Fei ying gai wak Armour Of God 2 Operation Condor
|
00:01:05 |
Damn it |
00:03:13 |
Just looking. I will put it |
00:03:20 |
Giving it to me? |
00:03:23 |
This is for me? |
00:03:31 |
Really? |
00:03:33 |
Thank you. |
00:03:38 |
And this too? O.K. |
00:04:02 |
Keep it for yourself. |
00:04:08 |
Look Water bags |
00:04:24 |
Used in saving lives. |
00:04:41 |
You've stolen the gems. Why |
00:04:47 |
This is holy water? |
00:04:48 |
Do you know what the result |
00:04:51 |
It can't be poisonous, can |
00:04:53 |
Not poison. But one has to |
00:04:58 |
Drinking the water is more |
00:05:00 |
I was stronger than you. |
00:05:06 |
Don't run away. You're |
00:05:10 |
Grab him. Grab him back |
00:05:23 |
Happy New Year |
00:06:05 |
Bye bye. |
00:06:58 |
The gems are here. |
00:07:08 |
Lead me to safety and the |
00:07:15 |
All efforts were in vain. |
00:07:38 |
Seems it's the end of the |
00:08:38 |
Please help yourself. |
00:08:39 |
Japanese? |
00:08:40 |
Right. |
00:08:41 |
Sir, can I ask you a favor? |
00:08:44 |
Sure, I'll buy one. |
00:08:47 |
Not that. I want to go to |
00:08:50 |
Will you keep an eye on it? |
00:08:52 |
Sure, go ahead. |
00:08:54 |
Thanks. Won't be long. |
00:09:10 |
Miss, please feel free. |
00:09:13 |
Interesting dolls. Are they |
00:09:15 |
Africa? Thought they were |
00:09:17 |
You sell them yet don't |
00:09:20 |
Price? |
00:09:22 |
1000 pesetas. |
00:09:25 |
500. |
00:09:27 |
Rather cheap |
00:09:29 |
He's holding the doll. Must |
00:09:35 |
Not that. The money is odd. |
00:09:39 |
- Thanks. |
00:09:44 |
Robbery |
00:09:47 |
Forcing people to change |
00:09:49 |
We're using the official |
00:09:50 |
I don't want to change with |
00:09:52 |
This banknote seems all |
00:09:53 |
Follow her. |
00:09:57 |
Return it to me. |
00:09:58 |
All right. Here you are. |
00:09:59 |
Go. |
00:10:00 |
One for two. Not a bad deal. |
00:10:02 |
Thank you. |
00:10:03 |
I did some business for you. |
00:10:04 |
So much. The half sheet is? |
00:10:06 |
The man said he had no |
00:10:08 |
Sold how many? |
00:10:11 |
Sold the one here. |
00:10:12 |
Thanks. |
00:10:13 |
Where did the dolls come |
00:10:15 |
I asked a friend to make |
00:10:16 |
I want this one. |
00:10:22 |
Sorry, I have to go now. |
00:10:25 |
With my compliments. |
00:10:27 |
Thank you. |
00:10:33 |
Stealing cars? |
00:10:42 |
Stop |
00:10:44 |
Stop fighting |
00:10:45 |
Condor, the Baron sent me. |
00:10:58 |
How are you, Baron? |
00:10:59 |
Welcome, Jackie. |
00:11:00 |
Isn't the Amazon River |
00:11:02 |
Not bad, the people are |
00:11:04 |
Nice people are welcomed |
00:11:09 |
You didn't invite me here |
00:11:12 |
Do you know much about World |
00:11:17 |
I only know that there |
00:11:21 |
In the later stages of the |
00:11:23 |
when Germany's African |
00:11:26 |
an order went to an army |
00:11:29 |
to bury all the gold |
00:11:33 |
in a secret African base. |
00:11:36 |
The mission fell in Count |
00:11:39 |
He ordered his aide and 18 |
00:11:42 |
to execute the order. |
00:11:45 |
But when the job was done, |
00:11:49 |
the aide and 18 guards all |
00:11:51 |
What has that got to do |
00:11:52 |
The UN has commissioned me |
00:11:56 |
Since it was looted from |
00:12:00 |
there are bound to be |
00:12:04 |
I deemed it best to have an |
00:12:10 |
to carry out the job |
00:12:13 |
So here you are. |
00:12:16 |
Let me make the |
00:12:18 |
Col. Bart. This is Condor. |
00:12:20 |
Glad to know you. |
00:12:21 |
Lt. Col. Banner. |
00:12:22 |
Glad to know you. |
00:12:24 |
This is Ada. |
00:12:26 |
How do you do? |
00:12:28 |
Ada is Professor Pautz's |
00:12:30 |
She's familiar with the |
00:12:32 |
Surely she'll lead you to |
00:12:36 |
Are you saying she is to |
00:12:38 |
You don't seem to have |
00:12:40 |
That's not what I meant. |
00:12:41 |
I plan for the worst but |
00:12:43 |
Homework, plans and |
00:12:46 |
plus ability to play by ear. |
00:12:47 |
I am glad to work with |
00:12:50 |
You are made to compliment |
00:12:53 |
Col. Bart, show the Condor |
00:12:56 |
The Baron will keep the key. |
00:13:02 |
Is the gold still there, |
00:13:06 |
The key has been with the |
00:13:08 |
No one could have made an |
00:13:10 |
The robbers didn't need keys |
00:13:11 |
The site is top secret, |
00:13:14 |
out of reach to most people. |
00:13:17 |
I've another question. |
00:13:19 |
Yes? |
00:13:22 |
This job is for me and the |
00:13:23 |
Is case of dispute, whose |
00:13:26 |
Your suggestion? |
00:13:29 |
Anything goes. |
00:13:31 |
Then I'll make the decision. |
00:13:33 |
All right. |
00:13:34 |
10 a.m. Tomorrow. At the |
00:13:35 |
Tomorrow I want to go... |
00:13:37 |
Wait for my decision. |
00:13:38 |
Tomorrow morning at 10. |
00:13:40 |
There's something else to |
00:13:41 |
All right. |
00:13:43 |
See you when we start... |
00:13:45 |
All right. |
00:13:46 |
See you tomorrow. |
00:13:47 |
Bye. |
00:13:49 |
I've prepared all the data. |
00:13:51 |
An occasional setback is |
00:13:54 |
I agree. |
00:13:57 |
What do you know about |
00:13:59 |
There's a lot of sand. |
00:14:00 |
Wrong. Sand covers only |
00:14:01 |
of the Sahara Desert's |
00:14:02 |
The daytime temperature |
00:14:05 |
but at night it could be -5 |
00:14:07 |
There is no rainfall for |
00:14:09 |
A man can survive 7 days |
00:14:11 |
if he takes no |
00:14:13 |
But he dies in two days |
00:14:17 |
Are you listening? |
00:14:20 |
Sure, I was just looking at |
00:14:23 |
He is the aide in charge of |
00:14:27 |
He should have some |
00:14:31 |
who live around here, |
00:14:34 |
What are you doing? |
00:14:36 |
I'll look him up. |
00:14:37 |
No use. Bonn sent people |
00:14:39 |
but found nothing. |
00:14:41 |
End of today's geography |
00:14:47 |
Don't leave. We haven't |
00:16:31 |
Oh, it's her |
00:17:01 |
Give it a try. |
00:17:48 |
Who are you? |
00:17:49 |
Get away Get away |
00:17:58 |
Help |
00:18:01 |
Don't be afraid. Be quiet, |
00:18:03 |
What do you want? I can |
00:18:07 |
Don't worry, I'm not after |
00:18:09 |
I've come for... |
00:18:14 |
Don't be afraid, I'll help |
00:18:21 |
Who are you? |
00:18:22 |
Who are you? |
00:18:23 |
I am asking you. |
00:18:24 |
Me? I'm here to save you. |
00:18:26 |
Who are you exactly? |
00:18:27 |
Let me ask him. |
00:18:29 |
Who are you? |
00:18:34 |
Freeze or I'll shoot. |
00:18:35 |
Who we are isn't important, |
00:18:36 |
You came from the mall till |
00:18:39 |
Ask her. |
00:18:42 |
So, you're those constantly |
00:18:45 |
You're Hans, the aide's |
00:18:48 |
If you don't tell us where |
00:18:51 |
No, I'm against violence. |
00:18:54 |
We must use violence |
00:18:56 |
to remind the world |
00:18:59 |
If we use violence, |
00:19:00 |
people will call us |
00:19:02 |
Shut up |
00:19:04 |
Don't quarrel before others. |
00:19:07 |
Tell us quickly, where the |
00:19:10 |
Or we kill your boyfriend. |
00:19:12 |
He's not my boyfriend. |
00:19:13 |
Right, I'm not her boyfriend |
00:19:15 |
It's none of my business. |
00:19:18 |
Stop, then why are you here? |
00:19:24 |
I was looking for a house |
00:19:27 |
Then I heard some noise in |
00:19:30 |
So I took a look. |
00:19:31 |
I saw everything. |
00:19:33 |
I am sorry. |
00:19:33 |
You want to see? |
00:19:49 |
Don't move |
00:19:52 |
How many are in your |
00:19:54 |
What's your plan to get the |
00:19:56 |
We won't tell |
00:19:57 |
We'd rather die than talk. |
00:19:59 |
God is with us. |
00:20:04 |
We shall overcome |
00:20:11 |
Keep it for later use. |
00:20:14 |
Go away. |
00:20:17 |
Stop disturbing this lady. |
00:20:19 |
We won't give up. |
00:20:20 |
Justice is with us. |
00:20:24 |
Besides taking of my towel, |
00:20:29 |
One goes for efficiency. |
00:20:45 |
Morning, Mr. Anderson. |
00:20:48 |
Good morning. |
00:20:49 |
My friend says you're |
00:20:52 |
Please look at this key. |
00:20:54 |
All right, let me see. |
00:20:59 |
This key is in three parts. |
00:21:01 |
Some links are insulated. |
00:21:04 |
That is, it could touch off |
00:21:08 |
This knob is designed for a |
00:21:12 |
Some mechanisms inside? |
00:21:13 |
It must be accompanied by a |
00:21:15 |
which may be changed after |
00:21:19 |
So the code is known to the |
00:21:22 |
Come to me when you fail to |
00:21:23 |
Fine, thank you. |
00:21:31 |
You two... |
00:21:36 |
Why are you following me? |
00:21:46 |
Give me everything in the |
00:21:51 |
Not these, the key. |
00:22:27 |
Make way. |
00:22:28 |
It's him. |
00:22:40 |
Get him. |
00:23:03 |
That way |
00:23:07 |
Make way |
00:23:17 |
Be careful, the painting is |
00:23:21 |
Careful, it's for an |
00:23:25 |
My painting |
00:23:26 |
Damn, how do I explain it? |
00:23:40 |
Why are you stealing my |
00:23:45 |
You bastard |
00:23:48 |
One more photo. |
00:23:53 |
Make way. |
00:23:54 |
It's dangerous. |
00:23:58 |
Up front. |
00:24:12 |
My baby |
00:24:13 |
Let me go. I must rescue my |
00:24:16 |
Help Help |
00:24:24 |
My baby |
00:24:25 |
Don't go over there |
00:24:45 |
Your baby. |
00:24:49 |
My baby. |
00:25:06 |
Over there. |
00:25:39 |
Ram him to death |
00:25:51 |
Stop him. |
00:26:22 |
We won't let you go |
00:26:32 |
Your reward is 1%% % of the |
00:26:35 |
So little? |
00:26:37 |
Not little at all. |
00:26:37 |
There are 240 tons |
00:26:39 |
1%% % is 2.4 tons. |
00:26:42 |
But one must come out alive |
00:26:44 |
They are plainly out to |
00:26:46 |
Your previous enemy? |
00:26:47 |
No, they insisted on |
00:26:51 |
I didn't invite you here to |
00:26:58 |
Just a second. |
00:27:02 |
Any new information for me? |
00:27:03 |
I've thought it over. I go |
00:27:06 |
This is...? |
00:27:07 |
Grand-daughter of the |
00:27:09 |
A beautiful lady. |
00:27:10 |
How are you? |
00:27:11 |
I want to find out how |
00:27:14 |
Let me go with you, please? |
00:27:17 |
Absolutely no problem. |
00:27:18 |
I don't think so. |
00:27:19 |
That's not a 7-day tour of |
00:27:22 |
And she's so close to the |
00:27:25 |
I don't think grandfather |
00:27:29 |
I want to prove it. Take me |
00:27:32 |
Let me take charge of her. |
00:27:33 |
You agreed I've the final |
00:27:37 |
Ada, she may be of great |
00:27:42 |
I'll decide on that. You go |
00:27:44 |
Very well. |
00:27:47 |
Thank you. |
00:27:48 |
I'll leave the car here. |
00:27:49 |
Bye-bye. |
00:27:51 |
Thanks. |
00:27:53 |
Wish you good luck, bye. |
00:27:59 |
Bye -bye. |
00:28:00 |
Bye -bye. |
00:29:39 |
The gods welcome you |
00:29:41 |
Thanks to your god |
00:29:46 |
Is dinner any good? |
00:29:49 |
You came to Sahara to look |
00:29:51 |
Do we look like that type? |
00:29:52 |
We've never heard of it. |
00:29:56 |
Please take your time. |
00:29:58 |
Everybody in the desert |
00:30:02 |
Where do you think the map |
00:30:04 |
You are so curious. |
00:30:06 |
Possibly the soldiers who |
00:30:09 |
They've been missing so |
00:30:13 |
Disappearance is not |
00:30:15 |
Then why didn't it surface? |
00:30:17 |
Possibly they are trying to |
00:30:20 |
You mean they coorperating |
00:30:23 |
I don't know. Maybe only a |
00:30:26 |
Or they do it all |
00:30:28 |
Or some are getting help |
00:30:30 |
You mean me and my |
00:30:34 |
I didn't say that. |
00:30:35 |
I know you despised me at |
00:30:38 |
What a pity for you to |
00:30:42 |
Don't quarrel with so many |
00:30:46 |
Food not tasty enough? Why |
00:30:49 |
Miss, you didn't touch |
00:30:51 |
I'm not hungry. I'll leave. |
00:30:54 |
How? |
00:30:54 |
The check please. Take the |
00:30:55 |
Really not eating? |
00:30:57 |
No, we're not. |
00:30:58 |
Since you're not eating, |
00:31:02 |
We came together. No need |
00:31:04 |
You came with her, I didn't. |
00:31:06 |
I'll return to the room. |
00:31:10 |
Jackie. |
00:31:11 |
What's that? |
00:31:12 |
Come in. |
00:31:14 |
Good night then. |
00:31:21 |
Anything missing? |
00:31:22 |
I don't know. |
00:31:24 |
My magnetic tape is |
00:31:25 |
Jackie. |
00:31:27 |
What? |
00:31:28 |
Somebody seached my room. |
00:31:37 |
Look, all in shambles. |
00:31:40 |
Luckily the key was with me. |
00:31:42 |
Why didn't you keep these |
00:31:58 |
Who did it? |
00:32:00 |
Good question. You came up |
00:32:02 |
Didn't you see him? |
00:32:04 |
You mean I did it? |
00:32:06 |
I didn't say that. You said |
00:32:09 |
My luggages were searched |
00:32:12 |
A thief may cry "Thief" |
00:32:17 |
Fine, you search my luggages |
00:32:20 |
Surely you haven't found it |
00:32:22 |
or you won't be here acting. |
00:32:28 |
Elsa. |
00:32:29 |
Jackie. |
00:32:30 |
What? |
00:32:32 |
Your room's too small. |
00:32:35 |
Take the sleeping bag along. |
00:32:37 |
My house isn't big but can |
00:32:42 |
Aren't you used to sleeping |
00:32:43 |
African vampires don't go |
00:33:00 |
Don't waste your anger over |
00:33:01 |
I'll go and scold her. |
00:33:11 |
Forget it. It only makes |
00:33:31 |
Worse than doing farming |
00:33:36 |
Don't be to hard on her. |
00:33:38 |
Okay, lock the door. |
00:34:09 |
The water mustn't stop |
00:34:30 |
I'll kill you. |
00:34:31 |
Don't run away. |
00:34:34 |
I'll kill you. |
00:34:40 |
Oh, it's you |
00:34:42 |
Nonsense. |
00:34:44 |
I know you wanted to beat |
00:34:45 |
Look before you attack. |
00:34:48 |
I wanted to beat you up and |
00:34:53 |
Your friend? |
00:34:54 |
Search her luggages. |
00:34:56 |
Again. I just did the |
00:35:00 |
Good sleep. |
00:35:03 |
One more chocolate. |
00:35:04 |
OK, thank you. |
00:35:05 |
Bye bye. |
00:35:05 |
Thank you. |
00:35:06 |
Good sleep. Good night. |
00:35:08 |
Bye -bye. |
00:35:09 |
Room service. |
00:35:16 |
Good evening. |
00:35:17 |
What's the matter? |
00:35:18 |
Chocolate. Good sleep. |
00:35:22 |
No chocolate, no good sleep. |
00:35:24 |
No good sleep? |
00:35:27 |
Go. We can't sleep. |
00:35:35 |
Ah... condom? |
00:35:36 |
Condom? |
00:35:38 |
Good sleep, very good sleep. |
00:35:46 |
Condom, good |
00:35:50 |
Magic. |
00:35:55 |
Magic, good magic. |
00:35:58 |
Thank you. Won't bother you |
00:36:03 |
Goodnight, if anything, let |
00:36:09 |
Good night. |
00:36:10 |
Goodnight. |
00:36:11 |
Ada. |
00:36:14 |
Why did you come? I don't |
00:36:16 |
Go away, quick |
00:36:18 |
Why are you treating me |
00:36:19 |
Nothing to explain, go |
00:36:22 |
Jackie |
00:36:23 |
Don't come any nearer |
00:36:24 |
Jackie doesn't have time. |
00:36:25 |
You said you were going to |
00:36:29 |
I didn't have time to tell |
00:36:33 |
Things to do? What's to do |
00:36:36 |
What's this? Me dressed |
00:36:40 |
What happened? |
00:36:42 |
Go. We can't wait any longer |
00:36:44 |
Go, understand? |
00:36:49 |
You're revolting |
00:36:51 |
Go. |
00:36:59 |
Produce them right now. |
00:37:01 |
Don't pretend you know |
00:37:03 |
Where is the stuff? |
00:37:04 |
Where is what? |
00:37:10 |
Don't. Don't beat him. |
00:37:12 |
Tell me what you're after. |
00:37:13 |
The map and the key. |
00:37:16 |
So, you're after the map |
00:37:18 |
I don't have them either. |
00:37:25 |
Stop it. |
00:37:26 |
Tell or he gets killed. |
00:37:29 |
I don't know even if you |
00:37:33 |
Stop it. |
00:37:36 |
Why don't you beat her as |
00:37:39 |
Then I might tell, out of |
00:37:49 |
Okay, I'll tell. In his |
00:37:54 |
Do you believe her? |
00:38:00 |
Talk. Or I take the towel. |
00:38:03 |
Heard him? He says to take |
00:38:06 |
Great I'm trying to have |
00:38:11 |
Jackie, help |
00:38:16 |
Stop moving |
00:38:17 |
Told you not to move. |
00:38:23 |
Bite him |
00:38:31 |
Good sleep. |
00:38:45 |
Don't move. |
00:38:51 |
Room service. |
00:38:53 |
Come in. |
00:39:01 |
What's that? |
00:39:03 |
Roast chicken. |
00:39:08 |
Cooked with a secret recipe. |
00:39:11 |
Roast chicken. |
00:39:16 |
Have a good time, bye |
00:39:23 |
Don't move |
00:39:25 |
One move and I shoot. |
00:39:27 |
Great I know you can do it. |
00:39:32 |
Clever girl To foresee the |
00:39:34 |
I hinted as much. |
00:39:36 |
Surely I got it. I'm very |
00:39:40 |
Taking off my towel? |
00:39:42 |
I'm beginning to like you. |
00:39:43 |
Me too. |
00:39:47 |
Shoot |
00:39:51 |
Jackie, what are you doing? |
00:39:54 |
Why so much tape? |
00:39:55 |
The gun might fall off. |
00:39:57 |
Go over there. |
00:39:58 |
Sorry. |
00:40:02 |
Told you not to come in. |
00:40:03 |
We don't want to hurt |
00:40:04 |
But we don't mind it either. |
00:40:06 |
Surrender the map and key. |
00:40:07 |
I really don't have them. |
00:40:11 |
Do I look like the lying |
00:40:14 |
I can't help it if you |
00:40:16 |
Even if you kill me, it |
00:40:18 |
Stop acting. |
00:40:20 |
I'll count to three. Then I |
00:40:31 |
Why are you staring |
00:40:32 |
Why did you take off my |
00:40:33 |
I know why she did it. |
00:40:35 |
Why are you beating me? |
00:40:36 |
For looking at me. |
00:40:37 |
They had a look too. Go |
00:40:39 |
Damn you |
00:40:39 |
Let's not waste time. Start |
00:40:43 |
Me first? |
00:40:48 |
One. |
00:40:49 |
Aren't you telling? |
00:40:52 |
Two. |
00:40:54 |
How about it? |
00:40:55 |
Three. |
00:40:56 |
Hold it. I'll tell. |
00:40:59 |
You really mean to tell |
00:41:01 |
You told me too. |
00:41:03 |
But telling you is no help |
00:41:04 |
My brothers are here. You |
00:41:07 |
Really? |
00:41:09 |
Don't you believe me? |
00:41:10 |
Brothers, time to come out. |
00:41:30 |
Catch. |
00:41:33 |
Hold it as if your life |
00:41:40 |
Don't move |
00:41:42 |
I have the bullets. |
00:41:45 |
Take them. |
00:41:49 |
You take them back. |
00:41:50 |
There's one more bullet. |
00:42:02 |
Ada, where are you going? |
00:42:04 |
Keeping these in a safe |
00:42:07 |
Where are you going? |
00:42:15 |
Robbery |
00:42:16 |
What about him? |
00:42:18 |
Sock him unconcious. |
00:42:23 |
Robbery. |
00:42:26 |
Robbery Come and help. |
00:42:34 |
Make way. |
00:42:36 |
Don't go |
00:42:37 |
Help |
00:42:56 |
Help |
00:42:57 |
Ada |
00:42:57 |
What's that? |
00:43:06 |
Help I'm being chased. |
00:43:09 |
Stop him. |
00:43:12 |
Help Stop him |
00:43:24 |
The key is right in front |
00:43:25 |
I can see. |
00:43:26 |
What's the matter? |
00:43:27 |
There are robbers |
00:43:28 |
Robbers? |
00:43:35 |
Ada, picked up the key? |
00:43:42 |
The key dropped there. |
00:43:53 |
How about you? Did you get |
00:43:54 |
There's the key. Pick it up. |
00:43:56 |
- Pick it up fast. |
00:43:58 |
Hurry. |
00:44:00 |
Someone's coming. |
00:44:01 |
They're coming. Pick it up |
00:44:03 |
I can't move |
00:44:07 |
Let me do it. |
00:44:09 |
Clumsy. |
00:44:11 |
Don't come down. |
00:44:13 |
You hold and I pick. |
00:44:14 |
It may collaspe. |
00:44:20 |
Ada, need the towel? |
00:44:26 |
Are you all right? |
00:44:27 |
I am okay. |
00:44:28 |
Don't you leave me |
00:44:30 |
Look up |
00:44:33 |
Where's the key? |
00:44:34 |
Over there. |
00:44:35 |
Have no fear. I am here |
00:44:37 |
Where's the robber? |
00:44:39 |
Over there. |
00:44:42 |
These two. Shoot him. Shoot |
00:44:44 |
My friends are down there. |
00:44:46 |
Money. No money, no shoot. |
00:44:49 |
Here you are. |
00:44:50 |
It's a deal. |
00:44:52 |
All yours. You shoot |
00:44:53 |
What? |
00:44:55 |
I sold it to you. |
00:45:08 |
Don't go. |
00:45:30 |
Powerful enough? |
00:45:53 |
Let's return to the room. |
00:45:56 |
Where are you going? |
00:45:58 |
You must take the side I |
00:46:02 |
Really? |
00:46:03 |
Left foot. |
00:46:31 |
Welcome. May God bless you. |
00:46:34 |
How many rooms do you want? |
00:46:36 |
Last night's Chinese and |
00:46:39 |
Where are they? |
00:46:42 |
Money. Without it, my mind |
00:46:43 |
No money, no talk. |
00:46:48 |
I got it. They left this |
00:46:51 |
Where did they go? |
00:46:52 |
To the desert. |
00:46:54 |
Don't mind him. Go. |
00:46:58 |
God will punish you. |
00:47:58 |
This world is really small, |
00:48:01 |
You're here to discover the |
00:48:03 |
Why are you doing it? |
00:48:05 |
We live, we must die |
00:48:07 |
So I came to the desert. |
00:48:08 |
Right, the desert is |
00:48:11 |
What desert language are |
00:48:14 |
Jackie, understand what |
00:48:16 |
I won't know what you don't |
00:48:19 |
But I know water and life |
00:48:22 |
Right. |
00:48:23 |
Skin care is important too. |
00:48:26 |
I hate sun -baked skin. |
00:48:33 |
What are you doing? |
00:48:36 |
Scorpions. |
00:48:38 |
Hit |
00:48:42 |
No more. All gone. |
00:48:46 |
Why are you a man, afraid |
00:48:50 |
It is behind you. |
00:48:51 |
On my body. O my goodness |
00:48:55 |
Ada. |
00:48:56 |
Help |
00:48:58 |
Damn it. Catch it for me. |
00:49:00 |
Help me |
00:49:02 |
Be careful. It's poisonous. |
00:49:04 |
Don't worry. It's mine. |
00:49:08 |
Where is it? |
00:49:10 |
Stamp on it |
00:49:13 |
Its name is Ding Dong, my |
00:49:16 |
It bites you only if you |
00:49:18 |
Sorry to have scared you. |
00:49:26 |
The moon is beautiful. I |
00:49:59 |
Attack |
00:50:12 |
What are you doing? |
00:50:14 |
Help |
00:50:27 |
Stop fighting |
00:50:29 |
You dare hit me? |
00:50:31 |
Get me the gun. |
00:50:41 |
Give it to me. |
00:51:02 |
What kind of scorpion is |
00:51:03 |
King scorpion, I guess. |
00:51:06 |
Let me finish it. |
00:51:08 |
Let's go. |
00:51:10 |
Take away the car too. |
00:51:21 |
The thieves are gone. |
00:51:24 |
Are you all right? |
00:51:26 |
Quite all right. |
00:51:29 |
O my Ding Dong |
00:51:33 |
Not so hard. |
00:51:34 |
Are you all right? |
00:51:35 |
Nothing. But John had it |
00:51:37 |
Who are they? |
00:51:38 |
Desert robbers. |
00:51:40 |
Take me to find them at |
00:51:41 |
No. |
00:51:42 |
We daren't fight them. |
00:51:44 |
I'll take you there. I know |
00:51:47 |
But I must bury my Ding |
00:51:50 |
Okay. |
00:52:16 |
So many people. It's like |
00:52:18 |
It's a market, a slave |
00:52:22 |
Start when night falls. |
00:52:32 |
Once. |
00:52:35 |
Twice. |
00:52:36 |
Thrice. Sold. |
00:52:40 |
We've come to the climax of |
00:52:45 |
Here's the rope. |
00:52:46 |
Keep an eye. |
00:52:48 |
This is the Aryan blonde. |
00:52:51 |
This is the Oriental Kitten. |
00:52:53 |
Their appearance is rare. |
00:52:57 |
The blonde's ample derrier |
00:53:00 |
Her exquisite skin. |
00:53:01 |
Bottom call: 10 camels. |
00:53:03 |
15. |
00:53:04 |
Somebody bids 15 camels. |
00:53:06 |
It's 20. |
00:53:07 |
This gentlemen bade 20 |
00:53:09 |
Can you drive? |
00:53:11 |
Just learned how to use No. |
00:53:12 |
No. 3? Third gear is enough. |
00:53:16 |
Someone's coming. |
00:53:25 |
Who are you? |
00:53:34 |
Sorry. |
00:53:38 |
Really ugly |
00:53:40 |
Why is it uglier ones owns |
00:53:43 |
60. |
00:53:44 |
60 once. |
00:53:46 |
You go on. |
00:53:48 |
Any bid over 65? |
00:53:51 |
65 once. |
00:53:53 |
65 twice. 65... |
00:53:55 |
70. It's 70. |
00:53:59 |
Any bid over 70? |
00:54:01 |
75. |
00:54:01 |
It's 75. |
00:54:02 |
80. |
00:54:03 |
Any bid over 80? |
00:54:05 |
85. |
00:54:05 |
It's 85. |
00:54:06 |
90. |
00:54:07 |
It's 90. |
00:54:08 |
95. |
00:54:08 |
It's 95. |
00:54:09 |
100. |
00:54:09 |
It's 100. |
00:54:10 |
105. |
00:54:11 |
110. |
00:54:12 |
115. |
00:54:13 |
130. |
00:54:14 |
140. |
00:54:14 |
150. |
00:54:15 |
It's 150. |
00:54:22 |
What's the chieftain tribe? |
00:54:25 |
150 once. |
00:54:25 |
150 twice. |
00:54:26 |
150 thrice. Sold. |
00:54:28 |
Your highness, please come |
00:54:30 |
First gear. Step on gas. |
00:54:34 |
Don't be afraid. |
00:54:37 |
Exquisite skin, I like. |
00:54:42 |
I am Jackie. |
00:54:43 |
I come to rescue you. |
00:54:47 |
Little boar, so handsome. |
00:54:50 |
Blonde pussy. |
00:54:51 |
The chieftain's great. |
00:54:54 |
I like. |
00:54:55 |
Don't come over. |
00:54:57 |
Robbery |
00:54:58 |
What happened? |
00:54:59 |
Someone stole my clothes. |
00:55:01 |
He is Jackie. |
00:55:02 |
He stole my clothing. |
00:55:04 |
This chieftain's a |
00:55:05 |
Catch him. |
00:55:10 |
Come down fast. |
00:55:13 |
Sorry. |
00:55:15 |
Get up quickly. |
00:55:16 |
Switch the engine on. First |
00:55:19 |
Don't move. |
00:55:22 |
Step on the gas. |
00:55:25 |
The hand brake. |
00:55:43 |
Go and see what happened. |
00:55:44 |
Yes. |
00:55:53 |
Go quickly. |
00:55:56 |
It's not Ada. |
00:55:59 |
Help |
00:56:02 |
Stop the noise. |
00:56:04 |
Great The car's |
00:56:06 |
I'm here. |
00:56:07 |
Go quickly. |
00:56:09 |
Right here. |
00:56:12 |
Stop the car. |
00:56:13 |
Wait for me. |
00:56:18 |
Count me in too. |
00:57:56 |
Destiny has delivered you |
00:58:00 |
Take us to the base. |
00:58:13 |
Let's rest a bit. I am |
00:58:25 |
Please give me water. |
00:58:28 |
Please, give them some |
00:58:31 |
Is it all right to give |
00:58:32 |
Request rejected |
00:58:33 |
Not even enough for |
00:58:35 |
I plead to you. |
00:58:44 |
Don't worry. If one must |
00:58:49 |
Bitch, playing tricks |
00:58:51 |
Directed us to the wrong |
00:58:53 |
Even the sun's in the wrong |
00:58:55 |
You're reading the map |
00:58:57 |
Let me have a better look. |
00:59:01 |
One embrace and you'll feel |
00:59:12 |
Careful. They may find out. |
00:59:19 |
Enough. |
00:59:24 |
Come and be embraced. You'd |
00:59:26 |
I haven't had enough of it. |
00:59:28 |
Thirsty and held tight. |
00:59:32 |
Let me hold. |
00:59:36 |
No hurry. |
00:59:38 |
Take your time. |
00:59:40 |
So thirst leads to lust. |
00:59:44 |
Take your time. |
00:59:45 |
One more. |
00:59:47 |
Aren't you overheated? |
00:59:49 |
One more. |
00:59:53 |
Enough, enough. |
01:00:00 |
Don't give me that look. I |
01:00:02 |
You'll know when I hold you. |
01:00:08 |
One more. |
01:00:10 |
Don't you dare to come over. |
01:00:11 |
Let me hold you. |
01:00:12 |
Don't come over, please. |
01:00:14 |
I don't like hugs. |
01:00:16 |
Let me do the hugging. |
01:00:18 |
Hug them, not me. |
01:00:19 |
My pants are falling down. |
01:00:21 |
Feels better if I hold you. |
01:00:23 |
Let me hold you. |
01:00:26 |
Don't They'll find out |
01:00:29 |
Take the foot away. |
01:00:33 |
What are they doing? |
01:00:40 |
Don't They'll find out. |
01:00:45 |
My turn. |
01:00:47 |
Embrace me. |
01:00:50 |
One by one. Be careful lest |
01:00:52 |
Hold me. |
01:00:56 |
Leave a bit for me. |
01:01:00 |
Oh my goodness They saw it. |
01:01:03 |
Give. |
01:01:12 |
Anymore tricks and I'll |
01:01:16 |
Fighting Now even the last |
01:01:20 |
Still sitting here Get up. |
01:01:21 |
Let's go. |
01:01:33 |
This is the place, if the |
01:01:37 |
Too much sand. Takes too |
01:01:40 |
You might have gotten |
01:01:42 |
Read the map yourself then. |
01:01:45 |
Give me the map. |
01:01:46 |
Let them have a look. |
01:01:48 |
Give it to me. |
01:01:49 |
Get a compass first. |
01:01:54 |
It's movable. |
01:01:56 |
It's definitely here. |
01:01:59 |
Sandstorms around here are |
01:02:02 |
Sands might have buried the |
01:02:05 |
You're saying that this is |
01:02:07 |
Right, the bearings' right. |
01:02:09 |
Even maps make mistakes. |
01:02:10 |
This is a military map. |
01:02:13 |
Margin of error is less |
01:02:14 |
What, 3 km The taxi meter |
01:02:18 |
Please favor us with your |
01:02:22 |
Armand. |
01:02:23 |
Don't move |
01:02:31 |
Armand. |
01:02:35 |
Give them water. |
01:02:40 |
Don't want to see you ever |
01:02:43 |
Thank you. |
01:02:44 |
Thanks? This water is ours. |
01:02:47 |
Bye bye. |
01:02:49 |
We'll get you. |
01:02:51 |
You'll get the divine |
01:03:03 |
Don't come over. |
01:03:14 |
I've never ever failed |
01:03:18 |
Well, you have one now. |
01:03:19 |
This photo's yours? |
01:03:21 |
My grandfather's. |
01:03:24 |
This is our destination. |
01:03:26 |
The tribesmen are friendly |
01:03:27 |
This is their god. |
01:03:31 |
I bought the doll because |
01:03:34 |
Jackie, look |
01:03:37 |
This photo must have been |
01:03:40 |
Take us there, immediately |
01:03:43 |
We have not yet lost. |
01:03:55 |
We finally found this place. |
01:03:56 |
Don't go. A vicious tribe |
01:04:00 |
Vicious people? We're yet |
01:04:02 |
You have sharp tongue. |
01:04:03 |
No more talk. Get in. |
01:04:05 |
Thank you. |
01:04:06 |
Take care. |
01:04:07 |
Thanks for taking us here. |
01:04:10 |
Bye. |
01:04:10 |
Bye. |
01:04:24 |
What are you doing? |
01:04:26 |
Just to see if it's hollow. |
01:04:37 |
The road is over there. Come |
01:04:45 |
Jackie, don't walk too fast. |
01:04:48 |
Dark because of the |
01:04:54 |
You two, watch over there. |
01:04:56 |
I'll look the other side. |
01:05:07 |
Jackie. |
01:05:09 |
Finished so quickly? |
01:05:11 |
Finished watching. |
01:05:13 |
Let's go. |
01:05:16 |
It's a head. |
01:05:18 |
Don't panic. It's an ox's |
01:05:21 |
What are you doing? |
01:05:22 |
Some flying object. |
01:05:23 |
What's that? |
01:05:25 |
A human head. |
01:05:30 |
What? |
01:05:31 |
Let's go. |
01:05:34 |
There's somebody up front. |
01:05:35 |
This side. |
01:05:37 |
And make it snappy. |
01:05:39 |
Where are you going? |
01:05:41 |
Go over there. |
01:05:46 |
One by one. |
01:06:01 |
We're tourist's. |
01:06:02 |
Right, we're tourists. |
01:06:06 |
Go, quick |
01:06:13 |
Nowhere to go |
01:06:15 |
What to do? |
01:06:16 |
One for each. |
01:06:19 |
Get going fast. |
01:06:25 |
Hit, hit, hit, can't hit |
01:06:26 |
Of course You hit so |
01:06:27 |
Now hit him hard |
01:06:29 |
Again? |
01:06:47 |
Have you ever seen it? |
01:06:48 |
Chinese Kung Fu. |
01:06:58 |
They dance to convert their |
01:07:03 |
Right, some tribes are that |
01:07:05 |
Come on, let's dance with |
01:07:10 |
Left foot first. |
01:07:33 |
Don't dance. That song calls |
01:07:39 |
What now? |
01:07:43 |
Play by ear. |
01:07:49 |
Many human heads and ox |
01:07:50 |
Jump over. |
01:07:59 |
They've stopped chasing. |
01:08:00 |
Won't even pick up diamonds. |
01:08:02 |
They're getting help. |
01:08:04 |
They're so many, still |
01:08:12 |
What are you doing? |
01:08:13 |
Save me |
01:08:14 |
I'm sinking. |
01:08:18 |
Come. |
01:08:41 |
Jackie, where are you? |
01:08:42 |
Don't move. I'm coming. |
01:08:45 |
I haven't moved. You should |
01:08:47 |
Where are we? |
01:08:48 |
Don't know. |
01:08:52 |
What is it? |
01:08:54 |
Possibly a foot. |
01:08:59 |
It's nothing. Don't be |
01:09:00 |
Now what is it? |
01:09:02 |
Don't be afraid. |
01:09:04 |
What is it then? |
01:09:05 |
German lettering. It says: |
01:09:10 |
Coming |
01:09:20 |
Give me water. |
01:09:22 |
Give it to me. |
01:09:25 |
It's mine. |
01:09:26 |
What? |
01:09:27 |
Come over. |
01:09:38 |
It looks like a military |
01:09:44 |
Lots of dust. |
01:09:54 |
That's my grandfather. |
01:09:58 |
Are you sure he's your |
01:10:00 |
Don't move |
01:10:01 |
Your grandfather was killed |
01:10:02 |
How did you know? |
01:10:02 |
Look |
01:10:05 |
Oh you |
01:10:06 |
I am sorry. |
01:10:16 |
You are really sure? |
01:10:18 |
Right. |
01:10:21 |
He's been dead for years. |
01:10:25 |
I'm sad because of the way |
01:10:41 |
What's that? |
01:10:43 |
A diary. |
01:10:45 |
Don't you touch me. |
01:10:48 |
See what's written. |
01:10:50 |
The diary is my |
01:10:52 |
Any word left by him? |
01:10:54 |
See if he identified his |
01:10:58 |
"A 20-km march today. Four |
01:11:01 |
Turn to another page. |
01:11:04 |
"War is turning against us. |
01:11:06 |
But I'm confident Field |
01:11:09 |
Erwin Rommell is a peerless |
01:11:14 |
Anything really important? |
01:11:17 |
"A lot of heavy metal was |
01:11:19 |
"The Count ordered me to |
01:11:22 |
"Heavy metal"? Gold? |
01:11:25 |
He mentions gold here. |
01:11:26 |
"The Count gave me 18 |
01:11:28 |
One for each after the gold |
01:11:30 |
He writes:"To open or close |
01:11:32 |
"Let's use Eliza's birthday |
01:11:34 |
Who's Eliza? |
01:11:35 |
She's my mother. |
01:11:36 |
Do you remember her |
01:11:38 |
I do. But why was my |
01:11:41 |
Read on. |
01:11:42 |
I know why. |
01:11:44 |
If I'm right, these were his |
01:11:49 |
who were fed the poison by |
01:11:50 |
when the mission was |
01:11:53 |
So he was very unhappy |
01:11:55 |
to kill 18 colleagues at |
01:11:58 |
But here are only 15. |
01:12:00 |
Plus the two above, the |
01:12:02 |
One is missing. |
01:12:11 |
There's one clever one... |
01:12:13 |
He didn't take the poison |
01:12:15 |
Are you all right? |
01:12:16 |
Who's he? |
01:12:17 |
If I'm not mistaken, you're |
01:12:20 |
How did you know? |
01:12:21 |
Your name's sketched on the |
01:12:23 |
You're the clever one who |
01:12:29 |
And your the one who killed |
01:12:31 |
He's wicked, fed us with |
01:12:36 |
I refused. He broke both my |
01:12:40 |
I've been waiting for today |
01:12:44 |
But the gold belongs to the |
01:12:47 |
As long as it's here, it's |
01:12:53 |
Find the gold first. |
01:12:56 |
How must we go? |
01:12:57 |
This was the exit. |
01:12:59 |
You go first. |
01:13:02 |
Don't pull tricks kid. |
01:13:05 |
Who are the others? |
01:13:06 |
Mercenaries. |
01:13:07 |
They help me on the mission. |
01:13:10 |
They just work for the |
01:13:11 |
Get going. |
01:13:13 |
Let's pay more to get them |
01:13:16 |
It's possible even your |
01:13:19 |
Don't try to make trouble. |
01:13:22 |
Go. |
01:13:32 |
Go, quick. |
01:13:35 |
This way. |
01:13:43 |
This way. Faster. |
01:13:44 |
Go down. |
01:13:49 |
Mark, Mark. |
01:13:50 |
What's that? |
01:13:51 |
There's a generator. Try to |
01:13:53 |
You go and start it. |
01:13:54 |
Yes. |
01:13:54 |
The others continue the |
01:13:55 |
Yes. Yes. |
01:13:56 |
Don't shoot at random. |
01:14:01 |
Don't shoot at random. |
01:14:21 |
Go down and hide, quick |
01:14:25 |
They've gone in. Go in |
01:14:29 |
Split and search. |
01:14:40 |
Be careful. |
01:14:44 |
Don't shoot |
01:14:45 |
No use. The door is |
01:14:53 |
Try again. |
01:14:54 |
Yes |
01:15:00 |
Don't switch on the lights, |
01:15:16 |
They've found us |
01:15:17 |
Jackie, where are you? |
01:15:18 |
One is missing. |
01:15:23 |
Don't switch on the light. |
01:15:42 |
With lights on, they can't |
01:15:45 |
Almost there. |
01:15:47 |
Faster, faster. |
01:15:48 |
It's on. |
01:15:52 |
Don't move |
01:15:54 |
Or I shoot. |
01:15:56 |
Put your hands on your head |
01:15:58 |
Great |
01:16:01 |
You are great. |
01:16:02 |
Ada, throw away all guns. |
01:16:03 |
That's okay. |
01:16:06 |
Be careful of accidental |
01:16:07 |
Where to throw then? |
01:16:11 |
I've bound them with a rope. |
01:16:13 |
Okay. |
01:16:15 |
Don't move. I'll shoot. |
01:16:16 |
Don't act foolish. She |
01:16:18 |
Don't move. |
01:16:26 |
You're really clumsy. |
01:16:28 |
Don't move. |
01:16:32 |
Jackie, Jackie. |
01:16:34 |
It's useless calling me. |
01:16:35 |
Charge |
01:16:38 |
Take care of yourself. |
01:17:14 |
Jackie. |
01:17:17 |
I'm occupied. |
01:17:33 |
Ram him against the wall |
01:17:34 |
Once more. |
01:17:35 |
Try again. |
01:17:36 |
Once more. |
01:17:37 |
What now? |
01:17:57 |
Up the staircase. |
01:18:06 |
Fast. |
01:18:11 |
Let's continue to fight. |
01:18:27 |
Give chase. |
01:18:57 |
Intercept him. Don't let |
01:19:02 |
We fight him again. |
01:19:04 |
Fight again. |
01:19:56 |
Go over quickly |
01:20:49 |
Help me quick |
01:21:27 |
Victory. |
01:21:32 |
In the middle. |
01:21:34 |
Spanish bullfight. |
01:21:38 |
Fainted yet? |
01:21:39 |
Quite so. |
01:21:40 |
We go over there to help. |
01:22:16 |
Charge |
01:22:31 |
The few of us... |
01:22:34 |
Joe, open up |
01:22:36 |
See if my hand is all right. |
01:22:37 |
Nothing at all. |
01:22:41 |
Bitch |
01:22:54 |
Fainted before I hit you |
01:23:05 |
You, give the key to me. |
01:23:08 |
How are you? |
01:23:14 |
Know this; only I know how |
01:23:19 |
My grandfather set the code |
01:23:21 |
Only I know her birthday |
01:23:25 |
Only I know the unlocking |
01:23:28 |
Is it complicated? |
01:23:29 |
Could be. Wait until we see |
01:23:31 |
Now how do we go from here? |
01:23:32 |
There is a passage. |
01:23:34 |
Go over there. |
01:23:36 |
Condor, you go first. |
01:23:48 |
Open the door. What's the |
01:23:51 |
There are 3 keys, a |
01:23:53 |
My mother was born on Sept |
01:23:56 |
Got it. |
01:23:58 |
I've waited 40 years for |
01:24:19 |
You cheated me. You tried |
01:24:21 |
I didn't cheat you. |
01:24:23 |
I told you all that I know. |
01:24:25 |
My mother was born on Sept |
01:24:27 |
Anything you people forgot? |
01:24:29 |
Don't talk anymore, you |
01:24:36 |
Did you get Mama's birthday |
01:24:38 |
No mistake. It's Sept 16. |
01:24:40 |
Lunar calender or Gregorian |
01:24:42 |
Foreigners don't use lunar |
01:24:44 |
Grandpa did write: |
01:24:45 |
"Use Eliza's birthday." |
01:24:47 |
So he wasn't sure himself. |
01:24:49 |
Could he have used your |
01:24:51 |
Let's try my birthday. |
01:24:52 |
Try? |
01:24:54 |
What's that? |
01:24:54 |
Grandfather's necklace. |
01:24:58 |
Could it be this number? |
01:24:59 |
How about this one? |
01:25:00 |
Which is the right one? |
01:25:06 |
698? |
01:25:13 |
These bullets can pierce 10 |
01:25:19 |
The first number is 6. |
01:25:26 |
9. |
01:25:28 |
You're troublesome. Take |
01:25:37 |
8. |
01:25:41 |
Why can't it open? |
01:25:47 |
What's that? |
01:25:50 |
The key's handle was built |
01:26:00 |
Now what? |
01:26:20 |
I'm scared. I'm truly |
01:26:22 |
There's nothing. Don't be |
01:26:53 |
Go and help. |
01:26:59 |
Why is this base so small? |
01:27:01 |
And the gold is said to be |
01:27:03 |
This is the elevator, idiot. |
01:27:05 |
Go inside. |
01:27:19 |
Take a look. |
01:27:35 |
Take away the canvas. Fast. |
01:27:37 |
Yes. |
01:27:38 |
The canvas at the top. |
01:27:40 |
Yes. |
01:27:53 |
Gold |
01:27:54 |
Really a lot of gold. |
01:27:56 |
Two and a half tons are |
01:27:58 |
We're rich |
01:28:07 |
Push me in Push me in |
01:28:10 |
Right now they won't listen |
01:28:13 |
Push me in |
01:28:18 |
Stinking rich |
01:28:24 |
Don't move |
01:28:26 |
Tell them to lay down the |
01:28:27 |
Did you hear? Throw down |
01:28:31 |
No need for that. |
01:28:33 |
Idiot, come and rescue me. |
01:28:36 |
Don't call me idiot any |
01:28:38 |
Try to find a way to save |
01:28:40 |
I'm now in charge. Don't |
01:28:43 |
What? A rebellion? |
01:28:45 |
For 240 tons of gold, we'd |
01:28:49 |
Kid, if you like, kill him |
01:28:52 |
You're playing "Show Hand"? |
01:28:53 |
I count to 3. If you don't |
01:28:56 |
One |
01:28:58 |
Two |
01:29:00 |
Three |
01:29:04 |
He won. |
01:29:06 |
Makes no difference to me |
01:29:08 |
There's a lot of gold |
01:29:11 |
Spare me and I'll help you |
01:29:16 |
You're the end of your |
01:29:19 |
Condor, follow me. |
01:29:21 |
The others move the gold |
01:29:23 |
Yes. |
01:29:28 |
Move it, quick |
01:29:28 |
All right. |
01:29:33 |
Move it, quick |
01:29:34 |
Yes, sir. |
01:29:48 |
What's up? |
01:29:54 |
What should we do now? |
01:29:55 |
Up there is the control |
01:29:56 |
Let's go see how the Condor |
01:29:58 |
Okay. |
01:30:00 |
Ada, go. Don't look about. |
01:30:02 |
Coming. |
01:30:22 |
They are down there indeed. |
01:30:23 |
Very dark here. Switch the |
01:30:25 |
Over there. |
01:30:28 |
The light won't light up. |
01:30:40 |
That's not the light switch. |
01:30:51 |
With so many switches, |
01:30:52 |
Can't you find a switch |
01:31:21 |
Switch off the fan. |
01:31:23 |
Which switch? |
01:31:24 |
Right, so many of them |
01:31:26 |
Try. |
01:31:59 |
It's even worse. |
01:32:17 |
Ada, could it be these |
01:32:19 |
What switch? |
01:32:20 |
Seems to have slowed down. |
01:32:28 |
Stop him. I'll open the door |
01:32:44 |
Why hasn't Adolf come up? |
01:32:46 |
Can Momoko hold up Adolf? |
01:32:47 |
Right. Let's go help her. |
01:33:17 |
How come? |
01:33:20 |
It's bad. |
01:33:27 |
My hands are full. You open |
01:33:29 |
Me doing it? |
01:33:54 |
How could it be like that? |
01:33:57 |
What to do now? |
01:33:59 |
We haven't tried that row |
01:34:01 |
Quick Strike Strike |
01:34:20 |
Don't touch that switch. |
01:34:21 |
But I've pressed it. |
01:34:23 |
Seems to have stopped. |
01:34:24 |
Right. |
01:34:24 |
Of course, as that |
01:34:26 |
was the base's self |
01:34:29 |
The base explodes in 30 |
01:34:31 |
We'll be blown into pieces. |
01:34:33 |
Why didn't you wait for me? |
01:34:39 |
Traitor. Now you'll know the |
01:34:45 |
Jackie, find a way to save |
01:34:50 |
If you don't stand in the |
01:34:51 |
you get half of the gold |
01:34:52 |
Half? No |
01:35:16 |
Open the door. |
01:35:17 |
Yes. |
01:35:24 |
I won't let you escape. |
01:35:29 |
Open the door immediately. |
01:35:31 |
Yes. |
01:35:38 |
Why standing around? Move |
01:35:41 |
Can you hear me? |
01:37:00 |
Superman. |
01:37:15 |
Superman. |
01:37:27 |
I'm alright and it's fun. |
01:37:47 |
Hong Kong's Super |
01:38:11 |
Still dancing lt'll |
01:38:17 |
Talk to him with a |
01:38:20 |
Come up. The base will |
01:38:23 |
Explode? |
01:38:27 |
Less than 20 minutes? |
01:38:29 |
I intended to help you. |
01:38:30 |
Elsa told me to press it. |
01:38:31 |
Now what should we do? |
01:38:32 |
There is no way out. |
01:38:36 |
Only way is to blast |
01:38:38 |
What? You plan to blast |
01:38:40 |
Right. That is where the |
01:38:46 |
Harness the energy of the |
01:38:50 |
Coming down. |
01:38:51 |
Momoko, give a hand. |
01:38:56 |
The switch you wanted. |
01:38:57 |
Adolf refuses to leave. |
01:38:59 |
I should have died 40 years |
01:39:02 |
I want to be with my late |
01:39:04 |
I mean to stay here. Bye. |
01:39:08 |
He stays. We go. |
01:39:10 |
I'll close the door. You |
01:39:15 |
Time is running short. |
01:39:16 |
I'll get the fan to the |
01:39:19 |
Wish you luck. |
01:39:26 |
Ready or not? Quickly. |
01:39:29 |
Forget those |
01:39:30 |
No way |
01:39:40 |
Elsa, all right if I don't |
01:39:42 |
Consider it as you're doing |
01:39:50 |
Gold |
01:39:51 |
Don't take them. |
01:40:37 |
Don't take them. |
01:41:54 |
Go and find them. |
01:42:01 |
Get away before it |
01:42:21 |
All collapsed. |
01:42:22 |
Go. |
01:42:23 |
Let's go. You've got your |
01:42:42 |
At least there's this |
01:42:50 |
Thank God You were led |
01:42:57 |
Here's gold. This is for |
01:43:04 |
We don't want gold. We want |
01:43:06 |
Water. |
01:43:10 |
Finish it, if there's any |
01:43:15 |
So man really does not know |
01:43:20 |
With water, we won't be so |
01:43:25 |
Water, give me water. |
01:43:27 |
Let's go look for water |
01:43:30 |
Where to find it then? |
01:43:32 |
If I'm not wrong, just |
01:43:36 |
Is it real? |
01:43:38 |
Won't the other route be |
01:43:40 |
Come and listen to this |
01:43:44 |
After so many mountains, |
01:43:47 |
After this one, it'll be |
01:43:48 |
Is it real? |
01:43:50 |
Believe in this desert |
01:43:52 |
After this mountain, |
01:43:55 |
As I said, only one quarter |
01:43:58 |
Go on, it won't be far. |