Farewell My Lovely
|
00:01:56 |
'This spring was the first I felt |
00:02:02 |
'Maybe it was the rotten weather |
00:02:05 |
'or the rotten cases I'd had - |
00:02:09 |
'and then their wives |
00:02:14 |
'Or maybe it was just the plain fact |
00:02:19 |
'The only real pleasure |
00:02:22 |
'was following Joe DiMaggio |
00:02:26 |
'Well, it's the middle of July now |
00:02:32 |
'In the spring, I wasn't holed up in |
00:02:46 |
Hello. |
00:02:48 |
Let me have Richmond 4421, please. |
00:02:55 |
Lieutenant Nulty, please. |
00:03:00 |
Nulty! |
00:03:02 |
I'm at the Casa Marina, room 502. |
00:03:06 |
Is Moose there? |
00:03:09 |
Come alone. |
00:03:10 |
- I asked if Moose was there. |
00:03:28 |
Two more murders. |
00:03:31 |
Do you know where Marlowe is? |
00:03:33 |
Casa Marina. |
00:03:36 |
That's not a good idea. |
00:03:38 |
Now, you understand why |
00:03:42 |
Yes, Commissioner. |
00:03:44 |
Good. |
00:03:59 |
Wait here. |
00:04:01 |
- How long? |
00:04:04 |
(Police siren ) |
00:04:09 |
(Knocking) |
00:04:12 |
- Yeah? |
00:04:14 |
- With or without the dwarfs? |
00:04:17 |
Come on in. |
00:04:25 |
Malloy with you? |
00:04:27 |
Relax. There's nowhere |
00:04:31 |
This case has busted wide open |
00:04:35 |
- I wanna tell you... |
00:04:37 |
You gonna listen or aren't you? |
00:04:42 |
Sit down! |
00:04:53 |
I was working on a $25-a-day breeze, |
00:04:55 |
looking for a 15-year-old runaway |
00:04:58 |
an honours student, majoring in men. |
00:05:01 |
She had all ''A's'', |
00:05:05 |
She had only one other interest - |
00:05:09 |
# It seems to me |
00:05:14 |
# It's from an old familiar score |
00:05:18 |
# I know it well... |
00:05:25 |
# It's funny how a theme |
00:05:33 |
# A dream...# |
00:05:34 |
You know, you remind me of Harry. |
00:05:37 |
You're very much like Harry. |
00:05:43 |
I used to dance |
00:05:46 |
I may not be the most |
00:05:49 |
but I could make a man as happy... |
00:05:51 |
Really upset when it ended, |
00:05:55 |
- What did you say your name was? |
00:06:06 |
My parents sent you, didn't they? |
00:06:10 |
Look, do you want to dance your way |
00:06:16 |
Makes no difference to me. |
00:06:27 |
(Tram bells) |
00:06:31 |
(Music continues in distance ) |
00:06:39 |
Do you realise |
00:06:42 |
to drive here |
00:06:45 |
Can't you settle that on the way? |
00:06:47 |
There's the matter of $25 |
00:06:51 |
Pay him, Charles. |
00:06:54 |
I don't accept tips |
00:06:57 |
Pets, yes - |
00:07:00 |
Thank you. |
00:07:01 |
Get in the car. |
00:07:06 |
(Thump and groan ) |
00:07:12 |
Next time she runs away, |
00:07:16 |
(Deep sigh) |
00:07:17 |
'I was tryin' to stabilise |
00:07:20 |
'when this guy the size of the |
00:07:25 |
What are you, a cop? |
00:07:28 |
No, I'm your fairy godmother. |
00:07:30 |
'I started to walk away...' |
00:07:32 |
Private dick, huh? |
00:07:34 |
'when a hand I could have sat in |
00:07:39 |
What's your name? |
00:07:41 |
Marlowe, what's yours? |
00:07:43 |
- Moose Malloy. |
00:07:54 |
'He didn't bat an eye. |
00:07:58 |
I want you to work for me. |
00:08:00 |
You want me to find the guys |
00:08:05 |
I want you to find my Velma. |
00:08:10 |
She ain't wrote in six. |
00:08:12 |
Where the hell have you been |
00:08:16 |
In the can. |
00:08:18 |
The Great Bend bank robbery? |
00:08:21 |
Eighty grand? |
00:08:23 |
I did it solo. |
00:08:25 |
Ain't that somethin'? |
00:08:28 |
Yeah. |
00:08:29 |
I want you to find my Velma. |
00:08:32 |
Look, man, |
00:08:36 |
- She'll have a reason. |
00:08:39 |
Why the hell |
00:08:42 |
Maybe we ought to go to Florian's. |
00:08:48 |
What was she like... |
00:08:52 |
Cute. |
00:08:55 |
Cute as lace pants. |
00:08:58 |
That's somethin' to go on. |
00:09:04 |
'He walked me slowly across half |
00:09:10 |
(Chatter in street) |
00:09:14 |
(Man ) Hello, Momma, how you doin'? |
00:09:16 |
(Woman ) You the last |
00:09:22 |
This is a coloured neighbourhood now |
00:09:27 |
Let's you and me go up. |
00:09:31 |
They might know something |
00:09:34 |
How the hell would they know |
00:09:39 |
Let's you and me go on up, huh? |
00:09:42 |
OK, but leave off carryin' me. |
00:09:46 |
I go to the bathroom by myself |
00:09:54 |
(Man ) Uh-oh, look who's here. |
00:09:57 |
(Moody blues ) |
00:10:00 |
(Indistinct chatter) |
00:10:04 |
A shine palace. |
00:10:09 |
(Man ) 52 years old and ain't never |
00:10:15 |
What did I do this time? |
00:10:18 |
I'm looking for a white girl |
00:10:22 |
Hey, Henry. |
00:10:29 |
No white boys here, brother. |
00:10:32 |
I'm looking for Velma. |
00:10:34 |
Velma, you says? No Velma here. |
00:10:40 |
Just scram, white boy. Just scram. |
00:10:44 |
Velma used to work here. |
00:10:46 |
Velma USED to work here. |
00:10:50 |
(Group laugh) Send him home, Henry. |
00:10:52 |
You shouldn't laugh. |
00:10:55 |
Maybe I should do this. |
00:10:58 |
(Woman shrieks ) |
00:11:03 |
(Excited chatter) |
00:11:08 |
(Piano starts ) |
00:11:19 |
Well...looks like |
00:11:24 |
of spending that eighty grand |
00:11:27 |
Now, you goin' to tell me |
00:11:32 |
Mr Montgomery is in the back. |
00:11:47 |
Can I speak to you a minute, |
00:11:53 |
- What's that? |
00:11:56 |
That's illegal. Besides, |
00:12:00 |
(Gunshot) |
00:12:07 |
All I wanted to know |
00:12:11 |
He tried to tell me with this. |
00:12:19 |
Jesus! You've had a busy day. |
00:12:21 |
It's a good thing you don't |
00:12:26 |
- I want you to find my Velma. |
00:12:30 |
Meanwhile...ah, |
00:12:34 |
Because the cops might think |
00:12:37 |
You got somethin' there. |
00:12:40 |
- I'm in the telephone book. |
00:12:54 |
- Help me find my Velma, huh? |
00:13:02 |
Hey, ah...Malloy? |
00:13:04 |
This Velma. She got a last name? |
00:13:08 |
Valento. Velma Valento. |
00:13:10 |
Velma Valento. |
00:13:16 |
'The fifty bucks felt snug |
00:13:20 |
'The joint had emptied out, |
00:13:22 |
'so I called you, Nulty, |
00:13:26 |
'Mr Montgomery didn't seem to mind.' |
00:13:37 |
Right here, fellas. |
00:13:40 |
Big, black and dead. |
00:13:48 |
35 minutes. |
00:13:52 |
Lucky it wasn't somethin' serious. |
00:13:54 |
Don't worry about it Marlowe. |
00:13:58 |
No space in the papers, |
00:14:01 |
Your picture will be in the papers - |
00:14:04 |
front, sideways, back, numbers, |
00:14:09 |
No sweat. |
00:14:12 |
The guy that killed him |
00:14:16 |
Yeah, that's right. |
00:14:17 |
When he gets in touch, tell him come |
00:14:23 |
Oh, he can write, can't he? |
00:14:25 |
Oh, yeah...he might be a little shy. |
00:14:27 |
For that kind of a killing |
00:14:33 |
We gotta follow procedure or I get |
00:14:37 |
Eleanor Roosevelt. |
00:14:40 |
'I couldn't find any Florian |
00:14:44 |
'but I had a vague hunch about |
00:14:49 |
'I sparred with the night clerk |
00:14:52 |
'but it was like tryin' to open |
00:14:57 |
'Abraham Lincoln's picture |
00:14:59 |
I'm looking for anybody that knows |
00:15:03 |
Florians? |
00:15:06 |
There's a man, played in the band, |
00:15:13 |
Is there an elevator around here? |
00:15:16 |
- If it is, I ain't seen it. |
00:15:22 |
'The corridor gave me the willies. |
00:15:25 |
'It was the kind of place |
00:15:30 |
'alone and broke.' |
00:15:34 |
Who is it? |
00:15:35 |
My name is Philip Marlowe. |
00:15:39 |
I'm not with the City, |
00:15:42 |
I'm not with any collection agency. |
00:15:45 |
I'm looking for a...Florian. You |
00:15:57 |
Come in. |
00:16:01 |
Thank you. |
00:16:04 |
- Please, sit down. |
00:16:06 |
The clerk tells me you used to have |
00:16:12 |
Yeah. Tommy Ray and the Sunrays. |
00:16:14 |
I had a couple of records. |
00:16:18 |
- What you play? |
00:16:22 |
This, um...Florian, |
00:16:25 |
Mike. |
00:16:27 |
- Know where I can find him? |
00:16:32 |
Was he married? |
00:16:33 |
Could be. |
00:16:35 |
Know where she lives? |
00:16:37 |
What's in it for you? |
00:16:39 |
- A job. |
00:16:41 |
A fellow's tryin' to find |
00:16:45 |
Remember her? She worked there too. |
00:16:47 |
I didn't know they had names. |
00:16:49 |
This, um...Mrs Florian |
00:16:54 |
Jessie. |
00:17:00 |
You...ah, don't know |
00:17:04 |
Couple of bucks in it. |
00:17:08 |
Well, if it comes back to you... |
00:17:12 |
You never know. |
00:17:14 |
So long. |
00:17:18 |
(Opens door) |
00:17:23 |
Mister! Mister! |
00:17:26 |
- Hey mister, my daddy wants you. |
00:17:30 |
- Are you a policeman? |
00:17:33 |
- No. I'm a baseball player. |
00:17:43 |
'Tommy Ray said she was listed under |
00:17:48 |
'Turned out she was living |
00:17:52 |
'with a dried-out brown lawn. |
00:17:55 |
'He told me a pint of bourbon |
00:17:59 |
'I wondered if I should add it |
00:18:09 |
(Dance-hall music) |
00:18:19 |
(Buzzer) |
00:18:24 |
Hello. Anybody home? |
00:18:32 |
Mrs Florian? |
00:18:34 |
Jessie Florian? |
00:18:40 |
Tommy Ray says you are. |
00:18:43 |
That a fact? You got a name? |
00:18:46 |
Oh. |
00:18:48 |
Marlowe. |
00:18:50 |
I'm a, ah...private detective. |
00:18:53 |
Can't be about Mike, he was put |
00:18:58 |
I feel like a fly out here. |
00:19:02 |
Come on in. |
00:19:15 |
I didn't have time |
00:19:19 |
(Music stops ) |
00:19:21 |
All the company I got. |
00:19:23 |
At least it doesn't give you |
00:19:26 |
Yeah. (Sniffs ) |
00:19:28 |
Well, Philip Marlowe, |
00:19:31 |
Come in. |
00:19:37 |
Tommy Ray still living |
00:19:40 |
with that nigger he married |
00:19:43 |
Yeah, same place. |
00:19:45 |
Just about ruined him |
00:19:49 |
He come to Mike's funeral. |
00:19:53 |
I'm looking for a girl. |
00:20:00 |
A hot day, huh? Funny, when I'm |
00:20:06 |
It just so happens I, ah... |
00:20:09 |
Ooh! Careful mister. |
00:20:11 |
Don't want to be dropping |
00:20:15 |
Why don't you, ah...step out |
00:20:19 |
- Take a load off your feet. |
00:20:23 |
Velma. You know, |
00:20:27 |
- Oh, yeah? |
00:20:29 |
Did a...song and dance act. |
00:20:37 |
That's how I met Mike. |
00:20:41 |
He had a nice place |
00:20:44 |
I sure miss the business. |
00:20:50 |
Anyway... |
00:20:51 |
Jessie Harry. |
00:20:54 |
That was my, ah... That was my name. |
00:20:59 |
I was good. |
00:21:05 |
Had an agent and everything. |
00:21:09 |
Hmm. |
00:21:15 |
Did you ever catch my act? |
00:21:18 |
No, I don't believe I ever did. |
00:21:21 |
(Starts humming) |
00:21:29 |
# I'm blue all day Monday |
00:21:33 |
# Thinkin' of you Sunday |
00:21:37 |
(Hums again ) |
00:21:38 |
# That's one day when I'm with you |
00:21:42 |
# It seems like I cried |
00:21:48 |
# I died all day Wednesday |
00:21:50 |
# Oh, my, how I long for you |
00:21:54 |
(Sniffling) |
00:21:55 |
# And then comes Thursday...# |
00:22:05 |
I was good, honest I was. |
00:22:08 |
I'm sure you were. |
00:22:11 |
Better than Velma. Maybe not as |
00:22:17 |
It's funny, |
00:22:18 |
she was the only tramp |
00:22:22 |
that he didn't use like a mattress. |
00:22:25 |
Oh? How come? |
00:22:27 |
I guess he was afraid. She had this |
00:22:31 |
Built like a beer truck - |
00:22:37 |
Hmm...I get it. |
00:22:41 |
He's out of the can |
00:22:45 |
You, ah...wouldn't have any idea |
00:22:53 |
But I can find out. |
00:22:55 |
If I like a guy, |
00:23:02 |
How about another drink? |
00:23:04 |
Sure. |
00:23:06 |
This stuff dies painless with me. |
00:23:10 |
You wouldn't happen to have a |
00:23:15 |
But Tommy Ray must have one. |
00:23:17 |
He didn't even know her name. |
00:23:20 |
Why would he say that? |
00:23:22 |
What was the name |
00:23:25 |
Crescent. |
00:23:30 |
(Dials phone number) |
00:23:35 |
Tommy Ray, please. |
00:23:38 |
Tommy! Jessie Florian. |
00:23:42 |
Oh, it's OK, it's OK. He's here. |
00:23:45 |
'It took her nearly ten minutes |
00:23:52 |
'Then I went back to Ray's hotel |
00:23:56 |
'that he'd held out on me.' |
00:23:59 |
Andrew, got that picture? |
00:24:15 |
'I figured there were plenty |
00:24:18 |
'who'd passed through Hollywood |
00:24:21 |
'Most of them had taken those pants |
00:24:26 |
'A friend who ran a club gave me an |
00:24:32 |
(Agent) Cute little redhead. |
00:24:36 |
I never forget a face. |
00:24:40 |
And generous with 'em. |
00:24:43 |
But it's not a Velma. |
00:24:45 |
It's a... |
00:24:47 |
Linda! Linda...Gilbert. |
00:24:52 |
What happened to her? |
00:24:54 |
Did a couple of Busby Berkeley |
00:24:59 |
But I really mean...ah, nuts. |
00:25:02 |
Where is she? |
00:25:04 |
Camarillo. |
00:25:07 |
May I? |
00:25:25 |
'Changing her name to Linda Gilbert |
00:25:29 |
'or keep her out of an asylum. |
00:25:32 |
'When I saw her I knew why |
00:25:37 |
'She wasn't getting in touch |
00:25:43 |
'I'd found Velma in only two days. |
00:25:48 |
'He'd now hit in 33 straight games. |
00:25:51 |
'Nine away from the consecutive |
00:25:54 |
Hi, Mr Marlowe. |
00:25:56 |
Kiss your five bucks goodbye, |
00:25:58 |
Di Maggio's going all the way. |
00:26:00 |
We'll see. He's got nine more games |
00:26:05 |
I know what pressure is, Mr Marlowe. |
00:26:10 |
So you better watch |
00:26:14 |
- What about this Hitler? |
00:26:17 |
- He invaded Russia. |
00:26:20 |
It's a lot easier |
00:26:26 |
Read all about it. |
00:26:32 |
'I was thinking |
00:26:35 |
'with my bank account |
00:26:38 |
'when I smelled my next client.' |
00:26:42 |
You're Philip Marlowe, |
00:26:44 |
Check. |
00:26:51 |
(Sniffs ) |
00:26:54 |
Come on in. |
00:27:00 |
You've been recommended to me |
00:27:02 |
as someone who can be trusted |
00:27:07 |
I'd like to discuss a matter. |
00:27:11 |
Sit down. |
00:27:14 |
Well, what's the problem? |
00:27:16 |
It's a...very slight matter. |
00:27:17 |
I'm meeting some men tonight |
00:27:22 |
Do you carry a gun? |
00:27:24 |
- Sometimes. |
00:27:26 |
I'd probably be better off going |
00:27:32 |
And I'll be carrying a... |
00:27:36 |
Yours? |
00:27:37 |
No. I'm acting for a friend. |
00:27:40 |
You want your hand holding? |
00:27:43 |
I don't like your manner. |
00:27:45 |
I get a lot of complaints |
00:27:51 |
I have to confess that...I picked |
00:27:56 |
Well, why didn't you take |
00:28:00 |
Or any that come before me? |
00:28:02 |
I liked your name best. |
00:28:07 |
(Sighs ) OK, go ahead. |
00:28:10 |
Have you heard of Fei Tsui jade? |
00:28:12 |
- No. |
00:28:17 |
A few nights ago, a friend |
00:28:21 |
and she was held up. |
00:28:24 |
- What's it worth? |
00:28:31 |
What's the plan? |
00:28:32 |
Go where I'm told, |
00:28:36 |
and receive the necklace back. |
00:28:38 |
How much? |
00:28:39 |
$15,000, that's why I decided |
00:28:43 |
And I'm willing to pay you |
00:28:47 |
Now, wait a minute, |
00:28:49 |
You want to go off |
00:28:53 |
There's only one problem. |
00:28:57 |
By now this thing's |
00:29:00 |
There's not much likelihood |
00:29:03 |
as long as you play ball. |
00:29:05 |
But I don't think they'll like |
00:29:09 |
one of us might get hurt. |
00:29:12 |
Not much I can do, Mr Marriott. |
00:29:14 |
However, I will take your $100 |
00:29:19 |
I'll carry the shopping money. |
00:29:21 |
That means you'll come. |
00:29:23 |
What the hell, |
00:29:26 |
Speaking of names, this friend |
00:29:30 |
I'd prefer not to mention it. |
00:29:32 |
- Meet me at Beach Road at eight. |
00:29:36 |
At eight, then. |
00:29:38 |
Hey! |
00:29:39 |
I like your name too. |
00:29:54 |
Been judging a flower show |
00:29:57 |
That the winning daffodil |
00:30:00 |
I'd a hunch you'd be around, |
00:30:03 |
You said Malloy would come see me |
00:30:07 |
Just pretend you're a detective |
00:30:11 |
Can we talk alone? |
00:30:14 |
I feel I should be |
00:30:17 |
I don't have to take |
00:30:21 |
Wait outside. Come on, wait outside! |
00:30:25 |
And don't steal the doorknobs. |
00:30:27 |
I need Malloy. I gotta bring him in. |
00:30:32 |
What happens if you don't? |
00:30:36 |
Why do you care about him? |
00:30:38 |
Since King Kong, I've been a sucker |
00:30:43 |
I'll nail you |
00:30:45 |
Aiding what? You've got a dead |
00:30:50 |
Who tried to kill Malloy? |
00:30:51 |
We're working on it. |
00:30:53 |
Who's in charge, Billy Rolfe? |
00:30:55 |
What's that mean? |
00:30:56 |
Malloy's girl is in the booby hatch. |
00:31:00 |
An ex-con kills a coloured fella in |
00:31:06 |
Suddenly you want to get him. |
00:31:10 |
I don't expect that crooked |
00:31:15 |
We're police |
00:31:18 |
We could take your license. |
00:31:20 |
I'll tie a string around my finger. |
00:31:23 |
Oh, jeez, Marlowe. |
00:31:25 |
Call me when he gets in touch. |
00:31:38 |
'I started to think of ways |
00:31:43 |
'but none of them were any good. |
00:31:46 |
'I forced myself to think |
00:31:49 |
'And I knew one thing: as soon as |
00:31:55 |
'you'd better take one along |
00:32:06 |
'I was having some Chinese food when |
00:32:14 |
You found my Velma yet? |
00:32:16 |
Yeah, I found her. |
00:32:20 |
Where is she? |
00:32:24 |
Moose, I'm sorry, |
00:32:27 |
She's dead? |
00:32:30 |
She might as well be. |
00:32:32 |
and she ain't coming out. |
00:32:34 |
- You're lying. |
00:32:38 |
It's somebody else. |
00:32:43 |
It's Velma. |
00:32:45 |
I told you it was somebody else. |
00:32:50 |
You mean that's not her? |
00:32:53 |
No more funny stuff, huh? |
00:32:55 |
Hey Moose, wait a minute... |
00:33:16 |
'Why had Tommy Ray given me a phoney |
00:33:21 |
He ain't been here all day. |
00:33:35 |
Is my daddy comin' back? |
00:33:54 |
'I was bailing out |
00:33:57 |
'but I couldn't get that kid's face |
00:34:02 |
'I stopped twice to find out |
00:34:06 |
'He hadn't.' |
00:34:31 |
Here's your fee |
00:34:35 |
Right. |
00:34:37 |
We're to make the exchange at the |
00:34:42 |
OK. |
00:34:44 |
You hop in the back. |
00:34:48 |
They may be watching all the way. |
00:34:51 |
This car sticks out like spats |
00:35:16 |
Well, there's the barrier. |
00:35:21 |
Aren't they here? |
00:35:23 |
Shh! Get down. Keep quiet. |
00:35:26 |
Looks like a try-out |
00:35:30 |
That can't be. |
00:35:31 |
- I'm going to take a look around. |
00:35:35 |
Don't you want your $100's worth? |
00:35:37 |
- They said stay near the car. |
00:35:49 |
(Rolling waves ) |
00:35:54 |
(Thump ) |
00:36:23 |
(Thump ) |
00:37:08 |
(Rolfe ) Why'd he come to you? |
00:37:10 |
He got my name |
00:37:13 |
- Think we believe that? |
00:37:16 |
They're free with bubble gum. |
00:37:18 |
You left your car on Beach Road? |
00:37:20 |
Why was it at Marriott's? |
00:37:22 |
- Obviously somebody drove it there. |
00:37:27 |
I bought Defence Bonds. |
00:37:29 |
Let's start again, huh? |
00:37:31 |
Why don't I make it easy on us |
00:37:36 |
This fairy hired me to exchange |
00:37:40 |
We drove to the woods, |
00:37:43 |
drove to his place, walked 15 miles |
00:37:48 |
and called the police. |
00:37:49 |
- We could book you now. |
00:37:52 |
What do you THINK happened? |
00:37:55 |
Marriott wanted the money and |
00:37:59 |
(Rolfe ) Yeah, then killed himself. |
00:38:02 |
He had an accomplice who was to |
00:38:07 |
Instead, he killed Marriott, |
00:38:08 |
not me, cos he figured |
00:38:13 |
It fits the facts. |
00:38:15 |
It's a theory, anyway. |
00:38:16 |
Lieutenant, |
00:38:19 |
Bring him in my office. |
00:38:38 |
You're in over your head |
00:38:41 |
Maybe so. If I am, what are you |
00:38:47 |
I don't think I can, Marlowe. |
00:38:51 |
You can go now. We'll find out more |
00:38:56 |
And forget about Malloy. |
00:38:58 |
What do you mean? |
00:39:00 |
He's lammed to Mexico. |
00:39:02 |
- Who says? |
00:39:04 |
Well, now... |
00:39:06 |
I said lay off the case! |
00:39:09 |
That's a little more like it. |
00:39:11 |
Right on the line. No more |
00:39:16 |
How come Nulty? Why? |
00:39:19 |
Get outta here, Marlowe. |
00:39:22 |
'It didn't matter you were going to |
00:39:27 |
'I still had a job to do. |
00:39:30 |
'Marriott hired me to protect him, |
00:39:33 |
'As far as I was concerned, |
00:39:38 |
'Most of the fences I knew |
00:39:40 |
'wanted to smell my breath |
00:39:44 |
'but one sent me |
00:39:54 |
(Speaks Chinese ) |
00:40:07 |
Yes? |
00:40:10 |
Fei Tsui jade. |
00:40:12 |
- You got? |
00:40:14 |
I no got. I want. |
00:40:17 |
- Everybody want. |
00:40:19 |
Only big collector got. |
00:40:22 |
- Who? |
00:40:27 |
Baxter Wilson Grayle? |
00:40:30 |
He got. |
00:40:34 |
Thanks. |
00:40:43 |
'Judge Baxter Wilson Grayle, |
00:40:46 |
'the most powerful political figure |
00:40:51 |
'His butler kept saying |
00:40:54 |
'until I said I was the last person |
00:40:59 |
'The house wasn't much, it was |
00:41:03 |
'and had fewer windows |
00:41:20 |
Mr Marlowe. Come this way, please. |
00:41:22 |
Thank you. |
00:41:25 |
Hello, Mr Marlowe. |
00:41:27 |
Hello. |
00:41:45 |
'Her hair was the colour of gold |
00:41:48 |
'She had a full set of curves which |
00:41:54 |
'She was giving me the kinda look |
00:42:00 |
This is my husband, |
00:42:03 |
Please sit down, Mr Marlowe. |
00:42:05 |
Mix Mr Marlowe a drink, Nelson. |
00:42:07 |
Yes, ma'am. |
00:42:10 |
- You're not what I expected. |
00:42:14 |
The last person to see poor Lindsay, |
00:42:19 |
- If you know what I mean. |
00:42:24 |
He had to ransom a Fei Tsui jade |
00:42:32 |
- Thank you. |
00:42:38 |
I'm a private detective. |
00:42:39 |
I understand you, ah...collect |
00:42:43 |
I have a very fine collection, |
00:42:47 |
(Marlowe ) He said |
00:42:52 |
I wonder what he had in mind. |
00:42:56 |
We only have one necklace. |
00:42:58 |
- Oh, priceless? |
00:43:04 |
You don't have to bother with this, |
00:43:09 |
I think I will go lie down a while. |
00:43:14 |
Glad to have met you, |
00:43:17 |
Thank you, sir. |
00:43:21 |
Mr Grayle hasn't been feeling well |
00:43:29 |
Hell, I like drinking. |
00:43:34 |
Was he an old friend, Mr Marriott? |
00:43:36 |
Sort of. |
00:43:40 |
He accompanied me places. |
00:43:47 |
Well, Lindsay had to tell me |
00:43:52 |
You're a very good-looking man |
00:43:57 |
Well, I hope |
00:44:01 |
Poor Lin. |
00:44:03 |
He was rather a heel, |
00:44:08 |
- Did you trust him? |
00:44:13 |
Why? |
00:44:15 |
I don't know, I trust some people. |
00:44:18 |
I trust you. |
00:44:20 |
Why don't you come here |
00:44:25 |
I've been thinking about that |
00:44:27 |
Ever since you first |
00:44:31 |
These damn things |
00:44:37 |
Do you do this sort of thing often? |
00:44:40 |
No, I'm usually pretty busy... |
00:44:42 |
at the monastery, praying |
00:44:47 |
How long did you know Marriott? |
00:44:49 |
Oh, years. I liked him. |
00:44:53 |
I'd like to know who killed him. |
00:44:56 |
Would you find out? |
00:44:59 |
I'll pay you, of course. A lot. |
00:45:02 |
- A lot? |
00:45:04 |
Marriott lived like he had a lot. He |
00:45:10 |
You're a little old-fashioned, |
00:45:16 |
Your name's Phil, isn't it? |
00:45:18 |
Philip, what's yours? |
00:45:20 |
Helen, kiss me. |
00:45:30 |
(Door opens ) |
00:45:40 |
Who was that? |
00:45:42 |
- That was Mr Grayle. |
00:45:45 |
I'm trying to. |
00:45:46 |
He understands. |
00:45:49 |
I know, he tires easily. |
00:45:51 |
I tell you, it's all right. |
00:45:55 |
You'd never know from the muscle |
00:45:59 |
That kind of muscle |
00:46:03 |
- Where can I call you? |
00:46:08 |
- What's wrong? |
00:46:11 |
Oh, jeez, you are old-fashioned, |
00:46:16 |
From the waist up. |
00:46:30 |
'After I'd parked my car |
00:46:34 |
'I realised |
00:46:37 |
'The Yankees were in Washington |
00:46:41 |
'DiMaggio would break the record |
00:46:45 |
'I couldn't wait |
00:46:51 |
Howdy. |
00:46:53 |
Howdy. |
00:46:56 |
'I thought I recognised the smile, |
00:46:58 |
'but I knew there was nothing |
00:47:21 |
'This phone kept ringing. |
00:47:25 |
'I prayed someone would answer it. |
00:47:27 |
'I didn't realise |
00:47:49 |
Where you want him? |
00:47:50 |
Sit him down, sit him over there. |
00:47:57 |
'I'd once seen a photo of Francis |
00:48:01 |
'And there she was...in the flesh.' |
00:48:04 |
Hey. Did I deliver, huh? |
00:48:10 |
Go on, honey. |
00:48:19 |
OK, girls. |
00:48:35 |
Nice to meet you, Mr Marlowe. |
00:48:40 |
Nice to have a night out |
00:48:43 |
Please, don't smoke, Mr Marlowe. |
00:48:54 |
Honey, go on to your room. |
00:49:00 |
I just wanna speak to Moose Malloy. |
00:49:09 |
I told you. I don't like smoke. |
00:49:13 |
Who told you to get up? |
00:49:21 |
I think you're a very stupid person. |
00:49:24 |
You look stupid, |
00:49:28 |
and you're on a stupid case. |
00:49:30 |
I get it, I'm stupid. |
00:49:46 |
You shouldn't have done that, |
00:50:04 |
(Evil cackling) |
00:50:15 |
(Cackling echoes ) |
00:50:35 |
'The room was full of smoke. |
00:50:37 |
'The smoke hung straight up |
00:50:41 |
'Straight up and down like a curtain |
00:50:45 |
'It didn't dissolve, didn't float |
00:50:49 |
'It was a grey web, |
00:50:53 |
'I wondered how they'd got them |
00:50:57 |
'''OK, Marlowe'', I said. ''You're |
00:51:04 |
'''190 pounds stripped |
00:51:07 |
'''Hard muscles and no glass jaw. |
00:51:11 |
'''You've been sat down twice. |
00:51:13 |
'''You've been shot full of hop |
00:51:16 |
'''until you're as crazy |
00:51:18 |
'''Now what does all that amount to? |
00:51:22 |
'''Now let's see you do something |
00:51:33 |
'I crawled along the floor, |
00:51:36 |
'''How the hell |
00:51:41 |
'I sensed somebody else in the room. |
00:51:54 |
'I wished it was part |
00:51:59 |
'It was Tommy Ray. |
00:52:08 |
'I was torn between |
00:52:11 |
'and wanting to lie down on the bed. |
00:52:14 |
'It was a lovely bed. |
00:52:18 |
'It was the most |
00:52:21 |
'They'd got it from Carole Lombard. |
00:52:28 |
'I was still fighting it, |
00:52:32 |
'Then some footsteps I heard |
00:52:36 |
'I had to get back into bed, |
00:52:40 |
'I decided to play dead. I didn't |
00:52:47 |
(Keys rattle ) |
00:52:54 |
Come on, hillbilly, rise and shine. |
00:52:57 |
Come on, Amthor wants you. |
00:53:06 |
Hey, you ain't croaked, are you? |
00:53:19 |
'If I had any sense, I would've |
00:53:24 |
'But sometimes I'm short on sense. |
00:53:27 |
'All I could think of was |
00:53:36 |
'It was an old house, |
00:53:38 |
'built as they don't build them |
00:53:41 |
'Fitting and proper |
00:54:01 |
(Sobbing) |
00:54:18 |
(Girl laughs ) |
00:54:36 |
Uh-huh. No, no. |
00:54:38 |
That buzzer's no good tonight. |
00:54:42 |
You've been a very sick man, sir. |
00:54:45 |
I can't recommend you |
00:54:48 |
I may look sick, |
00:54:52 |
I'm in a rare mood tonight. |
00:54:54 |
I can hear the banshees calling. |
00:55:02 |
Whisky? |
00:55:12 |
Nah, you first. |
00:55:16 |
To your health, sir. |
00:55:26 |
I had a nightmare. |
00:55:28 |
Silly idea, I dreamt I was shot full |
00:55:35 |
They knocked me on the head |
00:55:37 |
and took me some place |
00:55:41 |
I vaguely remember somebody |
00:55:48 |
You were saying? |
00:55:49 |
I made no remark. |
00:55:50 |
What's so important about Malloy? |
00:55:56 |
Why was Marriott killed? |
00:56:01 |
What's the matter? |
00:56:04 |
What the hell is it about Malloy? |
00:56:08 |
Look, this is a gun. |
00:56:10 |
(Laughs ) |
00:56:12 |
When you got a gun on you, you're |
00:56:17 |
Not when you're |
00:56:20 |
(Evil laugh) |
00:56:23 |
What is it? What? |
00:56:27 |
Johnny's with your Doris. |
00:56:31 |
Wait a minute, |
00:56:40 |
You goddamned tramp! |
00:56:44 |
(Girl screams ) |
00:56:45 |
What have you done to me! |
00:56:57 |
(Doris screaming) |
00:57:03 |
(Girl) Move it, move it. Let's go! |
00:57:22 |
'I had only one place to go, Nulty. |
00:57:25 |
'And I prayed to God |
00:57:29 |
(Knocking) |
00:57:32 |
(Marlowe knocks ) Georgie! |
00:57:39 |
Jeez! |
00:57:41 |
You look like you went 10 rounds |
00:57:46 |
- Did DiMaggio do it? |
00:58:11 |
Thanks, Georgie. |
00:58:28 |
Ha! Ha! |
00:58:31 |
Thanks, Georgie. |
00:58:32 |
So long, Mr Marlowe. |
00:58:46 |
'I went back to my office |
00:58:50 |
'after the toughest |
00:58:53 |
'telling Tommy Ray's wife |
00:58:56 |
'and the kid |
00:58:59 |
'But DiMaggio was still going |
00:59:04 |
'Would he hit safely in every game |
00:59:08 |
'And why not? He was only 26 and |
00:59:14 |
'He heard little boys cheer... |
00:59:24 |
(Phone rings ) |
00:59:26 |
Hello. |
00:59:28 |
It's me. |
00:59:29 |
I began to think you'd won |
00:59:34 |
Ha! What else were you thinking? |
00:59:37 |
- Thinking about tonight. |
00:59:40 |
The White Orchid. There's a |
00:59:44 |
This is an election year. |
00:59:46 |
I can't very well get out of it. |
00:59:49 |
Why don't you meet me there |
00:59:53 |
You're on. Nine o'clock. Bye. |
01:00:04 |
(Slow cabaret music) |
01:00:24 |
(Inaudible ) |
01:00:51 |
A bourbon on the rocks |
01:00:58 |
You're right on time. |
01:01:00 |
Your husband has a lot of friends. |
01:01:02 |
Well, everyone in politics does... |
01:01:10 |
What about Burnette? |
01:01:14 |
Friend. |
01:01:17 |
He owns this club. |
01:01:19 |
- Do you know Laird? |
01:01:21 |
A lot of us in the DA's office |
01:01:26 |
- And the DA? |
01:01:30 |
How did you meet? |
01:01:31 |
He owns a top-rate gambling boat |
01:01:35 |
I think Baxter helped him straighten |
01:01:41 |
Mr Burnette would like a word with |
01:01:47 |
Go on, Philip. I'll be back. |
01:01:58 |
Nice to see you, Marlowe. |
01:02:02 |
You're cute, too. |
01:02:03 |
We go back a long way. To the time |
01:02:08 |
- I still do. |
01:02:11 |
All I do is run towns, elect judges |
01:02:17 |
peddle dope, |
01:02:20 |
Well, you're mixing with some |
01:02:24 |
Well, yeah... |
01:02:28 |
You're the first guy I've seen with |
01:02:33 |
About that guy, Marriott, |
01:02:37 |
She's the one who gambles, |
01:02:40 |
OK, what's so important? |
01:02:42 |
I need a little help. You ever |
01:02:47 |
There's always one question. |
01:02:49 |
Fine. |
01:02:51 |
Two grand. |
01:02:53 |
Two grand! What for? |
01:02:55 |
I wanna talk to Moose Malloy. |
01:02:58 |
Hah! I don't blame you. |
01:03:03 |
What's the matter? |
01:03:05 |
No. The police can't either. |
01:03:09 |
That's how I know |
01:03:12 |
I've only seen him twice. |
01:03:14 |
That's more than anybody else. |
01:03:16 |
Two thousand dollars? |
01:03:22 |
If you're worried about his health, |
01:03:26 |
How nice. As a mediator, |
01:03:44 |
Buy yourself a new suit, Marlowe. |
01:03:51 |
- Mrs Grayle. |
01:03:54 |
I'll be on my boat. |
01:03:56 |
- I'll see you... |
01:04:11 |
Where to? |
01:04:12 |
- To my place? |
01:04:15 |
We've got everything |
01:04:28 |
'She was incredibly beautiful. |
01:04:32 |
'really something. |
01:04:47 |
'I had no intention of letting Moose |
01:04:51 |
'but there was something going on. |
01:04:54 |
'Taking the money was |
01:05:00 |
(Gunshot) |
01:05:02 |
(Squealing tyres and another shot) |
01:05:14 |
'Two close misses. |
01:05:18 |
'Good enough to hit... |
01:05:22 |
'Somebody put a show on for me. |
01:05:25 |
'Why? |
01:05:29 |
'My car was being fixed when |
01:05:34 |
'It was Sunday and I'd been hanging |
01:05:38 |
'I suggested we talk |
01:05:42 |
'You can't pour bourbon |
01:05:44 |
Thanks. |
01:05:52 |
Where you been? I've been |
01:05:57 |
I've been sick. |
01:06:01 |
In a hospital?. |
01:06:02 |
Yeah. Pet hospital. |
01:06:12 |
Hey, take it easy on me, will you? |
01:06:24 |
Your friend, ah...Tommy Ray... |
01:06:32 |
What?! My God! |
01:06:36 |
Why? |
01:06:37 |
You know...he gave me |
01:06:42 |
I been in touch with Velma. |
01:06:44 |
How'd you find her? |
01:06:47 |
Through the grapevine. |
01:06:48 |
Sure it was her? |
01:06:50 |
Honey, I never forget a voice. |
01:06:52 |
OK, the next time you talk... |
01:06:55 |
She won't talk to no one but Moose. |
01:06:58 |
I'd like to talk to him. |
01:07:01 |
What'll I tell her? |
01:07:03 |
(Sighs ) She call every day? |
01:07:06 |
Same time? |
01:07:08 |
Don't let on to the Moose |
01:07:13 |
No, no. Look... |
01:07:16 |
the next time he gets in touch, |
01:07:21 |
So she can call him direct, right? |
01:07:25 |
- Don't go so soon. |
01:07:29 |
Let me have a rain check. |
01:07:35 |
'I was followed for the next couple |
01:07:40 |
'I knew I was safe |
01:07:44 |
'As long as he breathed, |
01:07:46 |
Hey, Georgie. Keep an eye on that |
01:08:01 |
(Ringing, door slams ) |
01:08:04 |
- Hello? |
01:08:08 |
Remember(? ) Yeah, somewhat(!) |
01:08:11 |
Where you been hiding? |
01:08:13 |
Where nobody found me. |
01:08:14 |
Those are the best places. |
01:08:19 |
You found my Velma? |
01:08:21 |
Almost... She'll only talk to you. |
01:08:26 |
Where? |
01:08:27 |
I could come to you. |
01:08:29 |
I wouldn't like that. |
01:08:31 |
Well... OK, I'll think of something. |
01:08:33 |
Listen, how well do you know |
01:08:37 |
Never heard of him. |
01:08:39 |
How about Baxter Wilson Grayle? |
01:08:41 |
- How many people is that? |
01:08:44 |
I never heard of him. |
01:08:46 |
I just thought of a place. |
01:08:49 |
'I called Mrs Florian, |
01:08:51 |
'now it was up to Velma. |
01:08:53 |
'I had lots of questions for Moose, |
01:08:59 |
Why don't she call?. |
01:09:03 |
How the hell do I know? |
01:09:06 |
You said my Velma would call. |
01:09:09 |
I've been slapped, scratched, |
01:09:11 |
drugged and shot at |
01:09:14 |
so quit tryin' to make a milkshake |
01:09:18 |
Stop it! |
01:09:20 |
(Phone ) |
01:09:28 |
Hello? |
01:09:30 |
'It only took a second |
01:09:33 |
'you could see the seven years |
01:09:37 |
Hiya, babe. |
01:09:40 |
(Sighs ) It's been a long time. |
01:09:47 |
15 minutes. |
01:09:53 |
I got it. |
01:09:57 |
Yeah. |
01:10:08 |
Here. |
01:10:11 |
Pay me back when you can. |
01:10:13 |
Come on, I'll drop you off. |
01:10:16 |
Thanks. |
01:10:18 |
See you later, Georgie. |
01:10:20 |
So long, Mr Marlowe. |
01:10:29 |
'It was one of those |
01:10:32 |
'something between |
01:10:36 |
'I felt like seeing Velma myself, |
01:10:38 |
'but this was |
01:10:42 |
'and three would be a crowd. |
01:11:02 |
'If ever anything didn't belong... |
01:11:05 |
'that car in the alley was it.' |
01:11:10 |
(Marlowe ) Moose! Get down! |
01:11:29 |
Phew! |
01:11:31 |
'I'd hit them, but I didn't know |
01:11:36 |
'But that didn't stop Moose. |
01:11:51 |
You were set up, Moose. |
01:11:55 |
She said she'd be here. |
01:11:57 |
Who's tryin' to get to you, Moose? |
01:12:01 |
Was there somebody else |
01:12:03 |
Are they tryin' to shut you up, |
01:12:06 |
They must have my Velma somewhere. |
01:12:09 |
Who? Moose, tell me, WHO? |
01:12:12 |
'He showed his appreciation |
01:12:33 |
Supposed to call me |
01:12:37 |
The Commissioner told me |
01:12:39 |
Don't be such a wise-ass. We could |
01:12:44 |
Recognise him? |
01:12:45 |
No, why don't you ask Marlowe? |
01:12:48 |
I bet there's not a state |
01:12:51 |
You're like a slot machine, Marlowe. |
01:12:56 |
What's his girl's name? |
01:12:57 |
- Velma. |
01:13:00 |
- Could be. |
01:13:04 |
Come on. |
01:13:11 |
(Dancehall music) |
01:13:21 |
(Music blares ) |
01:13:25 |
Jessie? |
01:13:37 |
Jessie? |
01:14:06 |
(Music stops ) |
01:14:44 |
(Nulty ) Jesus, what a way to live. |
01:14:47 |
Maybe she beat it. |
01:14:50 |
This is the kind of place |
01:14:55 |
This is all she's got. |
01:15:24 |
(Nulty ) Look at those neck bruises. |
01:15:26 |
You look at 'em. |
01:15:30 |
Jeez, what a way to die. |
01:16:06 |
Marlowe. |
01:16:09 |
Marlowe! |
01:16:22 |
This card which you found |
01:16:25 |
It's the same one |
01:16:28 |
Then they knew each other. |
01:16:30 |
Moose got in touch last night. He's |
01:16:35 |
- You get anything from him? |
01:16:39 |
I figure they called Mrs Florian |
01:16:43 |
Who are they? |
01:16:44 |
Whoever THEY are, they knew he'd go |
01:16:49 |
So they gave her a new radio, |
01:16:54 |
They asked her to call |
01:16:57 |
Only I showed up instead. |
01:16:59 |
(Sighs ) But... |
01:17:06 |
They got Tommy Ray to give me |
01:17:11 |
They got Velma to call Moose. |
01:17:13 |
They might've been holding Velma |
01:17:16 |
Why? |
01:17:18 |
You don't think anybody else's voice |
01:17:23 |
That was the end |
01:17:26 |
Probably Velma herself's |
01:17:30 |
Why are you telling me all this? |
01:17:32 |
Because I'm going out on that boat |
01:17:35 |
I don't think I'm coming back alive |
01:17:39 |
If I went on that boat |
01:17:42 |
At least you're honest about it. |
01:17:45 |
I'm supposed to bring you in! |
01:17:50 |
I'd be sticking my neck WAY out. |
01:17:53 |
Thanks, Nulty, but that's not what I |
01:17:58 |
I need a lotta life insurance, |
01:18:01 |
I need a vacation! I'm tired! |
01:18:06 |
I've got a hat, |
01:18:09 |
We've known each other |
01:18:12 |
You've got to let me go or Tommy |
01:18:18 |
for letting them kill his old man. |
01:18:20 |
He will, you know. |
01:18:22 |
Does Burnette know you're coming? |
01:18:24 |
Not unless you tell him. |
01:18:29 |
Give me five minutes to start back |
01:18:35 |
Hey, Nulty, |
01:18:38 |
- Thanks. |
01:18:47 |
'I had Moose meet me |
01:18:52 |
'Then we went to meet Georgie |
01:18:56 |
I think I found a boat for you. |
01:19:03 |
I didn't tell 'em anything, |
01:19:08 |
Where's the boat, Georgie? |
01:19:09 |
Out there. |
01:19:22 |
Can you get us aboard the Lido? |
01:19:24 |
The water taxis will take you. |
01:19:27 |
I don't like taxis. |
01:19:28 |
I'll take you |
01:19:31 |
How much is the reason? |
01:19:32 |
$50, $10 extra |
01:19:39 |
25? |
01:19:43 |
See you later, Georgie. |
01:19:45 |
Let's go. |
01:20:16 |
'Marriott dead, Mrs Florian dead, |
01:20:21 |
'Only Burnette, with his $2,000 |
01:20:26 |
'The answer had to be on that boat.' |
01:20:39 |
Turn around, |
01:20:42 |
Pull over, Hank. Stop the car. |
01:20:44 |
(Rolfe ) Are you crazy? |
01:20:46 |
Seven people are dead, Rolfe, SEVEN! |
01:20:51 |
You're talkin' about Burnette's |
01:20:54 |
- Marlowe's not worth... |
01:20:57 |
Missing our weekly pick-up? |
01:21:01 |
Your father, mother, wife or kids? |
01:21:06 |
Look, I'm outta here. You've got |
01:21:15 |
Anybody else want to get out? |
01:21:22 |
Don't try to warn anyone. If you do |
01:21:30 |
Come on, Hank. Turn on that siren. |
01:21:35 |
(Siren and squeal of tyres ) |
01:22:12 |
What are you doing down here? |
01:22:33 |
(Jazz plays in distance ) |
01:22:56 |
(Groans ) |
01:23:00 |
Ahh! |
01:23:05 |
You gonna take us to Burnette now? |
01:23:07 |
Burnette's in San Diego. |
01:23:09 |
Whoa! |
01:23:11 |
Now would you take us? |
01:23:13 |
OK, put me down, I'll take you. |
01:23:20 |
(Jazz plays ) |
01:23:51 |
Tell him to open the door. |
01:23:53 |
Hey, boss, it's me, Nick, open up. |
01:23:57 |
Boss? |
01:23:59 |
Are you in there, boss? |
01:24:01 |
No. I fell overboard. |
01:24:04 |
It's me, Nicky! |
01:24:06 |
It's important. |
01:24:08 |
What's so important? |
01:24:10 |
Ahh! |
01:24:19 |
Just keep the body |
01:24:23 |
You want to see me? |
01:24:24 |
What do you have in mind, Burnette? |
01:24:29 |
Or tell him why you tried to drill |
01:24:34 |
- You know where Velma is? |
01:24:37 |
I'd stop lyin'. |
01:24:39 |
Keep away from me, Marlowe. |
01:24:41 |
You'd better start talkin', fast. |
01:24:48 |
You can come out now, Mrs Grayle, |
01:24:54 |
Helen, come on out. |
01:24:57 |
Come on out, Helen. |
01:25:01 |
(Door) |
01:25:10 |
Hi, babe. Long time no see. |
01:25:21 |
(Sighs ) You're looking great, babe. |
01:25:24 |
Hello, Moose. |
01:25:27 |
Well, hooray (!) |
01:25:29 |
Now it all makes sense, everything. |
01:25:32 |
Velma from the gutter, |
01:25:35 |
Take away his gun, |
01:25:38 |
(Marlowe ) Don't you understand? |
01:25:40 |
Prostitute marries |
01:25:42 |
Knows nothing about her background, |
01:25:47 |
and let her boyfriend take the rap. |
01:25:50 |
I've got the eighty thousand, |
01:25:53 |
She's lying, Moose. She and Burnette |
01:25:58 |
Only two other people knew who she |
01:26:02 |
They're both dead. |
01:26:03 |
Amthor told Burnette |
01:26:07 |
that was enough. |
01:26:08 |
Everything was hunky-dory, |
01:26:10 |
Take his gun, honey. |
01:26:12 |
After they'd missed |
01:26:15 |
Hold it right there, Moose. |
01:26:17 |
They sent me and Marriott |
01:26:21 |
and killed him |
01:26:25 |
Shut him up, Moose. |
01:26:28 |
Moose, even a band leader |
01:26:31 |
a friend of hers, he got wiped out! |
01:26:34 |
Don't you see, Moose? |
01:26:42 |
(Gunshots ) |
01:26:47 |
Why? |
01:26:53 |
OK, dragon-lady, who's next? |
01:26:57 |
(Knocking) |
01:26:58 |
Hey, boss, are you in there? |
01:27:07 |
(Knocking) |
01:27:13 |
It's me, Mickey and the boys. |
01:27:18 |
You OK, boss? |
01:27:20 |
You'll never get off |
01:27:23 |
Hold it, police! |
01:27:39 |
Open up, Marlowe. It's me, Nulty. |
01:27:41 |
'Moose never would've hurt her. |
01:27:43 |
'It didn't matter to him |
01:27:47 |
'It didn't matter that she turned |
01:27:51 |
'The big lug loved her. |
01:27:53 |
'And if he was still alive, |
01:27:56 |
'it wouldn't matter that she'd |
01:28:00 |
'What a world.' |
01:28:01 |
(Nulty knocking) Come on, Marlowe, |
01:28:07 |
Let him in. |
01:28:13 |
(Door) |
01:28:16 |
You're a hero, Nulty. Headlines. |
01:28:18 |
This is no misdemeanour, |
01:28:21 |
You'll probably wind up |
01:28:23 |
What happened? |
01:28:25 |
Let him tell you, I'm too tired. |
01:29:01 |
'Bagby and Smith, |
01:29:03 |
'a couple of run-of-the-mill |
01:29:07 |
'Maybe they had a little extra last |
01:29:15 |
'I had two grand inside my breast |
01:29:20 |
'And I knew just the place.' |
01:31:11 |
DVD Subtitles |