:16 So it's no surprise that the artists
00:38:20 "The Carnival ofthe Animals"
00:38:23 Here, the sensitive strains
00:38:27 combine with the subtle artistry
00:38:30 to fi nally answer
00:38:33 What is man's
00:38:37 Oh, sorry.
00:38:39 That age-old question:
00:38:41 What would happen ifyou gave
00:38:45 Who wrote this?
00:40:43 Ladies and gentlemen, we'd like
00:40:45 to talk about a little something
00:40:49 Uh, picture this. You're at home,
00:40:51 foryour daughter, and you've
00:40:54 so some pathetic loser can pull
00:41:00 At fi rst,
00:41:03 " How did he do that?"
00:41:04 But then you would probably
00:41:08 And you know something?
00:41:12 It's an example ofwhat we
00:41:17 We're here to tell you that all
00:41:21 It's all based on deception
00:41:26 Sleight ofhand-- Iies.
00:41:28 Transformations-- fraud.
00:41:30 Dismemberment-- rip-off!.
00:41:33 Fake! All are illusions.
00:41:37 What we're here to talk about
00:41:40 We're gonna bring on a guy now who's
00:41:43 In fact, he taught us
00:41:46 And he is featured prominently
00:41:48 from the original Fantasia,
00:41:53 Y-You know, come to think ofit...
00:41:55 "The Sorcerer's Apprentice"
00:41:58 who, uh-- who never speaks
00:42:03 Iike him.
00:42:04 And now-- Wha--
00:42:07 And now, the--
00:42:10 Oh. Hi. Hi, little fella.
00:42:12 And now,
00:51:37 Mr. Stokowski.
00:51:41 Just wanted to offer
00:51:45 Congratulations toyou, Mickey.
00:51:48 Aw, gee, thanks.
00:51:52 Mr. Levine!
00:51:55 Everybody's in place
00:51:57 - Thanks, Mickey.
00:51:59 - When--
00:52:02 Soyou stay here and stall for time.
00:52:06 Donald! Oh, Donald!
00:52:09 When we hear Sir Edward Elgar's
00:52:13 we think ofa graduation ceremony.
00:52:15 - Donald, where areya?
00:52:18 for many kinds ofsolemn events.
00:52:20 Donald!
00:52:22 This march inspired
00:52:24 to recreate the age-old story...
00:52:27 - Oh, sorry, Daisy.
00:52:29 with one slight twist.
00:52:31 Oh, Donald Duck!
00:52:34 - Who is it?
00:52:37 What? You gotta be kidding!
00:52:40 Okay,Jim, he's on his way.
00:52:45 Ladies and gentlemen,
00:52:48 starring Donald Duck.
00:59:10 Walt Disney described
00:59:12 as a voyage ofdiscovery...
00:59:14 into the realms ofcolor,
00:59:18 The music from lgor Stravinsky's
00:59:21 inspires such a voyage.
00:59:24 And so we conclude
00:59:26 with a mythical story
01:14:21 Camera back onme.
01:14:25 Anyone?Hello?Hello?
01:14:28 Couldsomeonegive mearide home?