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Five Pennies The en
00:02:18	Will lead you to my blue heaven
00:02:24	You'll see a smiling face, a fireplace
00:02:30	a cozy room
00:02:34	A little nest that's nestled where
00:02:38	the roses bloom
00:02:41	Just Molly and me
00:02:45	and my baby makes three
00:02:50	We're happy in my
00:02:54	blue heaven
00:03:01	That's pretty lousy.
00:03:03	Maybe it'll sound better tonight
00:03:06	We got a visitor from the outside world
00:03:10	- Who let you in?
00:03:13	I'm Red Nichols from Ogden, Utah.
00:03:17	You're late.
00:03:18	Well, I'm sorry about that, but
00:03:21	and I got a little mixed up
00:03:24	Did you know the BMT comes up here,
00:03:28	And neither does
00:03:30	You're the first to complain about it.
00:03:32	Get your chair.
00:03:36	You a sight man?
00:03:37	I can read anything that's written.
00:03:40	Okay, you crooks, go ahead and laugh.
00:03:44	and he can blow rings around any
00:03:47	Sweetest music you ever heard.
00:03:48	I got a guy in a boiler factory in Joplin,
00:03:52	Don't buy anything on time.
00:03:56	Okay, let's try it again.
00:03:57	Can I just play a few notes here
00:04:00	Help yourself.
00:04:06	Are you ready, maestro? From the top.
00:04:10	That means from here.
00:04:19	You...
00:04:21	- where's that town you're from?
00:04:25	Well, don't play that horn
00:04:27	You got a mute?
00:04:28	- Yeah.
00:04:33	All right, the only thing is, Mr. Paradise,
00:04:35	You know, it's the newest thing.
00:04:38	I've got an arrangement in here
00:04:40	Put that thing away. Sit down.
00:04:44	Can't you take a little friendly advice?
00:04:45	Put that horn
00:04:49	Welcome to paradise.
00:04:51	That's all right.
00:05:00	Come on.
00:05:01	The girls are waiting.
00:05:02	Look, I appreciate it, Tony.
00:05:05	- Who is this guy?
00:05:08	There's a new trumpet player
00:05:10	He just came from New Orleans.
00:05:13	They're going up to listen to him tonight.
00:05:15	They go up every night.
00:05:18	Well, frankly, Tony,
00:05:22	My mother gave me a note
00:05:25	- and this lady's got a daughter.
00:05:27	- What?
00:05:28	Brooklyn is
00:05:30	Every auto horn
00:05:33	and Mendelssohn's driving the car.
00:05:35	You're quite a character. I haven't even
00:05:37	- You've got me married to her.
00:05:40	Now, these Broadway frails,
00:05:43	There's no home games.
00:05:45	Tony, why are you doing all this for me?
00:05:47	You're an awfully nice fellow,
00:05:49	I take in strays.
00:05:52	- I'm not lonely...
00:05:54	How much money you say
00:05:56	$20, Tony, but that's room rent.
00:05:58	Red, will you forget about the room?
00:06:00	We may never have to
00:06:02	Look, I'll tell you what we'll do. We'll
00:06:06	and from then on in,
00:06:08	All right.
00:06:14	- You ready, girls? Come on. Lets go.
00:06:17	- Let's go.
00:06:19	What difference does it make?
00:06:22	Utah? Is that in the Union?
00:06:25	Well, you wanted me to get you a date,
00:06:27	- Must be Aaron Slick from Punkin.
00:06:29	- It's her date, not yours.
00:06:31	Oh, Tony, why should I go out
00:06:34	He's a nice guy.
00:06:37	- I guess I'm stuck.
00:06:42	It's all set.
00:06:44	Yeah.
00:06:45	I don't know how you do it, boy.
00:06:48	Must be the smell of the silo.
00:06:51	What did you say his name is?
00:06:54	You can't leave him standing there now.
00:07:03	Red, this is my girl Tommye Eden.
00:07:07	- And this is Bobbie Meredith. She sings.
00:07:11	How do you do?
00:07:13	That's all right, ma'am.
00:07:16	You'll get home
00:07:19	Oh, brother... I bet the cows
00:07:22	Well, ma'am, I didn't shake their hands.
00:07:27	That were a zinger, weren't it, ma'am?
00:07:29	Now, we better get in the car. Come on.
00:07:32	Boy, before the night's over
00:07:36	I'll toss you for it.
00:07:59	Say, plowboy,
00:08:03	Oh, yes, ma'am, lots of times.
00:08:06	With girls?
00:08:07	Well, when I couldn't get nothing better.
00:08:12	Oh, now, look. Look.
00:08:13	I know this may seem like
00:08:16	but this is how the dance
00:08:19	One, two, three. One, two, three.
00:08:22	One, two, three. One, two, three.
00:08:25	I think I've got it now.
00:08:30	- Why, you...
00:08:39	- Set it right here, baby.
00:08:42	I should have warned you, Bobbie.
00:08:43	Thanks.
00:08:45	We didn't order any tea.
00:08:47	- Oh, maybe the girls ordered some tea.
00:08:48	This is tea
00:08:50	for Sunday afternoon with the Mafia.
00:08:54	It's in teacups in case of a raid.
00:08:57	Don't you think I know that?
00:08:59	No. You ever been in
00:09:02	Oh, come on.
00:09:05	Here's mud in your eye.
00:09:08	Yeah.
00:09:14	We got a real live one here.
00:09:19	It just..."Plowboy"?
00:09:23	I'll show you "plowboy."
00:09:35	Wood alcohol. I've gone blind!
00:09:37	Oh, Red. They just turned out the lights.
00:09:41	I was only kidding.
00:09:43	No.
00:10:26	- Red, how about that bugle?
00:10:30	Next to my father, that's the greatest
00:10:34	We'll let you drink to that.
00:11:41	Won't you come home, Bill Bailey
00:11:43	Won't you come home?
00:11:45	I'm feeling all alone
00:11:49	I'll do the cooking, darling
00:11:51	I'll pay the rent
00:11:54	I know I've done you wrong
00:11:57	Remember that rainy eve
00:12:02	With nothing but a fine-tooth comb?
00:12:06	I know I'm to blame
00:12:08	Well, ain't that a shame
00:12:10	Bill Bailey,
00:12:14	Yes, won't you come home, Bill Bailey
00:12:17	Won't you come home
00:12:19	I'm feeling all alone
00:12:22	Here you go, Red.
00:12:23	Won't you come home, Bill Bailey
00:12:25	Won't you come home
00:12:27	I'm gonna love you long
00:12:31	It's all right, Mac.
00:12:32	Won't you come home, Bill Bailey
00:12:36	With nothing but a fine-tooth comb
00:12:40	I know I'm to blame
00:12:42	Ain't that a shame
00:12:44	Bill Bailey,
00:12:52	Oh, he's changing weapons.
00:12:56	Red. Red, don't start that.
00:13:02	One... One more chorus, boys, huh?
00:13:06	Would you play
00:13:07	What can I do for you?
00:13:08	Well, I... I'd like to show you
00:13:12	You look a little shaky there, son.
00:13:16	We'll get to the volunteers later.
00:13:18	Yeah, well, I...
00:13:21	Well, I'd like to inform you
00:13:25	that I happen to be
00:13:29	- in Ogden, Utah.
00:13:38	You don't think that's much, do you?
00:13:43	and he's the greatest cornet player
00:13:48	If he ain't Gabriel,
00:13:52	- Where's the arrangement?
00:13:54	Man, nobody write down Dixieland.
00:13:58	Well, suppose it happens great one...
00:14:02	and you'd like it to happen exactly
00:14:06	Just like tapping a nightingale
00:14:10	"How's that again, Dicky-bird?"
00:14:13	Well, I write it down.
00:14:14	I've been writing it down
00:14:17	Here, I've got it right here.
00:14:25	Would you just hold this here
00:14:29	The... That's right there.
00:14:33	The Battle Hymn of the Republic.
00:14:35	Maybe you better come back Sunday.
00:14:37	This prayer meeting ain't ready
00:14:39	Just try to stay with me, huh, boys?
00:14:42	Don't look back,
00:15:00	I'm gonna be very sick.
00:15:07	Excuse it, folks.
00:15:08	Somebody must have put alcohol
00:15:26	- Feel better?
00:15:29	You feel better.
00:15:32	I wouldn't want anything to happen
00:15:34	There's not another one like it
00:15:38	and my father gave this to me.
00:15:42	You know that tea we had before...
00:15:46	that's the first drink of liquor
00:15:48	in my whole entire life
00:15:51	I wish I hadn't been...
00:15:54	I'd never have guessed it, Red.
00:15:58	While we're on the subject
00:16:02	that nobody in Ogden calls me Red,
00:16:06	My name is Loring.
00:16:09	I couldn't help it.
00:16:14	Now, you're ashamed
00:16:17	You know what my real name is?
00:16:19	- Willa.
00:16:21	Willa. Willa Steutesman.
00:16:25	- Willa what?
00:16:28	Willa Steutesman? Oh, you're kidding.
00:16:35	Willa?
00:16:40	- Hi, Willa.
00:16:42	Now you just take it easy,
00:16:45	And you can take me home.
00:16:49	You mean you want just me alone...
00:16:52	to take you home all by myself
00:16:56	And remember...
00:16:58	it doesn't really matter that...
00:16:59	you'll never be
00:17:03	Doesn't really matter?
00:17:06	- You don't believe me, either.
00:17:12	Just call me Red.
00:18:40	Glory, glory
00:18:43	hallelujah
00:18:47	Oh, yes
00:18:52	Gloried man
00:18:55	Oh, yes, oh, yes, oh, yes
00:19:01	Oh, yes, oh, yes
00:20:04	Yeah!
00:20:13	Yeah, get that boy's license number.
00:20:27	- More! More!
00:20:34	And when I was 5 years old,
00:20:37	at church festivals.
00:20:39	Have you ever been
00:20:47	I don't think so.
00:20:49	Well, you don't know
00:20:51	"And now, Professor E. W. Nichols...
00:20:54	"and the entire
00:20:57	"featuring Master Loring Nichols,
00:21:00	"will play
00:21:03	You know, it was real silver, too.
00:21:05	My father's still got it,
00:21:51	Let me finish, honey.
00:21:59	How much longer is the cab ride?
00:22:02	- Oh, it's a long way to Brooklyn.
00:22:10	You live in Brooklyn?
00:22:12	And it's so late. I know
00:22:19	You have a mother?
00:22:20	Well, sure.
00:22:26	Brooklyn and mother.
00:22:43	- Did you just hear what I heard?
00:22:48	Never mind. You will.
00:22:57	You had to go to Brooklyn, huh?
00:23:00	I told you...
00:23:06	What's going on here?
00:23:07	Meet the blushing bride, my friend.
00:23:09	- Willa and I just got married.
00:23:12	- Me, Bobbie.
00:23:14	Thanks. Say, I wanna know
00:23:16	have a little time off for the honeymoon?
00:23:18	- Just, you know...
00:23:20	That's two choruses and a reprise.
00:23:23	- Get out 43, 56, and 42.
00:23:26	- Keep your mind on the music, will you?
00:23:30	By the way,
00:23:32	those arrangements
00:23:33	- Lf you want them, they're in the ashcan.
00:23:35	You trying to put me out of business
00:23:38	- What are you talking about? It's...
00:23:41	What else do you want?
00:23:43	- Now wait a minute...
00:23:55	High-ho, one and all...
00:23:57	and a very fond welcome
00:24:01	We're a little misty-eyed tonight.
00:24:05	the finest cornet in the country,
00:24:08	none other than the new addition
00:24:12	our society chanteuse,
00:24:39	For our loving couple, we dedicate
00:24:46	If you will hold my hand
00:24:52	Misty-eyed, huh?
00:24:55	Loring, don't do anything crazy.
00:25:04	With eyes afire
00:25:09	I'll know your desire
00:25:13	Then a heavenly kiss
00:25:18	I won't resist
00:25:20	For you will dim the lights
00:25:29	Then I will hold you tight
00:25:45	I'll take you
00:25:48	to paradise
00:26:12	Hello.
00:26:13	Did you apologize to him
00:26:16	Well, I had a little talk with him
00:26:19	- Well?
00:26:23	you wouldn't want me to stay in
00:26:26	I mean, can you imagine
00:26:28	of, "Good evening, one and all.
00:26:30	"I'm a little misty-eyed tonight,
00:26:33	- Oh, Loring, you didn't even try.
00:26:37	but he wouldn't listen to reason,
00:26:41	- Oh, but, Loring, we just got married.
00:26:45	Oh, well. At least I still have a job.
00:26:52	I better tell you now, honey.
00:26:55	You what?
00:26:56	- Oh, Loring.
00:26:58	working for a guy like that. Now look.
00:27:00	Honey, will you stop worrying.
00:27:04	I don't even know you.
00:27:06	No, I'm not.
00:27:08	My mother was right.
00:27:10	- You do crazy things all the time.
00:27:12	No, I don't, honey.
00:27:15	- After all, this is our wedding night.
00:27:19	Bobbie, will you...
00:27:25	Bobbie, listen. What kind of
00:27:30	- The doors lock.
00:27:33	We'll both get a night's rest.
00:27:34	I don't want a night's rest.
00:27:37	Hello.
00:27:38	Now, here are your pajamas
00:27:40	Bobbie, listen. I'll do anything you say.
00:27:44	I'll play so softly
00:27:46	No. No, you won't, Loring.
00:27:48	Do you know why you quit Wil's band?
00:27:52	- Now, isn't that true?
00:27:56	Bobbie, listen. I...
00:27:58	If you don't even think of me
00:28:00	what chance have I got
00:28:09	- Hello?
00:28:12	Well, squeeze it under the door.
00:28:16	Bobbie... Willa.
00:28:19	- Oh, Loring.
00:28:20	I'll apologize to the toothpaste.
00:28:22	Go on.
00:28:37	- Loring?
00:28:40	- Good night.
00:28:44	Sleep tight.
00:28:51	Loring,
00:28:56	Well, let me know what it's like.
00:29:00	How much did this suite cost you
00:29:02	- Will you stop that?
00:29:07	$50, but it's all right.
00:29:11	$50? What a crazy thing to do.
00:29:15	Well, I wanted you to have the best.
00:29:18	After all, a wedding night is something...
00:29:20	you wanna remember
00:29:25	I'll remember this one after I'm dead.
00:29:27	- Well, where did you get the money?
00:29:31	But the money...
00:29:32	I hocked my horn after I got fired.
00:29:37	You what?
00:29:39	There's an all-night hock shop
00:29:41	It's a public necessity,
00:29:44	Oh, Loring.
00:29:46	That's not so terrible.
00:29:50	But you once told me that there wasn't
00:29:54	- and you wouldn't let it go for anything.
00:30:28	It's a lovely suite.
00:30:33	Here. Have an apple.
00:30:36	The manager sent it up. Free.
00:30:40	Thanks.
00:30:47	You know,
00:30:49	I'll never know from one minute
00:30:53	That's all right. Neither will I.
00:31:17	Isn't it wonderful to be rich?
00:31:27	The Clicquot Club Eskimos
00:31:33	with a dogsled full of beverages
00:31:36	And to start the show off tonight...
00:31:38	here's that sensational hit...
00:31:39	Back home in Indiana.
00:31:46	Back home again
00:31:48	in Indiana
00:31:50	In the fields I used to roam
00:31:55	When I dream
00:31:59	Then I long for my Indiana home
00:32:26	The Sunflow pineapple company
00:32:29	the authentic Hawaiian music...
00:32:31	of Sam Weiskopf
00:33:02	Indiana Home
00:33:34	Presenting to you...
00:33:37	the Samovar Tea Cossacks.
00:35:16	The Canada Dry Mounties
00:35:31	Back home again
00:35:44	in Indiana
00:35:58	In the fields of new mown hay
00:36:27	Help!
00:36:38	They warned me against this guy,
00:36:41	What about the horse?
00:36:57	Murray, bring me
00:37:00	Remember, no more credit.
00:37:02	Your husband promised to pay the bill
00:37:05	Salami could be out of style by then.
00:37:07	- Hey, Bobbie, come on over and join us.
00:37:10	You know all the boys?
00:37:11	Jimmy Dorsey, Glenn Miller,
00:37:14	- Hello.
00:37:18	Oh, I'm beat.
00:37:21	Nobody seems to be hiring
00:37:24	You picked a great day for it.
00:37:26	You know, I tried calling Red
00:37:28	You're not registered.
00:37:29	Well, we've been living with my mother.
00:37:33	Incidentally, Bobbie, would you give
00:37:36	He wanted us to
00:37:38	But he was a little vague
00:37:39	He didn't even mention it.
00:37:40	- I think he's gonna float a bond issue.
00:37:43	Me, I can't stand cheesecake.
00:37:47	Red hasn't decided
00:37:50	Well, I think it was a tossup between
00:37:55	Any of you bother
00:37:57	Honey, come on. It's that Dixieland.
00:38:00	You can't see the notes...
00:38:01	- through the tall cotton.
00:38:03	Let me tell you stupid idiots something.
00:38:06	If Loring says that he's gonna play
00:38:09	And if he has a new idea about music,
00:38:12	while the rest of you sit around
00:38:15	- blowing syrup out of your horns.
00:38:18	- Oh, be quiet! My name's Willa.
00:38:21	You ought to be flattered he asked you
00:38:25	And so do I. That's why I married him
00:38:29	- I'm married.
00:38:32	- Where's my check?
00:38:34	No, you won't.
00:38:37	- Put it on the bill.
00:38:40	- You didn't eat your cheesecake.
00:38:44	I told you, it lays on your stomach.
00:38:46	I'm a little dizzy.
00:38:48	Back here. Ladies' lounge.
00:38:51	Listen, please,
00:38:55	I wouldn't want to worry him.
00:38:56	Sure, let him be the only one
00:39:00	- Glenn, what's with her?
00:39:03	- I'll bet you she's in her second month.
00:39:05	- I didn't know that.
00:39:07	$5 says it's the third.
00:39:08	- I'll take the fourth.
00:39:11	- Covered.
00:39:12	No, not me.
00:39:14	- I got change.
00:39:16	Living with her mother, too.
00:39:17	Living with Red. That's worse.
00:39:19	Fellows, here. Take a look at this.
00:39:32	Hi, Murray.
00:39:35	Could you get me a half corned beef
00:39:37	And trim all the fat off this time,
00:39:39	Why don't you eat
00:39:41	Why don't you get some new pickles?
00:39:57	That's not bad. It's kind of like...
00:39:58	No, it's not bad. It's fine. It's...
00:40:02	- but the tempo is just deadly.
00:40:05	I know it's the first time
00:40:07	You gotta move it.
00:40:08	Sure, here. Do it.
00:40:30	Next week, Carnegie Hall.
00:42:03	Everybody, grab a partner
00:42:08	Follow that leader
00:42:13	He can teach you
00:42:15	Like nobody else can
00:42:17	Follow that leader
00:42:22	If you do what he do
00:42:25	You'll be really dancing
00:42:30	Razzmatazz
00:42:32	Butcher, baker, candlestick maker
00:42:36	So, pleedge, colleege, or flappa
00:42:41	Just follow that, follow that
00:42:44	Follow that, follow that
00:42:49	man
00:43:02	He better take it easy with her,
00:43:04	- I don't think she's told him, yet.
00:43:07	Everybody, follow the leader
00:43:09	Everybody, follow the leader
00:43:11	Everybody, follow the leader man
00:43:20	Easy! She's out of her mind.
00:43:25	Everybody, Peabody!
00:43:34	Change partners, and Charleston!
00:43:58	Everybody, change partners!
00:44:09	You know something?
00:44:11	You know you're the prettiest girl
00:44:13	- Me?
00:44:14	I'm an old married lady.
00:44:16	Never. Never happened.
00:44:19	We've got it beat, honey.
00:44:23	Companionate marriage, huh?
00:44:27	- It's been wonderful.
00:44:30	If the band keeps going
00:44:32	in a couple of years,
00:44:35	stop traveling, and we can have
00:44:39	- You mean it?
00:44:41	We'll have
00:44:44	And a corny little redheaded boy.
00:44:46	- Loring.
00:44:48	- I went to the doctor the other day.
00:44:50	And he has a rabbit
00:44:52	Oh, that's sweet because... What?
00:44:56	Well, do you mind? I mean...
00:44:58	I mean, a rabbit knowing all about us
00:45:00	No, I don't mind. Honey, I...
00:45:04	No, if it's got to be, it's great...
00:45:05	but should you be
00:45:08	Oh, I feel fine.
00:45:10	I know, but maybe you ought to
00:45:14	No, I feel fine.
00:45:15	Maybe you ought to
00:45:16	- or something, huh?
00:45:18	- How do we get you off the floor.
00:45:20	I feel fine.
00:45:21	How can you feel fine
00:45:23	Look, I'll get you off the floor.
00:45:25	- We'll find a place for you to sit.
00:45:27	Hey, look...
00:45:30	Play a waltz! Minuet! Stop the music!
00:45:36	Bobbie! Bobbie,
00:45:39	Put her down!
00:45:42	Stop it!
00:45:45	Oh, Loring.
00:45:48	Oh, Loring, don't be silly.
00:45:51	- I've got to sing the next number.
00:46:10	Does she really look like me?
00:46:17	What are you crying about?
00:46:19	to the Canada Dry Mounties.
00:46:26	We've been waiting for you, Mr. Nichols.
00:46:28	How's my little baby?
00:46:34	- How are you?
00:46:36	Yes, but I still love you.
00:46:39	Everything is gonna be fine, honey.
00:46:41	I'm gonna find us a little apartment
00:46:44	- In Brooklyn?
00:46:46	- What for?
00:46:49	That's the best climate for daughters.
00:46:50	Yeah, but what about fathers?
00:46:53	- in Pittsburgh on Friday.
00:46:54	Will you stop being concerned about it?
00:46:57	It's time I settled down.
00:47:00	Red Nichols and his One Penny.
00:47:04	I got you something. It's kind of cute.
00:47:11	I caught him and had him stuffed.
00:47:13	That'll teach him
00:47:17	- No, Loring.
00:47:19	No, I'm not gonna let the baby
00:47:21	- The baby's not gonna change anything.
00:47:24	- and worked so hard for it.
00:47:26	As soon as the baby's strong enough,
00:47:30	You can't afford to
00:47:32	You've got another mouth to feed.
00:47:34	- I thought you were gonna feed it.
00:47:39	And I want you to do
00:47:41	I'm happy doing what I'm doing.
00:47:42	Not barking
00:47:44	I know, but that isn't too bad, honey.
00:47:46	- Loring.
00:47:48	Deep down,
00:47:58	Have I told you how wonderful you are?
00:48:01	Not lately.
00:48:20	Loring. Loring, stop it!
00:48:22	How do you expect Dorothy to sleep
00:48:24	How do you expect
00:48:26	Well, honey, it's a lullaby. I wrote it.
00:48:30	I wrote it for the baby, too, didn't I?
00:48:32	I know it's a lullaby. You know
00:48:35	Stop making it sound like
00:48:39	Fellows, you heard what the lady said,
00:48:41	Let's play it pianininimissimo
00:48:46	In case any of you
00:48:48	you know what that means.
00:48:49	What does it mean?
00:48:52	Softly.
00:48:55	Won't you play the music
00:49:00	to a lullaby in ragtime
00:49:04	Sleepy hands are creeping
00:49:09	play a lullaby in ragtime
00:49:13	You can tell the sandman is on his way
00:49:18	by the way
00:49:22	As still as the trill of a thrush
00:49:26	in a twilight hush
00:49:30	So you can hear
00:49:33	on the side of the boat
00:49:36	as you sail away to dreamland
00:49:41	High above the moon
00:49:45	as the sandman takes your hand
00:49:49	So rock-a-by, my baby
00:49:55	sleepy-time is nigh
00:49:58	Won't you rock me
00:50:02	to a ragtime lullaby
00:50:11	Won't you play the music
00:50:12	so the cradle can rock
00:50:15	to a lullaby in ragtime
00:50:20	Sleepy hands are creeping
00:50:22	to the end of the clock
00:50:24	play a lullaby in ragtime
00:50:29	You can tell the sandman is on his way
00:50:33	by the way that they play
00:50:38	as still as the trill of a thrush
00:50:41	in a twilight hush
00:50:45	So you can hear
00:50:49	on the side of the boat
00:50:51	as you sail away to dreamland
00:50:56	High above the moon
00:50:58	you hear a silvery note
00:51:00	as the sandman takes your hand
00:51:04	So rock-a-by, my baby
00:51:07	don't you cry, my baby
00:51:10	sleepy time is nigh
00:51:13	Won't you rock me
00:51:17	to a ragtime lullaby
00:51:27	How do you like this?
00:51:31	Keep her that way, honey.
00:51:33	Good night, boys.
00:51:47	I blow it through here
00:51:50	And the music goes down and around
00:51:55	And it comes out here
00:51:57	- Here?
00:51:58	- Oh, there.
00:51:59	I push the first valve down
00:52:01	- Up?
00:52:02	The music goes down and around
00:52:07	And it comes out here
00:52:08	Here?
00:52:10	Now, let's not
00:52:11	I push the middle valve down
00:52:14	The music goes down and around
00:52:16	Below, below, below, didlio
00:52:20	Listen to the jazz come out
00:52:23	I push the other valve down
00:52:26	The music goes round and round
00:52:31	And it comes out here
00:52:33	- Where?
00:52:34	- There?
00:52:35	- There?
00:52:36	- Oh, there.
00:52:39	Very good. Let's take it from where the
00:52:42	- Oh, hello, honey.
00:52:43	Hi.
00:52:44	What's this supposed to be,
00:52:46	Well, kind of a... Well, yes.
00:52:49	I got a great idea, honey, a great idea.
00:52:53	Well, Dorothy and I...
00:52:58	I think it'd be a great idea
00:53:01	Yeah, I... It'd be a great idea.
00:53:05	Well, you weren't in show business
00:53:07	That's all right, honey.
00:53:09	Here. Have an all-girls band, all right?
00:53:12	Okay, new leader, boys. Here we go.
00:53:14	One, two!
00:53:20	Let's go home.
00:53:36	You fellows smoking old socks
00:53:38	There's so much smoke in here,
00:53:40	the San Francisco fire all over again.
00:53:44	Hey, Tony,
00:53:46	- Of course.
00:53:47	- Another solid 10 months on the road.
00:53:49	- That's a lot of loot.
00:53:51	You know, I should have made you
00:53:54	- You never could play the sax anyway.
00:53:57	He handles those bookers
00:53:58	One of them is.
00:54:00	We'll have to take on a couple of
00:54:03	- like they're getting their money's worth.
00:54:05	- Artie Shaw's available. So is Goodman.
00:54:08	- I don't think I'm in, either, boys.
00:54:10	- Are you kidding?
00:54:13	If he makes any more money
00:54:15	he's gonna start a band of his own.
00:54:16	- Yeah, he's just the type, too.
00:54:18	- Why don't we go down, catch Louis?
00:54:20	- Spoken like a loser.
00:54:23	Dorothy, what are you doing up
00:54:25	Where's Mommy?
00:54:26	I told you. She's in Las Vegas
00:54:29	Now go to bed, honey. If she knows
00:54:32	- Come on, Red. Let's go.
00:54:35	- Can't you break away?
00:54:37	Dorothy, will you go to bed?
00:54:40	And put those cards down.
00:54:42	Go on, honey.
00:54:45	- What do you say, a couple of hands?
00:55:15	I'm sorry, baby.
00:55:18	Really, I'm sorry.
00:55:20	I know you're lonesome
00:55:23	Come on. Aren't we pals?
00:55:28	Blood brothers?
00:55:30	Blood brothers of the Mohawk,
00:55:34	Alakazam kazam?
00:55:42	Whither thou goest, I goest.
00:55:45	I don't know.
00:55:48	Come on, honey,
00:55:50	I don't wanna go to sleep.
00:55:52	I didn't say anything about
00:55:53	Why don't you just get into bed?
00:55:57	- I don't wanna go to bed.
00:56:00	What do you wanna do,
00:56:03	Oh, fine.
00:56:11	Madam, may I have this dance, please?
00:56:17	No, I'm gonna lead, okay?
00:56:34	- You fooled me.
00:56:36	Wait. Hold it. No wrestling, dear.
00:56:40	Come on. Now that we've got you here,
00:56:43	- mature people, shall we?
00:56:47	Hey, remember me?
00:56:50	I'm the fellow
00:56:52	Which is more than Mozart ever did
00:57:06	This little penny is to wish on
00:57:11	And make your wishes come true
00:57:17	This little penny is to dream on
00:57:22	And dream of all you can do
00:57:27	This little penny is a dancing penny
00:57:32	See how it glitters and it glows
00:57:36	As bright as a whistle
00:57:42	Quick, quick as a wink
00:57:47	This little penny is to laugh on
00:57:53	To see that tears never fall
00:57:58	This little penny
00:58:03	And most important of all
00:58:08	For this penny is to love on
00:58:12	And where love is, heaven is there
00:58:17	So with just five pennies
00:58:20	if they're these five pennies
00:58:23	You'll be a millionaire
00:58:32	Gonna go to sleep now?
00:58:38	- Attagirl. Night-night.
00:59:18	I can play poker.
00:59:21	- I thought you were fast asleep.
00:59:24	Dorothy, will you do me a favor, please,
00:59:28	- Mr. Miller taught me. Can't I play?
00:59:30	- Please.
00:59:31	Now, Dorothy, you go to bed
00:59:33	- Please?
00:59:39	- Dorothy, are you crying again?
00:59:51	One hand, but if I beat you,
00:59:54	Oh, yes. If you win, I'll go right to bed.
00:59:57	Take a chair.
01:00:02	Draw poker, open on anything, okay?
01:00:06	- How much are we playing for?
01:00:09	Mr. Miller said
01:00:12	I see. Well, what are your usual stakes?
01:00:15	Peanuts.
01:00:21	- Okay?
01:00:24	That's real big of you.
01:00:34	Thanks.
01:00:38	One, two, three, four, five.
01:01:41	How many?
01:02:34	- I'm out.
01:02:37	- Yeah.
01:02:41	That's called bluffing.
01:02:44	- Another hand?
01:02:47	- I'll let you win.
01:02:52	- Aren't you sleepy yet?
01:02:55	Look, Pittsburgh Phil,
01:02:58	and the moon is very bright.
01:02:59	What do you say we get dressed
01:03:02	Oh, I'd love it.
01:03:03	Yeah, I'm sure you would.
01:03:06	- Will they let me in?
01:03:08	Where Louis's playing.
01:03:10	- I won't tell mother.
01:03:14	Oh, good. Neither will I.
01:03:16	- Daddy?
01:03:17	Are we blood brothers?
01:03:20	Whither thou goest.
01:03:22	Till death do us part.
01:03:23	It wouldn't dare.
01:03:26	Alakazam kazam kazam.
01:03:32	Let's get your clothes on.
01:03:34	Daddy!
01:03:36	Goodnight
01:03:40	time to call it a day
01:03:44	Sleep tight
01:03:49	dream your troubles away
01:03:53	Goodnight
01:03:56	in spite of any sorrow
01:04:00	There's a brand-new day
01:04:05	on its way tomorrow
01:04:11	Someday
01:04:15	all your dreams will come true
01:04:19	Some way
01:04:23	for me and you
01:04:27	So close your eyes
01:04:31	and dream of it, my darling
01:04:36	Till then, goodnight
01:04:40	goodnight
01:04:41	sleep tight
01:04:46	Now comes the hard part, baby.
01:04:48	Do you suppose you could sing
01:04:50	while Pops and I sing something else?
01:04:51	Sure, I can sing as good as he can.
01:04:54	Well, who can't?
01:04:59	Won't you play the music
01:05:00	so the cradle can rock
01:05:02	to a lullaby in ragtime
01:05:07	Sleepy hands are creeping
01:05:10	to the end of the clock
01:05:11	play a lullaby in ragtime
01:05:16	This little penny is a dancing penny
01:05:20	See how it glitters and it glows
01:05:24	As bright as a whistle
01:05:29	Quick, quick as a wink
01:05:33	This little penny is to laugh on
01:05:37	To see that tears never fall
01:05:42	This little penny
01:05:46	And most important of all
01:05:50	For this penny is to love on
01:05:54	And where love is, heaven is there
01:05:59	So with just five pennies
01:06:01	if they're these five pennies
01:06:03	You'll be a millionaire
01:06:08	That was wonderful.
01:06:09	Come on, kitten. I better get you home,
01:06:13	I wanna hear Mr. Armstrong
01:06:14	- No, we gotta go.
01:06:16	but I gotta get my beauty sleep...
01:06:18	or I'm just a mess in the morning.
01:06:20	Please. Do The Saints Go Marching In...
01:06:22	- the way you and Daddy do it.
01:06:24	What do you put in that cat's milk?
01:06:26	- I didn't put nothing in her milk...
01:06:29	- No.
01:06:30	- No. No. No.
01:06:32	- No.
01:06:34	- No.
01:06:35	No.
01:06:36	- She looks like an honest cat to me.
01:06:39	- Let's lay it on her, man.
01:06:42	Then we'll go home.
01:06:45	Benny, you wanna give me a key
01:06:51	Oh, when the saints
01:06:53	go marching in
01:06:55	When the saints go marching in
01:07:00	I wanna be in that number
01:07:04	When the saints go marching in
01:07:08	And when the saints
01:07:11	go marching in
01:07:13	Who's gonna play on the day
01:07:16	Well, Louis, I'll explain that.
01:07:18	Now, the mostest and the greatest
01:07:22	Going to play in the band
01:07:25	When the saints go marching in
01:07:26	- Louis, what about Brahms
01:07:29	- And Chopin
01:07:31	And Bach, that great old massa
01:07:33	Yeah, that great old massa
01:07:35	Yes, but Mozart the most with all he has
01:07:38	With the symphonies and operas
01:07:41	When the saints go marching in
01:07:45	- Do you dig Rachmaninoff?
01:07:47	- Rimsky?
01:07:49	- Ravel and Gustav Mahler.
01:07:53	I wouldn't do that.
01:07:54	Liszt has a twist that you can't resist
01:07:56	Yeah. Yeah. Put Liszt on that list.
01:07:58	When the saints go marching in
01:08:01	Here we go, Louis.
01:08:02	When the saints
01:08:04	go marching in
01:08:06	Look at this cat digging me.
01:08:07	When the saints go marching in
01:08:10	Face and all.
01:08:12	I wanna be in that number
01:08:16	When the saints go marching in
01:08:20	There's Saint-Saens
01:08:22	And Georges Bizet
01:08:25	Vieuxtemps, Suppe, Massenet
01:08:28	- Do you dig him, Jacques?
01:08:30	Well, Frère Jacques, Frère Jacques
01:08:32	I dig you, Jacques, I dig you, Jacques
01:08:35	Massenet and Bizet
01:08:36	I dig you, Jacques, I dig you, Jacques
01:08:37	Offenbach, Offenbach
01:08:38	Massanet and Bizet
01:08:39	Often, Offenbach
01:08:41	How about Wagner?
01:08:42	- Devout!
01:08:44	- Who?
01:08:45	- Who?
01:08:46	Well, let him come out.
01:08:48	- Paganini.
01:08:49	- Toscanini.
01:08:50	- Khachaturian.
01:08:52	Thank you.
01:08:53	- And what's his name?
01:08:54	- And you know that cat
01:09:28	Up too high
01:09:29	Or too low
01:09:31	- Way up there
01:10:04	- Come on. Now we've gotta go.
01:10:06	A little exit music from the greatest horn
01:10:09	- I can't do it. Come on.
01:10:11	- Blow, Red, blow.
01:10:13	- Brand-new horn. Brand-new one, Pops.
01:10:17	- Your chops is percolating.
01:10:20	Come on, man.
01:10:37	Oh, when the saints go marching in
01:10:41	Oh, when the saints go marching in
01:10:45	I wanna be in that number
01:10:49	When the saints go marching in
01:10:54	And when the saints go marching in
01:10:57	When the saints go marching in
01:11:17	Home, sweet home.
01:11:20	You know this little monster
01:11:22	She cheats.
01:11:24	We've only got two choices...
01:11:25	either get Dorothy off the road
01:11:29	What did I do that was so terrible?
01:11:31	She had a ball.
01:11:32	I'll get her pajamas.
01:11:35	Then, after that, I'll get your pajamas.
01:11:38	Loring, what about what you said to me
01:11:41	What did I say?
01:11:43	Some malarkey
01:11:46	and settling down.
01:11:48	You know me like a book, don't you?
01:11:50	Right to the card stamped, "overdue."
01:11:53	I heard about the new contract
01:11:57	It's a real fat deal, honey.
01:11:59	We're gonna be eating high off the hog.
01:12:01	"Mammy won't have to go barefoot
01:12:05	What about Dorothy?
01:12:07	I know I may seem unreasonable...
01:12:09	but until she's at least 8 years old...
01:12:10	I don't want my daughter
01:12:13	She'd sure knock them dead.
01:12:15	Not with her spelling.
01:12:18	We can get her a tutor.
01:12:19	No, Loring. No, I don't want her
01:12:22	Next week, they're liable to teach her
01:12:25	Now, look, honey,
01:12:27	and she's crazy about music.
01:12:30	Who says she's gotta go to bed
01:12:33	and get up when they get up?
01:12:34	I say. I want her to get up when other
01:12:40	have oatmeal and orange juice
01:12:43	Honestly, she thinks breakfast
01:12:47	Now, listen, Bobbie.
01:12:51	Tonight I sat up in the club...
01:12:52	and Louis Armstrong said
01:12:55	Louis Armstrong, that's the mahatma
01:13:00	Well, I'll tell you a little secret. I'm not
01:13:04	But in a little while, maybe I could be.
01:13:06	Then, we can pick our spot. We can get
01:13:09	buy a house out on the Island...
01:13:11	and I'll stack it
01:13:13	and I'll even get you
01:13:17	When?
01:13:18	Soon.
01:13:20	Why not now?
01:13:23	Honey, I've got a contract.
01:13:26	Do you want to?
01:13:31	No.
01:13:33	Well, then...
01:13:34	maybe Dorothy and I should get that
01:13:40	What, and leave me alone on the road
01:13:43	Bobbie, what's happened to you?
01:13:45	What happened to the girl who said
01:13:47	wasn't gonna change anything?
01:13:49	What happened to the girl...
01:13:50	who wanted me
01:13:57	You sure scared me for a minute.
01:13:59	For a minute there,
01:14:03	I'm sorry.
01:14:09	- Loring, what's the answer?
01:14:17	Look, couldn't we put Dorothy in
01:14:22	Boarding school?
01:14:24	Don't make it sound like a jail sentence.
01:14:26	It's not like
01:14:29	There are a lot
01:14:31	right around here in San Francisco.
01:14:33	They've got playgrounds
01:14:35	and swimming pools and swings...
01:14:37	and a couple of teachers thrown in,
01:14:40	- I don't know.
01:14:44	Two terms.
01:14:45	We could visit her every chance we got.
01:14:48	- Bring her a cake with a file in it?
01:14:53	All right, Loring, on one condition.
01:14:57	- What?
01:15:01	Yeah, all right.
01:15:07	She'll understand.
01:15:11	Alakazam kazam.
01:16:23	There's been
01:16:26	and all the planes are grounded.
01:16:29	I'd like to fly out by myself,
01:16:35	No, baby.
01:16:37	we could get out
01:16:40	I'm sorry, honey.
01:16:44	Hello? Hello?
01:17:16	... Blackhawk
01:17:19	A merry Christmas
01:17:22	Red Nichols and the Five Pennies.
01:17:26	- A little more white meat?
01:17:30	You see, my parents always
01:17:32	That's why they can't come for me.
01:17:35	- May I have a piece of skin, please?
01:17:38	You don't have to explain.
01:17:40	They always call me
01:17:43	Are there any more potatoes,
01:17:46	Oh, dear. I'll have to go back
01:17:49	- and the plum pudding.
01:19:05	- Dorothy!
01:19:09	Oh, baby.
01:19:27	- Don't worry.
01:19:48	Barber shop. Who?
01:19:52	Just a minute.
01:19:57	Hey, what...
01:19:58	- Don't shake your head.
01:20:00	- Okay. Hello?
01:20:02	Don't worry. Just lie down.
01:20:03	- Yeah, hello, Bobbie. How are you?
01:20:06	- How do you like school?
01:20:10	Was Dorothy surprised? Yeah.
01:20:14	What?
01:20:16	When? What happened?
01:20:21	Listen...
01:20:27	- Red, what's the matter?
01:20:30	You're about to enter
01:20:33	Please be as quiet as possible.
01:20:38	Keep your distance
01:20:41	Do not touch anything. Now, follow me.
01:20:45	If you drop anything, do not pick it up,
01:20:49	Please do not touch the patients...
01:20:50	or anything the patients
01:21:22	How is she?
01:21:25	How is she, Doc?
01:21:30	I'd like to be more encouraging,
01:21:36	complicated by encephalitis.
01:21:38	The child's been in a coma
01:21:42	I'm afraid the chances are very slim.
01:21:45	That's your opinion.
01:21:46	Not only mine.
01:21:50	Well, then get another staff...
01:21:51	- or another hospital.
01:21:53	Listen, you, that's my daughter
01:21:55	and you're not gonna make a statistic
01:21:57	and give up before you even get started.
01:21:59	If you don't know anything,
01:22:10	Do something for her, will you, Doc?
01:22:24	Hi.
01:22:32	I finally found an all-night
01:22:40	Any word?
01:22:50	Isn't it funny? You live with a man
01:22:53	and you forget whether he takes
01:22:57	I'm not hungry.
01:22:59	Now I remember. Ketchup.
01:23:03	- I couldn't eat it anyway...
01:23:14	You know,
01:23:19	The first few hours, I hated you,
01:23:25	This could have happened
01:23:28	Even people that never
01:23:31	this happens to them.
01:23:38	I can narrow it down
01:23:45	When I threw a couple of things
01:23:50	the first thing
01:23:54	That'll give you a rough idea.
01:23:58	Oh, go on, Loring.
01:24:03	Lf, by any miracle,
01:24:10	I'm gonna give up this whole rat race.
01:24:15	I didn't think you believed in miracles.
01:24:19	Right now,
01:24:24	Loring...
01:24:26	you remember the lyric
01:24:31	What brought that up?
01:24:34	Well, it's been so long since either of us
01:24:39	I thought
01:24:44	I can't remember it at all
01:24:50	"Mine eyes have seen the glory...
01:24:55	"of the coming of the Lord.
01:24:59	"He is trampling down the," something...
01:25:04	"where the grapes of wrath are stored."
01:25:09	Doesn't seem to fit the situation here,
01:25:13	It's the only one we know.
01:25:20	"He has loosed the awful lightning...
01:25:24	"of His terrible swift sword.
01:25:28	- "His truth is marching on."
01:25:32	your daughter's calling you.
01:25:34	She's...
01:25:37	Come on, honey. Dorothy's calling.
01:25:39	Put down the sandwich.
01:25:59	- Hello, baby.
01:26:04	Hello, sweetheart.
01:26:06	Alakazam kazam.
01:26:12	Sorry, but you'd better go now.
01:26:15	- Oh, Doctor, please.
01:26:19	I'd like my mother to stay.
01:27:44	Just have to cancel the tour.
01:27:48	What do you mean, cancel the tour?
01:27:49	Red, they'll sue you for every dime you
01:27:53	- We got a contract.
01:27:55	Pay them off? With what?
01:27:56	Look, tell the boys in the band that...
01:27:59	Well, I don't know
01:28:01	It's still the same as being fired.
01:28:02	But tell them I'm sorry,
01:28:05	Where am I gonna get it? You've been
01:28:08	And now, you got doctor bills like crazy.
01:28:10	- You ever see anything like this?
01:28:12	That waitress I took out last night.
01:28:15	Taxi.
01:28:17	You know what those doctors
01:28:20	I had a big consultation.
01:28:22	They said that Dorothy
01:28:26	Never ever.
01:28:28	You think I'm going to
01:28:30	Sure, Red. Fire the hospital.
01:28:33	- So long, Tony.
01:28:36	It's been great knowing you.
01:28:39	So you finally got around
01:28:43	- Who else is left?
01:28:47	Do me a favor, will you, Tony?
01:28:49	Don't tell the boys what happened.
01:28:52	- you just don't know where I am, okay?
01:28:55	I never saw you before in my whole life.
01:28:58	So long, stranger.
01:29:02	pretty soon they'll be working for you.
01:29:07	- Over here!
01:29:10	Well, take it easy.
01:29:13	I can do it three times.
01:29:14	You can? I can only do it twice.
01:29:17	How you getting along
01:29:19	Boy, you got a strange one.
01:29:21	Only exercise she's done
01:29:23	- was when she tried to spit in my eye.
01:29:26	- There she goes again.
01:29:30	Honey, I got a nice assortment
01:29:34	First, we have what we call
01:29:40	And then, we have...
01:29:43	All you gotta do is push it down like that,
01:29:47	You know I can't reach.
01:29:49	The doctor says you could
01:29:51	Oh, sure. Easy as pie.
01:29:54	- Hey, Red.
01:29:57	What about our glee club?
01:30:00	Not today, Billy. I don't feel up to it.
01:30:03	Oh, brother. Must run in the family.
01:30:09	How about it, kids?
01:30:11	- Yeah!
01:30:13	Well, don't call me. I'll call you.
01:30:16	- Let's do Schnitzelbank again.
01:30:18	Hold. Hold on. Hold the phone.
01:30:22	We can't do Schnitzelbank.
01:30:25	I beat you by two choruses
01:30:28	- All right, here we go.
01:30:31	and make a regular spectacle
01:30:34	Well, I don't know.
01:30:36	Maybe for some strange reason
01:30:39	Oh, sure. As soon as I'm better,
01:30:45	We now have a solo with the
01:30:49	Yes, you are ready to sing now?
01:30:52	Ja. Well, this is nice. All right.
01:31:03	Ja. Well, you will be the soprano
01:31:06	And then, after, we will come back
01:31:15	- Dorothy.
01:31:18	That's my present...
01:31:20	from that fellow that's making
01:31:24	- It's a house.
01:31:27	We're gonna live in it
01:31:30	- All of us?
01:31:33	Down in Los Angeles, where the doctors
01:31:39	Our own whole house that's ours?
01:31:42	Ours and the First National Bank.
01:31:46	- Our own towels?
01:31:50	Hold it up again.
01:32:38	This is the most delicious thing
01:32:40	since we've been in this house.
01:32:42	Blanket a la mode, it's delicious.
01:32:44	Don't let him put any more of those
01:32:49	We have to, Dorothy. You've got to
01:32:53	All right, nothing is gonna make her cry,
01:32:57	- No, nothing.
01:33:00	But those hot things won't do any good.
01:33:05	You think that's real crying?
01:33:09	When I was Dorothy's age...
01:33:10	we had some kids on our block
01:33:13	We had a kid called Fat Tommy.
01:33:15	Now, there was a crier. When he cried,
01:33:19	He'd go...
01:33:21	Everybody heard him.
01:33:23	Now, he was a fine crier.
01:33:24	Meyer the crier was a crier fine.
01:33:28	Did you know that?
01:33:30	He would hiccup when he cried.
01:33:37	Now, you know...
01:33:40	- There was a fine crier.
01:33:42	He never made a sound. He was
01:33:46	Did you ever hear one of those?
01:33:47	He didn't make any sound at all
01:33:51	He would go...
01:34:04	But you know who was
01:34:07	He used to cry like he was laughing
01:34:11	He used to go...
01:34:19	You cry when you laugh, too, don't you?
01:34:24	Well, Joe Whiffenbeck...
01:34:26	where have you been all this time?
01:34:29	Come on, baby.
01:34:31	Just roll over very easily. That's a girl.
01:34:45	How about putting me down for some
01:34:48	You trying to stop the war in Europe
01:34:50	I got a couple of wars. So long.
01:34:53	Brown, John A.
01:34:57	- Dorothy? Look what I got.
01:35:00	Yeah, well, I will in just a minute.
01:35:04	Come on. You want it?
01:35:08	Come on. Come and get it.
01:35:14	There you go.
01:35:17	That's a good girl. Come on.
01:35:21	- That's good.
01:35:23	Hold it. Hold it.
01:35:25	Drawbridge.
01:35:28	Here we go. Here.
01:35:34	Oh, no, that's a railroad.
01:35:42	Now, come on. Try it again.
01:36:00	There she blows, men! Man
01:36:04	Look to the harpoons. Ahoy!
01:36:10	If you put some whiskey with that soda,
01:36:14	Stand up, stand up
01:36:18	Stand up and tell us your name
01:36:22	Stand up, stand up
01:36:25	Stand up and tell us your name
01:36:31	My name is Dorothy Nichols,
01:36:36	and I'm having a very happy birthday.
01:36:42	And, Richard Wilson,
01:36:44	and you're only getting
01:36:46	Human vacuum cleaner.
01:36:48	- Make a wish, and blow out the candles.
01:36:56	It's too bad you kids were so hungry
01:36:59	for Dorothy's father
01:37:01	We can wait. Just bake another cake.
01:37:04	Hey, let's put on some records.
01:37:06	- That's a good idea.
01:37:08	I'm sorry.
01:37:09	That's all right.
01:37:12	I'll put on the records.
01:37:15	Oh, one of those.
01:37:18	if you play anything
01:37:21	You'd be surprised.
01:37:24	You know, Mr. Nichols started
01:37:27	What's Five Pennies?
01:37:29	Am I getting that old?
01:37:32	Is he hip enough to have some Benny
01:37:35	All of them. Jimmy and Benny
01:37:39	Mama, don't put it on too thick.
01:37:43	Well, don't you remember?
01:37:45	Jimmy Dorsey used to bring you candy
01:37:49	Was that the same Jimmy Dorsey?
01:37:53	Stopped working for peanuts.
01:37:56	You know who else
01:37:58	Tommy Dorsey
01:38:01	and Glenn Miller and Gene Krupa...
01:38:03	And Ludwig von Beethoven.
01:38:05	Their names are on the labels.
01:38:07	I'll go find some records
01:38:09	Really? How about some punch
01:38:12	Dorothy, honestly,
01:38:15	Well, I remember he had a band,
01:38:18	Well, if he was that good,
01:38:21	Well, I guess
01:38:26	- Come on. Let's get a little jive, huh?
01:38:32	That sounds like Artie Shaw's band,
01:38:38	If your father
01:38:41	how come he's working
01:38:44	Oh, I don't know.
01:38:47	I think she's getting senile.
01:38:49	Don't worry.
01:38:51	They better hurry.
01:38:56	How about a big hand
01:38:58	for coming down to give us this show?
01:39:03	And here's Glenn himself.
01:39:05	Thank you. Thanks, fellows.
01:39:07	Now we'd like to do a real oldie...
01:39:09	one of the jazz classics
01:39:11	that I used to play
01:39:13	with Red Nichols
01:39:27	Hey, Ernie. Where you going?
01:39:29	I gotta get home.
01:39:31	- Ain't you gonna stay for the music?
01:40:33	- Hello.
01:40:36	- Happy birthday.
01:40:41	- Where did you find those old records?
01:40:45	I thought I asked you
01:40:48	I'm glad you didn't.
01:40:51	Yeah, hilarious.
01:40:52	Say, Mr. Nichols, was that really you
01:40:56	The instrument you're referring to
01:40:59	Cornet.
01:41:03	They still got a few of them left
01:41:06	right next to the dinosaurs.
01:41:09	Saving a place for me, too.
01:41:11	I'm sure that was Dad playing.
01:41:15	He played just like Harry James.
01:41:17	Harry James plays something like me,
01:41:21	- All right.
01:41:23	There was Bix, and there was Louis,
01:41:27	and that was it.
01:41:29	- You and Bix and Louis.
01:41:30	- I'll remember.
01:41:35	Mr. Nichols, my father
01:41:38	and he told me all about you.
01:41:39	- Yeah, well, that's something.
01:41:42	to get out of the business
01:41:49	I have got a message for your father...
01:41:52	except you're not old enough
01:41:54	Dad, would you like to lie down
01:41:56	No, I'm fine.
01:42:00	Wish I had a horn here.
01:42:02	Will this do?
01:42:08	This is one of my old horns.
01:42:10	Tony sent it a long time ago.
01:42:12	He thought some member of the family
01:42:16	He did, huh?
01:42:40	I've got some homework to do.
01:42:43	Nice party.
01:42:44	Don't you want to stay just a little while?
01:42:47	Well, you don't have to go now, do you?
01:42:49	Is he always like this?
01:43:04	Idiotville, USA,
01:43:07	You promised for our anniversary
01:43:10	Yeah, I know.
01:43:12	- It's a long time since we ever went out.
01:43:16	- Look. Isn't that Bob Hope?
01:43:21	- Let's sit where all the movie stars are.
01:43:25	If you knew how I hated to go
01:43:27	- Got a table for three, please?
01:43:30	Nichols.
01:43:33	- Loring "Nobody" Nichols.
01:43:36	Could I try another name?
01:43:37	I'm sorry. You have to wait
01:43:40	Hey, Red. Paisan, can it be you?
01:43:44	- Hello, Tony.
01:43:47	You don't see a guy
01:43:48	and that's the best you can do?
01:43:50	- Not even a handshake?
01:43:53	- Now that's what I call a handshake.
01:43:56	Dorothy.
01:43:59	- Wonderful.
01:44:01	You know I'm handling bands now
01:44:04	They pick up all the checks,
01:44:07	- That's fine.
01:44:10	I don't hear from you for years...
01:44:12	and then, just today, I was talking
01:44:15	What this music business
01:44:19	If they can't find a hole in the head.
01:44:22	Tony, how come the table
01:44:24	Are you expecting the Andrews Sisters?
01:44:27	As for you,
01:44:29	I do.
01:44:30	All right, Loring. It's a plot.
01:44:32	I read that Tony was in town,
01:44:35	Of course, I can't start you right off
01:44:38	But listen, there's a little club
01:44:41	Not for me. Let's get out of here, baby.
01:44:43	Red, what's the matter?
01:44:45	It's another guy
01:44:48	- Red?
01:44:49	Hey, Red. Hey, man,
01:44:53	- Hi, Jimmy. Hello, Glenn. How are you?
01:44:55	- And Bobbie. Is that Dorothy?
01:44:59	What're you doing with Tony?
01:45:00	I thought you were out
01:45:02	Oh, no, we're just passing through
01:45:05	- That's great. Retired, huh?
01:45:09	just sit at home,
01:45:12	I never knew any member of the Union
01:45:14	- Well, you're looking at one, Jimmy.
01:45:16	Well, I'd like to hang around, boys,
01:45:19	How about some food?
01:45:21	- No, thanks.
01:45:22	- Mr. Dorsey.
01:45:24	- Well, I got it.
01:45:26	No, I can handle it, fellows.
01:45:28	Jimmy, the next time...
01:45:30	some lush asks you to play
01:45:35	and you're out there
01:45:37	on those one-nighters out in the sticks...
01:45:39	just remember
01:45:41	The old redhead, remember him?
01:45:43	- Sure enough.
01:45:44	- Good to see you. Take care.
01:46:00	It's a great future
01:46:03	Hotlips Nichols, at my age.
01:46:05	How may I help you fix this sandwich?
01:46:12	Blowing my brains out
01:46:15	You build any good ships lately?
01:46:16	No. Well, now, honey,
01:46:18	It's a lot different now.
01:46:20	People don't want
01:46:22	That wouldn't have stopped you before.
01:46:24	I've been sitting around here for years...
01:46:26	waiting for you
01:46:27	so you could go back
01:46:30	but you've been punishing yourself
01:46:31	- you're beginning to like it.
01:46:34	Well, what happened
01:46:36	- That was ages ago.
01:46:39	or terrible,
01:46:41	I just wanna get you out of that shipyard
01:46:44	I'm beginning to think I've lost mine.
01:46:48	You can sleep in that sandwich, tonight.
01:47:08	I'm not gonna start all over again
01:47:12	That's not for me.
01:47:21	None of us are as young
01:47:24	Except your mother, of course.
01:47:29	Dad, why did you
01:47:34	I forget.
01:47:40	I guess I never even said thank you.
01:47:47	I can remember so many things now.
01:47:51	So can I, baby.
01:47:54	The ice age and the big flood...
01:47:57	and Noah waving me aboard.
01:48:01	Daddy?
01:48:04	Would it be too tough for you...
01:48:07	to try and pick up where you left off?
01:48:13	You wanna know the truth?
01:48:16	Yes, it would be too tough.
01:48:19	My lip's gone, honey.
01:48:21	and when that happens
01:48:24	it just never comes back. It...
01:48:27	Well, in my case anyway, it would be...
01:48:30	just impossible. That's all.
01:48:32	I remember, when I talked like that...
01:48:34	and you threw a hot blanket on me,
01:48:39	There's a lot of your mother in you,
01:48:41	You don't seem to understand
01:48:44	All these fellows I started
01:48:46	are all big-time bandleaders now.
01:48:52	They'd be laughing up their sleeves
01:48:56	"There was one kid on our block,
01:49:04	Good night, Meyer.
01:49:14	Some of the kids still laugh at me.
01:49:50	- Good night.
01:50:28	Hey, Tony, feast your eyes
01:50:34	My name outside
01:50:38	- Could shoot a cannon out there.
01:50:42	It's awful late.
01:50:45	At least, I thought a couple
01:50:47	only to see
01:50:53	I guess fans forget
01:50:56	Hey, paisan...
01:50:58	you got two fans out there...
01:50:59	that I'd give all the willing waitresses
01:51:03	What do you care if nobody shows up?
01:51:06	Yeah. I would ask them if they got some
01:51:10	Now, wait a minute. Listen to me,
01:51:14	but all the time on the road, you know?
01:51:18	and you were tied down
01:51:22	Well, I thought you were
01:51:24	and I still think so.
01:51:27	Look at me.
01:51:32	closets full of everything,
01:51:34	I mean, what am I trying to prove?
01:51:38	Next time I go east,
01:51:42	Who knows?
01:51:45	I guess I'll go out
01:51:47	Yeah.
01:52:20	He's been practicing two solid months.
01:52:43	Won't you come home, Bill Bailey
01:52:45	Won't you come home?
01:52:47	I'm feeling all alone
01:52:51	Now, I know I'm to blame
01:52:53	Ain't that a shame
01:52:55	Bill Bailey,
01:53:00	Joseph Haydn,
01:53:13	Bobbie, why don't you come up here?
01:53:19	Go on, Bobbie. Go on.
01:53:22	You come, too.
01:53:23	Ladies and gentlemen, our society
01:53:37	- Aren't they wonderful?
01:53:40	- Someday, they'll all be working for me.
01:53:45	I don't think I can.
01:53:50	I've got a surprise for you, too.
01:53:53	You... You couldn't be.
01:53:56	- Show me the rabbit.
01:53:59	All right.
01:54:27	May I have this dance?
01:54:35	This little penny is to wish on
01:54:40	And make your wishes come true
01:54:45	This little penny is to dream on
01:54:50	Dream of all you can do
01:54:55	This little penny is a dancing penny
01:55:00	See how it glitters and it glows
01:55:04	As bright as a whistle
01:55:09	Quick
01:55:15	This little penny is to laugh on
01:55:19	To see that tears never fall
01:55:25	This little penny
01:55:30	And most important of all
01:55:35	For this penny is to love on
01:55:40	And where love is, heaven is there
01:55:44	So with just five pennies
01:55:47	if they're these five pennies
01:55:51	That's enough, baby.
01:55:52	You'll be a millionaire
01:55:55	Put me down.
01:55:59	So can I, my darling.
01:56:02	- Alakazam kazam kazam.
01:56:06	Give me my horn, Tony.

Five Pennies The