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Frida en
00:00:02	* And she is the flame *
00:00:05	* That rises up *
00:00:07	* And she is a bird in flight *
00:00:14	* In the night
00:00:22	* Hell is this heaven *
00:00:30	ÊäÙíã ÔÏå ÊæÓØ
00:00:35	korosh.rad@gmail.com
00:01:22	Up! Up, up, up up!
00:01:29	Careful, guys.
00:01:31	This corpse is still breathing.
00:01:36	Try to get me there
00:02:23	Hello, Professor.
00:02:25	Hello, Frida.
00:02:32	Diego Rivera is back
00:02:34	- Who cares?
00:02:36	Oh, yeah. Yeah.
00:02:51	Shh.
00:03:00	Why is this whore still here?
00:03:03	Huh?
00:03:05	Tell me.
00:03:07	Tell me, mi amor.
00:03:10	Are you planning to have her
00:03:12	or have you fucked her
00:03:14	Lupe, please don't start.
00:03:15	Y-You think I don't know
00:03:17	You must think I'm an idiot.
00:03:19	- I can't work like this.
00:03:21	Your food and your slut.
00:03:23	That's all you need to paint
00:03:25	Hey! Get out!
00:03:27	And don't come home!
00:03:28	Don't come home and give me
00:03:30	about the artist and the people
00:03:34	You only care about yourself,
00:03:41	So much for lunch.
00:03:45	Although...
00:03:47	I could eat you, perhaps.
00:03:52	I-I've eaten female flesh
00:03:55	Yes.
00:03:57	Wrapped up in... tortillas.
00:04:06	Tastes like...
00:04:09	the tenderest young pig.
00:04:23	Watch out, Diego!
00:04:28	Fucking punks!
00:04:31	Come on,
00:04:36	Let's go! Frida!
00:04:44	Just keeping you honest,
00:04:49	Panzon.
00:04:52	Do I look fat to you?
00:04:59	Shh!
00:05:10	Shh!
00:05:15	Shh, shh, shh, shh!
00:05:37	Oh, yeah.
00:05:39	- Here you are.
00:05:42	Frida, we found
00:05:45	for my wedding dress today.
00:05:46	Fantastic.
00:05:48	It cost a fortune.
00:05:56	- Mama?
00:05:58	Are these ripe?
00:06:00	They should be.
00:06:01	Yes, they're fine.
00:06:06	Maybe you'll get married,
00:06:09	One can only hope.
00:06:11	Lunch is almost ready.
00:06:13	Go get the artist.
00:06:18	I love this one.
00:06:22	I like it, too.
00:06:26	They're busy with the wedding.
00:06:28	Cristina is so excited
00:06:30	Good.
00:06:32	Everyone should be excited
00:06:35	I suppose.
00:06:39	And, uh... what do you want?
00:06:44	I don't know.
00:06:46	I just don't think
00:06:49	Well, you need
00:06:51	just like with anything else.
00:06:54	What do you think matters most
00:06:56	A short memory.
00:07:02	Why did you get married,
00:07:05	I can't remember.
00:07:08	So I could have you.
00:07:14	And concentrate, everybody.
00:07:16	Wait. Where is Frida?
00:07:17	Adriana, go tell your sister
00:07:34	I always wanted a son.
00:07:37	And, Matilde, everyone,
00:07:41	and...
00:07:52	Come on.
00:08:12	- Frida!
00:08:13	How much is the calaca?
00:08:16	Frida, come on!
00:08:23	- The bus!
00:08:25	No, no, no!
00:08:28	W-Watch out. Hey! Hey.
00:08:39	Anyway, I just don't think
00:08:42	That's all.
00:08:44	But that's because you read it
00:08:46	You... you always read things
00:08:48	That's ridiculous.
00:08:50	Why should it matter
00:08:52	Because if you have
00:08:54	then of course Hegel is
00:08:57	But the truth is the idea
00:09:00	It just predicts Marx...
00:09:01	Is that gold? Real gold?
00:09:05	For the ceiling
00:09:10	Move!
00:09:13	Move it, idiot!
00:09:34	Your brake!
00:10:46	The spinal column was broken,
00:10:49	as were the collarbone
00:10:51	The pelvis is broken
00:10:53	The metal rod entered
00:10:55	and came out the vagina.
00:10:57	The right leg has
00:10:59	And the foot was crushed.
00:11:01	Will she ever walk again?
00:11:02	Let's make sure
00:11:33	Is Alex alive?
00:11:34	- Frida.
00:11:36	He was hurt, but not terribly.
00:11:39	He was here yesterday
00:11:42	And Mama?
00:11:44	It was too much for them,
00:11:47	How long have I been here?
00:11:49	Three weeks.
00:12:08	We're almost there.
00:12:11	Gently, now.
00:12:45	There is nothing left to spend.
00:12:48	I will sell
00:12:50	For another operation
00:12:52	No. No. Listen.
00:12:54	Maybe this time it will work.
00:12:56	And then how will you
00:12:58	I'll... paint portraits again.
00:13:01	Admit it, Guillermo.
00:13:03	She'll never walk again.
00:13:09	Go on in, Alex.
00:13:27	Hello, ugly.
00:13:29	They're beautiful.
00:13:31	How do you feel?
00:13:33	Like I've been hit by a bus.
00:13:36	Come on, silly.
00:13:39	Look.
00:13:41	It's my only good angle
00:13:43	No, it's not.
00:13:45	I like you this way.
00:13:47	You're easier to keep up with.
00:14:00	Spengler...
00:14:05	Schopenhauer
00:14:07	Oh, Alex.
00:14:09	You know I adore you.
00:14:12	I've missed you so much.
00:14:18	I told the doctor the handrail
00:14:24	And I'm sure he believed you.
00:14:28	You know...
00:14:30	when I get out of this cast,
00:14:33	I'm going to show you
00:14:35	I still remember from before.
00:14:38	Okay.
00:14:40	What?
00:14:44	My aunt and my uncle are
00:14:49	they've invited me
00:14:52	But that's wonderful.
00:14:54	When would you leave?
00:14:56	Soon.
00:14:59	Next week.
00:15:02	How long will you be gone?
00:15:04	They're going for two months,
00:15:06	and... afterwards I might
00:15:12	I will be staying on.
00:15:26	Did I tell you
00:15:29	Yes.
00:15:31	Do you believe it?
00:15:32	Of course I do.
00:15:34	You'd better.
00:15:36	Because
00:15:38	N-No.
00:15:40	Frida...
00:15:41	I want you to leave
00:16:34	How are you feeling?
00:16:38	How am I feeling?
00:16:40	I can't even remember what
00:16:44	Isn't that horrible?
00:16:47	Dr. Farril is coming
00:16:50	He is bringing
00:16:53	Dr. Cervantes.
00:16:56	I feel like some rich girl
00:17:00	But all my suitors
00:17:05	And I'm not a rich girl,
00:17:11	How come you never ask me
00:17:14	Hmm?
00:17:16	You used to always say,
00:17:18	"Tell me your plans, Frida."
00:17:23	What are your plans... Frida?
00:17:27	Right now I'm a burden.
00:17:30	But I hope to be a
00:17:34	After that, I don't know.
00:17:36	You are not a burden...
00:17:39	my love.
00:17:42	See? Here.
00:17:45	We have something for you.
00:17:46	Matilde, come.
00:17:48	We noticed that there was
00:17:52	- Oh.
00:17:58	Mm-hmm.
00:19:17	Now you look like
00:19:19	Let me see.
00:19:26	It's too much money.
00:19:28	Mama, Papa...
00:19:30	I have a surprise.
00:19:45	Careful, now.
00:19:47	Don't worry. Don't worry.
00:20:07	Aah!
00:20:27	Do you want a rich tamale?
00:20:29	Delicious...
00:20:52	I need the ochre.
00:20:54	- Is it ready?
00:20:55	No. Now.
00:20:57	Okay.
00:21:02	Seòor Rivera?
00:21:08	Diego!
00:21:09	Who are you?
00:21:12	I have something important
00:21:16	I'm working.
00:21:18	I'll wait.
00:21:20	I don't have time to chat
00:21:23	I'm not a schoolgirl, panzon.
00:21:31	Okay. Come on up here.
00:21:34	No. You come down.
00:21:56	What?
00:21:58	Look, I didn't come here
00:22:01	I've done some paintings
00:22:03	which I want you
00:22:05	and I need an absolutely
00:22:07	of my work.
00:22:08	You were that girl
00:22:10	Yes, I was, but that has
00:22:13	I just want
00:22:15	What... what do you care
00:22:17	If you're a real painter,
00:22:18	because you can't live
00:22:20	You'll paint
00:22:22	I have to work
00:22:25	so I don't have time
00:22:27	If I'm not good enough,
00:22:29	I have to do something else
00:22:35	Leave the best one here.
00:22:37	Go home and paint another one.
00:22:39	If this one's any good,
00:22:40	I'll come and look at that one
00:22:49	Orozco is a true artist.
00:22:50	He's tremendous.
00:22:52	And Siqueiros could be great
00:22:53	if he'd pull his head out
00:23:31	Comrade Rivera.
00:23:34	What a nice surprise.
00:23:46	What if I told you
00:23:47	that easel painting like yours
00:23:52	that it's headed
00:23:54	like other elitist,
00:23:57	I'd say cut the propaganda.
00:24:03	This is very good work.
00:24:06	You have real talent.
00:24:07	Oh, come on.
00:24:09	I'm not looking
00:24:12	I want a serious critique.
00:24:14	But I'm being sincere.
00:24:16	These are
00:24:19	none of the usual tricks.
00:24:21	But that's...
00:24:24	You have to trust
00:24:26	as much as a critique.
00:24:27	Yeah, well, some people
00:24:30	what you say.
00:24:32	They say if a girl asks
00:24:34	and she's not
00:24:36	you'll gush all over her.
00:24:39	I need you to tell me
00:24:42	do you actually believe
00:24:45	Yes.
00:24:49	Yes.
00:25:02	You'll like Tina.
00:25:03	She's a brilliant
00:25:04	one of the few
00:25:06	Do you know Alvarez Bravo?
00:25:08	I know his work.
00:25:10	I'll introduce you to him.
00:25:12	Without clothes, of course.
00:25:14	Of course.
00:25:18	That's the thing
00:25:20	They're a little dangerous,
00:25:22	but they definitely throw
00:25:24	Ah, at last!
00:25:26	The monster!
00:25:28	Tina!
00:25:33	This is Frida Kahlo.
00:25:34	She's a wonderful painter.
00:25:37	She wants to be
00:25:39	Oh, don't be shy.
00:25:40	Nobody really thinks their own
00:25:43	He's the only one who's sure.
00:25:44	Go find Siqueiros.
00:25:46	He's been bad-mouthing you
00:25:48	You come with me.
00:25:51	Great party.
00:25:56	Everybody, I have someone
00:25:58	This is Frida Kahlo.
00:26:00	She came with Diego.
00:26:02	Another pretty girl...
00:26:19	She's quite a talent, no?
00:26:22	Julio Mella, the Cuban.
00:26:25	Tina took the last photo
00:26:28	She was with him on the street
00:26:34	Incredible.
00:26:36	They're like clay
00:26:39	It must be that body.
00:26:40	No.
00:26:42	It's the way he looks
00:26:44	and finds beauty
00:26:47	It's irresistible.
00:26:49	You'd never think it
00:26:52	but he's had
00:26:54	I'm sorry.
00:26:58	Oh, n...
00:27:00	I'm Frida Kahlo.
00:27:02	I'm a painter.
00:27:04	A painter. No wonder.
00:27:07	I'm Lupe Marí n.
00:27:08	I'm his wife.
00:27:10	Ah...
00:27:11	I was his wife.
00:27:14	Good luck to you.
00:27:19	Bad-mouth him
00:27:22	But while we have been talking
00:27:25	over drinks at parties
00:27:28	Stalin is making it work.
00:27:30	He's achieving it.
00:27:31	Achieving what?
00:27:33	His only big idea so far
00:27:34	is to throw out all
00:27:37	But he...
00:27:38	No. Not just me.
00:27:40	No, not just you.
00:27:41	Mr. Trotsky... a man
00:27:44	when, in truth, he was rejected
00:27:46	- Good riddance.
00:27:48	He had to run for his life.
00:27:50	That's his version
00:27:52	kill anyone
00:27:55	Well, some people have to get
00:27:58	Well, I prefer evolution.
00:28:00	Educate the poor.
00:28:03	Rise like a slow tide.
00:28:05	But you...
00:28:07	and kill half the poor
00:28:09	Diego, this from a Communist
00:28:12	painting for the government
00:28:14	I can't help it
00:28:16	The rich don't have
00:28:19	They pay someone
00:28:23	And they don't hire you
00:28:25	They hire you because you
00:28:28	They use you, Diego,
00:28:31	and you are too vain
00:28:34	- No!
00:28:38	What are you doing?
00:28:40	Basta.
00:28:42	Whoever takes the biggest
00:29:08	Bravo.
00:29:10	Diego, let's see...
00:29:12	I'd rather have
00:29:15	than a stupid friend.
00:29:16	Oh!
00:29:43	It's more
00:29:48	Shall we?
00:30:10	* The night will go by *
00:30:13	* Without hurrying nostalgia *
00:30:20	* Our wound will be a tango *
00:30:27	* Our souls
00:30:36	* We will be tonight
00:30:45	* Come back to me *
00:30:47	* Love me in the dark *
00:30:50	* In our blue room *
00:30:55	* Where there was no sun
00:31:03	* Blind me *
00:31:05	* Kill my heart *
00:31:09	* In our blue room *
00:31:18	* My *
00:31:21	* My love *
00:32:02	The village, united,
00:32:04	advance to the defeated!
00:32:05	The village, united,
00:32:09	The village, united,
00:32:14	...and more women.
00:32:15	Next time I'll make sure
00:32:20	Miss Kahlo.
00:32:23	You may have to hold me up.
00:32:26	That Torres is a good man,
00:32:28	but he's got to be
00:32:35	What is this, your studio?
00:32:38	One of the benefits
00:32:40	you can arrange for the drinking
00:32:43	And now that you are
00:32:45	I believe I can let you see it,
00:32:48	Hey, listen.
00:32:50	If you think
00:32:52	just because you've taken me
00:32:54	you're wrong.
00:32:55	Me?
00:32:56	I was painting murals
00:32:58	and womanizing in peace
00:33:01	Anyway, sex is like pissing.
00:33:03	People take it
00:33:05	In Russia... oh, my God...
00:33:07	in Russia, everyone was
00:33:09	Well, this isn't Russia.
00:33:11	No, thank Christ.
00:33:14	I have a proposal.
00:33:18	We will not sleep together.
00:33:20	We will solemnly swear,
00:33:23	that we will be friends only.
00:33:25	Fine.
00:33:27	Comrades... colleagues...
00:33:30	and friends forever.
00:33:46	Did you arrange for that?
00:33:49	Cost me a fortune.
00:34:15	I have a scar.
00:34:18	Let me see it.
00:34:33	You're perfect.
00:34:37	Perfect.
00:35:13	Mmm!
00:35:14	I always wanted a man
00:35:21	You know
00:35:23	What?
00:35:25	A girl with cojones.
00:35:28	Aah!
00:35:29	Ooh!
00:35:33	Aah!
00:35:34	- Aah!
00:35:43	These are good, Frida.
00:35:45	Hmm.
00:35:46	And you were probably painting
00:35:49	That's nonsense.
00:35:51	I could never paint like this.
00:35:53	Oh.
00:35:55	I couldn't.
00:35:59	I paint what I see...
00:36:05	But you...
00:36:08	you paint from here.
00:36:10	It's wonderful.
00:36:13	I can see why you're
00:36:22	We'll have to get married,
00:36:26	What?
00:36:29	The thing is...
00:36:32	I think it's quite possible
00:36:34	that we were born
00:36:36	so we should marry.
00:36:38	But you don't believe
00:36:40	Of course I do.
00:36:43	Exactly.
00:36:44	You can't be true
00:36:46	True, yes.
00:36:49	Faithful... no.
00:36:54	Unfortunately,
00:36:55	I'm physiologically incapable
00:36:57	- Oh, really?
00:36:59	A doctor acquaintance of mine
00:37:03	What a convenient diagnosis.
00:37:06	Is fidelity that important
00:37:13	Loyalty is important to me.
00:37:16	Can you be loyal?
00:37:17	To you?
00:37:19	Always.
00:37:21	Good.
00:37:22	Because I love you, panzon.
00:37:24	Fridocha.
00:37:27	I accept.
00:37:45	What a beautiful bride
00:37:57	- You have to come in.
00:37:58	Oh, you think
00:38:00	But he's divorced twice.
00:38:02	He's had God knows
00:38:05	And he's an atheist,
00:38:06	Perhaps you have forgotten,
00:38:09	and forgive me
00:38:10	but I am a German Jew,
00:38:13	Yes.
00:38:14	Hmm.
00:38:16	He's also a Communist.
00:38:17	A Communist
00:38:19	to pay off our mortgage.
00:38:20	It's like the marriage
00:39:08	Your toe.
00:39:12	It's been a long time.
00:39:13	I don't want to talk.
00:39:15	I told you
00:39:17	- I don't want to talk.
00:39:20	Please.
00:39:21	Cris... Cristina!
00:39:22	Stay here!
00:39:41	I give them... six months.
00:39:43	Six?
00:39:45	I give them two.
00:39:52	I don't believe in marriage.
00:39:54	No, I really don't.
00:39:56	Let me be clear about that.
00:39:58	I think at worst
00:40:01	a way for small-minded men
00:40:05	and out of the way,
00:40:06	wrapped up in the guise
00:40:09	and conservative
00:40:12	At best,
00:40:14	these two people
00:40:17	and have no idea
00:40:19	how truly miserable they're
00:40:22	But...
00:40:24	But...
00:40:25	when two people know that,
00:40:28	and they decide
00:40:31	to face each other
00:40:35	then I don't think
00:40:38	I think it's radical
00:40:41	and very romantic.
00:40:43	To Diego and Frida.
00:40:46	Diego and Frida.
00:41:37	Aah!
00:41:41	You're crazy!
00:41:42	You know that?
00:41:43	You're crazy.
00:41:46	You son of a bitch!
00:41:47	Who cares?
00:41:49	Ah!
00:41:50	You like these legs?
00:41:51	Oh, Lupe. Lupe, no.
00:41:53	You like those legs, Diego?
00:41:54	You give up these beauties...
00:41:58	for these matchsticks?
00:41:59	This peg leg?
00:42:00	Look! Look!
00:42:22	Viva la revolucion.
00:42:32	Ay!
00:42:34	My mother was wrong
00:42:37	She said you were an elephant.
00:42:39	But you're not.
00:42:40	Elephants are strong
00:42:42	and they defend their mates.
00:42:44	You are a toad.
00:42:47	And you look like a dog.
00:42:49	Dove! Dove!
00:42:51	No, I meant "dove."
00:42:56	You are my little paloma.
00:43:06	What will
00:43:11	They'll have never seen
00:43:20	Thank you.
00:43:23	For what?
00:43:25	For making a fat, old,
00:43:33	Ohh.
00:43:56	Sit. Eat.
00:44:02	Mi amor!
00:44:10	Mmm!
00:44:11	Good, huh?
00:44:12	Mmm!
00:44:13	What a wonderful morning!
00:44:16	Lupe's special recipe.
00:44:18	Well, you've mastered it.
00:44:21	I can't cook to save my life.
00:44:23	She brought it down for us
00:44:27	- Brought it down?
00:44:29	She's in the apartment upstairs
00:44:31	I let her have it
00:44:52	I'm not just passing through,
00:44:54	I'm here to stay!
00:44:55	Is that what you came
00:44:57	I'm here to stay.
00:44:59	So stay out of
00:45:04	You like my mole?
00:45:07	So-so.
00:45:09	Well, he lives for it.
00:45:10	So if you're here to stay,
00:45:14	I was so angry.
00:45:15	He didn't come home
00:45:17	Pass me the cilantro.
00:45:19	So, I took two
00:45:23	that he adores, you know...
00:45:26	And I smashed
00:45:28	in the boiling pot
00:45:31	and told him
00:45:33	Liar!
00:45:35	Did he eat it?
00:45:36	He did.
00:45:37	Did he like it?
00:45:38	He loved it.
00:45:42	Of course,
00:45:44	Then he got sick.
00:45:49	It didn't make me feel
00:45:51	And it definitely didn't
00:45:55	But what the hell?
00:45:58	Mama.
00:46:01	Brute!
00:46:02	Get out!
00:46:03	Come on!
00:46:05	Ven aqui.
00:46:06	Oh...
00:46:08	Marie.
00:46:09	- Come on. Let's go.
00:46:11	Quit it.
00:46:13	Eh?
00:46:15	Time for your nap.
00:46:21	The other night...
00:46:23	I know.
00:46:25	It's all right.
00:46:33	Ay, niòa, Diego has never
00:46:36	He belongs only to himself.
00:46:39	And that, of course, is what
00:46:42	He's the best of friends
00:46:47	Diego will never be
00:46:49	Not really.
00:46:51	We'll see.
00:46:53	You'll know it's over
00:46:54	when he gets the next commission
00:46:57	He'll say he'll send for you,
00:47:00	Seòora Rivera?
00:47:01	- Yes?
00:47:47	What do you think?
00:47:56	The tits lack...
00:47:58	gravity.
00:47:59	Oh, come on.
00:48:03	Eat your posole
00:49:08	It's not like you to be late
00:49:11	Uh, I was at the ministry
00:49:12	explaining why a history
00:49:15	is an appropriate subject
00:49:17	Again?
00:49:18	When I work,
00:49:22	When I don't work,
00:49:25	It's a farce.
00:49:27	Ugh.
00:49:29	Diego, son of a bitch!
00:49:34	That model, huh?
00:49:35	Yes.
00:49:40	It was just a fuck,
00:49:43	I've given more affection
00:49:49	Well, that makes me feel
00:49:54	Was she good, at least?
00:49:56	Not very.
00:49:58	Too bad.
00:49:59	She had such a great ass.
00:50:03	When you get home,
00:50:06	We're going out tonight.
00:50:09	* And now, yes, wicked witch *
00:50:12	* You already sucked my son *
00:50:16	* You already sucked my son *
00:50:20	* And now, yes, wicked witch *
00:50:23	* And now you're going
00:50:27	* Your husband's navel *
00:50:30	* Your husband's navel *
00:50:34	* And now you're going
00:50:37	* The witch grabs me,
00:50:39	* She turns me into
00:50:42	* The witch grabs me,
00:50:44	* She sits me on her legs,
00:50:46	* Tell me, tell me,
00:50:48	* How many creatures
00:50:51	* None, none, none,
00:50:53	* I intend to suck you *
00:51:03	More tequila!
00:51:07	Rivera!
00:51:08	Hey!
00:51:10	Yeah, you.
00:51:12	You know what I think of you
00:51:16	Why don't you get the fuck
00:51:18	This is a bar for workers,
00:51:25	Aah!
00:51:27	Aah! Ah ha ha!
00:51:30	Ay! Ay! Ay! Ay! Ay!
00:51:43	I tell you, that kid
00:51:45	Siqueiros is a hero
00:51:47	but what's he actually done?
00:51:49	I put socialism
00:51:51	I've got the fascists
00:51:52	the most dangerous subversive
00:51:55	and I'm the traitor
00:51:57	Soon we'll have no one left
00:52:00	It's not funny.
00:52:01	I'm not kidding.
00:52:02	Tina says they'll kick you
00:52:04	for the Palace mural.
00:52:05	They won't have to.
00:52:07	So you'll quit
00:52:10	That's all that matters
00:52:12	I've been offered a show
00:52:15	A solo exhibition
00:52:19	It would be
00:52:21	I could get commissions
00:52:29	I thought you'd be excited.
00:52:31	They don't care that
00:52:35	They can't afford to.
00:52:36	All the greatest painters
00:52:44	That's wonderful, Diego.
00:52:46	When do you leave?
00:52:50	As soon as you decide
00:52:55	Oh, my little monster!
00:52:58	We'll take Gringolandia
00:53:03	Dear Cristi,
00:53:05	the invasion
00:53:09	They are never gonna know
00:53:12	New York has Diego on fire.
00:53:15	What's your impression
00:53:18	Magnificent.
00:53:19	There is no reason
00:53:21	in our two continents should go
00:53:25	It is all here...
00:53:26	the might, the power,
00:53:30	The sadness.
00:53:31	The glory and youthfulness
00:53:35	I see the majesty
00:53:38	But all that American comfort
00:53:41	While the rich drink
00:53:43	thousands are starving.
00:53:46	Diego is working
00:53:49	to prepare for his show,
00:53:50	so I have to find ways
00:53:53	Aah!
00:53:56	Aah!
00:53:57	Aah!
00:54:16	Breaking all records,
00:54:18	over 50,000 people
00:54:20	outside New York's
00:54:24	to see the paintings
00:54:27	Diego Rivera...
00:54:29	...the most-talked-about man
00:54:35	Seòor Diego Rivera!
00:54:39	The gringos
00:54:41	but the most important thing
00:54:43	is to have ambition...
00:54:44	to succeed
00:54:46	And the somebodies
00:54:48	are the only ones
00:54:50	I despise this pretension.
00:54:51	This big shit
00:54:54	Of course, Diego loves it.
00:54:58	He's like a big Mexican piòata
00:55:02	Everything about this country
00:55:23	Two loose eggs,
00:55:26	two black coffees...
00:55:28	- That's fine.
00:55:29	Okay.
00:55:31	Are you guys ready?
00:55:37	Well...
00:55:38	I never thought
00:55:41	but you were better
00:55:49	You weren't upset about that,
00:55:53	I mean he... he said
00:55:56	Oh, he did, did he?
00:55:59	Well, you weren't the first,
00:56:07	Why do you put up with it?
00:56:10	Look, Diego's how he is,
00:56:13	and that's how I love him.
00:56:15	I cannot love him
00:56:19	Anyway...
00:56:20	my sweet Gracie...
00:56:23	I get along just fine.
00:56:31	- Congratulations.
00:56:33	Over here.
00:56:35	Mr. Rivera.
00:56:36	That's a lot of wall.
00:56:38	It's all there is.
00:56:45	Gentlemen, please. Please,
00:56:48	I'm sorry.
00:56:50	- Thank you.
00:56:54	Are you a painter too,
00:56:57	No. Just killing time.
00:57:00	She's much better than me.
00:57:03	You'll see.
00:57:15	What did the doctor say?
00:57:19	He might be able
00:57:21	but the bones
00:57:23	Blah, blah, blah.
00:57:25	The usual speech.
00:57:30	I'm pregnant.
00:57:35	Oh.
00:57:40	Can your body take it?
00:57:41	If it can take you, it can take
00:57:44	No, no, Frida.
00:57:46	He's not very optimistic.
00:57:49	This is not...
00:57:53	I-I c-can't bear
00:57:55	I'm used to pain.
00:57:59	This is not...
00:58:01	I'm not a good example of...
00:58:05	It's not a good time.
00:58:07	There's the Rockefeller
00:58:10	Detroit. Chicago.
00:58:11	All that traveling.
00:58:13	No, it's... it's too much.
00:58:21	You really want this baby,
00:58:27	I do.
00:58:28	All right.
00:58:31	All right?
00:58:32	All right, let's try
00:58:40	Shh, shh, shh.
00:58:44	Hmm.
00:58:46	He's reciting
00:59:15	Hoy!
00:59:33	She's lost a lot of blood.
00:59:35	I want to see her!
00:59:36	She needs to sleep.
00:59:37	You should go home and try
00:59:39	Frida!
00:59:40	You should be in bed,
00:59:43	The baby came out in pieces.
00:59:45	Come with me.
00:59:47	It never formed properly.
00:59:48	We can try again,
00:59:50	- Mrs. Rivera...
00:59:52	Mrs. Rivera.
00:59:53	I want to see him!
00:59:55	What did you do with him?!
00:59:58	I want to see my son!
00:59:59	Mr. Rivera, please...
01:00:00	What did you do with him?!
01:00:02	All right, chiquita,
01:00:08	Diego...
01:00:09	I promise. I promise.
01:01:39	What the hell is this?
01:01:40	Breakfast.
01:01:42	You trying to kill me?
01:01:43	I need fuel to work.
01:01:45	Listen, panzon,
01:01:47	it's going to be you
01:01:50	You know,
01:01:52	but I still thank him every day
01:01:55	Hmm, really?
01:01:56	I tell him he's got
01:02:01	From now on, I'm going to
01:02:03	to bring my breakfast
01:02:05	Uh-oh.
01:02:09	Frida?
01:02:20	Frida...
01:02:22	You are here.
01:02:43	I left him.
01:02:46	And that was his parting gift?
01:02:51	I should have
01:02:58	You're here now.
01:03:11	She'll throw a fit
01:03:18	We fought so much.
01:03:20	Sometimes I...
01:03:22	sometimes I would regret
01:03:26	I would think how I hated her.
01:03:30	You do enough damage
01:03:33	you begin to think that way.
01:03:36	Well, then she gets sick and...
01:03:53	The soul of our sister, Matilde,
01:03:55	rest in peace.
01:03:56	In the name of the Father,
01:04:00	Amen.
01:04:01	Our Father, who art in Heaven,
01:04:06	Thy kingdom come,
01:04:08	Thy will be done on Earth
01:04:11	Give us this day
01:04:21	You'd seen my work.
01:04:23	You knew my politics
01:04:25	Yeah, I showed you
01:04:26	I discussed them with you
01:04:29	What were you expecting from me?
01:04:31	No, but nor was I expecting
01:04:35	Now, let's be honest.
01:04:36	In the sketches that
01:04:38	it was just
01:04:40	He transformed himself into
01:04:42	No, you transformed him
01:04:44	because they took shots
01:04:47	Do you really think
01:04:48	is influenced
01:04:51	I would've defended you.
01:04:53	I will defend you
01:04:56	because the work is thrilling.
01:04:58	As always.
01:05:00	But a portrait
01:05:03	will offend many people...
01:05:06	in particular, my father.
01:05:08	You see, you're putting me
01:05:12	So I'm asking you to please
01:05:17	It's against my principles.
01:05:20	Yes, well, you've adjusted
01:05:22	to come to our parties
01:05:25	so I hope
01:05:28	- Go home!
01:05:30	Go home!
01:05:34	You've got quite a crowd
01:05:37	Half of them think
01:05:40	Half of them think
01:05:42	Tell me honestly
01:05:44	If you lie down with dogs,
01:05:47	No, seriously.
01:05:50	Why?
01:05:52	Because I'm actually
01:05:54	Perhaps I am being foolish,
01:05:58	Diego, you can't lose.
01:06:01	Forget about
01:06:02	You've done better ones
01:06:05	But whatever happens,
01:06:08	You've made them get passionate
01:06:10	There's not another painter
01:06:14	He could walk in here tomorrow
01:06:17	You'd still have won.
01:06:19	Ah, maybe.
01:06:22	He doesn't have the balls.
01:06:28	Diego!
01:06:41	Seòor Rivera.
01:06:42	I must ask you one last time
01:06:49	I will not compromise
01:06:55	In that case...
01:06:56	this is your fee,
01:06:58	paid in full, as agreed.
01:07:01	But your services
01:07:03	It's my painting!
01:07:04	On my wall.
01:07:06	It's the people's wall!
01:08:02	Diego, let's go home.
01:08:04	Frida, we have to fight
01:08:06	They tore down the wall,
01:08:08	I'll do it again,
01:08:11	What money? We don't even have
01:08:13	We're not going to Chicago.
01:08:18	It's time to go home.
01:08:20	What?!
01:08:21	With my tail between my legs?
01:08:23	We don't belong here.
01:08:24	I am tired of these people,
01:08:25	and I am tired of
01:08:29	See that?!
01:08:30	Hmm? You want to
01:08:36	Yes!
01:09:07	Ahh.
01:09:22	I'm working.
01:09:23	I can see that.
01:09:25	I brought you some lunch.
01:09:27	The doctor says you should
01:09:35	Puta madre!
01:09:39	Diego.
01:09:43	All right, that's enough.
01:09:46	Diego!
01:09:49	Diego, stop!
01:09:59	Lord X olotl...
01:10:01	prince of darkness.
01:10:04	You're the best
01:10:09	Only you see what shit
01:10:14	Diego...
01:10:16	You need help.
01:10:25	Frida, why do you and
01:10:28	Because we are
01:10:30	but our love makes us
01:10:32	That's why we have the bridge.
01:10:34	So, you mean,
01:10:37	Yeah.
01:10:40	Then why is it such
01:10:46	He's not working.
01:10:48	He's depressed.
01:10:49	He says the people
01:10:52	they're so stupid.
01:10:53	And he blames it all on me
01:10:56	That's ridiculous.
01:10:58	Still, you are lucky
01:11:02	I feel so desperate every day.
01:11:05	Sometimes I even think
01:11:08	Well, you're not.
01:11:13	What about a job?
01:11:15	You could help me out
01:11:17	Where do I start?
01:11:18	Don't touch anything.
01:11:20	Diego...
01:11:25	Don't worry.
01:12:03	Shh.
01:12:16	Go downstairs and play.
01:12:17	- Now!
01:12:18	- Now!
01:12:22	Ay!
01:12:30	My goddamn sister!
01:12:32	You're an animal!
01:12:36	Son of a bitch!
01:12:38	Frida... Fri...
01:12:39	Get out! Get out!
01:13:04	- Frida.
01:13:06	Frida.
01:13:08	I'm a beast.
01:13:10	Yes.
01:13:11	I-I-I-I'm an idiot, but it meant
01:13:19	Frida, talk to me!
01:13:31	There have been two big
01:13:34	the trolley and you.
01:13:37	You are by far the worst.
01:15:09	Get out!
01:15:13	Out! Out! Go!
01:15:43	It's a limp up three flights
01:15:45	I can't afford any furniture,
01:15:48	But at least I know who's
01:15:53	Diego's not giving you
01:15:54	I'd rather be poor.
01:15:58	She was my sister...
01:16:00	not some model.
01:16:01	My own sister.
01:16:04	To hell with him.
01:16:05	To hell with him.
01:16:08	Find some work.
01:16:11	I'll sell some paintings.
01:16:13	Not enough to cover
01:16:17	No, don't get me wrong...
01:16:19	I'm just not sure you should
01:16:23	They're tough, you know.
01:16:25	I mean, look at this.
01:16:29	What the hell is this?
01:16:30	It was in the damn papers.
01:16:33	A man stabbed his wife
01:16:36	and when the judge asked him
01:16:38	he said, "But it was just
01:16:45	Oh.
01:16:47	Mmh.
01:17:01	Who's that?
01:17:03	The ghost of Frida Kahlo.
01:17:05	Oh...
01:17:06	I remember her.
01:17:08	How are you?
01:17:10	Lonely.
01:17:11	Only you ghosts come
01:17:15	So...
01:17:17	how is your Diego?
01:17:21	I don't know why
01:17:24	He was never mine.
01:17:26	But he's fine.
01:17:29	And you?
01:17:31	Yes.
01:17:32	And I want you to pose for me.
01:17:33	You don't even have to
01:17:35	I want to leave the house.
01:17:37	All right, then.
01:17:38	We'll go somewhere different
01:17:40	That sounds good.
01:17:42	You've painted everyone else
01:17:45	Yes.
01:17:47	A long time ago.
01:17:53	Remind me what I wanted then.
01:17:57	You wanted to be
01:18:30	Frida...
01:18:35	She never liked you, you know.
01:18:38	She told me you would only
01:18:49	There is something
01:18:55	A favor I need to ask of you.
01:18:59	You've got a lot of nerve
01:19:01	to come here asking me
01:19:04	No, it's not for me.
01:19:06	The Norwegians
01:19:08	no other country
01:19:10	and Stalin wants him dead.
01:19:11	I have appealed
01:19:14	They have granted him asylum
01:19:19	I want you to welcome him
01:19:22	Let him live
01:19:25	I know it's a lot to ask,
01:19:27	but this is a difficult
01:19:30	And you, Frida...
01:19:34	you bring life and warmth
01:19:38	Anyway...
01:19:41	Trotsky is a very great man
01:19:45	and we have the opportunity
01:19:50	Yes, all right.
01:19:59	Such commotion.
01:20:00	I don't understand...
01:20:02	such a commotion
01:20:04	A very great man, Papa.
01:20:05	A true revolutionary.
01:20:08	It's an important service
01:20:10	If you admire him,
01:20:12	not to get involved
01:20:14	Politics are ruinous.
01:20:15	Good advice, Papa.
01:20:17	I'm sure he'll agree.
01:20:41	I regret it was not possible
01:20:45	Natalia and I,
01:20:47	for your generosity
01:20:51	Your charming wife,
01:20:52	she has made the last leg
01:20:56	We are profoundly honored
01:20:58	to have you and your wife
01:21:01	Ay, Diego, they're starving.
01:21:07	Thank you.
01:21:12	No, i-it's true!
01:21:14	I could not believe it!
01:21:17	They scream about
01:21:20	a-a-and then sing
01:21:22	Aren't they the same creature?
01:21:24	Yes, but not exactly.
01:21:25	Of course
01:21:28	but Hitler at least
01:21:31	Vision? He's insane!
01:21:32	Of course he is insane,
01:21:34	but he has the ability
01:21:37	whereas Stalin, he's...
01:21:42	There is the brutality,
01:21:45	but when you get
01:21:46	Stalin is nothing
01:21:49	and that is what is
01:21:52	They are the same,
01:21:53	but only in that the insanity
01:21:58	And between them,
01:21:59	they will consume
01:22:02	Madness.
01:22:03	Yes... but a challenge.
01:22:06	Look at us...
01:22:09	in this wonderful new planet
01:22:16	I tell you this, my friends,
01:22:18	in the experience
01:22:21	the failure and the pain
01:22:23	have certainly outstripped
01:22:26	But this has not only
01:22:29	my faith in reason, in truth,
01:22:33	but, on the contrary,
01:22:34	it has made it
01:22:37	I see the hope of the world
01:22:40	and, from my heart,
01:22:43	Na zdorov'ya!
01:22:44	- Na zdorov'ya!
01:22:46	- Salud!
01:22:47	Imagine living your life
01:22:50	with a price on your head...
01:22:53	Yes.
01:22:57	Good night, Diego.
01:23:44	Whoo.
01:23:48	Oh, stop it, Andre.
01:23:51	I don't care.
01:23:54	You've seen all these,
01:23:55	Of course.
01:23:57	Julian Levy took a couple
01:24:00	and sold both of them,
01:24:01	and she sold another four
01:24:03	t-t-the gangster.
01:24:04	Edward G. Robinson.
01:24:06	Yeah, for $200 apiece.
01:24:07	He was robbed.
01:24:09	We haven't been able
01:24:11	My little paintings can't mean
01:24:14	Stop!
01:24:15	Get down!
01:24:16	They put a bag by the door!
01:24:18	- Let's get inside.
01:24:19	- Inside, quickly.
01:24:21	- Cover him! Hurry!
01:24:22	- Take him inside!
01:24:24	Frida, what are you doing?!
01:24:25	Hallowed be Thy name...
01:24:27	I give you five seconds
01:24:30	One!
01:24:31	- Two!
01:24:36	It's all right.
01:24:37	It's all right.
01:24:39	Sorry about that.
01:24:40	It was my mother's sisters.
01:24:42	What do you mean?
01:24:43	They were leaving icons
01:24:46	They think this house
01:24:48	and that you
01:25:17	I want you to think
01:25:19	You could be part of the
01:25:22	What I really want is a show
01:25:25	Which they will give you
01:25:26	once you become famous
01:25:28	Your paintings should be seen.
01:25:32	So, who is coming up with me?
01:25:33	It's harder than you think.
01:25:35	Ah, everything
01:25:37	I'll go.
01:25:38	Are you sure?
01:25:39	If an old man can do it,
01:25:47	No, no, no, no.
01:25:49	I don't think assassins
01:25:53	I'll race you.
01:26:17	Frida...
01:26:20	how were you hurt?
01:26:23	I couldn't even tell you
01:26:26	I've been cut into, rebroke,
01:26:30	I'm like a jigsaw puzzle.
01:26:32	And all the operations
01:26:35	than the accident,
01:26:37	Everything hurts.
01:26:39	But the leg...
01:26:50	But I'm all right.
01:26:54	At the end of the day,
01:26:55	we can endure much more
01:26:59	That's what I loved
01:27:03	that they carry that message.
01:27:05	You said that nobody
01:27:07	but I think you are wrong...
01:27:09	because your paintings express
01:27:14	that they are alone in pain.
01:27:17	Maybe.
01:27:21	Leon...
01:27:22	tell me about your children.
01:27:25	My children.
01:27:27	We knew the girls had been
01:27:32	We thought the other
01:27:36	But that letter came.
01:27:38	He was executed, too.
01:27:39	They are all gone.
01:27:41	I have condemned my family...
01:27:44	as I am condemned.
01:27:46	You mustn't say that.
01:27:48	But it's true.
01:27:50	Stalin has more power
01:27:54	I'm alone with few friends
01:27:56	against the world's biggest
01:28:01	So what can I do
01:28:07	You cannot imagine what a joy
01:28:11	to see all this.
01:28:13	It is the first time I felt
01:29:30	In his book
01:29:33	Lenin purged from the genuine
01:29:37	all the spurious ingredients
01:29:39	introduced
01:30:16	John, I am picking it up
01:30:25	Frida.
01:30:31	This is the book I mentioned.
01:30:32	Tell me what you think.
01:30:35	Thank you.
01:30:38	I'll be back in an hour.
01:31:14	No, no, no, no, no.
01:31:17	We will stop disrupting
01:31:20	We're not going far,
01:31:23	I wish you would reconsider,
01:31:26	We will be more than safe.
01:31:29	Do svidaniya.
01:31:31	Many thanks, my friend.
01:31:38	We'll see you soon.
01:31:41	Natalia...
01:32:06	It makes no sense.
01:32:09	He's not thinking
01:32:12	He's thinking of hers.
01:32:14	What are you talking about?
01:32:21	I'm talking about somebody
01:32:22	willing to sacrifice a little
01:32:25	rather than go on hurting
01:32:32	Have you lost your mind?!
01:32:33	Go to hell, Diego.
01:32:35	You know what the consequences
01:32:37	He's not scared.
01:32:39	Oh, dear, God, Frida,
01:32:41	Because we wanted to.
01:32:47	You've broken my heart, Frida.
01:32:54	It hurts, doesn't it?
01:32:56	But why?
01:32:58	It was just a fuck,
01:33:00	I told you who I was
01:33:03	Yes, you did,
01:33:05	and you promised to be loyal.
01:33:10	You've been my comrade,
01:33:13	my fellow artist,
01:33:14	my best friend.
01:33:17	But you've never been
01:33:19	Fridocha...
01:33:52	"Dear Diego,
01:33:56	Why didn't you tell me Paris
01:34:07	"The French are the most
01:34:11	"I'd rather sit on the floor
01:34:14	"selling tortillas
01:34:15	"than have to listen
01:34:17	of the artistic bitches
01:34:53	"There really hasn't been
01:34:55	in the exhibition
01:35:00	"Mexican artists are nothing
01:35:06	"All in all,
01:35:09	and I crave news from home."
01:35:13	"Diego, this letter is a lie.
01:35:16	"Paris has been good to me.
01:35:18	"But without you,
01:35:21	"All the rage of our 12 years
01:35:24	"and I'm left knowing that I
01:35:28	"And though
01:35:31	"you do love me a little,
01:35:33	"If this is not true,
01:35:35	"I'll always be hopeful
01:35:37	"I adore you.
01:35:41	Frida."
01:36:15	There are rumors going around
01:36:18	We fought lately, it's true,
01:36:23	They may try
01:36:26	Talk to the president.
01:36:27	No.
01:36:29	No, I'm going to California.
01:36:31	- California?
01:36:36	And, Frida...
01:36:39	I want us to divorce.
01:36:45	For who...
01:36:46	that American actress?
01:36:48	Jesus, Diego.
01:36:50	No, Frida, no.
01:36:51	It will be better this way.
01:36:53	We have both done better
01:36:54	- I haven't.
01:36:56	You're doing very well
01:36:57	I'm proud of you.
01:36:59	If you want to go, just go.
01:39:38	Listen to me...
01:39:39	I don't particularly care
01:39:42	but we can't go around
01:39:45	murdered in our country.
01:39:47	Now, can we?
01:39:52	Once more,
01:39:56	I don't have a husband.
01:40:09	Frida?
01:40:13	Oh, my God.
01:40:18	Cristi.
01:40:23	I'm so sorry.
01:40:28	Oh.
01:40:32	It was not your fault.
01:40:37	I should have never put you
01:40:43	What did you do
01:40:46	Diego. He went crazy
01:40:49	He called President Cardenas
01:40:53	Ay.
01:40:55	Diego.
01:41:04	Not much more.
01:41:23	How long has your foot
01:41:25	Who knows? Let's take
01:41:28	Just patch me up
01:41:30	These are gangrened.
01:41:32	They'll have to come off.
01:41:33	You're lucky it hasn't spread
01:42:40	You've lost weight.
01:42:42	Ah.
01:42:44	You've lost your toes.
01:42:48	Is that why you're here...
01:42:50	to offer your condolences?
01:42:56	I'm here to see how you are.
01:42:59	How do you feel?
01:43:02	Tired of answering
01:43:04	Otherwise, like shit.
01:43:06	How are you?
01:43:10	I'm...
01:43:15	I'm here to...
01:43:17	ask you to marry me.
01:43:21	I don't need rescuing, Diego.
01:43:24	I do.
01:43:27	I've lost the toes
01:43:30	My back is useless.
01:43:31	I have an infection
01:43:33	I smoke. I drink. I curse.
01:43:36	I can't have children.
01:43:39	I have no money,
01:43:41	Should I keep going?
01:43:43	That's practically a letter
01:43:49	Frida...
01:43:55	Frida...
01:43:59	I miss... us.
01:44:07	They say you should never
01:44:10	or the tears of a woman.
01:44:12	They're wrong.
01:45:32	Cristina!
01:45:47	Come on!
01:45:48	Aaah!
01:46:13	"Feet, what do I need you for
01:46:18	I want you to burn
01:46:21	I don't want to be buried.
01:46:23	I've spent enough time
01:46:26	Burn it.
01:46:28	Frida...
01:46:29	No, I don't think
01:46:32	I think all the Frida in me
01:46:36	Look at what's left.
01:46:43	Why do you stay?
01:46:51	You stupid girl.
01:47:01	Are you crazy?
01:47:03	Stop it, Diego!
01:47:05	- Oh, yes, I can!
01:47:07	No, Frida!
01:47:08	No, we've been through
01:47:10	I'm going, damn it!
01:47:13	Doctor, please help me.
01:47:15	What's going on here?
01:47:17	I told her
01:47:19	She demanded we call you.
01:47:20	- I'm going to my exhibition.
01:47:22	I've waited for a show in
01:47:24	I'm not going to miss it.
01:47:30	If the bronchitis gets worse,
01:47:34	Frida, under no circumstances
01:47:37	I'll bring you back
01:47:51	Cristina!
01:47:55	There was this skinny kid
01:47:57	shouting up at me,
01:47:58	"Diego, I want to show you
01:48:01	But, of course,
01:48:06	I did, and I've
01:48:11	But I want to speak about Frida
01:48:15	but as an artist.
01:48:17	I admire her.
01:48:20	Her work is acid and tender...
01:48:25	hard as steel...
01:48:27	and fine
01:48:31	Loveable as a smile...
01:48:34	cruel as...
01:48:37	the bitterness of life.
01:48:46	I-I-I don't believe...
01:48:49	that ever before has a woman
01:48:51	put such agonized poetry
01:48:54	Shut up, panzon.
01:48:56	Who died?
01:49:08	Where is the music?
01:49:12	You see, doctorcito,
01:49:16	I didn't leave my bed.
01:49:17	Frida.
01:49:19	Ay, doctor, if you let me
01:49:22	I promise not to drink
01:49:24	It's a deal.
01:49:25	To Frida!
01:49:26	To Frida!
01:50:26	Are you all right?
01:50:28	Lie down with me.
01:50:52	25 years together,
01:50:57	Frida.
01:51:04	Happy silver.
01:51:10	It's not for two more weeks.
01:51:14	17 days.

Frida