|
Fish Called Wanda A
|
| 00:00:24 |
And on that point, |
| 00:00:27 |
I rest my case. |
| 00:01:23 |
Hello, Wanda. |
| 00:02:37 |
Hi, Ken. |
| 00:02:39 |
Hello, W-W-Wanda. |
| 00:02:41 |
Ken, |
| 00:02:43 |
this is Otto. |
| 00:02:44 |
Hello, Ken. |
| 00:02:47 |
Hey! Great fish! |
| 00:02:50 |
A squeeze of lemon, |
| 00:02:54 |
George back yet? |
| 00:02:56 |
No, he had to g-g-go |
| 00:02:58 |
to the b-b-b... |
| 00:03:03 |
What? |
| 00:03:04 |
That's quite a stutter |
| 00:03:08 |
It's all right, it doesn't bother me. |
| 00:03:11 |
So er... |
| 00:03:14 |
A cup of tea, Ken? |
| 00:03:15 |
Y-y-y... |
| 00:03:17 |
Yeah, he'd like one. |
| 00:03:19 |
I had a good friend in the CIA, |
| 00:03:22 |
Cost him his life, dammit. |
| 00:03:27 |
Hi, George. |
| 00:03:30 |
Hello, George. |
| 00:03:32 |
Get you a Scotch? |
| 00:03:33 |
Yeah. |
| 00:03:35 |
George, |
| 00:03:37 |
this is Otto. |
| 00:03:40 |
So, |
| 00:03:41 |
you're Wanda's brother? |
| 00:03:43 |
Good to be here, George. |
| 00:03:45 |
England is a fine country. |
| 00:03:47 |
Did she tell you what we need? |
| 00:03:58 |
Something like that? |
| 00:04:02 |
Something like that. |
| 00:04:06 |
Hello, Wendy. |
| 00:04:10 |
Had a good day? |
| 00:04:12 |
I spend the morning |
| 00:04:16 |
At lunch, Marjorie just |
| 00:04:19 |
then I have to play |
| 00:04:22 |
I come back and |
| 00:04:25 |
Oh, no! |
| 00:04:28 |
Would you like some tea? |
| 00:04:31 |
Yes. |
| 00:04:33 |
I won the case. |
| 00:04:35 |
This is the first moment |
| 00:04:42 |
Hello, Portia! How was the show? |
| 00:04:44 |
Awful, Daddy. I must have a new horse. |
| 00:04:47 |
- But you liked Phantom. |
| 00:04:50 |
Can I change him? It won't cost much. |
| 00:04:52 |
- Oughtn't we... |
| 00:04:55 |
- I am, darling. Sorry. |
| 00:04:57 |
- No, no, let me do it. |
| 00:05:03 |
I won the case. |
| 00:05:05 |
Now this is cracked. |
| 00:05:08 |
They're worth about 100,000 each. |
| 00:05:12 |
There are 135 of them. |
| 00:05:14 |
That makes 13 millions, my friends. |
| 00:05:16 |
Dollars or pounds? |
| 00:05:18 |
Pounds, pet. |
| 00:05:19 |
This is the big one. So... |
| 00:05:23 |
OK. |
| 00:05:25 |
Yeah. |
| 00:05:27 |
Otto? |
| 00:05:30 |
Yes? |
| 00:05:31 |
OK? |
| 00:05:32 |
What? |
| 00:05:33 |
The plan. |
| 00:05:35 |
Yeah. Great. No problem. |
| 00:05:38 |
What was the middle thing, |
| 00:05:42 |
We don't meet up |
| 00:05:45 |
Yeah, yeah! |
| 00:05:46 |
I haven't finished yet. |
| 00:05:48 |
Because the police will watch |
| 00:05:52 |
I know. |
| 00:05:53 |
I know. |
| 00:05:55 |
Do you want me to g-g-get |
| 00:05:58 |
a b-b-big |
| 00:06:00 |
c-c-car? |
| 00:06:03 |
Getaway? |
| 00:06:05 |
A limo, OK? |
| 00:06:06 |
And put diplomatic plates on it. |
| 00:06:08 |
What if he has to speak in the break-in? |
| 00:06:11 |
Nobody says anything during a break-in. |
| 00:06:14 |
It's OK, Otto. Ken's good. |
| 00:06:17 |
So, next week, |
| 00:06:19 |
we won't have to look for work. |
| 00:06:21 |
And it won't have to look for us. |
| 00:06:24 |
Oscar Wilde. |
| 00:06:31 |
You really like animals, don't you, Ken? |
| 00:06:34 |
What's the attraction? |
| 00:06:36 |
Because you can t-t-t |
| 00:06:37 |
trust them, and they don't sh-sh-sh... |
| 00:06:41 |
Shit on you? |
| 00:06:42 |
Show off all the time. |
| 00:06:45 |
You know what Nietzsche |
| 00:06:47 |
He said they were God's second blunder. |
| 00:06:50 |
Bye, sis! |
| 00:06:52 |
Well, you tell him from me that I-I-I... |
| 00:06:56 |
Bye, George. |
| 00:06:58 |
If you talk to Mom, tell her I said hi. |
| 00:07:01 |
- OK. |
| 00:07:03 |
One more day, and we're together. |
| 00:07:08 |
I'm sorry about my brother, Ken. |
| 00:07:10 |
I know he's insensitive. |
| 00:07:13 |
He's had a hard life. |
| 00:07:15 |
Dad used to beat him up. |
| 00:07:21 |
Good. |
| 00:07:22 |
Aaagh! |
| 00:08:47 |
Anybody moves and you're dead. |
| 00:09:20 |
Look where you're going! |
| 00:09:23 |
Chauvinist pig! |
| 00:09:24 |
Really, people here |
| 00:09:56 |
That was fun. |
| 00:09:57 |
I love robbing the English. |
| 00:09:59 |
- They're so polite. |
| 00:10:01 |
- What is it, Ken? |
| 00:10:03 |
We didn't hit the dog. |
| 00:10:05 |
- $20 million and an insect worries him! |
| 00:10:08 |
Stutter's not getting any better. |
| 00:10:12 |
Shut up! |
| 00:10:19 |
Ken. |
| 00:10:22 |
Bye! |
| 00:10:53 |
Let's split. |
| 00:10:54 |
- See you at Heathrow on Tuesday. |
| 00:10:58 |
No celebrating? |
| 00:11:00 |
See you in a couple of hours. |
| 00:11:51 |
To $20 million. |
| 00:11:52 |
To a job well done. |
| 00:11:54 |
To us. |
| 00:11:55 |
To the best brother |
| 00:11:58 |
Romeo and Juliet? |
| 00:11:59 |
Do you believe those Cockney klutzes |
| 00:12:03 |
What morons! |
| 00:12:04 |
- I want you to know something. |
| 00:12:06 |
Even if you were my brother, |
| 00:12:10 |
Oooh! |
| 00:12:13 |
Make the call. |
| 00:12:14 |
- Momento, carissima. |
| 00:12:16 |
- Eventuale! |
| 00:12:18 |
Hey! |
| 00:12:19 |
Per cominciare, |
| 00:12:23 |
- E linguine primavera... |
| 00:12:25 |
- Una cotoletta di vitello. |
| 00:12:29 |
Are you really Italian? |
| 00:12:30 |
Absolutamente. Si! |
| 00:12:32 |
My name is Otto. It means eight. |
| 00:12:34 |
Say arrivederci a Giorgio. |
| 00:12:36 |
Bye, George. |
| 00:12:37 |
The police, please. |
| 00:12:39 |
Otto! |
| 00:12:42 |
Yes, hello. |
| 00:12:44 |
Sorry to trouble you, |
| 00:12:47 |
that today's Hatton Garden robbery |
| 00:12:52 |
He lives at flat three, Kipling Mansions, |
| 00:12:56 |
Murray Road, London W9. |
| 00:13:00 |
Wanda! |
| 00:13:25 |
Police! Open up! |
| 00:13:28 |
Come on, open up! |
| 00:13:34 |
Open the door, or we'll knock it down! |
| 00:13:47 |
George Francis Thomason? |
| 00:14:01 |
Passport, |
| 00:14:03 |
tickets, |
| 00:14:04 |
money! |
| 00:14:11 |
Asshole! |
| 00:14:23 |
We're rich, Wanda. |
| 00:14:25 |
Yep? |
| 00:14:26 |
I bet these weeks with me |
| 00:14:28 |
have been |
| 00:14:31 |
You said it. |
| 00:14:45 |
OK. |
| 00:14:47 |
OK. |
| 00:14:49 |
Disappointed! |
| 00:14:52 |
Sonofabitch! |
| 00:14:54 |
What do you have to do |
| 00:14:57 |
Shut up. |
| 00:14:58 |
People are always |
| 00:15:01 |
Shut up and think. |
| 00:15:06 |
What are you doing? |
| 00:15:07 |
I'm thinking! |
| 00:15:10 |
Thinking what I'll do to him. |
| 00:15:12 |
I'll hang him up with piano wire... |
| 00:15:14 |
- Where are you going? |
| 00:15:18 |
Talk to who? |
| 00:15:19 |
Talk to who?! |
| 00:15:21 |
So, while installing these windows, |
| 00:15:24 |
you knelt on some broken glass |
| 00:15:28 |
That's right, sir. |
| 00:15:29 |
Your parents can confirm this? |
| 00:15:31 |
Yes, and his aunt, |
| 00:15:33 |
Georgina Thomason. |
| 00:15:34 |
Good, Bartlett. |
| 00:15:35 |
Yes? |
| 00:15:38 |
Sorry to interrupt you, sir. |
| 00:15:40 |
Thomason. A young lady to see you. |
| 00:15:42 |
- Anything else? |
| 00:15:45 |
No, absolutely not. |
| 00:15:47 |
George! |
| 00:15:48 |
Ken's got the fish food. He'll be in later. |
| 00:15:51 |
- Thanks. |
| 00:15:52 |
What do you think, Mr Leach? |
| 00:15:54 |
We may be OK on the glass, |
| 00:16:09 |
Oh, George! |
| 00:16:11 |
Oh, my God, I can't believe |
| 00:16:14 |
That's not allowed in here, miss. |
| 00:16:16 |
Are you OK? |
| 00:16:17 |
It's all right. |
| 00:16:19 |
I don't think I can handle this. |
| 00:16:21 |
I was too afraid to sleep last night... |
| 00:16:23 |
Leave it out, leave it out, OK? |
| 00:16:26 |
Listen, listen, listen. |
| 00:16:28 |
Listen. |
| 00:16:31 |
You stayed at my place. |
| 00:16:34 |
We slept late. |
| 00:16:36 |
You made me breakfast. |
| 00:16:43 |
What? |
| 00:16:45 |
What's he doing here? |
| 00:16:47 |
He wanted to see you. |
| 00:16:49 |
Who did it, George? Kevin Delaney? |
| 00:16:52 |
Do you want me to rub him out? |
| 00:16:54 |
Anything, you name it. |
| 00:16:56 |
I have friends making enquiries. |
| 00:16:58 |
Good. |
| 00:17:00 |
The jewels are very safe. |
| 00:17:03 |
If I get sent down, it all gets handed back |
| 00:17:07 |
Now, to cut my sentence even more, |
| 00:17:10 |
I could tell them who done it with me |
| 00:17:12 |
if I wasn't very happy about everything. |
| 00:17:17 |
What was the middle thing? |
| 00:17:19 |
Piss off. |
| 00:17:25 |
- You want me to spring you... |
| 00:17:32 |
George? |
| 00:17:35 |
You don't think... |
| 00:17:37 |
Do you? |
| 00:17:38 |
No! |
| 00:17:43 |
No. |
| 00:17:45 |
No! |
| 00:17:46 |
OK. |
| 00:17:48 |
- George. |
| 00:17:51 |
Are you sure the garage is very safe? |
| 00:17:56 |
Trust me. |
| 00:17:58 |
Thank you very much. |
| 00:18:00 |
Thanks a lot. Bye. |
| 00:18:02 |
Have a good day. |
| 00:18:04 |
So? |
| 00:18:05 |
He's not sure it was you. |
| 00:18:07 |
What about you? |
| 00:18:08 |
No, no, he believes me. |
| 00:18:09 |
That's why he can't figure out about you. |
| 00:18:12 |
Figure out what? |
| 00:18:13 |
Whether you turned him in or not, stupid! |
| 00:18:17 |
Don't er |
| 00:18:19 |
ever, ever, "ever" |
| 00:18:22 |
call me stupid. OK? |
| 00:18:26 |
What? |
| 00:18:31 |
That's George's lawyer. |
| 00:18:33 |
The other guy must be the barrister. |
| 00:18:37 |
So? |
| 00:18:39 |
Trust me. |
| 00:18:43 |
Let me know |
| 00:18:46 |
Excuse me. |
| 00:18:47 |
Don't I recognise you? |
| 00:18:50 |
No. No, I don't think so. |
| 00:18:52 |
Oh. |
| 00:18:54 |
You are a famous barrister, aren't you? |
| 00:18:57 |
Erm... |
| 00:18:59 |
Well, hardly. |
| 00:19:01 |
Could I have your autograph, anyway? |
| 00:19:05 |
Yes, yes, certainly. |
| 00:19:07 |
Thanks. |
| 00:19:08 |
I'm studying aspects of your legal system. |
| 00:19:11 |
I'm American. |
| 00:19:12 |
Oh, really? |
| 00:19:13 |
I've only just started. It's fascinating. |
| 00:19:16 |
What er... What brings you here? |
| 00:19:18 |
Oh, it's a little embarrassing. |
| 00:19:21 |
I... have a friend. |
| 00:19:23 |
Oh! |
| 00:19:24 |
I see. |
| 00:19:25 |
There you are. |
| 00:19:26 |
I knew it! |
| 00:19:28 |
You're Archie "Leash". |
| 00:19:29 |
Leach. |
| 00:19:30 |
Right. |
| 00:19:32 |
I saw you in court! |
| 00:19:33 |
Er... two weeks ago. |
| 00:19:35 |
The casino break-in? |
| 00:19:37 |
You were great! |
| 00:19:39 |
Oh, I'm a big fan of yours. |
| 00:19:41 |
I love the way you er |
| 00:19:43 |
cross-examine. |
| 00:19:45 |
Oh, I really admire your work. |
| 00:19:48 |
Thank you. |
| 00:19:51 |
- I'd better not... |
| 00:19:53 |
No? Fine, right. |
| 00:19:56 |
Well... |
| 00:19:57 |
Thank you for this. |
| 00:19:58 |
I'll treasure it. |
| 00:20:02 |
Au revoir. |
| 00:20:06 |
You speak French, too! |
| 00:20:28 |
What's going on? |
| 00:20:30 |
Whatever George decides to do, |
| 00:20:34 |
Why? |
| 00:20:35 |
Because he's his lawyer. |
| 00:20:37 |
Yeah, I know that. |
| 00:20:38 |
So I'm going to get to know Mr Leach. |
| 00:20:41 |
So George will tell "him" |
| 00:20:44 |
That's what I'm going to find out. |
| 00:20:58 |
You done well, my son. |
| 00:21:01 |
Now, where are we going to hide it? |
| 00:21:07 |
Very good! |
| 00:21:08 |
Don't tell Wanda anything. |
| 00:21:10 |
Otto might get something out of her. |
| 00:21:13 |
Now... |
| 00:21:14 |
George. |
| 00:21:15 |
You are going to g-get off? |
| 00:21:17 |
Sure, don't worry about it, Ken. |
| 00:21:20 |
We'll fix it. |
| 00:21:21 |
Now, anything on Otto? |
| 00:21:22 |
No. Not yet. |
| 00:21:25 |
You watch him. |
| 00:21:30 |
Ken! |
| 00:21:33 |
OK. |
| 00:21:35 |
Looks like the police have been all over it. |
| 00:21:38 |
Let me change clothes, |
| 00:21:42 |
Hello, |
| 00:21:44 |
K-K-Ken's p-p-pets. |
| 00:21:47 |
Hey! |
| 00:21:49 |
Wake up! |
| 00:21:50 |
Wake up, limey fish! |
| 00:21:54 |
So. How are you going to get friendly |
| 00:21:58 |
I don't know. I'll improvise. |
| 00:22:00 |
Fucking insects! |
| 00:22:02 |
I thought Englishmen didn't like women, |
| 00:22:06 |
No! |
| 00:22:07 |
He's straight. He's kinda cute, too, |
| 00:22:12 |
Have you got the hots for him? |
| 00:22:14 |
I'm not into necrophilia, thanks. |
| 00:22:18 |
What is this? Hump-a-limey week? |
| 00:22:21 |
Otto doesn't approve. |
| 00:22:23 |
Otto might get jealous. |
| 00:22:24 |
E molto pericoloso, signorina. |
| 00:22:30 |
Molto pericoloso... |
| 00:22:38 |
Carissima. |
| 00:22:39 |
Oh, speak it, speak it! |
| 00:22:42 |
Un ossobuco milanese con piselli. |
| 00:22:46 |
Melanzane parmigiana con spinaci. |
| 00:22:51 |
Dov'é la farmacia? |
| 00:22:52 |
Yes, yes, yes! |
| 00:22:54 |
No, no, no. |
| 00:22:55 |
- Si, si, si. |
| 00:22:57 |
No, not here. |
| 00:22:58 |
Otto, not here. |
| 00:23:00 |
Dov'é la Fontana di Trevi? |
| 00:23:01 |
Not here, Otto! |
| 00:23:02 |
Erm... |
| 00:23:04 |
Mozzarella... |
| 00:23:05 |
Er... Parmigiana... |
| 00:23:06 |
- Gorgonzola! |
| 00:23:13 |
Wanda! |
| 00:23:21 |
Look what I've got, Wanda. |
| 00:23:25 |
Treasure! |
| 00:23:54 |
Ssh! |
| 00:24:11 |
Aaagh! |
| 00:24:12 |
Ooh! |
| 00:24:14 |
Oh, my God, Ken, it's you! |
| 00:24:16 |
I thought it was the police again. |
| 00:24:18 |
Isn't it horrible about George? |
| 00:24:20 |
I've such a headache. |
| 00:24:23 |
Shit. |
| 00:24:25 |
- What's that? |
| 00:24:28 |
- Otto? |
| 00:24:31 |
It was horrible, Ken, just horrible... |
| 00:24:40 |
Isn't it terrible about George? |
| 00:24:41 |
When I find the bastard who squealed! |
| 00:24:45 |
I love that man! |
| 00:24:47 |
What are you d-d-doing here? |
| 00:24:50 |
What am I doing here? |
| 00:24:51 |
Wanda was upset, Ken. |
| 00:24:55 |
Sh... |
| 00:24:56 |
She's just had a sh-sh-shower. |
| 00:25:01 |
I've got to speak to you. |
| 00:25:05 |
Are you OK, now, sis? |
| 00:25:06 |
- I'm fine, thanks for coming. |
| 00:25:12 |
What's up with you? |
| 00:25:15 |
Something f-f-funny is going on. |
| 00:25:17 |
Oh dear, oh dear. |
| 00:25:19 |
You don't know why you're excited. |
| 00:25:21 |
- I saw the b... |
| 00:25:23 |
I didn't want to say anything |
| 00:25:26 |
Isn't it time you faced facts? |
| 00:25:28 |
Come on! |
| 00:25:31 |
You're a very attractive man. |
| 00:25:33 |
You're smart. |
| 00:25:35 |
You've got wonderful bones, |
| 00:25:37 |
great eyes, and you dress interestingly. |
| 00:25:40 |
Wh-wh-wh... |
| 00:25:40 |
We could have a lot of fun together. |
| 00:25:43 |
I think we'd be really good for each other. |
| 00:25:46 |
What do you say? |
| 00:25:48 |
You must be j-j-j... |
| 00:25:50 |
May I kiss you, Ken? |
| 00:25:52 |
No, you fucking can't! |
| 00:25:53 |
Just a peck! No tongue! |
| 00:25:55 |
No, no! |
| 00:25:56 |
Ken! Ken! |
| 00:26:02 |
Ken! |
| 00:26:03 |
OK. You didn't realise I was gay. |
| 00:26:06 |
OK, no, look. |
| 00:26:08 |
I'm sorry. |
| 00:26:09 |
I've handled this badly. |
| 00:26:11 |
Look, the physical side can wait. |
| 00:26:14 |
You need time. |
| 00:26:18 |
Will you think about it? |
| 00:26:42 |
Oh, my God. |
| 00:26:46 |
Oh, my God! |
| 00:26:48 |
Ken! |
| 00:26:50 |
Somebody just called! |
| 00:26:52 |
They said that the police... |
| 00:26:54 |
No, that the loot |
| 00:26:56 |
You and I have to go get it now. |
| 00:26:58 |
We have to move it |
| 00:27:01 |
No, no, no... |
| 00:27:02 |
- What? |
| 00:27:04 |
- What? |
| 00:27:06 |
George |
| 00:27:08 |
M-m-m |
| 00:27:09 |
moved... |
| 00:27:11 |
George moved the loot?! |
| 00:27:13 |
Yes. |
| 00:27:15 |
Where did he move it, Ken? |
| 00:27:17 |
Where did he move it?! |
| 00:27:19 |
C-c-c... |
| 00:27:31 |
I don't know where it is. |
| 00:27:34 |
It's in... |
| 00:27:38 |
Don't tell me. |
| 00:27:39 |
It's better that you don't tell me. |
| 00:27:42 |
Oh, you know, if it wasn't for George... |
| 00:27:51 |
Otto |
| 00:27:54 |
tried to k-k-k |
| 00:27:56 |
kiss me. |
| 00:27:59 |
I thought he might. |
| 00:28:03 |
No. |
| 00:28:05 |
Nothing, no marks at all. |
| 00:28:07 |
But it is a safety deposit box key? |
| 00:28:09 |
Yes, but there are millions of them, |
| 00:28:12 |
hotels, banks, offices. |
| 00:28:14 |
Sorry. |
| 00:28:15 |
Thank you. |
| 00:28:17 |
Fuck! |
| 00:28:35 |
That's him. |
| 00:28:37 |
That's him, Inspector. |
| 00:28:39 |
He's the one |
| 00:29:00 |
Davidson! |
| 00:29:02 |
An American legal student |
| 00:29:05 |
- What time is Sir John due? |
| 00:29:08 |
Right. |
| 00:29:19 |
Come in! |
| 00:29:21 |
- Hi. |
| 00:29:23 |
Am I interrupting? |
| 00:29:25 |
Absolutely not. |
| 00:29:27 |
Really? |
| 00:29:28 |
Really. Delighted to see you. |
| 00:29:30 |
Hello. |
| 00:29:34 |
So. |
| 00:29:36 |
This is the place. |
| 00:29:38 |
- This is it. |
| 00:29:40 |
I was at the courts this morning. |
| 00:29:43 |
Really, so much to know, |
| 00:29:45 |
Everybody wears these. Do you? |
| 00:29:48 |
Oh, ridiculous! |
| 00:29:53 |
Well, erm |
| 00:29:54 |
I only have a few minutes. Sorry. |
| 00:29:56 |
I'm sorry. |
| 00:29:57 |
But until then, |
| 00:30:00 |
I just have a couple of questions. |
| 00:30:03 |
I'm having a little problem |
| 00:30:05 |
understanding |
| 00:30:09 |
What exactly is the committal? |
| 00:30:12 |
Ah. Interesting. |
| 00:30:13 |
Basically, |
| 00:30:17 |
where the prosecution |
| 00:30:20 |
that the accused has a case to answer. |
| 00:30:22 |
That's what it says in the book. |
| 00:30:24 |
Let's take, for example, |
| 00:30:27 |
Right. |
| 00:30:29 |
- His committal is on Wednesday... |
| 00:30:32 |
Yes. |
| 00:30:33 |
George Thomason? |
| 00:30:35 |
Yes. Do you know him? |
| 00:30:39 |
I'm defending him. |
| 00:30:41 |
What are you talking about? |
| 00:30:42 |
I'm his barrister, his lawyer. |
| 00:30:46 |
That's so great! |
| 00:30:49 |
That's so weird, isn't that weird? |
| 00:30:51 |
Oh, I'm so happy you're defending him! |
| 00:30:55 |
Thank you. |
| 00:30:56 |
He's sure to get off now. |
| 00:30:59 |
Wow! |
| 00:31:01 |
I can watch you work now! |
| 00:31:03 |
Please. |
| 00:31:07 |
Amazing. |
| 00:31:08 |
Well, anyway. |
| 00:31:09 |
At the committal, |
| 00:31:12 |
Not guilty. |
| 00:31:14 |
Really? |
| 00:31:15 |
The evidence is largely circumstantial. |
| 00:31:18 |
But wasn't there an identification? |
| 00:31:21 |
True, but a very elderly lady. |
| 00:31:23 |
I think they've got the wrong man. |
| 00:31:27 |
You don't think he did it? |
| 00:31:29 |
No. |
| 00:31:30 |
Let's just say, for argument's sake, |
| 00:31:33 |
that you did think he did it. |
| 00:31:35 |
Sure, if more evidence |
| 00:31:38 |
Right, right. |
| 00:31:39 |
You would then advise him |
| 00:31:43 |
and turn over the jewels |
| 00:31:47 |
And he would turn them over |
| 00:31:51 |
Theoretically, yes, yes. |
| 00:31:53 |
Oh, of course. |
| 00:31:54 |
Erm. Well er... |
| 00:31:57 |
I'm so sorry, I've forgotten your name. |
| 00:32:02 |
Wanda. |
| 00:32:03 |
Wanda! What a fool, what a fool. |
| 00:32:05 |
Well, Wanda, there are three... |
| 00:32:13 |
Not Wanda Gershwitz? |
| 00:32:14 |
Yes. |
| 00:32:16 |
Oh, my God. |
| 00:32:18 |
What? |
| 00:32:19 |
You're his alibi. |
| 00:32:21 |
I can't talk to you! |
| 00:32:23 |
Why not? |
| 00:32:24 |
My dear lady, you're a defence witness! |
| 00:32:27 |
I'm sorry, I must ask you to leave. |
| 00:32:29 |
What did I say? |
| 00:32:31 |
It's not ethical for me |
| 00:32:33 |
Everybody does it in America. |
| 00:32:35 |
Not in England, it's forbidden. |
| 00:32:37 |
I insist, or I may have |
| 00:32:40 |
I'm sorry. Please. |
| 00:32:47 |
Oh, Archie. |
| 00:32:50 |
I didn't come here to talk about |
| 00:32:57 |
Come on, you know! |
| 00:33:00 |
You knew the minute I walked in here. |
| 00:33:04 |
I want you. |
| 00:33:09 |
What? |
| 00:33:12 |
- Hello? |
| 00:33:14 |
Show him in, please. |
| 00:33:16 |
Make love with me. |
| 00:33:17 |
- Pardon? |
| 00:33:19 |
- Will you take me to bed? |
| 00:33:25 |
Bye, Uncle. |
| 00:33:31 |
Hi! |
| 00:33:49 |
He's pleading not guilty |
| 00:33:52 |
so you're safe until the trial. |
| 00:33:55 |
Leach doesn't think he did it. |
| 00:33:59 |
Ken says |
| 00:34:02 |
but only George knows where it is. |
| 00:34:05 |
Thank you, Wanda! |
| 00:34:10 |
What have "you" found out? |
| 00:34:12 |
Not a lot. |
| 00:34:13 |
You realise he's in court tomorrow? |
| 00:34:15 |
I know that! |
| 00:34:17 |
So nothing, huh? |
| 00:34:18 |
Nix. |
| 00:34:20 |
Zip. |
| 00:34:22 |
Diddly. |
| 00:34:23 |
Bupkiss. |
| 00:34:27 |
Niente. |
| 00:34:33 |
Oh, it's too big! |
| 00:34:35 |
- No, it isn't, Portia. |
| 00:34:37 |
- No, it isn't! |
| 00:34:39 |
No! Absolutely not! |
| 00:34:41 |
I'm so miserable |
| 00:34:44 |
Do shut up, Portia! |
| 00:34:47 |
All I get, all day, |
| 00:34:50 |
Oh dear. |
| 00:35:00 |
Ecco I'uomo. |
| 00:35:18 |
Ooh, le due cupole grandi |
| 00:36:07 |
Benito Mussolini! |
| 00:36:22 |
Dov'é il Vaticano? |
| 00:36:39 |
Volare |
| 00:36:41 |
Oh-oh |
| 00:36:43 |
E cantare |
| 00:36:45 |
Oh-oh... |
| 00:36:58 |
Archie, I want "you" to speak to her |
| 00:37:02 |
- Hmm? |
| 00:37:05 |
I want you to speak to Portia. |
| 00:37:07 |
I'll speak to her in the morning. |
| 00:37:09 |
Goodnight, Archie. |
| 00:37:12 |
Goodnight, Archie! |
| 00:37:14 |
Goodnight, Wanda. |
| 00:37:16 |
Goodnight, who? |
| 00:37:19 |
Sorry, darling. |
| 00:37:23 |
with some lousy old hag. |
| 00:37:25 |
Are you George Francis Thomason |
| 00:37:28 |
of Kipling Mansions, Murray Avenue, |
| 00:37:31 |
London W9? |
| 00:37:34 |
Yes, sir. |
| 00:37:35 |
The charge is one of armed robbery. |
| 00:37:38 |
Are we ready for a committal, |
| 00:37:41 |
Yes, under Section 6.2, madam. |
| 00:37:44 |
That is correct, 6.2. |
| 00:37:46 |
Here are the statements, |
| 00:37:50 |
Stand up, Mr Thomason. |
| 00:37:52 |
You are committed to stand trial |
| 00:37:55 |
at the Central Criminal Court. |
| 00:37:58 |
There is some urgency about this case. |
| 00:38:00 |
The main witness, Mrs Coady, |
| 00:38:02 |
is elderly and has had |
| 00:38:07 |
Is there any possibility |
| 00:38:10 |
might be put down for an early trial? |
| 00:38:12 |
That is for the Old Bailey listing officer. |
| 00:38:15 |
Take him down to the cell, please, officer. |
| 00:38:38 |
Hi, hon. How are you doing? |
| 00:38:40 |
You look great. I love your hair. |
| 00:38:42 |
Got time for a coffee? |
| 00:38:43 |
- No, I've g-g... |
| 00:38:46 |
Why did he give you this? |
| 00:38:47 |
Eileen Coady, 69 Basil Street. |
| 00:38:50 |
Does he want you to send her flowers? |
| 00:38:53 |
Do her shopping? |
| 00:38:54 |
Show her a good time? |
| 00:38:55 |
Rub her out? |
| 00:39:00 |
He wants you to rub her out? |
| 00:39:04 |
He's going to kill her! |
| 00:39:09 |
Fuck off, or I'll kill you. |
| 00:39:11 |
Limey fruits! |
| 00:39:15 |
So the old lady will |
| 00:39:18 |
- Eh, K-K-Ken? |
| 00:39:22 |
What's so funny? |
| 00:39:24 |
Nothing. |
| 00:39:27 |
Well, it's better than b-buggering people. |
| 00:39:31 |
I bet you £1 you don't kill her. |
| 00:39:35 |
All right. |
| 00:39:36 |
All right. |
| 00:39:38 |
I love watching your ass when you walk. |
| 00:39:41 |
Is that beautiful or what? |
| 00:39:44 |
Don't go near him! |
| 00:39:45 |
He's mine! |
| 00:39:48 |
£1 says you won't kill her! |
| 00:39:54 |
When could you look at it? |
| 00:39:55 |
Let's think. |
| 00:39:59 |
I'll look at it then |
| 00:40:02 |
- I really appreciate it. Thanks. |
| 00:40:04 |
Hi. |
| 00:40:06 |
I know we're not allowed to talk. |
| 00:40:08 |
Give me a call. |
| 00:40:10 |
I can't. |
| 00:40:12 |
Please? |
| 00:40:13 |
We're not allowed to speak. |
| 00:40:15 |
We don't have to. |
| 00:40:18 |
I don't want you for your conversation. |
| 00:40:25 |
I'd love to... |
| 00:40:39 |
- What happened? |
| 00:40:58 |
Look here! |
| 00:40:59 |
Do you mind |
| 00:41:02 |
My dogs will be having their nap. |
| 00:41:05 |
Nice doggy. |
| 00:41:07 |
Nice... doggy. |
| 00:41:26 |
Otto, what are you doing? |
| 00:41:28 |
It's a Buddhist meditation technique. |
| 00:41:30 |
It focuses your aggression. |
| 00:41:33 |
The monks did it |
| 00:41:35 |
What kind of Buddhism is this? |
| 00:41:42 |
Asshole! |
| 00:41:45 |
It's an early Tantric meditation... |
| 00:41:47 |
What is this? |
| 00:41:49 |
To get information, |
| 00:41:53 |
Well, we're ready now, at last. |
| 00:41:56 |
Good. Enjoy the opera, darling. |
| 00:41:58 |
- Your supper's in the fridge. |
| 00:42:01 |
Be good. |
| 00:42:03 |
When you say friendly, |
| 00:42:07 |
Cordial? Courteous? |
| 00:42:09 |
Supportive? What? |
| 00:42:10 |
I don't know. |
| 00:42:14 |
So, friendly might include actual er |
| 00:42:17 |
what, penetration? |
| 00:42:19 |
I don't need your jealousy now. |
| 00:42:21 |
- Jealousy? |
| 00:42:22 |
Hey, I'm merely curious. |
| 00:42:35 |
What about my tits? |
| 00:42:37 |
Does he get to handle them? |
| 00:42:38 |
Yes. That's my forecast. |
| 00:42:41 |
Nuzzling? |
| 00:42:43 |
I think $20 million is worth a nuzzle. |
| 00:42:45 |
80% chance there. |
| 00:42:46 |
- Sucking? |
| 00:42:49 |
I'm not, I don't believe in jealousy, |
| 00:42:53 |
One thing, though. |
| 00:42:54 |
Touch his dick, and he's dead! |
| 00:43:02 |
I told your father |
| 00:43:04 |
Aren't we going, then? |
| 00:43:06 |
Oh, do shut up, Portia. |
| 00:43:20 |
Hurry up. |
| 00:43:38 |
Hi. |
| 00:43:41 |
Do you despise me? |
| 00:43:48 |
No, that's not a word that leaps to mind. |
| 00:43:51 |
Can I stay, then? |
| 00:43:58 |
Of course. Look... |
| 00:44:01 |
- Wanda... |
| 00:44:03 |
Your wife's coming back. |
| 00:44:04 |
No, it's not her. She'll be hours. |
| 00:44:07 |
It's about what I said to you. |
| 00:44:09 |
It "is" all right for us to speak. |
| 00:44:11 |
It is? |
| 00:44:12 |
Provided that we don't discuss the case. |
| 00:44:15 |
Oh. |
| 00:44:17 |
Oh, fine. |
| 00:44:18 |
It's just, if anyone saw us talking... |
| 00:44:21 |
Oh, but they won't. |
| 00:44:30 |
Sorry if I seem |
| 00:44:32 |
pompous. |
| 00:44:34 |
Oh, you're the best, Archie. |
| 00:44:40 |
No. |
| 00:44:42 |
Not yet. |
| 00:44:43 |
I'm thirsty. |
| 00:44:48 |
What shall I get you? |
| 00:44:51 |
Whisky. |
| 00:44:57 |
You are the sexiest, |
| 00:45:01 |
I have ever seen |
| 00:45:04 |
in my entire life. |
| 00:45:08 |
Get me my drink. |
| 00:45:32 |
Oh, Archie. |
| 00:45:37 |
Mm, Archie. |
| 00:45:44 |
So. |
| 00:45:46 |
If George decides to change his plea, |
| 00:45:49 |
he'd tell you |
| 00:45:52 |
Mm? |
| 00:45:54 |
Darling, we mustn't talk |
| 00:45:57 |
I know. I just meant theoretically. |
| 00:46:01 |
Kiss me there. |
| 00:46:04 |
Oh. Theoretically. |
| 00:46:06 |
Erm. |
| 00:46:12 |
...to his legal representative... |
| 00:46:24 |
What's the matter? |
| 00:46:26 |
Oh, it's wonderful, Archie. |
| 00:46:28 |
Ooh! |
| 00:46:31 |
Aah! |
| 00:46:33 |
What? What, darling? |
| 00:46:34 |
- You're getting me hot! |
| 00:46:36 |
I need something to drink. |
| 00:46:38 |
Something cold? |
| 00:46:39 |
Maybe in the fridge? |
| 00:46:41 |
Champagne? |
| 00:46:42 |
Oh, my favourite. |
| 00:46:45 |
Don't go away. |
| 00:46:49 |
Je reviens! |
| 00:47:01 |
What are you doing here? |
| 00:47:03 |
- Relax! |
| 00:47:05 |
- Your moaning worried me. |
| 00:47:09 |
Don't ever call me stupid. |
| 00:47:10 |
- And I'm not jealous. |
| 00:47:13 |
OK! |
| 00:47:14 |
It's a nice place. |
| 00:47:18 |
Don't touch his dick! |
| 00:47:22 |
His wife, his wife! |
| 00:47:27 |
For goodness sake, get off to bed. |
| 00:47:33 |
God, there isn't any ice. |
| 00:47:45 |
Champagne! |
| 00:47:47 |
Aaagh! |
| 00:47:48 |
What's the matter? |
| 00:47:51 |
What are you doing? |
| 00:47:55 |
Champagne, dear. To welcome you home. |
| 00:47:58 |
Erm... let me pour you a glass. |
| 00:48:01 |
Whose is the car? |
| 00:48:03 |
The car? |
| 00:48:04 |
Blocking the drive? |
| 00:48:06 |
There you are, dear. Cheers. |
| 00:48:08 |
Nice to see you again. |
| 00:48:09 |
How was the opera? |
| 00:48:11 |
- Finished early, did it? |
| 00:48:13 |
Mine. |
| 00:48:15 |
It's a beauty, isn't it? |
| 00:48:16 |
Where did I leave my drink, Archie? |
| 00:48:20 |
Who is this? |
| 00:48:22 |
Don't you know? |
| 00:48:23 |
How do you do, Mrs Leach? |
| 00:48:25 |
I'm Harvey Manfren... jensen... jen. |
| 00:48:29 |
- I'm... with the CIA. |
| 00:48:31 |
That's correct, ma'am. |
| 00:48:33 |
I was er... |
| 00:48:36 |
before I had to go |
| 00:48:40 |
We've got a high-ranking KGB defector |
| 00:48:44 |
We're debriefing him as of now |
| 00:48:46 |
and we're just er |
| 00:48:48 |
checking all the houses in the area. |
| 00:48:50 |
- For what? |
| 00:48:52 |
- Is there any danger? |
| 00:48:55 |
No er... No, not now. |
| 00:48:58 |
We er... |
| 00:48:59 |
We just want to keep everyone informed. |
| 00:49:02 |
So. Archie, thanks for the drink. |
| 00:49:04 |
Sorry to have troubled you... |
| 00:49:06 |
Keep everyone informed? |
| 00:49:08 |
So there's no panic, ma'am. |
| 00:49:10 |
But isn't it a secret? |
| 00:49:11 |
You've no idea how secret. |
| 00:49:13 |
Well, why are you telling everyone? |
| 00:49:16 |
It's a smoke screen? |
| 00:49:18 |
What?! |
| 00:49:19 |
Double bluff. |
| 00:49:21 |
You obviously know nothing |
| 00:49:25 |
It's an XK Red 27 technique. |
| 00:49:27 |
My father was in the Secret Service, |
| 00:49:31 |
I know perfectly well |
| 00:49:35 |
when you are debriefing KGB defectors. |
| 00:49:38 |
Oh, you don't, huh? |
| 00:49:39 |
Not unless you're |
| 00:49:44 |
Don't call me stupid. |
| 00:49:47 |
Why on earth not? |
| 00:49:49 |
Oh, you English are "so" superior, |
| 00:49:54 |
Do you know where you'd be |
| 00:49:56 |
without us, |
| 00:49:59 |
I'll tell you. |
| 00:50:00 |
The smallest fucking province |
| 00:50:04 |
So don't call me stupid, lady. |
| 00:50:06 |
Just thank me. |
| 00:50:08 |
Thank you for popping in |
| 00:50:10 |
If it wasn't for us, |
| 00:50:13 |
Singing "Deutschland, Deutschland" |
| 00:50:15 |
Über alles |
| 00:50:17 |
He's covering for me. |
| 00:50:21 |
Necklace. I'll think of something. |
| 00:50:23 |
- Who are you talking to? |
| 00:50:26 |
- Who was that shouting? |
| 00:50:30 |
Archie, who on earth... |
| 00:50:31 |
I don't know. He... |
| 00:50:33 |
- I need a drink. |
| 00:50:35 |
What?! |
| 00:50:36 |
Let's go to the pub. |
| 00:50:38 |
Would you like to, Portia? |
| 00:50:40 |
We haven't been for 15 years! |
| 00:50:41 |
Portia could see it now. |
| 00:50:43 |
Honestly, Archie! |
| 00:50:44 |
Aaagh! |
| 00:50:45 |
What on earth is the matter? |
| 00:50:47 |
I thought the picture was falling off. |
| 00:50:49 |
Will you pull yourself together?! |
| 00:50:51 |
What's this? |
| 00:50:53 |
Thanks, Portia. Coming with us? |
| 00:50:55 |
What was that? |
| 00:50:56 |
- A kind of necklace. |
| 00:50:58 |
What's going on? |
| 00:50:59 |
Nothing. Let's go. |
| 00:51:01 |
Can I see that? |
| 00:51:02 |
- What? |
| 00:51:05 |
Your other hand. |
| 00:51:07 |
Portia, go to your room. |
| 00:51:09 |
Aren't we going out? |
| 00:51:10 |
I can explain. I left... |
| 00:51:12 |
Now! |
| 00:51:13 |
- They sent a new girl... |
| 00:51:15 |
No, she's Canadian... |
| 00:51:17 |
It's lovely. Thank you. |
| 00:51:23 |
It's even got a W for Wendy. |
| 00:51:25 |
Oh, I'm so glad you like it. |
| 00:51:29 |
It's the most beautiful thing |
| 00:51:37 |
Oh, Archie. This isn't like you. |
| 00:51:47 |
Are you fucking crazy?! |
| 00:51:51 |
Hey, I saved your ass. |
| 00:51:53 |
I had him right where I wanted him, |
| 00:51:56 |
I give you one fucking thing to! |
| 00:51:58 |
You had to drive me and shut up! |
| 00:52:01 |
Oh, relax! |
| 00:52:10 |
Hello. |
| 00:52:13 |
Hold on. |
| 00:52:15 |
It's for you. |
| 00:52:18 |
Hello. |
| 00:52:22 |
Not at the moment, no. |
| 00:52:27 |
Yes, well, I'm not quite sure |
| 00:52:32 |
Yes, yes, I do appreciate that. |
| 00:52:34 |
Yes. As soon as possible. |
| 00:52:38 |
Well, that would be very nice, obviously. |
| 00:52:41 |
So. Erm... |
| 00:52:43 |
See you soon, I hope. |
| 00:52:44 |
Bye, Frank. |
| 00:52:50 |
Calm down. Calm down! |
| 00:52:52 |
Easy, g-g-girl. Easy, easy! |
| 00:53:02 |
Come here! |
| 00:53:04 |
Smell. Smell! |
| 00:53:06 |
Smell, Maggie, smell. |
| 00:53:08 |
Now. Now! |
| 00:53:09 |
Kill, kill! |
| 00:53:12 |
Kill! |
| 00:53:14 |
Kill! |
| 00:53:16 |
Kill! |
| 00:53:41 |
We therefore |
| 00:53:44 |
Earth to earth. |
| 00:53:46 |
Ashes to ashes. |
| 00:53:48 |
Dust to dust. |
| 00:53:52 |
Miserere Dominus |
| 00:53:55 |
Miserere Dominus |
| 00:54:02 |
Canis mortuus est |
| 00:54:07 |
Hello, honey. |
| 00:54:09 |
What happened? |
| 00:54:10 |
N-n-nothing. |
| 00:54:13 |
What's that? |
| 00:54:14 |
Er... |
| 00:54:15 |
Not Granny? |
| 00:54:16 |
Not yet. |
| 00:54:17 |
Oh. Who is it for, then? |
| 00:54:20 |
A f-f-f... |
| 00:54:21 |
A fish? Frenchman? |
| 00:54:23 |
- A phone operator? |
| 00:54:25 |
Oh, a four-legged one? |
| 00:54:27 |
Where's my sister? |
| 00:54:29 |
She's in the b-b-b... |
| 00:54:30 |
Thank you. |
| 00:54:32 |
Lavatory. |
| 00:54:33 |
Wanda! |
| 00:54:36 |
Anything? |
| 00:54:37 |
What? No? |
| 00:54:39 |
Why are you here? |
| 00:54:41 |
I'm here because I'm bored! |
| 00:54:43 |
Bored, wandering around |
| 00:54:48 |
Talking to a lot of snotty, stuck-up, |
| 00:54:54 |
They get rigor mortis |
| 00:54:58 |
Standing there with their hair clenched |
| 00:55:03 |
counting the seconds till the weekend, |
| 00:55:06 |
so they can dress up like ballerinas |
| 00:55:09 |
at the flat at four |
| 00:55:11 |
2B, Saint... |
| 00:55:14 |
To be honest, I er... hate them. |
| 00:55:18 |
I mean, pretending |
| 00:55:22 |
So fucking "superior" |
| 00:55:26 |
Not you, Ken. |
| 00:55:29 |
when it works. |
| 00:55:32 |
Sonofabitch! |
| 00:55:38 |
So er... |
| 00:55:41 |
Have you heard from him? |
| 00:55:43 |
- Who? |
| 00:55:45 |
No, I have to finish my hair! |
| 00:55:47 |
Nothing? |
| 00:55:49 |
OK, I'm out of here! |
| 00:55:50 |
No plans to see him? |
| 00:55:52 |
No. |
| 00:55:53 |
OK, bye, bro! |
| 00:55:55 |
Bye, Wanda! |
| 00:55:59 |
Oh, sorry. |
| 00:56:04 |
- What?! |
| 00:56:06 |
A old lady gave it to them to engrave. |
| 00:56:09 |
Someone put it in the display cabinet... |
| 00:56:11 |
- That's their problem. |
| 00:56:14 |
You paid for it! |
| 00:56:15 |
They accept their mistake |
| 00:56:19 |
It's much more valuable. |
| 00:56:20 |
I adore this |
| 00:56:23 |
- "I" don't want... |
| 00:56:26 |
- Wendy. |
| 00:56:27 |
- Wendy! |
| 00:56:29 |
Tell them they can't have it! |
| 00:56:30 |
You're the bloody barrister! |
| 00:57:07 |
- Hello. |
| 00:57:11 |
Oh, Archie, it's beautiful. |
| 00:57:14 |
It's just beautiful. |
| 00:57:18 |
Oh, my God, look! |
| 00:57:22 |
Oh, Archie, it's beautiful. |
| 00:57:24 |
Isn't it wonderful? |
| 00:57:26 |
Whose is it? |
| 00:57:28 |
It belongs to someone |
| 00:57:30 |
And where are they? |
| 00:57:32 |
Hong Kong. |
| 00:57:34 |
Ah so. |
| 00:57:35 |
Gone for weeks. |
| 00:57:37 |
Nice rug, Archie. |
| 00:57:41 |
May I? |
| 00:57:45 |
Archie, what are you doing? |
| 00:57:47 |
The polka, I think. |
| 00:57:53 |
You make me feel free! |
| 00:57:55 |
Free? |
| 00:57:57 |
Do you have any idea |
| 00:58:01 |
Being so correct all the time? |
| 00:58:03 |
Being so... stifled |
| 00:58:09 |
Asking someone, 'Are you married?' |
| 00:58:11 |
And hearing, 'My wife left me.' |
| 00:58:14 |
Or saying, |
| 00:58:17 |
And hearing, |
| 00:58:20 |
Wanda, we're all terrified |
| 00:58:25 |
That's why we're so... dead. |
| 00:58:28 |
Most of my friends are dead. |
| 00:58:31 |
We have these piles of corpses to dinner. |
| 00:58:35 |
But you're alive, God bless you. |
| 00:58:37 |
And I want to be. |
| 00:58:41 |
I want to make love with you, Wanda. |
| 00:58:45 |
I'm a good lover. |
| 00:58:46 |
At least, I used to be |
| 00:58:51 |
Can we go to bed? |
| 00:58:58 |
Yeah. |
| 00:59:01 |
Hang on! |
| 00:59:03 |
Mind your head. |
| 00:59:06 |
Agh! Aagh! |
| 00:59:08 |
Aaagh! Aaagh! |
| 00:59:12 |
I think I love you, Wanda. |
| 00:59:14 |
Oh, Archie. |
| 00:59:16 |
Can I ask you a question? |
| 00:59:18 |
Anything. |
| 00:59:20 |
Where's my locket? |
| 00:59:22 |
I couldn't get it. |
| 00:59:23 |
What? |
| 00:59:24 |
Wendy wouldn't give it back. Look... |
| 00:59:27 |
I got you this instead. |
| 00:59:28 |
Do you like it? |
| 00:59:30 |
No. Archie, I have to have mine. |
| 00:59:33 |
What's the matter? Why? |
| 00:59:37 |
My mother gave it to me |
| 00:59:40 |
on her death... bed. |
| 00:59:45 |
Oh, I'm sorry. |
| 00:59:47 |
All right, darling. |
| 00:59:48 |
I'll get it for you. |
| 00:59:50 |
You promise? |
| 00:59:51 |
I'll think of something. |
| 00:59:53 |
Sex is very, very difficult for me |
| 00:59:55 |
with somebody |
| 00:59:59 |
I promise I'll get it. OK? |
| 01:00:02 |
Ooh! I love you, Archie. |
| 01:00:06 |
I've loved you ever since |
| 01:00:12 |
What was that? |
| 01:00:14 |
What? |
| 01:00:16 |
Your brother didn't bring you |
| 01:00:19 |
No. |
| 01:00:21 |
He's no idea? |
| 01:00:22 |
He doesn't have a clue. |
| 01:00:25 |
What? |
| 01:00:27 |
He is so dumb... |
| 01:00:28 |
Really? |
| 01:00:29 |
He thought the Gettysburg Address |
| 01:00:36 |
Those terrible lies |
| 01:00:41 |
So painful! |
| 01:00:42 |
When he heard |
| 01:00:45 |
he said, |
| 01:00:53 |
I love the way you laugh! |
| 01:00:55 |
I love you, you're funny. |
| 01:00:59 |
How come a girl as bright as you |
| 01:01:03 |
can have a brother who's so... |
| 01:01:05 |
Don't call me stupid. |
| 01:01:08 |
Jesus Christ! |
| 01:01:17 |
Ouch! Otto! |
| 01:01:19 |
Come on! |
| 01:01:22 |
I'll deal with you later! |
| 01:01:25 |
What have you done with her? |
| 01:01:26 |
- She's all right! |
| 01:01:29 |
Now, apologise. |
| 01:01:31 |
What? |
| 01:01:34 |
Apologise! |
| 01:01:35 |
Shit! |
| 01:01:37 |
Are you totally deranged? |
| 01:01:44 |
You pompous, |
| 01:01:46 |
stuck-up, snot-nosed, |
| 01:01:49 |
English, giant twerp, |
| 01:01:51 |
scumbag, fuck-face, |
| 01:01:55 |
How very interesting. |
| 01:01:58 |
You're a true vulgarian, aren't you? |
| 01:02:00 |
You're the vulgarian, you fuck! |
| 01:02:03 |
Now, apologise! |
| 01:02:05 |
What? "Me" to you? |
| 01:02:12 |
Apologise. |
| 01:02:14 |
All right, I apologise. |
| 01:02:16 |
You're really sorry? |
| 01:02:17 |
I'm really, really sorry. |
| 01:02:19 |
I apologise unreservedly. |
| 01:02:22 |
You take it back? |
| 01:02:23 |
I do. |
| 01:02:26 |
The imputation was "totally" |
| 01:02:30 |
and was in no way fair comment. |
| 01:02:32 |
It was motivated purely by malice. |
| 01:02:34 |
I deeply regret any distress |
| 01:02:37 |
my comments |
| 01:02:40 |
I hereby undertake not repeat |
| 01:02:42 |
any such slander |
| 01:02:48 |
OK. |
| 01:03:52 |
Miserere Dominus |
| 01:03:56 |
Miserere Dominus |
| 01:04:02 |
Canis mortuus est |
| 01:04:06 |
You said you loved him! |
| 01:04:08 |
Right, Otto! |
| 01:04:12 |
A. Wanda was lying. |
| 01:04:14 |
B. Wanda was telling the truth. |
| 01:04:16 |
Which one are you going to pick? |
| 01:04:18 |
What was the first one? |
| 01:04:20 |
You said you were not seeing him! |
| 01:04:22 |
I knew you'd come and fuck it up! |
| 01:04:24 |
I was dealing with something delicate. |
| 01:04:27 |
I'm setting up a guy |
| 01:04:29 |
He knows where the loot is |
| 01:04:32 |
You lope in |
| 01:04:35 |
and dangle him from a window! |
| 01:04:37 |
Now, was that smart?! |
| 01:04:39 |
Was it shrewd? |
| 01:04:41 |
Was it good tactics, or was it stupid?! |
| 01:04:45 |
Don't call me stupid. |
| 01:04:47 |
Oh, right! |
| 01:04:48 |
To call you stupid |
| 01:04:51 |
I've known sheep that could outwit you. |
| 01:04:54 |
I've worn dresses with higher IQs. |
| 01:04:56 |
You think you're an intellectual, |
| 01:05:00 |
Apes don't read philosophy. |
| 01:05:02 |
Yes, they do. |
| 01:05:06 |
Let me correct you |
| 01:05:09 |
Aristotle was not Belgian. |
| 01:05:12 |
The central message of Buddhism |
| 01:05:14 |
- is not every man for himself. |
| 01:05:17 |
The London Underground |
| 01:05:21 |
Those are mistakes. I looked 'em up. |
| 01:05:23 |
Now. You have just assaulted |
| 01:05:26 |
the one man who can keep you |
| 01:05:30 |
So what are you |
| 01:05:32 |
What would an intellectual do? |
| 01:05:35 |
What would Plato do? |
| 01:05:40 |
Apologise. |
| 01:05:42 |
Pardon me? |
| 01:05:44 |
Apolo... |
| 01:05:45 |
What? |
| 01:05:47 |
Apologise! |
| 01:05:48 |
Right! |
| 01:05:50 |
I'm sorry. |
| 01:05:53 |
No. |
| 01:05:55 |
Not to me. |
| 01:05:56 |
To Archie. |
| 01:05:57 |
And make it good, or we're dead. |
| 01:06:06 |
Oh, I'm so very, |
| 01:06:10 |
Fuck you! |
| 01:06:13 |
I'm s... |
| 01:06:15 |
I'm very, very s... |
| 01:06:18 |
I'm so |
| 01:06:19 |
very s... |
| 01:06:21 |
Very, very s... |
| 01:06:38 |
Very, very... |
| 01:06:40 |
ssfff... |
| 01:07:53 |
Ugh! |
| 01:07:54 |
Hello, Mr Burglar! |
| 01:07:56 |
Going somewhere? |
| 01:07:58 |
Think you can rob Mr Leach? |
| 01:08:00 |
I'll teach you a lesson. |
| 01:08:02 |
He's a very good friend of mine. |
| 01:08:04 |
Otto! Otto! |
| 01:08:06 |
He'll be very pleased with me |
| 01:08:10 |
and ready for the police! |
| 01:08:13 |
And don't call me Otto. |
| 01:08:15 |
To you, I am Mr... |
| 01:08:25 |
Aagh! |
| 01:08:27 |
Oh, God. |
| 01:08:32 |
I'm sorry. I'm sorry. |
| 01:08:34 |
I'm sorry. |
| 01:08:36 |
Please. |
| 01:08:38 |
I'm sorry. |
| 01:08:39 |
I'm sorry, I didn't know it was you. |
| 01:08:42 |
How could I know it was you? |
| 01:08:44 |
I mean, |
| 01:08:47 |
Stupid jerk! |
| 01:08:48 |
What the fuck are you doing |
| 01:08:52 |
You asshole! |
| 01:08:54 |
You stupid, stiff, pompous English... |
| 01:08:56 |
Agh! |
| 01:08:58 |
I'm sorry. |
| 01:08:59 |
I'm sorry. |
| 01:09:01 |
Er... Er... |
| 01:09:04 |
Yeah. |
| 01:09:47 |
God Almighty! |
| 01:09:50 |
Bloody hell! |
| 01:09:59 |
Darling! |
| 01:10:01 |
Are you hurt? |
| 01:10:03 |
Speak to me! Are you hurt? |
| 01:10:07 |
Can't you speak? |
| 01:10:08 |
Archie! Archie, what has happened? |
| 01:10:14 |
Archie, we've been burgled. |
| 01:10:16 |
Oh, no! |
| 01:10:17 |
Well, are you hurt? |
| 01:10:18 |
No, I'm... I'm fine. |
| 01:10:20 |
Bit of a headache. I er... |
| 01:10:22 |
I came in here, |
| 01:10:25 |
My God, is that the time? |
| 01:10:26 |
What? |
| 01:10:28 |
I didn't realise it was quite so late. |
| 01:10:30 |
What?! |
| 01:10:31 |
I'm late for a conference. |
| 01:10:33 |
You've just been attacked! |
| 01:10:35 |
It's nothing, I must fly. Sorry. |
| 01:10:37 |
- Archie! |
| 01:10:39 |
Hello, Portia. |
| 01:10:41 |
What's happened? |
| 01:10:43 |
Your father has finally gone |
| 01:11:09 |
Hi. |
| 01:11:23 |
Archie! |
| 01:11:27 |
Thank you so much. |
| 01:11:28 |
Champagne? |
| 01:11:30 |
OK. |
| 01:11:54 |
- To us. |
| 01:11:58 |
I went back to the house, |
| 01:12:02 |
Let's make love! |
| 01:12:05 |
Well, if you absolutely insist... |
| 01:12:07 |
No. |
| 01:12:08 |
What? |
| 01:12:09 |
Here. On the rug. |
| 01:12:12 |
I'll be right back. |
| 01:12:14 |
Get undressed. |
| 01:12:16 |
Why not? |
| 01:12:19 |
Why not indeed!? |
| 01:12:23 |
Afterwards... |
| 01:12:25 |
Yeah? |
| 01:12:26 |
...let's go to South America. |
| 01:12:29 |
What? |
| 01:12:30 |
Let's fly to South America. |
| 01:12:32 |
Why South America? |
| 01:12:33 |
OK... Iceland? |
| 01:12:39 |
What do you really want out of life? |
| 01:12:42 |
I don't know. |
| 01:12:44 |
Why do I like you so much? |
| 01:12:46 |
Archie. |
| 01:12:47 |
Hm? |
| 01:12:48 |
Do you speak Italian? |
| 01:12:50 |
I am Italian! |
| 01:12:51 |
Sono italiano in spirito. |
| 01:12:53 |
Ma ho sposato una donna |
| 01:12:58 |
a fare I'amore appassionato. |
| 01:13:00 |
Uno sbaglio grande! |
| 01:13:02 |
But it's such an ugly language. |
| 01:13:05 |
How about... Russian? |
| 01:13:07 |
Yest' sila blagodatnaya |
| 01:13:13 |
Kamina tozhe ni trudnuyu tyesnitsya |
| 01:13:19 |
Odnu molitvu chudnuyu |
| 01:13:25 |
V dushe kak bremya skatyatsya |
| 01:13:30 |
I varitsya i plachetsya, i tak legko... |
| 01:13:34 |
Archie! |
| 01:13:36 |
Yeah? |
| 01:13:37 |
Are you rich? |
| 01:13:39 |
No, no, I'm afraid not. |
| 01:13:40 |
What about the house? |
| 01:13:42 |
Oh, that's Wendy's. She's the rich one. |
| 01:13:45 |
Oh. |
| 01:13:51 |
Yest' sila blagodatnaya |
| 01:13:55 |
I tushit nyeponyatnaya, |
| 01:14:00 |
Vdushe kak bremya skatyatsya |
| 01:14:06 |
I varitsya i plachetsya, i tak legko! |
| 01:14:28 |
- What the hell are you doing? |
| 01:14:34 |
Who are you? |
| 01:14:35 |
What?! |
| 01:14:36 |
Get your clothes on. |
| 01:14:37 |
- Will you leave immediately, please? |
| 01:14:41 |
You're in the wrong flat. |
| 01:14:42 |
This flat belongs to Patrick Balfour. |
| 01:14:45 |
He's in Hong Kong. |
| 01:14:46 |
He lent me the key. Now get out! |
| 01:14:48 |
We leased it |
| 01:14:57 |
Yes, well obviously |
| 01:15:01 |
Aren't you Archie Leach? |
| 01:15:05 |
What? |
| 01:15:06 |
You bought our house |
| 01:15:10 |
Hazel and lan Johnson. |
| 01:15:15 |
What a coincidence! |
| 01:15:17 |
Ha... |
| 01:15:19 |
How nice to see you. |
| 01:15:50 |
Hello. |
| 01:15:52 |
Hello, Wanda. It's Archie |
| 01:15:55 |
I can't see you any more. |
| 01:15:58 |
I'm sorry. |
| 01:15:59 |
What? |
| 01:16:02 |
I'm sorry. |
| 01:16:06 |
Archie? |
| 01:16:36 |
Er... |
| 01:16:39 |
OK. |
| 01:16:40 |
Oh, no, no. Please. |
| 01:16:42 |
Look, I want to apologise. |
| 01:16:44 |
I just finished it. |
| 01:16:45 |
OK, OK, wait. |
| 01:16:46 |
Where are you going? |
| 01:16:49 |
Will you leave me alone? |
| 01:16:51 |
I've ended it, all right? |
| 01:16:53 |
Wait! I want to say I'm sorry. |
| 01:16:55 |
It's all over, OK? It's over. |
| 01:16:57 |
- All right! |
| 01:16:59 |
- Calm down! |
| 01:17:02 |
- Please believe me! |
| 01:17:04 |
Don't beat me up again. |
| 01:17:07 |
Will you shut up?! |
| 01:17:08 |
Jesus Christ, don't kill me! |
| 01:17:10 |
Shut up, then. |
| 01:17:13 |
OK. |
| 01:17:14 |
Look. |
| 01:17:15 |
I just want to apologise |
| 01:17:17 |
sincerely |
| 01:17:20 |
When I hung you from the window. |
| 01:17:22 |
I'm really... |
| 01:17:23 |
It was not a nice thing to do. |
| 01:17:25 |
Then when I attacked you in there. |
| 01:17:28 |
I'm really, s... |
| 01:17:29 |
How did I know |
| 01:17:32 |
I was trying to help! |
| 01:17:33 |
Yes. Thanks. Otto. |
| 01:17:36 |
I wanted you to trust me. |
| 01:17:37 |
Please, it was my fault. |
| 01:17:41 |
- That's true. |
| 01:17:42 |
Now, about my sister. |
| 01:17:44 |
Otto... |
| 01:17:45 |
She's a very sexy girl. |
| 01:17:47 |
I understand |
| 01:17:49 |
It's OK, I was wrong. I'm sorry! |
| 01:17:52 |
I was jealous. |
| 01:17:53 |
Just go ahead, pork away, pal. |
| 01:17:57 |
Fuck her blue. |
| 01:17:58 |
I like you, Archie. |
| 01:18:00 |
I just want to help. |
| 01:19:08 |
Oh, God! |
| 01:19:47 |
Send for an ambulance! |
| 01:20:09 |
Shocking! |
| 01:20:14 |
I did it! |
| 01:20:16 |
I did it! I did it! |
| 01:20:18 |
Unbe-fuck-alievable! |
| 01:20:21 |
Thomason! |
| 01:20:22 |
Yeah? |
| 01:20:27 |
You done well, my son. |
| 01:20:30 |
Now, here's the plan. |
| 01:20:32 |
You get four tickets |
| 01:20:36 |
- Then... |
| 01:20:38 |
Yeah, four. |
| 01:20:39 |
We get rid of Otto later. |
| 01:20:41 |
Then, back to the flat, |
| 01:20:44 |
Then to the Cathcart Towers Hotel |
| 01:20:51 |
Unbe-fuck-alievable! |
| 01:20:55 |
Oi! Oi! |
| 01:21:00 |
It's so exciting, |
| 01:21:03 |
He's s-s-safe. |
| 01:21:06 |
I'm going to be late for court! |
| 01:21:10 |
H-Hello. |
| 01:21:11 |
Hello, Otto. |
| 01:21:15 |
No, she just er... l-l-left. |
| 01:21:18 |
Oh, and Otto... |
| 01:21:20 |
You owe me a p-p-p... |
| 01:21:24 |
What? |
| 01:21:27 |
You owe me a p-p-pound. |
| 01:21:31 |
Not Granny? |
| 01:21:33 |
M-met with an accident. |
| 01:21:38 |
Bullshit! You're lying. |
| 01:21:42 |
Dead? |
| 01:21:43 |
Heart attack. |
| 01:21:49 |
I don't believe this. |
| 01:21:51 |
So, George will be out this afternoon. |
| 01:21:54 |
We all go out to Heathrow, |
| 01:21:55 |
collect the loot and... |
| 01:21:59 |
All thanks to me. |
| 01:22:06 |
So the loot's at the airport, is it, Ken? |
| 01:22:19 |
What's h-h-happening? |
| 01:22:22 |
Well, Ken. |
| 01:22:24 |
I'm going to ask you some questions |
| 01:22:27 |
while I eat my chips. |
| 01:22:28 |
First. |
| 01:22:30 |
Who was the philosopher |
| 01:22:31 |
who developed |
| 01:22:34 |
in Also Spracht Zarathustra? |
| 01:22:39 |
No?! |
| 01:22:40 |
That's a chip up the nose, I'm afraid. |
| 01:22:44 |
Friedrich Nietzsche. |
| 01:22:46 |
Next. |
| 01:22:47 |
In which book did Nietzsche claim |
| 01:22:50 |
that almost all higher culture |
| 01:22:55 |
Are you thinking |
| 01:22:58 |
You're m-mad. |
| 01:23:01 |
Beyond Good And Evil. |
| 01:23:05 |
I'll have to ask you an easy one. |
| 01:23:08 |
OK. Erm... |
| 01:23:10 |
Let me think, let me think. |
| 01:23:12 |
Where are the diamonds? |
| 01:23:15 |
I'll give you a clue. |
| 01:23:16 |
Somewhere round the airport. |
| 01:23:22 |
No hassle, there's plenty of time. |
| 01:23:24 |
I'll just sit here and eat my chips |
| 01:23:30 |
The English contribution to world cuisine. |
| 01:23:33 |
The chip. |
| 01:23:35 |
What do the English |
| 01:23:38 |
to make them more interesting? |
| 01:23:42 |
Wait a moment! |
| 01:23:46 |
It's fish, isn't it?! |
| 01:23:52 |
Here, boy. |
| 01:23:55 |
Down the hatch. |
| 01:24:00 |
Delicious! |
| 01:24:02 |
You b-b-b... |
| 01:24:04 |
Better eat the green one? OK? |
| 01:24:07 |
What's this one's name? |
| 01:24:09 |
Well, not Wanda, anyway. |
| 01:24:12 |
I'm going to call her Lunch. |
| 01:24:14 |
Hello, Lunch. Hello! |
| 01:24:20 |
Eugh! |
| 01:24:22 |
Avoid the green ones. |
| 01:24:25 |
They're not ripe yet. |
| 01:24:28 |
You were in court, Inspector, |
| 01:24:33 |
Yes, sir. |
| 01:24:34 |
And the fact that Mr Thomason |
| 01:24:37 |
the previous weekend, |
| 01:24:39 |
would explain the presence of |
| 01:24:47 |
No hurry, Inspector. |
| 01:24:49 |
Please do take your time. |
| 01:24:58 |
I'm almost full. |
| 01:25:01 |
Almost. |
| 01:25:02 |
Stop! |
| 01:25:05 |
Please, don't. |
| 01:25:07 |
Come on, Wanda! |
| 01:25:09 |
Gullet time! |
| 01:25:13 |
What are the names |
| 01:25:16 |
The Airway Sheraton? |
| 01:25:18 |
The Post House? |
| 01:25:19 |
The Cathcart Towers? |
| 01:25:20 |
The Cathcart Towers? Yes? |
| 01:25:24 |
Mm? Mm? |
| 01:25:27 |
Yes. |
| 01:25:28 |
In the safe deposit box? |
| 01:25:30 |
Yes. |
| 01:25:31 |
Where's the key? |
| 01:25:33 |
What? |
| 01:25:34 |
Where's the key? |
| 01:25:35 |
It's in the t-t-tank. |
| 01:25:39 |
Where? Where? |
| 01:25:41 |
In the t-t-t... |
| 01:25:44 |
Treasure chest! |
| 01:25:50 |
Where?! |
| 01:25:52 |
Where? |
| 01:25:53 |
Oh! |
| 01:25:56 |
You m-m-m |
| 01:25:59 |
murdering k-k-k... |
| 01:26:03 |
I'll kill you, I'll kill you! |
| 01:26:08 |
Sorry, Ken, |
| 01:26:12 |
Still, you really did think |
| 01:26:18 |
What? |
| 01:26:20 |
Oh! |
| 01:26:29 |
- Hello? |
| 01:26:33 |
Where? |
| 01:26:34 |
Where's the key? |
| 01:26:39 |
I've got it. |
| 01:26:41 |
When can you get |
| 01:26:45 |
You are Wanda Gershwitz, |
| 01:26:47 |
of Kipling Mansions, |
| 01:26:51 |
Yes. |
| 01:26:53 |
Would you tell the court, |
| 01:26:55 |
how do you know the defendant? |
| 01:26:57 |
We've had a relationship for two years. |
| 01:27:01 |
Relationship? |
| 01:27:02 |
We're lovers, your lord. |
| 01:27:07 |
Miss Gershwitz, |
| 01:27:11 |
in the morning, |
| 01:27:12 |
where were you? |
| 01:27:14 |
At the apartment at Murray Road. |
| 01:27:16 |
And were you by yourself, |
| 01:27:19 |
No. Somebody else was there. |
| 01:27:22 |
Who was that? |
| 01:27:23 |
My brother. |
| 01:27:25 |
Did your b...? |
| 01:27:30 |
Your brother? |
| 01:27:33 |
My brother. |
| 01:27:37 |
Yes. |
| 01:27:40 |
Yes, and... |
| 01:27:43 |
Are you quite sure it was your brother? |
| 01:27:46 |
I'm sure she can recognise her brother. |
| 01:27:48 |
She's had a relationship |
| 01:27:54 |
Much obliged, my lord. |
| 01:27:56 |
W-w-was there |
| 01:28:01 |
Yes, George was there. |
| 01:28:03 |
But he left about 6.55. |
| 01:28:04 |
Wanda! |
| 01:28:06 |
I-I wonder... |
| 01:28:08 |
I wonder... |
| 01:28:12 |
I wonder... |
| 01:28:22 |
Yes, Mr Leach? |
| 01:28:25 |
I Wendy... I Wanda... |
| 01:28:27 |
I wonder... I w-w-w |
| 01:28:28 |
Wh-when you say 6.55, |
| 01:28:32 |
Miss er... Gershwitz, |
| 01:28:34 |
how can you be so sure? |
| 01:28:37 |
Oh, I looked at the clock. |
| 01:28:39 |
Cos I said to myself, |
| 01:28:40 |
'Where could he be going at 6.55 |
| 01:28:44 |
Darling! |
| 01:28:46 |
Mr Leach. |
| 01:28:48 |
Darling? |
| 01:28:49 |
Yes, dear? |
| 01:28:51 |
You bitch! |
| 01:28:52 |
You fucking bitch! |
| 01:28:57 |
Restrain that man! |
| 01:29:05 |
Restrain this man. |
| 01:29:06 |
Come 'ere, you bastard! |
| 01:29:08 |
Clear the court! |
| 01:29:11 |
Clear the court! |
| 01:29:23 |
Clear the court! |
| 01:29:24 |
Clear the court! Clear the court! |
| 01:29:27 |
Officers, arrest that man! |
| 01:29:35 |
Clear the court! Clear the court! |
| 01:29:49 |
Bloody hell! |
| 01:29:51 |
It's my husband, he's been hit. |
| 01:29:54 |
Ah, you made it. Good. |
| 01:29:55 |
A bit of a knock, I'm afraid. |
| 01:29:59 |
I have never been |
| 01:30:02 |
You can stick this marriage |
| 01:30:06 |
I'll see you in court. |
| 01:30:17 |
Yes. |
| 01:30:20 |
Well. |
| 01:30:22 |
That's it, then. |
| 01:30:27 |
George. |
| 01:30:29 |
- What? |
| 01:30:31 |
Tell those pigs to fuck off. |
| 01:30:33 |
Fuck off, pigs. |
| 01:30:38 |
Did you hear what I said? |
| 01:30:39 |
Fuck off. |
| 01:30:46 |
What's she up to, George? |
| 01:30:48 |
What are you up to? |
| 01:30:50 |
You called her darling, |
| 01:30:52 |
and Wanda. |
| 01:30:53 |
I've been helping her |
| 01:30:56 |
It slipped out. |
| 01:30:57 |
Have you been coaching her? |
| 01:30:59 |
What do you think?! |
| 01:31:02 |
They'll find you guilty, right? |
| 01:31:04 |
Plead guilty now, tell them |
| 01:31:08 |
eight years, out in five and a half. |
| 01:31:10 |
What if I tell them about Otto... |
| 01:31:13 |
- They both did it? |
| 01:31:15 |
Great, all right. |
| 01:31:16 |
Maybe six years, out in four? |
| 01:31:18 |
So where are the diamonds? |
| 01:31:21 |
Where's Bartlett? |
| 01:31:23 |
Upstairs, calming things down. |
| 01:31:25 |
So, where are they? |
| 01:31:26 |
Tell Bartlett Ken knows where they are. |
| 01:31:31 |
George, it'd be a lot quicker |
| 01:31:37 |
OK! I'll tell Bartlett. |
| 01:31:39 |
Where's Ken? |
| 01:31:41 |
He's at the flat. |
| 01:31:48 |
Thank you for all your help. |
| 01:31:50 |
I'll be right out. |
| 01:32:06 |
Taxi! Taxi! |
| 01:32:08 |
Please... shit! |
| 01:32:09 |
Taxi! |
| 01:32:10 |
Come on. |
| 01:32:12 |
- What? |
| 01:32:13 |
- Where? |
| 01:32:14 |
- What? |
| 01:32:17 |
Get in. |
| 01:32:22 |
Got your passport? |
| 01:32:24 |
Yeah. |
| 01:32:25 |
Check the briefcase for mine. |
| 01:32:27 |
Get your head down. |
| 01:32:34 |
So, you robbed the jeweller's, |
| 01:32:38 |
and kept one to help you |
| 01:32:41 |
When he does, |
| 01:32:44 |
Everyone does it in America. |
| 01:32:46 |
Not in this country! |
| 01:32:47 |
Right! Nobody lies in England. |
| 01:32:49 |
- Like Margaret Thatcher never lied. |
| 01:32:53 |
- You just wanted to get me into bed. |
| 01:33:02 |
How come you dumped me, then? |
| 01:33:05 |
I wasn't rich enough, remember? |
| 01:33:19 |
Say something in Russian. |
| 01:33:20 |
No! |
| 01:33:26 |
What are you thinking, Archie? |
| 01:33:28 |
I'm trying to find one good reason |
| 01:33:31 |
why I should take you away with me. |
| 01:33:33 |
How about |
| 01:33:35 |
because I have the key |
| 01:33:39 |
That's a good reason! |
| 01:33:45 |
What do we do about Otto? |
| 01:33:47 |
I'll handle Otto. |
| 01:33:48 |
Be careful, he's dangerous. |
| 01:33:51 |
So am I. |
| 01:33:52 |
Keep it running. |
| 01:33:57 |
- Why did you bring him? |
| 01:34:00 |
- I'm beginning to think you like him! |
| 01:34:03 |
Let's get the diamonds! |
| 01:34:04 |
Ken! |
| 01:34:06 |
Are you Ken? |
| 01:34:10 |
How do you do? |
| 01:34:11 |
I'm George's barrister. |
| 01:34:16 |
Oh, my God! |
| 01:34:17 |
Asshole! |
| 01:34:18 |
What the bloody hell... |
| 01:34:21 |
Oh, all right, then. |
| 01:34:24 |
Archie! |
| 01:34:27 |
Where have they gone? |
| 01:34:29 |
Quick! Where have they gone? |
| 01:34:31 |
They've go... they've go... |
| 01:34:33 |
What? |
| 01:34:35 |
Are you all right? |
| 01:34:37 |
Where have they gone? |
| 01:34:39 |
They've gone to the |
| 01:34:40 |
the Ca-ca-ca... |
| 01:34:42 |
- Are you ill? |
| 01:34:43 |
What? |
| 01:34:44 |
Ca-ca-ca... |
| 01:34:46 |
Have you got a stutter? |
| 01:34:47 |
Yeah, I have. A bit. |
| 01:34:49 |
OK, fine. Don't worry. |
| 01:34:51 |
Do you know where they've gone? |
| 01:34:53 |
Yeah. |
| 01:34:54 |
Fine, fine. Where? |
| 01:34:56 |
The Ca-ca |
| 01:34:59 |
Hotel. |
| 01:35:01 |
Hotel? |
| 01:35:02 |
Which hotel? |
| 01:35:05 |
Ca |
| 01:35:07 |
The Ca... The Ca... |
| 01:35:09 |
Go on, go on. |
| 01:35:10 |
Ca-ca-ca... |
| 01:35:11 |
It's OK. |
| 01:35:13 |
Wait, wait, wait, wait, wait! |
| 01:35:15 |
Slowly. Very slowly. |
| 01:35:17 |
Slowly. |
| 01:35:21 |
The Ca |
| 01:35:24 |
The Caa |
| 01:35:26 |
The |
| 01:35:27 |
Ca |
| 01:35:29 |
The Caa... |
| 01:35:30 |
No hurry. |
| 01:35:32 |
The C-C-Caaa... |
| 01:35:33 |
Sing it. Sing. |
| 01:35:35 |
The Caa |
| 01:35:37 |
The Caa |
| 01:35:39 |
The Caa, the Caa |
| 01:35:42 |
Caa |
| 01:35:43 |
Plenty of time. |
| 01:35:44 |
Caa |
| 01:35:47 |
Caa |
| 01:35:48 |
The Caa |
| 01:35:49 |
Oh, come on! |
| 01:35:51 |
Sorry. I'm sorry. |
| 01:35:52 |
Erm... |
| 01:35:55 |
The Caa |
| 01:35:59 |
Here. Write it. |
| 01:36:12 |
Cathcart Towers Hotel? |
| 01:36:14 |
Cathcart Towers Hotel. |
| 01:36:16 |
Where is it? |
| 01:36:18 |
Ken, where is it? Where?! |
| 01:36:20 |
Hea-Hea-Hea... |
| 01:36:21 |
Here. Again. |
| 01:36:23 |
No, no, no. |
| 01:36:32 |
Heathrow Airport. |
| 01:36:45 |
Hey! What's the idea? |
| 01:36:47 |
You can't stay... |
| 01:36:48 |
Terribly sorry. Take it, it's yours. |
| 01:36:58 |
Thank you so much. |
| 01:37:00 |
Er... British Airways to Rio. |
| 01:37:02 |
Rio? Terminal Four. |
| 01:37:03 |
Thank you. |
| 01:37:11 |
Excuse me, sir. Is this your vehicle? |
| 01:37:13 |
I'll be with you in a moment. |
| 01:37:15 |
I'll be right back. |
| 01:37:17 |
Aisle or window? |
| 01:37:20 |
What was the middle one? |
| 01:37:21 |
Anything in non-smoking, thanks. |
| 01:37:24 |
Gate 14 is boarding now. |
| 01:37:49 |
Rio! |
| 01:37:51 |
Otto, don't look back, |
| 01:37:54 |
Quick! |
| 01:37:59 |
Yes, we can just do it, Mr Leach. |
| 01:38:02 |
Great. |
| 01:38:03 |
Luggage? |
| 01:38:07 |
Don't really need any. |
| 01:38:09 |
- Gate 14. |
| 01:38:13 |
Ciao, stupidissimo. |
| 01:38:22 |
Ow! |
| 01:38:24 |
Aargh! |
| 01:38:45 |
Come on, Archie. |
| 01:38:47 |
Pick up the phone. |
| 01:38:55 |
Ticket, sir. Airport security. |
| 01:38:57 |
May I see your boarding pass? |
| 01:38:59 |
Oh, yes. Certainly. |
| 01:39:01 |
Very good. Would you mind |
| 01:39:05 |
Of course. |
| 01:39:06 |
- Oh, look, the Queen. |
| 01:39:13 |
OK, OK, OK, don't get excited. |
| 01:39:15 |
OK, OK, OK. |
| 01:39:18 |
Oh, it's you! |
| 01:39:22 |
- Keep your hands up. |
| 01:39:24 |
- Put 'em up! |
| 01:39:26 |
I'll put one up. |
| 01:39:27 |
Put the other one up! |
| 01:39:30 |
Which looks better? |
| 01:39:33 |
I'm warning you, Otto. |
| 01:39:36 |
What are you going to do? |
| 01:39:37 |
Shoot me? Gun me down in cold blood, |
| 01:39:41 |
If you want to settle something, |
| 01:39:45 |
Let's fight like men! Come on! |
| 01:39:48 |
All right. |
| 01:39:50 |
All right, then. |
| 01:39:52 |
OK. OK. |
| 01:39:54 |
You look good, Arch. |
| 01:39:56 |
That's right. I used to box for Oxford. |
| 01:39:58 |
Oh, yeah? |
| 01:40:01 |
Now, get your hands up. |
| 01:40:04 |
No. |
| 01:40:08 |
You spineless bimbo. |
| 01:40:10 |
Now, out. |
| 01:40:17 |
I'm going to have |
| 01:40:19 |
But I've got a little time |
| 01:40:22 |
and I'm longing to humiliate you. |
| 01:40:24 |
So get in that barrel. |
| 01:40:28 |
What? |
| 01:40:29 |
In the barrel. |
| 01:40:34 |
Right. |
| 01:40:39 |
You English! |
| 01:40:40 |
You think you're so superior, don't you? |
| 01:40:42 |
Well, you're the filth of the planet. |
| 01:40:45 |
A bunch of pompous, |
| 01:40:47 |
badly-dressed, poverty-stricken, |
| 01:40:50 |
sexually repressed football hooligans. |
| 01:40:55 |
Goodbye, Archie. |
| 01:40:56 |
At least we're not irretrievably vulgar. |
| 01:40:59 |
Your problem is you don't like winners. |
| 01:41:02 |
- Winners? |
| 01:41:03 |
Winners. |
| 01:41:04 |
Winners like |
| 01:41:06 |
North Vietnam? |
| 01:41:07 |
Shut up! |
| 01:41:08 |
We did not lose Vietnam! |
| 01:41:10 |
It was a tie! |
| 01:41:11 |
I'm telling ya, baby, |
| 01:41:15 |
Boy, they whupped |
| 01:41:19 |
No, they didn't. |
| 01:41:20 |
- Oh, yes, they did. |
| 01:41:22 |
Oh, yes, they did. |
| 01:41:24 |
Oh, no they... |
| 01:41:26 |
Shut up! |
| 01:41:28 |
Goodbye, Archie. |
| 01:41:29 |
Are you gonna shoot me? |
| 01:41:31 |
Er yes, I'm afraid so, old chap. |
| 01:41:33 |
Sorry! |
| 01:41:34 |
Look, Otto. Look. |
| 01:41:43 |
Revenge. |
| 01:41:49 |
It's K-K-Ken! |
| 01:41:51 |
C-c-coming to k-k-kill me. |
| 01:41:54 |
How are you going to c-c-catch me, |
| 01:42:00 |
Now, where was I? |
| 01:42:01 |
Oh, yeah. |
| 01:42:04 |
Shit! God! |
| 01:42:08 |
Fucking limey cement! |
| 01:42:19 |
Ken! Ken! |
| 01:42:20 |
Wait, wait, Ken! |
| 01:42:22 |
Kenny! May I call you Kenny? |
| 01:42:25 |
Remember Wanda? |
| 01:42:26 |
I got the deal of a lifetime! |
| 01:42:28 |
50-50. What do you say? |
| 01:42:29 |
OK, OK, 60-40. |
| 01:42:31 |
That's my final offer. |
| 01:42:33 |
Revenge! |
| 01:42:34 |
Wait, I got an idea. |
| 01:42:35 |
You take it all. |
| 01:42:37 |
Here's my boarding pass. Ken! |
| 01:42:39 |
I'm gonna... I'm gonna k-k-kill you. |
| 01:42:42 |
OK, fine, Ken. Come at me. |
| 01:42:44 |
Give me your best shot. |
| 01:42:46 |
Go on, you don't have the guts. |
| 01:42:48 |
Admit it. |
| 01:42:51 |
OK, you have the guts. |
| 01:42:53 |
Good. Wait. |
| 01:42:54 |
Death! |
| 01:42:56 |
All right, I'm sorry |
| 01:42:59 |
I'm sorry! |
| 01:43:01 |
Revenge! |
| 01:43:02 |
Jesus, I said I'm sorry. |
| 01:43:04 |
What the fu...? Aaagh! |
| 01:43:09 |
Got him! |
| 01:43:20 |
Gotcha again! |
| 01:43:22 |
You bastard! |
| 01:43:25 |
Hey! I've lost my stutter. |
| 01:43:28 |
It's gone. |
| 01:43:29 |
I can speak. |
| 01:43:31 |
How much wood could |
| 01:43:33 |
if a woodchuck could chuck wood? |
| 01:43:37 |
Good afternoon, sir. |
| 01:43:38 |
Boarding pass? |
| 01:43:48 |
Buongiorno, signorina. |
| 01:43:58 |
Now, listen. Two things. |
| 01:44:00 |
One. |
| 01:44:02 |
Behave yourself from now on, |
| 01:44:07 |
Two. |
| 01:44:09 |
Gorbachov. |
| 01:44:11 |
Glasnost. |
| 01:44:12 |
Molotov. |
| 01:44:15 |
Blinis. |
| 01:44:17 |
Er... Lenin. |
| 01:44:20 |
Pushkin. |
| 01:44:22 |
Chicken Kiev. |
| 01:44:23 |
Good. Dostoevsky. |
| 01:44:26 |
Roubles. |
| 01:44:30 |
Vladivostok. |
| 01:44:36 |
Assho-o-ole! |
