From Hell
|
00:02:18 |
Get out of here! |
00:02:48 |
You're taking all our money again. |
00:03:06 |
You'll feel better when you get home. |
00:03:16 |
There's one over there. |
00:03:24 |
- Gonna be a long night, Mary. |
00:03:34 |
It's quiet, isn't it? You having any luck? |
00:03:38 |
Not much, love. |
00:03:47 |
- Give you a penny for a suck. |
00:03:52 |
- Hi. Where's Kate? |
00:04:01 |
Miss? |
00:04:03 |
- What do you want? |
00:04:07 |
I know you. |
00:04:09 |
Do you remember me, Mary Kelly? |
00:04:13 |
I'd never forget you, McQueen. |
00:04:17 |
Will you stop that? |
00:04:22 |
What does a whore need buttons for? |
00:04:24 |
I warned you and your friends. |
00:04:29 |
I'm working, ain't I? |
00:04:31 |
We all are. |
00:04:33 |
And I am making sure |
00:04:39 |
I'm providing a service, Mary Kelly. |
00:04:42 |
And I expect to be paid... |
00:04:45 |
...or else you will be very troubled. |
00:04:48 |
Now, you tell... |
00:04:51 |
...your five... |
00:04:53 |
...friends they bring me my money |
00:04:57 |
...or this friend of mine here... |
00:04:59 |
...will be your next customer. |
00:05:38 |
- You're bloody filthy this morning. |
00:05:41 |
- What'd you get up to last night? |
00:05:46 |
Give us a look. |
00:05:55 |
Mary. |
00:05:58 |
Thank God I found you. |
00:06:00 |
He's coming. |
00:06:02 |
Albert's coming today. |
00:06:04 |
I need you to look after the baby. |
00:06:06 |
Let's have a hold. |
00:06:09 |
- I'm so proud of her. |
00:06:13 |
Isn't she beautiful? |
00:06:17 |
She's lovely, isn't she? |
00:06:19 |
I'll be seeing you in a bit. |
00:06:21 |
Get us a jar of gin, will you? |
00:06:23 |
You look fine, Ann. |
00:06:25 |
Must be nice, |
00:06:29 |
She has your eyes and her father's brow. |
00:06:34 |
She is a perfect love, but, Ann, |
00:06:38 |
- The Nichols gang... |
00:06:41 |
- Know what they said they'd do? |
00:06:43 |
What's she saying? |
00:06:45 |
They want £1 a week from each of us. |
00:06:48 |
Count yourself lucky. |
00:06:50 |
Good and lucky that you got |
00:06:53 |
We need £4 to pay them, |
00:06:58 |
I'll get you the £4 from Albert. |
00:07:00 |
He might say no. I can't take a chance. |
00:07:02 |
He won't. I know he won't. |
00:07:05 |
He's been in France on business. |
00:07:08 |
He wrote, he sold a lot of his paintings. |
00:07:10 |
He's sure to have full pockets |
00:07:13 |
- To you perhaps, but... |
00:07:16 |
I'll get you the £4. I promise. |
00:07:29 |
I'm not gonna hurt you, Netley. |
00:07:32 |
Remember me? |
00:07:34 |
Remember who I am? |
00:07:38 |
Your charge will be coming down |
00:07:44 |
Be a good man. Get him home quickly. |
00:07:46 |
Quickly and quietly. |
00:07:49 |
Understood? |
00:07:53 |
Well said. |
00:07:55 |
Very well said. |
00:08:36 |
Take them out. |
00:08:38 |
What is the meaning of this? |
00:08:40 |
Kidney, what in God's name are you doing? |
00:08:47 |
I want this room in pieces. |
00:08:56 |
I demand an explanation. |
00:08:58 |
It's Albert. |
00:09:08 |
Get off me. |
00:09:12 |
Please. No! |
00:09:20 |
Who knows? |
00:09:24 |
I didn't know. |
00:09:26 |
I swear, I didn't. |
00:09:28 |
How can I tell anyone else? |
00:09:33 |
Who knows? |
00:09:39 |
Who knows? |
00:09:46 |
I don't know who they could be. |
00:09:49 |
Albert must've mixed in |
00:09:52 |
She's hungry and cold, poor thing. |
00:09:57 |
I've got to take her to them. |
00:09:59 |
I've got to take her to Ann's parents. |
00:10:01 |
You go. Leave baby Alice with them. |
00:10:04 |
I'll get to work, |
00:12:06 |
Notice something, Inspector? |
00:12:23 |
I pay. I already pay. |
00:12:26 |
I'm not after you, Emperor. Where is he? |
00:12:32 |
Move it! |
00:12:43 |
Get up. |
00:12:46 |
Get up! |
00:12:52 |
Hello, darling. |
00:13:09 |
Sergeant. |
00:13:13 |
It's night. |
00:13:14 |
Well spotted, Inspector Abberline. |
00:13:18 |
Our genius has returned to us. |
00:13:20 |
Thank you, gentlemen. |
00:13:22 |
Remember, if you ever wish to escape |
00:13:26 |
...this never happened. |
00:13:28 |
Cut along now. |
00:13:32 |
Have I lost a day? |
00:13:34 |
No. It's only four hours since you left here. |
00:13:39 |
Deepest apologies for the rude awakening. |
00:13:42 |
I suspect you enjoyed that. |
00:13:44 |
"I must be cruel only to be kind," |
00:13:47 |
Although, I'd happily wallop you |
00:13:51 |
I had a sneaking suspicion |
00:13:54 |
You've seen something? |
00:13:57 |
What did you see? |
00:14:01 |
A petticoat saturated with blood. |
00:14:05 |
They used to burn men like you alive. |
00:14:09 |
Sometime this evening, |
00:14:13 |
That doesn't sound |
00:14:16 |
It was the way she was done. |
00:14:18 |
It was the way the bangtail was done |
00:14:33 |
Her name was Martha Tabram. |
00:14:35 |
I don't know what sort of name Tabram is. |
00:14:38 |
It sounds foreign to me. |
00:14:42 |
This is not what I saw. |
00:14:44 |
Not the woman of your dreams? |
00:14:46 |
Are you sure? |
00:14:50 |
- Show him. |
00:14:53 |
Why do I have to be exposed |
00:14:57 |
I've looked at the mess twice. |
00:15:06 |
Before he cut her throat, |
00:15:20 |
Gentlemen, |
00:15:24 |
...to be able to observe an entirely new |
00:15:30 |
Dr. Ferral, I was just saying |
00:15:33 |
...we're here in the hope you'll permit us |
00:15:38 |
I wasn't expecting |
00:15:42 |
But you're all welcome, of course. |
00:15:43 |
I'm ready to begin. |
00:15:45 |
- Who is your patient? |
00:15:48 |
An unfortunate, Sir William, |
00:15:53 |
And has severe delusions of persecution. |
00:15:56 |
Poor girl. Do please proceed. |
00:16:00 |
Gentlemen. |
00:16:51 |
We have one tap above... |
00:16:57 |
...and one into the left lobe. |
00:17:02 |
And... |
00:17:05 |
...one on the right... |
00:17:07 |
...and this unlucky patient's dementia... |
00:17:11 |
...will no longer take a violent form. |
00:17:13 |
Thanks to this simple procedure... |
00:17:17 |
...we can now permanently alleviate |
00:17:26 |
What could I do? I had to leave |
00:17:30 |
Rich man? |
00:17:33 |
Knew that was too good to be true. |
00:17:35 |
They're gonna kill every one of us. |
00:17:37 |
Who is this Albert anyway? |
00:17:40 |
Who cares about Albert |
00:17:43 |
What are we gonna do? |
00:17:45 |
We can't stay clear |
00:17:48 |
They say that they held |
00:17:51 |
...and watched her bleed |
00:17:53 |
Then they cut her throat. |
00:17:55 |
McQueen is mad. |
00:17:59 |
It's insane that they want £4. |
00:18:03 |
Not with my old cunny. |
00:18:08 |
Behave yourselves or bugger off. |
00:18:11 |
You can bugger off. |
00:18:13 |
We work, girls. |
00:18:15 |
We work the streets harder than ever. |
00:18:19 |
Right? |
00:18:23 |
All right. We can do it here, but hurry up. |
00:18:26 |
- The bobbies are tracking us tonight. |
00:18:28 |
Gotta get the old man hard first. |
00:18:31 |
Give it here. I'll put it in meself. |
00:18:37 |
- Is that in? |
00:18:41 |
It's not. |
00:18:43 |
No, I haven't. Come on. |
00:18:46 |
I knows it when I feels it. |
00:18:59 |
That's mine, Polly. |
00:19:02 |
That's my money. |
00:19:08 |
I could pop your eye out. |
00:19:11 |
The customers wouldn't mind. |
00:19:13 |
They don't mind if a whore can see. |
00:19:18 |
- What's that you got there? |
00:19:21 |
What have I got here, Constable? |
00:19:24 |
Only a little thing to you, |
00:19:28 |
Move! Or I'll bash that smart mouth. |
00:19:33 |
You're a dead woman. |
00:19:43 |
Lovey, he won't bother you again tonight. |
00:19:46 |
That's right. Look. |
00:19:48 |
One for the Nichols, and one for me. |
00:19:53 |
Come here. |
00:19:57 |
We'll work the streets together. |
00:19:59 |
I'll keep my eye on you, love. |
00:20:07 |
You pig! |
00:20:09 |
You disgusting pig! |
00:20:14 |
Yeah, I'm a pig. |
00:20:16 |
I'm what's wrong with the world. |
00:20:19 |
Be on your own then. |
00:20:21 |
No! |
00:20:23 |
You don't want the company of a pig! |
00:20:27 |
What the fuck are you looking at? |
00:20:47 |
Thirsty? |
00:20:54 |
That was the thing that was in my dream. |
00:20:57 |
- What's it called again? |
00:21:01 |
Cleopatra. She was a beauty, wasn't she? |
00:21:05 |
It was carved 1,500 years |
00:21:12 |
Six men died to bring it here... |
00:21:16 |
...from Egypt. |
00:22:21 |
May the good Lord have mercy. |
00:22:36 |
She was like that when I found her. |
00:22:40 |
What kind of monster did this? |
00:22:53 |
The boys have made their rounds |
00:22:55 |
...and the delightful domiciles |
00:22:59 |
Will it surprise you |
00:23:02 |
Her throat was cut, |
00:23:05 |
She was killed somewhere else. |
00:23:12 |
It rained last night, didn't it? |
00:23:17 |
She's dry. |
00:23:20 |
She was brought here |
00:23:23 |
Her throat must've been cut |
00:23:25 |
I imagine they stopped it over there. |
00:23:28 |
They? |
00:23:30 |
There's more than one? |
00:23:32 |
Most definitely. |
00:23:35 |
This was all in your vision? |
00:23:43 |
Jesus! |
00:23:46 |
So, definitely more than one person. |
00:23:49 |
It has to be a message |
00:23:55 |
What the hell? |
00:23:57 |
That's grapes, isn't it? |
00:23:59 |
What the hell would a bangtail |
00:24:46 |
I'd like to give them an answer. |
00:24:49 |
- What? |
00:24:52 |
I'd welcome the opportunity to give them |
00:24:57 |
There is most definitely a message here. |
00:25:00 |
What am I wrong about? |
00:25:04 |
Martha Tabram was raped, |
00:25:08 |
That's cruel. |
00:25:10 |
But I've seen that sort of cruelty |
00:25:15 |
This is methodical. |
00:25:17 |
The butchery is irrational, yet... |
00:25:20 |
...meticulous and deliberate. |
00:25:25 |
Altogether a different breed of killer. |
00:25:30 |
As soon as possible, |
00:25:33 |
What do you mean "what he took"? |
00:25:36 |
- Didn't you notice? |
00:25:39 |
He's taken at least one of her organs. |
00:25:42 |
Oh, no. |
00:25:51 |
I want every veterinarian... |
00:25:54 |
...butcher, furrier in the district |
00:25:58 |
Furrier? What did he do, sir? Skin her? |
00:26:01 |
Pipe down, Withers. |
00:26:04 |
When the Inspector is talking |
00:26:08 |
Yes, Sergeant. |
00:26:10 |
He disemboweled her. |
00:26:13 |
After he cut her throat, |
00:26:16 |
...cut open her stomach, |
00:26:24 |
At least one of her organs was removed. |
00:26:27 |
I'm waiting for the police surgeon's report |
00:26:33 |
I see. |
00:26:36 |
One thing's for certain, |
00:26:43 |
Maybe one of these Red Indians... |
00:26:47 |
...wandered into Whitechapel |
00:26:54 |
With all due respect, sir... |
00:26:56 |
...I believe this was done by someone with |
00:27:01 |
- An educated man, such as a doctor... |
00:27:05 |
No well-bred man would do this. |
00:27:08 |
Probably a tradesman or a butcher. |
00:27:11 |
A tradesman is a possibility, sir. |
00:27:15 |
But there's a strong indication against it. |
00:27:18 |
There was a sprig of grapes |
00:27:21 |
What are you driving at? |
00:27:23 |
No one in Whitechapel, no matter |
00:27:28 |
Obviously, |
00:27:31 |
It follows that he must be |
00:27:34 |
What about the Jews? A Jew butcher? |
00:27:38 |
Or a Jew tailor might have money. |
00:27:43 |
Sir, for the sake of public safety |
00:27:46 |
...l'd like to be careful about spreading |
00:27:52 |
I know your reputation for making guesses |
00:27:56 |
Someone told me |
00:28:00 |
Frankly, it doesn't matter to me |
00:28:03 |
But be certain you don't proceed |
00:28:08 |
Of course, sir. |
00:28:09 |
Personally, I don't care. The fewer |
00:28:14 |
But the sooner you find this butcher |
00:28:18 |
...the sooner we can all celebrate |
00:28:23 |
Keep me informed. |
00:28:51 |
Every cellar, every stable. We'll find him. |
00:28:55 |
It's the bleeding Jews. Let's kill them! |
00:31:00 |
I have wonderful news. |
00:31:02 |
Tell me. |
00:31:04 |
Surely you, of all people, can guess. |
00:31:07 |
I don't want to guess with you. |
00:31:11 |
Dr. Marbury says... |
00:31:16 |
Dr. Marbury says? |
00:31:19 |
Dr. Marbury says |
00:31:55 |
"Ay, to die |
00:31:57 |
"and go we know not where |
00:31:59 |
"To lie in cold obstruction and to rot" |
00:32:05 |
A simple "rest in peace" would suffice. |
00:32:08 |
Yes, sir. |
00:32:10 |
"In the midst of life we are in death... |
00:32:13 |
"...of whom may we seek for succor, |
00:32:16 |
"...who for our sins art justly displeased? |
00:32:20 |
"Yet, O Lord God most holy... |
00:32:22 |
"...O Lord most mighty..." |
00:32:38 |
Good afternoon, ladies. |
00:32:41 |
I'm Inspector Abberline. |
00:32:44 |
We're investigating the murders |
00:32:47 |
We understand they were both friends |
00:32:51 |
Close friends. |
00:32:54 |
Don't know nothing. |
00:32:56 |
Me neither. |
00:32:58 |
Why are you bothering us? |
00:33:01 |
- Is he the boss of Nichol Street? |
00:33:05 |
Isn't it your job to be knowing |
00:33:10 |
What makes you think McQueen did this? |
00:33:13 |
Can't prove nothing by me. |
00:33:17 |
- You're Mary Kelly, right? |
00:33:21 |
Unless one of you is willing to testify |
00:33:24 |
...I can't do nothing. |
00:33:26 |
Surely, Inspector... |
00:33:28 |
...a strong, handsome man like you... |
00:33:31 |
...could do anything |
00:33:35 |
I'm a coward and a weakling. |
00:33:38 |
What's your excuse? |
00:33:46 |
Come on, Mary. They won't help us. |
00:34:13 |
Is that you? |
00:34:16 |
Before my mother died, back in Ireland. |
00:34:19 |
- Is that when you came here? |
00:34:22 |
- When I was 8. |
00:34:26 |
We were starving, |
00:34:32 |
I was thinking... |
00:34:34 |
...we ain't never gonna earn enough |
00:34:38 |
...and feed our own mouths. |
00:34:42 |
You said those men... |
00:34:45 |
...who took the rich artist man |
00:34:48 |
You said they was clean-shaven, |
00:34:53 |
- Right. |
00:34:56 |
They weren't the Nichols boys. |
00:34:59 |
They was unusual. |
00:35:01 |
Perhaps even official. |
00:35:02 |
What are you getting at? |
00:35:06 |
Maybe we could go with the papers, |
00:35:11 |
"Where's Ann Crook?" |
00:35:12 |
The papers are always desperate |
00:35:16 |
It's a mystery, to boot. |
00:35:18 |
Not a bad plan. What do you think, Mary? |
00:35:20 |
We should talk to that inspector, |
00:35:24 |
Fuck me! No. |
00:35:25 |
If we go to the papers, they might hurt Ann |
00:35:29 |
Worse than what'll happen to her |
00:35:33 |
I don't know for sure. |
00:35:35 |
But I think we're better off |
00:35:38 |
Lord, you are young after all. |
00:35:44 |
Four bitches. |
00:35:46 |
That's what I thought. |
00:35:47 |
You only paid for one person. |
00:35:50 |
- They're my guests. |
00:35:52 |
Let me welcome your guests. |
00:35:55 |
Go on! Get out! |
00:35:59 |
Get out of here, you bloody whores. |
00:36:02 |
When you have four pence... |
00:36:04 |
...you can come back |
00:36:09 |
Shut up. |
00:36:13 |
Back to work then. |
00:36:14 |
Let's try and stay together. |
00:36:17 |
- We can't. You know that. |
00:36:21 |
Come on. |
00:36:24 |
All right, Annie? |
00:36:27 |
Bloody bastard. |
00:36:28 |
- How's your head? |
00:38:30 |
Boo! |
00:38:35 |
I didn't frighten you, did I? |
00:38:38 |
I've been looking for you. |
00:38:40 |
Been looking all over for you. |
00:38:42 |
You've been looking for me? |
00:38:44 |
Not for me. On behalf of my gentleman. |
00:38:47 |
A very fine gentleman. |
00:38:50 |
Your gentleman sent you to find me? |
00:38:53 |
Get off! I might be unfortunate, |
00:38:57 |
It's the truth! The God's truth. |
00:39:01 |
He's seen you. He likes you. |
00:39:03 |
He said, tonight, only you'll do. |
00:39:07 |
He said to find you, take you to |
00:39:13 |
You're very pretty. |
00:39:18 |
Go on. Get in, I'll take you there. |
00:39:22 |
I almost forgot. |
00:39:26 |
- You like grapes? |
00:39:35 |
Your gentleman, he must be very refined. |
00:39:39 |
- Very refined indeed. |
00:39:41 |
- I'll take you there. |
00:39:54 |
Here we are. |
00:40:05 |
- I'm a lucky lady. |
00:40:08 |
Your gaffer, |
00:40:11 |
Just the usual, I expect. |
00:40:15 |
This alley takes you to the yard. |
00:40:17 |
My gentleman is quiet. |
00:40:22 |
What I want to know is, a toff like him... |
00:40:26 |
...how much is he offering? |
00:40:30 |
Here, £2 for now. |
00:40:32 |
That'll do me. |
00:40:34 |
Let me see you. |
00:40:37 |
- Down there? |
00:40:46 |
Straight down there, right? |
00:41:19 |
You watch your mouth! |
00:41:22 |
Any more information? |
00:41:26 |
Is it true you found a piece |
00:41:30 |
No. But if it's your fancy, I'd be delighted |
00:41:36 |
Give us a tidbit, Sergeant. |
00:41:41 |
Do something about this. |
00:41:45 |
There's a bloody murderer on the loose. |
00:42:20 |
This is Annie. |
00:42:23 |
Yes. Another of the circle of friends. |
00:42:26 |
Annie Chapman. |
00:42:28 |
Dark Annie, they called her. |
00:42:34 |
Did the constable show you the bit |
00:42:38 |
Could be part of a butcher's apron. |
00:42:41 |
Leather apron. Dear God, |
00:42:46 |
I saw her. |
00:42:49 |
- This one? |
00:42:53 |
I saw her face. |
00:43:00 |
- Don't trample over this area. |
00:43:04 |
- Come on, let us see. |
00:43:07 |
There's your typical Londoner... |
00:43:09 |
...imbued with the Christian spirit |
00:43:12 |
Or fellow whore, in this case. |
00:43:15 |
He's really outdone himself this time. |
00:43:17 |
He not only severed the intestines... |
00:43:19 |
...he's carefully arranged them |
00:43:23 |
I think he's taken more organs this time. |
00:43:31 |
Grapes again. Why grapes? |
00:43:35 |
Only Polly and Dark Annie |
00:43:38 |
Only they were disemboweled |
00:43:42 |
This ain't killing for profit. |
00:43:46 |
This is ritual. |
00:43:48 |
Yeah, but why grapes? |
00:43:59 |
So they'll trust whatever he offers. |
00:44:12 |
I've never fully understood that tradition. |
00:44:14 |
They're for the ferryman. |
00:44:17 |
The ferryman who takes the body |
00:44:21 |
If she don't have the money to pay him... |
00:44:23 |
...she'd have to wander, |
00:44:35 |
I need to consult a doctor. |
00:44:37 |
Are you ill, Inspector? |
00:44:39 |
A surgeon, to be specific. |
00:44:42 |
The killer removed |
00:44:45 |
My God. He's out of his mind. |
00:44:48 |
That's very astute of you, sir. |
00:44:51 |
I don't appreciate sarcasm, Inspector. |
00:44:54 |
I'm sorry, sir. I meant nothing by it. |
00:44:56 |
You already have a surgeon |
00:44:59 |
I need a man with a strong stomach |
00:45:03 |
The police surgeon has neither. |
00:45:05 |
- No. Request denied. |
00:45:08 |
Are you questioning my decision? |
00:45:10 |
No, sir. I simply want to know why. |
00:45:12 |
There's already too much nonsense |
00:45:15 |
You start consulting doctors, and |
00:45:20 |
No one else is to see the bodies. |
00:45:24 |
It is my honor... |
00:45:26 |
...to present this unique |
00:45:32 |
Until last week, Mr. Joseph Merrick... |
00:45:35 |
John Merrick. |
00:45:36 |
I beg your pardon. |
00:45:38 |
Mr. John Merrick was an attraction |
00:45:44 |
Now he's being cared for |
00:45:49 |
With your generosity, |
00:45:56 |
Ladies and gentlemen... |
00:45:59 |
...Mr. John Merrick. |
00:46:04 |
Turn around. |
00:46:19 |
It should've been killed at birth. |
00:46:28 |
Good health! |
00:46:38 |
That will be the last one, |
00:46:58 |
...a psychotic patient. |
00:47:00 |
Pardon me, sir. Are you Dr. Ferral? |
00:47:02 |
I am. |
00:47:04 |
I'm Inspector Abberline, |
00:47:06 |
Oh, my Lord! You're the Ripper case. |
00:47:09 |
- Am I right? |
00:47:11 |
Jolly good. |
00:47:12 |
You've come to the perfect place. |
00:47:17 |
I see. |
00:47:18 |
I could certainly use your expertise |
00:47:22 |
They tell me you're |
00:47:25 |
Really? |
00:47:27 |
I don't see how a reputable surgeon |
00:47:32 |
This country's overrun |
00:47:36 |
Jews. |
00:47:38 |
Socialists trying to stir things up |
00:47:43 |
That's who you should be pursuing, |
00:47:48 |
Excuse me. |
00:47:53 |
I'm afraid Dr. Ferral suffers |
00:47:58 |
What's that, sir? |
00:48:01 |
Want of feeling. |
00:48:03 |
He knows everything about anatomy |
00:48:08 |
How may I assist you, Inspector? |
00:48:10 |
Forgive my ignorance, but... |
00:48:13 |
...are you a surgeon? |
00:48:15 |
I was. |
00:48:17 |
Unfortunately, |
00:48:20 |
- I'm sorry to hear that, sir. |
00:48:26 |
So you see, I'm accustomed |
00:48:34 |
Could you tell me |
00:48:46 |
I think you mean to draw a Liston knife. |
00:48:49 |
It's named for Liston, |
00:48:52 |
Because there was |
00:48:55 |
...he had to carry out |
00:49:00 |
Do you, by any chance, |
00:49:03 |
- Yes, I do, sir. |
00:49:06 |
You must keep this confidential. |
00:49:09 |
Of course. |
00:49:13 |
Thank you. |
00:49:29 |
Wouldn't someone |
00:49:32 |
Not if he cut their throats first. |
00:49:37 |
How can you be sure they wouldn't |
00:49:41 |
Grapes. |
00:49:44 |
He offers them grapes first. |
00:49:48 |
- Grapes are very tempting. |
00:49:51 |
He might offer them a drink |
00:49:55 |
A drink laced with laudanum. |
00:49:58 |
How do you know that? |
00:50:00 |
I found a sprig of grapes |
00:50:03 |
And I smelled the laudanum on their lips. |
00:50:06 |
Laudanum is a derivative of opium. |
00:50:09 |
Apart from doctors and addicts, |
00:50:17 |
How long have you chased the dragon, |
00:50:25 |
These should help with the headaches. |
00:50:30 |
Opium leaches minerals out of the body, |
00:50:35 |
That'll help to restore your appetite. |
00:50:38 |
Thank you very much, sir. |
00:50:43 |
- I'm a fool. |
00:50:47 |
Far from it. |
00:50:49 |
I ought to have known that you're |
00:50:53 |
It's certainly an honor, but it's an honor |
00:50:57 |
Now, about our friend here. |
00:51:02 |
Therefore, he's right-handed. |
00:51:04 |
Excuse me. |
00:51:06 |
He had to slice |
00:51:10 |
...and up to an inch of subcutaneous fat. |
00:51:13 |
After that... |
00:51:15 |
...he entered the abdominal cavity, so he |
00:51:20 |
Perhaps he was carrying |
00:51:26 |
What do you think? |
00:51:35 |
Is it possible that the killer |
00:51:38 |
Perhaps someone who studied medicine, |
00:51:45 |
The intestines are simple enough, |
00:51:49 |
The liver, very hard to locate, |
00:51:52 |
And he was working quickly, in the dark. |
00:51:55 |
I had held out hope that this... |
00:51:57 |
...monster was a veterinarian or a furrier... |
00:52:01 |
...or an especially well-educated butcher. |
00:52:05 |
No, I must admit, if I were you... |
00:52:09 |
...l'd look for someone with |
00:52:14 |
Damn him. |
00:52:45 |
Want me to suck it? |
00:52:47 |
I can suck the Thames dry. |
00:52:50 |
Don't be frightened, dearie. |
00:53:08 |
How far advanced |
00:53:15 |
No lesions have appeared. |
00:53:18 |
There is some neural damage, |
00:53:21 |
...but I'm more than hopeful, |
00:53:26 |
He seems, to us, |
00:53:30 |
Is the disease affecting his emotions? |
00:53:34 |
Yes, of course, his mood is depressed... |
00:53:36 |
...because of the news of the diagnosis. |
00:53:41 |
But that should improve |
00:53:44 |
You are a true physician, Sir William. |
00:53:48 |
In all ways, |
00:53:52 |
We are grateful. |
00:53:54 |
Thank you, ma'am. |
00:54:10 |
This is the beginning of a five-pointed star. |
00:54:16 |
- Like the bloody Jewish star! |
00:54:19 |
The Inspector is talking, |
00:54:22 |
- I'm listening, sir. |
00:54:26 |
This area would form a likely point. |
00:54:29 |
I want double shifts |
00:54:33 |
And don't only worry |
00:54:36 |
Stop anyone suspicious... |
00:54:38 |
...including well-dressed gentlemen. |
00:54:41 |
By the way, Withers... |
00:54:43 |
...the Star of David has six points. |
00:54:48 |
Right! "Once more unto the breach, |
00:54:53 |
Dismissed! |
00:55:03 |
Why have you called me here? |
00:55:09 |
It's just... |
00:55:11 |
It's just, |
00:55:16 |
I can't take it, sir. |
00:55:18 |
It's everywhere. |
00:55:20 |
It's in all the papers. |
00:55:25 |
I'm just a simple chap, sir. |
00:55:27 |
I'm not a great man like you. |
00:55:31 |
I just don't know where I am at anymore. |
00:55:36 |
There, there, Netley. |
00:55:39 |
I shall tell you where we are. |
00:55:45 |
We are in the most extreme |
00:55:52 |
A radiant abyss, |
00:55:58 |
I don't understand that. |
00:56:00 |
I don't understand, sir. |
00:56:05 |
Hell, Netley. |
00:56:10 |
We're in Hell. |
00:56:23 |
Let me go! Get your hands off me! |
00:56:32 |
Sorry about that, Inspector. |
00:56:34 |
She's madly in love with me, |
00:56:39 |
You said McQueen killed your two friends. |
00:56:43 |
I see. Women are butchered |
00:56:46 |
...and you can't do piss about it, |
00:56:49 |
We're watching. Can't arrest them |
00:56:53 |
- What else can we do? |
00:56:56 |
If you keep meself and me friends alive, |
00:57:00 |
To what, precisely? |
00:57:02 |
McQueen said he'd cut me |
00:57:05 |
- No. |
00:57:07 |
You asked me to testify. |
00:57:10 |
I won't. I promise I won't. |
00:57:14 |
You testify against McQueen, |
00:57:17 |
But his boys, they'll take their revenge |
00:57:23 |
I can't let you do it. |
00:57:30 |
It's your round this time! |
00:57:37 |
I confess, I have an appetite. |
00:57:39 |
One day, I'll be a great big, round woman |
00:57:45 |
And a dozen plump children, I imagine. |
00:57:49 |
Do you think that's funny? |
00:57:50 |
An unfortunate like me |
00:57:53 |
No, I didn't mean that at all. |
00:57:55 |
You'll be a wonderful mother someday. |
00:57:57 |
Honest, I can see it. |
00:57:59 |
I see you in a little cottage by the sea... |
00:58:03 |
...surrounded by children. |
00:58:05 |
I can see it, Mary, clear as day. |
00:58:10 |
- I really do have visions, you know. |
00:58:14 |
Sgt. Godley calls it my intuition. |
00:58:19 |
As a matter of fact, |
00:58:23 |
You have visions about me? |
00:58:26 |
What might those be? |
00:58:31 |
I want you to think carefully. |
00:58:33 |
Besides McQueen, |
00:58:37 |
...has anything happened to you or your |
00:58:43 |
Ben Kidney? |
00:58:47 |
What would Ben Kidney and Special Branch |
00:58:50 |
Wait a minute. |
00:58:52 |
She's Irish-born, isn't she? |
00:58:55 |
A secret Irish rebel. |
00:58:59 |
They were after Ann Crook, who was |
00:59:03 |
A man she bore a child... |
00:59:05 |
...a child that's now missing, |
00:59:10 |
Great. |
00:59:12 |
Drive on, please, driver. |
00:59:17 |
You do not fuck with Special Branch. |
00:59:29 |
I don't know what you're thinking, |
00:59:39 |
- Mr. Kidney wants to see me. |
00:59:43 |
Didn't say where. Could be for the night. |
00:59:45 |
No. He said he'd be back before 11:00, |
00:59:48 |
Where are you going? |
00:59:51 |
He said I should wait in his office. |
00:59:55 |
And what floor is Mr. Kidney's office on? |
00:59:59 |
I don't know what floor, because |
01:00:03 |
He told me the desk man'd let me up, |
01:00:08 |
...because you disobeyed |
01:00:12 |
- It's the second floor on the right. |
01:01:58 |
Free Ireland! |
01:02:01 |
Free Ireland! |
01:02:07 |
Get inside, sir! |
01:02:20 |
Just some gunpowder, that's all. |
01:02:25 |
Anyone go in or out? |
01:02:28 |
Yes, sir. I'm sorry, sir, there's |
01:02:43 |
No, there's nothing missing here. |
01:02:47 |
Webster dossier seems to be complete. |
01:02:51 |
The bastards have been in here, sir. |
01:03:16 |
- No. |
01:03:18 |
No, not together. Too suspicious. |
01:03:21 |
You wait for me, and if she's in there, |
01:03:25 |
I'm going with you right now, |
01:03:30 |
I mean it. |
01:03:40 |
There are a number of mental disorders |
01:03:44 |
...the front part of the brain. |
01:03:47 |
Her records indicate that she was violent... |
01:03:50 |
...threatening to do harm to herself |
01:03:54 |
- Does she have any relations? |
01:03:58 |
- That's a lie. |
01:04:00 |
You're under arrest, |
01:04:03 |
- Keep your mouth shut! Is that clear? |
01:04:07 |
Good. |
01:04:09 |
What else do you know about her? |
01:04:11 |
All we know is |
01:04:14 |
...who lived in the Whitechapel district. |
01:04:18 |
I'd like to ask her a few questions. |
01:04:21 |
You won't get any sense out of her. |
01:04:25 |
I'm used to that. |
01:04:39 |
Hello. |
01:04:41 |
I brought Mary Kelly. |
01:04:43 |
Do you remember Mary Kelly? |
01:04:47 |
Ann, you know me, |
01:04:52 |
Go away. |
01:04:53 |
Go away. |
01:04:58 |
I'm going to find baby Alice. |
01:05:02 |
Alice is laughing to me. |
01:05:07 |
Laughing to me all day long. |
01:05:10 |
It's all right, darling. |
01:05:13 |
What about her father? |
01:05:16 |
Have you seen Alice's father, Ann? |
01:05:21 |
He's a prince. |
01:05:23 |
A prince. |
01:05:27 |
And I'm a queen. |
01:05:34 |
How do you know he was a painter? |
01:05:37 |
He hired us to pose as artist's models. |
01:05:39 |
What exactly does that entail, |
01:05:43 |
We stood very still, so he could paint us. |
01:05:47 |
What's the matter? |
01:05:49 |
I'm sorry, I'm an unfortunate, not a whore. |
01:05:52 |
England doesn't have whores... |
01:05:54 |
...just a great mass |
01:05:57 |
So Ann Crook... |
01:06:00 |
...and the painter became lovers. |
01:06:03 |
He married her in a lovely Catholic church. |
01:06:06 |
Saint Savior's. |
01:06:09 |
Married her in a Catholic church? |
01:06:13 |
What do you think they've done |
01:06:19 |
Special Branch dumped her |
01:06:22 |
Yeah, as an unknown. |
01:06:25 |
Why? |
01:06:26 |
When I find out, I'll tell you. |
01:06:29 |
- Take me to her. You have to. |
01:06:33 |
I need to know more first. |
01:06:36 |
Look... |
01:06:38 |
...I promise that I'll help you |
01:06:43 |
You've got to trust me, Mary, |
01:06:48 |
I do. I do trust you. |
01:06:51 |
Good. |
01:06:54 |
Do you have little ones, Inspector? |
01:06:57 |
No. |
01:07:02 |
A year ago... No, two years... |
01:07:05 |
I'm sorry, more than two years... |
01:07:08 |
...my wife passed away... |
01:07:13 |
...giving birth to what I'm told was a son. |
01:07:16 |
I'm sorry. |
01:07:19 |
Thanks. |
01:07:25 |
I want to show you some paintings |
01:07:28 |
- You're going to take me into the gallery? |
01:07:33 |
Come on. |
01:07:57 |
- Did you see the look on her face? |
01:08:06 |
She's a fright. |
01:08:08 |
Look at those cold eyes. |
01:08:10 |
I feel like someone's walking |
01:08:13 |
There's one more painting |
01:08:34 |
You know him, don't you? |
01:08:37 |
"Those whom God has joined together, |
01:08:42 |
I pronounce that they be man and wife. |
01:09:01 |
- Sir William Gull, please. |
01:09:07 |
Sir William? It's Inspector Abberline. |
01:09:12 |
Sir William is ill. |
01:09:18 |
I said... |
01:09:21 |
...you can't go in. |
01:09:23 |
It's all right, Dr. Ferral, |
01:09:26 |
Have Anna bring us some tea, |
01:09:35 |
I wish I could tell you |
01:09:42 |
Unhappily, I cannot. |
01:09:45 |
I know for a fact that the Prince |
01:09:50 |
And I suppose |
01:09:53 |
...he concocted this elaborate deception... |
01:09:56 |
...to have some privacy |
01:10:00 |
But I know one reason I have for stating... |
01:10:03 |
...that Prince Edward being Jack the Ripper |
01:10:09 |
What's that, sir? |
01:10:13 |
If you repeat what I'm about to tell you, |
01:10:17 |
Indeed, I hope for your sake |
01:10:20 |
...will steer you clear |
01:10:23 |
I think I'm well past |
01:10:28 |
Prince Edward has syphilis. |
01:10:33 |
Not a pleasant state secret, but a vital one. |
01:10:37 |
That proves it. |
01:10:39 |
I couldn't understand why the Prince |
01:10:43 |
...especially so savagely, |
01:10:49 |
...he's punishing them. |
01:10:51 |
He wants revenge. Don't you see, sir? |
01:10:53 |
No, Inspector, I don't see. |
01:10:57 |
I'm afraid your wild speculations |
01:11:01 |
...clever though they may be, |
01:11:05 |
...of his committing these crimes. |
01:11:07 |
The disease is far enough along |
01:11:13 |
He's very weak, and the killings |
01:11:17 |
...and considerable vigor. |
01:11:20 |
And have you forgotten |
01:11:24 |
Whatever else the Prince may be... |
01:11:26 |
...he knows little or nothing |
01:12:08 |
...to the center of the lodge |
01:12:11 |
...for the benefit of prayer. |
01:12:19 |
Vouchsafe Thy name, |
01:12:22 |
...to this, our present convention. |
01:12:27 |
Who is this? |
01:12:29 |
A poor candidate in a state of darkness. |
01:12:32 |
He comes of his own free will, |
01:12:37 |
...humbly soliciting to be admitted... |
01:12:40 |
...into the mysteries and privileges. |
01:12:43 |
In all cases of danger and distress, |
01:12:49 |
In God. |
01:12:51 |
How did he find out |
01:12:55 |
He has that kind of cleverness you'll |
01:12:59 |
A cheap sort of intelligence, |
01:13:06 |
Thank God that's not something |
01:13:08 |
Yes, thank God. |
01:13:09 |
Recite the solemn oath. |
01:13:12 |
"Never to reveal our secrets... |
01:13:15 |
"...under no less a penalty |
01:13:21 |
"...my tongue be torn out by its root... |
01:13:24 |
"...and that I be buried in sand |
01:13:30 |
You don't think |
01:13:33 |
The old fellow isn't as far gone |
01:13:36 |
No. |
01:13:38 |
He's not that foolish. |
01:13:44 |
Let the brother receive the light. |
01:13:59 |
- I keep on hearing... |
01:14:03 |
Another beautiful murder. |
01:14:07 |
Fear me. Jack the Ripper. |
01:14:10 |
They're rubbish. You know that. |
01:14:12 |
Yes, I agree. They're rubbish. |
01:14:14 |
But why you believe |
01:14:17 |
Has it occurred to you |
01:14:21 |
Particularly about men. |
01:14:24 |
She's a woman who... |
01:14:28 |
"A rose by any other name"? |
01:14:31 |
Is that it? |
01:14:34 |
Frederick, my dear chum, |
01:14:38 |
...that you decided to resume your interest |
01:14:42 |
...a woman like that can make a man feel |
01:14:46 |
- Sgt. Godley. |
01:14:48 |
Arrest the Nichol Street gang. |
01:14:49 |
- Right away. |
01:14:52 |
This arrived in this afternoon's post. |
01:14:56 |
"I send you half the kidney I took |
01:15:00 |
"...the other piece I fried and ate. |
01:15:04 |
We demand something be done, |
01:15:07 |
"From Hell." |
01:15:10 |
At least they got the address right. |
01:15:13 |
It can't be. Are you sure he was the same? |
01:15:16 |
I know him. I posed for him twice meself. |
01:15:19 |
I stood there naked as a babe, |
01:15:22 |
And he was with Ann for what, |
01:15:25 |
Nearly two. |
01:15:29 |
Here you are. Hello, girls. |
01:15:32 |
I told you to wait for me. |
01:15:35 |
I can't stay in a pub and not have a drink. |
01:15:38 |
It's cruel. But look who I bumped into. |
01:15:41 |
Remember Ada? |
01:15:44 |
She's from France. |
01:15:46 |
Bruxelles. |
01:15:52 |
She is pretty, isn't she? |
01:15:56 |
Not in public, love. |
01:15:59 |
Would you give us a minute alone? |
01:16:02 |
Ada, you stay where you are. |
01:16:06 |
Come on, Mary, get the drinks in. |
01:16:19 |
You don't have to worry |
01:16:22 |
- I can keep them that long. |
01:16:25 |
Thank you. |
01:16:28 |
What about baby Alice? |
01:16:31 |
She's all right. |
01:16:34 |
"We'll get her"? |
01:16:36 |
Listen. |
01:16:37 |
I want you and your friends off the street |
01:16:41 |
- For how long? |
01:16:44 |
You better throw us in jail because |
01:16:48 |
All right, take this. |
01:16:51 |
Buy some food, get a room, and stay there. |
01:16:54 |
Don't tell anyone where you're going. |
01:16:58 |
In three days, come to the Ten Bells, |
01:17:07 |
What? |
01:17:09 |
It's not enough? |
01:17:11 |
I wish I could show you the little village |
01:17:14 |
It's so lovely there. |
01:17:17 |
It's by the sea, |
01:17:21 |
I used to think it too small |
01:17:25 |
...but now I'm not so sure. |
01:17:32 |
Don't. |
01:17:34 |
What? |
01:17:36 |
Do you think I'm paying you back? |
01:17:38 |
I didn't mean it as business. |
01:17:41 |
I'm still a woman. |
01:17:42 |
They haven't taken that away from me, |
01:17:58 |
Enough of that. |
01:18:01 |
Now, lad, at least take... |
01:18:06 |
Sorry, sir. |
01:18:30 |
One more turn. |
01:18:34 |
And curtsy. |
01:18:38 |
And we're done. |
01:18:49 |
Don't be modest, girl. |
01:18:52 |
They don't care what we do. |
01:19:01 |
I paid for your supper, remember. |
01:19:04 |
Stop shaking your head at me, you slag! |
01:19:07 |
- Leave her alone! |
01:19:10 |
- Liz, just be quiet for one bloody night. |
01:19:16 |
Don't go out tonight, it's not safe. |
01:19:19 |
I'll just get something to sustain myself. |
01:19:22 |
- I'll be right back! |
01:19:24 |
- Do without for a night. |
01:19:33 |
Here we are. |
01:19:34 |
Service records. |
01:19:35 |
"Grenadier Guards. Lt. Benjamin Kidney." |
01:19:40 |
There. |
01:19:42 |
Just as you suspected. |
01:19:45 |
Before he joined Special Branch... |
01:19:47 |
...Ben Kidney served |
01:19:50 |
Part of his duties included |
01:19:54 |
Let me tell you something of which |
01:19:57 |
Assisting an expert is a different thing, |
01:20:01 |
...from doing it oneself. |
01:20:02 |
Think about it. |
01:20:06 |
Whose job is it to take care |
01:20:09 |
You've turned into Othello, |
01:20:11 |
Everything is a suspicion. |
01:20:14 |
...all your suspicions will end up |
01:20:17 |
Heaven's sake, |
01:20:20 |
They're being murdered most brutally. |
01:20:24 |
To scare people. |
01:20:26 |
- To keep their mind off the real point. |
01:20:29 |
Think what's at stake for Special Branch. |
01:20:31 |
Prince Edward married Ann Crook, |
01:20:34 |
Married her in a Catholic church, |
01:20:39 |
...who is in fact |
01:20:42 |
All these women were there. |
01:20:45 |
All these women were eyewitnesses |
01:20:48 |
...that could rip the empire to pieces. |
01:20:58 |
Once she starts drinking, |
01:21:02 |
- She knows how dangerous it is. |
01:21:06 |
She thinks you're feeding that copper |
01:21:17 |
Hello, sir. |
01:21:19 |
Is anything wrong, my dear? |
01:21:22 |
No, sir. For a moment, |
01:21:29 |
Thirsty? |
01:21:38 |
Always parched, sir. |
01:21:42 |
Perhaps there is somewhere nearby |
01:21:45 |
...while my coachman keeps watch. |
01:21:48 |
Yeah. |
01:21:53 |
This way. |
01:21:54 |
Follow me. |
01:22:25 |
It's this way. |
01:22:27 |
Follow me. |
01:22:32 |
I dropped my grapes. |
01:22:52 |
No! |
01:22:55 |
What the fuck are you looking at? |
01:23:01 |
Shut up! |
01:23:28 |
I hear someone coming, sir. |
01:23:31 |
Sir! |
01:23:57 |
It's one of them, isn't it? |
01:24:00 |
The throat's cut the same way. |
01:24:02 |
Yeah. |
01:24:04 |
He didn't finish. |
01:24:07 |
She's no less dead for that. |
01:24:11 |
He won't be satisfied by this. |
01:24:18 |
Wilkins. |
01:24:21 |
Fetch the ambulance. Go on, run along. |
01:25:08 |
Excuse me, miss. |
01:25:51 |
You could be dead... |
01:25:53 |
...right now. |
01:25:56 |
But then there would be |
01:26:02 |
Ignore the old man's blathering. |
01:26:04 |
Find a scapegoat, |
01:26:09 |
"Whatever happened |
01:26:38 |
We should hurry up, sir. It's clearing up. |
01:26:43 |
Do you have a piece of chalk, Netley? |
01:26:46 |
Chalk, sir? |
01:26:49 |
They found another one in Mitre Square! |
01:27:16 |
Nice work, Inspector. |
01:27:20 |
Out of the fucking way. |
01:27:30 |
Catherine Eddowes. |
01:27:34 |
There's some writing on the wall, |
01:27:37 |
You should have a look at it. |
01:27:40 |
"The Jews are the men |
01:27:44 |
It's hardly Shakespeare, but it'll do. |
01:27:52 |
Madam, slow down. |
01:27:54 |
Make sure you get the apron as well. |
01:28:08 |
It was written by the killer, sir. |
01:28:10 |
And how do you know that? |
01:28:13 |
I was here three quarters of an hour ago. |
01:28:16 |
This building, mostly Jews live here. |
01:28:19 |
Yeah, that's right. |
01:28:21 |
Ready now, sir. |
01:28:22 |
Put that away, |
01:28:27 |
Abberline? |
01:28:29 |
- Wash that off. |
01:28:31 |
- You heard me. |
01:28:34 |
Listen to me. |
01:28:35 |
In another hour, there will be |
01:28:40 |
If those words are seen, |
01:28:43 |
We'll have mayhem on the streets, |
01:28:47 |
That's an educated hand, sir. |
01:28:51 |
- Look for yourself. |
01:28:55 |
An educated man |
01:28:58 |
I don't know what this refers to... |
01:29:00 |
...but I'm sure it's got nothing to do |
01:29:08 |
Sergeant, I want two constables |
01:29:12 |
What are you looking to him for? |
01:29:14 |
Wash it off! |
01:29:16 |
Yes, sir. |
01:29:19 |
Six men have seen it already, |
01:29:23 |
I'll remember these words |
01:29:26 |
So all you're doing |
01:29:29 |
No, all I am doing is taking charge |
01:29:32 |
...that you have bungled to the point |
01:29:38 |
You are suspended from duty, Abberline. |
01:29:42 |
Inspector Abberline is suspended. |
01:29:46 |
All of his privileges are cancelled. |
01:30:05 |
You have not seen her, then? |
01:30:08 |
If she comes around, give her this. |
01:30:13 |
Long letter, eh? |
01:30:16 |
This is for your trouble. |
01:30:20 |
The letter's private, you understand? |
01:30:22 |
I understand. |
01:31:15 |
Who is this? |
01:31:21 |
Recite the solemn oath. |
01:31:23 |
"Never to reveal our secrets..." |
01:31:45 |
Grapes again. |
01:31:49 |
Why grapes? |
01:31:51 |
This ain't killing for profit. |
01:31:53 |
He's not that foolish. |
01:31:55 |
- Are you questioning my decision? |
01:32:00 |
"...my throat be cut across..." |
01:32:02 |
This is ritual. |
01:33:12 |
"Jubela, Jubelo, Jubelum." |
01:33:18 |
Jews. |
01:33:51 |
It's me, Ada. Only me. |
01:33:55 |
I bring everything for supper. |
01:34:01 |
You little thief, I need this money. |
01:34:03 |
I just take some money and buy food, |
01:34:09 |
It's fine, dear. |
01:34:13 |
...until I go away from London, |
01:34:16 |
Understand? |
01:34:19 |
I stay with Mary. |
01:34:21 |
Beautiful Mary. |
01:34:24 |
It's all right, darling. |
01:34:27 |
Pardon? |
01:34:31 |
Here's to our feast. |
01:35:09 |
I'm so sorry to greet you like this, |
01:35:12 |
...but I'm late for an appointment. |
01:35:14 |
Will you excuse me |
01:35:18 |
- Please, go on. |
01:35:21 |
I'd like to speak to you |
01:35:24 |
Yes. |
01:35:27 |
The arrangement of the coins |
01:35:32 |
...and also the locations of the bodies... |
01:35:37 |
...form a pentacle star. |
01:35:39 |
A pentacle star is the symbol |
01:35:42 |
Yes. |
01:35:45 |
And the way that these women |
01:35:48 |
...throats cut left to right... |
01:35:52 |
...their organs removed. |
01:35:56 |
They're reenactments, aren't they? |
01:36:01 |
Reenactments of what? |
01:36:03 |
The Jews. |
01:36:06 |
The traitors who killed Hiram Abiff, |
01:36:09 |
That's how they were executed. |
01:36:11 |
Yes, so the Great Book tells us. |
01:36:16 |
So Jack the Ripper |
01:36:21 |
He's executing traitors. |
01:36:24 |
He's a Mason fulfilling a duty. |
01:36:26 |
Yes, I'm afraid, Inspector... |
01:36:29 |
...that you won't be permitted |
01:36:32 |
I don't want to arrest him. |
01:36:37 |
The Ripper has one more traitor |
01:36:40 |
...and I will stop him. |
01:36:48 |
Did they come to you, sir... |
01:36:51 |
...as a loyal Mason? |
01:36:54 |
Did they ask you to help them |
01:37:01 |
That's how it started, yes. |
01:37:04 |
And then you discovered |
01:37:09 |
He's going to die of it, Inspector. |
01:37:13 |
Would you like a tour |
01:37:19 |
You're physician in ordinary to the Queen... |
01:37:24 |
...entrusted with the well-being |
01:37:28 |
Only you had reason to believe |
01:37:34 |
...these whores... |
01:37:36 |
...these traitors... |
01:37:40 |
...destroyed your life's work. |
01:37:51 |
Below the skin of history... |
01:37:55 |
...are London's veins. |
01:37:57 |
These symbols, the mitre... |
01:38:01 |
...the pentacle star... |
01:38:03 |
...even someone as ignorant |
01:38:09 |
...can sense that they course |
01:38:17 |
I am that meaning. |
01:38:21 |
I am that energy. |
01:38:30 |
One day, men will look back... |
01:38:36 |
...and say I gave birth to the 20th century. |
01:38:46 |
You're not going to see the 20th century. |
01:39:30 |
Roll up his sleeve. |
01:39:37 |
Don't struggle. |
01:39:40 |
You'll only make this more painful. |
01:41:05 |
Are you all right? |
01:41:07 |
There's someone under there. |
01:43:07 |
Dr. Gull? |
01:43:13 |
You were describing the human heart. |
01:43:23 |
The human heart... |
01:43:26 |
...is a dense and powerful muscle... |
01:43:30 |
...much like the organic equivalent |
01:43:34 |
...and notoriously difficult to burn. |
01:43:43 |
It's about the size of a fist. |
01:43:47 |
It provides the motor power |
01:43:52 |
The heart contains two atria, |
01:43:59 |
It is, in effect, a single pump... |
01:44:03 |
...powering a double circuit. |
01:44:07 |
In the adult, the heart rate averages |
01:44:15 |
Such is the force of the heart beat... |
01:44:19 |
...that if the body's largest artery, |
01:44:25 |
...a six-foot jet of blood... |
01:44:30 |
...is released. |
01:45:14 |
...fear no God. |
01:45:17 |
Arise. |
01:45:19 |
Your faith is well-founded. |
01:45:57 |
Another murder! |
01:46:01 |
Don't go in there. There's no need. |
01:46:04 |
How bad is it? |
01:46:07 |
She's in pieces, sir. |
01:46:10 |
Sergeant, he can go in. |
01:46:24 |
Give him to me. |
01:46:26 |
He'll be taken care of. I swear. |
01:46:28 |
- I want him. |
01:46:31 |
Fuck your word! |
01:46:32 |
I'll bring every last one |
01:46:36 |
You and your fucking brothers. |
01:46:38 |
Listen to me. |
01:46:40 |
Your difficult situation |
01:46:44 |
You are reinstated. |
01:46:51 |
No! This is not helping anything. |
01:46:56 |
Don't be a fool, Inspector. |
01:46:59 |
You will be very closely watched. |
01:47:02 |
You're all there now. |
01:47:06 |
All right for you, standing around chatting. |
01:47:10 |
Inspector Abberline is in charge. |
01:47:13 |
Give him all the assistance he requires. |
01:47:25 |
Remember, you're being watched. |
01:47:28 |
Men, clear this passage. Move them away. |
01:47:32 |
Move back. Make way, you. |
01:47:40 |
Shall we proceed, Inspector? |
01:48:03 |
Body lies in middle of bed. |
01:48:05 |
Shoulders flat, |
01:48:10 |
The left arm is close to the body. |
01:48:13 |
The forearm flexed at a right angle, |
01:48:18 |
The right arm is slightly abducted |
01:48:23 |
It rests on the mattress with |
01:48:29 |
The fingers are clenched, |
01:48:34 |
Notice something, Inspector? |
01:48:37 |
No. |
01:48:40 |
No, go on. |
01:48:47 |
Came in not long before dawn, |
01:48:50 |
Left this for you. |
01:49:00 |
"I know you asked me to wait. |
01:49:02 |
"If I'm to be murdered, |
01:49:07 |
"I'm going to the orphanage |
01:49:10 |
"Here's an address where you can find us. |
01:49:12 |
"We'll wait for you eagerly. |
01:49:15 |
"I know in my heart, |
01:49:20 |
"Just as you saw. |
01:49:22 |
"I hope to be with you soon, dearest. |
01:49:25 |
"All my love, Mary." |
01:49:40 |
We are deeply distressed, Lord Hallsham. |
01:49:43 |
We asked Sir William to remove a threat |
01:49:49 |
Not to engage in these ghastly rituals. |
01:49:52 |
Of course not, Your Majesty. |
01:49:56 |
On the other hand, |
01:49:59 |
The threat is past, Your Majesty. |
01:50:02 |
In his way, Sir William has been loyal. |
01:50:06 |
And we are grateful for that. |
01:50:08 |
The rest is in your hands, Lord Hallsham. |
01:50:12 |
We wish to hear nothing further of this. |
01:50:16 |
Knight of the East. |
01:50:18 |
We are gathered here, |
01:50:21 |
...and before the sight |
01:50:25 |
You stand accused of mayhems that |
01:50:30 |
You stand before your peers, |
01:50:34 |
I have no peers present here. |
01:50:37 |
What? |
01:50:39 |
No man amongst you is fit to judge... |
01:50:42 |
...the mighty art that I have wrought. |
01:50:46 |
Your rituals are empty oaths |
01:50:54 |
The Great Architect speaks to me. |
01:50:57 |
He is the balance, |
01:51:03 |
Not you. |
01:51:06 |
Knight of the East... |
01:51:08 |
...hear our judgment. |
01:52:00 |
They're not watching you anymore. |
01:52:07 |
I'm telling you, it's safe to go to her. |
01:52:11 |
They think she's dead. |
01:52:13 |
If I disappear, |
01:52:16 |
...they might wonder why. |
01:52:19 |
You know who you're going to turn into? |
01:52:21 |
That old bugger in the pub |
01:52:25 |
...because as soon as he's had a few drinks, |
01:52:29 |
Is that what you want? |
01:52:31 |
Do you want to live the rest of your life |
01:52:34 |
No. |
01:52:38 |
What I want is to go to her. |
01:52:41 |
But at the slightest hint she's alive, |
01:52:46 |
...and no trouble. |
01:52:48 |
So I'll stay. |
01:52:50 |
And watch them. |
01:53:29 |
Alice! |
01:53:32 |
Come here, darling. |
01:53:38 |
Coming, Mother. |
01:54:24 |
Get up. |
01:54:27 |
Get up! Come on. |
01:55:19 |
"Good night, sweet prince." |