|
French Lieutenant s Woman The
|
| 00:00:24 |
(director through loud-hailer) |
| 00:00:31 |
OK. First positions, everybody. |
| 00:00:37 |
(man) 32 take 2. |
| 00:00:40 |
(director) And action. |
| 00:00:50 |
And track. |
| 00:02:16 |
(church bells ringing) |
| 00:02:49 |
(hums) |
| 00:03:02 |
Sam? |
| 00:03:06 |
Sam? |
| 00:03:12 |
Sam! Get the carriage ready. |
| 00:03:15 |
- We're going to Miss Ernestina's. |
| 00:03:40 |
(maid) Madam! |
| 00:03:44 |
Madam, come quick! |
| 00:03:48 |
- Good morning. |
| 00:03:49 |
Will you please tell your mistress |
| 00:03:53 |
- Charles! Goodness, you are up early. |
| 00:03:57 |
- A beautiful morning. |
| 00:04:01 |
Is, er, Ernestina awake? |
| 00:04:04 |
- Er, Mary, is my niece awake? |
| 00:04:07 |
- Well, tell her Mr Charles is here. |
| 00:04:10 |
Might it be possible |
| 00:04:14 |
- Alone? |
| 00:04:17 |
- Thank you. |
| 00:04:20 |
Miss! Mr Charles |
| 00:04:24 |
- Mr Charles? |
| 00:04:27 |
He wants to speak to you. |
| 00:04:30 |
- What shall I... What dress shall I wear? |
| 00:04:35 |
- You look pretty as a picture in your pink. |
| 00:04:43 |
The conservatory is a private place. |
| 00:04:47 |
It will suit. Thank you. |
| 00:04:51 |
I shall wait for her... in the conservatory. |
| 00:04:58 |
I always thought you from London |
| 00:05:01 |
No, ma'am. Up and about. |
| 00:05:04 |
Early birds ready to catch |
| 00:05:12 |
She's comin'! |
| 00:05:21 |
Charles? |
| 00:05:23 |
Ernestina. |
| 00:05:24 |
- She's gone into him. |
| 00:05:28 |
Ernestina, it cannot have escaped |
| 00:05:32 |
...since I came down here |
| 00:05:35 |
No, it has not escaped my notice. |
| 00:05:39 |
I came to Lyme to explore the flint beds |
| 00:05:47 |
...but I have stayed for you. |
| 00:05:50 |
- Ah. |
| 00:05:53 |
Thank you. |
| 00:05:55 |
- She's not going to turn him down? |
| 00:06:00 |
I came to inquire whether you would |
| 00:06:04 |
Yes, I would allow it. |
| 00:06:09 |
Mind you, I don't know |
| 00:06:11 |
I don't do what he considers to be work. |
| 00:06:14 |
Are you suggesting that it is |
| 00:06:17 |
- No. It is yours. |
| 00:06:21 |
Papa will do what I want. |
| 00:06:25 |
Well, in that case, might you take pity... |
| 00:06:27 |
...on a crusty old scientist, |
| 00:06:32 |
...and marry me? |
| 00:06:35 |
Oh, Charles! |
| 00:06:37 |
I've waited so long for this moment! |
| 00:06:40 |
He's home and dry. |
| 00:06:45 |
This isn't mistletoe, |
| 00:06:49 |
Oh, Charles. |
| 00:06:56 |
(phone rings) |
| 00:07:10 |
Yeah? |
| 00:07:14 |
Who is it? |
| 00:07:18 |
Yes, it is. |
| 00:07:23 |
I'll tell her. |
| 00:07:28 |
Anna? |
| 00:07:30 |
You're late. |
| 00:07:33 |
Make-up's waiting for you. |
| 00:07:39 |
Oh, God! |
| 00:07:42 |
- What happened to the wake-up call? |
| 00:07:47 |
- Who called? |
| 00:07:51 |
- Did you answer the phone? |
| 00:07:53 |
Well, then... they know. |
| 00:07:56 |
- They know that you're in my room. |
| 00:07:59 |
In your bed. I want them to know. |
| 00:08:05 |
Christ, look at the time. |
| 00:08:08 |
They'll fire me for immorality. |
| 00:08:13 |
They'll think I'm a whore. |
| 00:08:16 |
You are. |
| 00:08:20 |
Morning. |
| 00:08:23 |
Chilly morning. |
| 00:08:55 |
(hammering) |
| 00:09:26 |
Miss Woodruff! You know |
| 00:09:32 |
Miss Duff has made |
| 00:09:35 |
The cottage is to be sold. |
| 00:09:40 |
How much money do you possess? |
| 00:09:46 |
Miss Woodruff, I think I know |
| 00:09:49 |
Mrs Poulteney from the Grange. |
| 00:09:53 |
Does her house overlook the sea? |
| 00:09:57 |
Yes, it does, yes. |
| 00:09:59 |
Then... I would be grateful |
| 00:10:31 |
- Mr Smithson to see Mr Freeman. |
| 00:10:40 |
You may be a gentlemen |
| 00:10:43 |
...but you are certainly punctual. |
| 00:10:45 |
Good morning, Mr Freeman. |
| 00:10:48 |
Well... |
| 00:10:51 |
We could have met |
| 00:10:53 |
...but I thought you'd be |
| 00:10:56 |
- Indeed I am. |
| 00:11:01 |
Of course, in a few months we shall be |
| 00:11:05 |
I see. |
| 00:11:06 |
That's the May Queen, |
| 00:11:10 |
Yes, indeed. I recognise, er, Charles... |
| 00:11:13 |
...that you bring to Ernestina |
| 00:11:16 |
...but also in time |
| 00:11:19 |
That is so. |
| 00:11:21 |
Yes... |
| 00:11:24 |
Well, I know my daughter loves you. |
| 00:11:28 |
You seem to me an upright man. |
| 00:11:35 |
I started here, Charles, |
| 00:11:41 |
- You know I have no son. |
| 00:11:45 |
Well, if you ever felt disposed |
| 00:11:50 |
...I would be delighted to be your guide. |
| 00:11:54 |
Thank you. |
| 00:11:56 |
Oh, yes, he was very respectful |
| 00:11:59 |
...my position |
| 00:12:02 |
In fact, he asked me about my work. |
| 00:12:05 |
But as I didn't think that |
| 00:12:09 |
...I gave him a brief discourse |
| 00:12:13 |
- How wicked of you! |
| 00:12:17 |
In fact... he ventured the opinion... |
| 00:12:20 |
...that Mr Darwin should be exhibited |
| 00:12:25 |
In the monkey house. |
| 00:12:27 |
I'll lead the way. |
| 00:12:32 |
Shall we return? |
| 00:12:35 |
I thought you might welcome a reason |
| 00:12:42 |
Very well. |
| 00:12:46 |
Good Lord! What on earth is she doing? |
| 00:12:52 |
- Oh. It's poor "Tragedy". |
| 00:12:56 |
The fishermen have |
| 00:12:58 |
What? |
| 00:12:59 |
They call her |
| 00:13:03 |
Do they? |
| 00:13:07 |
- Please come. |
| 00:13:10 |
- She could fall. |
| 00:13:13 |
It's dangerous. Will you stay there? |
| 00:13:16 |
Charles! |
| 00:13:19 |
Charles! |
| 00:13:28 |
Madam! |
| 00:13:33 |
Madam! |
| 00:13:36 |
Madam, forgive me. I'm alarmed |
| 00:13:43 |
Madam! |
| 00:14:11 |
Tell me, who is this... French lieutenant? |
| 00:14:16 |
He is a man she's said to have... |
| 00:14:19 |
Fallen in love with? |
| 00:14:21 |
- Worse than that. |
| 00:14:27 |
Is there a child? |
| 00:14:30 |
I think not. |
| 00:14:32 |
Oh, it's all gossip. |
| 00:14:36 |
What's she doing here? |
| 00:14:39 |
They say she's waiting for him to return. |
| 00:14:44 |
How banal. |
| 00:15:13 |
(woman) How has she supported |
| 00:15:16 |
(vicar) Most pitifully. I understand... |
| 00:15:28 |
Miss? Miss? |
| 00:15:32 |
Miss Woodruff, |
| 00:15:41 |
Mrs Poulteney, this is Miss Woodruff. |
| 00:15:46 |
I see. |
| 00:15:50 |
I wish, as the vicar has told you... |
| 00:15:53 |
...to take a companion. |
| 00:15:56 |
He has indicated to me that you might be |
| 00:16:02 |
- You are without employment? |
| 00:16:05 |
- But you have been a governess? |
| 00:16:09 |
The post of companion requires a person |
| 00:16:14 |
- I have my servants to consider. |
| 00:16:18 |
- You speak French, I believe? |
| 00:16:21 |
- I do not like the French. |
| 00:16:23 |
Perhaps you might |
| 00:16:26 |
Yes, of course, Mrs Poulteney. |
| 00:16:30 |
Mr Forsythe informs me that you... |
| 00:16:34 |
...retain an attachment |
| 00:16:39 |
I have heard from |
| 00:16:42 |
...that you're always to be seen |
| 00:16:46 |
You stand on the Cobb and look to sea. |
| 00:16:51 |
I'm led to believe that |
| 00:16:54 |
...but I must emphasise that such |
| 00:16:59 |
...intolerable... and sinful. |
| 00:17:03 |
If you consider me unsuitable |
| 00:17:06 |
...do you wish me to leave the house? |
| 00:17:09 |
...that this person |
| 00:17:14 |
- How am I to show it? |
| 00:17:23 |
I should like to hear you |
| 00:17:27 |
If your expression is agreeable to me... |
| 00:17:30 |
...you shall have the position. |
| 00:17:38 |
- Mike? |
| 00:17:39 |
Listen to this. |
| 00:17:42 |
"In 1857, it is estimated there were 80,000 |
| 00:17:47 |
Yeah? |
| 00:17:48 |
"Out of every 60 houses, |
| 00:17:52 |
Hoo, hoo, hoo! |
| 00:17:54 |
"At a time when the male population of |
| 00:17:59 |
...the prostitutes were receiving clients |
| 00:18:04 |
- Two million? |
| 00:18:07 |
You know when I say in the graveyard |
| 00:18:13 |
(helicopter overhead) |
| 00:18:19 |
"If I went to London, |
| 00:18:22 |
...what some already |
| 00:18:25 |
- Go on. Yeah? |
| 00:18:28 |
This man says that |
| 00:18:31 |
...were nice girls, like governesses, |
| 00:18:35 |
You offend your boss, you lose |
| 00:18:39 |
That's the reality. |
| 00:18:41 |
The male population was |
| 00:18:44 |
Yeah. |
| 00:18:45 |
Well, if we take away a third |
| 00:18:49 |
...that means that, outside of marriage... |
| 00:18:53 |
...your Victorian gentleman could |
| 00:19:59 |
(humming) |
| 00:20:44 |
(whistling) |
| 00:21:46 |
(twig snaps) |
| 00:21:57 |
I'm very sorry to disturb you. |
| 00:22:10 |
(knocking) |
| 00:22:11 |
All right. I'm comin'! |
| 00:22:20 |
For the lovely young lady upstairs. |
| 00:22:24 |
And... for the even more lovely one down. |
| 00:22:41 |
How much do I owe you? |
| 00:22:43 |
- A penny? |
| 00:23:04 |
Thank you very much. |
| 00:23:07 |
- Do you know that lady? |
| 00:23:11 |
- Does she come this way often? |
| 00:23:14 |
But she be no lady. |
| 00:23:16 |
She be the French lieutenant's whore. |
| 00:23:35 |
From Mr Charles, Miss Tina, |
| 00:23:38 |
- Did he bring them himself? |
| 00:23:42 |
- Where is Mr Charles? |
| 00:23:45 |
Ask who? |
| 00:23:47 |
- His servin' man, Miss. |
| 00:23:51 |
- Yes, Miss. |
| 00:23:52 |
Oh, it was just the time of day, Miss. |
| 00:23:55 |
You will kindly remember |
| 00:23:59 |
Yes, Miss. |
| 00:24:00 |
If he makes advances, |
| 00:24:04 |
Now bring me some barley water. |
| 00:24:14 |
Madam? |
| 00:24:21 |
Madam? |
| 00:24:25 |
I'm very sorry to have |
| 00:24:33 |
I gather you've recently become... |
| 00:24:40 |
May I accompany you? Since |
| 00:24:46 |
I prefer to walk alone. |
| 00:24:50 |
- May I introduce myself? |
| 00:24:54 |
- Ah. Then... |
| 00:25:01 |
And please tell no one that |
| 00:25:19 |
"Miss Woodruff." |
| 00:25:21 |
Wait a minute. I lost the place. |
| 00:25:23 |
Page 50. I suddenly see you. You've |
| 00:25:29 |
I see you, then you see me. We look at |
| 00:25:33 |
All right. |
| 00:25:35 |
Right. I see you. |
| 00:25:38 |
Get your coat caught in the brambles. |
| 00:25:41 |
Right. |
| 00:25:43 |
Now I'm looking at you. |
| 00:25:45 |
You see me. |
| 00:25:49 |
- "Miss Woodruff." |
| 00:25:51 |
But now you come |
| 00:25:55 |
It's a narrow path, and it's muddy. |
| 00:25:57 |
- You slip in the mud... |
| 00:26:03 |
...and I help you up. |
| 00:26:06 |
- All right. |
| 00:26:18 |
All right... |
| 00:26:23 |
I've got my dress caught in the brambles. |
| 00:26:27 |
Suddenly you see me. |
| 00:26:31 |
Then I see you. |
| 00:26:35 |
"Miss Woodruff." |
| 00:26:49 |
I dread to think what would happen... |
| 00:26:52 |
...if you should one day |
| 00:26:57 |
I must go back. |
| 00:26:59 |
Permit me to say something first. |
| 00:27:02 |
(dog barking) |
| 00:27:14 |
Down here, here in this hollow. |
| 00:27:18 |
Here. Here. |
| 00:27:20 |
Heel! |
| 00:27:25 |
It's really not necessary to hide. |
| 00:27:30 |
No man who cares for his good name can |
| 00:27:39 |
Miss Woodruff... I've heard |
| 00:27:44 |
It cannot be any great pleasure |
| 00:27:48 |
Why don't you leave Lyme? I understand |
| 00:27:53 |
- I should be happy to make inquiries... |
| 00:27:58 |
But why? |
| 00:27:59 |
You have no family ties, I believe, |
| 00:28:03 |
I have ties. |
| 00:28:08 |
To this French gentleman? |
| 00:28:15 |
Permit me to insist. |
| 00:28:18 |
If no one dares speak of them, they fester. |
| 00:28:22 |
If he doesn't return... |
| 00:28:24 |
...he was not worthy of you. |
| 00:28:27 |
- If he returns... |
| 00:28:34 |
You fear he will never return? |
| 00:28:37 |
I know he will never return. |
| 00:28:43 |
I do not take your meaning. |
| 00:28:47 |
He is married. |
| 00:28:54 |
I should have listened to |
| 00:28:57 |
- You are a cunning, wicked creature! |
| 00:29:03 |
You have been seen |
| 00:29:05 |
Not twice, but thrice! |
| 00:29:07 |
But... what, pray, is the sin in that? |
| 00:29:11 |
The sin? You, a young woman |
| 00:29:16 |
- It is nothing but a large wood. |
| 00:29:20 |
And what goes on, |
| 00:29:23 |
No one frequents it. I go there to be alone. |
| 00:29:26 |
Do you contradict me, Miss? |
| 00:29:29 |
You will confine your walks |
| 00:29:32 |
Do I make myself clear?! |
| 00:29:40 |
Good afternoon, |
| 00:29:42 |
Good afternoon. |
| 00:29:47 |
- It's that Mrs Poulteney. |
| 00:29:50 |
The one who kicked me out in the street. |
| 00:29:52 |
Is it? Poison her tea. |
| 00:29:55 |
Ah, now, Miss Woodruff. |
| 00:30:00 |
- Are you liking Lyme? |
| 00:30:03 |
Thank you, ma'am. Yes. |
| 00:30:06 |
- Were you born far from Lyme? |
| 00:30:10 |
- (knocking) |
| 00:30:11 |
Ah, tea. Thank you, Mary. |
| 00:30:14 |
Good... Just there. |
| 00:30:18 |
How long will you remain in Lyme, |
| 00:30:21 |
Oh, for the summer. |
| 00:30:24 |
I must say, Mrs Poulteney, |
| 00:30:27 |
At my age, Miss Freeman, |
| 00:30:31 |
Then I have no fears for you. |
| 00:30:33 |
With gross disorders on the streets... |
| 00:30:36 |
...it becomes ever more necessary to |
| 00:30:40 |
- Gross disorders on the streets? |
| 00:30:44 |
Even a disciple of Darwin, |
| 00:30:48 |
...could not fail to notice |
| 00:30:52 |
It no doubt pleases you... |
| 00:30:54 |
...since it would accord with |
| 00:31:00 |
I must look more closely into it... |
| 00:31:02 |
...the next time I find myself on a street. |
| 00:31:05 |
Please allow me to help you, Mrs Tranter. |
| 00:31:07 |
Your maid, for example, Mrs Tranter. |
| 00:31:10 |
I have been informed by my housekeeper |
| 00:31:15 |
...talking with a person, a young person. |
| 00:31:20 |
My housekeeper did not know him. |
| 00:31:24 |
Oh, then it was no doubt |
| 00:31:28 |
- Very likely. |
| 00:31:31 |
...your servant spends an inordinate |
| 00:31:35 |
And what is the harm in that? |
| 00:31:37 |
There is a world of a difference between |
| 00:31:41 |
But I do not understand what crime Mary |
| 00:31:46 |
Your future wife is a better judge than |
| 00:31:50 |
I know the girl in question. |
| 00:31:53 |
I had to dismiss her. |
| 00:31:55 |
If you were older, you would know that |
| 00:32:03 |
I bow to your |
| 00:32:23 |
(Miss Woodruff whispers) I'm here! |
| 00:32:32 |
(organ plays) |
| 00:32:36 |
Thank you for coming. Thank you. |
| 00:32:39 |
How did you dare to behave in so |
| 00:32:45 |
- How dare you, in front of Miss Freeman? |
| 00:32:49 |
It must be obvious it would be improper |
| 00:32:54 |
Yes, it is obvious. |
| 00:32:59 |
Why don't you go to London, |
| 00:33:02 |
If I went to London, |
| 00:33:07 |
I should become what some |
| 00:33:10 |
- My dear Miss Woodruff... |
| 00:33:15 |
I have sinned. |
| 00:33:18 |
You cannot imagine my suffering. |
| 00:33:23 |
My only happiness is when I sleep. |
| 00:33:26 |
When I wake, the nightmare begins. |
| 00:33:31 |
(door closes) |
| 00:33:39 |
This is... |
| 00:33:40 |
Why am I born what I am? |
| 00:33:43 |
- Why am I not born Miss Freeman? |
| 00:33:47 |
- I did not mean... |
| 00:33:49 |
Not envy! |
| 00:33:51 |
Incomprehension. |
| 00:33:54 |
- You must help me. |
| 00:33:57 |
I do not... I will not believe that. |
| 00:34:01 |
What do you want of me? |
| 00:34:02 |
I must tell you what really |
| 00:34:07 |
I beg of you. You are my only hope. |
| 00:34:10 |
I shall be on the Undercliff tomorrow |
| 00:34:13 |
I shall wait for you. |
| 00:34:17 |
I must go. |
| 00:34:20 |
I shall wait! |
| 00:34:50 |
Davide? |
| 00:34:54 |
No, it's not Davide. It's Mike. |
| 00:35:00 |
What are you doing? |
| 00:35:02 |
- Looking at you. |
| 00:35:07 |
Come back. Come on. |
| 00:35:25 |
- Do you approve of my telescope? |
| 00:35:29 |
I use it to keep an eye out for mermaids. |
| 00:35:32 |
(laughs) Here. |
| 00:35:35 |
I'm delighted you dropped in. |
| 00:35:38 |
The best brandy in Dorset. |
| 00:35:41 |
I keep it for visitors from London |
| 00:35:45 |
- Your good health, Doctor. |
| 00:35:50 |
- Care for a cheroot? |
| 00:35:54 |
I understand you're, er... a scientist. |
| 00:35:58 |
A seeker after fossils. |
| 00:36:01 |
Palaeontology is my interest. |
| 00:36:04 |
I gather it is not yours. |
| 00:36:06 |
When we know more of the living, |
| 00:36:11 |
Yes, I was introduced the other day |
| 00:36:14 |
...that rather inclines me |
| 00:36:18 |
A very strange case, as I understand it. |
| 00:36:21 |
- Her name is Woodruff. |
| 00:36:25 |
We know more about your fossils on the |
| 00:36:31 |
A German doctor called Hartmann has |
| 00:36:37 |
One he calls "natural", by which |
| 00:36:42 |
...a sad temperament. |
| 00:36:44 |
Another he calls "occasional"... |
| 00:36:46 |
...by which he means |
| 00:36:50 |
And the third class he calls |
| 00:36:54 |
...by which he really means, poor man, |
| 00:37:01 |
- But she had an occasion, did she not? |
| 00:37:05 |
Is she the first young woman |
| 00:37:08 |
She belongs to the third class: |
| 00:37:13 |
Listen to me. |
| 00:37:15 |
I'll tell you, in the strictest confidence. |
| 00:37:19 |
I was called in to see her, |
| 00:37:23 |
She was working as a seamstress, |
| 00:37:26 |
Well, hardly living. Weeping without |
| 00:37:32 |
Melancholia as plain as the pox. |
| 00:37:35 |
I could see there was only one cure. |
| 00:37:38 |
To get her away from this place. |
| 00:37:42 |
She goes to a house that |
| 00:37:46 |
...to a mistress that sees no difference |
| 00:37:50 |
- And she will not be moved. |
| 00:37:54 |
Not at all. Hartmann has something |
| 00:37:58 |
...about one of his patients. |
| 00:38:02 |
"It was as if her torture |
| 00:38:08 |
And she has confided the true |
| 00:38:11 |
- She has not. |
| 00:38:15 |
I mean, if she could |
| 00:38:19 |
She would be cured. |
| 00:38:22 |
But she does not want to be cured. |
| 00:38:42 |
I was working... as a governess. |
| 00:38:48 |
At the Talbots'. |
| 00:38:54 |
His name was Varguennes. |
| 00:39:00 |
He was brought to the house |
| 00:39:05 |
He had a dreadful wound. His flesh |
| 00:39:11 |
He was in great pain... |
| 00:39:14 |
...yet he never cried out. |
| 00:39:17 |
Not the smallest groan. |
| 00:39:22 |
I admired his courage. |
| 00:39:27 |
I looked after him. |
| 00:39:32 |
I did not know then that men can be |
| 00:39:42 |
He was handsome. |
| 00:39:47 |
No man had ever paid me the kind |
| 00:39:52 |
...recovering. |
| 00:39:57 |
He told me I was beautiful... |
| 00:40:02 |
...and that he could not understand |
| 00:40:09 |
Such things. |
| 00:40:15 |
He would mock me... |
| 00:40:20 |
...lightly. |
| 00:40:24 |
I took pleasure in it. |
| 00:40:28 |
When I would not let him kiss my hand... |
| 00:40:32 |
...he called me cruel. |
| 00:40:36 |
A day came when I thought |
| 00:40:42 |
And you were no longer... cruel? |
| 00:40:47 |
(sighs) |
| 00:40:51 |
Varguennes recovered. |
| 00:40:53 |
He left for Weymouth. |
| 00:40:55 |
He said that he would wait there |
| 00:41:02 |
I told him that I would never follow him... |
| 00:41:04 |
...that I could not. |
| 00:41:09 |
But, after he had gone... |
| 00:41:14 |
...my loneliness was so deep... |
| 00:41:18 |
...I felt I would drown in it. |
| 00:41:26 |
I followed him. |
| 00:41:29 |
I went to the inn |
| 00:41:31 |
It was not a respectable place - |
| 00:41:35 |
They told me to go up to his room. |
| 00:41:38 |
They looked at me. |
| 00:41:42 |
They smiled. |
| 00:41:45 |
I insisted he be sent for. |
| 00:41:52 |
He seemed... overjoyed to see me. |
| 00:41:59 |
He... he was all that a lover should be. |
| 00:42:02 |
I had not eaten that day. He took me |
| 00:42:11 |
But... |
| 00:42:15 |
...he had changed. |
| 00:42:19 |
He was full of smiles and caresses, but... |
| 00:42:24 |
...I knew at once that he was insincere. |
| 00:42:29 |
I saw that I had been... |
| 00:42:33 |
...an amusement for him. |
| 00:42:36 |
Nothing more. |
| 00:42:42 |
I saw all this within... |
| 00:42:47 |
...five minutes of our meeting. |
| 00:43:00 |
Yet I stayed. |
| 00:43:03 |
I ate the supper that was served. |
| 00:43:05 |
I drank the wine. It did not intoxicate me. |
| 00:43:12 |
Is... is that possible? |
| 00:43:14 |
No doubt. |
| 00:43:18 |
Soon he no longer bothered to hide the |
| 00:43:23 |
...nor could I pretend surprise. |
| 00:43:25 |
My innocence was false |
| 00:43:35 |
I could tell you that he overpowered me... |
| 00:43:40 |
...or that he drugged me, but... |
| 00:43:45 |
...it is not so. |
| 00:43:52 |
I gave myself to him. |
| 00:43:56 |
I did it so that I should |
| 00:44:00 |
...so that I should be seen |
| 00:44:05 |
I knew it was ordained that |
| 00:44:10 |
...I married shame. |
| 00:44:12 |
It is my shame that has kept me alive... |
| 00:44:15 |
...my knowing that I am |
| 00:44:19 |
I... I shall never, like them, |
| 00:44:23 |
...and the pleasures of a home. |
| 00:44:26 |
Sometimes I pity them. I have |
| 00:44:31 |
No insult, no blame, can touch me. |
| 00:44:35 |
I have set myself beyond the pale. |
| 00:44:40 |
I am nothing. |
| 00:44:43 |
I am... hardly human any more. |
| 00:44:48 |
I am the French lieutenant's... |
| 00:44:52 |
...whore! |
| 00:45:20 |
You must leave Lyme. |
| 00:45:29 |
(laughter) |
| 00:45:58 |
We must never meet alone again. Go. |
| 00:46:03 |
I will wait. |
| 00:46:32 |
What's the matter? |
| 00:46:43 |
- What's the matter? You look sad. |
| 00:46:49 |
No. |
| 00:46:51 |
Why are you sad? |
| 00:46:54 |
I'm not. |
| 00:47:22 |
- Out of my way, little girl. |
| 00:47:27 |
My usual. |
| 00:47:29 |
- Gonna be a nice day, then? |
| 00:48:39 |
(woman knocking) Miss Woodruff? |
| 00:48:45 |
Miss Woodruff! |
| 00:48:48 |
Miss Woodruff, |
| 00:48:53 |
(knocking) |
| 00:48:54 |
Mrs Poulteney wants to see you at once! |
| 00:49:06 |
(clock strikes six) |
| 00:49:18 |
(thunder) |
| 00:49:55 |
- Yes? |
| 00:49:58 |
- Dr Grogan is not here. |
| 00:50:01 |
He has been called to the asylum. |
| 00:50:06 |
Thank you. |
| 00:50:10 |
(knocking) |
| 00:50:14 |
Charles Smithson. I must see Dr Grogan |
| 00:50:19 |
Follow me, please, sir. |
| 00:50:23 |
(woman groaning) |
| 00:50:25 |
Ah, Smithson. I can guess |
| 00:50:29 |
I'm sorry I wasn't at home. |
| 00:50:31 |
I'm attending a breech birth. |
| 00:50:34 |
Well, the fact is, |
| 00:50:39 |
- I'm sorry, I don't understand. |
| 00:50:43 |
- No. |
| 00:50:45 |
- I need your advice. |
| 00:50:49 |
Miss Woodruff has disappeared. |
| 00:50:52 |
There's a search party out. I've offered |
| 00:50:57 |
- Or find her body. |
| 00:51:00 |
- (woman in labour) |
| 00:51:03 |
I must go back. |
| 00:51:39 |
Nothing that has been said in this room |
| 00:51:43 |
...will go beyond these walls. |
| 00:51:45 |
Now, you ask for my advice. |
| 00:51:49 |
I am a young woman of superior |
| 00:51:54 |
I am not in full command of my emotions. |
| 00:51:56 |
What is worse, I have fallen in love |
| 00:52:03 |
Enter a young god. |
| 00:52:05 |
Intelligent, good-looking. |
| 00:52:08 |
Kind. |
| 00:52:11 |
My one weapon is the pity |
| 00:52:15 |
So what do I do? I seize my chance. |
| 00:52:18 |
One day, when I am walking where |
| 00:52:21 |
...I show myself to someone |
| 00:52:26 |
...to the one person who will |
| 00:52:29 |
I then disappear... |
| 00:52:31 |
...under the presumption that it is in order |
| 00:52:37 |
And then, in extremis... |
| 00:52:39 |
...I cry to my saviour for help. |
| 00:52:43 |
What in heaven's name |
| 00:52:45 |
I spoke to Mrs Poulteney's housekeeper. |
| 00:52:49 |
The girl walked out of the woods |
| 00:52:53 |
- Presumably to compromise you. |
| 00:52:56 |
Listen to me. I have |
| 00:53:00 |
I hasten to add, in pursuance |
| 00:53:04 |
And I wish I had a guinea for every one |
| 00:53:09 |
...that their victims |
| 00:53:11 |
But she is not a prostitute! |
| 00:53:14 |
Neither is she a... fiend. |
| 00:53:17 |
My dear man, you are |
| 00:53:25 |
On my most sacred honour, nothing |
| 00:53:30 |
I believe you. But let me ask you this. |
| 00:53:34 |
Do you wish to hear her? |
| 00:53:38 |
Do you wish to touch her? |
| 00:53:50 |
You are not the first man |
| 00:53:53 |
I will go to see the lady. |
| 00:53:59 |
And you must go away, Smithson. |
| 00:54:03 |
Yes. |
| 00:54:06 |
I shall honour my vows to Miss Freeman. |
| 00:54:11 |
I know of a private asylum in Salisbury. |
| 00:54:13 |
Miss Woodruff would be kindly treated |
| 00:54:17 |
- Would you bear the expense? |
| 00:54:20 |
I would bear the expense. |
| 00:56:43 |
Miss Woodruff. |
| 00:56:53 |
Have you passed the night here? |
| 00:56:59 |
- Are you cold? |
| 00:57:06 |
Do not fear. |
| 00:57:11 |
I have come to help you. |
| 00:57:18 |
- Pray control yourself. |
| 00:57:38 |
(girl giggling) |
| 00:57:43 |
- (Mary) I'm not! |
| 00:57:47 |
(Sam) What is it? |
| 00:57:56 |
What the devil are you doing here?! |
| 00:57:58 |
- Walking, Mr Charles. |
| 00:58:00 |
Yes, sir. |
| 00:58:04 |
I have come here to help that lady... |
| 00:58:07 |
...at the request of |
| 00:58:12 |
- He is aware of the circumstances. |
| 00:58:16 |
Which must on no account... |
| 00:58:20 |
- I understand, sir. |
| 00:58:24 |
Oh, she won't say nothin', sir. On my life. |
| 00:58:29 |
On my solemn oath, Mr Charles. |
| 00:59:00 |
I have taken unpardonable advantage |
| 00:59:06 |
I am wholly to blame. |
| 00:59:10 |
You must go to Exeter. |
| 00:59:13 |
There is talk of |
| 00:59:16 |
You will save yourself embarrassment |
| 00:59:22 |
- Where are your belongings? |
| 00:59:25 |
I will have them sent |
| 00:59:28 |
Walk to Axmouth Cross, |
| 00:59:32 |
Take the money in this purse. |
| 00:59:37 |
Thank you. |
| 00:59:40 |
Here is my lawyer's address. |
| 00:59:43 |
Let him know where you are. |
| 00:59:46 |
I will instruct him |
| 00:59:48 |
Thank you. |
| 00:59:59 |
I shall never see you again. |
| 01:00:05 |
No. |
| 01:00:11 |
You are a remarkable person, |
| 01:00:15 |
Yes, I am a remarkable person. |
| 01:00:50 |
I'm going - to London. |
| 01:00:52 |
Yup. |
| 01:00:57 |
Well, I don't have any more |
| 01:01:04 |
Is, er... David here? |
| 01:01:08 |
- No, he's flying in tonight. |
| 01:01:15 |
No... it will be nice for you. |
| 01:01:19 |
Nice for him, too. |
| 01:01:23 |
I'll miss you. |
| 01:01:26 |
I'll drive you up to the Cups |
| 01:01:29 |
- See you in Exeter, Anna. |
| 01:01:31 |
- Think of us, slogging away. |
| 01:01:37 |
Am I going to see you in London? |
| 01:01:39 |
That would be very, very difficult. |
| 01:01:46 |
We are there for a fortnight. |
| 01:01:48 |
I must see you. |
| 01:01:54 |
OK. |
| 01:01:57 |
(PA) OK, we're moving up to the Cups. |
| 01:01:59 |
- Mike, we need you in Make-up. |
| 01:02:01 |
Yes. |
| 01:02:02 |
- Yes. |
| 01:02:05 |
Sam? |
| 01:02:11 |
- Sir. |
| 01:02:14 |
I want you to leave for London |
| 01:02:17 |
I'll be leaving tomorrow. |
| 01:02:19 |
- Change of plan. |
| 01:02:23 |
This doesn't have any bearing on |
| 01:02:28 |
- What are you talking about? |
| 01:02:33 |
Have you? Well, your immediate future |
| 01:02:39 |
- Is that clear? |
| 01:03:01 |
(rings bell) |
| 01:03:07 |
Ah. Good afternoon. |
| 01:03:09 |
Good afternoon, sir. |
| 01:03:13 |
Thank you. |
| 01:03:20 |
Sam has explained about the, er... |
| 01:03:24 |
Yes, sir. |
| 01:03:26 |
- And you understand? |
| 01:03:33 |
- Sir, I don't want that. |
| 01:04:08 |
Good afternoon. |
| 01:04:11 |
Charles! So you have actually deigned |
| 01:04:17 |
I am honoured. |
| 01:04:19 |
I can assure you, the true charm |
| 01:04:25 |
Honeyed words. |
| 01:04:29 |
My dearest, I must leave you again |
| 01:04:33 |
- To London? |
| 01:04:36 |
- Oh, Charles! |
| 01:04:39 |
Apparently there are matters outstanding, |
| 01:04:43 |
- Your father is a most scrupulous person. |
| 01:04:47 |
- Who? |
| 01:04:49 |
Er... Justice for you. |
| 01:04:51 |
Sweet justice... |
| 01:04:57 |
Ernestina, I know our private affections |
| 01:05:01 |
...but there is also a... legal and |
| 01:05:06 |
Fiddlesticks! |
| 01:05:09 |
- My dearest Tina... |
| 01:05:14 |
- I see you so little. |
| 01:05:21 |
Kiss me, then... to seal your promise. |
| 01:06:04 |
Play. |
| 01:06:28 |
Upon the chase. 40-15. |
| 01:06:31 |
Chase three. |
| 01:06:57 |
Game to Mr Smithson, |
| 01:07:02 |
My goodness, Charles, you were |
| 01:07:06 |
- What's the answer? Country grub? |
| 01:07:09 |
You were hitting it as though you hated it. |
| 01:07:14 |
Harry, a word. |
| 01:07:16 |
You will be hearing from a person, |
| 01:07:20 |
She'll give you her address. I'd like |
| 01:07:23 |
Of course. How much? |
| 01:07:25 |
50. |
| 01:07:28 |
Of course. |
| 01:07:30 |
- Miss Woodruff? |
| 01:07:32 |
And I want to hear nothing more about it. |
| 01:07:37 |
You shan't. |
| 01:07:49 |
Wait for me. |
| 01:08:00 |
- Where the devil have you been? |
| 01:08:03 |
Go and lay out my clothes. |
| 01:08:05 |
Yes, sir. Can I have a word with you, sir? |
| 01:08:08 |
No, you can't. |
| 01:08:15 |
- How goes the huntin' in Dorset, Charles? |
| 01:08:19 |
I could offer you a brace of |
| 01:08:23 |
D'you know who |
| 01:08:26 |
Do you recall Tornado at Cambridge? |
| 01:08:28 |
Yes. So do my ankles. |
| 01:08:31 |
Aye, he took a fancy to you. |
| 01:08:35 |
What a profoundly good idea |
| 01:08:39 |
- To dear old Tornado, God rest his soul. |
| 01:08:50 |
Bravo! Port is essential |
| 01:08:55 |
As claret was essential |
| 01:08:58 |
As punch was essential |
| 01:09:03 |
- What follows? |
| 01:09:06 |
A little drive round town follows. |
| 01:09:10 |
Tom, my dear old fellow, |
| 01:09:13 |
So are you, Charley boy. |
| 01:09:18 |
- On we go, gentlemen. |
| 01:09:21 |
Where all damn good fellas go |
| 01:09:25 |
We're goin' to Kate Hamilton's, |
| 01:09:28 |
The bishop's son has hit it, Charley. |
| 01:09:36 |
Steady. |
| 01:09:37 |
Come along, sir, be upsta... |
| 01:09:40 |
- The white flag is up. They're off! |
| 01:09:43 |
- That's it. Very good. |
| 01:09:47 |
Oh, my God! |
| 01:09:53 |
I don't think our dear Charley is going |
| 01:10:16 |
This come to Mr Montague, |
| 01:10:19 |
Thank you very much. |
| 01:10:52 |
Mr Charles? |
| 01:10:57 |
Mr Charles? |
| 01:10:59 |
Sir! |
| 01:11:01 |
A letter for you, sir. Special messenger |
| 01:11:21 |
Er, bring me some tea. |
| 01:11:41 |
(humming) |
| 01:12:37 |
What is it, Sam? |
| 01:12:40 |
I'd like your advice, sir. |
| 01:12:43 |
On what subject? |
| 01:12:45 |
My ambition is to go |
| 01:12:49 |
- Business? |
| 01:12:51 |
- What kind of business? |
| 01:12:55 |
I've set me heart on a little shop. |
| 01:12:59 |
Would that not be |
| 01:13:02 |
280, sir. |
| 01:13:09 |
And how much do you have put by? |
| 01:13:12 |
30... But that's three years' savin'. |
| 01:13:15 |
So I was wonderin' |
| 01:13:19 |
I can't say it sounds |
| 01:13:22 |
I'm very enthusiastic |
| 01:13:26 |
Very. |
| 01:13:30 |
Well, I'll think about it. |
| 01:13:32 |
I'll certainly be happy to think about it. |
| 01:13:36 |
Now pack, would you? |
| 01:13:39 |
- To Lyme, sir? |
| 01:13:58 |
(guard) Exeter! Exeter! |
| 01:14:01 |
Change here now |
| 01:14:08 |
- Carriage to Lyme, sir? |
| 01:14:12 |
We'll put up at the Ship. |
| 01:14:14 |
- I'm going to stretch my legs. |
| 01:14:18 |
I'll decide when I come in. |
| 01:14:48 |
- A room, sir? |
| 01:14:51 |
...I should like to speak to one of your... |
| 01:14:53 |
- A Miss Woodruff. |
| 01:14:56 |
She was a-comin' downstairs |
| 01:14:59 |
Turned her ankle terrible. I wanted to |
| 01:15:03 |
I have to see her on a... business matter. |
| 01:15:06 |
Ah... A gentleman of the law? |
| 01:15:10 |
Yes. |
| 01:15:12 |
- Then you must go up, sir. |
| 01:15:14 |
Betty Anne? Take this gentleman |
| 01:15:24 |
- (knocks) |
| 01:15:29 |
A gentleman to see you, Miss. |
| 01:15:43 |
I was passing through Exeter. |
| 01:15:48 |
Had I not better go at once |
| 01:15:51 |
He would only advise me |
| 01:15:54 |
- You're not in pain? |
| 01:16:00 |
Be thankful it didn't |
| 01:16:03 |
Yes. |
| 01:16:08 |
Do sit down. |
| 01:16:40 |
Miss Woodruff, please... |
| 01:16:43 |
I should not have come. |
| 01:16:49 |
- I meant not to. |
| 01:19:01 |
Oh! |
| 01:19:15 |
Oh, Sarah. |
| 01:19:22 |
(he gasps) |
| 01:20:32 |
I was... the first? |
| 01:20:36 |
Yes. |
| 01:20:43 |
- Why did you lie about the Frenchman? |
| 01:20:55 |
Does he exist? |
| 01:20:58 |
Oh, yes, he exists. |
| 01:21:02 |
I did follow him to Weymouth, to the inn. |
| 01:21:08 |
As I drew near I saw him |
| 01:21:13 |
The kind of woman one... cannot mistake. |
| 01:21:20 |
When they had gone, I... walked away. |
| 01:21:26 |
But then... why did you tell... |
| 01:21:29 |
I don't know. |
| 01:21:36 |
I cannot explain. |
| 01:21:41 |
Not now. |
| 01:21:49 |
I must make myself free. |
| 01:21:51 |
- I am to blame. I knew when I came here. |
| 01:21:55 |
I wished it so. |
| 01:22:06 |
Sarah... |
| 01:22:16 |
It is the sweetest name. |
| 01:22:24 |
I have long imagined a day such as this. |
| 01:22:30 |
I have longed for it. |
| 01:22:34 |
I was lost from the moment I saw you. |
| 01:22:42 |
I, too. |
| 01:22:47 |
I must go to Lyme... |
| 01:22:51 |
...to see her, to tell her. |
| 01:22:55 |
You must give me a day's grace. |
| 01:23:01 |
You will wait for me, won't you? |
| 01:23:06 |
I shall come back for you. |
| 01:23:37 |
I shall be back tomorrow. |
| 01:23:45 |
Do what you will... or what you must. |
| 01:23:50 |
Now that I know there was truly |
| 01:23:53 |
...I can bear anything. |
| 01:24:01 |
You have given me the strength to live. |
| 01:24:30 |
- Cheese and onion. |
| 01:24:35 |
- I'm losing you. I'm losing you! |
| 01:24:39 |
- Stay the night. |
| 01:24:40 |
- Why not? You're a free woman. |
| 01:24:44 |
- I'm going mad! |
| 01:24:46 |
- I want you so much. |
| 01:24:50 |
(guard blows whistle) |
| 01:24:53 |
Excuse me. |
| 01:24:55 |
Bye-bye. |
| 01:25:19 |
- (knocking) |
| 01:25:23 |
Charles! |
| 01:25:27 |
- Please sit down. |
| 01:25:29 |
- Charles, what is it? |
| 01:25:33 |
Well, what has happened? |
| 01:25:36 |
Why do you look at me like that? |
| 01:25:40 |
Because I don't know how |
| 01:25:47 |
- I've come to tell you the truth. |
| 01:25:50 |
- What truth? |
| 01:25:53 |
...after many hours of the deepest |
| 01:25:57 |
...come to the conclusion |
| 01:26:00 |
- Not worthy of me? |
| 01:26:03 |
Oh! You are joking. |
| 01:26:07 |
No. |
| 01:26:12 |
Will you kindly explain |
| 01:26:16 |
The terms your father offered |
| 01:26:19 |
But you despise the idea |
| 01:26:21 |
- No, I don't despise it. I... |
| 01:26:27 |
Ernestina, I have realised |
| 01:26:30 |
...that far too great a part of |
| 01:26:34 |
I was far more tempted by your father's |
| 01:26:39 |
Now that I've seen that to be the truth... |
| 01:26:41 |
Are you saying... |
| 01:26:43 |
...that you have... never loved me? |
| 01:26:51 |
I am not worthy of you. |
| 01:27:02 |
Tina, dear. |
| 01:27:10 |
Charles? |
| 01:27:13 |
I know I am spoilt. |
| 01:27:17 |
I know I am not unusual. |
| 01:27:22 |
But under your love and protection... |
| 01:27:26 |
...I believed I would become... better. |
| 01:27:32 |
I would do anything, you see. |
| 01:27:34 |
I would... I would abandon |
| 01:27:53 |
You are lying. |
| 01:27:56 |
Something else has happened. |
| 01:28:01 |
Yes. |
| 01:28:04 |
Who? |
| 01:28:08 |
You don't know her. |
| 01:28:11 |
I don't know her? |
| 01:28:13 |
I've known her... many years. |
| 01:28:17 |
I thought the attachment was broken. |
| 01:28:20 |
I discovered in London that it is not. |
| 01:28:23 |
- Why did you not tell me? |
| 01:28:26 |
Or yourself the shame of it! |
| 01:28:29 |
Who is she?! |
| 01:28:31 |
What woman would be so vile |
| 01:28:37 |
- I can guess she is married. |
| 01:28:39 |
- I came here to tell you the truth... |
| 01:28:45 |
My father will drag your name, |
| 01:28:50 |
You will be spurned |
| 01:28:54 |
You will be hounded out of England! |
| 01:29:01 |
- (knocking) |
| 01:29:05 |
What the devil do you want? I didn't ring. |
| 01:29:07 |
I brought you a glass of brandy, sir. |
| 01:29:13 |
It's never true, sir? |
| 01:29:16 |
Yes, it is true. Miss Freeman |
| 01:29:20 |
Now go. And keep your mouth shut. |
| 01:29:24 |
- Did you hear what I said? |
| 01:29:27 |
...I have to consider me own situation. |
| 01:29:30 |
Will you be residing in London |
| 01:29:36 |
- We shall probably go abroad. |
| 01:29:40 |
...I won't be accompanying you. And I'm |
| 01:29:44 |
I'm leaving your employ, as I ought |
| 01:29:48 |
- Go to hell! |
| 01:29:50 |
...as I might meet a friend of yours. |
| 01:29:55 |
- Sam! |
| 01:29:57 |
...ring for one of the hotel domestics. |
| 01:30:10 |
Wait here. |
| 01:30:18 |
- Miss Woodruff expects me. |
| 01:30:21 |
- Left? You mean gone out? |
| 01:30:24 |
- She took the London train this afternoon. |
| 01:30:27 |
She took the three o'clock to London. |
| 01:30:32 |
- You're lying. |
| 01:30:36 |
Sir! Wait a minute! |
| 01:30:38 |
What are you doing?! |
| 01:30:40 |
- Sarah? |
| 01:30:44 |
You've no right! You're trespassin'! |
| 01:30:48 |
- Did you hear what I said?! |
| 01:31:22 |
(phone rings) |
| 01:31:26 |
Hello? Hello?! |
| 01:31:30 |
Room 516. |
| 01:31:38 |
- Who was that? |
| 01:31:42 |
- Who did? |
| 01:31:49 |
- Maybe it was a wrong number. |
| 01:31:54 |
(swing music playing on stereo) |
| 01:31:56 |
All right, I'll get you |
| 01:32:00 |
Darling, do go and play in the garden. |
| 01:32:04 |
- Lucy! Lucy, I found it! |
| 01:32:09 |
(turns down music) |
| 01:32:11 |
- You all right? |
| 01:32:14 |
Yeah. |
| 01:32:17 |
Fine. |
| 01:32:19 |
Listen, what about having |
| 01:32:22 |
- What people? |
| 01:32:26 |
Fine. |
| 01:32:27 |
The film's nearly over, and Anna |
| 01:32:32 |
You know. |
| 01:32:34 |
Fine. As long as it's not the entire unit. |
| 01:32:37 |
Oh, no. Just, you know... |
| 01:32:42 |
Fine. |
| 01:32:49 |
(rings) |
| 01:32:52 |
- Hello? |
| 01:32:55 |
We're having a lunch party |
| 01:32:58 |
I'll give you Anna. |
| 01:33:02 |
- Hello? |
| 01:33:04 |
- Hi. |
| 01:33:07 |
- You weren't in your hotel room. |
| 01:33:10 |
- In Exeter. |
| 01:33:13 |
Come to lunch on Sunday. |
| 01:33:16 |
By the way, I love you. |
| 01:33:19 |
Oh, great. Um... sure, we'd love to come. |
| 01:33:22 |
- I'll... see you then. |
| 01:33:25 |
Bye. |
| 01:33:32 |
Lunch on Sunday. |
| 01:33:35 |
"Will Miss Sarah Woodruff urgently |
| 01:33:39 |
...to Montague, Chancery Lane." |
| 01:33:41 |
Yes, very well worth it, I should say. |
| 01:33:44 |
Now, Mr Smithson... |
| 01:33:46 |
...I shan't pretend to you |
| 01:33:49 |
But I have four good men, |
| 01:33:53 |
We'll try the educational boards |
| 01:33:56 |
We shall also investigate |
| 01:34:00 |
- They're growing up like wildfire. |
| 01:34:04 |
And we shall investigate |
| 01:34:08 |
Yes. |
| 01:34:10 |
I shall also be examining |
| 01:34:18 |
Very good. |
| 01:34:20 |
Try everything, Mr Grimes. |
| 01:34:24 |
One last question, sir, for the moment. |
| 01:34:27 |
Does the lady wish to be found, |
| 01:34:32 |
I cannot say. |
| 01:34:43 |
I'll be back in 15 minutes. |
| 01:34:48 |
"We are instructed by Mr Ernest Freeman, |
| 01:34:53 |
...to request you to attend these chambers |
| 01:34:57 |
"Failure to attend will be regarded as an |
| 01:35:02 |
- "Aubrey and Baggott." |
| 01:35:06 |
It means they have cold feet. |
| 01:35:10 |
My guess is we will be asked |
| 01:35:14 |
- To acknowledge my guilt? |
| 01:35:17 |
Just so. I'm afraid we must |
| 01:35:22 |
But I can only advise you to sign it. |
| 01:35:25 |
We have no case. |
| 01:35:27 |
Remember the skirt's going to be grey. |
| 01:35:34 |
Oh, yeah. |
| 01:35:36 |
Oh, it's great. It's great. |
| 01:35:39 |
- I'm gonna like her in this. |
| 01:35:42 |
"I, Charles Henry Smithson, solely by my |
| 01:35:48 |
...I contracted to marry |
| 01:35:51 |
"Two: I was given no cause whatsoever |
| 01:35:55 |
"Three: I was fully and exactly |
| 01:35:59 |
...her character, marriage portion |
| 01:36:02 |
...before my engagement to her hand." |
| 01:36:04 |
"Four: I did break that contract |
| 01:36:09 |
...beyond my own criminal |
| 01:36:12 |
"Five: I entered into a clandestine liaison |
| 01:36:17 |
"Six: My conduct throughout this matter |
| 01:36:21 |
"By it I have for ever forfeited |
| 01:36:25 |
"The injured party may make whatsoever |
| 01:36:33 |
- You are entitled to withdraw with me... |
| 01:36:37 |
But I have one question. What does... |
| 01:36:41 |
..."The injured party may make whatever |
| 01:36:46 |
It means precisely what it says. |
| 01:36:48 |
She might, for instance, wish to |
| 01:36:52 |
- And she would be free to do that? |
| 01:36:59 |
I will sign. |
| 01:38:53 |
(coachman) Whoa, there! Whoa! |
| 01:39:34 |
(man) Go on, get out! |
| 01:39:39 |
Get out! |
| 01:39:44 |
Call the police! |
| 01:39:46 |
Don't let her get away! |
| 01:40:38 |
Oh! Oh, I'm sorry. I... |
| 01:41:02 |
- Hello. I saw you through the window. |
| 01:41:05 |
- Yes, I am. |
| 01:41:08 |
- Come in. |
| 01:41:11 |
Hi, Sonia. Nice to see you. |
| 01:41:18 |
- Like some more wine? |
| 01:41:24 |
(girl) 13-14. |
| 01:41:36 |
- Can I have a drink? |
| 01:41:40 |
- Excuse me for a minute. |
| 01:41:44 |
I must say, they have |
| 01:41:47 |
- Mm. |
| 01:41:51 |
Of course, she seems so serene, |
| 01:41:57 |
Look at their little girl. |
| 01:42:02 |
Aren't you a pretty little thing? |
| 01:42:04 |
- Who made that dress for you? |
| 01:42:07 |
- Having a good time? |
| 01:42:13 |
Have they decided how to end the movie? |
| 01:42:15 |
- End it? |
| 01:42:19 |
- Not at all. Where did you hear that? |
| 01:42:23 |
A happy ending |
| 01:42:26 |
We're going for the first ending - |
| 01:42:29 |
- Which one is that? |
| 01:42:32 |
(dog barks) |
| 01:42:35 |
Manders. Manders! (whistles) |
| 01:42:37 |
Come on. Good girl. Come on. |
| 01:42:40 |
(laughing) There's a good girl. Yes. |
| 01:42:50 |
Oh! |
| 01:42:53 |
It's a really great... garden. |
| 01:43:02 |
- Who takes care of it for you? |
| 01:43:07 |
- All by yourself? |
| 01:43:10 |
- What about Mike? Doesn't he help you? |
| 01:43:14 |
A bit. |
| 01:43:16 |
He's pretty lazy, actually. |
| 01:43:25 |
I really... envy you. |
| 01:43:29 |
Envy me? Why? |
| 01:43:32 |
Well... |
| 01:43:38 |
For being able to create |
| 01:43:41 |
(Sonia laughs) |
| 01:43:43 |
Oh, I wouldn't bother |
| 01:43:52 |
Would you like a drink? |
| 01:43:54 |
Mm. |
| 01:43:56 |
(plays the Adagio |
| 01:44:16 |
- I want to show you something. |
| 01:44:37 |
Anna. |
| 01:44:42 |
- This is pure bloody hell. |
| 01:44:45 |
- Mike... |
| 01:44:47 |
- All right. Not now. |
| 01:44:50 |
- Windermere. |
| 01:44:54 |
- We've got to talk properly. |
| 01:44:57 |
- We've got to decide what we want. |
| 01:44:59 |
- (Davide) Have you seen Anna? |
| 01:45:03 |
I'm coming. |
| 01:45:06 |
Sonia... Thank you. |
| 01:45:11 |
- I had a wonderful time. |
| 01:45:14 |
- Good to meet you. |
| 01:45:18 |
- Good luck with the last scene. |
| 01:46:10 |
Sir, a telegram for you. |
| 01:46:14 |
Sir? |
| 01:47:53 |
- Good morning. |
| 01:47:55 |
- I'm Tom Elliott. Who are you? |
| 01:47:58 |
- Mama and Papa are abroad. |
| 01:48:03 |
I'll find her for you. |
| 01:48:10 |
- (girl) You put that one in there. |
| 01:48:16 |
- Mrs Roughwood? |
| 01:48:21 |
- Mrs Roughwood? |
| 01:48:25 |
- Someone to see you. |
| 01:48:27 |
She's working, but she |
| 01:49:02 |
Mrs Roughwood? |
| 01:49:04 |
Mr Smithson? |
| 01:49:08 |
My solicitor was told |
| 01:49:11 |
- I do not know by whom. |
| 01:49:16 |
By you?! |
| 01:49:20 |
I've been looking for you for three years. |
| 01:49:24 |
I broke off my engagement. |
| 01:49:26 |
I came back for you to take you with me, |
| 01:49:31 |
And now all these years later you choose |
| 01:49:36 |
I could not do so before this. |
| 01:49:39 |
- You've married. |
| 01:49:44 |
I pass as a widow in the world. |
| 01:49:47 |
- What is this house? |
| 01:49:52 |
They gave me shelter a long time ago. |
| 01:49:55 |
I am tutor to their children, |
| 01:49:59 |
They have encouraged it. |
| 01:50:02 |
- These are yours? |
| 01:50:08 |
You have found your gift. |
| 01:50:13 |
Why did you leave Exeter? |
| 01:50:15 |
You told me you loved me. |
| 01:50:24 |
Answer me! |
| 01:50:29 |
There was madness in me... at that time. |
| 01:50:34 |
A bitterness, an envy. |
| 01:50:39 |
I forced myself on you, knowing |
| 01:50:45 |
It was unworthy! |
| 01:50:47 |
I saw after you had gone that I had |
| 01:50:52 |
Are you saying that you never loved me? |
| 01:50:57 |
- I could not say that. |
| 01:51:02 |
You must say "I am totally evil." |
| 01:51:04 |
"I used him as an instrument." |
| 01:51:07 |
"I do not care |
| 01:51:09 |
...he hasn't seen a woman |
| 01:51:13 |
...that his life has been |
| 01:51:16 |
...that he sacrificed everything for me." |
| 01:51:18 |
- Say it! |
| 01:51:22 |
Why did you ask me here? |
| 01:51:27 |
- I saw the newspaper advertisements... |
| 01:51:30 |
- You read them, and you did nothing? |
| 01:51:33 |
You ruined my life |
| 01:51:36 |
You misjudge me! It has taken me |
| 01:51:42 |
It has taken me this time |
| 01:51:47 |
- Freedom?! |
| 01:51:50 |
To make a mockery of love, |
| 01:51:53 |
Is that what Exeter meant to you? One |
| 01:51:57 |
You planted a dagger in me... |
| 01:51:59 |
...and your "freedom" gives you |
| 01:52:02 |
- Well, no more. |
| 01:52:04 |
Yes! |
| 01:52:18 |
Mr Smithson... |
| 01:52:24 |
...I called you here |
| 01:52:34 |
You loved me once. |
| 01:52:39 |
If you still love me, you can forgive me. |
| 01:52:42 |
I know... I know it is |
| 01:52:48 |
But if you do... |
| 01:52:51 |
...still love me... |
| 01:53:00 |
Then I must... forgive you. |
| 01:53:07 |
Yes, you must. |
| 01:53:39 |
(jazzy dance music) |
| 01:54:20 |
- Anna. You're going. |
| 01:54:23 |
- Goodbye. Good journey. |
| 01:55:14 |
Mike! |
| 01:55:16 |
Oh, are you going? |
| 01:55:20 |
Take care. |
| 01:55:49 |
(car door slams) |
| 01:55:50 |
(engine starts) |
| 01:55:56 |
(car drives off) |
| 01:55:58 |
Sarah! |
