Friends Crocodiles
|
00:01:17 |
Lizzie? |
00:01:18 |
Yes, William? I won't be a moment. William? |
00:01:22 |
I've just rung to say that Paul is here. |
00:01:25 |
- Paul? |
00:01:30 |
Paul is here. |
00:01:32 |
Paul is with you? |
00:01:33 |
Not actually with me, no. |
00:01:37 |
He looks extraordinary, too. |
00:01:39 |
He looks like he has been living in a cave. |
00:01:42 |
You've no idea what he wants? |
00:01:45 |
- Why he might want to see me? |
00:01:49 |
Not a clue. |
00:02:32 |
Paul, is it you? |
00:02:35 |
It is you. How extraordinary, after all this time. |
00:02:38 |
It is me, yes. |
00:02:40 |
- How goes it? |
00:02:42 |
Very well. And with you? You look... |
00:02:44 |
- Like shit? |
00:02:48 |
Different. Tiny bit different. |
00:02:50 |
- Busy, are you? |
00:02:52 |
Always busy, stirring away at this and that. |
00:02:55 |
- You weren't looking for me, were you, Paul? |
00:02:59 |
- Why were you doing that? |
00:03:02 |
You haven't seen where I am living now, |
00:03:05 |
No, that would be good. |
00:03:08 |
Look, Paul, I'm running late as it is, |
00:03:14 |
Very important. |
00:03:15 |
And as you can see, the meter is running. |
00:03:19 |
And I'm very uncharacteristically paying |
00:03:25 |
- Same number, isn't it? |
00:03:27 |
Yeah, I'll call tomorrow without fail. |
00:03:29 |
Go. Go now to the Savoy, go. |
00:04:14 |
Hello. This is Charlie. |
00:04:20 |
Now I was just explaining to Charlie |
00:04:23 |
there was actually no word for "woman". |
00:04:27 |
You believe me? It's a joke. |
00:04:30 |
Marvellous. Absolutely marvellous! |
00:04:33 |
There are facts in here |
00:04:39 |
WILLIAM: There she is. |
00:04:42 |
Always on time. |
00:04:44 |
Regular as clockwork. |
00:04:50 |
Nobody seems to have noticed her except me. |
00:04:56 |
Ingrid, the man, was left for... |
00:05:00 |
- Yasmin. |
00:05:04 |
- Hi. |
00:05:07 |
You walk by here all the time. |
00:05:09 |
That's right. It's my lunch hour. |
00:05:12 |
- I'm Paul. Paul Reynolds, by the way. |
00:05:17 |
And that's your home. I know that, too. |
00:05:20 |
And these are all your grounds, |
00:05:23 |
But this is a right of way, isn't it? |
00:05:26 |
- I'm all right here, aren't I? |
00:05:28 |
You're free to go wherever on my land, |
00:05:31 |
Thanks. |
00:05:32 |
- And you are? |
00:05:35 |
Lizzie Thomas. |
00:05:38 |
So, I know all about your property, |
00:05:42 |
I read about you |
00:05:45 |
You don't want a drink? Or a little food? |
00:05:48 |
- Or a job? |
00:05:51 |
Not today, but maybe... |
00:05:53 |
- I've a selection of possibilities. |
00:05:58 |
I can't be late back for work. |
00:06:03 |
Will she look back? |
00:06:05 |
I bet she doesn't look back. |
00:06:11 |
All our W's in the right place, are they? |
00:06:17 |
All our R's nice and perky, are they? |
00:06:23 |
I think we have a tiny bit of slippage here, |
00:06:28 |
All our F's and K's in good order, are they? |
00:06:42 |
I know this customer. |
00:06:44 |
Mrs Wheeler will see to the customer, |
00:06:50 |
- What are you doing here? |
00:06:53 |
- As what? |
00:06:56 |
- At first? That sounds dangerous. |
00:06:59 |
It's exactly what it seems. |
00:07:04 |
- You must have loads of secretaries. |
00:07:09 |
And why is that? |
00:07:10 |
You'll see, I expect, |
00:07:13 |
Enough chat, Lizzie. Back to work. |
00:07:18 |
What've you got to lose? |
00:07:20 |
I'll start in a month. |
00:07:22 |
- It's too late. |
00:07:24 |
Take it or leave it. |
00:07:41 |
(PEOPLE TALKING) |
00:07:50 |
(PEOPLE LAUGHING) |
00:08:14 |
Here she is. |
00:08:18 |
With her typewriter. |
00:08:22 |
She looks the business. |
00:08:28 |
WILLIAM: It's the Albert brothers. They're artists. |
00:08:31 |
(TYPEWRITER CLACKING) |
00:08:32 |
Actually, they're not really brothers, as it happens. |
00:08:35 |
They just think it's a more handy label |
00:08:40 |
The Albert Brothers. |
00:08:42 |
It's not bad, actually. |
00:08:45 |
There's a couple of old aristos, |
00:08:47 |
You don't need to worry about them. |
00:08:49 |
That's Neville Coyle. He's making his name |
00:08:55 |
He's always very pale. Baby-smooth complexion. |
00:08:58 |
I call him The Blob. He's one to watch. |
00:09:00 |
(TYPEWRITER CLACKING) |
00:09:03 |
Then it's Francis Butterworth, |
00:09:07 |
He's only ever written one book in his life, |
00:09:13 |
There's Redfern, of course. He's a revolutionary. |
00:09:16 |
Has very radical ideas, |
00:09:18 |
how to teach children how they should |
00:09:21 |
Never take exams. |
00:09:24 |
Paul collects people that interest him... |
00:09:28 |
and then lets them do whatever they want. |
00:09:32 |
- And now he has collected you. |
00:09:35 |
I'm just the secretary. That is quite different. |
00:09:40 |
Graham. |
00:09:42 |
He's a poet, and a homosexual. |
00:09:45 |
Quiet bloke, but he makes no secret of it. |
00:09:52 |
Then, of course, there's William Sneath... |
00:09:55 |
me. |
00:09:57 |
Who, for some reason caught Paul's eye |
00:10:01 |
and is hoping to prosper just by being near him. |
00:10:08 |
Each party is bigger than the last. |
00:10:11 |
You'll just have to hope you're not here |
00:10:18 |
Those are great decorations. |
00:10:23 |
Why don't any of his secretaries last? |
00:10:26 |
I wouldn't know, would I? |
00:10:28 |
Nearly there. |
00:10:30 |
Sorry? |
00:10:33 |
I mean you've nearly reached the room |
00:10:39 |
- Will this do? |
00:10:42 |
It's so good you're here. |
00:10:47 |
When do you want me here tomorrow? |
00:10:49 |
- 8.30? 9:00? |
00:10:53 |
There's never any rush. |
00:11:01 |
(MAN SHOUTING) |
00:11:04 |
(BELL RINGING) |
00:11:29 |
(RINGING CONTINUES) |
00:11:37 |
(DEEP VOICE) Lizzie! |
00:11:45 |
(RINGING STOPS) |
00:11:48 |
Come in. |
00:11:53 |
Oh, I am... I'm so sorry. I'm... |
00:11:55 |
- I thought somebody was calling me. |
00:12:00 |
(BELL RINGING) |
00:12:01 |
(DEEP VOICE) Lizzie! |
00:12:02 |
(GIRLS LAUGHING) |
00:12:03 |
- I'll be back in my office, if you want me. |
00:12:07 |
- What can he have in mind? |
00:12:11 |
Please, I want to talk to you. |
00:12:13 |
Please, okay? There's a nice spread there |
00:12:18 |
Stop it! Stop. Christine, stop it! |
00:12:43 |
I'm so sorry. |
00:12:45 |
- Everything took much longer than we expected. |
00:12:54 |
It is all clear now. He's ready for you. |
00:13:00 |
You can go in now. |
00:13:10 |
That was unforgivable, I know. |
00:13:14 |
- I'm sorry. |
00:13:19 |
'Cause if it was, I really hope I failed it. |
00:13:22 |
Well, we really should do some work |
00:13:27 |
Let me show you something. |
00:13:30 |
Come over here. |
00:13:42 |
Here is everything I intend to do. |
00:13:46 |
All my plans are here. |
00:13:50 |
- The future is in this room. |
00:13:55 |
You can find it in all this mess? |
00:13:58 |
Usually. Most days. |
00:14:03 |
I've been lucky, so far. |
00:14:05 |
You know, with property. |
00:14:09 |
I've made pots of money |
00:14:17 |
But in here... |
00:14:19 |
In here, this is what I really want to do. |
00:14:23 |
The list of the top ten projects. |
00:14:27 |
What I plan for the next few years. |
00:14:30 |
A city centre I have a great scheme for, |
00:14:36 |
- And then there are the windmills. |
00:14:43 |
Am I Don Quixote? |
00:14:46 |
Not quite sure, yet. |
00:14:51 |
I need a little help with this, as you can see. |
00:14:55 |
(WATER LAPPING) |
00:14:57 |
Someone who'll crack the whip. |
00:15:00 |
Get it organised. |
00:15:01 |
(WATER LAPPING) |
00:15:10 |
(LIZZIE GASPING) |
00:15:19 |
And I'm interested in crocodiles, too. |
00:15:25 |
- Why? |
00:15:32 |
You'll stay? |
00:15:35 |
- Help me make all this come true? |
00:15:39 |
Of course. I'm not quite as lazy as I seem. |
00:15:42 |
We'll work ultra normal hours. |
00:15:46 |
- Not too many parties? |
00:15:50 |
I don't want to hold any more. I promise. |
00:15:53 |
Not for a long while. |
00:16:00 |
I thought I might make each project colour-coded. |
00:16:03 |
Give it its own colour, |
00:16:08 |
It's terrific. |
00:16:11 |
A code in colour. |
00:16:17 |
It's great. |
00:16:29 |
MAN: (TEASING) She's coming. |
00:16:32 |
The secretary is a-coming. |
00:16:44 |
Lizzie? |
00:16:46 |
Always in such a hurry. |
00:16:51 |
- Morning. |
00:16:55 |
There are eight letters from America... |
00:17:01 |
- and one from Poland. |
00:17:06 |
Nice day. |
00:17:10 |
(WHISTLING) |
00:17:15 |
Come on. |
00:17:17 |
(PEOPLE CHEERING AND LAUGHING) |
00:17:24 |
(SNORING) |
00:17:38 |
Just got to a difficult part... |
00:17:40 |
in my book... |
00:17:43 |
just struggling with it, as you can see. |
00:17:47 |
Competitive sport's |
00:17:52 |
Don't you know? |
00:17:58 |
NOSCP. |
00:18:01 |
"Noscp." |
00:18:04 |
No School Competitions. |
00:18:08 |
REPORTER: (ON TV) |
00:18:10 |
fought a pitched battle against the police. |
00:18:13 |
Some were as young as 12, |
00:18:16 |
It lasted for eight hours and at the end of it |
00:18:18 |
Merseyside's chief constable |
00:18:21 |
"We were set up,"he said. |
00:18:24 |
(WHISPERING) Whatever you do, |
00:18:27 |
And still the bricks, stones and lumps of iron |
00:18:33 |
And against all this, |
00:18:37 |
(VOLUME DECREASING) |
00:18:38 |
Always working. |
00:18:40 |
Always buried in Paul's papers. |
00:18:43 |
Yes, there are some really great ideas in here. |
00:18:47 |
So, you see blue for instance, |
00:18:51 |
Everything to do with wind power, that's blue. |
00:18:55 |
We can see where all that is now, at a glance. |
00:18:57 |
It's magical. |
00:18:59 |
Spectacular. |
00:19:02 |
I never thought the room could look like this. |
00:19:05 |
So we're ready then, for the next stage? |
00:19:09 |
Making these things happen? |
00:19:16 |
Yeah, we are. Absolutely. |
00:19:19 |
There is just one other colour before then. |
00:19:22 |
- This colour. |
00:19:25 |
It's my birthday in a couple of weeks. |
00:19:33 |
- Come on, Lizzie, don't look like that. |
00:19:35 |
It's not a party. |
00:19:36 |
No. But you must think I'm an awful killjoy, |
00:19:42 |
- I thought we were going to really start. |
00:19:47 |
After one very small, everyday picnic. |
00:19:52 |
LIZZIE: It's ready. |
00:19:55 |
(GONG SOUNDING) |
00:20:14 |
(PEOPLE CHUCKLING HEARTILY) |
00:20:17 |
ALL: One, two, three. |
00:20:21 |
ALL: Whoo! |
00:20:42 |
My sister's enjoying herself. |
00:20:45 |
Good luck to her. |
00:20:49 |
But look at all the rest of them, |
00:20:53 |
gobble, gobble, gobble. |
00:20:56 |
They can't believe their luck, can they? |
00:21:00 |
I think I will make the toast. |
00:21:02 |
(GLASS TINKLING) |
00:21:04 |
The toast. |
00:21:05 |
Surely the time is right for the birthday toast. |
00:21:09 |
The politician. Of course, it has to be him |
00:21:14 |
To Paul, on his birthday. |
00:21:16 |
No number. Don't put a number on it. |
00:21:22 |
We're all very aware of how privileged we are |
00:21:29 |
in what must be |
00:21:34 |
We second that. |
00:21:36 |
To Paul, the maestro. |
00:21:39 |
The only patron |
00:21:44 |
I endorse all of that and more, |
00:21:46 |
because if it wasn't for you, |
00:21:50 |
This is pathetic. I'll show you how to do it. |
00:21:57 |
What we should be saying... |
00:22:00 |
PAUL: (LAUGHING) Here he comes. |
00:22:02 |
...is this. |
00:22:04 |
Paul... |
00:22:06 |
you have vision, vision beyond your years... |
00:22:11 |
because with you, there're no structures. |
00:22:15 |
Freedom, |
00:22:18 |
dreamtime, |
00:22:20 |
daydreams and night dreams, |
00:22:24 |
space. |
00:22:26 |
The only thinking environment that makes sense. |
00:22:30 |
You young people here, |
00:22:36 |
because I do not kneel before you, Paul... |
00:22:39 |
but I do teeter. |
00:22:43 |
You are the one and only |
00:22:49 |
- To Paul! |
00:22:58 |
That's quite enough of that, all of you. |
00:23:01 |
But thank you. |
00:23:04 |
Thank you. |
00:23:07 |
Right. Now, I think you need a bit of waking up. |
00:23:12 |
I've bought myself a little present. |
00:23:16 |
Lizzie. |
00:23:19 |
MAN: Oh my God! |
00:23:33 |
All aboard! |
00:23:38 |
Room upstairs. |
00:23:44 |
All aboard. |
00:24:14 |
Hurry up! |
00:24:17 |
Hey, you know the route? |
00:24:19 |
Because of the weight of the bus, |
00:24:22 |
- You do understand? |
00:24:24 |
Otherwise, it'll get stuck. |
00:24:27 |
- The 98. All the way to Maida Vale. |
00:24:32 |
- Quiet, everyone. |
00:24:33 |
(BUS HORN TOOTING) |
00:24:44 |
(WHOOPING AND CHEERING) |
00:24:49 |
Never has a bus been so full of talent. |
00:25:02 |
What the hell is he doing? |
00:25:04 |
Hold on! |
00:25:10 |
(PEOPLE GASPING) |
00:25:38 |
(PEOPLE GASPING) |
00:25:41 |
That was the best bus ride ever. |
00:25:59 |
It's stuck, Lizzie. Don't worry about it. |
00:26:10 |
(PEOPLE CHUCKLING) |
00:26:37 |
- We can't move it. |
00:26:40 |
- Somebody could have got badly hurt. |
00:26:43 |
I got a bit carried away. |
00:26:46 |
- Some people had fun. |
00:26:50 |
I don't belong here, do I? |
00:26:54 |
- I really don't. |
00:26:57 |
- To bully me, cause me grief. |
00:27:02 |
Find somebody else to kick your arse. |
00:27:05 |
I am working all the time in here... |
00:27:09 |
going over and over things, |
00:27:12 |
so I can start again. |
00:27:16 |
There's a room you have never seen. |
00:27:20 |
Please meet me there tomorrow morning. |
00:27:28 |
I'm here. |
00:27:29 |
- Are you going to stay over there all the time? |
00:27:35 |
I see you've got him a new tank. |
00:27:38 |
Is that what you wanted me to see? |
00:27:40 |
No. |
00:27:42 |
Those shops are the first thing I bought, |
00:27:46 |
My father was a Dagenham car worker. |
00:27:49 |
I was determined not to do that, not to work there. |
00:27:52 |
I saw these derelict shops, all along a high street. |
00:27:55 |
I formed a consortium, I bought the lot. |
00:27:58 |
The whole of the empire |
00:28:02 |
All that work, and now you can drive a London bus |
00:28:05 |
And out there is all the work you've done, |
00:28:08 |
everything beautifully colour-coded. |
00:28:14 |
Would you work with me to bring all that stuff |
00:28:20 |
Channel it into an action plan. |
00:28:23 |
You'll know all about my finances. |
00:28:25 |
You'll sit in at meetings |
00:28:28 |
You'll see the way things are prioritised, |
00:28:33 |
You will be able to read all my thoughts... |
00:28:36 |
in here. |
00:28:38 |
Nobody has been allowed to do that before. |
00:28:41 |
And I'll give you a raise. I'll double your salary. |
00:28:46 |
Come on, why not? I want to show you I can work. |
00:28:51 |
And you'll tell me about the crocodile? |
00:28:55 |
Maybe. |
00:28:57 |
(TYPEWRITER CLACKING) |
00:29:07 |
Coffee. Get me some coffee. |
00:29:13 |
Since you're working, I will. |
00:29:18 |
- One day, Lizzie, you'll run a major corporation. |
00:29:28 |
Computers. I should buy a computer. |
00:29:31 |
I don't like them. |
00:29:35 |
Get into computers, Lizzie, |
00:29:39 |
You know, in the early days of computers, |
00:29:42 |
there were lots of women, |
00:29:45 |
because it was considered as lowly as typing. |
00:30:05 |
(TAPPING ON BOOK) |
00:30:06 |
(WHISPERING) I think we're there. |
00:30:11 |
The future is planned... |
00:30:14 |
and what's more, it's costed. |
00:30:17 |
We've finished. |
00:30:21 |
Not quite. |
00:30:23 |
- You haven't told me about the crocodile. |
00:30:27 |
and I want to hear your opinion of all of this. |
00:30:31 |
But first we must celebrate. |
00:30:33 |
- Must we? |
00:30:38 |
You've been here nearly a year. |
00:30:43 |
I wondered when that was coming. A small party? |
00:30:46 |
No. I'm going to invite |
00:30:49 |
- We'll need the whole county to house that lot. |
00:30:54 |
And once it is agreed, no one will be added. |
00:30:58 |
You all know where you are going to be, |
00:31:01 |
So keep to them, don't wander off. |
00:31:05 |
Now, coming to this party is everybody |
00:31:09 |
I'm sure we'll all be able to tell the difference, |
00:31:14 |
there's a full list I'm putting up here |
00:31:20 |
Lizzie. |
00:31:25 |
You can't wear that. |
00:31:27 |
Why not? |
00:31:29 |
- I'm one of the staff. I'm not a guest. |
00:31:34 |
You run this place. |
00:31:37 |
Go on, go and put something really great on. |
00:31:41 |
(SINGING) |
00:32:03 |
Wonderful sight, isn't it? |
00:32:10 |
You look wonderful, too. |
00:32:13 |
Now. |
00:32:16 |
He really has turned into Gatsby. |
00:32:19 |
And you've arranged everything brilliantly, Lizzie. |
00:32:22 |
- Thanks. |
00:32:26 |
Hello, sir. Very good to see you. |
00:32:28 |
Five bishops, three members of the cabinet, |
00:32:33 |
And I don't need to tell you |
00:32:38 |
I better get over there, hadn't I? |
00:32:40 |
Too perfect an opportunity. Got to tuck in. |
00:32:49 |
(VEHICLES HONKING) |
00:33:09 |
Make way! |
00:33:11 |
Make way for the unemployed. |
00:33:14 |
Get all of these people out of here, |
00:33:16 |
They're not coming in here, they're not on the list. |
00:33:18 |
- Oh, really? |
00:33:21 |
- Please, come in. |
00:33:25 |
Don't worry, this is a party for everyone. |
00:33:28 |
It'll be fine. |
00:33:30 |
My parties need a surprise element |
00:33:34 |
Everybody in. |
00:34:13 |
This boy is the cleverest person at this party. |
00:34:17 |
Ask him anything. No matter how obscure... |
00:34:21 |
Oliver will know. He's like Mr Memory. |
00:34:24 |
How tall is the Archbishop of Canterbury? |
00:34:28 |
The Archbishop of Canterbury is very tall. |
00:34:32 |
I think over 6'3". |
00:34:34 |
And what is the biggest fish in the sea? |
00:34:38 |
The biggest fish in the sea is the whale shark, |
00:34:59 |
(PEOPLE SHOUTING) |
00:35:13 |
How's the tour going? |
00:35:15 |
- Going well? |
00:35:36 |
(MICROPHONE FEEDING BACK) |
00:35:42 |
Four million unemployed! |
00:35:58 |
Have you seen Paul? |
00:36:00 |
I have to find out if he needs me to do anything |
00:36:03 |
He was just here. |
00:36:06 |
I wouldn't go down there if I was you. |
00:36:25 |
She's found us. |
00:36:27 |
You didn't know we were here, did you? |
00:36:33 |
Okay, guys, let's roll. |
00:36:35 |
Out the way, Lizzie. |
00:36:38 |
Run over a few cabinet ministers. |
00:36:41 |
Paul arranged all this with you, didn't he? |
00:36:59 |
- Where is Paul? I must find Paul. |
00:37:02 |
MAN: He's down by the lake. |
00:37:05 |
(PEOPLE WHOOPING) |
00:37:10 |
All right, here we come! |
00:37:11 |
(PEOPLE SHOUTING) |
00:37:58 |
Lizzie, Lizzie, Lizzie, what's the matter? |
00:38:01 |
Those kids have gone mad. |
00:38:03 |
Somebody's got to stop them! |
00:38:07 |
They're hired trouble makers. |
00:38:09 |
It's just them larking around. |
00:38:11 |
Look, Paul likes to stir up the great and the good |
00:38:15 |
You've just got to calm down. |
00:38:18 |
Lizzie, just enjoy yourself, please. |
00:38:30 |
- Have you seen Paul? |
00:38:34 |
No drugs make any difference. I am what I am. |
00:38:39 |
Nothing can change that. |
00:38:44 |
I know a couple of bishops |
00:39:04 |
Still, it's only paper, isn't it? |
00:39:08 |
Doesn't matter in the end. |
00:39:38 |
Get out! Get out of here! |
00:39:41 |
(SCREAMING) |
00:39:42 |
Get out! What the hell do you think you're doing? |
00:40:28 |
(WOMAN SCREAMING) |
00:40:29 |
Look out! |
00:40:40 |
Come on, darling! |
00:40:50 |
Get me the police, please. |
00:41:02 |
Come on. |
00:41:05 |
Please. |
00:41:10 |
Shit. I can't find my driver. |
00:41:22 |
Okay, Cunningham, time to step on it. |
00:41:33 |
- Are you crazy? |
00:41:35 |
What have you done? You can't call the police. |
00:41:38 |
I have called the police. |
00:41:40 |
Do you realise who's here? |
00:41:42 |
Somebody was going to get hurt. |
00:41:46 |
- It's a lie, Lizzie. It's not the real reason. |
00:41:51 |
And what is the real reason? |
00:41:53 |
The real reason is you want something |
00:41:58 |
It's not my fault that I can't... I don't wanna... |
00:42:01 |
You really think this is about sex, |
00:42:05 |
It doesn't occur to you for one single moment, |
00:42:11 |
There was a fire, there was dangerous behaviour, |
00:42:16 |
People were going to get really badly hurt. |
00:42:19 |
Somebody had to take control. |
00:42:23 |
and I suggest you go downstairs and talk to them. |
00:42:28 |
Explain away your party. |
00:42:32 |
And don't worry, I'm already leaving. |
00:42:36 |
You will never see me again. |
00:42:51 |
WILLIAM: Please, for heaven's sake. |
00:43:03 |
I'm writing a book on English heretics. |
00:43:06 |
If I keep up my current good progress, |
00:43:38 |
Pick something, Oliver. |
00:43:41 |
Choose something to keep. |
00:43:44 |
There may not be another party for a while. |
00:44:35 |
He's really quite cute though, |
00:44:38 |
- What does he get away with? |
00:44:41 |
- It's so nice. |
00:44:43 |
Yeah. |
00:44:45 |
Have you ever been on holiday |
00:44:48 |
Who is it? |
00:44:50 |
It's my old boss. |
00:44:59 |
- Are you sure it was him? |
00:45:11 |
Boys or something. |
00:45:16 |
Paul. |
00:45:19 |
Hi. |
00:45:20 |
- How are you? |
00:45:26 |
This is my business associate, Ken Tyler. |
00:45:30 |
Lizzie Thomas. |
00:45:33 |
And this is Carol, Carol Drew. She works with me. |
00:45:36 |
Hi, I'm Lizzie's assistant. |
00:45:38 |
Well, they say you never bump into people |
00:45:42 |
- Apparently you do. |
00:45:45 |
- Are you living here now? |
00:45:49 |
Got to go, Lizzie. We have a meeting, we're late. |
00:45:55 |
- That's him? That was him? |
00:45:58 |
Don't stare, Carol. |
00:46:01 |
- It's not the first time you've seen him? Since... |
00:46:09 |
Move this meeting to 5:00. That would help me. |
00:46:12 |
(PHONE RINGING) |
00:46:13 |
I'll answer that. |
00:46:15 |
PAUL: Hello, Lizzie. |
00:46:17 |
- It's Paul. |
00:46:22 |
What're you doing? |
00:46:24 |
What am I doing? You mean now? I'm working. |
00:46:29 |
I'm round the corner. |
00:46:32 |
Paul, I can't. I have a meeting. |
00:46:36 |
Yes, of course you can, Lizzie. |
00:46:39 |
I've been meaning to ask you to lunch |
00:46:42 |
- That was 18 months ago, Paul. |
00:46:45 |
I'm in The Queen's Head, 81 Sunderland Avenue. |
00:46:48 |
That's hardly round the corner, |
00:46:52 |
- I have to go to this meeting, it's important. |
00:46:55 |
you'll only keep wondering about it |
00:46:57 |
(DRILLING MACHINE WHIRRING) |
00:47:18 |
(SURRENDER BY SWING OUT SISTER |
00:47:28 |
For a moment, |
00:47:31 |
For a moment, I wasn't. |
00:47:33 |
I ordered you a drink, I presumed... |
00:47:37 |
You used to drink this. |
00:47:39 |
No, this is great. |
00:47:48 |
There's no need to be nervous. |
00:47:51 |
I'm not nervous. |
00:47:54 |
So, how's the job? |
00:47:56 |
- Venture capitalists. Are they performing well? |
00:48:01 |
It could hardly fail to be, really, you know, |
00:48:03 |
trying to guess the future, back winners. |
00:48:07 |
(PEOPLE CHEERING) |
00:48:10 |
This is an interesting place to choose |
00:48:13 |
Yes, I come here often. |
00:48:21 |
I was an arrogant shit when you worked for me. |
00:48:24 |
But, you know, success, |
00:48:28 |
It was so predictable. It went to my head... |
00:48:32 |
you lose touch with who you were |
00:48:34 |
because you can't quite believe |
00:48:36 |
It's like you have to behave like that. |
00:48:41 |
And I'm sorry. |
00:48:44 |
I'm truly sorry. |
00:48:49 |
- What's the matter? |
00:48:53 |
I'm just surprised. I wasn't expecting that. |
00:48:56 |
Well, you can go now, if you want. |
00:49:01 |
I feel, you know, |
00:49:04 |
- Don't even start. |
00:49:07 |
Maybe that's why all sorts of things |
00:49:14 |
I talked to the press. |
00:49:16 |
- I thought you'd never ever forgive me for that. |
00:49:20 |
It's gone. It's completely gone, Lizzie. |
00:49:28 |
You know, if you think about it, |
00:49:30 |
pubs haven't really changed at all |
00:49:34 |
They should become a lot more feminine, |
00:49:39 |
The feminisation of pubs. |
00:49:41 |
Pink lights, soft lights... |
00:49:44 |
You know, I should pitch that at work, shouldn't I? |
00:49:46 |
I often think of you at work |
00:49:50 |
Computers. |
00:49:52 |
We're just starting to get them in now, |
00:49:55 |
and I wish I knew more than the guys |
00:49:58 |
Wind power. |
00:50:04 |
Do you want another round? |
00:50:18 |
- You all right, Lizzie? |
00:50:23 |
I just had an amazing thought, fabulous notion. |
00:50:27 |
- What are you doing, Paul, at the moment? |
00:50:31 |
You know, that bastard you met |
00:50:35 |
Sometimes I pick the wrong types. |
00:50:39 |
But, you know, |
00:50:41 |
I've lost a bit of money, but I've still got enough. |
00:50:43 |
You wouldn't... I can't believe I'm saying this, |
00:50:46 |
you wouldn't join our firm? |
00:50:49 |
- They wouldn't have me. |
00:50:51 |
No one's better than you at reading the future. |
00:50:55 |
The signing of the century. |
00:50:59 |
Okay, it was a crazy idea. |
00:51:02 |
It was just one of those things you blurt out. |
00:51:05 |
I'd be honoured. |
00:51:08 |
- Would you? Would you really? |
00:51:12 |
Yeah, it'd be exciting to pick successes |
00:51:16 |
- Are you sure? |
00:51:19 |
And you wouldn't have a problem, you know, |
00:51:21 |
your ex-secretary being a... |
00:51:25 |
being a sort of... equal? |
00:51:30 |
It's a team business, Paul. |
00:51:32 |
- You'd be on... |
00:51:36 |
I promise. |
00:51:38 |
I'd love to be part of your setup, Lizzie. |
00:51:41 |
He's here. |
00:51:53 |
Welcome, Paul. |
00:51:55 |
I'll introduce you to everybody |
00:51:57 |
You'll meet the whole floor. |
00:52:01 |
especially, as we happen to have |
00:52:04 |
Laura T, and Laura B and Laura W, |
00:52:09 |
You'll get used to everything here very quickly. |
00:52:14 |
Straight through there. That's your office. |
00:52:18 |
We don't go in for big private spaces. |
00:52:20 |
In fact, we're in the middle of review. |
00:52:26 |
(PHONE RINGING) |
00:52:27 |
We're gonna have our regular |
00:52:32 |
See you there. |
00:53:01 |
Since it's the first day, I'll forgive you. |
00:53:03 |
You're not going to have those assistants |
00:53:07 |
Certainly not. |
00:53:09 |
They just wanted to see what |
00:53:16 |
Great view. I like it already. |
00:53:19 |
- It's just a pity about the decor. |
00:53:23 |
I like it. |
00:53:28 |
Travelling light, I see. |
00:53:31 |
Paul, you will come to all the meetings? |
00:53:34 |
I know you're called a consultant, |
00:53:37 |
I said you would. |
00:53:39 |
- It's important here, because... |
00:53:42 |
It is a team. |
00:53:44 |
I love teams. |
00:53:48 |
A line of soup. |
00:53:50 |
Farmyard. Wonderful smells. |
00:53:54 |
A line of soup supported by a line of outlets. |
00:53:57 |
A line of surprising seafood outlets. |
00:54:01 |
Make the ocean do the talking. |
00:54:04 |
Electric books are the things to be getting into. |
00:54:09 |
Reading books on screens, |
00:54:13 |
can carry over 1,000 titles in one electric book. |
00:54:17 |
One moment, you're in the middle of |
00:54:20 |
you hit a bit of a slow patch, not to worry. |
00:54:24 |
Mingle and edit. Edit and mingle. |
00:54:31 |
A flaky, very flaky meal... |
00:54:36 |
What I mean is, a homemade-looking snack, |
00:54:40 |
that you eat walking along, |
00:54:43 |
A sort of English-Chinese roll, |
00:54:48 |
but your mother could have made it. |
00:54:51 |
Or else, a gadget... |
00:54:55 |
- to turn the... |
00:54:58 |
That's right. |
00:55:00 |
While you're in bed the book will be on a screen |
00:55:03 |
and you can flick the pages |
00:55:09 |
This is the future for entertainment. |
00:55:12 |
You live inside it, you select where you go. |
00:55:18 |
Nobody dictates where the story goes, you choose. |
00:55:22 |
You are the film director, you are the storyteller. |
00:55:26 |
You are the master. |
00:55:31 |
It's great, isn't it? |
00:55:33 |
People rather like to be told stories. |
00:55:42 |
What happened? |
00:55:44 |
Where did he go? |
00:55:45 |
(LOUD, REPEATED BANGING) |
00:56:08 |
- Is there anything you want? |
00:56:11 |
The noise is me. |
00:56:15 |
(BUTTERWORTH CHUCKLING) |
00:56:19 |
Well, whatever it takes. |
00:56:21 |
We're restructuring as you can see |
00:56:25 |
Our space is now communal. |
00:56:30 |
As the work happens, the space happens. |
00:56:34 |
We're all a team. |
00:56:35 |
A unit that lives and breathes |
00:56:41 |
As open as the sky. Hm? |
00:56:46 |
(LAUGHING LOUDLY) |
00:56:49 |
(PHONE RINGING) |
00:56:59 |
What's this about? |
00:57:02 |
I think you should give him his office back. |
00:57:04 |
I think it's important to him. |
00:57:08 |
That's his speciality. |
00:57:11 |
(BUTTERWORTH YELLING) |
00:57:14 |
I thought he was meant to be giving us |
00:57:17 |
- All his big ideas. |
00:57:32 |
Thank you. |
00:57:57 |
Any day now, Paul will be giving his report. |
00:58:12 |
This better be worth waiting five months for. |
00:58:36 |
As you know, over the past few months, |
00:58:38 |
Paul has been working as a separate team. |
00:58:42 |
A team of one, you might say, |
00:58:44 |
which on occasions, has had added members, |
00:58:48 |
but was essentially a focused project of his own. |
00:58:52 |
And now we are going to hear |
00:58:54 |
What Paul thinks should be our priorities, |
00:59:00 |
themes we should be alive to, |
00:59:09 |
Over to you, Paul. |
00:59:13 |
Marcus, thank you. |
00:59:17 |
I have one word for you. |
00:59:20 |
When you say it out aloud, |
00:59:23 |
but, of course, it's spelt as a single word. |
00:59:27 |
So... |
00:59:29 |
I've one word for you. |
00:59:32 |
Bookshops. |
00:59:40 |
Bookshops! |
00:59:42 |
- And? |
00:59:45 |
Why should there be an "and"? |
00:59:50 |
There are very few bookshops. |
00:59:53 |
A chain of quality bookshops, |
00:59:56 |
Perhaps with a coffee shop tucked inside. |
00:59:59 |
- Books and shops. |
01:00:05 |
Let the books do the talking. |
01:00:11 |
Anyone wanting more details? |
01:00:25 |
(DOOR SHUTTING) |
01:00:26 |
That shit, that fucker. |
01:00:29 |
I'm too angry. |
01:00:33 |
He got his office back... |
01:00:36 |
- for that! |
01:00:41 |
I'll deal with it, I promise you. |
01:00:51 |
LIZZIE: How dare you? |
01:00:52 |
(DOOR BANGING SHUT) |
01:00:53 |
How dare you? |
01:00:54 |
PAUL: What have I done? |
01:00:56 |
You just came here to disrupt everything, |
01:00:59 |
You promised. |
01:01:02 |
- That you'd behave yourself. |
01:01:05 |
I've been quiet. I haven't ordered people around. |
01:01:07 |
I haven't thrown my weight about. |
01:01:10 |
I believed you, I supported you. |
01:01:13 |
But you never had any intention |
01:01:16 |
You didn't need this job, |
01:01:19 |
- Your idea of a little revenge? |
01:01:23 |
- I thought I'd been the perfect employee. |
01:01:26 |
Get the fuck out of here now! |
01:01:28 |
It's a good idea, you know, Lizzie. |
01:01:31 |
Five months' work. |
01:01:33 |
That's meant to be five months' work, is it? |
01:01:36 |
- It's a farce! |
01:01:39 |
I want you out of here in the next half hour. |
01:01:41 |
- And take all this shit with you. |
01:01:43 |
I will go, Lizzie. No hard feelings. |
01:01:44 |
That's what you think. |
01:01:50 |
Everybody's listening to this. |
01:01:52 |
- Everybody's watching. |
01:01:56 |
I'm not even going to bother to reply to that. |
01:01:59 |
Because you really don't want to make a habit |
01:02:04 |
This was a pathetic idea of mine. |
01:02:06 |
Thinking you could ever change. |
01:02:09 |
And get rid of all these horrible old books, too. |
01:02:12 |
Just take everything! |
01:02:37 |
That was a surprisingly good dinner. |
01:02:41 |
The pudding was good, at least. |
01:02:42 |
Did you hear the Home Secretary |
01:02:47 |
There are rumblings, rumblings. |
01:02:51 |
Do you know what I think? |
01:02:53 |
She's only done ten years, |
01:02:59 |
Always got your finger on the pulse, |
01:03:02 |
I try. It's what I do best. |
01:03:06 |
COYLE: Now, I would give you a lift, |
01:03:28 |
PAUL: William. |
01:03:33 |
- Good dinner, was it, William? |
01:03:35 |
- How are you, William? |
01:03:38 |
Well, keeping my head above water. |
01:03:40 |
- Fancy seeing you on top of a bus. |
01:03:44 |
The picnic, yeah, of course. Yeah, I like buses. |
01:03:48 |
I mean, I'm much too mean |
01:03:50 |
We must catch up some time very soon, Paul. |
01:03:54 |
- I've got to get off here. This is my stop. |
01:03:58 |
No, I've got to get off. This is my stop... |
01:04:01 |
and there's somebody waiting for me to get home. |
01:04:03 |
- Miss your stop. |
01:04:06 |
There's something I want to show you. It's not far. |
01:04:09 |
Since you're here, and I'm here. |
01:04:12 |
What've you got to lose? |
01:04:16 |
I thought you said it wasn't far. |
01:04:19 |
We're nearly there, it'll be worth it. |
01:04:22 |
"Was he following me?" Is that what you're... |
01:04:24 |
You weren't, were you? |
01:04:31 |
It's the end of the line! Paul! |
01:04:36 |
This is ridiculous. |
01:04:38 |
- A little eatery just here. Best food in London. |
01:04:42 |
- I'm absolutely stuffed with food. |
01:04:46 |
I need to call my girlfriend. |
01:04:47 |
Come on, one of the only 24-hour eateries |
01:04:51 |
It's amazing how few there are still. |
01:04:58 |
A little surprise. |
01:05:08 |
WILLIAM: Spooky place. |
01:05:11 |
All that way for this? |
01:05:18 |
You're right, I did have space for this. |
01:05:23 |
It's good, very good. |
01:05:25 |
So what did you want to show me? |
01:05:28 |
That man. |
01:05:31 |
- Recognise him? |
01:05:34 |
Look again. |
01:05:36 |
No, I don't recognise him. |
01:05:41 |
That's Oliver. |
01:05:44 |
Oliver? |
01:05:46 |
Good Lord! Is it, him? Oliver. |
01:05:50 |
Oliver. |
01:05:55 |
What's the matter? |
01:05:57 |
- Should I go over? |
01:06:01 |
He keeps himself to himself. |
01:06:05 |
We both found this place separately. |
01:06:08 |
- I've discovered it's full of people who can't sleep. |
01:06:12 |
- I find it difficult to, sometimes, yes. |
01:06:15 |
- Is it because the money's gone? |
01:06:20 |
I gambled on a few things and lost, so what? |
01:06:23 |
Got involved with the wrong people. |
01:06:26 |
At least it was all my doing. |
01:06:28 |
You hear some amazing stories in here. |
01:06:31 |
People who were shafted |
01:06:33 |
lose their house, suddenly lose their job, |
01:06:35 |
and are left by their wives, |
01:06:40 |
- Bumped into anyone else from the old days? |
01:06:43 |
- I don't believe you are following me. |
01:06:48 |
I saw the Albert Brothers. |
01:06:52 |
PAUL: I find it very interesting |
01:06:56 |
You have to admit it's fascinating, |
01:07:00 |
- And Lizzie? |
01:07:03 |
Well, getting married very soon. |
01:07:07 |
- Got my invitation last week. |
01:07:09 |
Now she wouldn't, would she? |
01:07:11 |
Paul, come on. |
01:07:15 |
For Christ's sake, there's a feud going on |
01:07:18 |
- There is no feud. |
01:07:23 |
I'll give her your best wishes, shall I, |
01:07:26 |
Of course. |
01:07:32 |
(BAND PLAYING SONG FOR WHOEVER) |
01:07:38 |
- The Fotheringays. |
01:07:40 |
Felicity Fotheringay. |
01:08:09 |
Crumbs. |
01:08:12 |
(PEOPLE APPLAUDING) |
01:08:24 |
Paul. |
01:08:26 |
We haven't seen you in so long. |
01:08:29 |
Haven't we? |
01:08:32 |
You look different somehow, you two. |
01:08:36 |
Sure. |
01:08:37 |
Sure, we're creating anarchy in the city now, |
01:08:42 |
and, well, got to look the part, haven't you? |
01:08:46 |
So we can fleece them. |
01:09:09 |
Paul? |
01:09:11 |
- Goodness me! Fancy seeing you. |
01:09:14 |
Amazing, here we all are. |
01:09:17 |
Together again. |
01:09:19 |
Older, certainly. |
01:09:20 |
- Wiser? |
01:09:22 |
Is that you, Oliver? |
01:09:24 |
Good lord, it is. Oliver. |
01:09:27 |
How tall is the Archbishop of Canterbury? |
01:09:31 |
- You know I am always holding you up. |
01:09:34 |
I hold you up as the cleverest child I ever saw. |
01:09:38 |
Because you took all of your exams |
01:09:43 |
You know, I was so wrong all those years ago. |
01:09:45 |
We must measure and define always. |
01:09:49 |
Checking a child's progress. Testing and testing. |
01:09:52 |
- You're a government advisor now, aren't you? |
01:09:57 |
Discipline and creativity, |
01:10:00 |
hand in hand, inextricably linked. |
01:10:03 |
That's where we are now. |
01:10:06 |
(HEAVEN IS A PLACE ON EARTH PLAYING) |
01:10:08 |
Paul. |
01:10:11 |
What are you doing here? |
01:10:13 |
Don't make any trouble, please. |
01:10:16 |
I'm here to cause trouble? |
01:10:25 |
Paul, a drink. |
01:10:29 |
Isn't it great? |
01:10:31 |
I think we've hired the most beautiful house |
01:10:34 |
And the decor and everything. |
01:10:37 |
I say that, and Lizzie did it all. |
01:10:39 |
She did everything. |
01:10:42 |
And it's a double celebration, too, |
01:10:44 |
- She's just got this great new job, too. |
01:10:48 |
AET, one of the biggest companies around. |
01:10:51 |
I had a little hand in arranging that. |
01:10:55 |
See you later. |
01:10:59 |
The groom. |
01:11:00 |
Well, I better go and get ready, |
01:11:06 |
Paul? |
01:11:07 |
Here by the water is fine, |
01:11:14 |
Don't worry. You don't have to guard me. |
01:11:17 |
I'll stay rooted to this spot. |
01:11:28 |
PAUL: Graham died, you know? |
01:11:30 |
Remember, Graham, the poet? |
01:11:33 |
Died of AIDS. |
01:11:36 |
That's sad. |
01:11:39 |
Poor chap. |
01:11:41 |
Supper is served! |
01:11:52 |
Ladies and gentlemen, |
01:11:55 |
so scrape those plates, lick those bowls. |
01:12:04 |
I'm hungry. |
01:12:12 |
Pardon me, is this finished? |
01:12:16 |
- And my friend? |
01:12:19 |
Thank you very much. |
01:12:21 |
Very nice, thank you. |
01:12:46 |
- Paul? |
01:12:48 |
Paul, please. |
01:12:50 |
- Please? |
01:12:52 |
Why should I make trouble? |
01:12:55 |
I'm very happy for you. |
01:12:57 |
All your other ex-bosses are here, |
01:13:01 |
My parents are here. |
01:13:03 |
That's them over there. |
01:13:07 |
I want it to be special for them. |
01:13:10 |
Sorry. Thought I'd make a phone call. |
01:13:16 |
Lizzie and you are going to work together, |
01:13:18 |
- That's correct. |
01:13:23 |
- Excuse me? |
01:13:25 |
A great hippo. |
01:13:30 |
waddling slowly, but... |
01:13:33 |
it's a great thing to be a hippo, |
01:13:37 |
Quite. |
01:13:39 |
- Never heard it put like that before. |
01:13:43 |
Paul and I used to work together. |
01:13:46 |
He was my mentor. |
01:13:53 |
Paul, please. |
01:13:58 |
I'm sorry, I am. |
01:14:00 |
That I borrowed the ideas |
01:14:03 |
although I did help with them, too, back then. |
01:14:07 |
I'm sorry I didn't invite you. |
01:14:10 |
I didn't know what you would do. But please. |
01:14:13 |
Please don't ruin my wedding. |
01:14:17 |
- Please, Paul. |
01:14:20 |
I don't know. |
01:14:23 |
- You're capable of anything, Paul. |
01:14:26 |
I wanted to see what they'd look like now. |
01:14:29 |
I'm here because of them, really. |
01:14:32 |
And I wanted to wish you well, of course. |
01:14:35 |
- I mean it, Lizzie. |
01:14:39 |
Jesus! |
01:14:42 |
This is a nightmare, this is horrible. |
01:14:47 |
Paul, please, I'm begging you. |
01:14:50 |
Lizzie? Hello, Lizzie. |
01:14:53 |
We must have the bride back soon, Lizzie. |
01:14:57 |
The ordeal of the speeches beckons. |
01:15:00 |
Look, please, Paul. Don't ruin things. |
01:15:02 |
Maybe you think I deserve that, maybe I do, |
01:15:05 |
Sure, whatever you want. |
01:15:09 |
I just have a notion I wanna put to you. |
01:15:11 |
- A business proposition. |
01:15:14 |
I'll call you. |
01:15:15 |
- You'll call me? |
01:15:18 |
I'll call as soon as we get back |
01:15:20 |
Now I want to hear what you have to say. |
01:15:22 |
If you go now, I promise I will call you. |
01:15:26 |
I absolutely promise. |
01:15:57 |
(DOOR OPENING) |
01:15:59 |
- Your 12:30 is here. |
01:16:07 |
(LOUD DRONING) |
01:16:14 |
William, what've you done to yourself? |
01:16:17 |
I don't know. |
01:16:19 |
I was in bed, merely sleeping, I hasten to say, |
01:16:23 |
and it's age, I think. |
01:16:26 |
So, are we having lunch here or out? |
01:16:28 |
(LOUD DRONING CONTINUES) |
01:16:30 |
No, certainly not here, not with all this going on. |
01:16:35 |
We're almost the last one left like this. |
01:16:40 |
What a pity. |
01:16:42 |
It suits this mighty organisation... |
01:16:46 |
especially those lamps. |
01:16:49 |
Your book is a great success, isn't it? |
01:16:51 |
Well, it's just easy to read history, really. |
01:16:55 |
Why we won the war. |
01:17:00 |
The Blob said he would feed me |
01:17:05 |
Talking of gossip, |
01:17:07 |
(LOUD DRONING CONTINUES) |
01:17:09 |
Have you been in touch |
01:17:12 |
(MOUTHING) |
01:17:13 |
Paul. Have you been in touch with... |
01:17:19 |
- Do you ever call him? |
01:17:22 |
I keep meaning to pick up the phone. |
01:17:24 |
Yes, well, as the years go by, |
01:17:28 |
(DRONING CONTINUES) |
01:17:33 |
How can you work in this? |
01:17:41 |
A new look. |
01:17:43 |
Yes, well, I suppose, |
01:17:52 |
- I've just seen a ghost. |
01:17:55 |
They look unmistakeably |
01:18:00 |
Usual thing, isn't it? |
01:18:05 |
More young people sent along to fuck up our lives. |
01:18:08 |
I must discover once and for all |
01:18:15 |
We're ready for you, Ms Thomas. |
01:18:34 |
So. |
01:18:40 |
We have met before. |
01:18:43 |
Don't know if you remember. |
01:18:45 |
I do remember. |
01:18:47 |
That was in another life. |
01:18:50 |
I should never have agreed |
01:18:54 |
"Oh, keep the original fittings, |
01:18:57 |
Well, I hate them. |
01:19:00 |
Must get them removed immediately. |
01:19:02 |
Now... |
01:19:04 |
Simone and I are grateful for your cooperation |
01:19:07 |
and for the time you've let us sit in on your work. |
01:19:10 |
It has all made sense. |
01:19:12 |
- It all made sense? |
01:19:16 |
We've noticed, checking your CV, |
01:19:20 |
immediately after having left the employment |
01:19:27 |
Would you like to comment on that? |
01:19:30 |
I shouldn't have done that. |
01:19:32 |
There was no confidentiality clause in my contract |
01:19:39 |
You have to understand it was a different age. |
01:19:44 |
It was like the end of something really, |
01:19:51 |
It was the last dregs of that '70s-style anarchy. |
01:19:56 |
I don't know |
01:20:08 |
But that's what it was. |
01:20:14 |
Bye. |
01:20:23 |
I'll call you back, Willie. |
01:20:41 |
Lizzie, please take a seat. |
01:20:49 |
I'm delighted to say |
01:20:53 |
Great. |
01:20:54 |
There going to be |
01:20:56 |
and I have to warn you |
01:20:59 |
will be in the utmost confidence, |
01:21:01 |
can only be discussed |
01:21:04 |
and with no one else under any circumstances. |
01:21:08 |
Now to prepare for this, I suggest you... |
01:21:11 |
take the rest of the week off |
01:21:13 |
while some of the people less fortunate |
01:21:17 |
- Right. |
01:21:19 |
you've always meant to do in the next few days. |
01:21:22 |
Get as far away as possible from the office... |
01:21:25 |
and come back refreshed. |
01:21:53 |
Hello? |
01:22:05 |
Hello? |
01:22:08 |
She's here! The lady is here! |
01:22:11 |
Hi, everybody. |
01:22:14 |
Rachel, after all these years, and Angela, too. |
01:22:18 |
It's amazing to see you. |
01:22:20 |
We thought you'd never come. |
01:22:22 |
Paul. |
01:22:24 |
- How do I get across? Is there any other way? |
01:22:28 |
No other way. Stay there, Lizzie, don't move. |
01:22:31 |
(INAUDIBLE) |
01:22:36 |
Might have guessed it would be |
01:22:40 |
You have to dress for the country, |
01:22:44 |
Why do I always feel overdressed |
01:22:52 |
I had no idea you had a family. |
01:22:56 |
As you can see, I never do things by halves. |
01:22:59 |
It's just such a surprise. |
01:23:04 |
Are they, er? |
01:23:07 |
- Are they? |
01:23:09 |
- Yes. |
01:23:13 |
Yes, they are, of course. |
01:23:16 |
You and your harem. |
01:23:23 |
Got yourself another Eden here, haven't you? |
01:23:28 |
Do you know there's been an election? |
01:23:30 |
That after all these years Labour has got in, |
01:23:33 |
- The lady has come. |
01:23:35 |
It better be warm. |
01:23:38 |
We're coming in, make way. |
01:23:40 |
- Anybody in our way gets flattened. |
01:23:52 |
How lovely. |
01:24:03 |
Never thought you'd see me here, too. |
01:24:09 |
- You busy? |
01:24:12 |
About to be fantastically busy. |
01:24:16 |
Don't let them kill the big beast, remember. |
01:24:21 |
Its spread is what makes it great. |
01:24:23 |
- Who's the lady? |
01:24:27 |
This lady here... |
01:24:29 |
- she's my sister. |
01:24:33 |
Come on in, Lizzie. |
01:24:36 |
Come on, it's great. |
01:24:43 |
Thinking just because she's disabled, |
01:24:47 |
No, I wasn't. You don't always know my thoughts. |
01:24:51 |
I was thinking she looks happy. |
01:24:55 |
Jesus. |
01:24:58 |
Here we all are. |
01:25:00 |
Redfern at the picnic. |
01:25:06 |
You always keep the past with you, |
01:25:10 |
- Whatever happened to the crocodile? |
01:25:15 |
In luxury. |
01:25:16 |
Never did tell me |
01:25:20 |
- Why he was eighth on the list? |
01:25:23 |
Big asteroid hits the Earth, end of all dinosaurs. |
01:25:28 |
But wait a minute, |
01:25:29 |
there's a huge reptile |
01:25:32 |
Survives the Big Bang, |
01:25:34 |
just the same now |
01:25:38 |
How did he manage it? |
01:25:39 |
Find that out |
01:25:43 |
And how are you going to find that out |
01:25:47 |
Using dreamtime, remember? |
01:25:50 |
Kind of important, isn't it? |
01:25:54 |
- Do you have time to think, Lizzie? |
01:25:59 |
This is the place for thinking. |
01:26:01 |
You should give it a try sometime, |
01:26:05 |
Now stop trying to wind me up, Paul. |
01:26:08 |
You always have an amazing knack |
01:26:15 |
I think I've got a message from work. |
01:26:20 |
I may need to get back to London early. |
01:26:23 |
You don't have to go in the hot tub, you know. |
01:26:26 |
Would you stay, |
01:26:28 |
No, I just need to get back to London, okay? |
01:26:31 |
This is work. |
01:26:32 |
Great changes are happening. |
01:26:39 |
- Why did you say I was your sister? |
01:26:42 |
If you mean we were always fighting, |
01:26:45 |
- We managed that okay. |
01:26:47 |
There's no need to get uptight. |
01:26:50 |
You know I never really saw you as a hippy, Paul. |
01:26:54 |
I never ever imagined you'd settle for that. |
01:26:58 |
It's such an easy option. |
01:27:00 |
It's all right. |
01:27:03 |
If you want to, just say, |
01:27:05 |
"I'll see you in another eight years." |
01:27:16 |
Ah, there you are. |
01:27:19 |
I'm not late, am I? I hope I'm not late. |
01:27:23 |
We'll do this tour very quickly. |
01:27:25 |
It is obvious why we're here, |
01:27:33 |
Good morning. |
01:27:37 |
Morning. |
01:27:41 |
Good morning, ladies. |
01:27:48 |
Perhaps, later, ladies. Thank you. |
01:27:55 |
I need a moment alone with my team. Thank you. |
01:28:05 |
I have to say this now, |
01:28:06 |
because it's all the more powerful, |
01:28:09 |
This is the past, everybody. This is over. |
01:28:12 |
We will be ridding ourselves of all these factories. |
01:28:16 |
We make everything from these vacuum cleaners |
01:28:22 |
It's ridiculous. It will all be shed. |
01:28:26 |
It's been due for years and now, |
01:28:32 |
Not a word of this, of course. |
01:28:44 |
Who's going to tell them? |
01:28:46 |
And when? |
01:28:53 |
Jesus. We're buying all this? |
01:28:57 |
Sorry, talking to myself. |
01:29:02 |
No, leave it on. |
01:29:03 |
Helps me to concentrate. |
01:29:08 |
Everything on this list is going. |
01:29:13 |
And at last we've got a replacement for those. |
01:29:16 |
Managed to survive a year longer than I wanted, |
01:29:20 |
We will be buying every internet |
01:29:24 |
we can lay our hands on. |
01:29:26 |
We have a huge cash cow |
01:29:28 |
The share price will be £16, £17 within a year. |
01:29:32 |
There will be the most dramatic growth |
01:29:34 |
- perhaps, in any company's history. |
01:29:38 |
but are we going to spread the risk? |
01:29:41 |
If they're all internet and telecom companies, |
01:29:44 |
Telecom is an energy force unlike any other. |
01:29:48 |
It cannot slow. |
01:29:59 |
You know, of course, this plan is bollocks. |
01:30:13 |
(GLASS SHATTERING) |
01:30:23 |
Why does this give me such pleasure, Lizzie? |
01:30:27 |
So very slow to take action, |
01:31:09 |
REPORTER: They believe inside this reptile may be |
01:31:14 |
A defence mechanism so powerful |
01:31:18 |
The question that has puzzled many researchers |
01:31:20 |
is why crocodiles never die |
01:31:23 |
from the frequent fights they indulge in? |
01:31:25 |
Be there, Paul. |
01:31:26 |
Something truly remarkable seems to exist... |
01:31:28 |
Answer the phone, Paul. |
01:31:35 |
Studying these results, |
01:31:38 |
Just looking at them that will seem as if |
01:31:44 |
There's a slowdown in the telecom sector, |
01:31:46 |
but this is because |
01:31:50 |
We're in the middle of the cycle. |
01:31:51 |
PAUL: The only thing these need is a little tweak. |
01:31:55 |
A little redesign. |
01:31:56 |
A little poke and a prod, |
01:32:02 |
People will always need to clean their homes. |
01:32:08 |
We have a future! |
01:32:21 |
BOSS: We are taking a deliberate... |
01:32:24 |
Gentlemen, this bowl is a Fear Bowl. |
01:32:26 |
People in years to come will look at this |
01:32:29 |
because it is a power bowl, a terror bowl, |
01:32:32 |
a bowl guaranteed to make people more stupid. |
01:32:37 |
Why did you agree to this, Lizzie? |
01:32:39 |
BOSS: Lizzie? Lizzie? |
01:32:43 |
Lizzie, are you with us? |
01:32:47 |
Have we thought enough about |
01:32:51 |
- Thought enough? |
01:32:55 |
We've sold off 75 of our businesses. |
01:32:56 |
Sometimes giving them only a day's notice |
01:33:00 |
We're now thinking of making another |
01:33:03 |
The share price is in freefall. |
01:33:07 |
have we been doing enough thinking, gentlemen? |
01:33:09 |
We all committed to this strategy. |
01:33:13 |
There's no turning back, naturally. |
01:33:16 |
There's no possibility for second thoughts. |
01:33:20 |
Remember, the results are not what they seem. |
01:33:55 |
- It's time for the meeting, I do realise. |
01:34:00 |
You know, I just heard on the radio... |
01:34:03 |
the share price has gone under a pound. |
01:34:07 |
Now just 75 pence. |
01:34:10 |
How could that happen? |
01:34:13 |
I know. |
01:34:16 |
But not everything is what it seems. |
01:34:21 |
20,000 people losing their jobs... |
01:34:24 |
but it is not what it seems. |
01:34:47 |
BOSS: Once the full business cycle is played out, |
01:34:50 |
then we will be in a much stronger position |
01:34:54 |
WOMAN: When will the whole cycle |
01:34:59 |
Well, it is difficult to be precise. |
01:35:02 |
These results cannot be taken... |
01:35:04 |
It's amazing what they've done. |
01:35:08 |
One of the biggest companies in Europe |
01:35:13 |
It is a train wreck, staggering in its ineptitude. |
01:35:17 |
How could clever people be so stupid? |
01:35:21 |
Many people will be ruined, their life savings. |
01:35:24 |
I know you'll understand... |
01:35:27 |
I've lost thousands and thousands. |
01:35:30 |
There is a limit to what I can say at this juncture. |
01:35:35 |
A lot of business to do. |
01:35:37 |
In fact, I have a very important meeting |
01:35:40 |
(CLAMOUR OF DISCONTENTED VOICES) |
01:35:42 |
In no sense a crisis meeting, |
01:35:46 |
but which is one I must travel to right away. |
01:35:59 |
There will be a full statement |
01:36:03 |
Nobody is trying to evade or run away |
01:36:15 |
(INDISTINCT) |
01:36:21 |
(INDISTINCT) |
01:36:49 |
This way, Ms Thomas, I must take you to the car. |
01:36:51 |
(REPORTERS SHOUTING) |
01:36:53 |
No, just give me a moment. |
01:37:08 |
I'm here, ladies and gentlemen... |
01:37:11 |
to tell you that we fully intend to face up to |
01:37:15 |
and explain it with the utmost clarity. |
01:37:18 |
We were... |
01:37:20 |
We are the custodians of a great company. |
01:37:24 |
A very great company. |
01:37:27 |
And if mistakes have been made... |
01:37:30 |
I, for one, will not shirk my responsibility. |
01:37:33 |
Lizzie, what about all the people who lost money? |
01:37:35 |
What about the 20,000 people |
01:37:37 |
I have nothing further to add. |
01:37:41 |
(CLAMOURING VOICES) |
01:37:54 |
(INAUDIBLE OVER SHOUTING) |
01:38:05 |
(WHIMPERING) |
01:38:19 |
(REPORTERS SHOUTING) |
01:38:29 |
No more questions. |
01:38:38 |
Look, she's already said everything |
01:38:51 |
Would you leave? |
01:39:15 |
Lizzie! |
01:39:17 |
Lizzie, it's Paul! |
01:39:20 |
You're going... |
01:39:22 |
You're going to say, "I told you so," |
01:39:25 |
- I can't bear to hear that, Paul. |
01:39:29 |
Yes, you fucking would. Of course you would. |
01:39:31 |
And I can't believe, I can't believe what I've done. |
01:39:35 |
I could see it all happening. |
01:39:37 |
The amazing stupidity of it all |
01:39:40 |
I couldn't stop it. |
01:39:42 |
You once said I destroy everything I touch. |
01:39:45 |
- You haven't destroyed anything. |
01:39:50 |
I sat there, I was with them. |
01:39:55 |
And when everything was going wrong, |
01:39:58 |
I couldn't get in touch. |
01:40:01 |
Even when I saw about the crocodile. |
01:40:03 |
I've moved, that's why you couldn't find me. |
01:40:06 |
I've left the farm. |
01:40:08 |
You were right. Being a hippy was far too easy. |
01:40:11 |
Now, I hear you're making money again. |
01:40:16 |
So you can watch all this feeling really good, |
01:40:21 |
Jesus, Paul. |
01:40:23 |
I don't want to have to think about you every day |
01:40:27 |
"I got it right, didn't I, Lizzie?" |
01:40:29 |
I can think of worse punishments. |
01:40:31 |
And what is this, Paul? You and me. |
01:40:33 |
I just don't understand. |
01:40:35 |
You know, I love my husband. |
01:40:39 |
talking to a man, |
01:40:43 |
Talking like this, and I love him. |
01:40:45 |
I really love him, and I don't love you. |
01:40:52 |
- I've never loved you in that way. |
01:40:55 |
Then why is it that |
01:40:58 |
Why is it that often, |
01:41:00 |
you're the first thing I think of in the morning? |
01:41:03 |
What would Paul say about this, |
01:41:07 |
What would Paul feel about that? |
01:41:12 |
Going bonkers, probably. |
01:41:14 |
Why is it happening? |
01:41:17 |
Because we were born to work together |
01:41:20 |
And we can't stop thinking about it. |
01:41:22 |
- And that's my fault, I suppose? |
01:41:26 |
People need to work with other people |
01:41:31 |
but they'll never ever let themselves work |
01:41:35 |
It was me who didn't let that happen. |
01:41:39 |
You stayed as long as you could. |
01:41:45 |
Why is it that whenever I think about that |
01:41:50 |
So special? |
01:42:17 |
It hurts that we didn't do more. It really hurts me. |
01:42:21 |
Because sometimes I think |
01:42:25 |
- Lizzie. |
01:42:29 |
You know, that was the reality, |
01:42:33 |
There were hellish moments |
01:42:37 |
it depends what you like to remember. |
01:42:39 |
What is all this tactful stuff? |
01:42:43 |
I'm curled up here in a ball, |
01:42:45 |
and you're giving me all this bland shit. |
01:42:49 |
You know what I think, Lizzie? |
01:42:51 |
I think we should work together. |
01:42:54 |
- I've thought that for ages. |
01:42:58 |
It's only ever been a disaster. |
01:43:01 |
I just feel so foolish, Paul. |
01:43:04 |
So incredibly foolish. |
01:43:07 |
So many "if onlys"... |
01:43:10 |
so many fucking "if onlys". |
01:43:13 |
I've moved into an old school. I'm doing it up. |
01:43:18 |
And I'm having a party. |
01:43:22 |
I think you should come. |
01:43:36 |
All in the fire. There's more here. |
01:43:38 |
There's a whole school full of wood |
01:43:42 |
Throw it all on, that's it. |
01:43:56 |
I'm glad you could come. |
01:43:58 |
Lizzie. |
01:44:00 |
Have something to throw in the fire. |
01:44:06 |
Hey, that's it. |
01:44:24 |
Los hermanos Albertos. |
01:44:29 |
Sweetheart, I think the Blob needs an assistant. |
01:44:33 |
Come on, here we go, |
01:44:37 |
Take you off to see your mummy. |
01:44:41 |
Got them all doing some work for a change. |
01:44:47 |
I was thinking... |
01:44:49 |
you gave most of them a start in their careers, |
01:44:51 |
and then I came along |
01:44:54 |
I don't think I'll argue with that. |
01:44:56 |
Or I could say we both blew it. |
01:45:01 |
I want to ask you one question and only one, |
01:45:05 |
Hm-mm. |
01:45:07 |
All those years ago... |
01:45:10 |
could it have been any different, what happened? |
01:45:15 |
No. |
01:45:16 |
That was much too quick. |
01:45:18 |
No, I don't have to |
01:45:22 |
Now with e-mail, we could set up a business |
01:45:28 |
We need never ever see each other, |
01:45:32 |
Just think, Lizzie... |
01:45:34 |
we'd be unstoppable, now. |
01:45:36 |
- Now, we'd be unbeatable. |
01:45:42 |
Is that, "Go on tell me more. I'm intrigued?" |
01:45:46 |
It might be. |
01:45:51 |
(INAUDIBLE) |
01:46:04 |
Don't tell anyone yet... |
01:46:07 |
I'm on the last page of my book. |
01:46:09 |
(PEOPLE CHEERING AND APPLAUDING) |
01:46:19 |
Does anybody want to ask me a question |
01:46:22 |
Any question you like. I'll get it. |
01:46:24 |
Okay, what was the first ever vessel to pass |
01:46:30 |
That's too difficult. Even for me, but... |
01:46:34 |
I can tell you the day of the week |
01:46:41 |
It was a Tuesday. |