Final Cut The
|
00:00:42 |
Can I play? |
00:00:44 |
Do you have any marbles? |
00:00:47 |
Yep. |
00:00:50 |
OK. |
00:00:52 |
Thanks. |
00:00:53 |
You're welcome. |
00:00:54 |
So, what's your name? |
00:00:56 |
Louis. Yours? |
00:00:57 |
Alan. |
00:00:59 |
You're not from around here, |
00:01:01 |
No. I'm here with my parents |
00:01:10 |
What? |
00:01:12 |
What's over there? |
00:01:26 |
Don't do that. We're not |
00:01:36 |
Come on. |
00:01:38 |
Wait for me. |
00:01:49 |
Let's go back down. |
00:01:52 |
Nope. |
00:01:55 |
Don't! |
00:02:09 |
Alan, don't! |
00:02:16 |
See? That wasn't so bad. |
00:02:19 |
Just don't look down. |
00:02:24 |
Louis! |
00:02:28 |
Come on. |
00:02:37 |
See? It's steady. |
00:02:59 |
- Louis! |
00:03:01 |
Come on! |
00:03:05 |
Alan, help! |
00:03:11 |
Wait! |
00:06:46 |
Here it comes. Just relax. |
00:06:48 |
You're doing great now. |
00:06:50 |
All right. |
00:06:53 |
Here it comes, sweetie. |
00:06:55 |
Just keep breathing. |
00:06:57 |
All right, the head's crowning. |
00:07:00 |
Excellent. Here we go. |
00:07:01 |
One more big push, sweetie. |
00:07:03 |
That's it. Now breathe. |
00:07:05 |
It's coming. |
00:07:07 |
Push, push, push! |
00:07:12 |
Oh, here we go. |
00:07:14 |
We have a boy. |
00:07:20 |
Oh, is he OK? |
00:07:22 |
- He's perfect. |
00:07:24 |
A beautiful son. |
00:07:26 |
Beautiful. He's beautiful. |
00:07:36 |
- Are we OK? |
00:07:38 |
- He's beautiful. |
00:07:40 |
Congratulations, Dad. |
00:07:43 |
Here he comes. |
00:07:45 |
You did really well. |
00:07:47 |
Oh, hi. Oh, it's OK. |
00:07:51 |
Beautiful baby boy. |
00:07:55 |
He's got his eyes open. |
00:07:57 |
- What's his name? |
00:08:18 |
Danny. |
00:08:20 |
Danny, come here, sweetie. |
00:08:27 |
See, we have the best-fed ants |
00:08:29 |
Come on. |
00:08:30 |
Have to do that later. |
00:08:32 |
Jason, my guys took |
00:08:35 |
Can't. |
00:08:37 |
Oh, my God. |
00:08:39 |
That's me, man. |
00:08:42 |
That's me. |
00:08:44 |
Danny, play nice |
00:08:46 |
What's that music you're using? |
00:08:53 |
Whatever it is, |
00:08:57 |
It really... |
00:08:59 |
I don't know... |
00:09:01 |
suits his life somehow. |
00:09:04 |
So, Danny, you still drawing? |
00:09:06 |
Nope. |
00:09:08 |
No? Didn't you want to grow up |
00:09:14 |
That's some |
00:09:15 |
The rest needs |
00:09:18 |
But right now, he's clocking in |
00:09:21 |
Yeah, that's cool. |
00:09:24 |
I just wanted to have a look... |
00:09:26 |
before the Rememory tomorrow. |
00:09:28 |
You know. |
00:09:30 |
You've done a hell of a job |
00:09:32 |
You've done |
00:09:34 |
You're welcome. |
00:09:38 |
I don't suppose... |
00:09:40 |
There was a fishing trip |
00:09:42 |
Just Danny and I and Dad... |
00:09:44 |
- At the cape. |
00:09:46 |
My God, |
00:09:49 |
You requested it specifically. |
00:09:51 |
Well, I'll be off, then. |
00:10:07 |
Closing Zoe project |
00:10:14 |
Opening D. Monroe, scene 127-Q. |
00:10:17 |
Jesus Christ! |
00:10:19 |
I told you to shut up! |
00:10:22 |
Danny! Danny, stop! |
00:10:25 |
You... |
00:10:27 |
You deserve this, bitch! |
00:10:31 |
No! |
00:10:32 |
No! God! Please... please... |
00:10:36 |
No! Stop! No! You're killing me! |
00:10:41 |
Stop! |
00:10:45 |
Scene 127-Q deleted. |
00:10:58 |
EYE Tech introduces... |
00:11:00 |
the ninth generation |
00:11:03 |
from our family to yours. |
00:11:05 |
Do you think |
00:11:08 |
Yep. |
00:11:09 |
I hope so. |
00:11:11 |
Well, we can save. |
00:11:33 |
Excuse me. |
00:12:04 |
This girl was a complete wreck. |
00:12:08 |
Drinking, drugs, |
00:12:11 |
Then she turns 21... |
00:12:12 |
and she finds out |
00:12:15 |
Complete 180. She's born again. |
00:12:18 |
Her knowing that |
00:12:21 |
transforms her into this kind, |
00:12:25 |
So, what happened? |
00:12:28 |
She committed suicide. |
00:12:29 |
Took a dive off her balcony... |
00:12:32 |
twenty-seven floors |
00:12:36 |
The implant |
00:12:37 |
Charming story, Hasan. |
00:12:40 |
Alan! |
00:12:43 |
Alan! |
00:12:45 |
Michael, this is Alan Hakman. |
00:12:47 |
- Hi. |
00:12:48 |
It's an honor to meet you. |
00:12:50 |
Mike is my new assistant. |
00:12:52 |
What happened to Eddie? |
00:12:53 |
Eddie freaked out on me. |
00:12:56 |
Hey, Alan, have you seen these? |
00:12:59 |
They are all over town. |
00:13:00 |
These anti-Zoe hippies always |
00:13:04 |
But now they just seem crazy. |
00:13:08 |
Listen... |
00:13:10 |
"It is not our place to see |
00:13:14 |
"That is for God and God alone." |
00:13:18 |
Anyway, how's |
00:13:21 |
Fine. |
00:13:23 |
- Just fine? |
00:13:26 |
Michael, |
00:13:28 |
to meet this man. |
00:13:30 |
He's the best cutter in town. |
00:13:31 |
- Who's your assistant? |
00:13:33 |
I have a friend that's looking |
00:13:36 |
I don't work with an assistant. |
00:13:40 |
You have |
00:13:41 |
Straight to business. |
00:13:43 |
I got a job last week |
00:13:46 |
and I think |
00:13:47 |
You know Charles Bannister? |
00:13:49 |
His widow |
00:13:52 |
Bannister, the EYE Tech lawyer? |
00:13:53 |
He was out jogging |
00:13:56 |
Wait a minute. |
00:13:58 |
Jennifer Bannister |
00:14:00 |
and claimed |
00:14:02 |
She insisted on having |
00:14:04 |
And with good reason. |
00:14:06 |
We could have taken that job. |
00:14:08 |
After Caldwell, |
00:14:09 |
I don't like the ugly stuff. |
00:14:12 |
It gives me nightmares. |
00:14:13 |
And this pig Bannister... |
00:14:16 |
he's human garbage. |
00:14:19 |
I took one look at the footage |
00:14:23 |
She only hired me because |
00:14:27 |
It's you she really wants. |
00:14:29 |
- I'm available. |
00:14:31 |
Our friend Alan... |
00:14:32 |
that's his specialty, |
00:14:35 |
If you can't bear |
00:14:38 |
I'll tell her |
00:14:39 |
She'll be expecting you. |
00:14:43 |
We should actually go. |
00:14:45 |
Oh, yes. |
00:14:47 |
and we're still cutting picture. |
00:14:49 |
Goddamn last-minute jobs. |
00:14:51 |
Thelma, come on. |
00:14:53 |
Alan. |
00:14:57 |
Hasan. |
00:14:58 |
Oh, hey, Alan. |
00:15:02 |
this new sorting program |
00:15:04 |
and I would really love |
00:15:07 |
Maybe another time. |
00:15:12 |
Yeah, maybe some other time. |
00:15:33 |
Put it in archives very gently. |
00:15:35 |
- Sure. |
00:15:36 |
Delila, |
00:15:41 |
What are you doing here? |
00:15:42 |
I just wanted to talk. |
00:15:46 |
I'm busy. |
00:15:51 |
Store's still open. |
00:15:54 |
Books are flying off the shelf. |
00:16:03 |
We close in 20 minutes. |
00:16:15 |
This is exciting. |
00:16:17 |
You've never had me over before. |
00:16:18 |
You've always |
00:16:20 |
Well, you're always working. |
00:16:22 |
I'm curious about |
00:17:14 |
Guillotine. |
00:17:19 |
You're like a mortician... |
00:17:22 |
or a priest... |
00:17:25 |
or a taxidermist. |
00:17:27 |
All of them. |
00:17:30 |
I mean... |
00:17:34 |
you get to see life upon life. |
00:17:36 |
Most of us get only one, |
00:17:41 |
What are people's lives like? |
00:17:43 |
Do they make any sense? |
00:17:45 |
It all seems so massive |
00:17:49 |
Have you ever been |
00:17:52 |
No. Well... |
00:17:55 |
Once, a few years ago. |
00:17:57 |
Whose? |
00:18:00 |
My ex-boyfriend. |
00:18:03 |
But I couldn't take it. |
00:18:06 |
Why not? |
00:18:09 |
Because it just wasn't... |
00:18:13 |
It wasn't him. |
00:18:16 |
And I wanted |
00:18:21 |
Sit down. |
00:18:28 |
Thank you. |
00:19:25 |
It's like |
00:19:28 |
I have this recurring dream |
00:20:08 |
Wow. |
00:20:16 |
What about all the bits |
00:20:18 |
It's a miniature. |
00:20:20 |
Concise, symmetrical. |
00:20:22 |
That's the way the world |
00:20:25 |
the way I see it. |
00:20:28 |
How do you do this? |
00:20:30 |
It's what I was meant to do. |
00:20:33 |
You were meant |
00:20:43 |
- Hey. |
00:21:00 |
The house was big... |
00:21:02 |
enormous... |
00:21:05 |
like this one. |
00:21:07 |
We didn't care |
00:21:09 |
It felt dangerous to be there. |
00:21:14 |
It felt exciting. |
00:21:17 |
I can see the grass. |
00:21:20 |
I can hear it |
00:21:23 |
And then the sprinklers |
00:21:25 |
all around us... |
00:21:28 |
and we ran. |
00:21:32 |
I remember that |
00:21:38 |
Do you recall any moments |
00:21:44 |
This isn't long ago. |
00:21:47 |
We were watching Isabel |
00:21:50 |
She was wonderful that night. |
00:21:53 |
I think Charles and I |
00:21:56 |
what an amazing thing |
00:21:59 |
We felt it together. |
00:22:03 |
She was up there on that stage. |
00:22:08 |
Oh, goodness. |
00:22:13 |
Excuse me. |
00:22:14 |
I know this is very hard, |
00:22:17 |
but it's important. |
00:22:19 |
It's the foundation |
00:22:22 |
I need you and your family... |
00:22:24 |
to help me choose |
00:22:28 |
I won't be able to do |
00:22:30 |
if I don't understand him |
00:22:35 |
I heard you were the best... |
00:22:38 |
that you would know |
00:22:44 |
My husband was a great man, |
00:22:48 |
He deserves to be remembered |
00:22:51 |
After my initial cut... |
00:22:53 |
I will need |
00:22:58 |
Is that necessary? |
00:23:06 |
There's nothing that |
00:23:09 |
that I won't know very soon. |
00:23:11 |
Of course. Yes. |
00:23:15 |
Rom. |
00:23:20 |
Please call EYE Tech storage. |
00:23:22 |
Tell them Mr. Hakman |
00:23:24 |
Very good, ma'am. |
00:23:28 |
Thank you. |
00:23:32 |
I've... |
00:23:33 |
I've seen Rememories |
00:23:37 |
They had no respect |
00:23:39 |
The dead mean nothing to me, |
00:23:41 |
I took this project |
00:23:45 |
Remember for yourself! |
00:23:56 |
Live for today! |
00:24:24 |
You are blasphemous, you freak! |
00:24:27 |
Why don't you people go home? |
00:24:30 |
Just go home! Show some respect! |
00:24:33 |
Open your eyes! |
00:24:38 |
I'm sorry, Mrs. Monroe. |
00:24:46 |
So... this is him, huh? |
00:24:49 |
That's him. |
00:25:07 |
Caroline, are you all right? |
00:25:22 |
You did very well. |
00:25:24 |
Oh, hi. Oh, it's OK. |
00:25:31 |
He's got his eyes open. |
00:25:35 |
- What's his name? |
00:25:37 |
- Hi, Danny. |
00:25:40 |
Hey, Daniel, |
00:25:44 |
Look. Everybody's here. Look. |
00:25:48 |
- There's your grandma. |
00:25:51 |
How are you feeling, Eliza? |
00:25:53 |
I'm good. I'm really good. |
00:25:56 |
- Excellent. |
00:26:00 |
That looks really good, Danny. |
00:26:03 |
Now go wash out your brush. |
00:26:04 |
Hi! |
00:26:08 |
Come on, Uncle. |
00:26:11 |
Sit in the shade, honey. |
00:26:12 |
So, Danny, you still drawing? |
00:26:14 |
Nope. |
00:26:16 |
No? Didn't you want to grow up |
00:26:18 |
Not anymore. |
00:26:20 |
No? |
00:26:22 |
A doctor. |
00:26:23 |
A doctor, eh? Clever kid. |
00:26:26 |
That'll keep you in the bucks. |
00:26:27 |
Why a doctor? |
00:26:29 |
Because I want to help people |
00:26:31 |
Would you listen to |
00:26:33 |
You got a good heart, Danny. |
00:26:35 |
And that's all you need in life. |
00:26:37 |
Come on. Be a good boy |
00:26:51 |
Now I make the incision here. |
00:26:54 |
Hand me the number 17, please. |
00:26:56 |
Actually, Professor, |
00:26:58 |
would be more appropriate. |
00:27:00 |
Yes. Correct. The number 12. |
00:27:04 |
Thank you, Mr. Monroe. |
00:27:11 |
Hello there. |
00:27:13 |
I've seen you around |
00:27:16 |
and I couldn't help but notice |
00:27:22 |
I was wondering if maybe |
00:27:25 |
for dinner sometime. |
00:27:27 |
That might be nice. |
00:27:30 |
You lasted longer |
00:27:33 |
Come on, Danny boy. |
00:27:46 |
It's a strange profession |
00:27:49 |
You take people's lives, |
00:27:53 |
Fletcher. |
00:27:55 |
Eight years. |
00:27:57 |
Yeah. I don't have time |
00:28:01 |
Come on! Speech! |
00:28:04 |
- Say something. |
00:28:05 |
I want to thank all of you. |
00:28:09 |
This is the best birthday |
00:28:13 |
How can you handle it, Alan? |
00:28:16 |
People sleeping and shitting... |
00:28:18 |
people stealing |
00:28:21 |
manipulating each other... |
00:28:22 |
the obscenity. |
00:28:24 |
I can't talk. I'm working. |
00:28:33 |
Well, now... I'm hurt. |
00:28:35 |
That's not why I'm here. |
00:28:37 |
I'm booked solid |
00:28:38 |
No, no, no. |
00:28:42 |
You do have something |
00:28:45 |
What could I possibly have |
00:28:46 |
I know you've taken |
00:28:48 |
and I want it. |
00:28:52 |
Wow. I thought |
00:28:56 |
I'm offering you |
00:29:03 |
Oh, what? The code? |
00:29:05 |
Would you forget |
00:29:08 |
This is real life now. |
00:29:29 |
Hey, did you change |
00:29:32 |
- I would never do that. |
00:29:34 |
Because I remember |
00:29:37 |
Weird. All my memories |
00:29:40 |
have it being green. |
00:29:45 |
Maybe it was green. |
00:29:49 |
Will you excuse me? |
00:29:51 |
OK. Rush, rush, rush. |
00:29:53 |
Beautiful work, Mr. Hakman. |
00:29:55 |
I'll keep you in mind for me. |
00:30:03 |
Ah, yes, the questions. |
00:30:06 |
"Are you sure |
00:30:07 |
Some of us still |
00:30:09 |
We didn't walk away. |
00:30:11 |
And what does it take, Alan? |
00:30:13 |
Delusion? Obsession? Guilt? |
00:30:15 |
No, I don't have any of those... |
00:30:18 |
not as much as you do. |
00:30:20 |
I'll be in touch. |
00:30:32 |
Wait! |
00:30:38 |
He was such a good father, too. |
00:30:41 |
When his son had the mumps? |
00:30:43 |
My heart was in my throat. |
00:30:45 |
That part with the partners. |
00:30:49 |
It's the Rememory |
00:30:51 |
He really was someone special. |
00:30:54 |
Thank you, Nathalie. |
00:30:56 |
Yeah! Danny! Danny! |
00:31:04 |
Excuse me. |
00:31:06 |
Mr. Hakman. |
00:31:08 |
Mrs. Monroe. |
00:31:10 |
Why are they tattooed like that? |
00:31:13 |
I'm not sure. |
00:31:15 |
They're so grotesque, |
00:31:18 |
Sorry about your loss. |
00:31:25 |
Thank you. |
00:31:26 |
Look! It's the cutter! |
00:31:31 |
Open your eyes! |
00:31:37 |
Hey! Back off! Back off! |
00:31:40 |
Keep your distance. |
00:32:21 |
Receiving Zoe footage, |
00:32:27 |
Processing 544,628 life hours. |
00:32:37 |
Sorting life files. |
00:32:39 |
Childhood... |
00:32:41 |
sleep... |
00:32:42 |
puberty... |
00:32:44 |
eating... |
00:32:46 |
awkward phase... |
00:32:48 |
romantic life... |
00:32:50 |
temptation... |
00:32:53 |
personal hygiene... |
00:32:55 |
religion... |
00:32:57 |
tragedy... |
00:32:58 |
wedding... |
00:33:00 |
masturbation... |
00:33:02 |
fears... |
00:33:04 |
athletics... |
00:33:07 |
growth spurt... |
00:33:08 |
university... |
00:33:10 |
violence... |
00:33:13 |
school... |
00:33:14 |
courtship... |
00:33:16 |
career... |
00:33:52 |
...these documents... |
00:33:54 |
and I'm quite concerned |
00:33:57 |
I think if any of this |
00:34:00 |
it could be quite devastating. |
00:34:01 |
We do have $1.2 billion |
00:34:07 |
and I'm just wondering, |
00:34:14 |
What do you think? |
00:34:17 |
I love it. Thank you, Charles. |
00:34:20 |
Hey, Joey, come help me |
00:34:23 |
Here. Use my shovel. |
00:34:24 |
Happy anniversary, honey. |
00:34:27 |
Is it keys? |
00:35:37 |
Hi, baby. You still awake? |
00:35:40 |
No. |
00:35:47 |
Daddy loves you so much. |
00:35:49 |
You know that. |
00:35:52 |
I love you, too, Dad. |
00:35:55 |
Do you want to come down |
00:35:57 |
I'd like to show you |
00:36:00 |
What are you working on? |
00:36:02 |
It's a new case. Come on. |
00:36:05 |
OK. |
00:36:19 |
So, how was school today? |
00:36:21 |
Good. We read a book |
00:36:25 |
Kipper, the Sparky Dog? |
00:36:27 |
He's a very happy dog. |
00:36:32 |
Daddy? |
00:36:33 |
What, sweetie? |
00:36:34 |
Can I have a pet? |
00:36:36 |
Well, maybe. What kind of pet? |
00:36:39 |
Maybe a kitty. |
00:36:41 |
A kitty? Of course. |
00:36:43 |
Go on in, honey. |
00:37:11 |
- Daddy? |
00:37:14 |
I want to go back to bed. |
00:37:16 |
In a little while, baby. |
00:37:18 |
In a little while. |
00:37:35 |
Daddy loves you so much. |
00:37:40 |
And I love you, too, Dad. |
00:37:46 |
Thank you. |
00:37:49 |
Wasn't she wonderful? |
00:37:59 |
- You look lovely, honey. |
00:38:00 |
I'll tell Rom to bring up |
00:38:04 |
- Fine. |
00:38:07 |
No, thank you. |
00:38:20 |
Isabel wanted to stay up |
00:38:22 |
but the poor thing fell asleep. |
00:38:24 |
It's a beautiful picture. |
00:38:25 |
She's a very bright little girl. |
00:38:27 |
Yes, she is. |
00:38:30 |
We're very fortunate. |
00:38:31 |
We're looking forward |
00:38:52 |
So, what's your name? |
00:38:54 |
Louis. Yours? |
00:38:56 |
Alan. |
00:39:22 |
Identity match. |
00:39:31 |
Searching. |
00:39:48 |
Come on. |
00:39:50 |
No, I can't move. |
00:39:51 |
I can't move! |
00:39:58 |
I know you've taken |
00:40:00 |
and I want it. |
00:40:05 |
I found something, Delila. |
00:40:07 |
I mean, in a new project. |
00:40:10 |
Something very important, |
00:40:13 |
It's... |
00:40:15 |
A new cutting project? |
00:40:17 |
That's what you're talking |
00:40:20 |
Well, more than that. |
00:40:21 |
Alan, |
00:40:24 |
and somehow you miss the point. |
00:40:26 |
I mean, I haven't |
00:40:28 |
since that night |
00:40:30 |
I need you. |
00:40:35 |
Why? |
00:40:40 |
Why do you need me? |
00:40:45 |
There's no place for me |
00:40:47 |
You haven't even made room |
00:40:50 |
You have to separate yourself |
00:40:54 |
Yeah. Yeah. |
00:40:57 |
Alan? |
00:41:28 |
Alan. |
00:41:30 |
You look like shit. |
00:41:31 |
What happened to your face? |
00:41:33 |
This? Rather not elaborate. |
00:41:38 |
I mean, you decided |
00:41:42 |
is what made this woman |
00:41:44 |
You've taken |
00:41:46 |
and drawn a straight line |
00:41:48 |
How can you make |
00:41:50 |
Whittling a life down to one... |
00:41:52 |
Michael, we have to make |
00:41:55 |
Otherwise, |
00:41:57 |
Yeah, I still don't buy it. |
00:42:00 |
You don't have to buy it. |
00:42:02 |
You just have to do it. |
00:42:07 |
Alan, darling, you look spooked. |
00:42:09 |
Sorry about the place. |
00:42:11 |
I need to speak with you alone. |
00:42:16 |
Michael, honey, would you |
00:42:19 |
and buy us some cigarettes? |
00:42:21 |
We've got eight packs already. |
00:42:22 |
Then go and return them, |
00:42:24 |
We don't need so many. |
00:42:33 |
He's an emotional one. |
00:42:36 |
Now... are you all right? |
00:42:39 |
I saw Fletcher yesterday. |
00:42:42 |
Really? |
00:42:43 |
Yeah. |
00:42:45 |
Fletcher. |
00:42:48 |
Now, he was a great assistant. |
00:42:51 |
What happened to him |
00:42:53 |
He seems changed. |
00:42:55 |
We kept in touch |
00:42:58 |
and then his sister Laura... |
00:43:01 |
She had a son, |
00:43:04 |
He was only twelve. |
00:43:08 |
She spent days and days watching |
00:43:13 |
stopped speaking to everyone. |
00:43:16 |
And then she didn't even |
00:43:20 |
After that, he dropped off |
00:43:23 |
Think he could be involved |
00:43:25 |
I've heard rumors... |
00:43:27 |
talk of them being organized |
00:43:31 |
I never thought |
00:43:33 |
He wants to buy |
00:43:37 |
These anti-implant groups have |
00:43:42 |
They gave Michael one hell |
00:43:46 |
So it's not just talk anymore. |
00:43:50 |
You know, |
00:43:53 |
the bastard's |
00:43:55 |
Give the footage |
00:43:56 |
Let her deal with it. |
00:43:58 |
I can't give it back. |
00:43:59 |
There's someone in that project |
00:44:01 |
I hate when that happens. |
00:44:03 |
Oh, yeah. |
00:44:05 |
He's at a party, in a crowd... |
00:44:06 |
never mentioned by name. |
00:44:08 |
I've got to find him, though. |
00:44:10 |
He's not a main character |
00:44:13 |
It'll take |
00:44:14 |
to track his face |
00:44:16 |
Who is this person? |
00:44:20 |
Just someone from my childhood. |
00:44:23 |
Bannister's life |
00:44:29 |
OK. Go through the family, |
00:44:33 |
tell them you're doing research |
00:44:36 |
It might be faster |
00:44:41 |
Be careful, Alan. |
00:44:58 |
So... |
00:45:00 |
how is it that you and I |
00:45:02 |
We don't. |
00:45:04 |
That's the wrong answer, pal. |
00:45:07 |
We share a mutual friend. |
00:45:10 |
Billy who? |
00:45:12 |
Don't play games. |
00:45:14 |
I know all |
00:45:16 |
How do you know my name? |
00:45:17 |
I know that you suffocated |
00:45:20 |
I know that that scar on |
00:45:23 |
and I know |
00:45:25 |
that he killed his brother with. |
00:45:27 |
They say that friends |
00:45:29 |
but good friends help you |
00:45:32 |
I just want what Billy wanted. |
00:45:34 |
A gun. |
00:45:42 |
Take it. Take it. |
00:45:48 |
And these. Take these. |
00:45:50 |
Take them all. |
00:45:52 |
Please go, OK? Just go. |
00:45:55 |
Thank you, OIlie. |
00:45:59 |
Take care. |
00:46:18 |
I'm here. |
00:46:20 |
Is this why you wanted |
00:46:22 |
I thought |
00:46:26 |
How's Thelma doing? |
00:46:27 |
I can't give you Bannister, |
00:46:31 |
It's unbelievable, |
00:46:35 |
One in twenty of these people |
00:46:38 |
How will that baby remember |
00:46:42 |
Will he remember the special |
00:46:44 |
or moments someone like you |
00:46:48 |
My job is |
00:46:50 |
what they want to remember, |
00:46:52 |
Ah. Oh, that's noble. |
00:46:55 |
But I don't think you understand |
00:46:58 |
There is no way to measure... |
00:47:00 |
the profound effect |
00:47:02 |
on the way |
00:47:04 |
"Am I being filmed? |
00:47:07 |
"What'll they think in 30 years |
00:47:10 |
What about the simple right |
00:47:13 |
The right not to pop up |
00:47:15 |
without even knowing |
00:47:17 |
I didn't invent the technology. |
00:47:19 |
If people didn't want it, |
00:47:21 |
It fulfills a human need. |
00:47:23 |
Alan, you take murderers |
00:47:26 |
That's why we need |
00:47:29 |
He was a public figure |
00:47:30 |
their star attorney... |
00:47:32 |
well respected, |
00:47:33 |
gave to charity, and if |
00:47:35 |
that's all |
00:47:38 |
But Bannister is |
00:47:40 |
whose implant has left |
00:47:43 |
His widow fought for that. |
00:47:44 |
We know she's hiding something |
00:47:47 |
and we're gonna find it. |
00:47:49 |
EYE Tech's hands aren't clean. |
00:47:51 |
Bannister's implant is evidence. |
00:47:53 |
So you want to destroy |
00:47:54 |
Absolutely. |
00:47:57 |
He's the perfect candidate. |
00:47:59 |
I must have his footage. |
00:48:04 |
Is this about your sister? |
00:48:08 |
Don't even say her name. |
00:48:10 |
You don't know anything |
00:48:15 |
She has nothing to do with it. |
00:48:17 |
These implants |
00:48:20 |
and therefore all history... |
00:48:22 |
and I will not stand by |
00:48:25 |
for the sake |
00:48:27 |
Tell me something. |
00:48:28 |
Why is your name |
00:48:30 |
for cutting |
00:48:32 |
Because I forgive people |
00:48:34 |
they could be punished |
00:48:36 |
I know what you do. |
00:48:39 |
Why do you do it? |
00:48:41 |
Do you know |
00:48:47 |
It's part of |
00:48:50 |
When someone would die, |
00:48:54 |
Sin eaters were |
00:48:58 |
They would lay out the body... |
00:48:59 |
put bread and salt |
00:49:01 |
coins upon the eyes. |
00:49:03 |
The sin eater would eat |
00:49:06 |
take the coins as payment. |
00:49:08 |
By doing this, |
00:49:11 |
the sins of the deceased, |
00:49:14 |
and allowing them safe passage |
00:49:17 |
That was their job. |
00:49:23 |
And what about the sin eater... |
00:49:25 |
who bears the burden |
00:49:28 |
Are you worried |
00:49:34 |
I will have Bannister. |
00:49:36 |
I can't give him to you. |
00:49:41 |
You see that man behind me? |
00:49:44 |
I don't want to bring him |
00:49:48 |
but I will if you leave me |
00:49:52 |
Alan! |
00:49:55 |
Alan! |
00:50:20 |
Do you remember the moment... |
00:50:21 |
you first fell in love |
00:50:26 |
Goodness. How can you answer |
00:50:30 |
The pier? |
00:50:31 |
Yes, the pier. |
00:50:33 |
He had taken me down |
00:50:35 |
It was springtime. |
00:50:37 |
We were walking, |
00:50:39 |
This was during college? |
00:50:41 |
Yes, I was in college... |
00:50:42 |
and I remember, |
00:50:44 |
and I thought, |
00:50:46 |
I want to spend |
00:50:50 |
I just have one more question. |
00:50:52 |
There was a man |
00:50:54 |
- A man? |
00:50:57 |
You may have noticed them. |
00:50:59 |
Thick glasses? |
00:51:00 |
Mr. Hakman, |
00:51:04 |
Minor people I don't even know |
00:51:07 |
Family... |
00:51:09 |
career... |
00:51:10 |
community. |
00:51:12 |
That's all I want. |
00:51:17 |
Maybe I could speak with Isabel? |
00:51:21 |
Right now? |
00:51:22 |
It would be very helpful. |
00:51:26 |
Yes, of course. |
00:51:32 |
Isabel? |
00:51:36 |
Remember what I told you? |
00:51:39 |
Mr. Hakman wants |
00:51:42 |
It's for Daddy's Rememory. |
00:51:44 |
Mrs. Bannister? |
00:51:46 |
We have a problem |
00:51:56 |
Hi, Isabel. |
00:51:58 |
Hello, Mr. Hakman. |
00:52:00 |
"Mr. Hakman." |
00:52:03 |
My name is Alan. |
00:52:05 |
Beautiful house. |
00:52:09 |
Birthday party for Mr. Froggy. |
00:52:11 |
Do you think Mr. Froggy |
00:52:13 |
if I took you away |
00:52:15 |
OK. |
00:52:31 |
Who's that in your arms? |
00:52:33 |
My doll. |
00:52:35 |
Oh. What's her name? |
00:52:37 |
She doesn't have a name. |
00:52:45 |
Isabel, your daddy... |
00:52:47 |
My daddy is the best daddy |
00:52:50 |
He had a really big meeting |
00:52:52 |
but instead, |
00:52:54 |
He would read me stories |
00:52:57 |
Sometimes he would make it up |
00:53:00 |
and I knew, but I didn't care. |
00:53:04 |
Your mom said I was here |
00:53:08 |
But we don't have to do that |
00:53:11 |
I don't want. |
00:53:13 |
OK. Then we won't. |
00:53:22 |
When I was a little older |
00:53:24 |
I lost both my parents. |
00:53:28 |
Not many people |
00:53:30 |
Not many people understand. |
00:53:33 |
But I do. |
00:53:36 |
You don't want me nosing around, |
00:53:40 |
And you're right. |
00:53:46 |
OK. |
00:53:49 |
Alan... |
00:53:51 |
it's not really |
00:53:56 |
It's in a week. |
00:54:01 |
Can I ask one question? |
00:54:06 |
There was a man at |
00:54:09 |
The thing that's special |
00:54:11 |
is he wore glasses |
00:54:14 |
They're almost like the bottom |
00:54:17 |
Mr. Hunt. |
00:54:21 |
Mr. Hunt? |
00:54:22 |
Was his name Louis Hunt? |
00:54:25 |
He was my teacher. |
00:54:27 |
Really? What does he teach? |
00:54:29 |
He doesn't teach anymore. |
00:54:32 |
He died in a car accident |
00:54:36 |
It was very sad. |
00:54:37 |
Did you have a Rememory, |
00:54:40 |
I don't know. |
00:54:41 |
We just had a day at school |
00:54:47 |
Thank you, Isabel. |
00:54:52 |
Alan? |
00:54:56 |
Are you gonna fix |
00:55:03 |
In a way... yes. |
00:55:07 |
Can you make him forget |
00:55:10 |
that I drew on |
00:55:13 |
I will. |
00:55:15 |
And that I pulled |
00:55:17 |
that she cried. |
00:55:19 |
He'll forget. |
00:55:22 |
But make sure you don't. |
00:55:37 |
Hey, Alan... |
00:55:40 |
would you relax? |
00:55:42 |
There's nobody |
00:55:48 |
This is a really big favor |
00:55:50 |
You're lucky my cousin Karim |
00:55:53 |
Thank you. |
00:55:56 |
So, what's this guy's name? |
00:55:58 |
Louis Hunt. |
00:55:59 |
If he had an implant... |
00:56:01 |
there will be a record |
00:56:10 |
I could lose my job, |
00:56:13 |
Come on, Karim. |
00:56:27 |
They can track anyone |
00:56:29 |
so this is the best I can do. |
00:56:34 |
Wait. |
00:56:37 |
These are genealogies. |
00:56:39 |
I don't know his family tree. |
00:56:41 |
Hard copies are |
00:56:44 |
alphabetically on the boxes... |
00:56:46 |
and then arranged |
00:56:48 |
He's the same age as I am... |
00:56:50 |
so it would be a 1500 series. |
00:57:09 |
2000. Oh, great. |
00:57:39 |
Hunt. |
00:57:41 |
No Hunt. |
00:58:39 |
Alan! |
00:58:52 |
Alan, are you OK? |
00:58:54 |
I'm fine. |
00:58:56 |
OK. |
00:59:18 |
Hello, Mr. And Mrs. Hakman... |
00:59:21 |
and welcome |
00:59:24 |
You've made |
00:59:27 |
You've purchased a Zoe implant |
00:59:31 |
What does that mean? |
00:59:34 |
Immortality. |
00:59:36 |
No longer do our most cherished |
00:59:39 |
have to fade |
00:59:42 |
Remember, the Zoe implant |
00:59:47 |
and since it grows... |
00:59:48 |
with your baby's brain |
00:59:51 |
it's virtually undetectable. |
00:59:55 |
When is the right time |
00:59:57 |
about their miraculous gift? |
01:00:00 |
By their 21st birthday... |
01:00:02 |
most carriers are |
01:00:06 |
and from then on, |
01:00:09 |
knowing |
01:00:12 |
his experiences and adventures |
01:00:18 |
and that's what |
01:00:21 |
Congratulations. |
01:00:24 |
Oh, my God. That's me, man. |
01:00:28 |
That's me. |
01:00:29 |
You take people's lives, |
01:00:31 |
My daddy is the best daddy |
01:00:33 |
It's unbelievable |
01:00:35 |
One in twenty of these people |
01:00:37 |
When is the right time |
01:00:40 |
about their miraculous gift? |
01:00:41 |
What are people's lives like? |
01:00:44 |
It all seems so massive |
01:00:46 |
This is real life now. |
01:00:47 |
Don't do that. We're not even |
01:00:49 |
You take murderers |
01:00:52 |
Everybody's here! |
01:00:54 |
- Just someone from my childhood. |
01:00:56 |
What about the sin eater |
01:00:58 |
Get out of my head! |
01:01:06 |
Oh, no. |
01:01:23 |
Oh, Alan... |
01:01:26 |
your phone call had me |
01:01:31 |
I saw the mirror. |
01:01:34 |
What happened to you? |
01:01:36 |
I saw something. |
01:01:41 |
All right. |
01:01:42 |
You cannot let your work |
01:01:48 |
Please don't leave. |
01:01:50 |
What have you got to eat |
01:01:54 |
Not much. |
01:01:58 |
Try looking in the cupboards. |
01:02:01 |
The cupboard. |
01:02:09 |
I saw that in a project |
01:02:11 |
An herbalist. |
01:02:22 |
That's disgusting. |
01:02:30 |
Well... |
01:02:32 |
I guess we order out, then. |
01:02:34 |
I want to show you something. |
01:02:38 |
I've never shown it to anyone. |
01:03:29 |
What is this? |
01:03:30 |
Some implants have a defect. |
01:03:32 |
They can't differentiate |
01:03:35 |
and what the mind sees. |
01:03:46 |
What? |
01:03:50 |
What were these? Dreams? |
01:03:51 |
Yeah, dreams. |
01:03:56 |
It's so beautiful. |
01:04:33 |
Where are you off to, Alan? |
01:04:39 |
Let's do this. |
01:04:42 |
Oh, no. Not now. |
01:04:44 |
There's somebody up there. |
01:04:46 |
This has to be clean. |
01:04:50 |
Clean, dirty. |
01:05:15 |
I think he's a cutter. |
01:05:18 |
Yeah, I'll do him. |
01:05:26 |
Hi. |
01:05:45 |
You can follow her. |
01:05:48 |
Now, you know how this works? |
01:05:50 |
No, not at all. |
01:05:52 |
OK. We draw synth tattoos... |
01:05:55 |
with electrosynthetic ink. |
01:05:58 |
And it creates |
01:06:01 |
which interferes |
01:06:03 |
blocking it from recording |
01:06:07 |
from that point on. |
01:06:10 |
Now, first |
01:06:13 |
and we wait a week. |
01:06:15 |
If you don't get a migraine |
01:06:21 |
then we'll do the video tattoo. |
01:06:26 |
Do I have to cover |
01:06:29 |
No. |
01:06:31 |
Those guys... |
01:06:35 |
You want it discreet. |
01:06:39 |
Very. |
01:06:41 |
Yeah. |
01:06:48 |
Will this hurt? |
01:06:51 |
Oh, yeah. |
01:08:18 |
Fletcher? |
01:08:21 |
I'm armed. |
01:08:31 |
What's the matter, Delila? |
01:08:32 |
You know |
01:08:36 |
You know |
01:08:38 |
Where I get younger and younger? |
01:08:42 |
I make you happy? |
01:08:43 |
Yeah. |
01:08:45 |
Well, I make myself miserable. |
01:08:47 |
That's just |
01:08:50 |
You're silly. |
01:08:54 |
How can you not be happy |
01:09:00 |
I think the first books I read |
01:09:03 |
Why do they make |
01:09:06 |
They're always terribly tragic. |
01:09:16 |
Not so hard to make |
01:09:19 |
Not so hard at all. |
01:09:22 |
- Delila... |
01:09:25 |
That was my old boyfriend, |
01:09:28 |
Is that why you wanted |
01:09:31 |
Because you saw some proof |
01:09:35 |
No. |
01:09:36 |
These moments... |
01:09:38 |
they belong to me, Alan. |
01:09:41 |
The good and the bad. |
01:09:44 |
They're mine and his! |
01:09:48 |
Who are you to take them |
01:09:51 |
No! No! Don't touch me! |
01:09:56 |
A gun. |
01:10:00 |
Who are you? |
01:10:02 |
Please, please, no. |
01:10:03 |
Who are you, Alan? |
01:10:04 |
No! No! |
01:10:06 |
No! |
01:10:14 |
Why did you do that? |
01:10:18 |
Mine! |
01:10:41 |
You're still here. |
01:10:55 |
Alan, this thing is junked. |
01:10:58 |
The implant itself is severed. |
01:11:02 |
God himself could not |
01:11:04 |
and you know that. |
01:11:06 |
Then we have to access |
01:11:08 |
OK. Well, where is it? |
01:11:15 |
My implant. |
01:11:17 |
What? |
01:11:18 |
The one in my head. |
01:11:33 |
You want to take a shot, too? |
01:11:35 |
Everybody else has. |
01:11:37 |
I deserved that one. |
01:11:39 |
You deserve a lot more |
01:11:41 |
Why didn't you tell us, Alan? |
01:11:43 |
Because I didn't know until |
01:11:46 |
I never thought my parents |
01:11:49 |
Turns out, |
01:11:51 |
How could you not know? |
01:11:53 |
Because they died before |
01:11:55 |
They never got around to it. |
01:11:57 |
You know the code, Alan. |
01:12:01 |
A cutter |
01:12:05 |
I need to access that footage. |
01:12:09 |
Yeah? Well, that's impossible. |
01:12:10 |
Oh, no, it's possible. |
01:12:12 |
It was done before by you. |
01:12:14 |
An attempt to access footage |
01:12:18 |
Yeah. I performed that... |
01:12:20 |
and the woman |
01:12:23 |
And I will not try that again. |
01:12:27 |
Then you know what it's like |
01:12:30 |
One memory... |
01:12:31 |
one single incident |
01:12:36 |
It won't leave me be. |
01:12:40 |
but now I got a chance |
01:12:42 |
I have to take it. |
01:12:44 |
Alan, you brought |
01:12:47 |
Why should I help you? |
01:12:50 |
If I try it myself, I'll die. |
01:12:57 |
And I will try it myself. |
01:13:00 |
We've been friends |
01:13:05 |
I can't let you |
01:13:07 |
But you understand, |
01:13:16 |
Yeah. |
01:13:18 |
The last time I tried this, |
01:13:20 |
shut down immediately. |
01:13:24 |
She was a blank |
01:13:35 |
Now, remember... |
01:13:36 |
I can't copy anything |
01:13:38 |
You can only watch. |
01:13:40 |
You know exactly which scene |
01:13:42 |
I sure do. |
01:13:43 |
You have five minutes. |
01:13:45 |
Anything longer than that |
01:13:54 |
OK. |
01:15:24 |
Christie. |
01:15:32 |
I remember her. |
01:16:04 |
It's me. |
01:16:18 |
Alan. |
01:16:22 |
Almost there. |
01:16:25 |
There we are. |
01:16:27 |
Come and get me. |
01:16:37 |
Let's go back down. |
01:16:53 |
Don't! |
01:17:02 |
I'll meet you |
01:17:06 |
Hold on. I'm coming. |
01:17:10 |
No. Wait. Wait. |
01:17:15 |
It isn't steady anymore. |
01:17:21 |
Louis, please, just stop. |
01:17:28 |
I can't move! |
01:17:29 |
OK, Louis, you can make it. |
01:17:31 |
Just a few more steps. |
01:17:34 |
Grab my hand! |
01:17:37 |
Wait! |
01:18:18 |
Alan... |
01:18:21 |
- We're done! We're done! |
01:18:23 |
I can't. |
01:19:02 |
Alan! |
01:19:03 |
Alan! |
01:19:05 |
Alan? |
01:19:14 |
I'm all right. |
01:19:15 |
Do you have any idea |
01:19:20 |
I saw him. |
01:19:23 |
I tried to help. |
01:19:25 |
I told him to turn around. |
01:19:28 |
He wouldn't listen. |
01:19:32 |
He fell, but... |
01:19:35 |
he was breathing. |
01:19:39 |
It wasn't blood. |
01:19:41 |
It was paint. |
01:19:46 |
Now I remember. |
01:19:51 |
Thank you. |
01:21:05 |
Looking for this? |
01:21:10 |
The implant's history. |
01:21:12 |
You better find yourself |
01:21:15 |
Do you know |
01:21:17 |
to make Bannister's footage |
01:21:21 |
He died of |
01:21:23 |
I was the complication. |
01:21:25 |
Or didn't |
01:21:27 |
I guess no one will. |
01:21:29 |
I bet he still keeps good notes. |
01:22:03 |
All of it? |
01:22:04 |
All of it. |
01:22:06 |
It was a terrible accident. |
01:22:08 |
Sometimes the older Guillotines |
01:22:13 |
There's no replacing |
01:22:16 |
He deserved a Rememory... |
01:22:18 |
and a place |
01:22:20 |
I'm sorry. |
01:22:27 |
You will... waive your fee? |
01:22:30 |
Of course. |
01:22:32 |
And you'll never speak |
01:22:35 |
What can one do? |
01:22:41 |
Perhaps some things |
01:22:48 |
Perhaps. |
01:23:05 |
God, Isabel, you scared me. |
01:23:10 |
Isabel, honey, |
01:23:14 |
Isabel. |
01:23:19 |
Isabel, what... |
01:23:21 |
What's wrong, honey? |
01:23:27 |
Isabel. |
01:24:56 |
A friend? |
01:24:59 |
Yeah. Something like that. |
01:25:02 |
I hear |
01:25:05 |
I've had enough |
01:25:10 |
Stop, Alan. |
01:25:13 |
What now? |
01:25:14 |
Word travels fast in my circles. |
01:25:16 |
Word is, a cutter came in |
01:25:20 |
Word is that cutter is you. |
01:25:24 |
You saw that implant. |
01:25:27 |
You. |
01:25:29 |
Bannister's footage is gone, |
01:25:32 |
It's encrypted |
01:28:15 |
Will you look at that? |
01:28:54 |
Come and get me. |
01:28:59 |
He had a very big meeting |
01:29:01 |
but he took me |
01:29:03 |
He would read me stories |
01:29:06 |
Sometimes he would make it up |
01:29:09 |
and I knew, but I didn't care. |
01:29:11 |
Your mom said I was here |
01:29:15 |
We don't need to do that |
01:29:17 |
- Daddy? |
01:29:19 |
- Alan, please! |
01:29:21 |
- It's John's birthday. |
01:29:23 |
Italian. You love Italian. |
01:29:26 |
- Happy birthday, John. |
01:29:28 |
Thanks, Alan. |
01:29:30 |
Alan, put the newspaper down. |
01:29:33 |
You gonna lighten up |
01:29:57 |
It's for the greater good, Alan. |
01:29:59 |
Your life will mean something. |
01:30:04 |
I promise. |