|
Film Socialisme Socialism
|
| 00:00:55 |
Money is a common good. |
| 00:01:04 |
Exactly. |
| 00:01:15 |
Algiers the White |
| 00:01:19 |
As Mireille Balin |
| 00:01:34 |
And as we have, once |
| 00:01:52 |
Constance, there is nothing |
| 00:01:57 |
It's well known that |
| 00:01:58 |
the latitude becomes negative |
| 00:02:01 |
and all that remains is the North, |
| 00:02:07 |
You still have the watch. |
| 00:02:14 |
Done with the crimes and |
| 00:02:18 |
Long live the holidays. |
| 00:02:46 |
Uncle Mathias, why did you |
| 00:02:50 |
It doesn't even show the time. |
| 00:02:55 |
THINGS |
| 00:03:14 |
Henri Déricourt... |
| 00:03:21 |
But Richard Christmann... |
| 00:03:25 |
I know, the fire... but doesn't |
| 00:03:31 |
Alright... war is war, but |
| 00:03:36 |
Please keep looking for Alice. |
| 00:04:32 |
We're far from Byzance, you know. |
| 00:04:36 |
What lies ahead is an |
| 00:04:40 |
We're facing a kind of zero. |
| 00:04:44 |
I have once encountered |
| 00:04:46 |
and it is much more immense |
| 00:04:49 |
Jaffa, 1948 |
| 00:04:55 |
you know that we are living |
| 00:05:00 |
LIKE THAT |
| 00:05:25 |
You're completely right, |
| 00:05:31 |
Not the French, not the North |
| 00:05:38 |
Not the Jewish nation, |
| 00:05:41 |
With their slanted eyes |
| 00:05:43 |
I only love my friends. |
| 00:05:44 |
Dollars |
| 00:05:46 |
Cinémascope |
| 00:05:50 |
16:9 |
| 00:06:19 |
Where did you |
| 00:06:20 |
It's not your business. |
| 00:06:22 |
Give it to me, |
| 00:06:23 |
No, it is mine. |
| 00:06:25 |
Oh, you speak German? |
| 00:06:29 |
Yes, but... how much? |
| 00:06:31 |
And you have studied, too. |
| 00:06:35 |
Who told you my first name? |
| 00:06:37 |
I know everything. |
| 00:06:52 |
Mr. Obersturmbannführer Goldberg |
| 00:06:56 |
what did you do in |
| 00:07:00 |
Leave me alone, horrible kid. |
| 00:07:19 |
All movement on a plain surface that |
| 00:07:28 |
is a spatial affirmation of oneself |
| 00:07:32 |
be it building an |
| 00:07:42 |
Everyone can do something |
| 00:07:45 |
But what has changed today |
| 00:08:10 |
A-L-I-S-S-A |
| 00:08:20 |
Stop being suspicious |
| 00:08:25 |
I'm thinking about what |
| 00:08:28 |
Alright... what, for example? |
| 00:08:30 |
The old man with the young girl. |
| 00:08:32 |
I have seen them |
| 00:08:34 |
Alright... and so? |
| 00:08:36 |
So, the name of the largest |
| 00:08:41 |
Goldberg |
| 00:08:44 |
Mountain of Gold |
| 00:08:46 |
Yes... it's the name |
| 00:08:50 |
Alright... |
| 00:09:02 |
Abandon ship, abandon |
| 00:09:56 |
Quiet, Alissa, quiet! |
| 00:10:00 |
Meow is how the ancient |
| 00:10:04 |
You trouble me with |
| 00:10:23 |
Be silent, Alissa. |
| 00:10:43 |
Waves of Allied bombers destroy |
| 00:10:49 |
The Luftwaffe tries to |
| 00:10:52 |
by means of a terrifying |
| 00:10:56 |
The German pilots will crash their |
| 00:11:03 |
Ach, Germany. |
| 00:11:13 |
Did you know that |
| 00:11:17 |
means divinity of the wind? |
| 00:11:46 |
Major Kamenskaia. I am a friend of |
| 00:11:54 |
Yes, exactly, the old |
| 00:12:00 |
I have read a number of books... |
| 00:12:06 |
I have read a number of books |
| 00:12:09 |
So... I think that we should talk. |
| 00:13:00 |
And you think you |
| 00:13:06 |
I will see. |
| 00:13:10 |
They say there's a right to return. |
| 00:13:18 |
In Stanford, what are |
| 00:13:21 |
I'm directing a seminar. Monetary |
| 00:13:35 |
You see, still today, they're |
| 00:13:54 |
The Spanish Civil War |
| 00:14:01 |
The Republicans |
| 00:14:03 |
to evacuate the gold |
| 00:14:10 |
The France-Navigation |
| 00:14:15 |
When they reach Odessa, one third, |
| 00:14:20 |
And another third in Moscow. |
| 00:14:25 |
Regarding the first third, |
| 00:14:30 |
For the last third |
| 00:14:32 |
you would have to dig deep |
| 00:15:34 |
Art... and the knife. |
| 00:16:39 |
You want to hear my opinion? |
| 00:16:42 |
AIDS is just an instrument |
| 00:16:54 |
Why is there light? |
| 00:17:09 |
LIKE THAT |
| 00:17:15 |
Money was invented |
| 00:17:16 |
so that the people wouldn't have |
| 00:17:27 |
So, we're back to zero, my friend. |
| 00:17:30 |
Fortunately, the Arabs |
| 00:17:34 |
We don't even pay them |
| 00:17:40 |
Negative numbers were |
| 00:17:44 |
They made some in Arabia, |
| 00:17:50 |
Fibonacci has used them first. |
| 00:17:57 |
When the British left Israel |
| 00:17:59 |
what exactly did you do with the |
| 00:19:17 |
THINGS LIKE THAT |
| 00:19:23 |
One always says that one can only |
| 00:19:29 |
In fact, one can only compare what |
| 00:19:41 |
It's over, all that. |
| 00:19:52 |
Stalin |
| 00:19:55 |
Hitler |
| 00:19:59 |
No. |
| 00:20:02 |
Your comedy is pointless. |
| 00:20:12 |
Me too, I have learned to |
| 00:20:21 |
See, I will teach you something. |
| 00:20:29 |
During the Fire of Moscow, |
| 00:20:32 |
for the creation of |
| 00:20:35 |
I do not understand. |
| 00:20:40 |
I do not understand. |
| 00:20:43 |
To understand, Mr. Goldberg, |
| 00:20:50 |
I don't care about the Spanish gold |
| 00:20:55 |
I only have to find the rest. |
| 00:20:59 |
There's no need to |
| 00:21:02 |
My only true mission, |
| 00:21:04 |
Ah, what fortune. |
| 00:21:09 |
My grandmother would say that |
| 00:21:15 |
I don't want to die |
| 00:21:20 |
before I have seen |
| 00:21:24 |
before I have seen the word "Russia" |
| 00:21:32 |
cling to each other again, |
| 00:21:37 |
God be with you. |
| 00:21:41 |
Heil Hitler! |
| 00:22:25 |
Naples, alright. |
| 00:22:27 |
But Alexandria, Haifa, Odessa... |
| 00:23:37 |
One shall never... |
| 00:24:19 |
Istanbul, that's the Orient |
| 00:24:24 |
Lets go. |
| 00:24:49 |
EGYPT |
| 00:25:14 |
Once, in 1942, I have |
| 00:25:20 |
and it is much more immense |
| 00:25:55 |
To be or not to be. |
| 00:26:01 |
A jew. |
| 00:26:05 |
Yes, I've been told... |
| 00:26:12 |
To tell is never enough. |
| 00:26:26 |
Geometry as origin |
| 00:26:29 |
The origin is always |
| 00:26:32 |
There has been, for decades, |
| 00:26:38 |
a return of Geometry. |
| 00:26:41 |
The idea is not that Geometry |
| 00:26:44 |
but rather that we return |
| 00:26:49 |
and participate in the |
| 00:27:00 |
The poor things. |
| 00:27:01 |
They have for themselves only |
| 00:27:05 |
There's nothing more |
| 00:27:08 |
We have only books |
| 00:27:12 |
But what if we have to |
| 00:27:19 |
And what if we have to |
| 00:27:30 |
I TURNED AWAY SO AS NOT TO SEE |
| 00:27:41 |
Geometry that is still valid, and |
| 00:27:49 |
Residing in all these |
| 00:27:57 |
Do-Re-Mi-Fa-So-La |
| 00:28:01 |
Husserl underlines the "la" |
| 00:28:07 |
In all new forms |
| 00:28:21 |
This I cannot accept. |
| 00:28:25 |
I will address it tonight. |
| 00:28:31 |
Miss Alissa... Miss Alissa! |
| 00:28:50 |
continued to speak, for |
| 00:28:55 |
so that the young girl |
| 00:28:59 |
But this precaution |
| 00:29:03 |
they spoke to each other |
| 00:29:14 |
insofar as all of these parts, |
| 00:29:18 |
at a given moment denies, insofar |
| 00:29:22 |
the part that we consider, |
| 00:29:27 |
insofar as the sum of these parts, |
| 00:29:30 |
becomes the collectivity of |
| 00:29:37 |
dialectical thought is quite simply |
| 00:29:42 |
insofar as it is part of a whole, |
| 00:29:46 |
insofar as the whole includes it, |
| 00:29:50 |
insofar as, by consequence, it |
| 00:29:54 |
with regards to the whole, |
| 00:29:57 |
must be destructive and preserving |
| 00:30:18 |
Listen... after the reception |
| 00:30:23 |
at the Academy of the Sciences, |
| 00:30:28 |
even though long before the |
| 00:30:31 |
rushed towards Palestine. |
| 00:30:34 |
This is one of the first |
| 00:34:10 |
So... Otto Goldberg, Leopold |
| 00:34:17 |
according to their passports. |
| 00:34:19 |
But one pronounces |
| 00:34:24 |
The French knew him well |
| 00:34:27 |
for the German counter-espionage, |
| 00:34:31 |
He begins in the |
| 00:34:34 |
then joins networks of the |
| 00:34:38 |
on behalf of the Abwehr. |
| 00:34:41 |
After the defeat of the Germans, |
| 00:34:45 |
of the Organisation Gehlen |
| 00:34:51 |
and finally Tunis, representative |
| 00:34:57 |
Multiple assassination attempts. |
| 00:35:02 |
Like Henri Déricourt. |
| 00:35:05 |
Like Henri Déricourt. |
| 00:35:08 |
No, that's another story. |
| 00:35:17 |
War criminal, maybe not. |
| 00:35:24 |
But you know... |
| 00:35:34 |
How do you know? |
| 00:35:36 |
The book by Roger Faligot |
| 00:35:40 |
The archives of the NKWD |
| 00:35:49 |
That would explain why only |
| 00:35:52 |
made it to Odessa |
| 00:35:54 |
but not why also Moscow |
| 00:36:03 |
The Group du musée de l'Homme. |
| 00:36:09 |
Alice... |
| 00:36:16 |
Mind borrows from matter perceptions |
| 00:36:23 |
Mind borrows from matter perceptions |
| 00:36:32 |
Mind borrows from matter perceptions |
| 00:36:38 |
Mind borrows from matter perceptions |
| 00:36:42 |
and gives them back to it |
| 00:36:43 |
on which it has |
| 00:39:03 |
NAPLES |
| 00:40:08 |
Have you heard, they have |
| 00:40:12 |
What are we going to do? |
| 00:40:14 |
Well... we will rest in hell. |
| 00:40:25 |
Italy has concerned us a bit too |
| 00:40:30 |
for the French, painting is Italy |
| 00:40:33 |
all our journeys take place in |
| 00:40:36 |
while German Renaissance painting |
| 00:40:45 |
Thank you for your advice. |
| 00:41:13 |
So... you're going to do something. |
| 00:41:18 |
You know, all these |
| 00:41:21 |
The United Nations are |
| 00:41:24 |
Never mind the crime... |
| 00:41:51 |
My friends, I have |
| 00:41:58 |
This is why Hollywood was |
| 00:42:02 |
The tomb of the prophet |
| 00:42:04 |
All eyes in the same direction |
| 00:42:07 |
The cinema hall |
| 00:42:09 |
Yes, but... a strange thing is that |
| 00:42:17 |
Adolf Zucker, William Fox, |
| 00:42:22 |
Samuel Goldwyn, Marcus Loew, |
| 00:43:21 |
Life is beautiful, you will see |
| 00:43:24 |
how in spite of sorrow |
| 00:43:28 |
you will have friends, |
| 00:43:31 |
you will have friends |
| 00:44:14 |
Is there a single act in the world |
| 00:44:18 |
that I have done it? |
| 00:44:20 |
My business, the garage |
| 00:44:24 |
Her friend wants to buy it. |
| 00:44:29 |
I know bookkeeping, yes. |
| 00:44:37 |
France is facing today the |
| 00:44:40 |
One has to know how to say "We" |
| 00:44:44 |
A drama that we debate, in |
| 00:44:47 |
A tragedy? Not at all. |
| 00:44:52 |
Everything remains among us. |
| 00:44:56 |
Wars everywhere, for |
| 00:44:59 |
We see ourselves in war |
| 00:45:04 |
One can buy time. |
| 00:45:07 |
It needs courage |
| 00:45:10 |
Love your neighbor? |
| 00:45:12 |
You would have to |
| 00:45:14 |
to not do bad |
| 00:45:16 |
Today that becomes impossible. |
| 00:45:18 |
If you follow the law |
| 00:45:23 |
Don't say all this, dad. |
| 00:45:25 |
And I ask you: |
| 00:45:31 |
Ideas separate us. |
| 00:45:36 |
No, nightmares. |
| 00:45:40 |
Because there's love and pride |
| 00:45:43 |
and thus hate. |
| 00:45:46 |
So what have you found today |
| 00:45:50 |
I love my brother, first of all. |
| 00:45:54 |
And liberty. |
| 00:45:58 |
And once the hour of equality comes |
| 00:46:02 |
Okay, Flo. |
| 00:46:11 |
Excuse me, Miss... |
| 00:46:15 |
We want to go to the Cote d'Azur. |
| 00:46:19 |
Are we on the right way |
| 00:46:21 |
Straight? Left? Right? |
| 00:46:25 |
Unbelievable. Scheiss French! |
| 00:46:32 |
Ach, Germany. |
| 00:46:49 |
Go, mother... |
| 00:46:53 |
Yes. To keep space and |
| 00:46:59 |
I neglect to live them. |
| 00:47:04 |
That's a bit unfair. |
| 00:47:06 |
But for me, that seems |
| 00:47:12 |
I always think that I'm elsewhere |
| 00:47:15 |
I always think that I'm elsewhere |
| 00:47:17 |
and that no particular moment has |
| 00:47:21 |
Nothing else? |
| 00:47:24 |
There's a figure, the mother. |
| 00:47:27 |
For her, it doesn't matter |
| 00:47:32 |
If one considers the fact to |
| 00:47:37 |
She will never ask herself, |
| 00:47:45 |
She will never have the idea |
| 00:47:47 |
why and how she exists. |
| 00:47:51 |
After all, she is not aware |
| 00:47:54 |
because she is never, |
| 00:47:57 |
separated from her role. |
| 00:48:04 |
The blood of the mother, |
| 00:48:09 |
loves and remains. |
| 00:48:47 |
Is this Garage Martin? |
| 00:48:52 |
Is this Garage Martin? |
| 00:48:57 |
Is this Garage Martin? |
| 00:49:06 |
Is this Garage Martin? |
| 00:49:10 |
Flo, what do we have to tell them? |
| 00:49:12 |
We don't speak to people |
| 00:49:16 |
Are you working here? |
| 00:49:21 |
Lets speak to your parents. |
| 00:49:32 |
BALZAC |
| 00:49:49 |
I'm leaving. |
| 00:49:54 |
And our comrades? |
| 00:50:02 |
And our comrades? |
| 00:50:08 |
It will be them who decide. |
| 00:50:23 |
They will come. |
| 00:51:00 |
It's for the elections. |
| 00:51:02 |
I'm filming... |
| 00:51:07 |
We have an appointment with them. |
| 00:51:18 |
Only two or three minutes |
| 00:51:23 |
Who will present it? |
| 00:51:27 |
But your parents have |
| 00:51:29 |
What parents? |
| 00:51:31 |
No, he wanted to say: |
| 00:51:34 |
Mr. and Mrs. Martin, |
| 00:51:38 |
Please don't use the verb "to be". |
| 00:51:43 |
I don't understand anything at all. |
| 00:51:45 |
So? - They're not picking up. |
| 00:51:49 |
It's not surprising that |
| 00:51:51 |
to say that they |
| 00:51:54 |
Excuse me... to say |
| 00:52:00 |
They really seem to |
| 00:52:04 |
Finally... use the verb "to have". |
| 00:52:07 |
Everything will be |
| 00:52:13 |
Did you find that |
| 00:52:15 |
Florine. If you make fun |
| 00:52:30 |
Please, Mr... two or three |
| 00:52:34 |
Please, two questions. - No. |
| 00:52:45 |
One and a half hours late. |
| 00:52:58 |
Had this project been carried out |
| 00:53:00 |
it would have, without a doubt, |
| 00:53:03 |
with regards to the |
| 00:53:05 |
But it's failing dramatically. |
| 00:53:09 |
Mr... do you want |
| 00:53:11 |
No... you will pick up |
| 00:53:13 |
and then return to the office. |
| 00:53:16 |
So? |
| 00:53:18 |
So? |
| 00:53:19 |
So... the presidency |
| 00:53:21 |
"la", not "le" |
| 00:53:30 |
We'll see. |
| 00:53:34 |
Nothing at all. And our convention? |
| 00:53:43 |
Flo is right. |
| 00:53:48 |
The show is at 7 pm. We will |
| 00:54:00 |
Ten minutes. |
| 00:54:07 |
Can I film |
| 00:54:20 |
Nothing at all. |
| 00:54:24 |
Why don't we present ourselves |
| 00:54:28 |
Not mama or papa. |
| 00:54:36 |
They're dreaming. Children |
| 00:54:38 |
to participate in elections, |
| 00:54:45 |
Yes, yes, yes... but children |
| 00:54:49 |
And it exists, the |
| 00:54:53 |
We have paid 30% of France's debt. |
| 00:55:02 |
Exactly the sum of profit |
| 00:55:05 |
make of the debt. |
| 00:55:09 |
And the beautiful dress, |
| 00:55:11 |
Yes, why not. |
| 00:55:35 |
I'm listening. |
| 00:55:45 |
Today it's not so good. |
| 00:55:49 |
They're both born |
| 00:55:51 |
On every birthday |
| 00:55:55 |
we'll accept a debate with them, |
| 00:56:07 |
And it's them who direct it? |
| 00:56:12 |
More of less. We have |
| 00:56:16 |
But that's great. |
| 00:56:22 |
We're working at night. |
| 00:56:33 |
We're giving what we have. |
| 00:56:37 |
How long is this going to take? |
| 00:56:50 |
So either you wait, or |
| 00:57:01 |
We're waiting. |
| 00:57:06 |
I will borrow Catherine's car |
| 00:57:09 |
We have to take care |
| 00:57:14 |
Oh shit. |
| 00:57:22 |
Be careful, mom. |
| 00:57:55 |
Yes... all of you... |
| 00:58:48 |
I will also attack the sun |
| 00:59:13 |
I do not have my |
| 00:59:17 |
Ah? Are we moving |
| 00:59:20 |
No, to England. |
| 00:59:22 |
Exactly 400 years ago. |
| 00:59:26 |
Well, okay. But now, |
| 00:59:31 |
When I speak to myself |
| 00:59:38 |
that I speak to myself. |
| 00:59:42 |
When one hears one's own voice |
| 00:59:48 |
No, dad... from here. |
| 00:59:58 |
I'll check the TV. |
| 01:00:15 |
The other is oneself. |
| 01:00:20 |
And these are the three figures. |
| 01:00:31 |
There's the law. But you have |
| 01:00:39 |
We're entering an age |
| 01:00:44 |
where for various reasons |
| 01:00:50 |
that won't offer the luxury |
| 01:00:54 |
With regards to the |
| 01:00:56 |
there has to be a |
| 01:01:02 |
One has to say it. |
| 01:01:09 |
Brotherhood... |
| 01:01:20 |
I count as my friends |
| 01:01:21 |
those who disapprove of my actions |
| 01:01:32 |
I'm still smiling |
| 01:01:34 |
but there hasn't been a |
| 01:01:38 |
My words enter... |
| 01:01:43 |
I stay like this. |
| 01:01:49 |
Language enters... |
| 01:01:52 |
The mouth shuts up. It has to |
| 01:01:58 |
It's done. |
| 01:02:04 |
Almost all, mathematics, |
| 01:02:08 |
There are almost as many |
| 01:02:13 |
I don't understand... |
| 01:02:16 |
Today, the nervous system |
| 01:02:20 |
So in my humble opinion, |
| 01:02:24 |
But has not become history. |
| 01:02:28 |
It doesn't change the fact that |
| 01:02:30 |
But what is different today |
| 01:02:34 |
They believe sincerely |
| 01:02:37 |
Europe used to be |
| 01:02:40 |
a French writer... |
| 01:02:43 |
Ah yes... |
| 01:02:48 |
Yes, Sir! |
| 01:02:51 |
What we're doing is pathetic. |
| 01:02:53 |
We're distributing, |
| 01:02:57 |
We'd know how do it. |
| 01:03:02 |
Now, with these people here, |
| 01:03:06 |
Don't you think so? |
| 01:03:11 |
She hasn't given you the |
| 01:03:19 |
Yes? Yes... |
| 01:03:26 |
Do you think this |
| 01:03:29 |
It'll be soon. |
| 01:03:31 |
As I said, I don't |
| 01:03:34 |
You've heard it. 5 pm. |
| 01:03:37 |
It'll work out. |
| 01:03:43 |
Jean-Jaques will leave you |
| 01:03:49 |
Ask him if he has a program. |
| 01:03:53 |
And the unions? |
| 01:03:58 |
We'll see. They'll say he's right, |
| 01:04:08 |
Anyway, there's nothing to say. |
| 01:04:10 |
To show, above all. To show |
| 01:04:18 |
What, for example? |
| 01:04:29 |
Not by making it readable. |
| 01:04:43 |
Do you want more power? |
| 01:04:50 |
No power at all. |
| 01:04:56 |
Excuse me, Florine, |
| 01:04:59 |
The dream of the State |
| 01:05:02 |
The dream of the individual |
| 01:05:05 |
Lets go, hurry up! |
| 01:05:19 |
What is she talking? |
| 01:05:27 |
Make up your mind about what it |
| 01:05:30 |
because you might well obtain it. |
| 01:05:45 |
What's this story? |
| 01:05:52 |
Be cautious, dad! |
| 01:06:14 |
You're also wearing |
| 01:06:17 |
Lucien! - But I'm curious. |
| 01:07:50 |
To live or to tell... |
| 01:07:54 |
I'm going to tell... |
| 01:08:01 |
Abolishment of all |
| 01:08:07 |
There will only be |
| 01:08:09 |
that applies universally |
| 01:08:15 |
Nothing to obscure the relation |
| 01:08:21 |
I hate the dust that I am made of |
| 01:08:28 |
Bravo... Saint Just... 89 |
| 01:08:35 |
Les beaux corps de vingt ans |
| 01:10:08 |
Madame... what are these countless |
| 01:10:17 |
Monsieur... all of a sudden, |
| 01:10:23 |
There is no-one |
| 01:10:27 |
And you can hear me |
| 01:10:32 |
Monsieur... what are these images? |
| 01:10:42 |
This enormous idea... where figures |
| 01:10:52 |
Madame... it was space. |
| 01:12:02 |
One word, that's enough. |
| 01:12:07 |
Yes... you're full |
| 01:12:11 |
I can tell you too... |
| 01:13:47 |
The General Councils... |
| 01:13:50 |
There are no simple elections. |
| 01:13:53 |
We'd need to have a program. |
| 01:14:59 |
Yes, obviously... a program. |
| 01:15:07 |
And do you have one? |
| 01:15:10 |
To be twenty years old. |
| 01:15:14 |
To keep up hope. To be right. |
| 01:15:20 |
To learn to see |
| 01:15:26 |
It's great, no? |
| 01:15:28 |
Oh dear... you never listen. |
| 01:15:33 |
But still, |
| 01:15:37 |
she had already taken |
| 01:15:43 |
and was advancing |
| 01:15:50 |
outside the borders |
| 01:15:54 |
Alone, as someone else |
| 01:15:57 |
The union of multiple voices... |
| 01:15:59 |
Without fear. |
| 01:16:00 |
prevents the progess |
| 01:16:09 |
Stop the thief! |
| 01:16:18 |
Has anyone seen my hat? |
| 01:16:30 |
Hey, little white one... |
| 01:16:33 |
Hey? - No, Miss. |
| 01:16:40 |
I've seen you, |
| 01:16:42 |
Hey, attention! |
| 01:16:52 |
What are you doing? |
| 01:16:53 |
I'm welcoming |
| 01:17:08 |
I'm welcoming |
| 01:17:16 |
Shit... that's a Renoir! |
| 01:17:18 |
Yes, exactly. |
| 01:17:20 |
It has seen beautiful |
| 01:17:25 |
And these two here, |
| 01:17:39 |
If anyone asks you, |
| 01:17:51 |
I can't make out the brand. |
| 01:17:54 |
"Night and Day" |
| 01:17:58 |
It's fine, |
| 01:18:02 |
It's from Egypt. |
| 01:18:04 |
It was found in the tomb |
| 01:18:08 |
But there are no hours, |
| 01:18:10 |
Yes, but there is time. |
| 01:18:19 |
And the day, who decides? |
| 01:18:27 |
Nothing moves. |
| 01:18:29 |
Yes, because it's thinking. |
| 01:18:31 |
If it takes too long |
| 01:18:37 |
And so? |
| 01:18:41 |
Mystery. |
| 01:18:48 |
What are you thinking? |
| 01:18:54 |
And you? |
| 01:18:59 |
Of your back. |
| 01:19:04 |
That really interests you? |
| 01:19:10 |
No comment. |
| 01:19:56 |
That's enough! |
| 01:20:15 |
and you will |
| 01:20:19 |
yes, after the annulation |
| 01:20:21 |
now the children |
| 01:20:27 |
the decision of |
| 01:20:30 |
their father has a small |
| 01:20:36 |
for the first elections |
| 01:20:38 |
the decision of the |
| 01:20:42 |
Florine and Lucien |
| 01:20:49 |
the sovereignty of the people had |
| 01:20:55 |
this time, they got |
| 01:21:01 |
with just their first names |
| 01:21:05 |
so they are going to win |
| 01:21:11 |
in the days of the Resistance, |
| 01:21:17 |
there was a small group, |
| 01:21:23 |
"the Martin family" |
| 01:21:29 |
who had as their motto |
| 01:21:33 |
liberate and federate |
| 01:22:13 |
We know that gold powder from Sudan |
| 01:22:17 |
constitutes the principal element |
| 01:22:20 |
But one doesn't see that this gold |
| 01:22:23 |
one of the decisive weapons |
| 01:22:35 |
Sun and death |
| 01:23:03 |
See... here... |
| 01:23:06 |
two female gold diggers, in a |
| 01:23:11 |
So, the image... Historians |
| 01:23:24 |
To shield all these |
| 01:23:27 |
means to actually |
| 01:23:29 |
because they are |
| 01:23:31 |
and that's where one |
| 01:24:00 |
In 1839, Palestine welcomes |
| 01:24:03 |
The quadrature of the circle |
| 01:24:05 |
with the famous metaphor |
| 01:24:09 |
that Einstein had been |
| 01:24:11 |
Clarity through obscurity |
| 01:24:21 |
At the end of 1926 |
| 01:24:27 |
Gershom Scholem writes to |
| 01:24:36 |
This country is a volcano. |
| 01:24:39 |
And the day will come |
| 01:24:40 |
will turn itself against |
| 01:24:43 |
And this is why the |
| 01:24:48 |
Take me for a walk, |
| 01:24:53 |
The king invites me |
| 01:24:54 |
A prisoner of love |
| 01:24:57 |
And the second angel |
| 01:25:01 |
and it became as the blood |
| 01:25:07 |
In his second course at the Ãcole |
| 01:25:11 |
Roman Jakobson shows |
| 01:25:16 |
that is it impossible to separate |
| 01:25:20 |
and that only the concept of the |
| 01:25:24 |
To write for two voices |
| 01:25:27 |
if the dissonances are announced |
| 01:25:52 |
Tell me where the soldiers are |
| 01:26:00 |
Tell me where the soldiers are |
| 01:26:06 |
ISAAC SAID TO HIS FATHER |
| 01:26:07 |
Tell me where the soldiers are |
| 01:26:11 |
I SEE THE KNIFE |
| 01:26:14 |
BUT WHERE IS THE LAMB? |
| 01:26:18 |
AND ABRAHAM SAID |
| 01:26:21 |
GOD WILL PROVIDE IT |
| 01:26:30 |
The crusades, and the name |
| 01:26:36 |
If there was desire |
| 01:26:38 |
the person to avenge |
| 01:26:47 |
PALESTINE |
| 01:26:57 |
ODESSA |
| 01:28:53 |
Odessa. The stairs, in |
| 01:29:07 |
In my opinion, she's |
| 01:29:09 |
But there was something else. |
| 01:29:12 |
Poor Vakulinchuk. |
| 01:29:32 |
The manifestation was full |
| 01:29:37 |
Here's the work... your turn. |
| 01:29:40 |
The soldiers began shooting |
| 01:29:43 |
and in manifest there is |
| 01:29:49 |
An ideal, a smile that |
| 01:30:09 |
HELLAS |
| 01:30:31 |
Democracy and tragedy |
| 01:30:34 |
under Pericles and Sophocles. |
| 01:30:37 |
A single child: civil war |
| 01:30:46 |
The tragic hero of the Greek |
| 01:30:49 |
The deadly encounter |
| 01:30:54 |
with an impossible |
| 01:31:16 |
Ismene, mine own dear sister, |
| 01:31:26 |
When Odysseus returns |
| 01:31:30 |
the only one who recognizes him |
| 01:31:34 |
But that morning, side |
| 01:31:40 |
he understood that the war |
| 01:31:44 |
French News presents today |
| 01:31:48 |
from a country that |
| 01:32:15 |
Why would I have desired |
| 01:32:18 |
Cassandra, you will |
| 01:32:23 |
You don't approve |
| 01:32:26 |
But you going |
| 01:32:38 |
Naples |
| 01:32:42 |
Reintroducing duration. |
| 01:32:47 |
Even more significant than the |
| 01:32:52 |
are the points where they break, |
| 01:33:11 |
The tragedy is that one |
| 01:33:16 |
that dates back to the |
| 01:33:19 |
Affection is an ancient event. |
| 01:33:20 |
It has colored with its perfume, |
| 01:33:26 |
the entire life in |
| 01:33:28 |
Without affection, evolution |
| 01:33:31 |
The plague breaks out in Naples |
| 01:33:35 |
the same day when the Allies enter |
| 01:33:42 |
Liberty is expensive. |
| 01:33:46 |
But one can't buy her with gold, |
| 01:33:50 |
but with cowardice, |
| 01:34:01 |
The North Americans could |
| 01:34:04 |
and force them, at the same |
| 01:34:14 |
Barcelona |
| 01:34:18 |
Spain is a country where there |
| 01:34:22 |
of chances to die. |
| 01:34:26 |
And even our hopes |
| 01:34:29 |
And yet, of course |
| 01:34:31 |
What matters is not |
| 01:34:52 |
We discover war only once. |
| 01:35:02 |
A truth that's more loyal, and |
| 01:35:17 |
Bullfight on the Plaza de Toros. |
| 01:35:21 |
Hemingway, Dos Passos, Orwell. |
| 01:35:26 |
And then? |
| 01:35:28 |
After the execution, toreros and |
| 01:35:35 |
Women. Like all the ones who were |
| 01:35:38 |
building barricades in |
| 01:35:41 |
awaiting the offensive. |
| 01:35:44 |
Simon Weil would later, |
| 01:35:49 |
when she learned the Germans |
| 01:35:54 |
A great day |
| 01:35:59 |
You see, with the verb "to be", the |
| 01:36:06 |
For example: |
| 01:36:13 |
It would be better to say: |
| 01:36:24 |
What time is it? |
| 01:36:32 |
Always the right time. |
| 01:36:43 |
THINGS LIKE |
| 01:36:54 |
WHEN THE LAW IS WRONG |
| 01:37:02 |
SUBTITLES |
