|
Flawless
|
| 00:02:49 |
Waiter! |
| 00:03:00 |
What's that? |
| 00:03:04 |
Hi. |
| 00:03:20 |
Madam. |
| 00:03:27 |
[Horn honks] |
| 00:03:34 |
Woman: Hold on one second. |
| 00:03:36 |
Well, yes. |
| 00:03:39 |
Hold on one second. |
| 00:03:42 |
Hi. Sorry I'm late. |
| 00:03:44 |
Cassie Jane, I'm the features |
| 00:03:46 |
We spoke on the phone earlier. |
| 00:03:49 |
Laura Quinn. |
| 00:03:51 |
Robin, go ahead. |
| 00:03:54 |
I got front page? |
| 00:03:55 |
[Mouthing words] |
| 00:03:57 |
Perfect. Thanks. |
| 00:03:58 |
Thanks, bye. |
| 00:04:01 |
Whoo! We should be careful |
| 00:04:05 |
Having it all at 25 cannot |
| 00:04:08 |
So, thank you |
| 00:04:10 |
As you know, we're |
| 00:04:12 |
of features |
| 00:04:14 |
All about the everyday women |
| 00:04:15 |
who back in the late fifties, |
| 00:04:17 |
started breaking |
| 00:04:19 |
really inventing |
| 00:04:22 |
A lot of people who |
| 00:04:23 |
turned out to be dead, |
| 00:04:28 |
alive, so that's great. |
| 00:04:31 |
I, um, I need |
| 00:04:34 |
You're hired by the London |
| 00:04:38 |
It's number one in the world. |
| 00:04:41 |
It's a fiercely |
| 00:04:45 |
You take on the men. |
| 00:04:46 |
You battle your way up |
| 00:04:51 |
Well, that's not going to |
| 00:04:53 |
but you were the only female |
| 00:04:56 |
in that company and I want |
| 00:05:01 |
You know, I haven't |
| 00:05:03 |
as a free woman |
| 00:05:06 |
Really? |
| 00:05:07 |
It's changed. |
| 00:05:22 |
It's an exceptional |
| 00:05:25 |
168 carats, 58 facets, |
| 00:05:30 |
very rare. |
| 00:05:38 |
I stole it... |
| 00:05:40 |
from London Diamond. |
| 00:05:52 |
Good deal took place |
| 00:05:54 |
It may not be |
| 00:05:58 |
You've been in prison. |
| 00:06:17 |
Good morning, |
| 00:06:19 |
Miss Quinn, good morning. |
| 00:06:20 |
Good morning, |
| 00:06:33 |
Good morning, |
| 00:06:34 |
Good morning, Mr. Hobbs. |
| 00:06:37 |
Aiming to beat |
| 00:06:39 |
Literate, Henry. |
| 00:08:01 |
No more blood for diamonds! |
| 00:08:05 |
I see our fan club |
| 00:08:07 |
[Yelling] |
| 00:08:16 |
Murderer! |
| 00:08:18 |
Murderer! |
| 00:08:23 |
Good morning, Mr. Milton. |
| 00:08:24 |
Good morning, |
| 00:08:26 |
Morning, gents. |
| 00:08:31 |
I'm sure by now |
| 00:08:33 |
tensions reached a head |
| 00:08:36 |
What are |
| 00:08:37 |
What do you mean? |
| 00:08:39 |
A hundred, give or take, |
| 00:08:40 |
most of them on our pay roll. |
| 00:08:41 |
It is a cock-up. |
| 00:08:42 |
Everyone is pointing |
| 00:08:45 |
Christ Almighty! |
| 00:08:47 |
The whole pissing South |
| 00:08:50 |
What are the Soviets saying? |
| 00:08:51 |
I'm afraid the Russians |
| 00:08:53 |
They're pressing |
| 00:08:55 |
They're going to war with us |
| 00:08:56 |
the week that we are |
| 00:08:58 |
We don't need |
| 00:08:59 |
With respect, sir, |
| 00:09:01 |
if the soviets broke away, |
| 00:09:03 |
They could align |
| 00:09:06 |
Sierra Leone, |
| 00:09:07 |
Combined production |
| 00:09:09 |
We would no longer |
| 00:09:12 |
The cartel collapses |
| 00:09:14 |
The Russians are paid |
| 00:09:15 |
They won't |
| 00:09:17 |
In any case, officials from the |
| 00:09:20 |
are en route |
| 00:09:22 |
Precisely. |
| 00:09:26 |
Very well. |
| 00:09:28 |
Now we have two days. |
| 00:09:30 |
Two days to find |
| 00:09:32 |
[Mutters] |
| 00:09:33 |
Wait, wait, uh, um... |
| 00:09:36 |
one final item. |
| 00:09:39 |
I'd like you to join me |
| 00:09:41 |
our newest |
| 00:09:43 |
who, god willing, will keep |
| 00:09:46 |
Mr. Peter Boland. |
| 00:09:48 |
Congratulations. |
| 00:10:03 |
I'm speechless. |
| 00:10:05 |
Boland over you? |
| 00:10:06 |
The old man |
| 00:10:08 |
No, he's |
| 00:10:10 |
In addition to being |
| 00:10:12 |
Boland's experience is far |
| 00:10:16 |
Besides, they're doing |
| 00:10:18 |
Didn't you know cape town's |
| 00:10:22 |
Well, I hope that they've got |
| 00:10:41 |
[Reading] |
| 00:10:45 |
"Female Managing Directors, |
| 00:10:48 |
"0." |
| 00:11:04 |
"Don't give up. |
| 00:11:08 |
"Work harder. |
| 00:11:12 |
"You will win." |
| 00:11:33 |
You forgot again. |
| 00:11:36 |
Lunch? |
| 00:11:37 |
It's a holiday, |
| 00:11:38 |
people meet, unwind, |
| 00:11:42 |
Oh, it's all the rage. |
| 00:11:43 |
I'm so sorry. |
| 00:11:43 |
Look, it's one crisis |
| 00:11:45 |
Can we reschedule? |
| 00:11:46 |
Tuesday it is, |
| 00:11:48 |
with Kenneth Pearson, |
| 00:11:49 |
a friend of mine that |
| 00:11:51 |
Judy, it's so kind, |
| 00:11:53 |
but I really don't like |
| 00:11:56 |
Don't leave it |
| 00:11:58 |
There won't be |
| 00:12:09 |
Oh, working late again, |
| 00:12:14 |
Always the first to arrive |
| 00:12:19 |
Your colleagues must value |
| 00:12:23 |
What's that bit from |
| 00:12:26 |
You know, "he who |
| 00:12:30 |
"and he who is first |
| 00:12:33 |
Is that how it goes? |
| 00:12:35 |
Yeah. |
| 00:12:36 |
What a load of rubbish. |
| 00:12:38 |
We all know you |
| 00:12:41 |
Fortune favors the bold. |
| 00:12:47 |
Take those South Africans, |
| 00:12:50 |
Do you think we should |
| 00:12:53 |
or let them seize it |
| 00:12:55 |
Well, that's an interesting |
| 00:12:59 |
But for my money, |
| 00:13:00 |
I'd say things are never as |
| 00:13:02 |
I'm sure |
| 00:13:05 |
You're the one with the suit. |
| 00:13:07 |
Good night. |
| 00:13:10 |
Good luck. |
| 00:13:22 |
Living dangerously, |
| 00:13:24 |
Recklessly, Henry. |
| 00:13:36 |
[Jazz music playing] |
| 00:14:38 |
Man: Something troubling you, |
| 00:14:40 |
The existing |
| 00:14:42 |
I propose |
| 00:14:45 |
I'm sorry. |
| 00:14:47 |
Was it not you that |
| 00:14:49 |
were on their way |
| 00:14:51 |
If we allow the soviets to publicly |
| 00:14:54 |
let them pound |
| 00:14:56 |
denounce racist capitalism |
| 00:14:59 |
but secretly |
| 00:15:02 |
and keep it a strictly |
| 00:15:04 |
at least until the storm |
| 00:15:07 |
While they continue |
| 00:15:08 |
diamonds at |
| 00:15:10 |
That's not bad. |
| 00:15:14 |
Who else have |
| 00:15:16 |
Man: It's much better now |
| 00:15:19 |
Second man: |
| 00:15:22 |
Laura, is that you? |
| 00:15:25 |
Harold Reynolds, good god. |
| 00:15:27 |
Gentlemen, this lady |
| 00:15:29 |
I've ever met, |
| 00:15:32 |
Ran circles around |
| 00:15:35 |
Of course I don't |
| 00:15:36 |
She turned me down |
| 00:15:38 |
I was just |
| 00:15:40 |
If he had tried one more |
| 00:15:43 |
I'm with allied banking |
| 00:15:45 |
We've just been sweating |
| 00:15:47 |
A lot of ice down there. |
| 00:15:48 |
No doubt impressive, but |
| 00:15:52 |
But now I know you're here, |
| 00:15:53 |
I can sleep a little easier. |
| 00:15:55 |
Um, unless of course you're |
| 00:15:58 |
with allied banking, |
| 00:15:59 |
world domination |
| 00:16:19 |
Henry: Earliest and brightest |
| 00:16:22 |
Oh, I do my best, Henry. |
| 00:16:24 |
Thank you. |
| 00:16:41 |
No, you won't. |
| 00:16:54 |
[Dramatic music playing] |
| 00:17:08 |
Miss Quinn. |
| 00:17:09 |
Why don't we sit |
| 00:17:10 |
Mr. Hobbs? |
| 00:17:12 |
Yes. |
| 00:17:13 |
Mr. Hobbs, I'm flattered, |
| 00:17:16 |
but I'm... I'm... I'm |
| 00:17:18 |
Oh, please... please |
| 00:17:19 |
I'm... I'm a happily |
| 00:17:21 |
And I wouldn't be |
| 00:17:23 |
I... I have a proposal |
| 00:17:25 |
It's... it's a trifle. |
| 00:17:27 |
Just give me |
| 00:17:37 |
Come and sit. |
| 00:17:40 |
It's something |
| 00:17:41 |
War wound. The Blitz. |
| 00:17:45 |
My wife and I, we went |
| 00:17:48 |
Very explosive performance. |
| 00:17:51 |
Anyway, we both |
| 00:17:54 |
only to find out that my wife |
| 00:17:57 |
I thought you were |
| 00:18:00 |
Oh, I am, Miss Quinn. |
| 00:18:01 |
And I always will be. |
| 00:18:04 |
Are you always in the habit of |
| 00:18:08 |
Would you hold these |
| 00:18:11 |
Correspondence? |
| 00:18:12 |
This is more like |
| 00:18:18 |
"Number of Lon Di |
| 00:18:23 |
"Number of female |
| 00:18:26 |
That first number |
| 00:18:28 |
It's 1,224 now, |
| 00:18:32 |
but the other number, |
| 00:18:35 |
You've succeeded |
| 00:18:38 |
Now, I'm wondering |
| 00:18:40 |
Well, I... I think the |
| 00:18:43 |
what is it |
| 00:18:47 |
Hey, this is ridiculous. |
| 00:18:49 |
They're... they're going |
| 00:18:51 |
in the middle of London |
| 00:19:00 |
I could have |
| 00:19:01 |
Yeah, and they might |
| 00:19:04 |
I know that you've been |
| 00:19:07 |
in the last three years |
| 00:19:09 |
for someone less |
| 00:19:11 |
You know this has |
| 00:19:12 |
but I am really |
| 00:19:14 |
Miss Quinn, please. |
| 00:19:16 |
Please sit down. Please. |
| 00:19:18 |
I... I haven't got |
| 00:19:24 |
They're going |
| 00:19:26 |
Excuse me? |
| 00:19:27 |
Yes, your ingenious |
| 00:19:30 |
How do you know |
| 00:19:32 |
How do you know |
| 00:19:33 |
Shh! |
| 00:19:36 |
I'm only trying to help. |
| 00:19:40 |
You know, |
| 00:19:42 |
the conversations people will |
| 00:19:45 |
It's like... |
| 00:19:47 |
What conversations? |
| 00:19:49 |
Well, I'm not a businessman, |
| 00:19:50 |
but I certainly |
| 00:19:52 |
What conversations? |
| 00:19:53 |
Well, the Russians |
| 00:19:56 |
unless it's kept secret |
| 00:19:59 |
and only |
| 00:20:02 |
They don't seem to think |
| 00:20:06 |
Well, I don't believe you. |
| 00:20:08 |
Well, uh, you... |
| 00:20:10 |
The ramblings |
| 00:20:13 |
Who would notice? |
| 00:20:15 |
Hey, this is a good bit. |
| 00:20:17 |
Look there. |
| 00:20:20 |
Would you like a peanut? |
| 00:20:41 |
Oh, is MKA in? |
| 00:20:43 |
He's just left. |
| 00:20:45 |
Someone from the Prime |
| 00:20:47 |
Says he has |
| 00:20:48 |
Hmm. |
| 00:20:49 |
Oh, no, that's |
| 00:21:40 |
Ahem. |
| 00:21:41 |
Well, I seem |
| 00:21:42 |
of the whole restaurant. |
| 00:21:43 |
You look wonderful. |
| 00:21:45 |
Well, I heard reinvention |
| 00:21:47 |
Thought I'd try |
| 00:21:51 |
Thank you for seeing me. |
| 00:21:52 |
Well, don't thank me |
| 00:21:54 |
Um, ahem. |
| 00:21:59 |
It's bad news, I'm afraid. |
| 00:22:00 |
We can't offer you a position. |
| 00:22:02 |
Really, why not? |
| 00:22:03 |
There's a conflict |
| 00:22:05 |
Lon Di is our largest client, |
| 00:22:09 |
We funded Ernest Ashtoncroft's |
| 00:22:12 |
Well, it's done |
| 00:22:14 |
You simply ask their |
| 00:22:17 |
Say I know nothing |
| 00:22:19 |
That sort of thing. |
| 00:22:20 |
Look, and I tell you this |
| 00:22:25 |
But they're saying you're |
| 00:22:27 |
Claim you botched their |
| 00:22:29 |
That is absolutely |
| 00:22:33 |
I am sorry. |
| 00:22:34 |
Word came down quietly you |
| 00:22:37 |
or in all likelihood by anyone |
| 00:22:42 |
Well, that's every |
| 00:22:48 |
You said you, um, |
| 00:22:53 |
Well, I... I feel |
| 00:22:57 |
I was going to finally |
| 00:23:00 |
Well, that, um, would have |
| 00:23:03 |
Married now five years, |
| 00:23:05 |
three rather boisterous |
| 00:23:08 |
You should come |
| 00:23:11 |
Mmm, good soup. |
| 00:23:41 |
Early lunch, Miss Quinn? |
| 00:23:43 |
Very early |
| 00:23:46 |
I'm taking |
| 00:24:11 |
[Gasps] |
| 00:24:39 |
Placed a bet, |
| 00:24:40 |
Oh, I never gamble. |
| 00:24:42 |
Not on dogs, cards, |
| 00:24:45 |
You were right. |
| 00:24:47 |
Was I? |
| 00:24:48 |
Why do you want to steal |
| 00:24:51 |
Who said I did? |
| 00:24:52 |
Hypothetically. |
| 00:24:55 |
War and plunder, |
| 00:24:56 |
the two most reliable |
| 00:24:59 |
I didn't realize |
| 00:25:01 |
[Bell ringing] |
| 00:25:08 |
In six months' time |
| 00:25:09 |
I shall retire |
| 00:25:11 |
and a not to hearty pension, |
| 00:25:14 |
a situation |
| 00:25:17 |
So money, plain |
| 00:25:20 |
Suppose I wanted to do |
| 00:25:23 |
Your wife |
| 00:25:25 |
The one you're |
| 00:25:27 |
Lovely. You did |
| 00:25:29 |
I guess you would. |
| 00:25:30 |
What else |
| 00:25:32 |
That you're far |
| 00:25:34 |
and you were forced to |
| 00:25:36 |
the one |
| 00:25:37 |
Oh, yes, married at 21 and years |
| 00:25:41 |
you took the night job |
| 00:25:43 |
so you could spend |
| 00:25:46 |
You never did use |
| 00:25:50 |
Clever, Miss Quinn. |
| 00:25:53 |
Clever. |
| 00:25:54 |
How do you know |
| 00:25:56 |
Are we still speaking |
| 00:25:58 |
I mean, what makes you think |
| 00:26:00 |
Well, simply because |
| 00:26:12 |
What I propose involves |
| 00:26:16 |
because we don't have to |
| 00:26:22 |
Each night at 9:00... |
| 00:26:25 |
they lock the front doors, |
| 00:26:27 |
which means, |
| 00:26:29 |
no one can go in |
| 00:26:32 |
They increase the security |
| 00:26:35 |
but on the lower floor they |
| 00:26:37 |
here and here |
| 00:26:41 |
which is the sole |
| 00:26:43 |
You intend to go |
| 00:26:46 |
That's where |
| 00:26:47 |
You can't be serious. |
| 00:26:49 |
Generally, each evening I |
| 00:26:53 |
and work |
| 00:26:58 |
Nice day today. |
| 00:27:00 |
Once through |
| 00:27:02 |
I'm escorted |
| 00:27:11 |
The next few hours are |
| 00:27:14 |
mopping, waxing, minor |
| 00:27:24 |
During that time, |
| 00:27:31 |
Once an hour or so, |
| 00:27:37 |
Otherwise, I'm |
| 00:27:39 |
I mean, in theory, |
| 00:27:40 |
I could take off all my |
| 00:27:44 |
A frightening thought, |
| 00:27:45 |
Don't dwell on it. |
| 00:27:47 |
I'll try not to. |
| 00:27:49 |
I've saved the vault |
| 00:27:51 |
The long corridor that leads |
| 00:27:54 |
behind which |
| 00:27:56 |
lies one of the largest singular |
| 00:28:03 |
For 16 years |
| 00:28:05 |
within a hare's |
| 00:28:07 |
and for 16 years I've never |
| 00:28:12 |
You couldn't if you wanted |
| 00:28:15 |
The codes are changed weekly |
| 00:28:18 |
Mr. Eaton, lifelong company |
| 00:28:22 |
Rumor has it that the swiss use |
| 00:28:27 |
And, of course, Sir Milton |
| 00:28:30 |
aging ruler of everything |
| 00:28:33 |
And you plan to obtain |
| 00:28:36 |
That's where you come in, |
| 00:28:38 |
Until recently, this was |
| 00:28:44 |
A year ago, quite by accident, |
| 00:28:46 |
I discovered that Sir Milton kept |
| 00:29:12 |
Then some months back, |
| 00:29:16 |
Night after night, |
| 00:29:17 |
I searched the office, |
| 00:29:21 |
Why'd you wait? |
| 00:29:22 |
Why not do it while |
| 00:29:24 |
Oh, I've asked myself that |
| 00:29:27 |
I told you, I'm... |
| 00:29:31 |
But my hesitating |
| 00:29:34 |
Will it? |
| 00:29:35 |
And what will |
| 00:29:36 |
Here, proof of conviction. |
| 00:29:39 |
You are on the, uh, |
| 00:29:44 |
It's business. |
| 00:29:46 |
We're entertaining |
| 00:29:48 |
You suspect he keeps |
| 00:29:50 |
On Saturday, go to his study |
| 00:29:53 |
and look under the center |
| 00:29:55 |
This is ridiculous. |
| 00:29:57 |
Say I did find the codes |
| 00:29:59 |
and you were able to slip in |
| 00:30:02 |
How would you get the |
| 00:30:12 |
How much will it hold? |
| 00:30:14 |
How much would |
| 00:30:17 |
What's the price of revenge? |
| 00:30:20 |
Difficult, eh? |
| 00:30:22 |
Would a million pound do? |
| 00:30:26 |
Each? |
| 00:30:28 |
They wouldn't even |
| 00:30:30 |
Well, by then... |
| 00:30:32 |
I'll be retired and |
| 00:30:34 |
Why should I trust you? |
| 00:30:35 |
The same reason |
| 00:30:37 |
We have the same objective. |
| 00:30:39 |
Oh, you make it all |
| 00:30:41 |
Is that a yes? |
| 00:30:43 |
No, it isn't. |
| 00:30:46 |
Be sure to wear |
| 00:31:14 |
Good evening, sir. |
| 00:31:23 |
Come on in. |
| 00:31:26 |
The Russians here? |
| 00:31:30 |
[Classical music playing] |
| 00:31:52 |
To pressurized carbon. |
| 00:31:56 |
Here here! |
| 00:32:01 |
Now that's |
| 00:32:03 |
Sir Clifton Sinclair, our |
| 00:32:05 |
making a rare trip down from |
| 00:32:08 |
No doubt losing sleep over our |
| 00:32:11 |
Oh, I don't think Sinclair's |
| 00:32:13 |
It's rather unnerving |
| 00:32:15 |
with that history as London |
| 00:32:19 |
Ooh, you didn't know. |
| 00:32:22 |
He was mixed up in all |
| 00:32:24 |
before the national |
| 00:32:26 |
Of course, he's |
| 00:32:28 |
or he was never prosecuted. |
| 00:32:30 |
Otherwise, we wouldn't |
| 00:32:32 |
Allow me to present |
| 00:32:35 |
head of the Soviet |
| 00:32:38 |
Mr. Chanson, |
| 00:32:40 |
How do you do? |
| 00:32:41 |
And miss |
| 00:32:43 |
one of our |
| 00:32:45 |
[Speaking Russian] |
| 00:32:53 |
Ballet, vodka, diamonds, |
| 00:32:55 |
the three things closest |
| 00:32:57 |
And which do you prefer? |
| 00:32:58 |
Diamonds, of course. |
| 00:33:00 |
I'll drink to that. |
| 00:33:07 |
My lord! |
| 00:33:10 |
And what would you have |
| 00:33:13 |
I would ask you to dance. |
| 00:33:24 |
Of course, I have |
| 00:33:27 |
And, um, what makes |
| 00:33:30 |
I shall miss her. |
| 00:33:40 |
How's the old man |
| 00:33:42 |
Oh, I expect |
| 00:33:44 |
Well, I only ask because |
| 00:33:47 |
basically a worthless commodity |
| 00:33:55 |
What am I doing? |
| 00:34:00 |
I ask myself that |
| 00:34:03 |
Sorry. |
| 00:34:06 |
Purely by design. |
| 00:34:08 |
You've stumbled into my lair, |
| 00:34:11 |
Yes, I think I know |
| 00:34:14 |
At least the evening |
| 00:34:16 |
Your father's spared |
| 00:34:19 |
Never does, |
| 00:34:21 |
so long as it's discreet |
| 00:34:24 |
Yes, he's famous |
| 00:34:28 |
Is it true he paid 100 |
| 00:34:31 |
of the miners |
| 00:34:34 |
Anonymously. |
| 00:34:36 |
Pulled the bullets |
| 00:34:40 |
Should be a discount |
| 00:34:43 |
What sort of man |
| 00:34:47 |
A man of conscience. |
| 00:37:38 |
Miss Quinn: Mr. Hobbs. |
| 00:37:41 |
I'm having trouble with |
| 00:37:44 |
Uh, Miss Quinn, |
| 00:37:47 |
more or less heat |
| 00:37:51 |
If we do this, I want |
| 00:37:55 |
Understand? |
| 00:37:58 |
Ok. |
| 00:38:25 |
Man: Now, if you just |
| 00:38:33 |
[Children playing] |
| 00:38:48 |
We have to call it off. |
| 00:38:49 |
They've installed |
| 00:38:52 |
Closed Circuit Television |
| 00:38:55 |
I've been with them all |
| 00:38:57 |
Cameras in the building? |
| 00:38:59 |
Yes, inside, outside, |
| 00:39:01 |
In the vault? |
| 00:39:02 |
No, but |
| 00:39:03 |
They don't want |
| 00:39:05 |
at mounds |
| 00:39:06 |
Can you blame them? |
| 00:39:07 |
Oh, security cameras, |
| 00:39:09 |
What'll they |
| 00:39:10 |
Is there any way |
| 00:39:12 |
No, absolutely not. |
| 00:39:13 |
No? |
| 00:39:14 |
There are eight |
| 00:39:16 |
covering the entire |
| 00:39:18 |
including one dedicated |
| 00:39:20 |
The cameras link |
| 00:39:22 |
and Eaton has a man on watch 24 |
| 00:39:27 |
Basement's here. |
| 00:39:29 |
We've got reception, |
| 00:39:31 |
So you'll just have to |
| 00:39:34 |
All right. |
| 00:39:36 |
And you came all the way |
| 00:39:39 |
of town to tell me... |
| 00:39:42 |
when you could've |
| 00:39:45 |
You've seen a way, |
| 00:39:47 |
I have not, Mr. Hobbs. |
| 00:39:49 |
Your tenacity reminds |
| 00:39:54 |
Why are you being |
| 00:39:56 |
Because I hate |
| 00:40:00 |
Now, tell me how |
| 00:40:04 |
All right. There's |
| 00:40:06 |
but I'm telling you, |
| 00:40:07 |
Although there are eight |
| 00:40:10 |
only four images are on |
| 00:40:13 |
Four on, four off, |
| 00:40:14 |
and since the images cycle |
| 00:40:17 |
they reappear |
| 00:40:18 |
So each image |
| 00:40:20 |
60 seconds, yeah? |
| 00:40:21 |
Yeah, 60 seconds, |
| 00:40:24 |
Enough time? |
| 00:40:25 |
I'll be in that vault |
| 00:40:26 |
You can't be standing |
| 00:40:28 |
when the image goes |
| 00:40:29 |
and be nowhere in sight |
| 00:40:31 |
You have to start |
| 00:40:33 |
and that's 40 yards long. |
| 00:40:34 |
Well, I don't have |
| 00:40:37 |
With all due respect, |
| 00:40:39 |
you can hardly walk, |
| 00:40:41 |
I'm telling you, |
| 00:40:46 |
This has gone too far. |
| 00:40:48 |
I'm sorry. |
| 00:40:50 |
You're involved now, |
| 00:40:54 |
I beg your pardon. |
| 00:40:56 |
You gave me the code, Miss |
| 00:40:59 |
Make no mistake. |
| 00:41:01 |
I'm going through |
| 00:41:02 |
And don't you pretend |
| 00:41:05 |
because you want |
| 00:41:07 |
You want a life that means |
| 00:41:10 |
And you know that this is the |
| 00:41:14 |
Miss Quinn, |
| 00:41:18 |
They're never going |
| 00:41:24 |
This is how it'll work. |
| 00:41:26 |
Tomorrow we'll |
| 00:41:28 |
but it has |
| 00:41:29 |
before they realize |
| 00:41:32 |
At the exact moment you're |
| 00:41:34 |
I'll call |
| 00:41:36 |
That should buy you at |
| 00:41:40 |
When this is over, I think |
| 00:42:16 |
Evening, Miss Quinn. |
| 00:42:18 |
Evening, Henry. |
| 00:42:22 |
Evening, Henry. |
| 00:42:28 |
Evening, Miss Quinn. |
| 00:42:33 |
What's the word, |
| 00:42:34 |
Ask me again on Friday. |
| 00:42:46 |
Good night, sir. |
| 00:42:47 |
Good night. |
| 00:46:27 |
Ah! |
| 00:46:33 |
Ah! |
| 00:46:52 |
Damn it. |
| 00:47:45 |
[Telephone ringing] |
| 00:48:04 |
Willis. |
| 00:48:07 |
Hello? |
| 00:49:31 |
[Traffic drowning dialogue] |
| 00:49:51 |
[Music drowning out dialogue] |
| 00:50:04 |
Man: Halt! |
| 00:50:10 |
I'm afraid |
| 00:50:11 |
If you won't mind, |
| 00:50:24 |
Uh... |
| 00:50:26 |
Mr. Lewis, I'm afraid. |
| 00:50:27 |
God knows what |
| 00:50:31 |
Would you mind? |
| 00:50:34 |
I'll, uh, |
| 00:50:48 |
Mr. Hobbs. |
| 00:50:49 |
Morning, Miss Quinn. |
| 00:50:51 |
How are things |
| 00:50:53 |
In a word, dull. |
| 00:00:45 |
Fifth Monday. |
| 00:00:47 |
That's very odd. |
| 00:00:50 |
[Telephone ringing] |
| 00:00:52 |
Man: Is he here yet? |
| 00:00:53 |
MKA, is he here yet? |
| 00:00:54 |
No, sir. |
| 00:00:55 |
Mr. Jameson, what happened? |
| 00:01:10 |
[Banging] |
| 00:01:11 |
Man: Miss Quinn? |
| 00:01:14 |
[Banging] |
| 00:01:15 |
Miss Quinn, you in there? |
| 00:01:20 |
I need not remind you |
| 00:01:21 |
we're all bound to the |
| 00:01:23 |
Under no circumstances |
| 00:01:25 |
Any acts to the contrary |
| 00:01:26 |
will result in the |
| 00:01:28 |
Is that clear? |
| 00:02:19 |
The elevator's |
| 00:02:22 |
no underground tunnels, |
| 00:02:24 |
three narrow |
| 00:02:26 |
all of which |
| 00:02:27 |
The entire sub basement |
| 00:02:29 |
marble and the outer casing |
| 00:02:32 |
This has to be the most secure |
| 00:02:34 |
That's certainly |
| 00:02:37 |
Besides, there was nearly |
| 00:02:40 |
You would need an army |
| 00:02:51 |
Now, you all know |
| 00:02:54 |
from King's Row, |
| 00:02:56 |
Well, we've talked it |
| 00:02:59 |
that our utmost priority must be |
| 00:03:02 |
I mean... any police |
| 00:03:05 |
and subsequent publicity |
| 00:03:09 |
Just like that, |
| 00:03:11 |
So we handle |
| 00:03:13 |
Sinclair. |
| 00:03:15 |
As you all know, King's |
| 00:03:17 |
London Diamond |
| 00:03:20 |
And today |
| 00:03:22 |
With that in mind, |
| 00:03:24 |
I'd like to introduce |
| 00:03:25 |
our Chief |
| 00:03:27 |
Mr. Finch. |
| 00:03:29 |
Good morning, everyone. |
| 00:03:30 |
Please, there |
| 00:03:33 |
We will find |
| 00:03:34 |
No need to panic? |
| 00:03:36 |
has vanished |
| 00:03:38 |
and there's no need |
| 00:03:39 |
I will see inside |
| 00:03:41 |
and if the night staff could |
| 00:03:59 |
What have you done? |
| 00:04:01 |
It's all in hand, |
| 00:04:03 |
In hand? |
| 00:04:05 |
The contents of |
| 00:04:07 |
When you're finished, |
| 00:04:09 |
at the corner |
| 00:04:11 |
Mr. Hobbs. |
| 00:04:13 |
Yes. |
| 00:04:14 |
This way, please. |
| 00:04:46 |
Not one of your |
| 00:04:48 |
I suggest |
| 00:04:50 |
What have you done |
| 00:04:51 |
I want answers, |
| 00:04:53 |
You're gonna get them |
| 00:04:55 |
Oh, I can't breathe! |
| 00:04:56 |
I insist |
| 00:04:58 |
What did |
| 00:04:59 |
I told him I went |
| 00:05:02 |
I waxed the floors |
| 00:05:03 |
I emptied the rubbish, |
| 00:05:06 |
I... I lied. |
| 00:05:08 |
I want you |
| 00:05:09 |
do exactly |
| 00:05:11 |
keep to your routine, |
| 00:05:14 |
Ok? |
| 00:05:15 |
This is where |
| 00:05:17 |
[Breathes heavily] |
| 00:05:26 |
Miss Quinn? |
| 00:05:28 |
Sir Milton's office is |
| 00:05:35 |
Should you elect |
| 00:05:37 |
you must notify me |
| 00:05:40 |
It's my understanding |
| 00:05:42 |
as to the inventory |
| 00:05:45 |
are explicitly set forth |
| 00:05:53 |
And importantly, |
| 00:05:55 |
to any arrangement between |
| 00:05:58 |
You are simply to alert me |
| 00:06:00 |
at which point I will |
| 00:06:02 |
regarding method of payment. |
| 00:06:05 |
My client will then convey where |
| 00:06:09 |
Mr. Boyle, |
| 00:06:11 |
the identity of your client |
| 00:06:15 |
That's correct. |
| 00:06:16 |
As is the nature |
| 00:06:18 |
Also correct. |
| 00:06:19 |
[Door opens] |
| 00:06:20 |
Excuse me, |
| 00:06:23 |
for Mr. Boyle |
| 00:06:30 |
What in the name |
| 00:06:40 |
"Now available a selection |
| 00:06:44 |
"market price, 100 million |
| 00:06:47 |
Is that it? |
| 00:06:50 |
"Payable within 48 hours." |
| 00:06:53 |
We've been hijacked |
| 00:06:54 |
Shouldn't this man |
| 00:06:56 |
I'm afraid Mr. Boyle has |
| 00:07:02 |
Pardon the interruption. |
| 00:07:08 |
Is there anything further? |
| 00:07:14 |
I will await your call. |
| 00:07:17 |
Good day. |
| 00:07:43 |
The South African Star. |
| 00:07:46 |
[Buzzer] |
| 00:07:47 |
Get Sinclair back. Now! |
| 00:07:55 |
[Knock on door] |
| 00:07:57 |
Ah, Miss Quinn, may I? |
| 00:08:00 |
I'm working my way |
| 00:08:02 |
Yes, please. |
| 00:08:03 |
Thank you. |
| 00:08:05 |
Take a seat. |
| 00:08:22 |
Would you care |
| 00:08:23 |
No, thank you. |
| 00:08:33 |
Thank you. |
| 00:08:37 |
Now... Miss Quinn... |
| 00:08:43 |
you're American, but you |
| 00:08:46 |
You have been working |
| 00:08:48 |
and you are now |
| 00:08:50 |
That's right. |
| 00:08:52 |
Would you say you have |
| 00:08:55 |
Yes. |
| 00:09:00 |
Not married? |
| 00:09:04 |
And you are 38? |
| 00:09:08 |
That's right, |
| 00:09:09 |
I certainly hope |
| 00:09:16 |
Do you have any leads? |
| 00:09:17 |
Ahem. |
| 00:09:20 |
Now in your professional |
| 00:09:24 |
who would you say were |
| 00:09:27 |
It's potentially |
| 00:09:30 |
We are a major |
| 00:09:33 |
Why do you think there could |
| 00:09:35 |
The diamond that |
| 00:09:39 |
Kimberly 4. |
| 00:09:41 |
530 karats, the fourth largest |
| 00:09:45 |
If it were |
| 00:09:46 |
it's unlikely it would |
| 00:09:51 |
Are you saying |
| 00:09:53 |
It's also known |
| 00:09:58 |
Thank you, Miss Quinn. |
| 00:09:59 |
That'll be all for now. |
| 00:10:06 |
Oh, uh... |
| 00:10:09 |
that Mr. Hobbs, |
| 00:10:10 |
you're on good |
| 00:10:12 |
I suppose so. |
| 00:10:13 |
He's one of |
| 00:10:14 |
Always seems quite jovial. |
| 00:10:17 |
You were speaking to him |
| 00:10:19 |
Yes, I've been having |
| 00:10:22 |
I asked him if he could |
| 00:10:24 |
It's erratic. |
| 00:10:25 |
Temperature-wise. |
| 00:10:27 |
And did he manage |
| 00:10:28 |
I believe he was going to try |
| 00:10:32 |
Good. Thank you |
| 00:10:48 |
Thank you, gentlemen, |
| 00:10:50 |
I'll get back |
| 00:10:53 |
[Music drowning out dialogue] |
| 00:10:55 |
Thank you. |
| 00:11:02 |
Good morning. |
| 00:11:03 |
Miss Quinn, good morning. |
| 00:11:04 |
You seem bright and |
| 00:11:06 |
I'd like to be given |
| 00:11:08 |
with Mr. Finch |
| 00:11:10 |
Why? |
| 00:11:11 |
With the time pressure |
| 00:11:12 |
to be communicating as |
| 00:11:15 |
and? |
| 00:11:16 |
Finch was hired |
| 00:11:19 |
Well, I don't |
| 00:11:21 |
There's a whole explosion |
| 00:11:23 |
I see the King's Row |
| 00:11:25 |
Surely they're not prepared to |
| 00:11:28 |
Not if Sinclair has |
| 00:11:30 |
He's already lobbied the other |
| 00:11:32 |
against settling the claims. |
| 00:11:33 |
Saying the, uh, the deadlines |
| 00:11:36 |
But then of course he would, |
| 00:11:37 |
He's the majority |
| 00:11:39 |
His life would return |
| 00:11:42 |
They're not bound |
| 00:11:44 |
Miss Quinn, as I'm |
| 00:11:46 |
where large personal |
| 00:11:47 |
contracts have a habit |
| 00:11:50 |
And if that happened, |
| 00:11:54 |
No diamonds. No sight. |
| 00:11:58 |
All hell breaks loose. |
| 00:12:01 |
You'll speak |
| 00:12:04 |
Tell him that |
| 00:12:05 |
It's our official |
| 00:12:07 |
Well, you seem |
| 00:12:10 |
Well, my job |
| 00:12:12 |
All of ours are. |
| 00:12:14 |
All right. |
| 00:12:15 |
I'll speak |
| 00:12:29 |
This has just come |
| 00:12:38 |
Miss Quinn. |
| 00:12:39 |
Mr. Jameson may have |
| 00:12:42 |
I'm to assist you in any way |
| 00:12:46 |
Yes, he told me. |
| 00:12:48 |
I'm going down |
| 00:12:51 |
Oh, these monitors. |
| 00:12:53 |
The new security system. |
| 00:12:54 |
Well, actually, |
| 00:12:56 |
Every 60 seconds |
| 00:12:58 |
is left totally unobserved |
| 00:13:00 |
Well, one minute, that's |
| 00:13:04 |
Time enough |
| 00:13:11 |
The lift is |
| 00:13:14 |
But the diamonds were not |
| 00:13:17 |
Each activation |
| 00:13:19 |
prompting an electronic |
| 00:13:24 |
As usual, there were |
| 00:13:27 |
In each instance the lift |
| 00:13:30 |
So the lift was never |
| 00:13:32 |
in the sub basement to load |
| 00:13:34 |
That's right. |
| 00:13:35 |
You may need these. |
| 00:13:37 |
[Yelling and banging] |
| 00:13:46 |
Excuse me. |
| 00:13:49 |
Steel, three inches thick, |
| 00:13:52 |
floor, ceiling, walls. |
| 00:13:54 |
But to get the diamonds out |
| 00:13:55 |
they must have penetrated |
| 00:13:58 |
No forced entry. |
| 00:14:00 |
They knew |
| 00:14:02 |
So, all things |
| 00:14:05 |
what conclusions |
| 00:14:07 |
Isn't it obvious what conclusions |
| 00:14:10 |
A woman of your intelligence |
| 00:14:15 |
2:00, I believe |
| 00:14:38 |
A stop gap to restore diamond |
| 00:14:43 |
Five million pounds. |
| 00:14:45 |
That is what you've |
| 00:14:47 |
Financing the stones |
| 00:14:49 |
You control all the major |
| 00:14:51 |
When the first |
| 00:14:53 |
within hours |
| 00:14:55 |
Sinclair, we are the sole supplier |
| 00:14:59 |
Any hint we can no longer |
| 00:15:03 |
Money is no substitute |
| 00:15:06 |
Miss Quinn is here |
| 00:15:08 |
Well, paying the ransom |
| 00:15:10 |
your diamonds back and will |
| 00:15:12 |
to apprehend |
| 00:15:14 |
That is your problem, |
| 00:15:17 |
Now, Mr. Finch. |
| 00:15:18 |
I believe Mr. Finch |
| 00:15:19 |
to tell us which may |
| 00:15:24 |
I am now in no doubt that |
| 00:15:26 |
by either one or a number |
| 00:15:29 |
I believe also that |
| 00:15:32 |
the codes to the vault |
| 00:15:33 |
most likely on the evening of |
| 00:15:36 |
A team has been sent over to |
| 00:15:39 |
Mr. Finch, you said |
| 00:15:42 |
the motive for the |
| 00:15:44 |
Were it a crime for profit, |
| 00:15:46 |
a single handful |
| 00:15:47 |
Now, Mr. Finch, |
| 00:15:49 |
who are the most likely |
| 00:15:52 |
The Soviets and the South |
| 00:15:54 |
And are there any |
| 00:15:57 |
in London Diamond |
| 00:15:59 |
with, uh, these |
| 00:16:02 |
Well, there was one name |
| 00:16:08 |
Ahem. |
| 00:16:10 |
Oliver Ashtoncroft, age |
| 00:16:13 |
whilst attending a |
| 00:16:16 |
But this is ridiculous. |
| 00:16:17 |
That was nearly |
| 00:16:19 |
Just because I don't |
| 00:16:20 |
that goes on |
| 00:16:21 |
does not make me |
| 00:16:24 |
That is enough! |
| 00:16:27 |
You really have sunk |
| 00:16:30 |
Well, I'm sorry, |
| 00:16:33 |
even the slightest |
| 00:16:35 |
King's Row will not even |
| 00:16:38 |
Sinclair, as the syndicate's |
| 00:16:42 |
you stand to lose a great deal |
| 00:16:46 |
Or do I overstate? |
| 00:16:48 |
Ill gotten? Well, |
| 00:16:50 |
coming from a de facto dictator |
| 00:16:54 |
For 30 years |
| 00:16:56 |
inordinate sums of money |
| 00:17:00 |
We have done so |
| 00:17:02 |
we may receive |
| 00:17:05 |
Well, that day has come, |
| 00:17:08 |
Nothing. |
| 00:17:09 |
I will crush you, Sinclair. |
| 00:17:12 |
I will take |
| 00:17:14 |
And then I will piss |
| 00:17:30 |
How'd you do it, Mr. Hobbs? |
| 00:17:32 |
Do you know what the hardest |
| 00:17:34 |
And who's really |
| 00:17:36 |
The diamond. |
| 00:17:37 |
You rub it with a cloth, |
| 00:17:39 |
You put it in water, |
| 00:17:42 |
Its only enemy |
| 00:17:44 |
You do know you've rendered |
| 00:17:46 |
All of them. |
| 00:17:48 |
London Diamond's |
| 00:17:51 |
Precisely! |
| 00:17:52 |
And to that end |
| 00:17:54 |
We? No, |
| 00:17:55 |
They won't pay. |
| 00:17:57 |
They couldn't |
| 00:17:58 |
There's no money. |
| 00:18:00 |
And that investigator finch, |
| 00:18:02 |
He will find out. |
| 00:18:04 |
I have absolutely |
| 00:18:06 |
Have you ever thought |
| 00:18:08 |
No, I mean, |
| 00:18:09 |
what you gonna |
| 00:18:11 |
I mean, are you gonna |
| 00:18:14 |
Why, you stupid, |
| 00:18:16 |
Wake up! |
| 00:18:19 |
That the only life for us |
| 00:18:22 |
Ok, look. |
| 00:18:25 |
I can negotiate |
| 00:18:28 |
I'll go to Ashtoncroft. |
| 00:18:29 |
Offer him the diamonds |
| 00:18:30 |
for our freedom |
| 00:18:32 |
He'll... he'll |
| 00:18:34 |
His terror of publicity |
| 00:18:36 |
All you have to do is tell |
| 00:18:38 |
I'm... I'm sorry, |
| 00:18:40 |
I... I'd like to help, but |
| 00:18:44 |
Well, then I have no option |
| 00:18:46 |
Oh, really? |
| 00:18:47 |
Is that what you're |
| 00:18:49 |
After all these years |
| 00:18:51 |
laughing at men's jokes, |
| 00:18:53 |
subservient, neglecting |
| 00:18:57 |
giving up on love, |
| 00:18:59 |
no time for the simple, |
| 00:19:01 |
Doing all the dirty work, |
| 00:19:03 |
you're really going to throw |
| 00:19:08 |
I require the money in full. |
| 00:19:10 |
And yes, they can pay it. |
| 00:19:12 |
It is precisely what |
| 00:19:15 |
As you wish. |
| 00:19:16 |
Then I shall find |
| 00:19:18 |
Oh, is that a fact? |
| 00:19:20 |
I shall find the diamonds. |
| 00:19:21 |
Make no mistake |
| 00:19:35 |
Is this a bad time? |
| 00:19:37 |
No, no, not at all. |
| 00:19:38 |
It's just a formality, |
| 00:19:40 |
And we have requested |
| 00:19:43 |
who were present |
| 00:19:46 |
A set of fingerprints? |
| 00:19:48 |
Of course. |
| 00:19:50 |
May I? |
| 00:19:51 |
There's really |
| 00:19:53 |
It's simply to rule you out |
| 00:19:59 |
Sorry, it's quite |
| 00:20:01 |
Isn't it? |
| 00:20:03 |
Now, if you'll |
| 00:20:09 |
Are you really considering |
| 00:20:12 |
What? Mmm. |
| 00:20:14 |
Wouldn't you say he had the greatest |
| 00:20:18 |
But does |
| 00:20:21 |
The requisite spine |
| 00:20:25 |
It's hard to imagine anyone |
| 00:20:28 |
Audacious |
| 00:20:33 |
Ambition is something you |
| 00:20:38 |
No longer married, |
| 00:20:44 |
No, I'm not. |
| 00:20:46 |
She tire of all |
| 00:20:49 |
Yes, she did. |
| 00:20:52 |
I'm sorry. |
| 00:20:59 |
Here. |
| 00:21:04 |
Thank you. |
| 00:21:05 |
Oh, and just one |
| 00:21:10 |
I need your assistance |
| 00:21:12 |
Could you? It's just |
| 00:21:14 |
Certainly. |
| 00:21:20 |
Now, I want you to tell me |
| 00:21:24 |
if this man is lying. |
| 00:21:31 |
Mr. Hobbs, I believe |
| 00:21:34 |
Uh, third floor, second |
| 00:21:38 |
She's been kind enough to |
| 00:21:41 |
Uh, are we still discussing |
| 00:21:46 |
I would like to revisit |
| 00:21:49 |
in the sub basement |
| 00:21:54 |
Three hours. |
| 00:21:56 |
The bulk of which |
| 00:21:59 |
The nature of my job, |
| 00:22:03 |
Now, you stated earlier |
| 00:22:04 |
these hours were spent |
| 00:22:08 |
Yeah, mostly. Yeah. |
| 00:22:09 |
That's a great deal of time |
| 00:22:11 |
devoted to polishing floors. |
| 00:22:12 |
Oh, marble is very |
| 00:22:14 |
It requires a certain type of |
| 00:22:18 |
At what time did you tend |
| 00:22:21 |
At the very end. |
| 00:22:22 |
Between 5 and |
| 00:22:24 |
Yes. |
| 00:22:25 |
Why then? |
| 00:22:26 |
Why wait until the end? |
| 00:22:28 |
Oh, it's... it's |
| 00:22:30 |
It's akin to tending the |
| 00:22:35 |
I always save |
| 00:22:37 |
Hmm. |
| 00:22:40 |
Any hobbies, Mr. Hobbs, |
| 00:22:42 |
leisure time activities? |
| 00:22:44 |
Yes, I... I read a good |
| 00:22:47 |
Anything in particular? |
| 00:22:48 |
Graham Greene, |
| 00:22:51 |
sometimes |
| 00:22:53 |
Nothing more radical? |
| 00:22:55 |
No Soviet literature in your |
| 00:22:58 |
Oh, I... I tried |
| 00:23:00 |
but I couldn't |
| 00:23:04 |
You frequent |
| 00:23:06 |
You like to watch dogs run |
| 00:23:08 |
And I also wash |
| 00:23:11 |
if you're interested. |
| 00:23:15 |
Now, I see your wife died |
| 00:23:19 |
Her name was... |
| 00:23:21 |
Margaret. |
| 00:23:22 |
That's right. |
| 00:23:23 |
It must have been |
| 00:23:25 |
Sitting by, watching her |
| 00:23:28 |
Taken in |
| 00:23:30 |
Mr. Finch, you sound like |
| 00:23:34 |
Perhaps if you were |
| 00:23:36 |
I could help |
| 00:23:39 |
Mr. Finch? |
| 00:23:41 |
We have something |
| 00:23:48 |
Excuse me. |
| 00:23:51 |
Mr. Finch: Come on. |
| 00:23:57 |
That'll be all |
| 00:23:59 |
I will see you later, |
| 00:24:07 |
In Ashtoncroft's study |
| 00:24:10 |
but in the heat |
| 00:24:11 |
I may have left |
| 00:24:12 |
I know why you did this. |
| 00:24:14 |
I know it's not |
| 00:24:16 |
Nothing important ever is. |
| 00:24:19 |
I understand you have |
| 00:24:21 |
but you have to know King's Row |
| 00:24:25 |
And I have a feeling |
| 00:24:27 |
Our only way out of this |
| 00:24:31 |
They'll never find |
| 00:24:33 |
You'll get nothing. |
| 00:24:35 |
Absolutely nothing, just |
| 00:24:38 |
Is this cause |
| 00:24:40 |
I mean, would the cause |
| 00:24:43 |
This time tomorrow morning |
| 00:24:46 |
What's that old phrase about |
| 00:24:49 |
That's nonsense. |
| 00:24:51 |
Sometimes to make |
| 00:24:53 |
you have to do |
| 00:24:56 |
Oh, get... oh, yes, my cause. |
| 00:24:59 |
It's worth a 100 lifetimes |
| 00:25:05 |
Some day you will understand. |
| 00:25:07 |
Maybe it will inspire you to |
| 00:25:13 |
There's a remarkable |
| 00:25:17 |
Oh, and if it's |
| 00:25:20 |
I never really |
| 00:25:28 |
[Thunder] |
| 00:25:44 |
Get the forensic |
| 00:25:46 |
Yes, sir. |
| 00:25:47 |
How about the dog track? |
| 00:25:49 |
Yes, um... |
| 00:25:52 |
this one here. |
| 00:25:53 |
I'm pretty certain that's him, |
| 00:26:33 |
Christ, Hobbs! |
| 00:26:34 |
How did you do it? |
| 00:26:38 |
I'm telling you. |
| 00:26:40 |
Taking on Ashtoncroft |
| 00:26:43 |
will lead to a blood bath. |
| 00:26:44 |
Someone's going |
| 00:26:47 |
And what about finch? |
| 00:26:48 |
He says he has |
| 00:26:50 |
I don't think |
| 00:26:51 |
We don't |
| 00:26:53 |
Make sure that he comes up |
| 00:26:58 |
What the hell do you think |
| 00:27:07 |
Contact |
| 00:27:09 |
All of them. |
| 00:27:10 |
Convene a meeting |
| 00:27:12 |
And tell them |
| 00:27:15 |
Tell them... |
| 00:27:18 |
tell them... |
| 00:27:21 |
Tell them if |
| 00:27:23 |
with their wallets open |
| 00:27:25 |
they owe me, I will dedicate |
| 00:27:29 |
on this earth to ruining |
| 00:27:37 |
Tell them that. |
| 00:27:39 |
Word for word. |
| 00:27:49 |
[Thunder] |
| 00:28:04 |
[Telephone rings] |
| 00:28:06 |
Woman: London Evening News. |
| 00:28:09 |
Put me through |
| 00:28:18 |
I was looking for you. |
| 00:28:20 |
I need some air. |
| 00:28:22 |
Will you have |
| 00:28:31 |
[Jazz music playing] |
| 00:28:44 |
You know you're quite |
| 00:28:47 |
A true maverick. |
| 00:28:50 |
Why was it again |
| 00:28:53 |
My mother said, "beating the boys |
| 00:28:57 |
It turns out |
| 00:29:01 |
We're the same, you and I, |
| 00:29:05 |
We could almost be brilliant. |
| 00:29:08 |
But what would we achieve |
| 00:29:12 |
Absolutely nothing. |
| 00:29:18 |
Man: Anything else, sir? |
| 00:29:20 |
[Knock on door] |
| 00:29:23 |
Sir, the press |
| 00:29:25 |
The press? |
| 00:29:26 |
What do they want? |
| 00:29:27 |
I'm not sure, sir. |
| 00:29:29 |
I'll speak to them. |
| 00:29:40 |
[All yelling at once] |
| 00:29:43 |
Ladies and gentlemen, |
| 00:29:47 |
Mr. Milton Ashtoncroft is |
| 00:29:50 |
[All yelling at once] |
| 00:30:15 |
So, Miss Quinn... |
| 00:30:19 |
are you going |
| 00:30:22 |
Remove 100 million pounds |
| 00:30:26 |
walls of steel and security |
| 00:30:30 |
For the life of me |
| 00:30:34 |
I wish I could help you, but |
| 00:30:37 |
Maybe you struck a deal |
| 00:30:39 |
Who knows? |
| 00:30:41 |
You could look |
| 00:30:42 |
once Lon Di |
| 00:30:44 |
Do I appear |
| 00:30:51 |
We've seen a photo of you at |
| 00:30:54 |
You must be mistaken. |
| 00:30:56 |
We also found some fingerprints |
| 00:31:01 |
By midnight we shall |
| 00:31:06 |
Oh, and, um... |
| 00:31:10 |
did you know my fee is five |
| 00:31:13 |
I understand what you're |
| 00:31:16 |
You're testing me, |
| 00:31:17 |
measuring my reactions, |
| 00:31:21 |
But the truth is you |
| 00:31:24 |
because you |
| 00:31:25 |
Because I've |
| 00:31:27 |
Perhaps I haven't arrested you |
| 00:31:30 |
to reveal who's |
| 00:31:33 |
Sir, there's been |
| 00:31:36 |
News of the robbery |
| 00:31:38 |
Mr. Ashtoncroft |
| 00:31:40 |
Is... is he all right? |
| 00:31:42 |
I'm afraid not, madame. |
| 00:31:43 |
The board are reconvening |
| 00:31:49 |
I hope you have no intentions |
| 00:32:01 |
[Sobbing] |
| 00:32:25 |
Shit. |
| 00:32:35 |
Ohh. |
| 00:32:41 |
[Grunting] |
| 00:34:41 |
Aren't you a picture? |
| 00:34:46 |
Clever girl, eh? |
| 00:34:48 |
Filthy, but clever. |
| 00:34:51 |
Ashtoncroft's dead, |
| 00:34:53 |
or was that all a part |
| 00:34:57 |
I'm going back and |
| 00:34:59 |
I'm afraid I can't |
| 00:35:01 |
You see, the deadline for |
| 00:35:06 |
and I'm guarding |
| 00:35:10 |
in case someone's smart |
| 00:35:13 |
Look at you. |
| 00:35:17 |
You're quite an asset |
| 00:35:18 |
Aren't you, Miss Quinn? |
| 00:35:20 |
They're not going to pay and |
| 00:35:23 |
Oh, they will. |
| 00:35:25 |
Ever think what you're going |
| 00:35:41 |
Ugh! Ugh! |
| 00:35:50 |
You know, you remind me |
| 00:35:56 |
Once she got her teeth |
| 00:36:01 |
Did I ever tell |
| 00:36:02 |
Cancer. |
| 00:36:05 |
But first, they said that not |
| 00:36:09 |
but it had been caught early |
| 00:36:12 |
But you see, we paid |
| 00:36:15 |
we had into a private |
| 00:36:18 |
But then the insurance |
| 00:36:22 |
that she had to wait her |
| 00:36:26 |
So we pleaded |
| 00:36:29 |
up to the Chairman |
| 00:36:32 |
But he said |
| 00:36:37 |
So, you know... |
| 00:36:39 |
but by the time she was |
| 00:36:43 |
well, it... it was... she |
| 00:36:49 |
It's Sinclair. |
| 00:36:50 |
Yeah. |
| 00:36:52 |
At that time Clifton Sinclair |
| 00:36:56 |
of private hospital policies |
| 00:37:00 |
And he used that money |
| 00:37:03 |
as London Diamond's largest |
| 00:37:06 |
Individual participants |
| 00:37:11 |
are liable to the full extent |
| 00:37:18 |
[Door slams] |
| 00:37:21 |
What the hell |
| 00:37:23 |
We've been discussing |
| 00:37:24 |
What situation? |
| 00:37:25 |
The impossible situation |
| 00:37:26 |
What are you talking about? |
| 00:37:27 |
In case you didn't know, |
| 00:37:28 |
we own 75 percent |
| 00:37:30 |
I believe you spoke |
| 00:37:32 |
Yes. |
| 00:37:33 |
you don't have to come |
| 00:37:36 |
The scandalous news, your time is |
| 00:37:40 |
Mr. Ashtoncroft has, however, |
| 00:37:43 |
pending an immediate |
| 00:37:46 |
which I have |
| 00:37:47 |
You have what? |
| 00:37:49 |
King's Row |
| 00:37:51 |
Reliability. |
| 00:37:53 |
our business |
| 00:37:54 |
Our reputation |
| 00:37:55 |
You will never ever |
| 00:37:57 |
It's for a ransom, |
| 00:38:00 |
Are you telling me you waited 15 |
| 00:38:06 |
All this |
| 00:38:08 |
Patience, they say, |
| 00:38:17 |
He took from me... |
| 00:38:19 |
the one thing in this world |
| 00:38:25 |
Mr. Hobbs, |
| 00:38:32 |
No. |
| 00:38:37 |
Didn't we? |
| 00:38:54 |
[Gunshot] |
| 00:38:57 |
How did you solve it? |
| 00:38:58 |
My clumsiness and |
| 00:39:28 |
Come on, come on. |
| 00:39:30 |
Here it is, sir. |
| 00:39:31 |
Thank you. |
| 00:39:34 |
This is the telex from the bank |
| 00:39:37 |
has been made corresponding |
| 00:39:39 |
as requested |
| 00:39:41 |
Everything looks |
| 00:39:44 |
[Grunting] |
| 00:40:04 |
Ugh! |
| 00:40:19 |
Look at the |
| 00:40:25 |
what does it say? |
| 00:40:29 |
Would you call |
| 00:40:33 |
I don't understand. |
| 00:40:34 |
Blank! |
| 00:40:35 |
What the hell is |
| 00:40:37 |
I believe it means the |
| 00:41:25 |
Good day. |
| 00:41:58 |
The South African Star, |
| 00:42:01 |
Shh, shh. |
| 00:42:09 |
Would you mind? |
| 00:42:10 |
I'll, uh, |
| 00:42:37 |
Man: My client will then convey where |
| 00:42:41 |
Excuse me, but there's a call |
| 00:42:55 |
Yes? |
| 00:42:57 |
Has there |
| 00:43:08 |
May I give you |
| 00:43:11 |
Well, you are the one |
| 00:43:13 |
Life is for living. |
| 00:43:15 |
It's there for the taking. |
| 00:43:18 |
Grant yourself no regrets. |
| 00:43:20 |
Go on, put it down. |
| 00:43:21 |
You don't have |
| 00:43:24 |
[Click] |
| 00:43:27 |
It was never loaded. |
| 00:43:32 |
It doesn't matter now. |
| 00:43:35 |
All done. |
| 00:44:11 |
[Water drowning |
| 00:44:15 |
Man: How many more? |
| 00:44:15 |
Second man: Steady. |
| 00:44:17 |
[Water drowning |
| 00:44:22 |
Steady with that. |
| 00:44:28 |
Mr. Hopkins. |
| 00:44:30 |
Finch: |
| 00:44:33 |
Mr. Finch. |
| 00:44:40 |
Congratulations. |
| 00:44:42 |
The idea came |
| 00:44:44 |
your earring in the sink, |
| 00:44:47 |
Sorry I lost you |
| 00:44:53 |
We didn't find prints |
| 00:44:56 |
We found them on the opera |
| 00:44:59 |
They weren't conclusive. |
| 00:45:02 |
Mr. Finch. |
| 00:45:08 |
Whatever it is you have |
| 00:45:12 |
now is not |
| 00:45:15 |
Maybe there will never |
| 00:45:23 |
As strange as it may sound... |
| 00:45:27 |
I can't bare the thought |
| 00:45:28 |
the rest of your life |
| 00:45:31 |
Naturally you'll have to agree |
| 00:45:35 |
with your all-round |
| 00:45:39 |
perfectly situated to do so. |
| 00:45:47 |
Good-bye, Miss Quinn. |
| 00:46:13 |
It has been widely reported |
| 00:46:15 |
that a large scale theft has |
| 00:46:18 |
As you can see, |
| 00:46:30 |
Quinn: Ollie took |
| 00:46:31 |
and became everything |
| 00:46:36 |
I was more fortunate. |
| 00:46:38 |
We look forward |
| 00:46:39 |
and prosperous... |
| 00:46:42 |
and... |
| 00:46:44 |
confidential |
| 00:46:46 |
Quinn: After an extensive |
| 00:46:47 |
it was determined that Mr. |
| 00:46:51 |
They never found him. |
| 00:46:53 |
A month later I was |
| 00:46:56 |
and tendered my resignation |
| 00:47:14 |
Cassie Jane: Well, forgive me |
| 00:47:15 |
but I really need to know. |
| 00:47:16 |
What happened |
| 00:47:18 |
Mr. Hobbs? |
| 00:47:21 |
Well, Mr. Hobbs, though |
| 00:47:24 |
but I did receive |
| 00:47:26 |
in Switzerland |
| 00:47:29 |
had been made to a numbered |
| 00:47:34 |
The sum of |
| 00:47:36 |
Everything. |
| 00:47:39 |
And that's where |
| 00:47:42 |
Your article it's called |
| 00:47:46 |
That's right, isn't it? |
| 00:47:50 |
I hope you're inspired. |
| 00:47:53 |
I hope you can |
| 00:47:56 |
You can contact me. |
| 00:47:57 |
My details are |
| 00:48:12 |
Quinn: "I never intended |
| 00:48:15 |
"but the burden of Hobbs' money |
| 00:48:19 |
"I discovered the world |
| 00:48:21 |
"and through it, |
| 00:48:30 |
"You'd be surprised how long it |
| 00:48:34 |
"It's taken me 40 years. |
| 00:48:36 |
"And just today... |
| 00:48:38 |
"today I gave away |
| 00:48:43 |
"I'm free at last. |
| 00:48:51 |
"Except... |
| 00:48:53 |
"except for that jewel |
| 00:48:57 |
"that I've been saving |
| 00:49:08 |
"Or perhaps... |
| 00:49:11 |
"or perhaps it's |
| 00:49:13 |
"of vanity that |
| 00:49:17 |
[Jazz music playing] |
| 00:51:19 |
Subtitles by LeapinLar |
