Filth and Wisdom

en
00:00:28 When I die, I am going to go
00:00:34 and you're going to ask me why.
00:00:37 Did I
00:00:40 No.
00:00:41 Did I share enough?
00:00:44 Not really.
00:00:47 Was I humble enough?
00:00:50 Definitely not.
00:00:54 "So, what makes you so sure you're going
00:01:00 And I will tell you.
00:01:03 Because I told the truth.
00:02:04 And five, six, seven, eight, and:
00:02:09 A.K.: Humanity seems to be divided
00:02:11 People trying to be good
00:02:15 TEACHER:
00:02:18 Borey, get those back legs under.
00:02:22 But personally, I don't
00:02:25 Because if you spend your
00:02:27 eventually you will crave
00:02:32 as an oasis in the desert.
00:02:34 That was a bit better, but the arms:
00:02:38 Yes, keeping the shoulders down.
00:02:41 But if you'll spend
00:02:44 sooner or later,
00:02:50 A.K.:
00:03:23 Hanky-panky, goddamn bastard.
00:03:26 Filth and wisdom.
00:03:29 They are two sides of the same coin.
00:03:57 And you know
00:04:00 eventually will lead
00:04:05 In my country, we have a saying:
00:04:08 He who licks the knives
00:04:25 So if you want to be saved,
00:04:30 Drop and give me 20,
00:04:34 You worthless piece of shit.
00:04:38 You'd never make it into
00:04:40 Sir, yes, sir.
00:04:44 What the fuck did you just call me?
00:04:48 No, sir.
00:04:50 Uh-huh.
00:04:52 So you're saying
00:04:55 Do you know what?
00:04:57 I fucked your sister
00:05:05 Lick my boots, you fucking pencil-dick!
00:05:08 You gotta fucking lick them!
00:05:12 Fucking disgusting.
00:05:29 Your time is up.
00:05:46 Oh, he is guilty who is not at home.
00:05:53 Thank you.
00:06:02 Can it just be true
00:06:08 the liquids inside run this way,
00:06:12 and so we pretty much think
00:06:19 Then we tip our head to the right
00:06:21 and the liquids inside flow other way,
00:06:25 and we think
00:06:32 Or just keep your head all straight,
00:06:37 like dear old Daddy says,
00:06:42 and pretty soon you'll get yourself
00:06:51 Take Professor Flynn.
00:06:54 He live on the ground floor.
00:07:00 Andre?
00:07:01 A.K.: The one and only. Here I come.
00:07:04 A.K.: He write many books
00:07:09 but he sit in darkness and alone.
00:07:14 - What took you so long?
00:07:20 A.K.:
00:07:23 - I'm his errand boy.
00:07:26 At your service any time.
00:07:28 And not in a kinky way.
00:07:30 A little bit noisy upstairs
00:07:34 He's got a swamp up there.
00:07:36 Andre?
00:07:43 How many times? My name is A.K.
00:07:45 - Why can't you just call me A.K.?
00:07:49 Yeah, an arrangement is that
00:07:53 - Overpaid.
00:07:54 - Overpaid.
00:07:58 And not that you get to call me a name
00:08:02 - Stop being so dramatic, Andre.
00:08:06 And I love words.
00:08:11 There is more to love than words.
00:08:14 For instance?
00:08:23 For instance,
00:08:25 Ah.
00:08:27 But you needed words
00:08:32 Mm? Naughty, naughty, naughty.
00:08:35 Naughty, naughty, naughty.
00:08:39 Touché, professor.
00:08:47 I don't mean to be rude,
00:08:51 how could you stop writing?
00:08:57 The day I stopped seeing
00:09:03 Well, then you're just
00:09:07 How, may I ask, are you wasting yours?
00:09:16 The last time a man put his hand on me
00:09:23 Strange how every branch has desire
00:09:45 ¶ Where Rimsky
00:09:50 ¶ On the Sturm and Drang banquet ¶
00:10:04 ¶ Still I miss Carpaty! ¶
00:10:09 ¶ A.K.
00:10:12 ¶ Miss Carpaty, miss Carpaty ¶
00:10:17 ¶ Sojuzivka is the best ¶
00:10:18 ¶ Oh, how I miss Carpaty! ¶
00:10:45 A.K.:
00:11:03 - Morning, Sardeep.
00:11:06 - We have many bloody customers today.
00:11:08 - Come, come, come.
00:11:10 Okay. Hurry, hurry, hurry.
00:11:13 - Give me a minute.
00:11:32 Oh, Juliette.
00:11:36 Bloody hell.
00:11:42 - Thank you.
00:11:44 Hello.
00:11:46 It'll just be a few moments, okay?
00:11:49 Sardeep.
00:11:54 Hi, Chloe.
00:11:56 - How are you?
00:11:58 I'm a little busy right now.
00:12:01 - Dad says hello.
00:12:05 Yeah, he's hoping you'll get sick
00:12:08 change your mind about going
00:12:12 Since when did you become his
00:12:15 I'm not going to medical school.
00:12:19 I want to help people,
00:12:24 Dad helps people.
00:12:25 Yeah, he has the healing touch.
00:12:29 We both know that.
00:12:32 SARDEEP:
00:12:34 Thank you. Miss? Excuse me?
00:12:38 Thank you.
00:12:41 Spare change?
00:12:42 Why can't you just let go
00:12:44 That's exactly what I'm doing.
00:12:51 I miss you.
00:13:21 Are you all right there, Sar?
00:13:25 Hello, Mickey. You all right?
00:13:27 - Good, thank you.
00:13:29 - Yes, please.
00:13:32 Can I? Thank you very much,
00:13:35 - Thank you.
00:13:37 - Yes, please.
00:13:41 - Your bag.
00:13:42 - By the way, how is the wife and kids?
00:13:45 Nice, liking your style. Quality.
00:13:48 Ta-da.
00:13:50 Why is everyone obsessed with
00:13:54 Oh, hello.
00:13:58 - I'll have the money by next week.
00:14:00 I mean, you know, there's no rush.
00:14:04 I'm sorry. You know I'd give it to you.
00:14:06 A.K.:
00:14:08 She's got herself
00:14:11 She's beautiful.
00:14:13 She ballet dancing for 16 years.
00:14:16 She is everything I've ever wanted,
00:14:22 but she's broke.
00:14:25 Okay, will someone please tell me
00:14:30 Maybe I can try. Let's see.
00:14:33 It's not 1800s anymore,
00:14:36 and nobody gives a fuck about ballet.
00:14:39 Heh. Yeah, we're all fucked.
00:14:42 Heh-heh. Speak for yourself,
00:14:45 I'm this far away from
00:14:48 And I'm this far away
00:14:52 what you do to make money.
00:14:55 - Did you take your medication?
00:15:03 You know, in my country,
00:15:06 If you want to reach the sky,
00:15:12 Listen, blondie pretty girl.
00:15:14 You don't need to lead this
00:15:16 You have a whole cash box
00:15:19 A good stripper can make
00:15:24 You have the body for it,
00:15:27 so dance, sweet baby girl.
00:15:31 - You are a vile, disgusting gypsy.
00:15:34 I'd never even contemplate
00:15:37 for a bunch of dirty old men.
00:15:45 How much?
00:15:50 That's my girl.
00:15:55 I knew you were a filthy slut.
00:17:03 Excuse me, do you know where
00:17:11 Mr. Beechman?
00:17:14 - I'm Beechman.
00:17:16 I'm here for the audition.
00:17:18 Ah.
00:17:21 You must be Holly.
00:17:23 Enchanté, Holly.
00:17:25 Enchanté, Holly.
00:17:31 Mmm. Um...
00:17:33 Do you have a costume?
00:17:35 I have a leotard.
00:17:37 Oh, dear.
00:17:39 Knickers and bra will do.
00:17:42 Right. Do you have a changing room?
00:17:47 - No.
00:17:50 Come on.
00:17:56 That's it, lovely.
00:17:58 Undress for me, Holly.
00:18:03 Hit it, Ade.
00:18:09 That's it.
00:18:23 Ooh.
00:18:25 No. No.
00:18:34 The pole, the pole. Work the pole, dear.
00:18:42 No, no. Ooh.
00:18:44 Uh...
00:18:54 Take them off. Off.
00:18:59 Turn around.
00:19:02 Turn it.
00:19:05 Fantastic.
00:19:08 Okay, that'll do, Ade.
00:19:12 Um...
00:19:14 Not exactly Cirque du Soleil.
00:19:18 Perhaps we can work
00:19:24 A.K.:
00:19:26 Otherwise the glue factory's
00:19:30 And now let's kick it up,
00:19:34 And now, perhaps a little bit
00:19:48 A.K.: The problem with having
00:19:51 is that you always feel empty,
00:19:57 And sooner or later
00:20:00 Oh, Francine. Impeccable timing.
00:20:04 Um, this is Holly.
00:20:08 She needs a bit of tutoring,
00:20:12 Uh...
00:20:14 And see what you can do with it.
00:20:27 FRANCINE:
00:20:30 First thing's first.
00:20:41 Before Christmas would be nice.
00:20:45 Okay, right. Grab the pole,
00:20:51 and walk slowly round.
00:20:54 Arch your back, tits out,
00:20:59 maintain eye contact
00:21:05 Well, look like you're
00:21:08 I am.
00:21:09 Tracey.
00:21:12 - Come here and show her how it's done.
00:21:14 Hi.
00:21:43 You ain't as bad as you think you are.
00:21:45 You should see the slappers
00:21:47 At least you've got class. Ah.
00:21:51 Look, all you got to remember
00:21:56 two, what happens in the club
00:22:00 and three, stay away from teenagers.
00:22:02 - They never have any money.
00:22:06 You'll get the hang of it, Mary Poppins.
00:24:03 Who's there?
00:24:07 Andre?
00:24:20 Andre.
00:24:34 Good, up with the knees.
00:24:35 A.K.:
00:24:37 There is duality in everything.
00:24:41 But perhaps I should ask myself
00:24:45 Am I consciously or unconsciously,
00:24:53 collaborating at this very moment
00:24:57 that is destined to wreak havoc
00:25:03 And good.
00:25:10 TEACHER: That's better, yes. Échappé
00:25:15 That's better. Right open.
00:25:19 Thanks.
00:25:22 Oh.
00:25:31 Typical bloody Jew.
00:25:35 You know, Juliette, there are over
00:25:40 You obviously haven't been
00:25:42 Is that so? Well, why don't you tell me
00:25:46 Last night on Channel 4, documentary,
00:25:49 Really, really fantastic.
00:25:51 Oh, bloody chutya.
00:25:56 I told her not to come to work.
00:27:44 Just get the fuck out of here.
00:27:48 - Fuck!
00:27:50 Get the fuck out of here!
00:28:39 - Sorry we're late, sir.
00:28:45 - Has everybody done their prep?
00:28:48 Rothschild hasn't.
00:28:51 "Sir. " What, "sir"?
00:28:55 No, sir.
00:28:57 You, Rothschild.
00:29:00 What is 947 divided by the
00:29:07 Don't know, sir.
00:29:11 - You don't know.
00:29:14 Well, come out here, guttersniper.
00:29:19 Assume the position.
00:29:25 The other position, imbecile.
00:29:30 The other position, you moron!
00:29:32 What is the square root
00:29:37 of 947 divided by the square root
00:29:43 of power of 10?
00:29:47 - Four.
00:29:49 Three?
00:29:51 - Twenty?
00:29:52 - Thirty-four?
00:29:54 Forty-two.
00:29:56 Right.
00:29:57 - Right?
00:29:59 Sixteen.
00:30:02 Sit down.
00:30:47 "I traveled the world looking
00:30:51 and never settled in. "
00:30:53 "I... "
00:30:55 "I've traveled the world looking
00:31:06 "I've traveled the world
00:31:11 but never settled in. "
00:31:40 I am a wonderlust king.
00:31:51 ¶ Let me be gone ¶
00:32:18 Whoo!
00:33:07 ¶ I've traveled the world ¶
00:33:24 ¶ I stay on the run ¶
00:33:27 ¶ Let me out ¶
00:33:31 ¶ Let me be gone ¶
00:33:38 ¶ Beat-up road sign ¶
00:33:45 ¶ History of time ¶
00:34:09 ¶ I am a wonderlust king ¶
00:34:20 So, what's your schedule like
00:34:22 I thought I'd take another look
00:34:25 How many times do you have to look at
00:34:29 MAN:
00:34:31 Square footage,
00:34:34 Will you put that fucking
00:34:42 That's better. Now...
00:34:46 You were saying?
00:34:49 I was saying...
00:34:53 - Details. Mm-hm.
00:34:55 Structure, expansion capabilities.
00:34:59 WOMAN:
00:35:02 Sorry. Sorry, darling.
00:35:05 Something about capability
00:35:14 Ooh.
00:35:15 Look at the time. I'd better be...
00:35:27 Better. Better.
00:35:30 We all want to be better.
00:35:33 I want to be better.
00:35:35 We want to be better.
00:35:40 We'd all be better
00:37:19 You think you're too good for this?
00:37:20 It's bad enough
00:37:24 I'm shit.
00:37:26 I'm never gonna be as good as Tracey.
00:37:34 Do you mind?
00:37:36 - It's a gents', isn't it?
00:37:48 Don't you ever feel guilty doing this?
00:37:51 Devil's already got his piece, isn't it?
00:37:54 I don't need to give him another one
00:37:58 Anyways, it's not about what you
00:38:01 it's about what you don't show them.
00:38:06 Oh, and by the way,
00:38:10 Just be yourself.
00:38:16 Now stop your fucking crying.
00:38:22 I treat her like a princess.
00:38:24 You don't know how to treat anybody
00:38:26 - Ah, Holly, please sit down.
00:38:29 Why? The night is young.
00:38:31 The moon is but a twinkle
00:38:35 - Please. What time is it, Ade?
00:38:38 - Tick-tock, it's a drink o'clock.
00:38:42 Come on. You know, you've been
00:38:46 - Let's celebrate.
00:38:50 Just one little sip?
00:38:52 There.
00:38:54 You've got a phenomenal look about you.
00:38:58 - Really?
00:39:01 Sometimes I throw VIP parties,
00:39:04 for my most talented girls
00:39:09 Or on top.
00:39:11 So what am I,
00:39:13 No need to get defensive.
00:39:15 - Are you two at it again?
00:39:17 - No.
00:39:19 You, you couldn't even pull
00:39:23 Pull your hair.
00:39:25 - Pathetic.
00:39:28 That don't even touch the fucking sides.
00:39:50 Stop fussing with me.
00:39:53 Come on.
00:39:58 WAITER: Something to drink?
00:40:00 Shall I get the sommelier?
00:40:01 No, you can get us a nice bottle
00:40:06 Do you know what you're gonna order?
00:40:09 Sorry, do you want me
00:40:11 That won't be necessary.
00:40:13 I'll have the faggots in brine.
00:40:17 I'm kidding, Holly.
00:40:21 I thought prostitutes
00:40:23 and strippers were supposed
00:40:27 Don't call me that.
00:40:30 Anyway, that's what I wanted
00:40:34 I'm still in denial that I have to
00:40:37 Ah. Well, for one thing, you don't have to,
00:40:42 And secondly, stop being
00:40:46 Isadora Duncan danced naked
00:40:50 Wasn't she strangled to death
00:40:52 Yes. If you play your cards right,
00:40:58 That doesn't make me feel any better
00:41:03 The road to success is paved
00:41:06 The sooner you accept that,
00:41:09 Now, let's have a toast
00:41:13 MAN:
00:41:18 What bloody cave
00:41:20 Holly, this is Lorcan O'Neill,
00:41:25 He's won a Pulitzer Prize.
00:41:29 He also taught me the finer art
00:41:36 Relax, Holly, I'm kidding again.
00:41:39 No, he's not.
00:41:42 - I'm loving the gray, by the way.
00:41:46 Been too busy fumbling around
00:41:49 WAITER:
00:41:50 So how have you been puffing
00:41:54 Haven't you seen the series I've had
00:41:57 - No. Very good, thank you.
00:42:02 Actually, I'm here with my publisher
00:42:04 to celebrate the fact that my new novel
00:42:09 How very nice for you.
00:42:12 So you'll be needing a new mantelpiece
00:42:14 in your six-storey, semi-detached
00:42:19 Well, it's seven, old boy,
00:42:22 - I'm starving, can we order?
00:42:26 Holly, it was lovely to meet you,
00:42:28 and, Christopher, such a very nice
00:42:32 Nice to see you too. Nice.
00:42:36 WAITER:
00:42:38 - Um, I'll have a hamburger and fries.
00:42:42 Burger and fries are not going to look
00:42:44 Maybe I'm trying to get fired.
00:42:47 They'll never fire you.
00:42:49 How do you know what I look like?
00:42:51 Andre may have mentioned it
00:42:55 Oh, yeah?
00:42:56 - What color's my hair?
00:43:00 Let me see. I'll have to guess. Uh...
00:43:04 - Blond?
00:43:07 You're not clever enough
00:43:12 You know he's in love with you,
00:43:16 I think it's you he's in love with.
00:43:21 Well, he lives in a fantasy world,
00:43:24 Don't we all?
00:44:13 I love this guy.
00:45:06 Property developer, my ass.
00:45:13 Filthy little excuse for a man.
00:46:39 That's it.
00:46:41 I'm never doing this again,
00:46:43 You fucked it up.
00:46:46 Find someone else
00:46:49 Speaking of dirty work, I've gotta go.
00:46:59 You know, in my country,
00:47:02 that a man without a mustache
00:47:04 - is like woman with mustache.
00:47:07 Fuck you!
00:47:12 Take Juliette.
00:47:13 She's a nice girl.
00:47:16 She's also got a swamp up there.
00:47:20 She cares a lot about
00:47:25 and she don't know
00:47:35 CHLOE:
00:47:38 What are you doing here?
00:47:40 - I've come to tell you something.
00:47:44 I'm leaving.
00:47:45 Leaving what?
00:47:47 School, home, everything.
00:47:52 find out who I am.
00:47:56 You wouldn't leave the driveway
00:48:01 I've told Mum everything.
00:48:04 Aren't you the brave girl?
00:48:08 I've gotta start somewhere.
00:48:10 I just can't believe
00:48:13 I'd thought you'd be happy for me.
00:48:16 I am happy for you.
00:48:22 But how can you afford
00:48:27 Mum gave me money.
00:48:31 You're so weak.
00:48:37 So how does that work?
00:48:40 You stick around for a few more years
00:48:46 You don't say anything about it
00:48:52 Well done.
00:49:00 I shouldn't have said that. I'm sorry.
00:49:05 Good for you.
00:49:09 Is it okay if I leave some
00:49:13 Yeah, come by whenever.
00:49:16 I've got to get to work.
00:49:35 Get out.
00:49:39 Mom, how do I look?
00:49:46 Where did you get these clothes?
00:49:57 It's for you.
00:49:59 Who the bloody did this to you?
00:50:01 I'll bloody fix him good.
00:50:03 I'd better get out front.
00:50:10 I told you not to call me at work.
00:50:13 Yeah, well, I'm busy, busy, busy.
00:50:19 Daughter, bloody prostitute.
00:50:21 I'll deal with Lakshmi
00:50:23 Yeah, enough, all right.
00:50:38 Dinner is served.
00:51:32 Oh, Juliette.
00:51:35 Bloody hell.
00:51:44 Sardeep.
00:51:51 Sardeep.
00:52:17 - What the bloody is this?
00:52:21 What are they doing
00:52:24 What are you doing
00:52:26 - You, with your preoccupation
00:52:28 with starving children of Africa.
00:52:30 Bloody Africa?
00:52:32 WOMAN: Excuse me.
00:52:35 - Look who's talking.
00:52:38 But it's your pedestal,
00:52:40 Don't you bloody interrupt me.
00:52:44 You can't show up here with pills
00:52:46 and a black eye,
00:52:48 - Quite right.
00:52:50 I'm an Indian, and this is
00:52:54 I work so very hard every day.
00:52:58 My wife screams at me from the moment
00:53:02 All I want is a little bloody
00:53:06 And this is not a bloody ashram!
00:53:15 I will not work for a bigot.
00:53:20 I'm going to Africa,
00:53:22 and I don't care what you, or you,
00:53:26 If I have to rob a bank
00:53:37 WOMAN: This is not...
00:53:42 FRANCINE: Listen, if women
00:53:45 Harry wouldn't be in business.
00:53:47 I hates woman, just like
00:53:51 I don't hate women.
00:53:54 They don't use their imagination,
00:53:57 Men like strange, they like new.
00:54:02 NUNZIO: You know how much pizza
00:54:04 Forty-nine for the delivery
00:54:08 What, you like the delivery boy?
00:54:09 I love the delivery boys.
00:54:11 In one night, I eat 20 pizza
00:54:14 You know what I say to him?
00:54:16 FRANCINE: No.
00:54:20 Honey, you show me a beautiful girl
00:54:22 and I'll show you a man
00:54:25 - Are you sure?
00:54:26 - Talk is cheap.
00:54:29 Variety is the spice of life.
00:54:31 Am I right or am I right?
00:54:33 She's forever right.
00:54:45 Hi, Holly. Late again?
00:54:47 So how much do we know?
00:55:01 Is that Holly?
00:55:13 Good girl.
00:56:05 MAN:
00:56:23 Yo, professor.
00:56:33 Delivery boy.
00:56:52 We've got ripe olives from Turkey.
00:56:58 We've got one loaf
00:57:03 We've got
00:57:06 a fruit basket from the Lord,
00:57:10 A special for my blind man.
00:57:30 Rubbish, isn't it?
00:57:32 No.
00:57:34 In fact, it's brilliant.
00:57:37 - I wanna read more.
00:57:46 There are such things as Braille,
00:57:49 What's the point of sitting here
00:57:57 I would give my eyes
00:57:59 Okay, okay. Go, go.
00:58:05 Thank you for helping
00:58:10 Can I just put away this for you?
00:58:12 Please, just go.
00:58:15 Go!
00:58:23 TEACHER:
00:58:33 Up. That's it. Right round.
00:58:39 One, two.
00:58:43 And around. And four.
00:58:47 Tight fifth, through,
00:58:57 Good. Two.
00:59:00 Over.
00:59:22 And through.
00:59:26 And...
00:59:30 Good.
00:59:31 Okay, thank you.
00:59:35 Right, see you tomorrow, thanks.
01:00:07 MAN Excellent choice.
01:00:11 MAN: Now, you know
01:00:13 Just a little virgin olive oil,
01:00:16 and just slowly dip in bread.
01:00:26 MAN: No, try this one.
01:00:28 Pork pie and guacamole.
01:01:12 Ow!
01:01:16 I'm so, so sorry. I'm so, so sorry.
01:01:23 WIFE:
01:01:30 Oh...
01:01:31 Mrs. Goldfarb,
01:01:34 are you trying to seduce me?
01:01:37 Come here, you naughty little boy.
01:01:49 Come on. Over.
01:01:52 - What are you?
01:01:54 A naughty little boy. Say it.
01:01:58 - Naughty.
01:02:01 MAN:
01:02:04 Fucking hell.
01:02:50 Two men fall through the chimney.
01:02:54 Which one needs to take a bath?
01:02:56 You need to take a bath.
01:03:00 And stop sneaking around
01:03:03 Why don't you just tell her?
01:03:09 How can you take that dude seriously
01:03:11 when he stopped getting laid
01:03:14 Sex isn't everything.
01:03:18 It is in Africa.
01:03:23 You're a sick man.
01:03:26 Thank you. Finally.
01:03:29 I traveled seven seas
01:03:33 And you traveled nowhere
01:03:37 Just don't get everyone lost with you.
01:03:49 By appointment only.
01:03:52 - I'm here to speak to Miss Juliette.
01:03:56 Do you beat her?
01:03:59 Only if she pays me.
01:04:03 Look at you, you piece of scum.
01:04:05 Know how lucky you are
01:04:07 You should bloody well treat her better.
01:04:11 Is that right, randy Gandhi?
01:04:15 You bloody foreigner,
01:04:18 JULIETTE:
01:04:20 Hello.
01:04:22 Juliette.
01:04:24 He's all right. Let him in.
01:04:40 How are you? You okay?
01:04:43 - Fine, thank you.
01:05:11 Please forgive me for saying
01:05:15 You're a very nice girl, Juliette,
01:05:29 Well, bloody open it.
01:05:39 "Dear Miss Honan.
01:05:41 Thank you for your interest
01:05:45 Your application has been accepted,
01:05:50 and we are delighted to offer you
01:05:54 working as part of
01:05:56 that focuses on children
01:06:01 Oh, my god, Sardeep.
01:06:05 - I don't understand. I didn't...
01:06:09 And I hope you don't mind
01:06:16 And you're going to need one of these.
01:06:34 Oh, thank you.
01:06:41 - How much do I owe you?
01:06:44 My charity can was heavier than yours.
01:06:51 Oh, my... Thank you so much.
01:06:55 Oh, Juliette.
01:06:57 I so wish I was coming with you.
01:07:00 It's going to be wonderful
01:07:04 undernourished, skinny, skinny,
01:07:10 Oh, Juliette,
01:07:18 - Oh, look what dragged in the cat.
01:07:23 Yeah, yeah, she is in her room
01:07:27 Making you a nice new
01:07:33 Everyone east of Berlin
01:07:37 Oh, excuse me.
01:07:40 No, no, that's all right.
01:07:44 This is for Holly.
01:07:48 I am her manager.
01:07:55 Yes, my little slut.
01:08:00 I heard that, man-whore.
01:08:06 Envelopes, envelopes.
01:08:10 Where the fuck is my envelope?
01:08:25 They're just in.
01:08:35 A.K.: Only when you eat a lemon
01:08:40 Life is a paradox,
01:08:43 but is it, really?
01:08:46 Is the contradictions within and around
01:08:51 or just another word for "accord"
01:08:57 A language we're yet to learn.
01:09:04 We live in a mistaken world,
01:09:10 You can be an academic and come
01:09:15 or you can discover
01:09:17 by waking up in your own vomit.
01:09:21 Either way, you cannot lose.
01:09:25 Without filth,
01:09:29 Without darkness, no light.
01:09:35 In my country we have a saying:
01:09:38 If the devil is powerless,
01:09:44 Oh, I forgot.
01:09:50 This came for you
01:09:57 And then, I get my envelope.
01:10:00 Yeah, yeah, who the fuck am I?
01:10:04 But this song, the next song
01:10:24 Oh, you know it's easy for a
01:10:29 where the folks bang their head
01:10:32 men like Kierkegaard and Nietzsche.
01:10:35 All these poor bastards that
01:10:41 Like, what the fuck can you
01:10:45 Like, where is the true artistic gurus?
01:10:56 Well, I prefer madmen,
01:11:01 ¶ I met the other day ¶
01:11:05 Who says, "That's so, like,
01:11:11 Well, some of them are from the east.
01:11:13 ¶ And some of them
01:11:18 ¶ Just need to charge one another ¶
01:11:21 ¶ And stick it closer to the center ¶
01:11:25 ¶ Where some kind of
01:11:29 ¶ Going on ¶
01:11:31 ¶ Creating something out of nothing ¶
01:11:35 ¶ Like works of art or the religion ¶
01:11:40 ¶ Straight out of nothing ¶
01:11:43 ¶ My strange uncles from abroad ¶
01:11:46 ¶ Yes, I never met them, ooh
01:11:53 ¶ And I'll never forget them, ooh ¶
01:11:56 ¶ Through the mystical
01:12:00 ¶ Deep within it all comes through ¶
01:12:03 ¶ Forming underground railroad
01:12:36 ¶ My strange nephews from beyond ¶
01:12:39 ¶ I'll meet them on a cosmos street ¶
01:12:42 ¶ And we will drink
01:12:46 ¶ Don't trust a plastic beat ¶
01:12:49 ¶ Through the mystical
01:12:52 ¶ Deep within it all comes through ¶
01:12:56 ¶ Forming underground railroad ¶
01:12:59 ¶ For our ultimate breakthrough ¶
01:14:08 ¶ A.K.
01:14:11 ¶ They are still looking
01:14:15 ¶ A few unpoisoned hearts ¶
01:14:18 ¶ No matter where you are exiled ¶
01:14:21 ¶ No matter where you are exiled! ¶
01:14:35 Straight out of nothing.
01:14:53 Straight out of nothing.
01:14:56 You see, my friend, feeling good
01:15:03 Two sides of a same coin.
01:15:09 The lesson.
01:15:13 So if your ship comes in, ohuenno.
01:15:17 Let's get as many people
01:15:21 We're all in the same pizdetz
01:15:25 we're all going down together.
01:15:28 Extra maximum, double radical
01:15:32 to my new neighbor
01:15:40 When I die?
01:15:43 When I die.
01:15:45 I don't know, but when I die...
01:15:49 Uh...
01:15:51 - Straight to fucking hell, man.
01:15:55 www.DownloadKing2.tk