For Your Consideration

en
00:00:42 Can you hear them?
00:00:44 The night noises.
00:00:46 Mockingbird in the magnolia.
00:00:49 See the moss hanging
00:00:52 Fairly taste the night, can't you?
00:00:57 You're part of it, Pres,
00:01:03 Like I am.
00:01:06 You can't get away from us, Pres,
00:01:10 This is the country you were born to,
00:01:14 Your country, Pres.
00:01:17 - She'd think there would be snakes.
00:01:20 Oh, it isn't tame. It isn't like the North.
00:01:22 It's quick and dangerous,
00:01:25 Remember how the fever mist smells
00:01:28 ...but you trust that, too,
00:01:31 ...just as I'm part of you
00:02:05 Yes, ma'am?
00:02:07 Hello. Where's Richard?
00:02:09 Oh, he's not in today.
00:02:12 Hack, Marilyn Hack. Stage 11.
00:02:18 I'm sorry, I-- You look familiar.
00:02:21 Thirty-two years.
00:02:24 Yeah. You were in that prison movie
00:02:27 No.
00:02:28 And you had that scene where you
00:02:32 - Not me.
00:02:35 You should have been in that movie.
00:02:37 I'm sure I should have been.
00:02:40 Sure. And you're all set.
00:02:42 Have a good one.
00:02:49 Yes.
00:02:50 - Got a chair open.
00:02:53 - Oh, you're fine.
00:02:55 Per our conversation yesterday,
00:03:00 Go for the A-one or the A-two,
00:03:03 I didn't mean to make
00:03:05 Oh, it's nothing.
00:03:06 I just thought I could look a little younger,
00:03:09 - But it's okay.
00:03:12 But I could be a woman
00:03:14 Who has a terminal illness.
00:03:16 Up until then, I--
00:03:19 Liz said I should get
00:03:22 Oh, honey, are we aware of
00:03:25 Song for Reuben.
00:03:27 Honey, you killed me.
00:03:30 - I've never seen it.
00:03:33 I mean, complete waterworks.
00:03:35 I'm never gonna watch it again unless my
00:03:39 I was dying.
00:03:41 We were babies then, weren't we?
00:03:43 - Yes, we were.
00:03:44 You have such a gift,
00:03:47 - You should teach.
00:03:50 Teach acting.
00:03:52 I wouldn't dare.
00:03:53 You gotta give it away to keep it.
00:03:57 Sandy, now you're mocking me.
00:03:58 You might as well say,
00:04:01 Well, maybe you could
00:04:04 Victor. Victor.
00:04:06 - Hey.
00:04:08 - Yeah.
00:04:10 - What am I doing here?
00:04:11 - You wanted to have a meeting?
00:04:14 We had a meeting scheduled.
00:04:17 Yesterday? No, no, no.
00:04:20 I was in the office all day.
00:04:22 I called you.
00:04:25 - Well, you got a minute now, because--?
00:04:29 What did you wanna talk about?
00:04:31 A lot of things. But, look...
00:04:33 ...I'm working for scale.
00:04:34 An actor of my stature,
00:04:37 There's no excuse for me
00:04:39 That's exactly what
00:04:41 - You should not be working for scale.
00:04:44 But you know these producers,
00:04:47 I'm on your side, all right? I'm your agent.
00:04:49 You are my number-one priority.
00:04:51 There is nothing more important to me
00:04:55 Than you. Excuse me.
00:04:57 Yeah.
00:05:00 Stranger, what do you say?
00:05:02 Nothing important. I'm here with a client.
00:05:04 - I gotta go.
00:05:05 Good, because I gotta take this, Victor.
00:05:10 You know, we moved.
00:05:12 Yeah, talk.
00:05:13 I've done all my homework
00:05:15 I've established everything
00:05:18 ...as far as his short-term objectives go.
00:05:20 I know that I wanna defend my sister,
00:05:23 ...and, ultimately, I feel a sense of guilt...
00:05:26 ...for having abandoned my shipmates in
00:05:29 I think you're making this
00:05:32 This is not about,
00:05:35 You go and see a movie, you don't say,
00:05:38 You gotta know.
00:05:41 That's exactly my problem...
00:05:44 ...but there are certain things
00:05:47 - I love the fact that you did all this work.
00:05:50 I think it will help you later,
00:05:53 ...if you know what I mean.
00:05:55 Oh, my God. Doesn't he know about
00:05:59 ...you have to call me tomorrow--
00:06:02 --as soon as they get back
00:06:05 Bye. I'm so excited for you. Bye.
00:06:08 Hey. Sorry about that.
00:06:13 Miss Campanella, this publicity campaign
00:06:19 It is to be timely, quantifiable
00:06:23 - Do you know what that means?
00:06:25 I warn you. These are actors.
00:06:28 In every actor there lives a tiger, a pig,
00:06:33 You never know
00:06:35 Don't make assumptions about the talent.
00:06:39 Don't assume they know the plot.
00:06:43 Don't assume that
00:06:46 Question, do I look like
00:06:50 - Not at all--
00:06:51 ...would it surprise you to learn
00:06:56 - It would--
00:06:58 ...would it astound you to learn
00:07:02 ...but when I'm at home, I'm Jo-Jo?
00:07:05 Picture's up.
00:07:06 - Roll sound.
00:07:08 And dolly.
00:07:11 And action.
00:07:16 She's not coming.
00:07:18 She's not coming home
00:07:23 She'll be home.
00:07:26 And you, Shmuel?
00:07:29 How long do you think you can stay?
00:07:31 I don't rightly know, Daddy.
00:07:33 Long as it takes, I expect.
00:07:35 The Navy's pretty accommodating
00:07:40 ...and death.
00:07:43 Your mama was so happy
00:07:46 Oh, I know she couldn't show it...
00:07:48 ...but she was kvelling in her own way.
00:07:52 She smiled,
00:07:55 Your coming home today
00:07:58 It ain't no mitzvah, Daddy.
00:08:01 It's what a son does for his mama.
00:08:03 And what does a daughter do
00:08:06 Your sister ain't been home
00:08:09 I don't give two hoots
00:08:12 It was your sister
00:08:18 I know Rachel, Daddy.
00:08:22 And she'll come home
00:08:25 We all know what that means to Mama...
00:08:27 ...or meant.
00:08:30 Was that Rachel's voice I heard...
00:08:33 ...or am I just going meshuga?
00:08:38 Mama!
00:08:41 And cut.
00:08:43 Okay, everybody,
00:08:46 That's a cut.
00:08:48 I thought it was great.
00:08:50 I just have a couple of suggestions.
00:08:52 You guys were great.
00:08:54 Simon, the move is too fast,
00:08:57 ...and I wanna add one thing,
00:09:00 Marilyn, you had a swooning,
00:09:04 It's great. I love the eyes rolling back.
00:09:06 I want you to add one more thing,
00:09:09 ...almost from the bottom
00:09:15 So let-- Let me--
00:09:16 - Let me see what that would look like.
00:09:25 Exactly. And Brian, I love that thing.
00:09:28 Let me see that, just that flash.
00:09:31 No, not the intake of breath,
00:09:35 "Mommy is going now?"
00:09:38 So this is gonna be great.
00:09:40 Whitney? Hi there.
00:09:42 - Can I talk with you for a moment?
00:09:44 Hi. You okay in there?
00:09:47 - Not interrupting a meal or anything?
00:09:50 Sorry I'm on this thing. I hurt my back.
00:09:53 - I fell over the side of an escalator.
00:09:56 Whitney, I have to tell you that
00:10:01 Fifteen and five strapped to the gurney.
00:10:05 I have never experienced
00:10:10 ...which I think is a charming show,
00:10:14 I've had hang-ups.
00:10:18 - That's not what I'm getting on this one.
00:10:22 It's all right because we should go
00:10:25 - ...that no one's even thought of.
00:10:27 What if we go the angle of
00:10:30 Let's tell people not to see our show?
00:10:34 - What about--?
00:10:36 Put a big ad in the paper
00:10:39 Okay. True enough.
00:10:41 But as my proud ancestors,
00:10:47 ...what we're dealing with
00:10:52 Difficult to translate it.
00:10:56 We don't have a blanket for a--
00:11:00 It's a diuretic pony, I'm sorry--
00:11:03 Urinary-problem pony to piss on.
00:11:07 - Give me one sec.
00:11:09 - Just look up.
00:11:11 Can you do that without touching me?
00:11:14 You're fine.
00:11:15 - Gorgeous.
00:11:17 - I'm almost set here. We're rolling.
00:11:20 Okay. Actors.
00:11:22 Actors acting.
00:11:24 - Good.
00:11:26 - But, yeah.
00:11:28 I mean, we're all acting all the time.
00:11:30 You know, but I'm acting differently.
00:11:33 So tell me, Home for Purim.
00:11:35 - Home for Purim.
00:11:37 It's a period film.
00:11:39 - Yeah.
00:11:43 I play Sam Pischer,
00:11:45 Yeah.
00:11:47 But, which brings me to,
00:11:52 - Yeah...
00:11:54 - Depends on what you mean by:
00:11:56 - That's really cute.
00:11:58 We are-- That-- It's a very--
00:12:00 It's a very interesting scenario,
00:12:04 Well, tell me how you both
00:12:08 I started doing standup
00:12:12 I was at Chortles, The Comedy Place.
00:12:17 And-- But no one really--
00:12:20 - No one really got it.
00:12:23 - I thought it was hysterical.
00:12:26 She has a show. Tell her the title.
00:12:28 - No Penis Intended.
00:12:31 - What was that about?
00:12:33 "A humorless romp
00:12:38 - That's a humorless critic.
00:12:41 - No.
00:12:49 Tuesday night. Eleven-ish.
00:12:51 Diamond Pawnbroker
00:12:54 - Ring a bell?
00:12:58 And did you make out the report?
00:13:00 - Did I what?
00:13:02 Yes, I made out the report.
00:13:04 This report is an I-N270,
00:13:09 It is not a 35-DIB...
00:13:13 ...and should not be filed as such.
00:13:15 Do I make myself clear?
00:13:19 That's a good clip. That was a good clip.
00:13:21 I loved that. I love the movie.
00:13:22 Paper Badge, I just loved it.
00:13:25 Nothing happened!
00:13:27 - Nothing happened in that clip.
00:13:30 Yes, it's about time in a film
00:13:33 It always, it's-- People get
00:13:37 - ...and then they say, "Let's blow it up."
00:13:41 ...but I would have given anything
00:13:44 What a brave choice the director made.
00:13:46 What a-- What a pioneer this guy is.
00:13:49 Sometimes it looks like somebody hit you
00:13:52 But I have been hit.
00:13:56 You know, this film reminds me of your wife
00:14:01 Can't believe you keep this
00:14:03 - Well, you never know.
00:14:06 Mr. Orfkin, for the third time,
00:14:11 Oh, okay, just give me five seconds
00:14:19 Right this way, Mr. Miller.
00:14:21 Now, you listen to me, Bernie,
00:14:24 ...but I've got way too much respect for
00:14:28 Hang on. Simi, hold all my calls.
00:14:30 I'm in a meeting with Victor Allan Miller.
00:14:34 I gotta run. Ciao.
00:14:36 - Thank you, Simi.
00:14:38 - Look at you.
00:14:41 - Thank you. Thank you.
00:14:44 - Really? I know, I know.
00:14:47 But we're not filming today,
00:14:50 ...while my tires are being rotated.
00:14:52 - Well, let's talk movies.
00:14:54 Okay? Movies.
00:14:56 There's nothing going on
00:14:59 I mean, it's just-- This is the thing.
00:15:02 There was just--
00:15:04 You're like a cold piece of toast.
00:15:06 I'm not gonna
00:15:08 ...because if you want candy-coated
00:15:12 Go to one of the bigger agencies.
00:15:14 My thing is say it like it is.
00:15:16 But right now I don't think film
00:15:20 Quite frankly, I think television
00:15:24 - I know, but television--
00:15:28 Listen, Victor.
00:15:29 There are some very exciting things.
00:15:33 Singing the Blues.
00:15:35 The dysfunctional Blue family
00:15:39 ...in a small New England town.
00:15:41 - Very, very powerful. And I--
00:15:45 It's a comedy because it's--
00:15:49 The whole family's dysfunctional.
00:15:51 The father doesn't know.
00:15:54 Nobody knows what's going
00:15:57 And that's-- That's the beauty of that.
00:16:02 Simon, all I'm saying is I want it
00:16:05 I want to come in the room
00:16:09 Like a chair or a light or a sofa
00:16:14 - Do you understand me?
00:16:15 If you get it, then you turn it up.
00:16:17 Look, I know my job is to translate
00:16:22 But the problem is, I don't see a vision.
00:16:24 - Can I ask you a question?
00:16:26 Do you know how tight my aperture is
00:16:29 If you're being a smart-ass,
00:16:32 I want it to be bright.
00:16:33 It's bright. It's brighter than
00:16:37 - Up, up, up. Just turn it up for me.
00:16:40 - Thank you. Thank you.
00:16:43 - Whole way.
00:16:45 - There you go. Look at that. Lovely.
00:16:48 I love it because I look and I go,
00:16:50 It's a sports stadium, is what it is now.
00:16:53 You're so European.
00:16:54 There's something about you
00:16:57 Have you ever been to--?
00:17:00 No, I've-- I haven't been
00:17:04 Who is your--?
00:17:07 - Leonid Kazovskich.
00:17:09 - She's amazing.
00:17:11 Wasn't she the one that made her students
00:17:15 - He, and yeah.
00:17:17 It wasn't really necessarily
00:17:19 ...it was more of, you know,
00:17:22 - You know, get rid of everything.
00:17:25 - That's not the thing out here, is it?
00:17:28 - It's really not.
00:17:31 I mean, out here it's like
00:17:33 Here it's all soda pop and blue jeans.
00:17:35 Excuse me, guys. Fifteen minutes,
00:17:38 Could you instead of
00:17:41 ...could you refer to me by
00:17:45 - Sure.
00:17:46 - Sure.
00:17:47 - I apologize.
00:17:50 It helps me. I appreciate it.
00:17:58 Move that up about another 5 feet.
00:18:02 - How's it going, mate?
00:18:04 Excuse me. Sorry.
00:18:06 - So much food and nothing to eat.
00:18:09 What waste.
00:18:12 Ever notice, like, a kind of
00:18:15 It's like-- It's just in this area.
00:18:19 I don't know. Maybe it's me.
00:18:21 Well, my father would say,
00:18:28 Simon...
00:18:32 ...I need to ask you a question,
00:18:37 I'll ask it anyway,
00:18:42 Stop me. Stop me.
00:18:44 No. Stop me again. How do I look?
00:18:47 - You didn't stop me.
00:18:49 - You look absolutely amazing.
00:18:51 I'm sorry I asked.
00:18:54 - No, please.
00:18:55 That's enough. I don't need any--
00:18:59 - Oh, you know what?
00:19:00 I forgot to mention. My girlfriend
00:19:05 ...and she was checking out
00:19:08 Anyway, she got bored with that
00:19:12 ...on one of the movie gossip things,
00:19:14 Filmtattle.com
00:19:18 - Do you ever go on those?
00:19:20 Well, anyway,
00:19:23 ...some bloke got on the set...
00:19:27 ...and he reckons there could be an
00:19:31 And more specifically,
00:19:33 ...your performance
00:19:37 You know, come the announcements.
00:19:40 Anyway, thought I'd just share that,
00:19:45 See you out there.
00:19:48 All right, everybody, back to work.
00:19:55 - Whitney Taylor Brown.
00:19:57 That's a lot of names.
00:20:00 So you're a producer.
00:20:02 A woman producer.
00:20:05 What does a producer do?
00:20:07 Well, as my assistant, Lincoln,
00:20:10 ...there's a lot of telephone calls
00:20:13 ...lots of getting out the wallet and paying
00:20:19 Like snacks.
00:20:23 Let's go back
00:20:26 You are-- Your family is
00:20:28 Yes. Brown Diaper Service.
00:20:31 And what exactly did they do
00:20:34 Well, they picked up the diapers
00:20:39 ...and then we washed them...
00:20:42 ...and then gave them back
00:20:45 That's neat. Thank you so much.
00:20:49 - We're done? We're done.
00:20:52 All of it's done.
00:20:54 Don't you wanna know more about me?
00:20:56 Yeah, but we-- I don't--
00:21:00 Thank you, though,
00:21:03 I don't want anyone to know
00:21:06 ...so I don't want anyone to film my exit.
00:21:09 Okay, it's off. It's not even on.
00:21:12 All right.
00:21:14 First of all, it's been so creative for us.
00:21:17 Every aspect of the movie,
00:21:20 I hope you like it as much
00:21:22 The first, of course,
00:21:25 It's America. It's the family eating.
00:21:28 You have the title in the Hebraic letters.
00:21:32 All right, well, my first instinct says
00:21:36 - Which we--
00:21:38 And I think a lot of people
00:21:42 I think that's such a fascinating take
00:21:47 ...because we've gotten away
00:21:51 ...and we make it this.
00:21:54 Man, that one is scary.
00:21:55 You got disembodied heads.
00:21:57 You know what I like?
00:22:01 This looks like a horror film.
00:22:02 It's horrifying, but like,
00:22:06 Someone's killed their children
00:22:09 ...and I wanna go see that.
00:22:11 Oh, okay. This was also trying to be...
00:22:13 ...a kind of family kind of presentation,
00:22:17 What's creepy about this one is how
00:22:21 That's scary.
00:22:24 You actually do want that in a poster...
00:22:26 ...because when you set the posters
00:22:29 ...as people walk by, you want that,
00:22:32 I'm really glad that you picked that up.
00:22:34 That's what we're trying to do
00:22:37 ...and maybe even something
00:22:39 And, of course, this is just a gay romp.
00:22:42 - It's a party. It's fun.
00:22:45 What's good about this is it's real.
00:22:47 It's very real.
00:22:49 ...where people's heads
00:22:53 I wanna go to this party.
00:22:56 - Okay, great.
00:23:00 This is so stupid and I'm sorry
00:23:04 There's something on the Internet.
00:23:06 Somebody had been on the set,
00:23:09 ...and brought up the idea
00:23:13 ...a possibility of a nomination
00:23:19 It's nothing, no big--
00:23:22 I mean, it's no big deal.
00:23:25 - Forget I said it.
00:23:26 - I just thought, because...
00:23:28 ...if you Googled Simon Whitset,
00:23:31 Okay, this is a rumor that's out there
00:23:35 Tell you what. I'm gonna look into it.
00:23:41 Okay, quick question. The Internet.
00:23:45 - Yes.
00:23:50 - Why, did I get--? I had some salad.
00:23:53 Philip. Lane, Lane,
00:23:55 - Hi.
00:23:57 - Tell me. Purim. Writers.
00:24:01 - You're writers.
00:24:02 Home for Purim.
00:24:04 This is probably the most personal play
00:24:08 There are elements of my family life.
00:24:11 Purim is strictly your territory.
00:24:14 I thought Purim meant "a face."
00:24:16 - That's a punim.
00:24:18 It's the one in the shack,
00:24:21 No, no, no, that's Sukkot, Sukkot.
00:24:24 No, Purim, a lot of people
00:24:26 I mean, I didn't know that much
00:24:31 And it's got a tremendous amount
00:24:34 ...and metaphorical resonance
00:24:37 - You like writing?
00:24:39 - That's great.
00:24:42 And guess what, they usually don't.
00:24:43 - Some--
00:24:45 We write just enough
00:24:48 - Put it that way.
00:24:49 - Let me just throw something at you.
00:24:52 Philip, what is your favorite place?
00:24:58 I'd say Chicago.
00:25:01 Lane?
00:25:03 Under my mother's dining room table.
00:25:10 She's here, Daddy!
00:25:19 - Hey, sis.
00:25:23 Look at you, all decked out
00:25:26 Well, if Tojo wants a fight,
00:25:30 - Hello, Daddy.
00:25:34 My, my, you're a sight for sore eyes.
00:25:40 Daddy, Sam, I'd like you to meet my...
00:25:46 My friend Mary Pat Hooligan.
00:25:51 - Well, welcome to our home.
00:25:56 How's Mama?
00:25:58 Rachel?
00:26:03 Mama.
00:26:08 We're late, I think.
00:26:10 It was nice of you
00:26:12 I love Rachel.
00:26:17 Do you two live near each other?
00:26:19 Well, if you call sleeping in the same bed
00:26:26 Well, that just don't make no sense.
00:26:29 Sam, I love your sister.
00:26:33 - And cut.
00:26:35 - Okay, that was the best one.
00:26:37 Okay, all right. Yeah.
00:26:38 Everybody stay where they are, okay?
00:26:43 I thought that was great.
00:26:46 I thought that was fantastic.
00:26:48 I didn't think it was exactly
00:26:51 - Stinks.
00:26:54 Okay, I'm just not feeling--
00:26:56 I feel like it's ambiguous.
00:27:00 I mean, I got the look,
00:27:03 - ...pussy-footing around--
00:27:05 - That makes you sound gay.
00:27:07 Let me approach this a different way,
00:27:10 There's obviously something that
00:27:14 - I could be blind. I mean, this walks in--
00:27:17 Okay, time, time.
00:27:21 It's paper and they put a letter and a name
00:27:27 But you know what? I'd be--
00:27:29 Let's toss this away.
00:27:32 - Oh, Jesus.
00:27:35 Okay.
00:27:37 - Where's Whitney? Where's Whitney?
00:27:40 Here's what I'd like to do.
00:27:42 And I don't mean to be the leader,
00:27:44 So let's follow me around a circle.
00:27:47 And we kept going.
00:27:50 My name is Sam Pischer.
00:27:53 And we stop. It's like musical chairs...
00:27:56 Are you seeing this? What is this about?
00:28:00 Why is the script on the floor?
00:28:01 - It's upsetting.
00:28:03 You're another person. You're Debbie.
00:28:07 - I'm Vic?
00:28:08 - Say his lines.
00:28:10 - Just a couple of words.
00:28:12 Well, I'm gonna talk to Jay.
00:28:15 - Lincoln.
00:28:16 - Lincoln, I need to talk to Jay right away.
00:28:20 - Yes.
00:28:22 I'm gonna shoot this again
00:28:24 I don't even want to know
00:28:27 Whitney wants to see you.
00:28:29 - I'll be out in a second.
00:28:32 Okay. I'll be right back.
00:28:35 I want you to do some exercise.
00:28:39 - Let's go.
00:28:43 - Jay? Here.
00:28:49 - I just want to-- Hi. Hi.
00:28:51 So, what's going on?
00:28:53 Well, Philip Kuntz and Lane Iverson
00:28:55 - Koontz.
00:28:59 We were a little bit disturbed when
00:29:03 ...because the actors were asking
00:29:05 It was a way to motivate them.
00:29:09 - "Oh, spilkes, something happening."
00:29:12 I don't want to throw the baby out
00:29:15 You'll get a wet, critically-injured baby.
00:29:17 That's not what
00:29:19 - Good point.
00:29:20 I think you've lost your minds.
00:29:22 I don't think you understood
00:29:24 Those exercises,
00:29:27 You need to light a fire under an actor--
00:29:29 It seemed like you were
00:29:32 ...the legitimate questions
00:29:34 - Lane?
00:29:37 Didn't say it out loud. In here.
00:29:38 "I don't know, but I'll have them
00:29:41 - But what about me?
00:29:44 I am not dodging your questions.
00:29:47 We're having a conversation here,
00:29:49 I'm just saying,
00:29:52 Me, don't provoke?
00:29:54 We didn't walk on in the middle
00:29:58 - Yes, we did.
00:29:59 Right.
00:30:03 Marilyn--
00:30:04 - Sorry, I didn't mean to scare you.
00:30:07 I'm sorry. I wanted to let you know
00:30:10 - No, I have another scene.
00:30:13 Of course they did.
00:30:16 I'll make sure they do. I'm sorry.
00:30:18 - And your name is...?
00:30:20 No, it isn't. No, it isn't.
00:30:23 I know, you've been calling me Brian.
00:30:25 - Because your name is Brian.
00:30:27 I'm so sorry, Sam. I love you.
00:30:31 - Sam.
00:30:32 Thank you.
00:30:34 - Sorry, Sam.
00:30:35 You work the computers
00:30:38 - Yes.
00:30:40 ...where they go to sets
00:30:43 - Sure.
00:30:45 But it seems my name
00:30:48 ...with reference to an Oscar nomination.
00:30:50 - Wow, that's exciting.
00:30:53 - That's exciting.
00:30:56 You might have known
00:30:59 Would you like me to do
00:31:01 - If you want to.
00:31:02 - Wonderful.
00:31:04 - Big deal, but if you can--?
00:31:06 - Say your name again.
00:31:08 - Sam. Thank you, Sam.
00:31:09 - Thank you, Sam.
00:31:11 - Thank you.
00:31:12 Oscar. It would be in reference to Oscar.
00:31:16 - I'm here. I'll look it up. Oscar.
00:31:18 - Wonderful.
00:31:19 - If you can. Not a big deal. Who cares?
00:31:27 Oh, Marilyn, wow. Okay.
00:31:31 No, stop it. Stop it, dear.
00:31:36 Don't think about it.
00:31:39 Oh, an Oscar. Oh, okay.
00:31:42 No, thank you. Just-- I just love the work.
00:31:47 It's enough for me. It really is.
00:31:50 It's enough. It's enough. It's plenty.
00:31:52 Oh, God, it's plenty.
00:31:57 And now, Chuck Porter and Cindy Martin.
00:32:00 Well, the much-awaited,
00:32:03 ...The Pride of Plymouth Rock
00:32:05 ...and this is one film every patriotic
00:32:09 I'll tell you what, Chuck.
00:32:11 Its two megastars,
00:32:14 ...may command the highest salaries
00:32:17 ...but can all that money buy them
00:32:26 Oh, look, Daniel.
00:32:29 Gaze upon this bountiful
00:32:33 The Lord hath surely guided us
00:32:36 ...so that we may till its fertile soil
00:32:41 Oh, Daniel, let us seize
00:32:45 ...and commit ourselves to do his service
00:32:51 I love you, Sarah.
00:32:53 And I you.
00:32:58 Wow, well, I say, dust off the mantle,
00:33:02 This could be your year.
00:33:04 That film has a budget of almost
00:33:08 My gosh, just how much does
00:33:14 - Liz.
00:33:18 You look so good.
00:33:21 - Oh, me too.
00:33:22 I finally get off early and you're here.
00:33:25 - You look beautiful.
00:33:31 Thanks. You know, I'm glowing
00:33:35 What?
00:33:36 First, you're never gonna guess
00:33:40 I went to Shoe Barn
00:33:44 ...something open-toed and kind of sexy,
00:33:47 And you'll never believe
00:33:51 Take a wild guess.
00:33:53 Your gynecologist.
00:33:55 No. Zach. From Sisters of Stone?
00:34:00 - Remember?
00:34:02 He's running naked through tombstones.
00:34:05 - It's a full moon and he--
00:34:08 No, he's selling shoes,
00:34:12 He was cradling my instep
00:34:14 Oh, the one with the breath.
00:34:16 The one with the breath.
00:34:19 He'd have to have had his guts removed
00:34:22 - Does he still stink?
00:34:24 God, that was the smell of sin.
00:34:27 It was. But he's-- So he looks good?
00:34:31 Yeah. Yeah, he looks good.
00:34:34 Well, he was at your feet.
00:34:37 Not up...
00:34:39 It's a good thing
00:34:43 I had some wonderful news today too.
00:34:47 What?
00:34:50 What is it?
00:34:53 I think I might get nominated
00:34:56 Oh, my God! Oh, my...
00:35:00 - Oh, my God.
00:35:06 I could see it. I could see us.
00:35:09 A little piece of land,
00:35:11 ...you teaching acting class
00:35:13 - No, that's too far.
00:35:16 The fantasy had gone too far?
00:35:25 It wasn't the apple in the tree...
00:35:27 ...but the pear on the ground
00:35:32 Morning, kids.
00:35:33 - Hi, Corey.
00:35:36 - Big day?
00:35:38 She shoots her big scene with Marilyn.
00:35:41 Big day for all of you.
00:35:43 No. I have, like, two exteriors with Victor
00:35:50 You haven't heard the rumor?
00:35:53 No.
00:35:56 Do you kids like to use
00:36:00 The Internet?
00:36:05 - It's the Internet.
00:36:06 We do. We know what it is.
00:36:07 Well, there was an item
00:36:12 Internet.
00:36:13 --and it mentions very favorably
00:36:19 ...and in particular, your colleague,
00:36:24 - Good for her.
00:36:26 In further "particularlyness,"
00:36:32 - For Marilyn?
00:36:33 That's so cool.
00:36:34 - For Home for Purim?
00:36:36 - That's great.
00:36:40 Chew upon that.
00:36:42 - See you, Corey.
00:36:45 --days in this scene...
00:36:47 - ...I need to know the script count...
00:36:50 What? What do you have?
00:36:52 I told you there was a blurb
00:36:56 - Oh, did you get it?
00:36:57 - Tell me.
00:37:01 - They can do that now.
00:37:03 - On some connection?
00:37:05 - ...and a cord right out of his computer.
00:37:08 - Yeah. Yeah.
00:37:09 And now I have it here on paper.
00:37:13 It's short, but it's powerful.
00:37:15 "Marilyn shines in Home for Purim.
00:37:17 The role of Esther,
00:37:19 ...is laden with the riches
00:37:21 ...and guilt as old as the parchment
00:37:25 - Yes?
00:37:28 ...the casting would be criminal.
00:37:30 But Marilyn Hack is delivering a performance
00:37:33 ...in whose hands only the most
00:37:36 ...a performance that could only be
00:37:40 Hello. Well, how about
00:37:44 - It's very nice.
00:37:45 He's right. I could have written that.
00:37:47 - Did you?
00:37:49 Could have been your nocturnal labors.
00:37:51 What's my nom de plume?
00:37:54 It's just a bit silly about the Oscar stuff,
00:37:58 Silly? It's the backbone of this industry.
00:38:00 An industry noted
00:38:02 The problem is, there's not enough
00:38:05 People want pizzazz,
00:38:07 They want more red carpet, not less.
00:38:12 And settle in. Roll sound. Okay. Rain up.
00:38:18 And action.
00:38:24 The air is as heavy
00:38:29 ...with the weight of a thousand teardrops
00:38:35 If you're waiting for forgiveness, Rachel,
00:38:42 It don't much matter now, Mama.
00:38:47 It don't much matter who forgives who.
00:38:55 What?
00:38:58 What did I do that was so wrong?
00:39:01 Wanting my daughter to grow up
00:39:04 ...with a houseful of babies
00:39:07 ...to cherish and take care of?
00:39:09 You just didn't want the boys around,
00:39:12 What kind of girl
00:39:16 I only invited the best ones over,
00:39:20 There wasn't a nebbish in the group.
00:39:23 But you wouldn't have it.
00:39:28 And so you ran.
00:39:31 You ran and tore a chapter
00:39:35 ...and a piece out of my heart.
00:39:38 I was screaming, Mama,
00:39:42 And you couldn't see me
00:39:45 I didn't want your life.
00:39:48 ...with the brisket or the fish balls
00:39:52 ...or go out with boys that turn into men
00:39:55 It was all fershteit.
00:39:57 I am not you, Mama.
00:40:00 I am me, Rachel Pischer.
00:40:06 And, oh, yes, I did meet a nice fella.
00:40:12 Her name is Mary Pat.
00:40:21 Oy gevalt, what have I done?
00:40:33 - Hi, kids.
00:40:35 Excuse me. Miss Hack, Miss Hack,
00:40:38 - Of course. How are you on this fine day?
00:40:42 I just got off the phone with
00:40:46 Guess who they want on their show
00:40:49 - Oh, Corey, you think you're ready?
00:40:54 - Marilyn Hack.
00:40:56 You and Victor Allan Miller.
00:40:59 - Oh, Corey.
00:41:03 You have no idea how difficult it has been
00:41:07 - It was worth it.
00:41:09 Corey, good job.
00:41:10 See what a little buzz
00:41:13 Just a little bit of buzz, a little bit of
00:41:19 Oh, Victor, incidentally, those radio
00:41:23 What do you mean, auditions?
00:41:25 - A banana and water, please.
00:41:27 - You?
00:41:29 - I'm gonna have the corned beef.
00:41:31 You told me I don't have to
00:41:35 I told them that. I said,
00:41:38 I think he's proven himself
00:41:40 - Excellent. So I've got the gig?
00:41:44 - Why--?
00:41:46 I don't understand why,
00:41:49 ...I have to read for a freaking radio
00:41:53 Victor, if you go in and audition, okay,
00:41:57 "Hey, fellas, I know I don't have to
00:42:00 I'm going to audition for it, just to show you
00:42:05 Just do me a favor. Let me be
00:42:09 - Gentlemen, pardon the interruption.
00:42:11 Victor, the booking.
00:42:15 - Wake Up L.A. for Victor?
00:42:18 - Which is what?
00:42:20 Wake Up L.A. Wake up.
00:42:22 - I don't have a TV, Morley, as you know--
00:42:26 One hour infotainment. Variety.
00:42:29 Happy addition tomorrow morning,
00:42:32 - Victor, fantastic.
00:42:34 Thank you, Mr. Miller.
00:42:35 This ship's turning around.
00:42:38 That is so fantastic.
00:42:40 - Wake Up L.A.
00:42:43 - What do you mean?
00:42:46 I said, "This is the one.
00:42:48 Morley, you told me not to do it.
00:42:51 And so a high of 79 in Los Angeles
00:42:55 Long Beach is 77 and a low of 65.
00:42:58 Anyway, all around, it's gonna be
00:43:03 Where does wind come from?
00:43:05 Where does wind come from?
00:43:09 I don't know. It just blows around.
00:43:11 That was a complete non sequitur.
00:43:12 We won't worry about it.
00:43:15 Hello, Skip. Hello, Sanchez.
00:43:19 Well, thank you very much, Monkey.
00:43:21 Oh, Sanchez, if only...
00:43:24 - That's so rude.
00:43:27 - He always does this.
00:43:29 All right. We've got a couple of wonderful
00:43:34 Miss Marilyn Hack
00:43:38 You know, these two are good.
00:43:40 Very tough to do a morning show,
00:43:43 But these two have an intellect
00:43:48 Oh, Skip's a good guy.
00:43:50 He and I worked on
00:43:53 I can't speak for the painted whore
00:43:56 Hi, hi, good morning.
00:43:58 In about 30 seconds,
00:44:01 - ...you guys are gonna go on.
00:44:03 Now, the seating arrangement
00:44:06 - ...and Miss Heck is next to him.
00:44:09 - Okay, so I'm--?
00:44:12 - Mr. Miller is in the middle...
00:44:15 - ...Miss Heck is next to him.
00:44:17 - She's on first?
00:44:19 - As long as they have the name right.
00:44:21 - And we're back. Wake Up L.A.
00:44:24 - We have two fabulous veteran actors...
00:44:28 ...that have joined us to talk
00:44:32 - We want to--
00:44:34 - Purim.
00:44:35 - That's a Jewish holiday, correct?
00:44:38 It's a wonderful Jewish holiday.
00:44:41 A wonderful story.
00:44:42 Victor, I want to tell you
00:44:45 ...we stop when your commercials
00:44:47 Thank you, that's very kind.
00:44:49 Does anybody out there know
00:44:54 - Let him have it.
00:44:55 - Name of the character?
00:44:58 - It's the wiener...
00:44:59 - Irv the Footlong Wiener!
00:45:02 Head of the class.
00:45:04 I wanted a wiener
00:45:07 - That's the idea.
00:45:08 - Good, good.
00:45:11 Let me ask you a couple of questions
00:45:14 It's a story about a Jewish,
00:45:19 - Jewish family.
00:45:21 - Marilyn, why don't you--?
00:45:23 I just would like a moment
00:45:27 Okay. Can I--? If it's okay with you.
00:45:29 You gave a performance
00:45:32 Oh, she looks nervous.
00:45:34 She's too sensitive for this.
00:45:37 You look gorgeous!
00:45:40 I swear, I'm calling her in 10 seconds,
00:45:43 When they go to commercial break,
00:45:46 Yes, Victor!
00:45:49 I don't act for trophies.
00:45:51 I think some people act for trophies.
00:45:56 - This is the range we don't see in actors.
00:45:59 Absolutely not.
00:46:03 Because you are so distinguished
00:46:06 ...do you feel that people
00:46:11 Well, if they've seen my theatrical work
00:46:15 Well, I have to tell you, for my money
00:46:20 ...I think you're looking
00:46:23 This is the woman, right here.
00:46:24 No, we know that, but I'm telling you,
00:46:27 - Did he just say what I thought he said?
00:46:30 Did he just say Oscar buzz at Victor?
00:46:33 He thinks there's gonna be Oscar buzz
00:46:36 - That's what he said.
00:46:38 That's two Oscar nominees.
00:46:40 He said, "Oscar" and "Victor"
00:46:43 - Yes, he did.
00:46:46 - The guy said Victor--
00:46:48 - Has to be quiet.
00:46:51 - Oscar buzz.
00:46:53 - Let's send a big gift basket to Victor.
00:46:56 - Oh, my God, that was...
00:46:59 - My infrastructure had a meltdown!
00:47:03 - Couldn't have done better.
00:47:05 - It won't help me.
00:47:06 I didn't know what I was saying.
00:47:08 - Oh, I heard.
00:47:11 - Well, he's a natural, okay?
00:47:13 You made him look good,
00:47:16 - I mean, you were a little nervous.
00:47:19 - He was marvelous.
00:47:21 - She had a sexual feeling to you.
00:47:23 I'm not used to being a sex object,
00:47:26 - Get used to it.
00:47:28 - Congratulations.
00:47:30 - That was wonderful.
00:47:32 - Do you know any, like, coaches?
00:47:35 - Victor, go like this:
00:47:38 You taste that?
00:47:41 That's the taste of stardom,
00:47:44 You're entering a new plateau,
00:47:47 I know,
00:47:49 I've guided so many actors
00:47:52 You are now a star.
00:47:55 You have to start walking and talking
00:47:59 - Okay?
00:48:01 Give Victor Allan Miller fans
00:48:04 - Got you, got you.
00:48:07 In today's "Lost and Found" segment...
00:48:10 ...we're going to look at careers that
00:48:14 And wouldn't you know it? They both
00:48:19 Marilyn Hack made quite the splash
00:48:24 ...for her memorable portrayal
00:48:28 Know what they say about blind prostitutes?
00:48:32 We can cut that out.
00:48:34 But where did she go? She got lost.
00:48:36 And Victor Allan Miller,
00:48:40 ...best known as
00:48:42 ...in those amusing commercials
00:48:46 ...well, he just up and disappeared.
00:48:48 Until now, Cindy.
00:48:50 And I'm glad to report
00:48:53 ...but more important, they're working.
00:48:55 I'll tell you what, Chuck. Both are
00:48:59 Home for Purim.
00:49:02 ...they could both be marching
00:49:05 And Cindy and I will be on the set
00:49:08 - Purim.
00:49:10 ...talking to Marilyn Hack
00:49:12 ...and the cast of this hot little movie
00:49:16 We'll have that story
00:49:18 ...on tomorrow night's show.
00:49:27 When Achashverosh heard the news
00:49:31 He told his wife Queen Esther
00:49:37 Haman will be punished
00:49:41 And you'll shep noches later
00:49:46 Purim, Purim, Purim
00:49:51 By drowning out the sound
00:49:56 Purim, Purim, Purim
00:50:00 That Mordecai and Esther
00:50:13 - Let's get you back to bed.
00:50:15 My time is short
00:50:21 What is it about Purim
00:50:27 I'm an Esther, like the queen.
00:50:30 She was a woman who came
00:50:34 To a palace where she had
00:50:37 Comfort, riches, power.
00:50:40 And she risked it all,
00:50:43 ...to serve a higher purpose...
00:50:45 ...commit a selfless act
00:50:49 Your daddy was my king...
00:50:52 ...this house, my palace...
00:50:54 ...and my selfless act was to protect
00:51:00 I don't have much time!
00:51:08 Only now do I realize the irony...
00:51:13 ...that my selfless act
00:51:17 Because the Haman I was trying
00:51:21 ...turned out to be me.
00:51:25 Mama.
00:51:27 - Mama.
00:51:29 You're no Haman, Mama.
00:51:31 You are... Queen Esther.
00:51:40 - And cut.
00:51:43 - Very good, everybody. Very good.
00:51:46 And we are moving on.
00:51:48 Scene 31, in the kitchen.
00:51:50 - Simon? Simon.
00:51:54 - Brilliant.
00:51:56 In the next take, extreme close-up
00:52:01 Make a note of that.
00:52:03 I got it.
00:52:05 - To call attention to...
00:52:07 That was terrific, unbelievable.
00:52:11 Victor? What I want to do is,
00:52:13 See your face after lunch.
00:52:16 - Not too low?
00:52:18 Because I wanna be able
00:52:20 - Hello, everyone.
00:52:22 Everyone, quiet, please.
00:52:24 I have Martin Gibb,
00:52:29 - Hi.
00:52:30 - Victor Allan Miller.
00:52:33 - This is Marilyn.
00:52:35 - Marilyn Hack.
00:52:37 - And this is the gang.
00:52:41 - Callie Webb.
00:52:44 The article.
00:52:48 The article?
00:52:49 Planet Earth calling.
00:52:51 Did you get a chance
00:52:54 Yeah. Right. Variety.
00:52:57 So "Star on the Rise" is the headline.
00:53:01 Okay. "With stellar performances...
00:53:04 ...from its veteran mainstays,
00:53:09 ...it is the surprisingly adept
00:53:12 ...that could earn Webb
00:53:19 - Made you happy?
00:53:21 - Congratulations.
00:53:25 - Oh, bye-bye.
00:53:27 - It's gonna be so much fun.
00:53:30 - Bye! Bye, thank you for coming.
00:53:39 I just feel like...
00:53:42 - ...I got in trouble.
00:53:45 - Like I don't know you.
00:53:47 - You're mad at me for something.
00:53:50 You're not happy for me.
00:53:52 I'm happy for you
00:53:54 ...and you're wonderful
00:53:57 You know how embarrassing
00:54:00 - You weren't happy for me.
00:54:04 - What is your problem?
00:54:06 - You're jealous. That's your problem.
00:54:09 If you're not gonna be there for me
00:54:13 - I'm confused.
00:54:15 I don't need anybody.
00:54:20 And you know what, Brian?
00:54:22 - Callie.
00:54:25 - Come back here, please.
00:54:34 If you take my meaning.
00:54:36 Oh, good times, good times.
00:54:39 - Well done, everybody.
00:54:43 I mean, we had no idea, you know,
00:54:45 - We've never been here before.
00:54:48 It's great. The cast are great.
00:54:50 We make enough money on this,
00:54:53 Hey, hey. Hey, now.
00:54:55 And so with a few little tweaks
00:55:00 What kind of tweaks?
00:55:02 Just make it more palatable.
00:55:05 We don't want a very small art movie.
00:55:07 Oh, I see what you're saying.
00:55:09 I don't think you have that problem.
00:55:12 It's vital and it's exciting.
00:55:15 Yeah, yeah, yeah. But we can--
00:55:17 It will be if we just tone
00:55:21 - That's all. Just tone--
00:55:23 - Just--
00:55:25 Well, the Jewishness.
00:55:30 - Well, they are Jewish.
00:55:32 ...and then everyone can enjoy it.
00:55:34 Wait. This is about a Jewish family.
00:55:36 They're home for Purim.
00:55:38 Well, we could--
00:55:41 I wasn't suggesting we change the title.
00:55:44 ...that Purim is an essential part
00:55:48 It looks like guys in suits
00:55:51 - No, no, no.
00:55:52 Just tone down the Jewishness
00:55:56 - Title change would be good.
00:55:58 ...is wearing a hat or has ringlets.
00:56:01 I'm just saying the film as a whole,
00:56:03 ...the whole thrust of the film...
00:56:05 ...the whole in-your-face
00:56:08 ...tone it down.
00:56:11 Oh, here's people coming
00:56:13 It's a good film and there's people
00:56:16 What if we do a different holiday
00:56:20 --and just focus on the rabbit?
00:56:22 All I'm saying is have it there,
00:56:26 I don't-- I don't run around--
00:56:29 I don't run around going,
00:56:32 I don't shove it down your throat,
00:56:35 Three, two, one, and hit them.
00:56:38 We're sitting on the set...
00:56:39 ...of one of the hottest movies
00:56:43 It's called Hello, Purim.
00:56:45 - Home for Purim.
00:56:46 Home for Purim.
00:56:48 Some faces we're not familiar with.
00:56:51 And I recognize Victor Allan Miller.
00:56:54 - How are you? Question for you.
00:56:57 The Brady Bunch.
00:57:00 - Jan.
00:57:02 Mine was-- I think her name was Alice.
00:57:05 She was the maid. She was the glue
00:57:08 - You had a question, Cindy?
00:57:10 ...when word got out
00:57:14 ...I was inundated
00:57:17 - ...all of them asking me to ask you...
00:57:20 - ...the same question.
00:57:22 Where the heck have you been?
00:57:25 Oh, aren't you nice?
00:57:28 That's rhetorical.
00:57:30 Marilyn Hack,
00:57:33 ...and you are dying as I understand.
00:57:35 That must be tough,
00:57:38 Let me ask a question.
00:57:42 ...any pranks on the set?
00:57:44 Anything funny that happened?
00:57:47 No high jinks per se, but I--
00:57:50 Hold it just a second. I gotta take this.
00:57:54 - What's he doing?
00:57:56 - Nothing much.
00:57:58 - No, it was easy day.
00:58:00 Aren't these things wonderful?
00:58:02 In a restaurant, you can use them.
00:58:06 They say soon we'll be able
00:58:09 Callie Webb,
00:58:12 ...that comes home to her mom
00:58:14 You have a history of standup comedy.
00:58:17 Were you able to fall back
00:58:19 - ...in playing a role like that?
00:58:22 - It doesn't translate, eh?
00:58:24 Tragedy plus time equals comedy.
00:58:27 - It's a different movie.
00:58:29 Years ago, I read a book called
00:58:32 - "I think I can."
00:58:34 "I think I can, I think I can...
00:58:36 - ...I think I can.
00:58:38 - That's what the train said as--
00:58:41 - I think it was just three.
00:58:43 And it reminds me of this little movie
00:58:47 ...and is chugging up, up, up.
00:58:49 Who knows if it's gonna
00:58:52 It's a wonderful book.
00:58:54 It's big print, lot of pictures,
00:58:58 If you want something heavy, see Hamlet
00:59:02 For me, something you can
00:59:04 God bless you all.
00:59:07 ...despite what critics say.
00:59:09 You know, the dogs bark,
00:59:12 Everyone, keep up the good work.
00:59:35 C.J. Simon...
00:59:37 ...and a group of people
00:59:39 ...because there's no studio work.
00:59:43 Our next guest finished shooting
00:59:47 ...that was just supposed to pay rent.
00:59:49 Here we are in January,
00:59:52 Let me tell you, that charming
00:59:55 ...could end up buying her
00:59:57 It turned this town on its ear.
00:59:59 Please welcome the star
01:00:02 ...Marilyn Hack. Oh, Marilyn?
01:00:12 I love you, Marilyn!
01:00:17 - Well, good evening.
01:00:20 Thank you very much
01:00:23 Oh, no, thank you.
01:00:25 Well, we're glad that we could
01:00:30 Speaking of which,
01:00:32 ...that your performance in this movie
01:00:36 - Well...
01:00:39 It's about Thanksgiving,
01:00:42 ...is probably our most elegant holiday.
01:00:46 - I do now.
01:00:49 And I, for one,
01:00:51 And it's all-inclusive. It includes
01:00:56 - It's nondenominational.
01:00:58 And it kicks off Awards season.
01:01:01 I gotta tell you.
01:01:05 And Home for Thanksgiving?
01:01:07 Favorite film of the year.
01:01:09 - Well--
01:01:12 --I hate to surprise you, Ben...
01:01:14 ...but I also enjoyed it very, very much.
01:01:18 - You know, when people see--
01:01:21 I don't believe this.
01:01:23 - Well, thank goodness.
01:01:25 ...is, as far as I'm concerned,
01:01:29 I mean, Oscars. I smell Oscars.
01:01:31 I loved it. I loved the movie.
01:01:33 KXBD 104.9 Talk Radio.
01:01:36 - Dinkie and Don--
01:01:38 It's the Morningwood Show.
01:01:41 - I've got morning wood this morning.
01:01:44 We got a special guest.
01:01:48 - Her name is Callie Webb.
01:01:50 - I'm good. How are you?
01:01:52 We heard there's a little bit of,
01:01:56 - ...around the film you have opening.
01:01:58 - Tell us about that.
01:02:00 The film is called Home for Thanksgiving.
01:02:03 - And--
01:02:05 - There are no topless scenes.
01:02:07 - What's the point?
01:02:09 But there's...
01:02:13 Gentlemen, welcome.
01:02:15 - Thank you.
01:02:17 So here you are, playwrights.
01:02:19 How has the transition been from writing
01:02:24 Because it starts out
01:02:27 It starts out as a medium
01:02:31 - Yes.
01:02:34 ...in the screen,
01:02:37 The director designs what's gonna go on,
01:02:42 The director, in fact,
01:02:46 ...and you're relegated.
01:02:49 ...in this situation?
01:02:52 ...you have reached a position of comfort?
01:02:58 What up, everybody?
01:03:00 We have a special guest today.
01:03:02 He's the star of the upcoming new movie,
01:03:06 ...which comes out this Friday.
01:03:07 I want you guys
01:03:10 ...for Victor Allan Miller.
01:03:13 - Yeah!
01:03:19 - What's up, man? How you doing?
01:03:21 - I'm so glad you could be here.
01:03:25 Absolutely, absolutely.
01:03:28 - We're gonna pump this beat now.
01:03:30 Yeah, exactly.
01:03:35 Let go a little bit.
01:03:38 That's what I'm talking about, chillaxing.
01:03:41 - Let go even more. More.
01:03:43 - Absolutely.
01:03:45 - Just have a good time. That's what it is.
01:03:49 - Yeah, right there.
01:03:51 Some love for him right now.
01:03:58 Well, the countdown
01:04:02 The nominations will be announced
01:04:05 And once again, we have to rely on
01:04:08 ...to give us the inside track
01:04:11 Yes. We will gaze into the crystal ball...
01:04:15 ...and tell you who we see
01:04:18 Nice accent, incidentally.
01:04:21 Cindy, who do you see for Best Actor?
01:04:24 Well, I see two faces appearing, Chuck.
01:04:27 Ben Connelly
01:04:30 ...and Victor Allan Miller
01:04:34 Who do you see
01:04:37 I see Louise Mayer for the classy,
01:04:42 And there seems to be two other faces
01:04:45 Marilyn Hack and Callie Webb.
01:04:49 Both for Home for Thanksgiving.
01:04:51 Yeah, well, I'll tell you what.
01:04:52 Tomorrow night, the Best Supporting
01:04:56 - But right now...
01:05:00 And I'm feeling a lot better
01:05:11 Guess who. Hi.
01:05:13 Hi.
01:05:16 Hi, darling.
01:05:17 Do you believe this?
01:05:20 It's too exciting. How do you feel?
01:05:23 - I feel good.
01:05:25 I don't see anything wrong with both of us
01:05:28 I'm sure it's been done before,
01:05:31 I mean, after tomorrow,
01:05:35 - Marilyn?
01:05:37 It's exciting, isn't it?
01:05:39 Yeah.
01:05:41 I'm so-- I'm very happy for you.
01:05:43 I'm happy for you too, Marilyn.
01:05:45 I haven't seen Brian here,
01:05:49 - We split up.
01:05:51 - Yeah.
01:05:53 - Yeah, it's--
01:05:56 Hello, blondie.
01:05:59 Are you a natural blond?
01:06:01 Oh, no. All of it
01:06:08 Mixing business with pleasure.
01:06:13 Yeah.
01:06:14 Do you like restaurants? You like wine.
01:06:19 - They're okay.
01:06:21 Do you wanna go to a restaurant?
01:06:23 Maybe.
01:06:25 What sort do you like?
01:06:27 I like...
01:06:30 ..."latesion"? Lesion?
01:06:34 Lesion, that's a-- That's like a wound.
01:06:37 No, it's Latin restaurants...
01:06:40 - ...but I don't know what the word is.
01:06:43 Latin restaurants.
01:06:46 No, Latin. The people that speak Latin.
01:06:50 I need this to calm my nerves.
01:06:52 - I'm not gonna sleep tonight.
01:06:54 I'm a peeled nerve. I'm just--
01:06:58 I think Marilyn is very deserving,
01:07:01 ...as deserving of an award.
01:07:03 She's wonderful,
01:07:05 I don't think she's quite ripened yet.
01:07:07 But you know what? I have to tell you
01:07:11 ...my daddy would say to me,
01:07:13 "Never let them see you sweat."
01:07:16 And I think that the voters
01:07:20 They know that she's hungry.
01:07:22 No, but you know what? I'm sorry.
01:07:25 Playing a lesbian is hard.
01:07:27 Oh, please. Marilyn Hack is the queen
01:07:31 There was a thousand queens
01:07:33 - And you know that.
01:07:35 Oh, come on. There's a ton of queens.
01:07:37 It's been a good experience
01:07:40 ...this is the last bargain-basement deal
01:07:44 You know?
01:07:46 We're not gonna just take
01:07:49 - We're not gonna take any.
01:07:52 Gentlemen, c'est ça.
01:07:55 - Jesus, don't touch me.
01:07:57 Corey, what is it, Pioneer Days
01:08:00 Certified degree of Indian blood.
01:08:03 Mr. Miller, I presume you will be
01:08:06 ...this morning at 5 a.m.
01:08:09 Well, I would, except for the fact
01:08:12 - Has no TV. Yeah.
01:08:15 Call me, Taft, and I will call him. Okay?
01:08:18 - We're having a meeting.
01:08:20 Could you step back, physically?
01:08:22 - Yep. I'm going to go sit in my car.
01:08:26 Hello.
01:08:28 Hello, everybody.
01:08:30 Come around.
01:08:33 Come on. Okay.
01:08:37 Okay:
01:08:41 Okay. Thanks.
01:08:45 When the enchanting Whitney Brown
01:08:50 ...I realized I was in
01:08:54 And when I actually got around
01:08:58 ...I realized I had in my mitts a story...
01:09:03 ...the likes of which
01:09:06 Which goes to show...
01:09:08 ...the suits aren't always the wankers
01:09:11 Hear, hear.
01:09:14 So with that in mind...
01:09:17 ...I would like to propose a toast...
01:09:20 ...to the future nominees
01:09:24 The future nominees.
01:09:26 Home for Thanksgiving.
01:09:28 Home for Thanksgiving.
01:09:41 The backup, however,
01:09:44 In Hollywood, traffic on the 101
01:09:49 ...through the Cahuenga Pass
01:09:52 That is your early drive-time report...
01:09:55 ...and now we head back
01:09:58 ...of the nominations from the Academy.
01:10:01 And now the nominations
01:10:08 Veronica Randolph
01:10:13 Cynthia Chapman
01:10:18 - Okay, say it.
01:10:20 - ...in Whispers in the Attic.
01:10:23 Louise Mayer in Dream Alley.
01:10:29 And Monique LeBlanc
01:10:34 Dark Horse.
01:10:37 The nominations for Best Actor
01:10:42 ...Ben Connelly in Whispers in the Attic.
01:10:48 Marilyn Hack.
01:10:49 - Jose Mercado in Crystal Lake.
01:10:51 Just say Marilyn Hack.
01:10:55 - William Montague...
01:10:57 ...in Tomorrow Never Sleeps.
01:11:27 Hi, this is Brian,
01:11:30 Brian? Brian, it's Corey.
01:11:34 Congratulations, my young friend.
01:11:37 You have achieved a nomination.
01:11:40 That is very exciting news
01:11:45 Good evening America, and anyone else
01:11:49 Well, the nominations are in
01:11:53 Well, I'll tell you what, Chuck.
01:11:57 And it seems that sentiment alone
01:12:01 And because there were so many surprises,
01:12:05 ...instead of hearing the usual drivel
01:12:08 ...what could be more
01:12:10 ...what the devastatingly disappointed
01:12:15 Well, I guess it all depends on what
01:12:19 Fun is where you find it.
01:12:21 We had our roving cameras on the losers
01:12:24 ...and here's what they had to say.
01:12:29 Hi, Callie. Chuck Porter...
01:12:32 ...Hollywood Now. Scrunch over. I thought
01:12:36 So let me start by saying... no nomination.
01:12:39 And I say that on behalf of myself
01:12:43 Your movie was exceptional.
01:12:46 But what went wrong?
01:12:51 Honestly, Chuck,
01:12:54 - No thought?
01:12:56 It doesn't matter. Can I have an order
01:12:59 For Miss Callie Webb? Don't say, "Who?"
01:13:03 One thing you have to look forward to
01:13:06 Not having people come out and say,
01:13:09 No autographs for this lady.
01:13:11 What do you mean
01:13:15 Victor Allan Miller is inside auditioning
01:13:19 Let's sneak inside like a fly on the wall.
01:13:22 Maybe they won't even notice
01:13:24 Wow, that's spicy.
01:13:27 - Wow, that's spicy.
01:13:30 I'll take a thousand
01:13:32 Because I got 500 buffalo
01:13:35 Chuck Porter, Hollywood Now.
01:13:37 ...and give us two minutes
01:13:40 - Hello, Chuck.
01:13:42 - I'm good, I'm good.
01:13:44 You're striking
01:13:48 I was shocked that you were
01:13:51 But once the word came out,
01:13:54 How did it feel when you thought
01:13:57 You know, when you just came in, I thought
01:14:01 I wish I could have.
01:14:04 You know, I'm gonna call you Mr. Miller.
01:14:06 Because it's kind of hypocritical
01:14:09 - You get what I'm saying?
01:14:11 Victor, he's certainly not a victor.
01:14:13 Can I help you?
01:14:16 Would you tell your cameraman
01:14:19 I'm kidding. Just get back there
01:14:21 We are out of here. We're in Times Square.
01:14:26 ...ignominiously, so let's light the sparklers
01:14:31 I think we see Marilyn Hack right now.
01:14:34 Morning, Marilyn. Chuck Porter,
01:14:38 - Wrong house.
01:14:40 - I didn't get nominated.
01:14:43 - Marilyn and trash. What a juxtaposition.
01:14:46 We know that. And what happened?
01:14:48 - What was that?
01:14:50 You get close to being nominated.
01:14:52 - That's what it's all about.
01:14:55 Because four out of five of those girls
01:15:00 - Can I ask you--?
01:15:02 I didn't even get nominated.
01:15:03 - I'm not gonna lose. I'm not gonna lose.
01:15:06 How could I think I'd win
01:15:09 - That's what I mean. You came this close--
01:15:11 - I don't think you--
01:15:14 - What for?
01:15:16 The French movie. Drives me nuts,
01:15:19 - That's French. It's French. It's not legal.
01:15:23 Then I'm gonna come back,
01:15:27 "French, foreign. You're so--
01:15:31 And I'll say, "Fuck you.
01:15:33 You didn't know-- Even know it was me."
01:15:35 - No. I'm sure--
01:15:39 No, I think they did a wonderful job.
01:15:41 Come in. I got so much food. Come on.
01:15:43 Marilyn Hack. Now I know
01:15:46 ...to stare down into the Grand Canyon.
01:15:49 Chuck Porter, Hollywood Now,
01:16:02 You were never there for me
01:16:06 I can see right through you
01:16:09 You were always running scared
01:16:14 But wait. Were you there for him?
01:16:19 Did you give him everything he needed?
01:16:24 Maybe it was you
01:16:35 Wait a minute, wait a minute
01:16:38 You're changing the subject
01:16:41 I'm getting all confused
01:16:44 He always was the problem
01:16:47 I was being used
01:16:53 Or was I?
01:16:57 Second chances don't happen every day
01:17:03 But in every single way
01:17:06 I will forgive him
01:17:15 Maybe I will forgive him...
01:17:20 ...in hell!
01:17:37 What if I told you...
01:17:39 ...that you could have a slim,
01:17:42 ...in just nine and a half days...
01:17:44 ...and have all the fun
01:17:47 Sound too good to be true?
01:17:49 Well, not when you're exercising
01:17:52 And here to help demonstrate
01:17:55 ...a man who came this close
01:17:59 Victor Allan Miller.
01:18:01 Victor, welcome.
01:18:03 And congratulations on almost
01:18:06 Yes, it is. Thank you very much.
01:18:08 It was an honor
01:18:10 It's an honor to be demonstrating
01:18:13 Let me just show you
01:18:16 Great. Now, to the untrained eye...
01:18:18 ...it may look like Victor is having
01:18:22 ...but he's actually working
01:18:24 ...quads, calf and hip muscles.
01:18:28 - Please, do.
01:18:29 Plenty for everybody.
01:18:31 - God, this is as fun as it looks.
01:18:34 - I'm feeling that burn.
01:18:36 Good? He's this close from the A-list.
01:18:39 I mean, this is such a profile booster
01:18:42 Because you gotta be somebody
01:18:45 They don't just ask anybody.
01:18:46 More people will see this
01:18:49 ...and all the Broadway he's ever done.
01:18:51 He's gonna get a lot of work from this.
01:18:53 - I'm gonna need some help to get up.
01:18:57 You can't get away from us, Pres.
01:19:02 This is the country you were born to,
01:19:08 Amy wouldn't understand.
01:19:12 Julia, please.
01:19:15 - That was good.
01:19:23 - Not bad. Not bad.
01:19:25 - But indulge me.
01:19:27 Okay.
01:19:32 Like I am.
01:19:34 You can't get away from us, Pres.
01:19:37 This is the country you were born to,
01:19:42 Your country, Pres.
01:19:45 Amy wouldn't understand.
01:19:48 Julia, please.
01:19:52 See the difference?
01:19:57 Was it louder?
01:20:00 Oh, my darlings, you are so talented.
01:20:03 That's why you're here, with me.
01:20:05 But you are so full of yourselves.
01:20:10 Ask yourself why the naked mole-rat mother
01:20:15 ...to grow inside her,
01:20:19 ...and stretch her skin
01:20:23 I'll let you in on a little secret.
01:20:28 She lets it all go. Everything.
01:20:30 And she's left feeling comfortable
01:20:33 Oh, I wish I could jump-cut you babies...
01:20:36 ...right now to the happy place
01:20:39 I wish, but that's your own journey.
01:20:42 It's worth it.
01:20:44 I have learned...
01:20:47 ...that if I can expunge everything within...
01:20:51 ...I am left comfortable...
01:20:54 ...in my own skin.