Fight Club
|
00:02:03 |
Narrator: |
00:02:05 |
if I know Tyler Durden. |
00:02:07 |
Tyler: 3 minutes. |
00:02:07 |
Tyler: 3 minutes. |
00:02:08 |
This is it: ground zero. |
00:02:11 |
Would you like to say a few |
00:02:14 |
[Muffled] |
00:02:15 |
Narrator: With a gun barrel |
00:02:17 |
you speak only in vowels. |
00:02:19 |
I can't think |
00:02:20 |
For a second |
00:02:22 |
about Tyler's whole |
00:02:24 |
and I wonder |
00:02:27 |
Tyler: Getting |
00:02:29 |
That old saying, |
00:02:30 |
how you always hurt |
00:02:32 |
Well, it works both ways. |
00:02:34 |
[Police Sirens] |
00:02:35 |
We have front row seats |
00:02:36 |
for this theater |
00:02:38 |
The demolitions committee |
00:02:41 |
wrapped the foundation |
00:02:43 |
with blasting gelatin. |
00:02:46 |
primary charges |
00:02:48 |
and a few square blocks |
00:02:50 |
will be reduced |
00:02:52 |
I know this... |
00:02:54 |
because Tyler knows this. |
00:02:55 |
21/2. |
00:02:57 |
Think of everything |
00:02:59 |
And suddenly, I realize |
00:03:02 |
the gun, the bombs, |
00:03:05 |
has got something to do with |
00:03:10 |
Bob. Bob had bitch-tits. |
00:03:13 |
This was a support group for |
00:03:17 |
The big moosey |
00:03:19 |
that was Bob. |
00:03:20 |
We're still men. |
00:03:23 |
Yes, we're men. |
00:03:25 |
Men is what we are. |
00:03:27 |
8 months ago, Bob's |
00:03:29 |
Then hormone therapy. |
00:03:33 |
because his testosterone |
00:03:35 |
and his body |
00:03:37 |
And that was where I fit... |
00:03:38 |
They're gonna have to |
00:03:40 |
and drain the fluid. |
00:03:41 |
Narrator: Between those huge, |
00:03:43 |
that hung enormous the way |
00:03:47 |
OK. You cry now. |
00:03:50 |
No, wait. Back up. |
00:03:54 |
For 6 months, |
00:03:56 |
Echo: I couldn't sleep. |
00:03:59 |
With insomnia, |
00:04:01 |
Everything's far away. |
00:04:04 |
Everything's a copy |
00:04:12 |
When deep space |
00:04:14 |
it'll be the corporations |
00:04:17 |
the I.B.M. Stellarsphere, |
00:04:19 |
the Microsoft Galaxy, |
00:04:21 |
Planet Starbucks. |
00:04:24 |
Gonna need you out of town |
00:04:26 |
We got some |
00:04:27 |
It must've been Tuesday. |
00:04:29 |
He was wearing |
00:04:31 |
You want me to deprioritize |
00:04:33 |
until you advise |
00:04:35 |
Make these your primary |
00:04:37 |
Here's |
00:04:38 |
Call me from the road |
00:04:40 |
Narrator: |
00:04:42 |
Must have had |
00:04:46 |
Like so many others, |
00:04:49 |
to the IKEA |
00:04:51 |
Uh, yes. I'd like to order |
00:04:55 |
Operator: Please hold. |
00:04:56 |
If I saw something clever |
00:04:57 |
like a little coffee table |
00:05:01 |
I had to have it. |
00:05:02 |
The Klipske |
00:05:05 |
the Hovetrekke |
00:05:08 |
or the Johannshamn sofa |
00:05:10 |
with the Strinne green |
00:05:12 |
Even the Rizlampa wire lamps |
00:05:14 |
of environmentally friendly |
00:05:17 |
I'd flip through catalogs |
00:05:19 |
What kind of dining set |
00:05:23 |
I had it all. |
00:05:25 |
Even the glass dishes |
00:05:26 |
with tiny bubbles |
00:05:28 |
Proof that they were crafted |
00:05:31 |
hard-working indigenous |
00:05:33 |
Operator: Please hold. |
00:05:34 |
Narrator: Wherever. |
00:05:35 |
I was holding. |
00:05:36 |
We used to read pornography. |
00:05:39 |
Now it was |
00:05:41 |
No, you can't |
00:05:44 |
What about narcolepsy? |
00:05:45 |
I nod off. I wake up |
00:05:48 |
I have no idea |
00:05:50 |
You need to lighten up. |
00:05:52 |
Can you please just |
00:05:54 |
Narrator: Red and blue Tuenols, |
00:05:57 |
No. You need |
00:06:02 |
Chew some Valerian root |
00:06:08 |
Hey, come on. |
00:06:11 |
You wanna see pain? |
00:06:13 |
Swing by First Methodist |
00:06:14 |
See the guys |
00:06:18 |
That's pain. |
00:06:27 |
Chorus: # La la la # |
00:06:29 |
# La la la la la la # |
00:06:35 |
I always wanted 3 kids, |
00:06:37 |
2 boys and a girl. |
00:06:39 |
Mindy wanted |
00:06:43 |
We never could |
00:06:46 |
Well, uh, |
00:06:48 |
She had her first child |
00:06:51 |
a girl. |
00:06:53 |
With... With her, uh, |
00:06:56 |
Man: [Whispering] Fuck. |
00:06:59 |
Hey... Hey, thank God, |
00:07:03 |
I'm... I'm glad for her. |
00:07:05 |
Because she deserves it. |
00:07:10 |
Group Leader: Aw. |
00:07:12 |
Everyone, let's thank Thomas |
00:07:16 |
All: Thank you, Thomas. |
00:07:18 |
I look around this room, |
00:07:22 |
and that gives me strength. |
00:07:24 |
We give each other strength. |
00:07:26 |
It's time |
00:07:28 |
So let's all of us here |
00:07:31 |
and really open ourselves up. |
00:07:34 |
Would you find a partner? |
00:07:38 |
Narrator: And this is how |
00:07:40 |
Man: Come on. |
00:07:43 |
His eyes already |
00:07:48 |
knees together, |
00:07:56 |
My name is Bob. |
00:07:58 |
Bob. |
00:07:59 |
Narrator: Bob had been |
00:08:02 |
You know that |
00:08:04 |
you see on late-night TV? |
00:08:07 |
I was a juicer. |
00:08:09 |
You know, |
00:08:12 |
Diabonal and... |
00:08:15 |
Wistrol. |
00:08:18 |
on racehorses, |
00:08:21 |
And now I'm bankrupt. |
00:08:24 |
I'm divorced. |
00:08:26 |
My 2 grown kids... |
00:08:30 |
won't even return |
00:08:33 |
Narrator: Strangers |
00:08:35 |
make me go |
00:08:40 |
Go ahead, Cornelius. |
00:08:43 |
You can cry. |
00:08:56 |
[Crying] |
00:08:59 |
Narrator: And then, |
00:09:02 |
I let go. |
00:09:04 |
That's really good. |
00:09:05 |
Lost in oblivion... |
00:09:08 |
dark and silent |
00:09:12 |
I found freedom. |
00:09:14 |
Losing all hope was freedom. |
00:09:18 |
It's OK. |
00:09:23 |
Babies don't sleep |
00:09:26 |
[Snores] |
00:09:29 |
I became addicted. |
00:09:44 |
Come on. |
00:09:45 |
Narrator: |
00:09:48 |
people always |
00:09:50 |
Man: Welcome, Travis. |
00:09:51 |
Second man: Welcome, Travis. |
00:09:54 |
They cried harder... |
00:09:56 |
then I cried harder. |
00:10:04 |
[Group Murmurs] |
00:10:06 |
Woman: Now we're going |
00:10:09 |
the heart chakra. |
00:10:11 |
Narrator: |
00:10:13 |
I wasn't host to cancer |
00:10:16 |
I was the warm little center |
00:10:18 |
that the life of this world |
00:10:21 |
that the life of this world |
00:10:22 |
Imagine your pain |
00:10:23 |
as a white ball |
00:10:25 |
It moves over your body, |
00:10:29 |
Now, keep this going. |
00:10:33 |
and step forward |
00:10:34 |
through the back door |
00:10:37 |
Where does it lead? |
00:10:39 |
To your cave. |
00:10:42 |
Step forward |
00:10:45 |
That's right. |
00:10:47 |
You're going deeper |
00:10:51 |
and you're going to find |
00:10:56 |
[Coos] |
00:10:58 |
Slide. |
00:11:01 |
[Giggles] |
00:11:11 |
Narrator: |
00:11:14 |
and every evening, |
00:11:17 |
Resurrected. |
00:11:20 |
Bob loved me |
00:11:23 |
my testicles |
00:11:25 |
Being there... |
00:11:27 |
pressed against his tits, |
00:11:29 |
ready to cry. |
00:11:31 |
This was my vacation. |
00:11:37 |
And she ruined |
00:11:41 |
This is cancer, right? |
00:11:45 |
This chick Marla Singer |
00:11:48 |
did not have |
00:11:50 |
She was a liar. |
00:11:52 |
She had no diseases at all. |
00:11:55 |
I had seen her |
00:11:56 |
my blood parasites group |
00:11:59 |
Then at Hope, my bimonthly |
00:12:02 |
And again at Seize the Day, |
00:12:05 |
my tuberculosis |
00:12:06 |
[Coughs Softly] |
00:12:10 |
Marla, the big tourist. |
00:12:13 |
Her lie reflected my lie, |
00:12:16 |
and suddenly, |
00:12:18 |
I couldn't cry. |
00:12:20 |
So once again, |
00:12:35 |
Next group, |
00:12:38 |
after we open |
00:12:40 |
when it's time to hug, |
00:12:42 |
I'm gonna grab |
00:12:43 |
Marla Singer |
00:12:44 |
Marla, you liar! |
00:12:47 |
I need this! |
00:12:50 |
Narrator: |
00:12:53 |
TV: Absolutely. |
00:12:54 |
When you have insomnia, |
00:12:55 |
you're never |
00:12:58 |
and you're |
00:13:03 |
Woman: To begin |
00:13:04 |
Chloe would like |
00:13:08 |
Oh, yeah... Chloe. |
00:13:11 |
Chloe looked the way |
00:13:12 |
Meryl Streep's skeleton |
00:13:14 |
if you made it smile |
00:13:16 |
being extra nice |
00:13:19 |
Well, |
00:13:21 |
but I don't know |
00:13:24 |
That's as much |
00:13:25 |
as anyone |
00:13:27 |
But I've got |
00:13:31 |
I no longer |
00:13:32 |
any fear |
00:13:37 |
But I am in |
00:13:41 |
No one will have sex |
00:13:45 |
I'm so close to the end, |
00:13:46 |
and all I want is to get |
00:13:50 |
I have pornographic movies |
00:13:54 |
[Overmodulated] |
00:13:56 |
Chloe... |
00:13:57 |
Everyone, let's |
00:14:00 |
[Audience Saying Thank You] |
00:14:03 |
[Coughing] |
00:14:05 |
Now, let's... |
00:14:07 |
for guided meditation. |
00:14:10 |
You're standing at |
00:14:14 |
You step inside your cave, |
00:14:18 |
Narrator: If I did |
00:14:20 |
I'd name it Marla. |
00:14:22 |
Marla... |
00:14:24 |
the little scratch |
00:14:26 |
that would heal if only |
00:14:28 |
but you can't. |
00:14:30 |
...deeper |
00:14:31 |
as you walk. |
00:14:34 |
You feel the healing energy |
00:14:36 |
all around you. |
00:14:40 |
Now find your power animal. |
00:14:46 |
Slide. |
00:14:51 |
OK. Now let's partner up. |
00:14:54 |
Pick someone special |
00:15:03 |
Hey. |
00:15:06 |
We need to talk. |
00:15:07 |
Sure. |
00:15:13 |
I'm onto you. |
00:15:14 |
What? |
00:15:15 |
Yeah. You're a faker. |
00:15:16 |
You're not dying. |
00:15:18 |
Sorry? |
00:15:19 |
In the Tibetan philosophy, |
00:15:22 |
I know we're all... |
00:15:24 |
But you're not dying the way |
00:15:28 |
So? |
00:15:30 |
So you're a tourist. |
00:15:32 |
OK? I've seen you. |
00:15:34 |
saw you at melanoma, |
00:15:35 |
saw you |
00:15:37 |
I saw you at |
00:15:39 |
I saw you |
00:15:40 |
Practicing what? |
00:15:42 |
Telling me off. |
00:15:43 |
Is it going as well |
00:15:46 |
"RUPERT"? |
00:15:47 |
I'll expose you. |
00:15:48 |
Go ahead. |
00:15:50 |
Leader: All right, |
00:15:51 |
Let yourselves cry. |
00:15:59 |
[Crying Softly] |
00:16:01 |
Oh, God, why |
00:16:03 |
It's cheaper than a movie, |
00:16:06 |
No, look... |
00:16:07 |
this is important, OK? |
00:16:09 |
These are my groups. |
00:16:10 |
I've been coming here |
00:16:11 |
Why do you do it? |
00:16:14 |
I don't know. |
00:16:15 |
When people think |
00:16:16 |
man, they really, |
00:16:18 |
instead of just... |
00:16:19 |
Instead of just waiting |
00:16:23 |
Yeah. |
00:16:25 |
Yeah. |
00:16:26 |
Share yourself... completely. |
00:16:30 |
OK, you don't want |
00:16:32 |
It becomes an addiction. |
00:16:33 |
Really? |
00:16:34 |
I'm not kidding. |
00:16:35 |
I can't cry if there's |
00:16:38 |
and I need this. |
00:16:39 |
So you got to find |
00:16:41 |
Candy stripe |
00:16:43 |
It's not my problem. |
00:16:47 |
Wait, wait, wait. |
00:16:49 |
Whoa. Hold on. |
00:16:51 |
We're gonna split up |
00:16:52 |
You take lymphoma |
00:16:54 |
You take |
00:16:55 |
My smoking doesn't |
00:16:57 |
- OK. Good. Fine. |
00:16:59 |
Testicular cancer should be |
00:17:01 |
Well, technically, |
00:17:02 |
I have more right to |
00:17:04 |
You still have |
00:17:05 |
You're kidding. |
00:17:06 |
I don't know. Am I? |
00:17:08 |
No. No. |
00:17:09 |
What do you want? |
00:17:10 |
I'll take the parasites. |
00:17:12 |
You can't have |
00:17:13 |
but why don't you take |
00:17:15 |
I want brain parasites. |
00:17:16 |
I'll take |
00:17:18 |
but I'm gonna take the |
00:17:20 |
I want that. |
00:17:21 |
You can't have |
00:17:22 |
So far you have 4. |
00:17:25 |
OK. |
00:17:26 |
Take both the parasites. |
00:17:29 |
Now we both have 3. |
00:17:35 |
Hey, you left |
00:17:37 |
[Tires Squealing] |
00:17:40 |
[Horn Honking] |
00:17:42 |
[Honks] |
00:17:53 |
What, are you selling those? |
00:17:55 |
What, are you selling those? |
00:17:55 |
Yes! I'm selling |
00:17:57 |
So, |
00:17:58 |
we each have 3. |
00:18:00 |
What about the seventh day? |
00:18:02 |
Narrator: The girl |
00:18:03 |
Thank you. |
00:18:04 |
No. No, I... |
00:18:05 |
I want bowel cancer. |
00:18:08 |
That's your favorite, too? |
00:18:09 |
Try to slip it by me, eh? |
00:18:12 |
Look, we're gonna |
00:18:13 |
Take the first and third |
00:18:18 |
Deal. |
00:18:22 |
Looks like |
00:18:24 |
Well, let's not make a |
00:18:26 |
How's this for not |
00:18:31 |
[Door Opens] |
00:18:33 |
Hey, Marla! |
00:18:34 |
[Horn Honks] |
00:18:35 |
Marla! |
00:18:37 |
May-Maybe we should |
00:18:40 |
Should we? |
00:18:41 |
W-We might want |
00:18:45 |
OK. |
00:18:51 |
Narrator: This is how I met |
00:18:53 |
[Humming] |
00:18:55 |
Marla's philosophy of life |
00:18:57 |
was that she might die |
00:18:59 |
The tragedy, she said, |
00:19:02 |
It doesn't have |
00:19:03 |
Who are you, |
00:19:04 |
Cornelius, |
00:19:06 |
Travis, |
00:19:07 |
any of the |
00:19:09 |
you give each |
00:19:13 |
You wake up |
00:19:16 |
S.F.O... |
00:19:17 |
L.A.X... |
00:19:19 |
You wake up at O'Hare... |
00:19:21 |
Dallas-Fort Worth... |
00:19:23 |
B.W.I... |
00:19:25 |
Pacific, mountain, |
00:19:27 |
Lose an hour, |
00:19:29 |
Check-in for that |
00:19:30 |
for another 2 hours, |
00:19:32 |
This is your life, and it's |
00:19:36 |
You wake up at Air Harbor |
00:19:39 |
P.A.: the aircraft has |
00:19:41 |
If you wake up |
00:19:42 |
in a different place, |
00:19:44 |
could you wake up |
00:19:48 |
Everywhere I travel, |
00:19:50 |
tiny life... |
00:19:51 |
single-serving sugar... |
00:19:53 |
single-serving cream... |
00:19:54 |
single pat of butter... |
00:19:56 |
a microwave cordon-bleu |
00:19:59 |
Shampoo-conditioner combos. |
00:20:01 |
Sample package mouthwash, |
00:20:06 |
The people I meet |
00:20:09 |
they're single-serving |
00:20:12 |
Between takeoff and landing, |
00:20:15 |
but that's all we get. |
00:20:17 |
Together: Welcome! |
00:20:21 |
Narrator: On |
00:20:22 |
the survival rate |
00:20:25 |
I was a recall coordinator. |
00:20:27 |
My job was |
00:20:29 |
Here's where |
00:20:30 |
went through |
00:20:32 |
3 points. |
00:20:33 |
Narrator: A new car |
00:20:34 |
leaves somewhere traveling |
00:20:37 |
The rear differential |
00:20:39 |
The teenager's braces |
00:20:40 |
are wrapped around |
00:20:42 |
Might make |
00:20:44 |
Narrator: |
00:20:46 |
with everyone |
00:20:47 |
Now, should we |
00:20:50 |
The father |
00:20:51 |
You see |
00:20:52 |
has burned |
00:20:54 |
the polyester shirt? |
00:20:55 |
- Very modern art. |
00:20:57 |
Narrator: Take the number of |
00:21:00 |
multiply it by the probable |
00:21:03 |
then multiply the result |
00:21:04 |
by the average out-of-court |
00:21:07 |
"A" times "B" times "C" |
00:21:09 |
equals "X." |
00:21:11 |
If "X" is less |
00:21:14 |
we don't do one. |
00:21:16 |
Are there a lot |
00:21:18 |
of these kinds |
00:21:20 |
You wouldn't believe. |
00:21:23 |
Which car company |
00:21:26 |
A major one. |
00:21:30 |
Narrator: Every time the plane |
00:21:32 |
on takeoff or landing, |
00:21:34 |
I prayed for a crash |
00:21:36 |
or a midair collision. |
00:21:38 |
Anything. |
00:21:43 |
[Screaming] |
00:21:49 |
Life insurance |
00:21:50 |
if you die |
00:21:52 |
[Ding] |
00:21:55 |
"If you are seated in an |
00:21:58 |
Yeah... |
00:21:59 |
"And you feel |
00:22:01 |
or unwilling to |
00:22:02 |
listed on |
00:22:04 |
please ask |
00:22:06 |
to reseat you." |
00:22:08 |
It's a lot |
00:22:10 |
Wanna switch seats? |
00:22:13 |
No. I'm not sure |
00:22:14 |
for that particular job. |
00:22:16 |
An exit-door procedure |
00:22:19 |
Mm-hmm. |
00:22:21 |
The illusion of safety. |
00:22:23 |
Yeah. I guess so. |
00:22:26 |
You know why they put |
00:22:28 |
So you can breathe. |
00:22:30 |
Oxygen gets you high. |
00:22:33 |
In a catastrophic |
00:22:35 |
you're taking giant |
00:22:38 |
Suddenly you become |
00:22:40 |
You accept your fate. |
00:22:43 |
It's all right here. |
00:22:45 |
Emergency |
00:22:47 |
600 miles an hour. |
00:22:49 |
Blank faces, |
00:22:50 |
calm as Hindu cows. |
00:22:51 |
That's, um... |
00:22:54 |
That's an interesting |
00:22:59 |
What do you do? |
00:23:01 |
What do you mean? |
00:23:02 |
What do you do |
00:23:03 |
Why? So you can pretend |
00:23:07 |
[Laughs] |
00:23:09 |
OK. |
00:23:10 |
You have a kind of |
00:23:12 |
in your laugh. |
00:23:16 |
We have |
00:23:20 |
Soap. |
00:23:22 |
Sorry? |
00:23:23 |
I make |
00:23:26 |
the yardstick |
00:23:29 |
Narrator: And this is |
00:23:30 |
"Tyler Durden." |
00:23:32 |
Did you know, if you |
00:23:34 |
of gasoline and frozen |
00:23:36 |
you can make napalm? |
00:23:38 |
No, I did not know that. |
00:23:40 |
That's right. |
00:23:41 |
One can make all kinds |
00:23:43 |
using simple |
00:23:44 |
Really? |
00:23:46 |
If one were |
00:23:52 |
Tyler, you are, by far, |
00:23:55 |
"single-serving" friend |
00:23:57 |
See, obviously, |
00:23:59 |
everything on a plane |
00:24:01 |
Oh, I get it. |
00:24:04 |
Thank you. |
00:24:05 |
How's that working out |
00:24:08 |
What? |
00:24:09 |
Being clever. |
00:24:10 |
Great. |
00:24:13 |
Keep it up, then. |
00:24:15 |
Right up. |
00:24:17 |
Now a question |
00:24:19 |
As I pass, |
00:24:20 |
do I give you the ass |
00:24:29 |
Narrator: How I came |
00:24:32 |
airlines have this policy |
00:24:43 |
Was... Was it ticking? |
00:24:44 |
Actually, throwers don't |
00:24:47 |
'cause modern bombs |
00:24:48 |
Sorry. "Throwers"? |
00:24:50 |
Baggage handlers. |
00:24:51 |
But when a suitcase |
00:24:54 |
then the thrower's |
00:24:57 |
My suitcase... was vibrating? |
00:24:59 |
9 times out of 10, |
00:25:01 |
but every once |
00:25:07 |
[Whispering] |
00:25:10 |
Of course, |
00:25:12 |
never to imply |
00:25:13 |
in the event |
00:25:15 |
We have to use |
00:25:16 |
a dildo. |
00:25:17 |
Never your dildo. |
00:25:21 |
I don't own a... |
00:25:25 |
Narrator: I had everything |
00:25:27 |
my CK shirts, |
00:25:29 |
my DKNY shoes, |
00:25:30 |
my AX ties. |
00:25:33 |
Never mind. |
00:25:36 |
Man: Hey! That's my car! |
00:25:41 |
[Police Radio Chatter] |
00:25:43 |
[Siren] |
00:25:46 |
Home was a condo |
00:25:49 |
of a filing cabinet for widows |
00:25:52 |
The walls |
00:25:54 |
A foot of concrete's |
00:25:56 |
when your next-door neighbor |
00:25:58 |
and has to watch game shows |
00:26:01 |
Or when a volcanic blast |
00:26:02 |
and debris that used to be your |
00:26:05 |
blows out of your |
00:26:07 |
and sails flaming |
00:26:09 |
[Helicopter Circling] |
00:26:15 |
I suppose |
00:26:30 |
There's nothing up there. |
00:26:33 |
You can't go |
00:26:35 |
Police orders. |
00:26:45 |
Do you have somebody |
00:26:48 |
Narrator: How embarrassing. |
00:26:50 |
A house full of condiments |
00:27:02 |
The police would |
00:27:04 |
that the pilot light |
00:27:06 |
letting out just |
00:27:10 |
That gas could have |
00:27:12 |
1,700 square feet |
00:27:15 |
for days and days. |
00:27:24 |
Then the refrigerator's |
00:27:26 |
[Telephone Ringing] |
00:27:28 |
Marla: Yeah? |
00:27:34 |
I can hear you |
00:27:45 |
If you asked me now, |
00:27:47 |
I couldn't tell you |
00:27:56 |
[Telephone Ringing |
00:28:19 |
[Ring] |
00:28:24 |
[Ring] |
00:28:29 |
[Ring] |
00:28:31 |
Hello? |
00:28:33 |
Man: Who's this? |
00:28:34 |
[Potato Chips Crunching] |
00:28:36 |
Tyler? |
00:28:37 |
Who is this? |
00:28:39 |
Um, ahem, we met |
00:28:42 |
We had the same |
00:28:44 |
[Crunching] |
00:28:45 |
Uh, the clever guy. |
00:28:47 |
Oh, yeah. Right. OK? |
00:28:51 |
I called |
00:28:53 |
There was no answer. |
00:28:55 |
Yeah. I star-69ed you. |
00:28:57 |
I never pick up my phone. |
00:28:59 |
[Crunching] |
00:29:00 |
So, what's up, man? |
00:29:02 |
Uh, well... |
00:29:05 |
you're not gonna |
00:29:10 |
Tyler: You know, man, |
00:29:12 |
A woman could |
00:29:13 |
while you're sleeping |
00:29:14 |
and toss it |
00:29:16 |
of a moving car. |
00:29:17 |
There's always that. |
00:29:18 |
I don't know, |
00:29:20 |
when you buy furniture, |
00:29:22 |
you tell yourself, |
00:29:23 |
That's the last sofa |
00:29:25 |
Whatever else happens, |
00:29:26 |
I've got that |
00:29:28 |
I had it all. |
00:29:30 |
I had a stereo |
00:29:32 |
a wardrobe that was getting |
00:29:34 |
I was close |
00:29:38 |
Shit, man. |
00:29:39 |
All gone. |
00:29:40 |
Hmm. All gone. |
00:29:45 |
Do you know |
00:29:47 |
Comforter. |
00:29:48 |
It's a blanket. |
00:29:50 |
Just a blanket. |
00:29:51 |
Why do guys |
00:29:53 |
know what |
00:29:54 |
Is this essential |
00:29:56 |
in the hunter-gatherer |
00:29:58 |
No. |
00:29:59 |
What are we, then? |
00:30:02 |
We're, uh, you know, |
00:30:05 |
Right. We're consumers. |
00:30:06 |
We are by-products of |
00:30:10 |
Murder, crime, poverty... |
00:30:12 |
these things |
00:30:14 |
What concerns me are |
00:30:17 |
television |
00:30:20 |
some guy's name |
00:30:22 |
Rogaine, Viagra, |
00:30:24 |
Martha Stewart. |
00:30:25 |
Fuck Martha Stewart. |
00:30:27 |
Martha's polishing the brass |
00:30:29 |
It's all going down, man. |
00:30:31 |
So fuck off |
00:30:33 |
and Strinne green |
00:30:36 |
I say, |
00:30:38 |
I say, |
00:30:40 |
I say, let's... |
00:30:42 |
Let the chips |
00:30:47 |
But that's me, |
00:30:49 |
Maybe it's a terrible |
00:30:51 |
No. It's just stuff. |
00:30:53 |
It's not a tragedy, |
00:30:54 |
Well, you did lose |
00:30:55 |
a lot of versatile solutions |
00:30:58 |
Fuck. You're right. |
00:30:59 |
No. I don't smoke. |
00:31:04 |
My insurance is probably |
00:31:10 |
What? |
00:31:12 |
The things you own |
00:31:19 |
But do what |
00:31:21 |
[Sigh] |
00:31:22 |
Oh, it's late. |
00:31:23 |
Hey, thanks |
00:31:25 |
Yeah, man. |
00:31:27 |
I should find |
00:31:30 |
Oh. |
00:31:31 |
What? |
00:31:32 |
What? |
00:31:33 |
A hotel. |
00:31:34 |
Yeah. |
00:31:35 |
Just ask, man. |
00:31:36 |
What are you |
00:31:39 |
Oh, God. |
00:31:40 |
3 pitchers of beer, |
00:31:41 |
and you still |
00:31:45 |
What? |
00:31:46 |
You called me 'cause you |
00:31:48 |
Oh, hey, no, no, no. |
00:31:49 |
Yes, you did. |
00:31:51 |
Cut the foreplay |
00:31:56 |
Would that |
00:31:58 |
Is it a problem |
00:32:01 |
Can I stay |
00:32:03 |
Yeah. |
00:32:05 |
Thanks. |
00:32:10 |
I want you |
00:32:13 |
Yeah, sure. |
00:32:14 |
I want you to hit me |
00:32:17 |
What? |
00:32:19 |
I want you to hit me |
00:32:23 |
Narrator: Let me tell you |
00:32:24 |
about Tyler Durden. |
00:32:26 |
Tyler was a night person. |
00:32:28 |
While the rest of us |
00:32:29 |
he worked. |
00:32:31 |
He had one part-time job |
00:32:34 |
See, a movie doesn't come |
00:32:36 |
It comes on a few. |
00:32:37 |
So someone has to be there |
00:32:39 |
at the exact moment |
00:32:42 |
and the next one begins. |
00:32:43 |
If you look for it, |
00:32:45 |
come into the upper right-hand |
00:32:47 |
[Beep] |
00:32:48 |
In the industry, |
00:32:49 |
we call them |
00:32:51 |
That's the cue |
00:32:53 |
He flips the projectors, |
00:32:54 |
the movie keeps |
00:32:56 |
and nobody in the audience |
00:32:58 |
Why would anyone want |
00:33:00 |
Because it affords him other |
00:33:03 |
Because it affords him other |
00:33:03 |
Like splicing single frames |
00:33:05 |
into family films. |
00:33:07 |
So when the snooty cat |
00:33:09 |
with the celebrity voices |
00:33:11 |
meet for the first time |
00:33:13 |
that's when you'll |
00:33:14 |
of Tyler's contribution |
00:33:16 |
[Characters On Screen |
00:33:19 |
[Woman Moans] |
00:33:20 |
[Merry Song Continues] |
00:33:23 |
Nobody knows |
00:33:25 |
but they did. |
00:33:26 |
A nice big cock. |
00:33:31 |
[Crying] |
00:33:33 |
Even a hummingbird couldn't |
00:33:41 |
Tyler also works sometimes |
00:33:44 |
at the luxurious |
00:33:50 |
[Urinating] |
00:33:51 |
He was the guerilla |
00:33:53 |
of the food service |
00:33:55 |
Do not watch. |
00:33:56 |
I cannot go |
00:33:58 |
Apart from seasoning |
00:34:00 |
he farted on meringues, |
00:34:01 |
sneezed |
00:34:03 |
And as for the cream |
00:34:04 |
well... |
00:34:05 |
Go ahead, tell them. |
00:34:07 |
You get the idea. |
00:34:09 |
What do you want me to do? |
00:34:11 |
Come on. Do me |
00:34:12 |
Why? |
00:34:13 |
Why? I don't know why. |
00:34:15 |
I've never been in a fight. |
00:34:16 |
No, but that's |
00:34:17 |
No, it is not. |
00:34:18 |
How much can you |
00:34:19 |
if you've never |
00:34:21 |
I don't wanna die |
00:34:22 |
So, come on, hit me |
00:34:24 |
God, this is crazy. |
00:34:27 |
So go crazy. |
00:34:29 |
Hey, I don't know |
00:34:31 |
I don't, either, |
00:34:33 |
No one's watching. |
00:34:35 |
Wait. This is crazy. |
00:34:37 |
That's right. |
00:34:39 |
What, like, |
00:34:41 |
Surprise me. |
00:34:45 |
This is so |
00:34:56 |
Ohh! |
00:34:57 |
Motherfucker! |
00:35:00 |
You hit me |
00:35:02 |
Well, Jesus, |
00:35:04 |
Ow! Christ! |
00:35:06 |
Why the ear, man? |
00:35:07 |
Aw, I fucked it up. |
00:35:09 |
No. That was perfect. |
00:35:10 |
Ohh! Uhh! |
00:35:22 |
Nah, it's all right. |
00:35:26 |
That really hurts. |
00:35:27 |
Right. |
00:35:30 |
Hit me again. |
00:35:32 |
[Laughing] |
00:35:33 |
No. You hit me. |
00:35:34 |
Come on. |
00:35:51 |
We should do this |
00:36:07 |
Where's your car? |
00:36:08 |
What car? |
00:36:09 |
[Belches] |
00:36:20 |
Narrator: I don't know how |
00:36:22 |
but he said |
00:36:24 |
It looked like it was |
00:36:27 |
Most of the windows |
00:36:30 |
There was no lock |
00:36:32 |
from when the police |
00:36:35 |
The stairs |
00:36:37 |
I didn't know if he owned it |
00:36:40 |
Neither would have |
00:36:43 |
Yeah. That's you. |
00:36:45 |
That's me. |
00:36:46 |
That's the toilet. |
00:36:48 |
Good? |
00:36:49 |
Yeah. Thanks. |
00:36:51 |
Narrator: What a shithole. |
00:36:53 |
[Springs Clang] |
00:36:55 |
Nothing worked. |
00:36:56 |
[Water Pipes Rumble] |
00:36:58 |
Turning on one light |
00:36:59 |
meant another light |
00:37:02 |
There were no neighbors, |
00:37:04 |
just some warehouses |
00:37:06 |
that fart smell of steam, |
00:37:08 |
the hamster cage smell |
00:37:10 |
After work tomorrow, |
00:37:12 |
Hey. What have |
00:37:29 |
Hey, guys. |
00:37:30 |
Hey. |
00:37:31 |
It's cool. |
00:37:33 |
Ohh! |
00:37:34 |
[Whistling |
00:37:42 |
Every time it rained, |
00:37:46 |
By the end |
00:37:48 |
I didn't miss TV. |
00:37:50 |
I didn't even mind the warm, |
00:38:06 |
Can I be next? |
00:38:13 |
All right, man. |
00:38:14 |
Lose the tie. |
00:38:18 |
[Ricocheting |
00:38:19 |
Ooh! |
00:38:21 |
Narrator: At night, |
00:38:23 |
for a half a mile |
00:38:27 |
[Clang] |
00:38:31 |
Rain trickled down |
00:38:33 |
and the light fixtures. |
00:38:35 |
Everything wooden |
00:38:37 |
Everywhere were rusted nails |
00:38:41 |
The previous occupant had been |
00:38:44 |
Hey, man, what |
00:38:46 |
Listen to this. |
00:38:47 |
It's an article |
00:38:49 |
in the first person. |
00:38:50 |
"I am Jack's |
00:38:53 |
Without me, Jack |
00:38:55 |
his heart rate, |
00:38:57 |
There's a whole series |
00:39:00 |
"I am Jill's nipples." |
00:39:02 |
"I am Jack's colon." |
00:39:04 |
Yeah. "I get cancer. |
00:39:08 |
Whoa... Ohh! |
00:39:10 |
Narrator: After fighting, |
00:39:12 |
everything else in your life |
00:39:14 |
[Muted Complaining] |
00:39:17 |
What? |
00:39:18 |
You could deal |
00:39:20 |
Have you finished |
00:39:26 |
Tyler: If you could |
00:39:27 |
who would you fight? |
00:39:29 |
I'd fight my boss, |
00:39:31 |
Really? |
00:39:33 |
Yeah. Why, who would |
00:39:35 |
I'd fight my dad. |
00:39:36 |
I don't know my dad. |
00:39:38 |
I mean, I know him, |
00:39:40 |
but he left when I was, |
00:39:43 |
married this other woman |
00:39:46 |
He, like, did this |
00:39:47 |
He goes to a new city |
00:39:50 |
Fucker should open up |
00:39:54 |
My dad never |
00:39:56 |
so it was real |
00:39:58 |
That sounds familiar. |
00:39:59 |
So I graduate, I call |
00:40:01 |
I say, "Dad, now what?" |
00:40:05 |
Same here. |
00:40:06 |
Now I'm 25. |
00:40:07 |
I make |
00:40:08 |
I say, "Dad, now what?" |
00:40:11 |
He says, "I don't know. |
00:40:13 |
Eh, I mean... |
00:40:15 |
I can't get married. |
00:40:16 |
[Thunder] |
00:40:18 |
I'm a 30-year-old boy. |
00:40:19 |
We're a generation |
00:40:21 |
raised by women. |
00:40:22 |
I'm wondering |
00:40:25 |
is really |
00:40:32 |
Narrator: Most of the week, |
00:40:35 |
[Whistling] |
00:40:37 |
But every Saturday night, |
00:40:38 |
But every Saturday night, |
00:40:39 |
we were finding |
00:40:41 |
We were finding out |
00:40:43 |
that we were not alone. |
00:40:47 |
Man: Who turned |
00:40:49 |
It used to be |
00:40:50 |
that when I came home |
00:40:52 |
I'd just clean my condo, |
00:40:53 |
polish |
00:40:55 |
I should've been looking |
00:40:58 |
I should've been haggling |
00:41:01 |
I should've been upset about my |
00:41:04 |
But I wasn't. |
00:41:06 |
The basic premise |
00:41:07 |
of cyber-netting |
00:41:09 |
is make things |
00:41:11 |
Narrator: Monday mornings, |
00:41:12 |
was think about |
00:41:13 |
Can I get the icon |
00:41:16 |
Absolutely. |
00:41:18 |
Efficiency is priority |
00:41:21 |
because waste |
00:41:24 |
I showed this already |
00:41:25 |
You liked it, |
00:41:31 |
Narrator: You can swallow |
00:41:33 |
before you get sick. |
00:41:35 |
It was right |
00:41:38 |
Tyler and I |
00:41:40 |
It was on the tip |
00:41:42 |
Tyler and I just |
00:41:53 |
[Loud Rock Music Playing] |
00:41:56 |
Come on, people, |
00:42:19 |
Turn off the jukebox. |
00:42:43 |
[Someone Spits] |
00:42:45 |
Narrator: Every week, |
00:42:47 |
that he and I decided. |
00:42:48 |
Gentlemen, welcome |
00:42:55 |
The first rule |
00:42:56 |
you do not talk |
00:42:59 |
The second rule |
00:43:02 |
you do not talk |
00:43:06 |
Third rule of Fight Club... |
00:43:07 |
Someone yells "Stop!" |
00:43:11 |
the fight is over. |
00:43:12 |
Fourth rule... |
00:43:14 |
Only 2 guys to a fight. |
00:43:16 |
Fifth rule... |
00:43:17 |
One fight at a time, |
00:43:20 |
[Laughter] |
00:43:21 |
Sixth rule... |
00:43:23 |
Seventh rule... |
00:43:25 |
Fights will go on |
00:43:29 |
And the eighth |
00:43:32 |
If this is your first night |
00:43:36 |
you have to fight. |
00:43:38 |
[Loud Shouting, Cheering] |
00:43:42 |
Narrator: This kid from work, |
00:43:44 |
couldn't remember |
00:43:46 |
with blue ink or black... |
00:43:49 |
Come on, man! |
00:43:50 |
But Ricky was a god |
00:43:52 |
when the trounced the maitre d' |
00:43:57 |
Sometimes, |
00:43:59 |
were the flat, hard |
00:44:01 |
over the yelling... |
00:44:05 |
or the wet choke when |
00:44:08 |
and sprayed... |
00:44:09 |
Stop! |
00:44:11 |
You weren't alive anywhere |
00:44:14 |
But Fight Club |
00:44:15 |
in the hours between |
00:44:17 |
and when Fight Club ends. |
00:44:19 |
Even if I could tell someone |
00:44:22 |
I wouldn't be talking |
00:44:24 |
Who you were |
00:44:26 |
is not who you were |
00:44:28 |
The guy who came to Fight Club |
00:44:31 |
his ass |
00:44:33 |
After a few weeks, |
00:44:35 |
he was carved |
00:44:36 |
If you could fight |
00:44:38 |
who would you fight? |
00:44:40 |
Alive or dead? |
00:44:41 |
It doesn't matter. |
00:44:44 |
Hemingway. |
00:44:45 |
You? |
00:44:48 |
Shatner. |
00:44:49 |
I'd fight |
00:44:53 |
Narrator: We all started |
00:44:56 |
Everywhere we went, |
00:44:57 |
we were sizing things up. |
00:45:04 |
I felt sorry for guys |
00:45:06 |
trying to look like |
00:45:09 |
or Tommy Hilfiger |
00:45:11 |
Is that what a man |
00:45:12 |
[Laughing] |
00:45:14 |
Ahh. Self-improvement |
00:45:17 |
And self-destruction. |
00:45:19 |
Excuse me. |
00:45:21 |
[Screaming] |
00:45:32 |
Kick his ass! |
00:45:33 |
Hit him again, man! |
00:45:55 |
Fight Club wasn't about |
00:45:58 |
It wasn't about words. |
00:46:03 |
The hysterical shouting |
00:46:06 |
like in |
00:46:13 |
- Is that it? |
00:46:14 |
When the fight |
00:46:16 |
nothing was solved, |
00:46:18 |
but nothing mattered. |
00:46:20 |
Hey, cool. |
00:46:23 |
Narrator: Afterwards, |
00:46:27 |
Hey, man, how |
00:46:29 |
How about next month? |
00:46:31 |
I hear you. |
00:46:32 |
Irwin, you're |
00:46:33 |
New guy. You, too. |
00:46:37 |
Narrator: Sometimes, |
00:46:39 |
He fell down |
00:46:41 |
I fell down |
00:46:46 |
Fight Club became the reason |
00:46:49 |
or trim your fingernails. |
00:46:51 |
OK. Any |
00:46:54 |
I'd fight Gandhi. |
00:46:57 |
Good answer. |
00:46:58 |
How about you? |
00:46:59 |
Lincoln. |
00:47:00 |
Lincoln? |
00:47:02 |
Mm. |
00:47:03 |
Big guy, big reach. |
00:47:04 |
Skinny guys fight |
00:47:07 |
Fuck. |
00:47:10 |
Hey. Even the Mona Lisa's |
00:47:18 |
[Ring] |
00:47:22 |
Hello. |
00:47:24 |
Marla: Where have |
00:47:25 |
the last 8 weeks? |
00:47:27 |
Marla? |
00:47:28 |
[Chop Socky Yell] |
00:47:31 |
How'd you find me? |
00:47:33 |
You left that |
00:47:34 |
I haven't seen you |
00:47:37 |
We split them up. |
00:47:38 |
That was the idea, |
00:47:40 |
Yeah, but you haven't |
00:47:43 |
How do you know? |
00:47:45 |
I cheated. |
00:47:47 |
I found a new one. |
00:47:49 |
Really? |
00:47:51 |
It's for men only. |
00:47:52 |
Like the testicle thing? |
00:47:53 |
Waaah! |
00:47:58 |
Look, this is a bad time. |
00:47:59 |
I've been going |
00:48:02 |
You wanna see some |
00:48:04 |
I'm just on my way out. |
00:48:05 |
Me, too. |
00:48:06 |
I've got a stomachful |
00:48:07 |
I took what was left |
00:48:10 |
It might have been |
00:48:12 |
Narrator: Just picture |
00:48:14 |
throw herself around |
00:48:16 |
But this isn't a |
00:48:18 |
This is probably one of |
00:48:21 |
Narrator: This could |
00:48:22 |
So you're staying in |
00:48:24 |
Do you wanna wait |
00:48:25 |
and hear me |
00:48:27 |
Do you wanna listen |
00:48:28 |
and see if my spirit |
00:48:33 |
Have you ever heard |
00:49:02 |
Narrator: |
00:49:04 |
I'd been living here |
00:49:06 |
and Tyler's door |
00:49:09 |
[Footsteps On Stairs] |
00:49:13 |
You won't believe this dream |
00:49:16 |
Yeah, I can hardly believe |
00:49:25 |
[Gargling] |
00:49:27 |
[Chuckles] |
00:49:28 |
What... What are you |
00:49:34 |
What? |
00:49:35 |
This is my house. What are |
00:49:40 |
Fuck you. |
00:49:55 |
Ha ha! Ohh... |
00:49:57 |
Oh, you got some fucked-up |
00:50:00 |
[Chuckling] |
00:50:01 |
Limber, though... |
00:50:03 |
silly coos. |
00:50:06 |
So, I come in last night. |
00:50:08 |
Guess who's |
00:50:10 |
Narrator: I already knew the story |
00:50:16 |
Have you ever heard |
00:50:18 |
Do you think it'll |
00:50:21 |
Or will it just be |
00:50:25 |
[Coughs] |
00:50:29 |
Prepare... |
00:50:34 |
Marla, Continuing: |
00:50:36 |
8... |
00:50:37 |
Now, how could Tyler, |
00:50:40 |
think it was a bad thing that |
00:50:44 |
Marla: 5... |
00:50:46 |
4... |
00:50:48 |
3... Oh, hang on. |
00:50:55 |
You got here fast. |
00:50:59 |
Did I call you? |
00:51:03 |
Huh? |
00:51:05 |
Hey. |
00:51:12 |
The mattress is all sealed |
00:51:16 |
[Rattling] |
00:51:18 |
Oh, don't worry. |
00:51:21 |
[Siren] |
00:51:24 |
Oh, fuck. |
00:51:25 |
Somebody called the cops. |
00:51:27 |
[Voices Over Police Radio] |
00:51:40 |
Hey, where's 513? |
00:51:41 |
End of the hall. |
00:51:44 |
You know, the girl |
00:51:45 |
used to be a charming, |
00:51:47 |
She's lost faith |
00:51:50 |
Miss Singer! |
00:51:51 |
She's a monster. |
00:51:53 |
You have every |
00:51:54 |
She's infectious |
00:51:57 |
Miss Singer! |
00:51:58 |
Good luck |
00:52:06 |
If I fall asleep, |
00:52:11 |
You're gonna have to |
00:52:14 |
all... night. |
00:52:16 |
Un-fucking-believable. |
00:52:19 |
Narrator: He was obviously |
00:52:21 |
You know what I mean. |
00:52:24 |
No, I didn't. |
00:52:25 |
Never? |
00:52:26 |
No. |
00:52:29 |
You're not into her, |
00:52:30 |
No! God, not at all. |
00:52:33 |
Narrator: I am Jack's |
00:52:35 |
Are you sure? |
00:52:37 |
Believe me, I'm sure. |
00:52:39 |
Narrator: Put a gun |
00:52:40 |
and paint the walls |
00:52:42 |
That's good, |
00:52:43 |
posing |
00:52:44 |
Stay away |
00:52:46 |
[Chuckling] |
00:52:48 |
And the shit that came out |
00:52:50 |
I ain't never heard. |
00:52:51 |
My God. |
00:52:52 |
I haven't been fucked |
00:52:56 |
Uhh! |
00:52:57 |
Narrator: How could |
00:52:59 |
The night before last, |
00:53:01 |
sex organs |
00:53:02 |
Marla doesn't |
00:53:04 |
She needs |
00:53:05 |
She needs a wash. And she's |
00:53:08 |
Narrator: She invaded |
00:53:10 |
Now she'd invaded my home. |
00:53:11 |
Hey, hey. |
00:53:18 |
Now, listen. Can't have you |
00:53:20 |
Why would I talk |
00:53:22 |
You say anything about me |
00:53:24 |
to her or to anybody, |
00:53:27 |
Now, promise me. |
00:53:29 |
OK. |
00:53:30 |
You promise? |
00:53:31 |
- Yeah, I promise. |
00:53:33 |
I just said |
00:53:34 |
That's 3 times |
00:53:38 |
Narrator: If only I had wasted |
00:53:40 |
and gone to watch |
00:53:42 |
none of this |
00:53:44 |
Marla: Unhh! |
00:53:47 |
Unhh! |
00:53:48 |
[Loud Thumping] |
00:53:49 |
Yeah! Oh! |
00:53:51 |
Yeah! Ooh! Aah! |
00:53:53 |
Aah! Ohh! Aah! |
00:53:56 |
[Tyler And Marla |
00:53:59 |
I could've moved |
00:54:02 |
on the third floor, where |
00:54:05 |
Marla: Oh, baby! |
00:54:06 |
But I didn't. |
00:54:12 |
[Marla Moaning |
00:54:14 |
[Thumping And Moaning] |
00:54:16 |
Ohh! |
00:54:17 |
Ohh! Ohh! Ohh! |
00:54:21 |
Ohh! Ohh! Aaahh! |
00:54:23 |
Aah! Aah! Aah! |
00:54:25 |
[Screaming And Thumping] |
00:54:26 |
- Aah! Ohhh! Ohh! |
00:54:29 |
[Rattling] |
00:54:30 |
Marla: Ohh! |
00:54:32 |
What are you doin'? |
00:54:34 |
Just goin' to bed. |
00:54:36 |
[Marla Moans] |
00:54:37 |
Want to |
00:54:39 |
Uhh... oh! |
00:54:40 |
[Clattering] |
00:54:41 |
No. |
00:54:42 |
No, thank you. |
00:54:43 |
Marla: I found |
00:54:45 |
Who are you |
00:54:47 |
Shut up. |
00:54:48 |
I became the calm little |
00:54:51 |
[Moaning |
00:54:53 |
I was the Zen master. |
00:54:54 |
Tyler: Ohh! Ohh! Ohh! |
00:55:00 |
I wrote little haiku poems. |
00:55:02 |
I e-mailed them to everyone. |
00:55:05 |
Is that your blood? |
00:55:09 |
Some of it, yeah. |
00:55:11 |
You can't smoke |
00:55:12 |
[Snickers] |
00:55:13 |
Take the rest |
00:55:16 |
Come back Monday |
00:55:18 |
Get yourself together. |
00:55:20 |
Narrator: I got right in |
00:55:23 |
Yes, these are bruises |
00:55:25 |
Yes, I'm comfortable with that. |
00:55:27 |
I... am enlightened. |
00:55:32 |
You give up |
00:55:33 |
give up all your |
00:55:36 |
go live |
00:55:38 |
in a toxic waste |
00:55:40 |
and you have to |
00:55:43 |
Ohh! Ohh! Ohh! |
00:55:44 |
[Telephone Rings] |
00:55:47 |
[Tyler And Marla |
00:55:50 |
Marla: Ohh! Ohh! Ohh! |
00:55:52 |
[Ring] |
00:55:54 |
Hello? |
00:55:55 |
Yes. This is |
00:55:57 |
with the Arson Unit. |
00:55:59 |
We have |
00:56:00 |
about the incident |
00:56:03 |
Yes? |
00:56:04 |
I don't know |
00:56:05 |
but it seems that |
00:56:07 |
into your front door |
00:56:09 |
then tapped it with a chisel |
00:56:12 |
No, I wasn't aware |
00:56:14 |
Narrator: |
00:56:16 |
Does this sound |
00:56:18 |
Uh, yes, sir. |
00:56:20 |
The dynamite... |
00:56:21 |
Dynamite? |
00:56:22 |
left a residue |
00:56:23 |
of ammonium oxylate |
00:56:26 |
Do you know |
00:56:28 |
No. What |
00:56:30 |
It means it was |
00:56:33 |
I'm sorry. |
00:56:34 |
as quite a shock |
00:56:36 |
See, whoever set |
00:56:38 |
could've blown out |
00:56:40 |
days before |
00:56:42 |
The gas was |
00:56:44 |
Who would go and do |
00:56:45 |
I'll ask the questions. |
00:56:46 |
Tell him. |
00:56:49 |
who destroyed my property |
00:56:52 |
Detective: Excuse me. |
00:56:53 |
No, I am listening. |
00:56:55 |
what to make |
00:56:57 |
Have you recently made |
00:56:59 |
who might have access |
00:57:01 |
- Enemies? |
00:57:02 |
assumption of civilization, |
00:57:04 |
especially the importance |
00:57:06 |
Detective: |
00:57:07 |
Yes, I know |
00:57:09 |
I mean that. |
00:57:10 |
Yes, |
00:57:11 |
Look, nobody takes this |
00:57:14 |
That condo was my life. |
00:57:17 |
OK? I loved every stick |
00:57:21 |
That was not just |
00:57:23 |
that got destroyed. |
00:57:24 |
It was me! |
00:57:25 |
Narrator: I'd like |
00:57:27 |
Is this not |
00:57:28 |
Just tell him |
00:57:30 |
Shhh! |
00:57:31 |
Tell him you |
00:57:33 |
That's what |
00:57:35 |
Are you still there? |
00:57:37 |
Wait. Are you saying |
00:57:39 |
No, no. I may need to talk |
00:57:42 |
so how about you just lettin' me |
00:57:44 |
OK? |
00:57:45 |
OK. |
00:57:50 |
Narrator: Except |
00:57:51 |
Tyler and Marla were |
00:57:54 |
My parents pulled this |
00:57:57 |
The condom is the glass slipper |
00:58:01 |
You slip one on |
00:58:04 |
You... dance |
00:58:06 |
Then you |
00:58:09 |
The condom, I mean. |
00:58:12 |
What? |
00:58:14 |
[Chuckles] |
00:58:19 |
I got this dress |
00:58:22 |
It was worth |
00:58:24 |
It's a bridesmaid's dress. |
00:58:28 |
Someone loved it... |
00:58:30 |
for one day... |
00:58:33 |
then tossed it. |
00:58:36 |
Like a Christmas tree... |
00:58:39 |
so special... |
00:58:41 |
then... bam... |
00:58:44 |
it's on the side |
00:58:47 |
tinsel still |
00:58:51 |
like a sex crime victim... |
00:58:54 |
underwear inside out... |
00:58:56 |
bound with electrical tape. |
00:58:58 |
Well, then it suits you. |
00:59:01 |
You can borrow it |
00:59:08 |
[Marla Clumps |
00:59:10 |
Get rid of her. |
00:59:12 |
Why can't you |
00:59:14 |
Don't mention me. |
00:59:15 |
Narrator: |
00:59:17 |
passing messages |
00:59:23 |
I really think it's time |
00:59:24 |
Don't worry. |
00:59:26 |
Not that we don't love |
00:59:27 |
You are such |
00:59:28 |
I can't even begin |
00:59:32 |
# Gotta get off # |
00:59:35 |
Thanks. Bye. |
00:59:36 |
# Gotta get off |
00:59:43 |
[Continues Singing, |
00:59:47 |
# Gotta get on where # |
00:59:49 |
[Chuckling] |
00:59:51 |
You kids. |
00:59:52 |
Wh... Why do you still |
00:59:58 |
I'll say this |
01:00:00 |
at least she's tryin' |
01:00:02 |
What, and I'm not? |
01:00:03 |
Stickin' feathers |
01:00:04 |
does not make you |
01:00:07 |
What are we doin' tonight? |
01:00:08 |
- Tonight? |
01:00:10 |
We make soap. |
01:00:12 |
Really. |
01:00:13 |
To make soap, |
01:00:35 |
The salt balance |
01:00:37 |
so the best fat for making |
01:00:41 |
Wait. |
01:00:42 |
A liposuction clinic. |
01:00:52 |
Aha! Pay dirt. |
01:00:54 |
The richest, creamiest fat |
01:00:57 |
Fat of the land. |
01:01:06 |
Come on. |
01:01:11 |
Oh, God! Oh! |
01:01:13 |
Get another one. |
01:01:21 |
As the fat renders, the tallows |
01:01:23 |
Like in Boy Scouts. |
01:01:25 |
I can imagine you |
01:01:28 |
Keep stirrin'. |
01:01:32 |
Once the tallow hardens, |
01:01:33 |
we skim off |
01:01:35 |
If you were to add nitric |
01:01:38 |
If you were then to add |
01:01:39 |
and a dash of sawdust, |
01:01:42 |
Yeah, with enough soap, |
01:01:44 |
we could blow up |
01:01:46 |
Narrator: Tyler was full |
01:01:48 |
Now, ancient peoples found |
01:01:50 |
when they washed them at a |
01:01:52 |
- You know why? |
01:01:58 |
Human sacrifices |
01:01:59 |
on the hills |
01:02:01 |
Bodies burned. Water seeped |
01:02:03 |
to create lye. |
01:02:05 |
This is lye, |
01:02:07 |
Once it mixed with the |
01:02:09 |
a thick, white, |
01:02:10 |
crept into the river. |
01:02:19 |
[Loud Kiss] |
01:02:21 |
What is this? |
01:02:22 |
This... is chemical burn. |
01:02:24 |
Uh... Aah! Aah! |
01:02:25 |
It'll hurt more than |
01:02:27 |
and you will have |
01:02:28 |
Narrator: If meditation worked for |
01:02:32 |
Stay with the pain. |
01:02:34 |
No, no! Oh, God! |
01:02:35 |
Look at your hand. |
01:02:37 |
The first soap was made |
01:02:38 |
like the first monkey |
01:02:40 |
Without pain, |
01:02:42 |
we would have nothin'. |
01:02:43 |
I tried not to think of the |
01:02:46 |
Stop it! |
01:02:48 |
This is your burning |
01:02:49 |
I'm going to my cave. |
01:02:50 |
I'm going to my cave |
01:02:52 |
No! Don't deal with it the way |
01:02:55 |
Come on! |
01:02:56 |
I get the point! |
01:02:57 |
No. What you're feeling |
01:03:04 |
This is the greatest moment |
01:03:06 |
and you're off |
01:03:09 |
Shut up. |
01:03:10 |
Our fathers were |
01:03:12 |
If our fathers bailed, |
01:03:13 |
what does that |
01:03:15 |
No, no. |
01:03:16 |
Listen to me. |
01:03:18 |
You have to consider |
01:03:20 |
that God |
01:03:22 |
He never wanted you. |
01:03:23 |
In all probability, |
01:03:25 |
This is not the worst thing |
01:03:27 |
We don't need Him. |
01:03:29 |
We don't! I agree! |
01:03:30 |
Fuck damnation, man. |
01:03:32 |
We are God's |
01:03:34 |
So be it! |
01:03:35 |
[Shouting |
01:03:36 |
Listen! You can run |
01:03:38 |
to make it worse, or... |
01:03:40 |
or you can use vinegar |
01:03:43 |
Please let me have |
01:03:44 |
First you have to |
01:03:46 |
First you have to know, |
01:03:49 |
know that someday |
01:03:52 |
You don't know |
01:03:54 |
[Sobbing] |
01:03:59 |
It's only after |
01:04:00 |
that we're free |
01:04:04 |
OK. |
01:04:21 |
Congratulations. |
01:04:22 |
You're one step closer |
01:04:27 |
Narrator: Tyler sold his soap |
01:04:30 |
at $20 a bar. |
01:04:31 |
God knows |
01:04:33 |
This is |
01:04:36 |
Why, thank you, |
01:04:37 |
Narrator: |
01:04:39 |
We were selling rich women |
01:04:40 |
their own fat asses |
01:04:44 |
He was wearing |
01:04:46 |
I didn't even wear a tie |
01:04:48 |
"The first rule |
01:04:50 |
is you don't talk |
01:04:52 |
Narrator: |
01:04:54 |
I must've left the original |
01:04:55 |
"The second rule of Fight Club..." |
01:04:58 |
Huh? |
01:05:00 |
Pretend you're me. |
01:05:01 |
Make a managerial |
01:05:03 |
You find this. |
01:05:11 |
Well, I gotta tell ya... |
01:05:13 |
I'd be very, very careful |
01:05:16 |
Because the person |
01:05:18 |
is dangerous. |
01:05:20 |
And this buttoned-down, |
01:05:23 |
might just snap |
01:05:24 |
and then stalk |
01:05:27 |
with an Armilade AR-10 |
01:05:31 |
semi-automatic weapon, |
01:05:32 |
pumping round |
01:05:34 |
into colleagues |
01:05:38 |
This might be someone |
01:05:41 |
someone very... |
01:05:44 |
Narrator: Tyler's words |
01:05:49 |
And I used to be |
01:05:51 |
Maybe you shouldn't bring me |
01:05:53 |
you happen to pick up. |
01:05:55 |
[Telephone Rings] |
01:05:58 |
Liability. |
01:06:00 |
My tit's gonna rot off. |
01:06:04 |
Will you excuse me? |
01:06:11 |
What're you talking about? |
01:06:13 |
I need you to check and see |
01:06:15 |
Go to a hospital. |
01:06:17 |
I can't afford to throw money |
01:06:21 |
I don't know |
01:06:22 |
Please? |
01:06:24 |
Narrator: She didn't |
01:06:26 |
I'm neutral in her book. |
01:06:30 |
That's nice. |
01:06:31 |
Taking food |
01:06:33 |
Hannaburr, |
01:06:35 |
Who are they... |
01:06:36 |
Tragically, |
01:06:38 |
I'm alive, |
01:06:40 |
You want any? |
01:06:41 |
No. No. |
01:06:42 |
I got one for you. |
01:06:43 |
Thanks for the thought. |
01:06:46 |
What happened |
01:06:49 |
Uh... nothin'. |
01:06:51 |
Right there. |
01:06:52 |
Uhh. |
01:06:54 |
Feel anything? |
01:06:56 |
No. |
01:06:57 |
Well, make sure. |
01:07:00 |
OK, I'm... |
01:07:02 |
You feel nothing. |
01:07:03 |
No. Nothing. |
01:07:07 |
Well, that's a relief. |
01:07:09 |
Thank you. |
01:07:11 |
Uh, um... |
01:07:13 |
I wish I could |
01:07:15 |
There's not a lot of breast cancer |
01:07:17 |
Could check |
01:07:18 |
I think I'm OK. |
01:07:21 |
Well, thanks, anyway. |
01:07:28 |
Are we done? |
01:07:29 |
Yeah, we're done. |
01:07:49 |
Cornelius? |
01:07:52 |
Cornelius! |
01:07:54 |
It's me... |
01:07:55 |
Bob! |
01:07:57 |
Hey... Bob. |
01:08:00 |
Hey. Uhh! |
01:08:02 |
We all thought |
01:08:03 |
No, no. Still here. |
01:08:05 |
How are you, Bob? |
01:08:07 |
Better than I've ever been |
01:08:09 |
Really. You still |
01:08:12 |
No, no. I got somethin' |
01:08:14 |
Really. |
01:08:17 |
Well... |
01:08:19 |
first rule is... |
01:08:21 |
I'm not supposed |
01:08:24 |
And the second rule is, |
01:08:26 |
I'm not supposed |
01:08:27 |
And the third |
01:08:29 |
Bob. Bob. |
01:08:32 |
Look at my face, Bob. |
01:08:34 |
[Laughing] |
01:08:36 |
That's fuckin'... |
01:08:38 |
I've... I've |
01:08:40 |
I go Tuesdays |
01:08:42 |
I go Saturday. |
01:08:44 |
Congratulations. |
01:08:47 |
Yeah. Hey, |
01:08:49 |
Have you heard about the guy |
01:08:51 |
Well, uh, |
01:08:52 |
I hear all kinds |
01:08:54 |
Supposedly... he was born |
01:08:59 |
And he sleeps only |
01:09:03 |
He's a great man. |
01:09:04 |
Oh... |
01:09:05 |
Do you know |
01:09:10 |
[Spectators Shouting |
01:09:16 |
Ha ha ha! |
01:09:23 |
Take him down! |
01:09:24 |
Take him down! |
01:09:26 |
Take him down! |
01:09:33 |
I didn't hurt you, |
01:09:35 |
Actually, you did. |
01:09:38 |
Thank you for this. |
01:09:39 |
Thank you, thank you, |
01:09:42 |
Narrator: |
01:09:43 |
Bob. Bob. Bob. Bob. |
01:09:45 |
This was mine |
01:09:46 |
our gift to the world. |
01:09:48 |
Look around. Look around. |
01:09:50 |
I see a lot |
01:09:52 |
- Ha ha! |
01:09:53 |
Shut up! |
01:09:56 |
Which means a lot of you |
01:09:58 |
have been breaking |
01:10:09 |
Man, I see in Fight Club |
01:10:10 |
the strongest and smartest |
01:10:13 |
I see all this |
01:10:16 |
And I see squandering. |
01:10:18 |
God damn it. |
01:10:19 |
An entire generation |
01:10:22 |
waiting tables... |
01:10:24 |
slaves with white collars. |
01:10:29 |
Advertising has its taste |
01:10:32 |
working jobs we hate so we can |
01:10:39 |
We're the middle children |
01:10:42 |
No purpose or place. |
01:10:44 |
We have no Great War... |
01:10:50 |
Our Great War's |
01:10:53 |
Our Great Depression |
01:11:00 |
We've all been raised |
01:11:02 |
to believe that one day |
01:11:04 |
and movie gods |
01:11:06 |
But we won't. |
01:11:08 |
We're slowly learning |
01:11:11 |
And we're very, |
01:11:14 |
- Yeah! |
01:11:15 |
[The Men Murmur] |
01:11:19 |
First rule of Fight Club is |
00:00:05 |
Who are you? |
00:00:08 |
Who am I? |
00:00:09 |
Yeah. |
00:00:12 |
There's a sign |
00:00:13 |
that says |
00:00:15 |
I'm fuckin' Lou. |
00:00:17 |
Who the fuck are you? |
00:00:19 |
Tyler Durden. |
00:00:24 |
Who told you motherfuckers |
00:00:27 |
We have a deal |
00:00:29 |
Irvin? |
00:00:30 |
Irvin's at home with |
00:00:33 |
He don't own |
00:00:35 |
I do. |
00:00:38 |
How much money is he |
00:00:40 |
There is no money. |
00:00:41 |
- Really. Ain't that somethin'? |
00:00:44 |
It is, actually. |
00:00:46 |
Look, stupid fuck... |
00:00:48 |
I want everybody |
00:00:50 |
Hey. You should |
00:00:54 |
Did you hear |
00:00:56 |
You and your friend. |
00:00:58 |
Oomp! |
00:00:59 |
Uhh! |
00:01:01 |
You hear me now?! |
00:01:04 |
No, I didn't quite |
00:01:06 |
Ooh! |
00:01:07 |
Pfft! |
00:01:10 |
Ohhh... |
00:01:13 |
Still not gettin' it. |
00:01:16 |
Aah! OK, OK, OK. |
00:01:17 |
I got it. I got it. |
00:01:20 |
Ooh! |
00:01:21 |
Back! All of you! |
00:01:24 |
[Gun Cocks] |
00:01:25 |
Everybody back. |
00:01:28 |
Ha ha ha ha ha ha ha! |
00:01:32 |
Ha ha ha ha ha! |
00:01:34 |
Aw, Lou... |
00:01:36 |
Come on, man. |
00:01:38 |
We really like |
00:01:41 |
Ohh! |
00:01:43 |
[Tyler Half Sobs, |
00:01:48 |
Ohhh... |
00:01:49 |
- That's right, Lou, get it... |
00:01:52 |
Oh, yeah! |
00:01:54 |
Yeah! Ha ha ha ha ha! |
00:01:56 |
Ho ho ho ha ha ha! |
00:01:59 |
Think that's |
00:02:00 |
Ho ho, ho! |
00:02:02 |
Ha ha ha ha... |
00:02:10 |
Fuckin' guys are loony, |
00:02:14 |
Unbelievable. Aah! |
00:02:18 |
[Choking] |
00:02:20 |
You don't know |
00:02:21 |
- Oh, my God! |
00:02:23 |
You don't know where |
00:02:26 |
Ha ha ha ha ha! |
00:02:28 |
Lou! Please let us |
00:02:30 |
Please, Lou! |
00:02:32 |
Fuckin' use the basement! |
00:02:34 |
I want your word, Lou! |
00:02:37 |
On my mother's honor. |
00:02:41 |
Uhh! |
00:02:44 |
Lou! |
00:02:46 |
Aaahhh! |
00:02:49 |
Thanks, Lou. |
00:02:52 |
You, too, big guy. |
00:02:58 |
See you next week. |
00:03:16 |
This week... |
00:03:18 |
has a homework |
00:03:20 |
You're gonna go out. |
00:03:22 |
You're gonna start a fight |
00:03:28 |
You're gonna |
00:03:30 |
And you're |
00:03:35 |
Excellent choice, |
00:03:38 |
Hey! Watch out, |
00:03:40 |
Come on! |
00:03:41 |
Narrator: Now, this is not |
00:03:46 |
I'm thinkin' |
00:03:48 |
Son of a bitch! |
00:03:49 |
Narrator: Most people... |
00:03:52 |
do just about anything |
00:03:56 |
Excuse me. |
00:03:58 |
Like that? |
00:03:59 |
That's not necessary. |
00:04:01 |
Dave! |
00:04:05 |
Aaaahhh! |
00:04:07 |
Stop it! |
00:04:09 |
Stop it! |
00:04:12 |
Sorry. |
00:04:13 |
What did... |
00:04:15 |
Leave me alone! |
00:04:18 |
Uhh! |
00:04:20 |
Unhh! Uhh! |
00:04:22 |
Bastard! |
00:04:29 |
We need to talk. |
00:04:33 |
OK. |
00:04:34 |
[Door Closes] |
00:04:36 |
Where to begin? |
00:04:38 |
With your constant |
00:04:40 |
With your unpresentable |
00:04:43 |
You're up for review. |
00:04:45 |
I am Jack's... |
00:04:48 |
What? |
00:04:49 |
Let's pretend. |
00:04:50 |
You're the Department |
00:04:52 |
OK? |
00:04:53 |
Someone informs you |
00:04:57 |
installs front seat |
00:04:59 |
that never pass |
00:05:01 |
brake linings that fail |
00:05:05 |
and fuel injectors |
00:05:07 |
and burn people alive. |
00:05:10 |
What then? |
00:05:11 |
Are you threatening me? |
00:05:13 |
No... |
00:05:14 |
Get the fuck outta here. |
00:05:16 |
I have a better solution. |
00:05:18 |
You keep me on the payroll |
00:05:22 |
And in exchange |
00:05:23 |
my job will be never |
00:05:25 |
these things |
00:05:28 |
I don't even have to come |
00:05:30 |
I can do this job |
00:05:33 |
Who... Who the fuck |
00:05:35 |
you crazy little shit? |
00:05:42 |
Security? |
00:05:43 |
Narrator: I am |
00:05:45 |
Ohh! |
00:05:52 |
Ohh! |
00:05:53 |
Ahh... ahh... |
00:05:54 |
What the hell |
00:06:05 |
Ohh... that hurt. |
00:06:09 |
Why would you do that? |
00:06:12 |
Oh, my God. |
00:06:13 |
No! Please stop! |
00:06:15 |
[Making |
00:06:18 |
Uhh! Uh... uhh! |
00:06:25 |
What are you doing? |
00:06:28 |
Oh, God, no! Please! No! |
00:06:30 |
Narrator: For some reason, |
00:06:32 |
with Tyler. |
00:06:34 |
No! |
00:07:00 |
Under and behind |
00:07:02 |
everything this man |
00:07:04 |
something horrible |
00:07:08 |
Now, look. |
00:07:09 |
Give me the paychecks |
00:07:12 |
and you won't |
00:07:14 |
And right then, at our most |
00:07:20 |
Oh... thank God. |
00:07:22 |
Please don't hit me |
00:07:24 |
Telephone, computer, |
00:07:26 |
52 weekly paychecks, and |
00:07:30 |
We now had |
00:07:33 |
This is how Tyler and I were |
00:07:35 |
every night of the week. |
00:07:37 |
[Crowd Cheering] |
00:07:39 |
Now nobody was the center |
00:07:42 |
except the 2 men fighting. |
00:07:44 |
The leader walked through the crowd, |
00:07:49 |
Tyler was now involved |
00:07:52 |
with the Pressman Hotel over |
00:08:01 |
I am Jack's wasted life. |
00:08:08 |
Yeah! Yeah! Ha ha! |
00:08:11 |
There you are, sir. |
00:08:16 |
Tyler dreamed up |
00:08:19 |
He handed them out |
00:09:01 |
Did you know |
00:09:02 |
up in Delaware City? |
00:09:03 |
Yeah, I heard. |
00:09:04 |
[Car Alarm] |
00:09:05 |
There's one |
00:09:08 |
Bob even found one |
00:09:10 |
Yeah. Did you start |
00:09:12 |
No. I thought you did. |
00:09:14 |
Nah. |
00:09:15 |
Pff! |
00:09:18 |
[Car Alarm] |
00:10:05 |
Stop for a second. |
00:10:06 |
Hey, what are we doing? |
00:10:08 |
Turn around. |
00:10:09 |
What are we doing? |
00:10:10 |
Homework assignment. |
00:10:11 |
What kind of |
00:10:13 |
Human sacrifice. |
00:10:14 |
Hey, is that a gun? |
00:10:15 |
Please. Please tell me |
00:10:17 |
It's a gun. |
00:10:18 |
What are you doing? |
00:10:19 |
Meet me in the back. |
00:10:20 |
Hey, don't fuck around. |
00:10:21 |
Meet me in the back. |
00:10:23 |
Narrator: On a long enough |
00:10:25 |
the survival rate |
00:10:28 |
What are you doing? |
00:10:30 |
Hands behind your back. |
00:10:32 |
God. |
00:10:33 |
Give me your wallet. |
00:10:35 |
Raymond K. Hessel, |
00:10:37 |
1320 Southeast Banning, |
00:10:40 |
Small, cramped basement |
00:10:41 |
How did you know? |
00:10:42 |
Because they give |
00:10:44 |
letters instead of numbers. |
00:10:46 |
Raymond... |
00:10:47 |
you're going to die. |
00:10:49 |
[Crying] |
00:10:50 |
Is that your mom and dad? |
00:10:52 |
Mom and dad are going |
00:10:53 |
kindly Dr. So-And-So |
00:10:54 |
to pick up |
00:10:56 |
You want to know why? |
00:10:57 |
Because there's going to be |
00:10:59 |
- Aw, come on. |
00:11:01 |
An expired community college |
00:11:03 |
What'd you study, Raymond? |
00:11:05 |
S-S-S-Stuff. |
00:11:06 |
Stuff? |
00:11:08 |
Were the midterms hard? |
00:11:10 |
[Whimpering] |
00:11:11 |
I asked you |
00:11:12 |
Biology, mostly. |
00:11:14 |
Why? |
00:11:15 |
I... I don't know. |
00:11:17 |
What did you want to be, |
00:11:20 |
[Click] |
00:11:22 |
The question, Raymond, |
00:11:24 |
was what did you |
00:11:27 |
was what did you |
00:11:27 |
Answer him, |
00:11:29 |
Veterinarian! |
00:11:31 |
Animals. |
00:11:32 |
Yeah, animal s-s-s... |
00:11:34 |
Stuff. |
00:11:35 |
That means you have to |
00:11:36 |
Too much school. |
00:11:38 |
Would you rather be dead? |
00:11:39 |
No... |
00:11:40 |
Would you |
00:11:41 |
on your knees, |
00:11:43 |
in the back |
00:11:45 |
[Whimpering] |
00:11:46 |
no... |
00:11:48 |
[Releases Hammer] |
00:11:51 |
I'm keeping your license. |
00:11:54 |
Gonna check in on you. |
00:11:55 |
I know where you live. |
00:11:57 |
If you're not on your way |
00:12:00 |
in 6 weeks, |
00:12:02 |
[Whimpering] |
00:12:04 |
Now run on home. |
00:12:11 |
Run, Forrest, run! |
00:12:15 |
I feel ill. |
00:12:18 |
Imagine how he feels. |
00:12:19 |
Come on, |
00:12:21 |
That wasn't funny. |
00:12:23 |
What the fuck |
00:12:25 |
Tomorrow will be |
00:12:26 |
of Raymond K. Hessel's life. |
00:12:28 |
His breakfast |
00:12:29 |
than any meal you and I |
00:12:34 |
Narrator: You had to |
00:12:36 |
Come on. |
00:12:38 |
He had a plan. |
00:12:39 |
And it started |
00:12:41 |
in a Tyler sort of way. |
00:12:42 |
No fear. |
00:12:43 |
No distractions. |
00:12:45 |
The ability to let |
00:12:49 |
truly slide. |
00:13:03 |
You're not your job. |
00:13:07 |
You're not how much money |
00:13:12 |
You're not |
00:13:15 |
You're not the contents |
00:13:19 |
You're not |
00:13:23 |
You're the all-singing, |
00:13:35 |
I'll be out of your way |
00:13:38 |
You don't have to go. |
00:13:42 |
Whatever. |
00:13:44 |
No, I mean, uh... |
00:13:47 |
It's OK. |
00:13:58 |
Are you still going |
00:14:01 |
Yeah. |
00:14:04 |
Chloe's dead. |
00:14:06 |
Ah, Chloe. |
00:14:09 |
When did that happen? |
00:14:11 |
Do you care? |
00:14:13 |
I don't know. |
00:14:15 |
I haven't thought |
00:14:17 |
Yeah, well... |
00:14:19 |
I think it was |
00:14:24 |
Hey, listen, uh... |
00:14:25 |
what are you getting |
00:14:29 |
What? |
00:14:31 |
I mean, all this. |
00:14:33 |
Why do you keep... |
00:14:34 |
Is this |
00:14:38 |
Yeah, well, sometimes. |
00:14:42 |
I don't know. |
00:14:44 |
Why does |
00:14:46 |
need to latch on to |
00:14:49 |
What is that? |
00:14:50 |
Well, what do you |
00:14:54 |
No... It's... It's not |
00:14:56 |
I mean, we're... It's |
00:14:58 |
We're... We're... |
00:14:59 |
Us? |
00:15:00 |
What do you mean by "us"? |
00:15:02 |
I'm sorry, |
00:15:04 |
Hear what? |
00:15:05 |
You're not hearing |
00:15:07 |
Just... Hold on a second. |
00:15:08 |
No, wait. |
00:15:09 |
Don't change the subject. |
00:15:11 |
You're not talking |
00:15:13 |
No. What? |
00:15:15 |
That day you came over |
00:15:17 |
what was going on there? |
00:15:18 |
What are you |
00:15:19 |
Nothing. Nothing. |
00:15:21 |
I don't think so. |
00:15:22 |
Come on, |
00:15:23 |
- Look at me. |
00:15:25 |
Look at me. |
00:15:27 |
What is that? |
00:15:28 |
It's nothing. |
00:15:30 |
Oh, my God. |
00:15:31 |
Who did this? |
00:15:32 |
A person. |
00:15:33 |
Guy or girl? |
00:15:34 |
What do you care |
00:15:36 |
What do you care |
00:15:37 |
This is none of your |
00:15:38 |
You're afraid to say it. |
00:15:39 |
I am not afraid to say. |
00:15:40 |
No! Talk to me. |
00:15:42 |
- No! |
00:15:43 |
This conversation... |
00:15:44 |
This conversation... |
00:15:46 |
is over. |
00:15:47 |
is over. |
00:15:50 |
I just can't win |
00:16:00 |
Hey, this is getting |
00:16:03 |
[Doorbell] |
00:16:05 |
What is... What is all this? |
00:16:07 |
What do you think? |
00:16:10 |
Hey, why do we need |
00:16:13 |
Hey. |
00:16:21 |
Too young. |
00:16:23 |
Sorry. |
00:16:24 |
What's all that? |
00:16:27 |
If the applicant is young, |
00:16:29 |
Old, too old. |
00:16:31 |
Applicant? |
00:16:32 |
If the applicant |
00:16:34 |
without food, shelter |
00:16:36 |
he may then enter |
00:16:38 |
Training for what? |
00:16:45 |
You think |
00:16:47 |
You're too young |
00:16:49 |
End of story. |
00:16:51 |
Get the fuck |
00:16:57 |
Bad news, friend. |
00:17:00 |
It's not gonna happen. |
00:17:02 |
I'm sorry if there was |
00:17:05 |
It's not the end |
00:17:07 |
Just go away. |
00:17:09 |
Go. |
00:17:11 |
You're trespassing, |
00:17:13 |
and I will have to |
00:17:18 |
Don't you look at me. |
00:17:20 |
Do you think you're |
00:17:22 |
You're never getting in |
00:17:23 |
Never. Now get the fuck |
00:17:25 |
Get off the porch! |
00:17:27 |
Narrator: Sooner or later, |
00:17:28 |
we all became what Tyler |
00:17:30 |
I'm gonna go inside and |
00:17:40 |
You got 2 black shirts? |
00:17:42 |
Sir. |
00:17:43 |
2 pair of black pants? |
00:17:44 |
Yes, sir. |
00:17:45 |
One pair of black boots? |
00:17:46 |
Sir. |
00:17:47 |
2 pair of black socks? |
00:17:48 |
Sir. |
00:17:49 |
One black jacket? |
00:17:50 |
Sir. |
00:17:51 |
$300 personal burial money? |
00:17:52 |
Yes, sir. |
00:17:55 |
All right. |
00:18:06 |
[Snickers] |
00:18:07 |
You're too old, |
00:18:10 |
Your tits |
00:18:12 |
Get the fuck |
00:18:21 |
Bob. Bob. |
00:18:39 |
Like a monkey |
00:18:40 |
ready to be shot |
00:18:42 |
Space monkey. |
00:18:44 |
Ready to sacrifice himself |
00:18:53 |
You are too |
00:18:57 |
And you. |
00:18:59 |
You're too fucking... |
00:19:00 |
blond! |
00:19:02 |
Get out of here, |
00:19:04 |
[Door Slams] |
00:19:05 |
Narrator: And so it went. |
00:19:07 |
Tyler: |
00:19:09 |
You are not special. |
00:19:11 |
You are not |
00:19:15 |
You are the same |
00:19:17 |
as everything else. |
00:19:19 |
Narrator: Tyler |
00:19:21 |
Tyler: We are the all-singing, |
00:19:25 |
We are all part of |
00:19:31 |
Narrator: Why was Tyler Durden |
00:19:34 |
To what purpose? |
00:19:36 |
For what greater good? |
00:19:41 |
In Tyler we trusted. |
00:19:47 |
No, when he was like, "You are |
00:19:53 |
Yeah! |
00:19:56 |
Hey, what's all this? |
00:19:57 |
[Laughing] |
00:20:00 |
OK! |
00:20:02 |
Go on in |
00:20:04 |
What are we celebrating? |
00:20:06 |
Go on. |
00:20:09 |
[TV Playing] |
00:20:11 |
Hey. |
00:20:12 |
Let me get that |
00:20:15 |
[Belches] |
00:20:25 |
Investigators are |
00:20:27 |
Hold on. Police Commissioner |
00:20:30 |
Commissioner, Commissioner, |
00:20:33 |
what you think |
00:20:35 |
We believe |
00:20:36 |
recent acts of vandalism |
00:20:38 |
somehow related to |
00:20:41 |
We'll be coordinating |
00:20:46 |
That was Police Commissioner |
00:20:48 |
on the scene here |
00:20:50 |
that broke out |
00:20:52 |
She's hot. |
00:20:53 |
Live from the Parker |
00:20:54 |
Lauren Sanchez. |
00:20:56 |
- [Laughter] |
00:20:58 |
- Ha ha ha ha! |
00:21:00 |
Holy shit. |
00:21:01 |
Yeah! |
00:21:02 |
[News Anchor |
00:21:06 |
- Yeah! |
00:21:07 |
Hoo hoo hoo! |
00:21:08 |
What the fuck |
00:21:10 |
News Anchor: |
00:21:12 |
but arson investigators |
00:21:14 |
[Laughing] |
00:21:19 |
Sir, the first rule |
00:21:22 |
is you do not |
00:21:30 |
The victory |
00:21:33 |
will not come overnight. |
00:21:35 |
It will take dedication |
00:21:37 |
and most of all, |
00:21:40 |
The streets are safer now. |
00:21:41 |
There is hope |
00:21:44 |
However, this is only |
00:21:46 |
I gotta take a piss. |
00:21:47 |
These are the first steps |
00:21:49 |
in a long journey. |
00:21:51 |
That is why we have |
00:21:53 |
Bob. |
00:21:54 |
"Helping others with |
00:21:57 |
Project Hope will be |
00:22:00 |
between the police |
00:22:03 |
It will be |
00:22:06 |
in the war against crime. |
00:22:08 |
[Applause] |
00:22:37 |
[Strangled Scream] |
00:22:43 |
Haahhhh! |
00:22:53 |
Wrap it around the top of |
00:22:55 |
Yeah. His balls |
00:22:58 |
Hi. |
00:23:00 |
You're gonna call off |
00:23:02 |
You're gonna publicly state |
00:23:03 |
that there is no |
00:23:06 |
these guys are gonna |
00:23:08 |
They're gonna send one |
00:23:10 |
one to the L.A. Times |
00:23:13 |
Look... |
00:23:15 |
the people you are after |
00:23:16 |
are the people |
00:23:18 |
We cook your meals. |
00:23:20 |
We connect your calls. |
00:23:21 |
We drive your ambulances. |
00:23:23 |
We guard you |
00:23:29 |
Do not fuck with us. |
00:23:37 |
[Muffled Screaming] |
00:23:41 |
Fooled ya. |
00:23:47 |
[Rumbling] |
00:23:55 |
[Dialogue Drowned Out |
00:23:58 |
Bob, you're on this one. |
00:23:59 |
Let's go. |
00:24:02 |
Narrator: I am Jack's |
00:24:06 |
Hey! |
00:24:21 |
[Shouting] |
00:24:23 |
Yeah! |
00:24:24 |
[Shouting] |
00:24:57 |
Narrator: I felt like putting |
00:25:00 |
of every panda that wouldn't |
00:25:05 |
I wanted to open |
00:25:07 |
on oil tankers and smother |
00:25:10 |
I'd never see. |
00:25:15 |
I wanted to breathe smoke. |
00:25:34 |
Where'd you go, |
00:25:38 |
I felt like destroying |
00:25:43 |
[Gagging] |
00:25:45 |
Get him to |
00:25:47 |
Yeah. |
00:25:59 |
Don't worry, Mr. Durden. |
00:26:01 |
Airport parking, |
00:26:04 |
After you, Mr. Durden. |
00:26:07 |
After you. |
00:26:27 |
Something on your mind, |
00:26:29 |
No. |
00:26:30 |
All right, yeah. |
00:26:31 |
Why wasn't I told |
00:26:33 |
[Together] |
00:26:35 |
is you do not ask questions. |
00:26:36 |
is you do not ask questions. |
00:26:37 |
What are you talking about? |
00:26:38 |
Why didn't you include me |
00:26:39 |
Fight Club |
00:26:40 |
Now it's moved |
00:26:42 |
it's called |
00:26:44 |
You and I started |
00:26:45 |
Do you remember that? |
00:26:47 |
It's as much mine |
00:26:49 |
Is this about |
00:26:50 |
Yeah. I thought we were |
00:26:52 |
You're missing the point. |
00:26:53 |
This does not |
00:26:55 |
We are not special. |
00:26:56 |
Fuck that. |
00:27:00 |
Hey, Tyler! |
00:27:01 |
[Horn Honking] |
00:27:04 |
Goddamn it, Tyler! |
00:27:05 |
What do you want?! |
00:27:07 |
Should I e-mail you? |
00:27:08 |
Should I put this |
00:27:10 |
You decide your own |
00:27:11 |
I will! I want to know |
00:27:14 |
The first rule |
00:27:16 |
Shut up! |
00:27:17 |
I want to know |
00:27:19 |
Fuck what you know. |
00:27:20 |
You need to forget |
00:27:21 |
That's your problem. |
00:27:22 |
Forget about what |
00:27:24 |
about life, |
00:27:26 |
and especially |
00:27:28 |
What? |
00:27:29 |
What is that supposed |
00:27:35 |
What are you doing? |
00:27:38 |
Guys, what do you wish |
00:27:41 |
Paint a self-portrait. |
00:27:42 |
Build a house. |
00:27:43 |
And you? |
00:27:44 |
I don't know. |
00:27:47 |
I have to know the answer |
00:27:49 |
If you were to die |
00:27:50 |
how would you feel |
00:27:52 |
I don't know! |
00:27:53 |
I wouldn't feel anything |
00:27:54 |
Is that what you want |
00:27:55 |
- Come on! |
00:27:57 |
- [Honking] |
00:27:59 |
Tyler! |
00:28:00 |
[Honking] |
00:28:02 |
Jesus Christ! |
00:28:05 |
Goddamn it! |
00:28:06 |
Goddamn it! |
00:28:07 |
Fuck Fight Club. |
00:28:09 |
Fuck Marla. |
00:28:12 |
OK. |
00:28:14 |
OK. |
00:28:15 |
Quit screwing around. |
00:28:17 |
Look at you. |
00:28:18 |
Take the wheel! |
00:28:19 |
Look at you! |
00:28:21 |
Why? Why? |
00:28:22 |
Why do you think |
00:28:27 |
What? |
00:28:28 |
Hitting bottom |
00:28:30 |
It's not |
00:28:32 |
Stop trying |
00:28:34 |
and just let go. |
00:28:38 |
Let go! |
00:28:40 |
All right. Fine. |
00:28:43 |
Fine. |
00:29:42 |
Narrator: I'd never been |
00:29:46 |
This must have been what |
00:29:49 |
before I filed them |
00:29:53 |
Goddamn. |
00:29:54 |
Huh? |
00:29:56 |
Ha ha ha ha ha hahh! |
00:29:58 |
We just had |
00:30:06 |
In the world I see, |
00:30:08 |
you're stalking elk through |
00:30:11 |
around the ruins |
00:30:16 |
You'll wear leather clothes |
00:30:18 |
that will last you |
00:30:21 |
You'll climb the vines |
00:30:26 |
And when you look down, |
00:30:28 |
you'll see tiny figures |
00:30:31 |
laying strips of venison |
00:30:34 |
of some abandoned |
00:30:49 |
Feel better, champ. |
00:30:57 |
[Door Closes] |
00:31:09 |
Narrator: And then... |
00:31:11 |
Tyler? |
00:31:12 |
Tyler was gone. |
00:31:22 |
Was I asleep? |
00:31:25 |
Had I slept? |
00:31:27 |
You are not |
00:31:28 |
unique snowflake, |
00:31:30 |
Narrator: The house had become |
00:31:33 |
wet inside |
00:31:35 |
sweating and breathing. |
00:31:37 |
We are all from |
00:31:39 |
So many people moving, |
00:31:43 |
Planet Tyler. |
00:31:45 |
I had to hug the walls. |
00:31:47 |
Trapped inside this |
00:31:50 |
You can't be |
00:31:52 |
Do you know how much ether |
00:31:55 |
Cooking, working, |
00:32:00 |
Hang on a second. |
00:32:20 |
It's under control, sir. |
00:32:25 |
Where is Tyler? |
00:32:27 |
Sir, the first rule of |
00:32:30 |
Right, uh... OK. |
00:32:35 |
I'm all alone. |
00:32:37 |
My father dumped me. |
00:32:39 |
Tyler dumped me. |
00:32:41 |
I am Jack's broken heart. |
00:32:47 |
What comes next |
00:32:50 |
only Tyler knows. |
00:32:52 |
The second rule is |
00:32:58 |
Get the fuck |
00:32:59 |
Get the fuck |
00:33:01 |
Who are all these people? |
00:33:08 |
Paper Street Soap Company. |
00:33:13 |
Can I come in? |
00:33:18 |
He's not here. |
00:33:20 |
What? |
00:33:23 |
Tyler isn't here. |
00:33:27 |
Tyler went away. |
00:33:29 |
Tyler's gone. |
00:33:48 |
[Shouting] |
00:34:01 |
Lay him down! |
00:34:02 |
Gunshot wounds |
00:34:04 |
Clear some fucking room! |
00:34:06 |
What happened?! |
00:34:08 |
We were on assignment. |
00:34:10 |
2 birds with one stone. |
00:34:13 |
Destroy a piece |
00:34:15 |
Operation Latte Thunder, |
00:34:19 |
and trash a franchise |
00:34:28 |
We had it all |
00:34:38 |
It went smooth |
00:34:39 |
Police! Freeze! |
00:34:41 |
Until what? |
00:34:43 |
They shot Bob. |
00:34:46 |
They shot him |
00:34:47 |
Those fuckin' pigs! |
00:34:52 |
- Ohh! |
00:34:53 |
- Oh, God. |
00:34:56 |
Those motherfuckers! |
00:34:58 |
You morons. |
00:35:00 |
You're running around |
00:35:02 |
trying |
00:35:03 |
What did you think |
00:35:09 |
OK, quick, |
00:35:10 |
we gotta get rid |
00:35:11 |
We gotta get rid |
00:35:12 |
Bury him. |
00:35:13 |
What? |
00:35:15 |
Take him |
00:35:16 |
and bury him. |
00:35:18 |
Come on, |
00:35:19 |
Let's go! |
00:35:20 |
Hey, get |
00:35:21 |
Get away from him! |
00:35:22 |
What are you |
00:35:24 |
This isn't a fucking |
00:35:25 |
this is a person! |
00:35:26 |
He's a friend |
00:35:27 |
and you're not |
00:35:29 |
in the fucking garden. |
00:35:30 |
He was killed serving |
00:35:33 |
This is Bob. |
00:35:34 |
But sir, in... in |
00:35:36 |
we have no names. |
00:35:38 |
No, you |
00:35:39 |
This is a man, |
00:35:41 |
And it's |
00:35:44 |
Robert |
00:35:45 |
He's a man |
00:35:47 |
because of us, |
00:35:48 |
Do you understand that? |
00:35:49 |
I understand. |
00:35:54 |
In death, |
00:35:55 |
a member of |
00:35:57 |
has a name. |
00:36:00 |
His name is |
00:36:03 |
His name is |
00:36:05 |
His name is |
00:36:09 |
His name is |
00:36:13 |
Come on, guys, |
00:36:14 |
His name is |
00:36:16 |
[Chanting] His name |
00:36:18 |
Shut up! |
00:36:20 |
This is all |
00:36:21 |
[Chanting] His name |
00:36:23 |
His name is |
00:36:25 |
His name is |
00:36:28 |
His name is |
00:36:31 |
His name is |
00:36:54 |
[Telephone Rings] |
00:36:57 |
Tyler? |
00:36:58 |
No, this is |
00:36:59 |
at the Arson Unit. |
00:37:00 |
I need to see you |
00:37:06 |
I went to |
00:37:08 |
on Tyler's |
00:37:09 |
barhopping. |
00:37:11 |
I didn't know |
00:37:13 |
but I could look |
00:37:15 |
and somehow |
00:37:16 |
I'm looking |
00:37:17 |
It's very important |
00:37:20 |
I wish |
00:37:23 |
Sir. |
00:37:30 |
Every city |
00:37:33 |
as soon as I set foot |
00:37:36 |
I knew a Fight Club |
00:37:39 |
Hey! Hey! |
00:37:41 |
Taxi! |
00:37:42 |
Look at my face. |
00:37:44 |
Now, I just |
00:37:45 |
if you've seen Tyler. |
00:37:47 |
I'm not exposed |
00:37:49 |
speak any such |
00:37:51 |
nor would I, even if |
00:37:53 |
you want at this |
00:37:57 |
You're a moron. |
00:37:59 |
I'm afraid I'm gonna |
00:38:01 |
Tyler had |
00:38:04 |
Setting up franchises |
00:38:09 |
Was I asleep? |
00:38:11 |
[Crowd Fighting] |
00:38:12 |
Had I slept? |
00:38:14 |
Is Tyler |
00:38:15 |
or am I Tyler's? |
00:38:17 |
Man: We've just |
00:38:19 |
What kind |
00:38:20 |
Like, nobody knows |
00:38:22 |
He has facial |
00:38:23 |
reconstructive |
00:38:24 |
every 3 years. |
00:38:25 |
That's the stupidest thing |
00:38:27 |
Is it true about |
00:38:30 |
Is Mr. Durden |
00:38:32 |
I was living |
00:38:34 |
of perpetual |
00:38:36 |
Everywhere I went, |
00:38:38 |
I felt I'd already |
00:38:40 |
It was like following |
00:38:44 |
The smell |
00:38:46 |
dirty, bare footprints |
00:38:51 |
that aroma of old sweat, |
00:38:54 |
The feel of a floor |
00:38:56 |
from the fight |
00:38:58 |
I was always just |
00:39:02 |
[Voices Murmuring] |
00:39:04 |
Men: His name |
00:39:06 |
His name is |
00:39:09 |
His... |
00:39:12 |
Welcome back, |
00:39:15 |
How have |
00:39:18 |
Do you know me? |
00:39:20 |
Is this a test, |
00:39:22 |
No, this |
00:39:24 |
You were in here |
00:39:28 |
Thursday? |
00:39:29 |
You were |
00:39:30 |
exactly where |
00:39:32 |
asking how good |
00:39:34 |
It's tight |
00:39:38 |
Who do you |
00:39:41 |
Are you sure this |
00:39:43 |
No, this is |
00:39:45 |
You're Mr. Durden. |
00:39:49 |
You're the one |
00:39:53 |
Please return |
00:39:54 |
to their full, upright |
00:40:03 |
[Telephone Rings] |
00:40:06 |
[Rings] |
00:40:07 |
Yeah? |
00:40:08 |
Marla, it's me. |
00:40:09 |
Have we ever |
00:40:11 |
Done what? |
00:40:12 |
Have we ever |
00:40:13 |
What kind of stupid |
00:40:15 |
Is it stupid because |
00:40:17 |
or because |
00:40:18 |
Is this a trick? |
00:40:19 |
No, Marla, |
00:40:20 |
You mean you want |
00:40:22 |
we were just having sex |
00:40:24 |
We did make love. |
00:40:26 |
Is that what |
00:40:28 |
Just answer |
00:40:29 |
Marla, please! |
00:40:30 |
Did we do it |
00:40:31 |
You fuck me, |
00:40:33 |
You love me, |
00:40:34 |
You show me |
00:40:35 |
then you turn into |
00:40:37 |
Is that a pretty |
00:40:38 |
of our relationship, |
00:40:39 |
We have just lost |
00:40:42 |
What did you |
00:40:43 |
What is wrong |
00:40:44 |
What did you call |
00:40:46 |
Tyler Durden. |
00:40:48 |
you fucking freak. |
00:40:49 |
I'm coming over. |
00:40:50 |
No, wait, Marla, |
00:40:51 |
[Dial Tone] |
00:40:54 |
You broke |
00:40:55 |
Jesus, Tyler. |
00:40:56 |
You fuckin' talked |
00:40:58 |
Tyler, what the fuck |
00:41:00 |
I asked you |
00:41:02 |
one simple thing. |
00:41:03 |
Why do people |
00:41:06 |
Answer me! |
00:41:11 |
Sit. |
00:41:16 |
Now answer me. |
00:41:17 |
Why do people think |
00:41:19 |
I think you know. |
00:41:20 |
No, I don't. |
00:41:22 |
Yes, you do. |
00:41:23 |
Why would anyone possibly |
00:41:27 |
Uh... I... |
00:41:34 |
You got it. |
00:41:35 |
No. |
00:41:37 |
Do not |
00:41:38 |
Say it. |
00:41:39 |
Say it. |
00:41:40 |
Because... |
00:41:43 |
Say it. |
00:41:46 |
Because we're |
00:41:48 |
That's right. |
00:41:51 |
We are the all-singing, |
00:41:53 |
I don't |
00:41:54 |
You were looking |
00:41:55 |
to change your life. |
00:41:57 |
You could not do this |
00:41:59 |
All the ways you wish |
00:42:01 |
that's me. |
00:42:04 |
I look like |
00:42:05 |
I fuck like |
00:42:06 |
I am smart, |
00:42:08 |
and most importantly, |
00:42:10 |
in all the ways |
00:42:11 |
Oh, no. |
00:42:13 |
Tyler's not here. |
00:42:14 |
Tyler went away. |
00:42:15 |
- Tyler's gone. |
00:42:16 |
This is |
00:42:17 |
- No. |
00:42:19 |
People do it |
00:42:20 |
They talk |
00:42:21 |
They see themselves |
00:42:24 |
They don't have |
00:42:26 |
to just |
00:42:31 |
Naturally, you're still |
00:42:33 |
so sometimes |
00:42:34 |
We should do this |
00:42:36 |
Other times, you imagine |
00:42:39 |
If this is your first |
00:42:40 |
you have to fight. |
00:42:42 |
Little by little, |
00:42:43 |
you're just letting |
00:42:46 |
Tyler Durden. |
00:42:49 |
You are not |
00:42:50 |
or how much money |
00:42:52 |
No, you have |
00:42:53 |
Rented in your name. |
00:42:54 |
You have jobs, you |
00:42:56 |
You have night jobs |
00:42:58 |
Or you stay up |
00:43:00 |
Marla... You're |
00:43:01 |
Uh, technically, |
00:43:03 |
But it's |
00:43:07 |
Oh, my God. |
00:43:10 |
Now you see |
00:43:12 |
She knows too much. |
00:43:15 |
I think we're going |
00:43:16 |
about how this might |
00:43:19 |
Wh... What are |
00:43:22 |
This is... |
00:43:24 |
This is bullshit. |
00:43:26 |
I'm not listening |
00:43:27 |
You are insane. |
00:43:28 |
No, you're insane. |
00:43:30 |
And we simply do not |
00:43:35 |
It's called |
00:43:37 |
The movie goes on, |
00:43:38 |
and nobody |
00:43:40 |
has any idea. |
00:43:54 |
Woman: Sir! |
00:43:55 |
Are you checking out? |
00:43:57 |
Yeah, uh, |
00:43:58 |
I need you to |
00:44:00 |
of phone calls, |
00:44:05 |
When were |
00:44:06 |
It says |
00:44:07 |
between 2:00 and 3:30 |
00:44:09 |
No, I w... |
00:44:14 |
Have I been |
00:44:15 |
earlier |
00:44:17 |
Have I been |
00:44:21 |
Have I been Tyler |
00:44:27 |
Is anybody here? |
00:44:31 |
Déjà vu |
00:44:35 |
Yeah, with |
00:44:36 |
we could blow up |
00:44:41 |
Oh, my God. |
00:44:46 |
Man On Telephone: |
00:44:47 |
I'm sorry, |
00:44:48 |
1888 Franklin. |
00:44:52 |
Hello? |
00:44:54 |
Hello? |
00:44:55 |
1888 Franklin Street? |
00:44:57 |
Yes. |
00:45:02 |
Hello? |
00:45:04 |
Yeah, yeah. |
00:45:05 |
Uh, I need to talk |
00:45:06 |
right away. |
00:45:07 |
Speaking. |
00:45:08 |
OK, listen to me. |
00:45:09 |
I think something |
00:45:11 |
is about to happen |
00:45:12 |
You have got... |
00:45:13 |
It's under |
00:45:15 |
Excuse me? |
00:45:16 |
Don't worry |
00:45:18 |
We're solid. |
00:45:23 |
Man On Telephone: |
00:45:32 |
Marla! |
00:45:33 |
Hey... Fuck! Wait! |
00:45:36 |
Wait, I gotta |
00:45:38 |
Marla, Marla! |
00:45:39 |
Your whacked-out |
00:45:41 |
hit me with |
00:45:42 |
They almost |
00:45:44 |
They were burning their |
00:45:46 |
the stink was |
00:45:47 |
Look... Look, |
00:45:48 |
it's gonna take |
00:45:49 |
of faith |
00:45:50 |
but you've got |
00:45:51 |
Oh, here comes |
00:45:53 |
A little more faith |
00:45:59 |
No, listen, |
00:46:00 |
anything |
00:46:01 |
You have every |
00:46:03 |
Um, I'll just have |
00:46:05 |
Sir, anything you order |
00:46:08 |
Why is it |
00:46:10 |
Don't... Don't ask. |
00:46:11 |
Whatever. |
00:46:12 |
I'll have the clam chowder, |
00:46:15 |
with the baked potato |
00:46:16 |
and a chocolate |
00:46:18 |
Clean food, please. |
00:46:20 |
In that case, sir, |
00:46:22 |
the lady eating |
00:46:23 |
No clam chowder, |
00:46:27 |
You've got |
00:46:31 |
Marla, I know that |
00:46:32 |
very, very strange. |
00:46:34 |
OK, I know that |
00:46:36 |
like there's |
00:46:37 |
2 sides? |
00:46:38 |
You're Dr. Jekyll |
00:46:39 |
I deserve that, |
00:46:40 |
I've come |
00:46:42 |
very, very |
00:46:43 |
What? |
00:46:44 |
The full extent |
00:46:45 |
wasn't really clear |
00:46:47 |
for reasons I'm not |
00:46:49 |
but the important |
00:46:50 |
that I haven't been |
00:46:51 |
Yeah, whatever. |
00:46:52 |
No, no... |
00:46:54 |
15 seconds, |
00:46:55 |
15 seconds, don't |
00:46:57 |
I'm trying to tell you |
00:46:59 |
Because what |
00:47:01 |
is that I really |
00:47:05 |
You do? |
00:47:06 |
I really do. |
00:47:08 |
I care about you |
00:47:09 |
and I don't want |
00:47:10 |
to happen to you |
00:47:12 |
Marla, your life |
00:47:16 |
What? |
00:47:17 |
You need to leave |
00:47:20 |
Get out of |
00:47:21 |
and just go camping |
00:47:22 |
You're an insane person. |
00:47:23 |
No, no, |
00:47:24 |
in something terrible |
00:47:26 |
No. |
00:47:28 |
shut up! |
00:47:32 |
Listen, |
00:47:34 |
I really tried. |
00:47:35 |
I know you did. |
00:47:36 |
There are things |
00:47:38 |
You're smart, |
00:47:40 |
you're spectacular |
00:47:42 |
But you're |
00:47:46 |
You have very serious |
00:47:48 |
Deep-seated problems |
00:47:50 |
professional help. |
00:47:52 |
I know, |
00:47:53 |
Yeah, you're sorry, |
00:47:54 |
everyone's sorry. |
00:47:57 |
I can't |
00:48:00 |
I can't. |
00:48:01 |
And I won't. |
00:48:04 |
I'm gone. |
00:48:07 |
You can't leave, |
00:48:08 |
you're not safe! |
00:48:09 |
you're not safe! |
00:48:13 |
No! |
00:48:14 |
Marla, I'm trying |
00:48:16 |
I don't ever want |
00:48:18 |
That's fine, if |
00:48:19 |
You wait. |
00:48:22 |
[Brakes Squealing] |
00:48:25 |
Hold it |
00:48:26 |
- [Honking] |
00:48:27 |
Shut up! |
00:48:28 |
Take this money |
00:48:30 |
And I promise you |
00:48:31 |
I will never |
00:48:32 |
if that's |
00:48:33 |
- [Honks] |
00:48:35 |
Please get |
00:48:36 |
Please get |
00:48:39 |
Why are you |
00:48:41 |
Because they think you're |
00:48:42 |
I... I can't explain it |
00:48:43 |
just trust me. |
00:48:44 |
If I see |
00:48:45 |
you will |
00:48:46 |
I'm not paying |
00:48:48 |
I consider it |
00:48:49 |
That's fine. Remember, |
00:48:51 |
for at least |
00:48:53 |
Tyler. |
00:48:55 |
You're |
00:48:56 |
that ever |
00:49:05 |
[Honking] |
00:49:13 |
Hello. |
00:49:14 |
I need you |
00:49:16 |
I am the leader of |
00:49:18 |
responsible for numerous |
00:49:21 |
and assault |
00:49:24 |
...in the |
00:49:25 |
with probably a couple |
00:49:27 |
Chapters |
00:49:29 |
in 5 or 6 other |
00:49:31 |
This is a tightly |
00:49:35 |
with many cells |
00:49:37 |
completely independent |
00:49:40 |
Look, look, |
00:49:42 |
1537 Paper Street. |
00:49:44 |
That's our headquarters. |
00:49:46 |
In the back, |
00:49:49 |
you'll find the body |
00:49:52 |
In the basement, |
00:49:54 |
you're gonna find |
00:49:55 |
that have been used |
00:49:57 |
to make large quantities |
00:50:01 |
I believe the plan |
00:50:02 |
is to blow up |
00:50:04 |
of these credit card |
00:50:06 |
and the T.R.W. building. |
00:50:09 |
Why these buildings? |
00:50:11 |
Why credit card |
00:50:13 |
If you erase |
00:50:15 |
then we all |
00:50:17 |
It'll create |
00:50:22 |
Keep him talking. |
00:50:23 |
I need to make |
00:50:35 |
I really admire |
00:50:38 |
What? |
00:50:39 |
You're a brave man |
00:50:42 |
You're a genius, |
00:50:43 |
You said, if anyone |
00:50:46 |
with Project Mayhem... |
00:50:48 |
we gotta |
00:50:52 |
It's useless |
00:50:53 |
This is really |
00:50:54 |
Mr. Durden. |
00:50:55 |
It'll set quite |
00:50:57 |
You're making |
00:50:59 |
You said |
00:51:00 |
I'm not |
00:51:01 |
You told us |
00:51:03 |
All right, |
00:51:06 |
Listen to me, |
00:51:07 |
I'm giving you |
00:51:09 |
We are aborting this |
00:51:11 |
You said you would |
00:51:18 |
Are you fucking |
00:51:20 |
You're |
00:51:24 |
Somebody |
00:51:25 |
No! No! |
00:51:26 |
Keep your |
00:51:28 |
[Knock On Door] |
00:51:29 |
Shit. |
00:51:32 |
Yeah? |
00:51:33 |
Hey, you know, some |
00:51:35 |
checks out. |
00:51:36 |
Let's go over |
00:51:37 |
on Paper Street. |
00:51:39 |
Be right there. |
00:51:40 |
[Door Closes] |
00:51:41 |
Hey! Wait! |
00:51:42 |
I got him. |
00:51:43 |
Sir, we have |
00:51:45 |
Stop fighting. |
00:51:46 |
Where's the rubber band? |
00:51:47 |
Get away from me! |
00:51:49 |
Drop that |
00:51:50 |
Drop it! |
00:51:54 |
Back up. |
00:51:55 |
Face down |
00:51:56 |
both of you, |
00:51:59 |
Get down |
00:52:06 |
First person comes out |
00:52:08 |
gets a... gets a lead salad, |
00:52:31 |
[Horns Blaring] |
00:52:35 |
Get away! |
00:52:49 |
I ran. |
00:52:52 |
I ran until |
00:52:54 |
and my veins pumped |
00:52:59 |
Then I ran |
00:53:42 |
What the fuck |
00:53:44 |
Running around |
00:53:46 |
Man, you look |
00:53:47 |
No, I'm |
00:53:49 |
I know what's |
00:53:50 |
Well come on, |
00:53:51 |
I got us a great place |
00:53:53 |
[Grunting] |
00:53:54 |
It'll be like |
00:54:44 |
Oh, Christ. |
00:54:45 |
Now what |
00:54:47 |
I'm stopping this. |
00:54:49 |
Why? Greatest thing |
00:54:52 |
No, I can't |
00:54:53 |
You know there |
00:54:55 |
in 10 other buildings. |
00:54:56 |
God damn it, since when |
00:54:58 |
about murder? |
00:54:59 |
The buildings |
00:55:00 |
Security and maintenance, |
00:55:02 |
We're not killing |
00:55:03 |
we're setting 'em free. |
00:55:04 |
Bob is dead. |
00:55:05 |
They shot him |
00:55:07 |
You wanna |
00:55:09 |
you gotta |
00:55:10 |
No, I'm not |
00:55:12 |
You're not |
00:55:20 |
Wouldn't do that. |
00:55:21 |
Not unless I knew which |
00:55:24 |
If you know, |
00:55:32 |
Or... |
00:55:33 |
maybe I knew |
00:55:34 |
so I spent |
00:55:35 |
thinking about |
00:55:45 |
You think? |
00:55:48 |
Oh, heavens no, |
00:55:51 |
Pull any one |
00:55:58 |
I asked you |
00:56:05 |
Tyler, get away |
00:56:10 |
Tyler, I'm |
00:56:11 |
Get away |
00:56:13 |
God damn it! |
00:56:16 |
Whoa! |
00:56:17 |
Whoa! |
00:56:21 |
OK, you are now |
00:56:24 |
at your imaginary |
00:56:25 |
near 400 gallons |
00:56:30 |
Look, Tyler, |
00:56:35 |
Ahh! |
00:56:46 |
Aw, come on. |
00:56:47 |
Don't go. |
00:57:27 |
What?! |
00:58:14 |
3 minutes. |
00:58:16 |
This is it. |
00:58:18 |
The beginning. |
00:58:20 |
Ground zero. |
00:58:22 |
I think this is about |
00:58:24 |
Would you like |
00:58:25 |
to mark the occasion? |
00:58:27 |
[Mumbling] |
00:58:29 |
I'm sorry? |
00:58:30 |
I still can't think |
00:58:34 |
Ah, flashback humor. |
00:58:42 |
It's getting |
00:58:46 |
2 and 1/2. |
00:58:47 |
Think of everything |
00:58:48 |
we've accomplished, |
00:58:51 |
Out these windows, |
00:58:53 |
the collapse |
00:58:55 |
One step closer to |
00:59:13 |
Why is she here? |
00:59:14 |
Tying up loose ends. |
00:59:16 |
Marla: Put me down, |
00:59:19 |
I'm begging you, |
00:59:21 |
please don't |
00:59:22 |
I'm not doing this. |
00:59:23 |
We are doing this. |
00:59:24 |
This is what we want. |
00:59:26 |
No, I don't |
00:59:28 |
Right, except you |
00:59:31 |
We have to forget |
00:59:33 |
Jesus, you're |
00:59:35 |
You're a voice |
00:59:36 |
You're a fucking |
00:59:38 |
why can't I |
00:59:39 |
You need me. |
00:59:40 |
No, I don't, |
00:59:42 |
No, I don't, |
00:59:42 |
Hey, you created me. |
00:59:43 |
I didn't create |
00:59:45 |
to make myself |
00:59:47 |
Take some |
00:59:48 |
I do. |
00:59:49 |
I am responsible |
00:59:51 |
and I |
00:59:53 |
So please, |
00:59:55 |
please |
00:59:59 |
Have I ever |
01:00:02 |
How far have you come |
01:00:10 |
I will bring us |
01:00:12 |
As always, |
01:00:14 |
I will carry you, |
01:00:17 |
and in the end, |
01:00:19 |
Tyler. |
01:00:21 |
Tyler, I'm |
01:00:23 |
for everything |
01:00:25 |
that you've |
01:00:26 |
But this |
01:00:27 |
I don't |
01:00:29 |
What do you want?! |
01:00:30 |
Want to go back |
01:00:31 |
fucking condo world, |
01:00:34 |
Fuck you. |
01:00:36 |
Oh, God, this |
01:00:38 |
It's already done, |
01:00:41 |
60 seconds. |
01:00:42 |
Can you see |
01:00:46 |
I can figure this out. |
01:00:48 |
I can figure this out, |
01:00:49 |
You're not real, |
01:00:51 |
That gun isn't |
01:00:55 |
The gun's in my hand. |
01:01:02 |
Hey, good for you. |
01:01:13 |
Why do you want to put |
01:01:16 |
Not my head, Tyler. |
01:01:19 |
Our head. |
01:01:22 |
Interesting. |
01:01:27 |
Where are you going |
01:01:37 |
Hey, it's you |
01:01:43 |
Friends. |
01:01:46 |
Tyler... |
01:01:50 |
I want you to |
01:01:53 |
OK. |
01:01:57 |
My eyes are open. |
01:02:16 |
What's that smell? |
01:02:33 |
[Elevator Bell Dings] |
01:02:39 |
Where is |
01:02:40 |
I don't know, |
01:02:43 |
Mr. Durden! |
01:02:45 |
Oh, my God. |
01:02:46 |
Sir? |
01:02:52 |
Are you, uh... |
01:02:53 |
Are you |
01:02:55 |
Oh, yeah, I'm OK. |
01:02:56 |
You look |
01:02:57 |
What happened? |
01:02:59 |
Oh, nothing. |
01:03:01 |
Oh, no, no, sir, |
01:03:03 |
You look |
01:03:04 |
You need medical |
01:03:05 |
- I'm fine. |
01:03:07 |
Look, I'm fine. |
01:03:08 |
Everything's fine. |
01:03:11 |
[Marla Shouting] |
01:03:14 |
Let... Let her go. |
01:03:16 |
Christ |
01:03:17 |
You! |
01:03:19 |
Hi, Marla. |
01:03:23 |
Leave her |
01:03:24 |
get your stuff, |
01:03:25 |
I'll meet you |
01:03:26 |
Are you sure? |
01:03:27 |
Yes, I'm sure. |
01:03:30 |
You fucker! |
01:03:32 |
What kind of sick |
01:03:33 |
are you |
01:03:34 |
putting me |
01:03:35 |
Oh, my God, |
01:03:37 |
Yeah, I know. |
01:03:43 |
What happened? |
01:03:45 |
Don't ask. |
01:03:46 |
You're shot. |
01:03:47 |
Yes, I'm shot. |
01:03:49 |
Oh, my God. |
01:03:50 |
I can't believe |
01:03:52 |
One tough |
01:03:57 |
Who did this? |
01:03:59 |
I did, actually. |
01:04:02 |
Find some gauze. |
01:04:05 |
You shot |
01:04:07 |
Yes, but it's OK. |
01:04:08 |
Marla, look at me. |
01:04:10 |
I'm really OK. |
01:04:12 |
Trust me. |
01:04:14 |
Everything's |
01:04:29 |
You met me at |
01:04:31 |
in my life. |
01:04:34 |
# With your feet |
01:04:36 |
# And your head |
01:04:42 |
# Try this trick |
01:04:47 |
# Your head'll |
01:04:49 |
# If there's |
01:04:51 |
# And you'll ask |
01:04:53 |
# Where is my mind? # |
01:04:54 |
# Where is my mind? # |
01:04:56 |
# Where is my mind? # |
01:04:58 |
# Where is my mind? # |
01:05:10 |
# Way out in the water, |
01:05:22 |
# I was swimming |
01:05:28 |
# Animals were hiding |
01:05:34 |
# Except for little fish # |
01:05:36 |
# When they told me |
01:05:37 |
# Trying to talk |
01:05:40 |
# Where is my mind? # |
01:05:43 |
# Where is my mind? # |
01:05:45 |
# Where is my mind? # |
01:05:56 |
# Way out in the water, |
01:06:16 |
# With your feet |
01:06:18 |
# And your head |
01:06:24 |
# Try this trick |
01:06:29 |
# Your head'll collapse |
01:06:33 |
# And you'll ask yourself # |
01:06:35 |
# Where is my mind? # |
01:06:37 |
# Where is my mind? # |
01:06:40 |
# Where is my mind? # |
01:06:51 |
# Way out in the water, |