|
Funny Money
|
| 00:02:25 |
Moron! |
| 00:02:54 |
What are these? |
| 00:02:56 |
Stop the presses! |
| 00:02:59 |
Stop the presses! |
| 00:03:03 |
Martin! Stan Martin! |
| 00:03:06 |
- Yes, Sir, Mr. Perkins. |
| 00:03:08 |
A banana. |
| 00:03:10 |
I know it's a banana, |
| 00:03:12 |
- Those would be bruises, Sir. |
| 00:03:15 |
Yeah, I thought it might appear |
| 00:03:17 |
if the fruit had bruises on them. |
| 00:03:21 |
Come here, Stan. |
| 00:03:23 |
Alright, where is it? |
| 00:03:29 |
- Alright, what's this? |
| 00:03:33 |
No! |
| 00:03:36 |
I came up with the whole concept |
| 00:03:41 |
You see, the whole idea was to alternate |
| 00:03:45 |
from fresh, to right, to rotten. |
| 00:03:50 |
Giving the customer |
| 00:03:54 |
Wow! |
| 00:03:55 |
That's brilliant. |
| 00:03:57 |
Thanks. |
| 00:03:58 |
- Why didn't you go ahead with it? |
| 00:04:02 |
He said, "You know, |
| 00:04:04 |
we never had a Feldman banana |
| 00:04:08 |
So if it ain't broke... |
| 00:04:10 |
Henry! |
| 00:04:12 |
- Now? |
| 00:04:14 |
- Okay. Alright. |
| 00:04:15 |
Alright, I'm going. |
| 00:04:23 |
Trust is the key |
| 00:04:27 |
Even the tragic ones. |
| 00:04:29 |
There was "trust" |
| 00:04:32 |
When Delilah cut Samson's hair. |
| 00:04:34 |
There was even "trust" when Ross |
| 00:04:37 |
when he thought they were |
| 00:04:40 |
But what these couples |
| 00:04:43 |
- "communicate". |
| 00:04:46 |
We had a rush order |
| 00:04:47 |
I tried that, alright, but it just |
| 00:04:50 |
And she's all mad because |
| 00:04:53 |
- What kind of websites? |
| 00:04:58 |
- My God. |
| 00:05:00 |
Welcome, Henry. |
| 00:05:03 |
Now, in our last session... |
| 00:05:04 |
Carol was concern that Henry is |
| 00:05:09 |
- Yes. |
| 00:05:10 |
- Doctor Rogers. |
| 00:05:13 |
Can we go on to someone else |
| 00:05:15 |
You see, Henry's hidden self |
| 00:05:18 |
which is true |
| 00:05:20 |
But we see his false self, |
| 00:05:24 |
in his ritualistic, |
| 00:05:28 |
Yes, that's true. |
| 00:05:30 |
Henry never takes any chances. |
| 00:05:32 |
There's no spontaneity |
| 00:05:34 |
- No "joi du vivre." |
| 00:05:38 |
Let's see. |
| 00:05:39 |
It's Bumble Bee Tuna |
| 00:05:42 |
6:30, Miller Lite time. |
| 00:05:44 |
8:00, Nick at Nite for dinner. |
| 00:05:46 |
And the best of Tom Jones CD |
| 00:05:49 |
- Tom Jones? |
| 00:05:51 |
Yeah, I know what you mean. |
| 00:05:53 |
- Well, today's his birthday. |
| 00:05:55 |
And you know what he wants? |
| 00:05:58 |
The exact same |
| 00:06:03 |
I don't know, perhaps you rather discuss |
| 00:06:09 |
Phallics? |
| 00:06:10 |
They're not phallics, |
| 00:06:14 |
Whatever you call them, |
| 00:06:16 |
Do you use live models? |
| 00:06:18 |
Carol's been painting and sculpturing |
| 00:06:21 |
but she never shows them |
| 00:06:22 |
Well, someone please tell him |
| 00:06:26 |
Because if you ever need |
| 00:06:29 |
What? |
| 00:06:32 |
She's a fine artist. |
| 00:06:34 |
Thank you. |
| 00:06:36 |
Lord knows, I mean, |
| 00:06:37 |
she drags her portfolio down |
| 00:06:41 |
but never steps inside. |
| 00:06:44 |
I have problems... |
| 00:06:46 |
dealing with rejection. |
| 00:06:48 |
Please, don't cry. |
| 00:06:50 |
She cries at the drop of a hat. |
| 00:06:52 |
Obviously, |
| 00:06:54 |
is afraid to express her personal, |
| 00:06:59 |
You see, everything we do |
| 00:07:03 |
Now pay attention, |
| 00:07:06 |
where you will be able |
| 00:07:08 |
and see who you are and why... |
| 00:07:11 |
and in that |
| 00:07:16 |
your life will become clear. |
| 00:07:19 |
I want you all to read my new book. |
| 00:07:22 |
and it's signed. |
| 00:07:28 |
"The Transformative Moment". |
| 00:07:35 |
Henry, hey! |
| 00:07:37 |
Hey, Vic. |
| 00:07:39 |
Carol says I'm too predictable, |
| 00:07:42 |
but since you know me |
| 00:07:44 |
- I value your opinion the most. |
| 00:07:47 |
Quit tapping the pencil, |
| 00:07:49 |
And then wipe the white powder |
| 00:07:51 |
from your daily doughnut fix... |
| 00:07:52 |
before someone thinks |
| 00:07:55 |
- I knew I could count on you, Vic. |
| 00:07:58 |
Hey, Henry, I gotta go. |
| 00:08:00 |
See you tonight! |
| 00:08:02 |
Thank you. Your check. |
| 00:08:05 |
Okay, that's 1200. |
| 00:08:07 |
- What? |
| 00:08:08 |
- The good ones. |
| 00:08:15 |
Mr. Feldman? |
| 00:08:16 |
And I want those reports on my desk |
| 00:08:20 |
- Now run along! |
| 00:08:22 |
- Henry! |
| 00:08:23 |
- I want to talk to you! |
| 00:08:26 |
Are you responsible |
| 00:08:30 |
No, Sir. |
| 00:08:32 |
Stan Martin. Yes. |
| 00:08:35 |
- In fact, I was just going to... |
| 00:08:38 |
The best god damn idea |
| 00:08:41 |
- Now you like it? |
| 00:08:43 |
Change the whole line. |
| 00:08:47 |
You know, since my Zoe died, |
| 00:08:51 |
That's what this is all about. |
| 00:08:52 |
That's what keeps |
| 00:08:54 |
that's what keeps |
| 00:08:57 |
Not to mention |
| 00:09:01 |
the blue boys. |
| 00:09:02 |
You gotta try some, Henry? They'll turn |
| 00:09:05 |
Well, that sounds very tempting, Sir, |
| 00:09:08 |
- And give that guy... |
| 00:09:10 |
Martin! Yeah. Give him a raise, |
| 00:09:13 |
- Yes, Sir. |
| 00:09:15 |
- Coming through, Mr. Feldman. |
| 00:09:18 |
I'd like to remind you, |
| 00:09:21 |
Fuck it. |
| 00:09:29 |
Taxi! |
| 00:09:32 |
- I'm so sorry. |
| 00:09:34 |
- No, no. |
| 00:09:36 |
You know, my husband |
| 00:09:38 |
- I just bought from on sale... |
| 00:09:42 |
It's kind of masculine, |
| 00:09:45 |
Here you go. |
| 00:09:47 |
Interesting. |
| 00:09:50 |
Oh my God, |
| 00:09:54 |
Very nice. |
| 00:09:56 |
These are excellent. |
| 00:09:58 |
No! |
| 00:10:00 |
Well, I'm the artist, so, |
| 00:10:07 |
Why? Do you like them? |
| 00:10:32 |
Hold on, right? |
| 00:10:36 |
Folks, keep moving. |
| 00:10:40 |
Clear the doors. |
| 00:10:42 |
21st. Street. |
| 00:10:55 |
I'm sorry. |
| 00:10:57 |
Excuse me. I don't know. |
| 00:11:18 |
Henry! |
| 00:11:20 |
Henry! |
| 00:11:22 |
Come to Paradise, Henry! |
| 00:11:27 |
"Transformative moment", |
| 00:11:30 |
"Transformative moment". |
| 00:11:32 |
"Transformative moment". |
| 00:11:34 |
Your life will become clear. |
| 00:11:35 |
"Transformative moment". |
| 00:11:37 |
- "Transformative moment". |
| 00:11:39 |
- "Transformative moment". |
| 00:11:42 |
- Your life will become clear. |
| 00:11:45 |
Clear. Clear. |
| 00:11:50 |
- Excuse me. Thank you. |
| 00:11:55 |
Thank you, Sir. |
| 00:11:57 |
- Can you take this for me, thank you. |
| 00:12:00 |
Hey, watch it! |
| 00:12:02 |
- I'm sorry. |
| 00:12:04 |
- I didn't mean it. |
| 00:12:06 |
- Alright. Are you alright? |
| 00:12:07 |
- Good. |
| 00:12:36 |
- Keep the change. Thank you. |
| 00:12:44 |
Hello? |
| 00:12:45 |
Yes, Mr. Wong. |
| 00:12:51 |
Okay. Thank you. |
| 00:12:53 |
You know, just don't come before |
| 00:12:57 |
Yeah, I'm going to leave |
| 00:13:00 |
but I'd like you to come in |
| 00:13:05 |
Yeah. |
| 00:13:08 |
Yes, I know your food |
| 00:13:42 |
Through here. |
| 00:13:43 |
And the second one |
| 00:13:47 |
Alright, come on. |
| 00:13:48 |
Push the furniture back. |
| 00:13:56 |
- How you doing, Henry? |
| 00:13:58 |
- One Bud Lite coming up. |
| 00:14:02 |
Creature of habit my ass. |
| 00:14:04 |
Tuborg? |
| 00:14:06 |
- Tuborg it is. |
| 00:14:36 |
Honey, where have you been? |
| 00:14:38 |
You were supposed to be home |
| 00:14:40 |
I mean, Vic and Gina |
| 00:14:45 |
For your birthday dinner! |
| 00:14:47 |
I mean, at least |
| 00:14:49 |
What, did you miss the train? |
| 00:14:55 |
Say something! |
| 00:14:57 |
Yellow pages. |
| 00:14:58 |
Yellow pages? Why do you want |
| 00:15:00 |
- Were you in an accident? |
| 00:15:04 |
No. They'd be closed by now. |
| 00:15:09 |
- The airlines! |
| 00:15:10 |
What do you want the airlines for? |
| 00:15:17 |
Hello? Delta? |
| 00:15:19 |
- I'd like to get two tickets please. |
| 00:15:22 |
- For tonight. |
| 00:15:23 |
Anywhere in Europe. |
| 00:15:25 |
London, Paris, Baghdad... |
| 00:15:28 |
Strike that. |
| 00:15:31 |
- Don't we need shots for that? |
| 00:15:33 |
- Are you on something? |
| 00:15:36 |
Hang on. |
| 00:15:36 |
How long is it going to take to get |
| 00:15:39 |
- You've been drinking! |
| 00:15:40 |
No, I can smell it |
| 00:15:43 |
Don't hang up. |
| 00:15:45 |
- Hang up the phone! |
| 00:15:48 |
Eight o'clock, taxi, eight thirty, |
| 00:15:52 |
- I'd say by ten. |
| 00:15:55 |
- very, very soon! |
| 00:15:57 |
Don't hang up. |
| 00:16:00 |
Trust me. |
| 00:16:02 |
Is this a joke? |
| 00:16:04 |
Because if it's, it isn't funny. |
| 00:16:05 |
Just pack one suitcase! |
| 00:16:08 |
Yeah, we'd like to make that |
| 00:16:11 |
Just a change of underpants and we'll |
| 00:16:16 |
- Get where? |
| 00:16:18 |
Excellent! |
| 00:16:19 |
- 2200 hours. 2215 hours. |
| 00:16:23 |
Excuse me, what's that |
| 00:16:27 |
- Ten fifteen p.m., excellent! |
| 00:16:32 |
It's Perkins. |
| 00:16:34 |
What? |
| 00:16:35 |
No, one way only. |
| 00:16:39 |
Carol, please, sweet, |
| 00:16:42 |
I'll explain it all. |
| 00:16:46 |
Hello, Hoboken Cab? |
| 00:16:47 |
I need a car right away |
| 00:16:50 |
Fifteen minutes, excellent! |
| 00:16:54 |
Great, thanks. |
| 00:16:56 |
- Henry! |
| 00:16:59 |
No, you listen! You've been drinking |
| 00:17:03 |
- Nothing's affected my brain. |
| 00:17:06 |
when we have dinner guests coming, |
| 00:17:09 |
You know what? I think this is what |
| 00:17:13 |
A mid-life crisis. |
| 00:17:15 |
You think your life |
| 00:17:18 |
It's probably not serious, |
| 00:17:21 |
I don't think it's a blood clot. |
| 00:17:27 |
- What's that? |
| 00:17:31 |
- What is it? |
| 00:17:35 |
In cash and bearer bonds. |
| 00:17:37 |
- But what is it? |
| 00:17:40 |
Moola! |
| 00:17:43 |
We just have hit |
| 00:17:46 |
"He's fired." |
| 00:17:49 |
Passports! |
| 00:17:52 |
- How did this get into your briefcase? |
| 00:17:56 |
What do you mean? |
| 00:17:57 |
Look, I was coming home on the train |
| 00:17:59 |
And somehow I ended up with some guy's |
| 00:18:04 |
- Why didn't you give it back to him? |
| 00:18:09 |
I didn't know it wasn't my briefcase |
| 00:18:13 |
How do you know |
| 00:18:15 |
- I counted it. |
| 00:18:18 |
No, on the toilet |
| 00:18:21 |
I knew you were drinking! |
| 00:18:22 |
It's my "transformative moment", |
| 00:18:27 |
Oh my God! |
| 00:18:29 |
I don't believe it! |
| 00:18:30 |
You okay, man? |
| 00:18:34 |
Yes. |
| 00:18:35 |
There I am, there it was. |
| 00:18:38 |
- But it's not our money. |
| 00:18:43 |
Come on! |
| 00:18:45 |
- It's stealing! |
| 00:18:48 |
I've give it |
| 00:18:50 |
I figure the money's already |
| 00:18:52 |
All unmarked bills, |
| 00:18:55 |
Probably a payoff |
| 00:18:58 |
And I don't think anybody is thinking |
| 00:19:01 |
Therefore, |
| 00:19:03 |
And if it doesn't exist, |
| 00:19:06 |
Nothing! |
| 00:19:07 |
Nada! |
| 00:19:08 |
Zouch! |
| 00:19:10 |
Zero! |
| 00:19:11 |
Doughnut. |
| 00:19:12 |
But, Henry. |
| 00:19:14 |
This is insane! |
| 00:19:15 |
My conscience is clear, Carol! |
| 00:19:21 |
You know what? I've worked very hard |
| 00:19:25 |
I've devoted my life |
| 00:19:28 |
and at long last I've finally got |
| 00:19:32 |
and you know something? |
| 00:19:35 |
It's real. |
| 00:19:37 |
- Okay? |
| 00:19:38 |
We can't just fly to Barcelona |
| 00:19:41 |
Why not? |
| 00:19:42 |
You want to go someplace else? |
| 00:19:45 |
Hell, honey, we can buy Bali! |
| 00:19:48 |
- What about our family? |
| 00:19:51 |
I mean, no kids. |
| 00:19:54 |
You're an orphan. |
| 00:19:55 |
And my folks are dead. |
| 00:19:57 |
No, they're not. |
| 00:19:59 |
- Same thing. |
| 00:20:02 |
The police will never |
| 00:20:06 |
because nobody will ever report |
| 00:20:09 |
Well, there's another reason |
| 00:20:13 |
And that is that I finally showed |
| 00:20:17 |
- and... |
| 00:20:19 |
Are you nuts? |
| 00:20:22 |
I go to the office tomorrow, |
| 00:20:25 |
- Did you insult Mr. Feldman again? |
| 00:20:29 |
Mr. Nasty! |
| 00:20:31 |
If I have his briefcase, he has mine. |
| 00:20:35 |
Tomorrow he will come to the office |
| 00:20:38 |
But, by then, |
| 00:20:41 |
booked in some Spanish hotel |
| 00:20:47 |
"Olé!" |
| 00:21:56 |
What are you guys doing |
| 00:21:59 |
- Get out of there! |
| 00:22:05 |
It's not unusual to be rich |
| 00:22:10 |
Henry, I've never seen you |
| 00:22:13 |
That's because I've never felt |
| 00:22:16 |
How about a quickie? |
| 00:22:19 |
Henry, this isn't the time! |
| 00:22:21 |
You're right. You're right. |
| 00:22:24 |
I got an idea. |
| 00:22:26 |
We can do it in the taxi |
| 00:22:29 |
But, Henry, something wonderful |
| 00:22:32 |
I'll say, we're rich! |
| 00:22:34 |
- Oh, God! |
| 00:22:37 |
You lose them, |
| 00:22:40 |
What will I tell them? They think |
| 00:22:44 |
I got it. |
| 00:22:47 |
Tell them to go to the Rainbow Room. |
| 00:22:51 |
I can't believe this. |
| 00:23:01 |
Sorry it took me so long, I... |
| 00:23:04 |
I thought you were... |
| 00:23:06 |
Detective Sergeant Genero. |
| 00:23:09 |
Hoboken Police. |
| 00:23:12 |
Is there a problem, officer? |
| 00:23:15 |
It's better I speak with the guy |
| 00:23:19 |
- Mrs. Perkins... |
| 00:23:22 |
My husband's upstairs at the moment, |
| 00:23:37 |
- Would you like a nut? |
| 00:23:42 |
God, I'm so sorry. |
| 00:23:46 |
So they're a little sticky. |
| 00:23:48 |
There's one on your... |
| 00:23:52 |
I'm sorry for that. Henry! |
| 00:23:57 |
And those are probably |
| 00:24:00 |
So, please, please, |
| 00:24:04 |
Or don't. |
| 00:24:07 |
Henry! |
| 00:24:10 |
We're having dinner |
| 00:24:14 |
Me and Henry. |
| 00:24:16 |
- It's his birthday. |
| 00:24:18 |
- It's Henry's birthday, not Vic's. |
| 00:24:21 |
Sure. |
| 00:24:23 |
I'm sure he'll be down |
| 00:24:25 |
because he's changing |
| 00:24:27 |
Gosh, he doesn't have |
| 00:24:32 |
Hey, are you people deaf or what? |
| 00:24:34 |
- What? |
| 00:24:36 |
I thought you were... |
| 00:24:37 |
You thought I'll be here |
| 00:24:40 |
Just remember that when it's time |
| 00:24:42 |
Excuse me? |
| 00:24:43 |
- I am your cab driver. |
| 00:24:47 |
You know, actually |
| 00:24:49 |
- By now I'm doing a sit down. |
| 00:24:52 |
That's right, |
| 00:24:55 |
- Where are your bags? |
| 00:24:57 |
Yeah, bags, lady, |
| 00:25:02 |
Hey, that's funny. |
| 00:25:05 |
Okay, where's your luggage |
| 00:25:08 |
The cab's not for me. |
| 00:25:12 |
my sister. |
| 00:25:13 |
Yeah, yes, she's staying with us, |
| 00:25:17 |
Wait, wait, wait, |
| 00:25:20 |
No, no, no, |
| 00:25:23 |
He just made the booking. |
| 00:25:26 |
- He has no reason to leave. |
| 00:25:29 |
Listen, |
| 00:25:32 |
- Angel. |
| 00:25:35 |
My husband will down in a jumpy. |
| 00:25:39 |
Where are they flying to? |
| 00:25:40 |
I'm sorry? |
| 00:25:42 |
Your sister. |
| 00:25:49 |
Australia. |
| 00:25:51 |
Yes, yes, she's been here visiting us |
| 00:25:56 |
to Sydney. |
| 00:25:58 |
- Good. Down under? |
| 00:26:00 |
Look, you tell |
| 00:26:03 |
- There's a Mr. and Mrs.? |
| 00:26:06 |
The pick-up says two people. |
| 00:26:09 |
Of course, because that's my sister, |
| 00:26:16 |
Chris. |
| 00:26:17 |
Chris! |
| 00:26:19 |
- Yes! |
| 00:26:20 |
I'll be parked around the corner. |
| 00:26:22 |
Okay, alright, see you. |
| 00:26:28 |
Okay, all packed! Just underpants, |
| 00:26:33 |
- Honey? |
| 00:26:34 |
We have a visitor. |
| 00:26:36 |
A visitor? |
| 00:26:37 |
Oh, great, the cabbie! |
| 00:26:39 |
- Detective Sergeant Genero. |
| 00:26:43 |
What's seems to be |
| 00:26:45 |
It's my tune playing too loud again, |
| 00:26:48 |
No, if your Mrs. doesn't mind, |
| 00:26:50 |
if we discuss our business |
| 00:26:52 |
I'll just wait until |
| 00:26:54 |
Sister-in-law? |
| 00:26:55 |
- He's referring to Leslie. |
| 00:26:57 |
Yeah, she said they're |
| 00:27:00 |
- When he says "they"... |
| 00:27:02 |
- Leslie and Chris. |
| 00:27:04 |
- Back down under? |
| 00:27:07 |
Leslie, Chris and Sydney? |
| 00:27:09 |
Thanks for bringing |
| 00:27:11 |
My pleasure. |
| 00:27:12 |
I don't think the Sergeant needs |
| 00:27:16 |
- do you? |
| 00:27:18 |
- That must be the cab. |
| 00:27:21 |
- Who's Angel? |
| 00:27:23 |
But he's really a stand-up comic. |
| 00:27:25 |
Then it's probably Vic and Gina then. |
| 00:27:28 |
But we've invited them |
| 00:27:30 |
Tell them, you know, |
| 00:27:32 |
I want to keep my wife |
| 00:27:36 |
It's my birthday, not Vic's. |
| 00:27:38 |
They'll understand. |
| 00:27:42 |
After I've satisfied |
| 00:27:44 |
When I say satisfied, |
| 00:27:47 |
after I've helped him |
| 00:27:52 |
Please. |
| 00:27:58 |
- Henry, I can't cope! |
| 00:27:59 |
- No, I can't. |
| 00:28:01 |
She can. |
| 00:28:03 |
Maybe I better answer the door. |
| 00:28:06 |
- Don't be long, Perkins. |
| 00:28:08 |
You said Mr. Nasty |
| 00:28:11 |
Who said he did? |
| 00:28:11 |
Why else would he want |
| 00:28:14 |
He doesn't know this isn't |
| 00:28:16 |
Five million dollars? |
| 00:28:18 |
- I've been frugal. |
| 00:28:20 |
- You don't drink. |
| 00:28:26 |
Pull yourself together, Carol. |
| 00:28:32 |
Hey! You know |
| 00:28:35 |
- Meter? |
| 00:28:37 |
Look here, I know waiting is part |
| 00:28:40 |
Unless it's for the lotto or a female |
| 00:28:44 |
You must be the hack comic, right? |
| 00:28:49 |
- What about the policeman? |
| 00:28:52 |
The last time I got pulled over |
| 00:28:54 |
a cop made me blow up a balloon. |
| 00:28:55 |
- So what? |
| 00:28:58 |
Then I got out and he said |
| 00:29:00 |
I said, "Why the heck |
| 00:29:04 |
Very funny. |
| 00:29:05 |
Okay, just wait in the taxi, |
| 00:29:07 |
What about your in-laws, |
| 00:29:09 |
It's the in-laws that are going, |
| 00:29:12 |
- Taxi! Taxi! |
| 00:29:17 |
I can't go through with this. |
| 00:29:20 |
It's already driven me to drink. |
| 00:29:23 |
How many times |
| 00:29:25 |
Tomorrow morning, Mr. Nasty |
| 00:29:30 |
If he comes here |
| 00:29:32 |
he'll put you in the Cuisinart |
| 00:29:34 |
and will chop, dice and stir you |
| 00:29:38 |
And that'll be all |
| 00:29:42 |
- So they left? |
| 00:29:44 |
- Your wife's sister and her husband. |
| 00:29:47 |
- Chris and Leslie. |
| 00:29:50 |
It's the last name that gets |
| 00:29:53 |
Brown! That's right. |
| 00:29:55 |
Sometimes I say Brom or Groim. |
| 00:29:59 |
Oh, my God! |
| 00:30:00 |
Carol, you're a bundle of nerves. |
| 00:30:05 |
Don't forget to tell them you're |
| 00:30:11 |
Henry! |
| 00:30:12 |
She's so jumpy. |
| 00:30:19 |
- Sorry we're late. |
| 00:30:21 |
I say "we", but that stupid |
| 00:30:23 |
is down in the street |
| 00:30:25 |
A cabbie? |
| 00:30:26 |
He hit a taxi that was parked |
| 00:30:30 |
- Of course Vic called him a... |
| 00:30:32 |
No, I believe it was |
| 00:30:35 |
Gina, it's terrible. |
| 00:30:37 |
Henry's gone crazy. |
| 00:30:40 |
Have I missed |
| 00:30:42 |
- He stole five million dollars! |
| 00:30:44 |
- Henry! |
| 00:30:47 |
He picked up the wrong briefcase, |
| 00:30:49 |
saw all this money, |
| 00:30:51 |
You know, whole paragraphs |
| 00:30:54 |
I was on a stakeout |
| 00:30:57 |
- Barney's? |
| 00:30:59 |
I observed some pretty strange |
| 00:31:02 |
From me, strange? |
| 00:31:03 |
- Well... |
| 00:31:05 |
Very strange. |
| 00:31:07 |
- Oh God! Shit. |
| 00:31:11 |
He bought a one-way ticket |
| 00:31:13 |
And if I don't like it there |
| 00:31:15 |
Carol, you're imagining all this. |
| 00:31:17 |
We're talking about Henry here, |
| 00:31:20 |
Your Henry! Henry couldn't possibly |
| 00:31:24 |
- Henry, you son of a bitch. |
| 00:31:28 |
I'd take Bali. |
| 00:31:30 |
What a moron! |
| 00:31:33 |
Cops? More cops? |
| 00:31:35 |
He says he's taking your sister |
| 00:31:37 |
I need a drink. |
| 00:31:38 |
I think I need one |
| 00:31:40 |
- Carol doesn't drink. |
| 00:31:43 |
Old Bushmill. A double! |
| 00:31:44 |
I'd kind of like to know |
| 00:31:46 |
Toilet? |
| 00:31:47 |
- What? |
| 00:31:50 |
I had |
| 00:31:53 |
Hey, don't bullshit me. |
| 00:31:56 |
No, Sir. |
| 00:31:57 |
And now Mr. Nasty is gonna chop, |
| 00:32:03 |
Yeah, right. |
| 00:32:06 |
I'll be with you in a second, |
| 00:32:12 |
What's happened, |
| 00:32:14 |
Don't say anything |
| 00:32:16 |
My hair dresser Cynthia, |
| 00:32:18 |
that body waxes Alan Dershowitz. |
| 00:32:22 |
- Henry, these are real? |
| 00:32:26 |
I thought Vic could talk |
| 00:32:29 |
You were supposed to take |
| 00:32:32 |
- Charming. |
| 00:32:33 |
And stop drinking, you're going |
| 00:32:36 |
What did the Sergeant say? |
| 00:32:38 |
He wasn't exactly satisfied |
| 00:32:40 |
I knew you should have turned |
| 00:32:42 |
You give it back, apologize. |
| 00:32:44 |
Tell him you didn't realize |
| 00:32:45 |
Take it easy! He doesn't know |
| 00:32:49 |
But you just said he wasn't satisfied |
| 00:32:51 |
About my behavior |
| 00:32:54 |
- What's he talking about? |
| 00:32:56 |
The cop was on a stakeout |
| 00:32:58 |
And he thought my behavior |
| 00:33:00 |
going in and out of the men's room, |
| 00:33:04 |
- Confessed to what? |
| 00:33:06 |
Soliciting what? |
| 00:33:08 |
Men. |
| 00:33:10 |
I knew you were going |
| 00:33:11 |
Why would he think |
| 00:33:13 |
Well, he claims he saw me go into |
| 00:33:17 |
And each time I came out, he said |
| 00:33:20 |
Apparently I was also breathing heavily, |
| 00:33:23 |
and I was flowing at the mouth. |
| 00:33:26 |
Anyway... |
| 00:33:29 |
for ten thousand dollars |
| 00:33:31 |
You can't bribe a police officer! |
| 00:33:33 |
Hey, I offered him five, |
| 00:33:36 |
we settled on ten. |
| 00:33:37 |
Okay, tell the taxi driver |
| 00:33:41 |
That taxi's going nowhere, |
| 00:33:44 |
- Out of commission? |
| 00:33:46 |
- That's not true, he backed into me. |
| 00:33:49 |
Well un-lock him, Vic! |
| 00:33:53 |
Take a look at him. |
| 00:33:54 |
You see what money |
| 00:33:56 |
Come on, Gina, I don't have to |
| 00:33:58 |
Can you believe my Henry? |
| 00:34:01 |
and he's already admitted to soliciting, |
| 00:34:06 |
And you married him. |
| 00:34:07 |
- You lucky dog. |
| 00:34:11 |
Ten thousand. |
| 00:34:15 |
Four, five, six, seven, eight. |
| 00:34:35 |
Hey, hey, hey! You're gonna dent |
| 00:34:38 |
- Shut up, or I'll dent your head! |
| 00:34:41 |
You wanna piece of me? |
| 00:34:42 |
Hey, you know I think |
| 00:34:44 |
Hey, hey, hey! |
| 00:34:47 |
- Knock it off! |
| 00:35:16 |
Rum. |
| 00:35:21 |
Hello! |
| 00:35:23 |
- Brandy. |
| 00:35:28 |
Amaretto. |
| 00:35:37 |
Excuse me. |
| 00:35:39 |
- Oh my! |
| 00:35:41 |
- Why? You selling something? |
| 00:35:43 |
Detective Slater. |
| 00:35:47 |
- Homicide? |
| 00:35:49 |
I'm afraid I have some rather |
| 00:35:52 |
We have reason to believe |
| 00:35:56 |
well, he's dead. |
| 00:36:01 |
Dead in what sense? |
| 00:36:02 |
Well, two bullet holes through |
| 00:36:05 |
Bullets? |
| 00:36:06 |
His body was dumped |
| 00:36:08 |
- River? |
| 00:36:10 |
Several ribs are broken. |
| 00:36:14 |
- So it wasn't an accident, then? |
| 00:36:18 |
Maybe I should make you |
| 00:36:21 |
- Where's the kitchen? |
| 00:36:23 |
No! No! |
| 00:36:26 |
I don't drink! |
| 00:36:29 |
I mean, I don't drink coffee. |
| 00:36:34 |
So tell me. What makes you think |
| 00:36:40 |
Although we found |
| 00:36:43 |
he still had his briefcase. |
| 00:36:48 |
I'm so sorry. |
| 00:36:52 |
This is your husband's briefcase, |
| 00:36:54 |
It's been in the river. |
| 00:36:57 |
The police divers |
| 00:37:02 |
That's the tuna sandwich |
| 00:37:05 |
He just loves the way |
| 00:37:08 |
I'm sorry. |
| 00:37:10 |
A formal identification |
| 00:37:13 |
No, this's definitely |
| 00:37:18 |
Of the body. |
| 00:37:21 |
Are you sure you okay? |
| 00:37:23 |
Yes, I'm fine. |
| 00:37:25 |
Heartbroken, but fine. |
| 00:37:28 |
Okay, we can go in my car |
| 00:37:31 |
It's right across the Holland tunnel. |
| 00:37:34 |
Should I wait here |
| 00:37:37 |
No, no. I'll rather |
| 00:37:42 |
Are you sure? |
| 00:37:44 |
Well, how would you feel |
| 00:37:46 |
- and couldn't get to finish his lunch? |
| 00:37:50 |
Is there anybody else |
| 00:37:53 |
To look after you? |
| 00:37:56 |
Yes. |
| 00:37:59 |
- Good. Sister? |
| 00:38:02 |
She's here, and she's upstairs. |
| 00:38:06 |
And it's Leslie and Chris. |
| 00:38:08 |
Would you believe? |
| 00:38:10 |
- Honey, say hello to... |
| 00:38:13 |
- Hi, how are you? |
| 00:38:16 |
- Detective? |
| 00:38:18 |
He's brought some disturbing news that |
| 00:38:21 |
how to handle it. |
| 00:38:22 |
Why don't you sprawl out and relax |
| 00:38:27 |
No, I'm better standing. |
| 00:38:30 |
It's easier to get to the drinks. |
| 00:38:52 |
Okay, we go on three, |
| 00:38:55 |
- One, two... |
| 00:38:56 |
three! |
| 00:39:00 |
The bumper! |
| 00:39:02 |
Watch out. |
| 00:39:03 |
No! No! |
| 00:39:05 |
Damn! |
| 00:39:33 |
What seems to be |
| 00:39:36 |
- Who are you? |
| 00:39:38 |
- Are you a relative, Sir? |
| 00:39:41 |
- Of Henry A. Perkins. |
| 00:39:44 |
Yes, he is. |
| 00:39:48 |
- Henry's brother? |
| 00:39:50 |
He's poor, poor |
| 00:39:55 |
I'm afraid |
| 00:39:57 |
We have pretty much every reason to |
| 00:40:03 |
- Yep, that's a shock, alright? |
| 00:40:06 |
We fished his body |
| 00:40:08 |
- Kick the bucket. |
| 00:40:11 |
- Pushing up the old daisies. |
| 00:40:15 |
All he had with him |
| 00:40:18 |
- This is your brother's? |
| 00:40:21 |
Oh God! |
| 00:40:24 |
Oh God! Oh God! |
| 00:40:25 |
Since Mrs. Perkins |
| 00:40:28 |
we need her to make |
| 00:40:31 |
Mr. Nasty... |
| 00:40:33 |
Nasty. |
| 00:40:36 |
Henry! |
| 00:40:37 |
You can't call him back, Carol! |
| 00:40:39 |
If Henry has gone to Heaven |
| 00:40:42 |
You'll have to rely on me now. |
| 00:40:47 |
- Freddy! |
| 00:40:52 |
She's in shock. |
| 00:40:55 |
Take a look at that strange guy |
| 00:40:57 |
What? You don't think |
| 00:41:15 |
Actually, |
| 00:41:20 |
You'll have to excuse my wife. |
| 00:41:23 |
Yes, my wife... |
| 00:41:25 |
I don't know where the heck |
| 00:41:28 |
I'm know she'd want to be here |
| 00:41:31 |
Bernice... |
| 00:41:34 |
She must be resting up |
| 00:41:37 |
- take off for Sydney. |
| 00:41:39 |
- You're a long way from home. |
| 00:41:42 |
We had quite a nice walkabout |
| 00:41:46 |
And it's time now... |
| 00:41:50 |
We have some sharing to do, |
| 00:41:54 |
and turn them out |
| 00:41:56 |
We've got to tell Leslie and Chris |
| 00:42:00 |
Oh yeah. |
| 00:42:01 |
That's going to put a damper |
| 00:42:05 |
How about I make some coffee |
| 00:42:08 |
- But, Henry, my... |
| 00:42:14 |
On second thought, |
| 00:42:17 |
curb outside, |
| 00:42:22 |
Extraordinary. He likes staying |
| 00:42:25 |
- Why don't you wait outside? |
| 00:42:29 |
I'm waiting. |
| 00:42:31 |
- One thousand. |
| 00:42:33 |
That's my other brother. |
| 00:42:36 |
- Other brother? |
| 00:42:37 |
We were in the middle of the game |
| 00:42:41 |
- You know, darts. |
| 00:42:43 |
- It's no use calling him! |
| 00:42:45 |
She just can't accept that he's gone. |
| 00:42:49 |
Yeah, well... |
| 00:42:50 |
what are we going to do? |
| 00:42:52 |
We're going to pray. |
| 00:42:54 |
Yea, though I walk through the valley |
| 00:42:58 |
Oh God almighty... |
| 00:43:00 |
Detective, you seem like a man |
| 00:43:04 |
Do you like Mapplethorpe? |
| 00:43:35 |
Excuse me. |
| 00:43:36 |
Hello. What? |
| 00:43:47 |
What are all the nude guys |
| 00:43:51 |
Listen to what |
| 00:43:54 |
I went to |
| 00:43:56 |
and "the" Madame Virginia... |
| 00:44:00 |
loved "me." |
| 00:44:02 |
My work, I mean. |
| 00:44:03 |
She even told me |
| 00:44:07 |
Carol... |
| 00:44:09 |
this is fantastic. |
| 00:44:11 |
I know! |
| 00:44:12 |
If Henry Perkins is dead, |
| 00:44:16 |
- Henry, you were not listening to me. |
| 00:44:21 |
So he's not coming after us. |
| 00:44:26 |
What's that? |
| 00:44:31 |
- Give it to me. |
| 00:44:33 |
I'm sorry, I don't understand |
| 00:44:36 |
- Who is it? |
| 00:44:40 |
What? |
| 00:44:41 |
He keeps saying "brerfcurse". |
| 00:44:44 |
"Brerfcurse"? |
| 00:44:46 |
"Brerfcurse, brerfcurse". |
| 00:44:48 |
"Brerfcurse, brerfcurse". |
| 00:44:50 |
Case. Case. |
| 00:44:52 |
Give me that. |
| 00:44:54 |
I'm sorry, the briefcase's moved |
| 00:44:58 |
Brerfcurse, brerfcurse! |
| 00:45:04 |
- That was probably Mr. Big. |
| 00:45:07 |
- The guy who shot Mr. Nasty. |
| 00:45:10 |
Because we have Mr. Nasty's briefcase |
| 00:45:14 |
Henry! |
| 00:45:16 |
- You'll never guess what we just did. |
| 00:45:18 |
- We have to get out of here right away. |
| 00:45:21 |
- She's right... Mr. Nasty... |
| 00:45:24 |
You're not making any sense. |
| 00:45:25 |
Oh yeah, Mr. Know-it-all. |
| 00:45:27 |
Then you tell me |
| 00:45:29 |
with NYPD Blue |
| 00:45:31 |
- N.Y.P.D. who? |
| 00:45:34 |
But Gina's outside with the body. |
| 00:45:35 |
Yes, who's going to identify |
| 00:45:38 |
- Dead body? No, no... |
| 00:45:42 |
- Say hello to my little friend. |
| 00:45:43 |
- Don't answer it. |
| 00:45:45 |
- Who? |
| 00:45:47 |
No, it can't be |
| 00:45:48 |
You're right, you're right, |
| 00:45:51 |
- Do I know Mr. Big? |
| 00:45:53 |
- Mr. who? |
| 00:45:56 |
- He's foreign. |
| 00:45:57 |
Mr. Brerfcurse. |
| 00:45:59 |
How did he get |
| 00:46:01 |
It's not our phone, |
| 00:46:03 |
- I'm scared. |
| 00:46:05 |
Because, I think I'm starting |
| 00:46:07 |
Say hello to my little friend. |
| 00:46:12 |
Hey! |
| 00:46:14 |
Come on, guys. |
| 00:46:17 |
- Vic, didn't you tell them about... |
| 00:46:20 |
- Perkins Residence. |
| 00:46:25 |
- That wasn't very nice. |
| 00:46:28 |
- I thought Mr. Nasty was dead? |
| 00:46:30 |
- He is! I meant Mr. Big! |
| 00:46:32 |
Here we go again... |
| 00:46:34 |
Perkins. |
| 00:46:40 |
Perkins. |
| 00:46:46 |
Audio timeline: 8:31 p.m. |
| 00:46:52 |
I notified the widow |
| 00:46:56 |
I offered coffee |
| 00:46:59 |
Widow opted for Bushmill. |
| 00:47:02 |
It's now 8:33 p.m. |
| 00:47:05 |
Still waiting for in-laws |
| 00:47:08 |
My police instinct tells me |
| 00:47:12 |
I feel... |
| 00:47:14 |
a danger lurking. |
| 00:47:20 |
If Mr. Nasty is dead, then |
| 00:47:29 |
Oh my God! |
| 00:47:32 |
Hello, Captain? |
| 00:47:33 |
Yes, Sir. |
| 00:47:37 |
I know that, Captain. |
| 00:47:39 |
Yes, I understand. |
| 00:47:41 |
I know you're hungry, |
| 00:47:44 |
Okay, let me just grab... |
| 00:47:46 |
Yeah, Vindaloo, Chippatti... |
| 00:47:49 |
Poppadom, Bhajee... |
| 00:47:56 |
A little slower, Captain. This is |
| 00:48:00 |
So bear with me. |
| 00:48:04 |
Capitan? Hello? |
| 00:48:06 |
You idiot. |
| 00:48:09 |
Sorry about that, |
| 00:48:11 |
How do you spell Vindaloo, |
| 00:48:14 |
Captain? Captain? |
| 00:48:36 |
He's soaking wet. |
| 00:48:38 |
Vic hit him |
| 00:48:40 |
- You didn't! |
| 00:48:43 |
- You didn't! |
| 00:48:45 |
Really? |
| 00:48:46 |
- Would somebody tell me who this guy is? |
| 00:48:51 |
- Welcome to our home, Mr. Feldman! |
| 00:48:55 |
He pulled a knife on me. |
| 00:48:58 |
Cigar clippers? |
| 00:49:01 |
What? Did you think |
| 00:49:07 |
I haven't forgotten about you. |
| 00:49:16 |
No. |
| 00:49:17 |
Don't worry, he's alive. |
| 00:49:20 |
Grandpa's got a boner the size |
| 00:49:22 |
That's because |
| 00:49:25 |
I've been talking to Vic |
| 00:49:27 |
- Gina! |
| 00:49:29 |
It's not like he has |
| 00:49:32 |
Sometimes... |
| 00:49:34 |
and only sometimes |
| 00:49:36 |
it's no trouble rising |
| 00:49:38 |
it's just that I tend to leave |
| 00:49:40 |
- It's too much info, Vic. |
| 00:49:46 |
Carol, what's Mr. Feldman |
| 00:49:49 |
I invited him |
| 00:49:51 |
Henry, this is an omen. This is God |
| 00:49:55 |
I'll deal with God |
| 00:50:08 |
Oh God! |
| 00:50:10 |
- We're dead. |
| 00:50:12 |
Because Miss Howard Stern |
| 00:50:15 |
Birthday boy, that's it. |
| 00:50:18 |
Can't we wait until intermission? |
| 00:50:22 |
Your phone's ringing. |
| 00:50:24 |
Phone ringing? |
| 00:50:27 |
It must be the telly upstairs. |
| 00:50:30 |
Maybe your ears are plugged. |
| 00:50:33 |
Please. Give us a minute. |
| 00:50:37 |
- This is a painful time for us. |
| 00:50:42 |
Pulsingly. |
| 00:50:51 |
Hey, Perkins! |
| 00:50:52 |
Alright, what are you doing? |
| 00:50:54 |
Time is money, you know. |
| 00:50:55 |
I'm out of one here |
| 00:51:04 |
Hello? |
| 00:51:06 |
Yeah, just a minute. |
| 00:51:09 |
Hi, mom, how's the laryngitis. |
| 00:51:11 |
Yeah, okay, |
| 00:51:21 |
Hey, snap it up. |
| 00:51:22 |
You didn't forget about the rest |
| 00:51:24 |
to my policemen fund, did you? |
| 00:51:30 |
Are any of you crazy ass white |
| 00:51:33 |
Because my meter's running like |
| 00:51:35 |
Yes, Mr. and Mrs. Brown. |
| 00:51:37 |
- No, you mean the outlaws. |
| 00:51:40 |
I know what I mean, |
| 00:51:42 |
Why don't you wait outside? |
| 00:51:43 |
I ain't hanging around here |
| 00:51:45 |
I'm giving you five minutes, |
| 00:51:46 |
One, two, three, four, five and "adiós". |
| 00:51:50 |
And I better get a fat ass tip, |
| 00:51:52 |
They'll be less than that. |
| 00:51:57 |
Take the Brown's bag, okay? |
| 00:51:59 |
What, just one suitcase? |
| 00:52:01 |
Yes. |
| 00:52:03 |
What are they, nudists? |
| 00:52:04 |
Yes. |
| 00:52:06 |
Crazy ass nudists. |
| 00:52:09 |
He's got a point there. Two people, |
| 00:52:14 |
- Hey, are they nudists? |
| 00:52:21 |
I'm just thinking maybe you and your |
| 00:52:24 |
- No, no, no. |
| 00:52:26 |
- Chris and Leslie? |
| 00:52:28 |
Leslie's outside, isn't he, Henry? |
| 00:52:31 |
That's correct. |
| 00:52:33 |
And I'm Chris. |
| 00:52:35 |
Yes, this is Chris. |
| 00:52:38 |
My wife's sister, from Sydney. |
| 00:52:40 |
Oh my God! |
| 00:52:42 |
Oh my God! |
| 00:52:45 |
This gotta stop! |
| 00:52:48 |
Enough! |
| 00:52:49 |
Enough! |
| 00:52:53 |
This gotta stop! |
| 00:52:58 |
What the hell are you doing? |
| 00:53:00 |
Leslie! Oh my God, good day. |
| 00:53:02 |
- Good day? |
| 00:53:03 |
I was just talking with the dingo here |
| 00:53:07 |
- Oh, the kitchen! |
| 00:53:09 |
About the ten thousand. |
| 00:53:15 |
I believe we're even. |
| 00:53:17 |
Well, be careful |
| 00:53:20 |
We wouldn't want anyone |
| 00:53:22 |
and leave you squirming |
| 00:53:25 |
Thanks for your concern, Perkins. |
| 00:53:28 |
But if I thought I was in |
| 00:53:31 |
I mean I'd just blast that car and... |
| 00:53:35 |
Yeah, I shoot the insides |
| 00:53:40 |
Anyway... |
| 00:53:43 |
this has been rewarding. |
| 00:53:44 |
I can't wait to come back |
| 00:53:47 |
Now you'll be safe. |
| 00:53:50 |
I look forward to see you. |
| 00:53:55 |
Thank God, he's gone! |
| 00:53:58 |
I feel like a cigarette. |
| 00:53:59 |
Maybe I should go out |
| 00:54:01 |
Shut up, Vic, |
| 00:54:03 |
Alright, grab his feet. |
| 00:54:05 |
Let's get him up. |
| 00:54:08 |
Mr. Perkins? |
| 00:54:11 |
Excuse me. |
| 00:54:15 |
Detective? Are you through |
| 00:54:18 |
Yes. |
| 00:54:23 |
No, that... |
| 00:54:32 |
The body's waiting at the morgue. |
| 00:54:36 |
I know, I know the feeling. |
| 00:54:38 |
Listen, we ought to get you |
| 00:54:43 |
You know I'd love if you'd make |
| 00:54:45 |
I like mine black. |
| 00:54:53 |
This is weird, watching you take off |
| 00:54:57 |
- I'm in the medical profession. |
| 00:55:07 |
What the hell are you two doing? |
| 00:55:09 |
This suit is drenched. |
| 00:55:11 |
Well, show the man some dignity. |
| 00:55:15 |
Holly salami. |
| 00:55:19 |
We're never gonna make |
| 00:55:21 |
Vic, cover him up. |
| 00:55:24 |
These babies really last. |
| 00:55:28 |
Hello? |
| 00:55:29 |
Yes, this is Henry Perkins. |
| 00:55:31 |
I made a reservation earlier tonight |
| 00:55:35 |
What's the next flight out? |
| 00:55:37 |
Can you get to Greece from there? |
| 00:55:40 |
Excellent, 11:07. |
| 00:55:42 |
Greece? |
| 00:55:44 |
- How romantic. |
| 00:55:49 |
What now? |
| 00:55:51 |
Carol! |
| 00:55:53 |
Jesus! |
| 00:55:57 |
What's up, Angel? |
| 00:56:00 |
My blood pressure? |
| 00:56:01 |
I'm still waiting on this wacky couple |
| 00:56:04 |
There's a broke down limo eight blocks |
| 00:56:09 |
Screw that naked fools. |
| 00:56:23 |
Mr. Perkins, coffee's ready! |
| 00:56:25 |
For Christ sake! |
| 00:56:27 |
Do you mind? |
| 00:56:30 |
Mrs. Perkins? |
| 00:56:37 |
"Greece, 11:07." |
| 00:56:39 |
What are you trying to do, |
| 00:56:41 |
- It's better than going to jail. |
| 00:56:44 |
Betty Ford maybe, but not jail. |
| 00:56:46 |
- Leave me alone! |
| 00:56:48 |
I need privacy. |
| 00:56:57 |
Hey, Perkins? |
| 00:57:09 |
Audio timeline: 8:55 p.m. |
| 00:57:21 |
8:55, 17 seconds, |
| 00:57:26 |
Three! Three! |
| 00:57:30 |
in roughly under 44 seconds! |
| 00:57:35 |
- Do me a favor, will you, Leslie? |
| 00:57:38 |
Vic! |
| 00:57:39 |
Give this to that neurotic cabby. |
| 00:57:42 |
Perkins? |
| 00:57:47 |
What are you two hiding |
| 00:57:49 |
We weren't expecting you back, |
| 00:57:51 |
- Right, Leslie? |
| 00:57:53 |
- Is that why you look so guilty? |
| 00:57:55 |
We're relaxing. |
| 00:57:57 |
What a night! |
| 00:57:58 |
I was outside "noodleing". |
| 00:58:01 |
My guts brought me here. |
| 00:58:04 |
I don't buy a story anymore. |
| 00:58:06 |
Why not? I thought |
| 00:58:09 |
I mean, first, you brag about |
| 00:58:11 |
bumping skin with the old lady. |
| 00:58:13 |
And then fast as you can squeeze out |
| 00:58:17 |
There's a very, very, very good |
| 00:58:20 |
- You've got my attention. |
| 00:58:23 |
- Carol, my wife... |
| 00:58:27 |
This is the real "me!" |
| 00:58:31 |
not you! |
| 00:58:33 |
Carol! |
| 00:58:34 |
- She's a man! |
| 00:58:37 |
Keep it down, Leslie, |
| 00:58:40 |
Transsexual, actually. |
| 00:58:42 |
A very prominent Beverly Hills doctor |
| 00:58:47 |
Cost us a fortune. |
| 00:58:48 |
That doc sure did a helluva job. |
| 00:58:50 |
A hell of a job. |
| 00:58:52 |
You don't think I can tell |
| 00:58:53 |
between a scungili |
| 00:58:55 |
So, what can we do for you, |
| 00:58:56 |
Nothing, your cabby split. He left |
| 00:58:59 |
- How thoughtful of you. |
| 00:59:05 |
- That guy scares me. |
| 00:59:09 |
- Hey, give me the keys to your car. |
| 00:59:12 |
To get to the airport. |
| 00:59:14 |
- You can't take my car. |
| 00:59:16 |
- Ten. |
| 00:59:17 |
- Done. |
| 00:59:21 |
9:04 p.m. I have assemble |
| 00:59:26 |
I suspect that the victim was a male, |
| 00:59:32 |
5'11", 188 pounds, I think. |
| 00:59:35 |
By the look of it I would say |
| 00:59:38 |
naked and dead body |
| 00:59:44 |
- I'm sorry. |
| 00:59:48 |
Cinderella, |
| 00:59:59 |
Is it true what they say |
| 01:00:02 |
Is it true what they say |
| 01:00:04 |
Hell, yeah! |
| 01:00:07 |
What they say? |
| 01:00:09 |
Okay, here's your seven and five |
| 01:00:11 |
Thank you. |
| 01:00:14 |
Mr. Perkins, something smells rotten |
| 01:00:18 |
It wasn't me. |
| 01:00:19 |
You must be |
| 01:00:21 |
- Brother? |
| 01:00:23 |
Mr. Perkins, did you know there's |
| 01:00:25 |
No, no, it was an accident. |
| 01:00:28 |
- Where is he? |
| 01:00:32 |
I've only found his clothes. |
| 01:00:33 |
So you don't really know |
| 01:00:35 |
- You only know that he's naked. |
| 01:00:38 |
These clothes contain |
| 01:00:39 |
which could only come from |
| 01:00:41 |
caused by a Ruger Super Red Hawk .44 |
| 01:00:45 |
Or a bottle of Château Obrion. |
| 01:00:47 |
Likely story. |
| 01:00:50 |
I got a big nose. |
| 01:00:53 |
- It's the '89? |
| 01:00:57 |
Hey, somebody's got to make |
| 01:01:01 |
- Well, she's in for the night. |
| 01:01:03 |
Detective, I'd like you to meet |
| 01:01:05 |
Leslie, let's go downstairs |
| 01:01:09 |
What did the fish say |
| 01:01:11 |
- What? |
| 01:01:13 |
Why Snoop Dogg carry |
| 01:01:16 |
- Why don't you tell me? |
| 01:01:19 |
That's so not funny. |
| 01:01:22 |
We have to hide the briefcase |
| 01:01:28 |
Mr. Perkins? |
| 01:01:30 |
Mr. Perkins? |
| 01:01:31 |
Mr. Perkins? |
| 01:01:38 |
Henry, the oven! |
| 01:02:02 |
Detective? |
| 01:02:03 |
Where did you go? |
| 01:02:05 |
Mr. Perkins? |
| 01:02:07 |
Who's going to identify the body? |
| 01:02:10 |
What body, Henry? |
| 01:02:12 |
I told you not to use |
| 01:02:14 |
- What name, Henry? |
| 01:02:17 |
I might just break down |
| 01:02:29 |
- He does know, doesn't he? |
| 01:02:32 |
- Told me what? |
| 01:02:35 |
Dead? |
| 01:02:37 |
How do you mean, dead? |
| 01:02:38 |
- I thought you just said you told him? |
| 01:02:43 |
tell him that Henry |
| 01:02:47 |
His body was found with |
| 01:02:50 |
I guess that would explain |
| 01:02:53 |
I was trying to break it |
| 01:02:56 |
He was identified |
| 01:03:01 |
Oh yeah! His "brerfcurse". |
| 01:03:06 |
poor, dear Carol. |
| 01:03:10 |
It's good thing |
| 01:03:13 |
- Yes. |
| 01:03:15 |
You are! We both are, |
| 01:03:19 |
That's something else I know, |
| 01:03:21 |
Now do you see why I had |
| 01:03:26 |
He hasn't been the same |
| 01:03:29 |
Henry had two brothers-in-law... |
| 01:03:32 |
you, Leslie... |
| 01:03:35 |
and me, Freddy. |
| 01:03:38 |
Because Henry's dead. Yes! |
| 01:03:42 |
Tragic. |
| 01:03:43 |
Yes. |
| 01:03:44 |
Now everybody in the family |
| 01:03:47 |
Dead, dead, dead. |
| 01:03:49 |
Chris and Leslie. |
| 01:03:51 |
And Carol. |
| 01:03:54 |
And my wife Bernice. |
| 01:03:56 |
And me, reliable Freddy. |
| 01:04:00 |
- What about Archie? |
| 01:04:05 |
I don't remember who Archie is. |
| 01:04:13 |
This is it. |
| 01:04:14 |
Here? Come on, |
| 01:04:17 |
Trust me, it's easier to stay out |
| 01:04:21 |
- I'll be back in a bit. |
| 01:04:25 |
Do you believe in love |
| 01:04:27 |
or do I have to walk by again? |
| 01:04:29 |
Keep walking. |
| 01:04:37 |
Hello? |
| 01:04:39 |
Anybody home? |
| 01:04:43 |
Mrs. Perkins? |
| 01:04:46 |
It's... |
| 01:04:49 |
Madame Virginia. |
| 01:04:51 |
Mrs. Perkins? |
| 01:04:57 |
Yummy. |
| 01:05:05 |
- Is Archie still here? |
| 01:05:07 |
You guys saw |
| 01:05:09 |
He's back! |
| 01:05:10 |
- What? |
| 01:05:12 |
- Nice to see you again, Archie. |
| 01:05:15 |
I said it's good |
| 01:05:17 |
I don't think you've officially met |
| 01:05:21 |
Detective Slater? |
| 01:05:24 |
- Please. |
| 01:05:25 |
N.Y.P.D. |
| 01:05:26 |
This is my big brother, |
| 01:05:34 |
Yes, Archie Perkins, |
| 01:05:38 |
I hate him! |
| 01:05:40 |
I wish he'd fall |
| 01:05:43 |
and get molded |
| 01:05:45 |
What happened to my Henry? |
| 01:05:49 |
The Henry that used to paint |
| 01:05:51 |
You know, Carol, if my husband brought |
| 01:05:55 |
- I'd be out the door in a flash. |
| 01:05:59 |
Tonight was going to be |
| 01:06:01 |
I was finally |
| 01:06:07 |
Honey, don't you think |
| 01:06:24 |
Who are you? |
| 01:06:26 |
Where am I? |
| 01:06:28 |
Is this a fantasy? |
| 01:06:33 |
Is this a dream? |
| 01:06:34 |
No, I'm real. |
| 01:06:37 |
N.Y.P.D. is a little out of your |
| 01:06:40 |
I'm waiting for Mrs. Perkins |
| 01:06:43 |
to identify the body. |
| 01:06:45 |
- There's a body now? |
| 01:06:47 |
Freddy, is it? |
| 01:06:49 |
The sad thing about it, Archie, |
| 01:06:54 |
No! |
| 01:06:56 |
Freddy! |
| 01:06:57 |
You know, last time I saw him |
| 01:06:59 |
He was shot in the head |
| 01:07:02 |
He always had |
| 01:07:04 |
We suspect murder. |
| 01:07:07 |
Murder? |
| 01:07:11 |
Leslie, why don't you take |
| 01:07:15 |
and discuss what kind of cash he may |
| 01:07:19 |
Freddy, I don't think |
| 01:07:22 |
- Yeah, I think it's a very good idea. |
| 01:07:24 |
- You can fill in the blank spots for me. |
| 01:07:26 |
There are too many blanks. |
| 01:07:28 |
- Well, now, how about that... |
| 01:07:32 |
I want Mrs. Perkins now! |
| 01:07:34 |
Well, now, Detective... |
| 01:07:36 |
I realize she's an available woman, but |
| 01:07:41 |
after her husband's demise |
| 01:07:45 |
- I didn't mean it that way. |
| 01:07:49 |
Mr. Perkins? |
| 01:07:50 |
Surprise! |
| 01:07:53 |
Happy birthday to you |
| 01:07:56 |
Happy birthday to you |
| 01:08:04 |
Damn safety cap. |
| 01:08:08 |
- Henry, where are you going? |
| 01:08:11 |
Why're those people singing |
| 01:08:15 |
There's a very good reason. |
| 01:08:18 |
Yes? |
| 01:08:21 |
Henry and I are twins. |
| 01:08:24 |
Identical. |
| 01:08:27 |
Identical twins. |
| 01:08:29 |
My, my, my, this is getting |
| 01:08:33 |
And you call yourself |
| 01:08:35 |
Maybe this case is just a little too big |
| 01:08:40 |
I tell you what, |
| 01:08:42 |
and explain to those people |
| 01:08:46 |
I'm sorry. |
| 01:08:47 |
You stay here and you make that coffee. |
| 01:08:54 |
Twins. |
| 01:08:58 |
And? |
| 01:08:59 |
And he has two first class tickets |
| 01:09:02 |
And? |
| 01:09:04 |
That's all I know. |
| 01:09:12 |
It was Michelangelo. |
| 01:09:15 |
No, it was Da Vinci |
| 01:09:18 |
"Man is in the wrong |
| 01:09:22 |
he ought to adorn |
| 01:09:24 |
Let's face it. |
| 01:09:26 |
Women everywhere dream of going with |
| 01:09:31 |
You ever hear of a chick wanting to go |
| 01:09:35 |
Well, unless he's charming, |
| 01:09:39 |
- sexy... |
| 01:09:43 |
So am I. |
| 01:09:49 |
- Happy birthday, Henry. |
| 01:09:53 |
Everybody? |
| 01:09:54 |
Everybody... |
| 01:09:56 |
I just want to say |
| 01:09:58 |
You really did surprise me. |
| 01:10:01 |
My friend Henry Perkins. |
| 01:10:04 |
Henry's as regular as Exlax! |
| 01:10:07 |
Wait a minute, wait a minute, that |
| 01:10:10 |
In fact, Henry Perkins is dead. |
| 01:10:13 |
- Yeah! |
| 01:10:17 |
- Doesn't anybody like the guy? |
| 01:10:19 |
I said cream and sugar, didn't I? |
| 01:10:24 |
Open this door, Carol. |
| 01:10:28 |
Oh my God, Carol! |
| 01:10:33 |
Wake up! |
| 01:10:35 |
- Please, wake up! |
| 01:10:37 |
Tonight's party is a theme party. |
| 01:10:40 |
I'm sure Carol |
| 01:10:42 |
when she set |
| 01:10:44 |
I don't know where she is. |
| 01:10:46 |
She should be down by breakfast. |
| 01:10:49 |
Come on, honey, open wide. |
| 01:10:52 |
Anyway, anyway. |
| 01:10:54 |
It's a murder mystery. |
| 01:10:56 |
Henry's been shot |
| 01:10:59 |
Nobody knows who's done it. |
| 01:11:06 |
We hired two actors |
| 01:11:10 |
So that'll make it |
| 01:11:13 |
And remember, I'm... |
| 01:11:15 |
Henry's evil twin... |
| 01:11:18 |
Freddy! |
| 01:11:28 |
The blue represents all the dark |
| 01:11:34 |
- Its simplicity is it's genius! |
| 01:11:36 |
Just like my wax blueberries. |
| 01:11:39 |
You know, it's great |
| 01:11:41 |
Yours hangs on museum walls... |
| 01:11:44 |
and mine sits on kitchen tables. |
| 01:11:48 |
Mr. Feldman? |
| 01:11:49 |
- Stan Martin. |
| 01:11:51 |
I work for you. |
| 01:11:53 |
- Bruised bananas. |
| 01:11:56 |
Why don't you whiz on |
| 01:11:58 |
and grab us a couple of glasses |
| 01:12:00 |
Sure. |
| 01:12:02 |
What happened? |
| 01:12:04 |
So far my pleading ignorance |
| 01:12:06 |
- A hundred grand? |
| 01:12:08 |
for not spilling the beans about Henry, |
| 01:12:11 |
What about the other fifty? |
| 01:12:12 |
For not spilling the beans |
| 01:12:15 |
- What? |
| 01:12:17 |
when you leave the room |
| 01:12:19 |
Where's Captain corruptness now? |
| 01:12:20 |
Up on the roof singing, |
| 01:12:23 |
Vic? |
| 01:12:25 |
I just want you to know that your wife |
| 01:12:30 |
but she assaulted my person. |
| 01:12:33 |
Carol, you can't go to the airport |
| 01:12:35 |
That's because I'm not going. |
| 01:12:37 |
I'm not going to spend the rest |
| 01:12:39 |
For God's sakes, Carol, just go! |
| 01:12:43 |
- Yeah, he can find someone else. |
| 01:12:45 |
I can think of a thousand women |
| 01:12:48 |
- Yeah? Name one! |
| 01:12:53 |
You what? |
| 01:12:54 |
That is, if you don't mind and, |
| 01:12:57 |
Henry would take me. |
| 01:12:59 |
Is there something wrong |
| 01:13:01 |
Very well. I'm sure you two |
| 01:13:05 |
Now if you'll excuse me, |
| 01:13:07 |
Get a grip of yourself. |
| 01:13:16 |
Thank you. |
| 01:13:18 |
Carol always did know |
| 01:13:21 |
Hi, Bill. |
| 01:13:22 |
Thanks. |
| 01:13:23 |
Mary Ann, great to see you. |
| 01:13:33 |
Joe, it's the best score |
| 01:13:36 |
And I didn't have |
| 01:13:38 |
Come on, we're late. |
| 01:13:48 |
Everybody let's kick up! |
| 01:13:55 |
Mr. Perkins? |
| 01:13:58 |
Mr. Perkins, I have had it! |
| 01:14:01 |
- Where did you go, detective? |
| 01:14:03 |
That's enough of that. |
| 01:14:05 |
I've had with that. |
| 01:14:08 |
Okay. |
| 01:14:12 |
Who's booked |
| 01:14:14 |
Let me see that. |
| 01:14:16 |
That's isn't a reservation |
| 01:14:19 |
That's a reservation |
| 01:14:22 |
on November the seventh. |
| 01:14:24 |
- Broadway show? |
| 01:14:27 |
You know. |
| 01:14:28 |
We go together like shama lama lama |
| 01:14:32 |
This was my birthday present |
| 01:14:37 |
Don't. |
| 01:14:43 |
There's two hundred and fifty |
| 01:14:46 |
Excuse me, |
| 01:14:50 |
- Mr. Perkins? |
| 01:14:52 |
Yeah, forty Sinatra Drive. |
| 01:14:56 |
- Who was it? |
| 01:14:59 |
Brerfcurse? |
| 01:15:02 |
You smell lamb? |
| 01:15:04 |
- Fire! Fire! |
| 01:15:07 |
- Fire! Fire! |
| 01:15:09 |
- Take water. Water, water! |
| 01:15:11 |
Fire! Fire! |
| 01:15:15 |
Tampering with evidence |
| 01:15:18 |
Punishable by up to ten years |
| 01:15:20 |
No, no, no, this is just my briefcase. |
| 01:15:23 |
It's just like yours. They just |
| 01:15:27 |
- See, it's here. |
| 01:15:31 |
Great minds think alike, |
| 01:15:34 |
I'd like that piece of paper back. |
| 01:15:36 |
The piece of paper? |
| 01:15:40 |
Here we are. |
| 01:15:47 |
Mr. Perkins, |
| 01:15:50 |
I'm ordering you to come with me |
| 01:15:54 |
What, are you insane? |
| 01:15:58 |
He was my twin. |
| 01:15:59 |
It would be like... |
| 01:16:02 |
dead on the slab. |
| 01:16:07 |
I just need some member of the family |
| 01:16:15 |
- Not me! |
| 01:16:17 |
It's not unusual for one of the members |
| 01:16:19 |
- to volunteer for the job. |
| 01:16:22 |
You'll be well, well paid, Leslie. |
| 01:16:24 |
No, there's no payment |
| 01:16:26 |
You know what I mean, |
| 01:16:28 |
Transportation? |
| 01:16:30 |
Yes, across the river and back. |
| 01:16:33 |
Look, why don't you just let the family |
| 01:16:35 |
- You finish making the coffee... |
| 01:16:38 |
- I've made the coffee twice. |
| 01:16:45 |
Cold as ice. |
| 01:16:47 |
Better make a new pot! |
| 01:16:50 |
- Okay, Leslie. |
| 01:16:52 |
- I'm not going. |
| 01:16:54 |
I'm not going, Freddy. |
| 01:16:57 |
I'm not. I'm not. I'm not. |
| 01:17:02 |
You don't know broke. I'm so broke |
| 01:17:08 |
Don't worry, |
| 01:17:13 |
- I'm going down to that morgue, Henry! |
| 01:17:16 |
- Not in a million years. |
| 01:17:19 |
- It's not a question of... how much? |
| 01:17:21 |
- Thirty. |
| 01:17:22 |
- Twenty-five. |
| 01:17:25 |
It's amazing how fast it goes. |
| 01:17:27 |
So are you surprised |
| 01:17:29 |
No, man, not if all the stories |
| 01:17:32 |
doing Henry's twin brother, |
| 01:17:34 |
You know something |
| 01:17:37 |
Hi, fellows. |
| 01:17:40 |
I'm investigating |
| 01:17:43 |
Sure, sure. |
| 01:17:44 |
You were saying that Mrs. Perkins |
| 01:17:46 |
That woman was born |
| 01:17:48 |
When she dies, they'll going to put her |
| 01:17:51 |
- Well, did Mr. Perkins have any enemies? |
| 01:17:55 |
Women, children... |
| 01:17:58 |
Hey, hey, off the record, |
| 01:18:01 |
were selling drugs, |
| 01:18:03 |
the wax fruit factory is actually |
| 01:18:07 |
- Stan, come dance with me. |
| 01:18:19 |
I'm on the road tonight. |
| 01:18:21 |
Hey, welcome, welcome, |
| 01:18:24 |
Hey, pops, I think it's bedtime. |
| 01:18:27 |
What do you call a woman |
| 01:18:30 |
Married! |
| 01:18:33 |
Thanks. |
| 01:18:34 |
Carol? Carol? |
| 01:18:36 |
We gotta skedaddle. |
| 01:18:39 |
You'll never understand |
| 01:18:42 |
There are no art critics coming tonight! |
| 01:18:46 |
But I do have a surprise for you, |
| 01:18:49 |
and for all the promises |
| 01:18:51 |
Because I love you |
| 01:19:01 |
Come on, guys! |
| 01:19:15 |
- Don't let anybody in. |
| 01:19:21 |
Look at this piece of crap |
| 01:19:22 |
- That's our present. |
| 01:19:28 |
Here it is. |
| 01:19:32 |
- Put them in. |
| 01:19:35 |
I'm surprised at you, Vic. You don't |
| 01:19:38 |
Yes, I do. |
| 01:19:40 |
And besides, we're not friends, |
| 01:19:45 |
Out again, boys. |
| 01:19:47 |
You know, it's a crime. It's a crime. |
| 01:19:54 |
Give my hundred grand. |
| 01:19:56 |
Come on, now! |
| 01:19:58 |
- It's a bargain. |
| 01:20:00 |
- Here we go. |
| 01:20:03 |
- Don't forget my money, Henry. |
| 01:20:06 |
No, I'm getting paid |
| 01:20:18 |
Mr. Perkins? |
| 01:20:21 |
I can't seem to find the... |
| 01:20:25 |
I guess he's caught the three of us |
| 01:20:28 |
This is not what it looks like. |
| 01:20:31 |
Leslie's decided |
| 01:20:36 |
Good. Let's go, Leslie. |
| 01:20:37 |
Yeah, I just need five minutes |
| 01:20:40 |
- Another five minutes? |
| 01:20:44 |
Fine. I'll wait for you |
| 01:20:46 |
Thank you. |
| 01:20:48 |
Thanks a lot. |
| 01:20:50 |
Don't be like that. |
| 01:20:51 |
I was just having a little fun. |
| 01:20:53 |
Hey, fellows, serious... |
| 01:21:01 |
What is a husband's idea |
| 01:21:04 |
A better power of begging. |
| 01:21:13 |
Henry, I hate to bring this up, |
| 01:21:18 |
Alright. |
| 01:21:25 |
What the hell is this? |
| 01:21:28 |
- Where did it come from? |
| 01:21:32 |
I got it. |
| 01:21:33 |
- Where's the money? |
| 01:21:36 |
- That's not a bad idea, Vic. |
| 01:21:38 |
You can insult my cheese wheel. |
| 01:21:41 |
But I draw the line |
| 01:21:43 |
Alright, I'm sorry about |
| 01:21:45 |
but I mean, seriously, where could |
| 01:21:49 |
He comes in there and... |
| 01:21:53 |
- Slater. |
| 01:21:55 |
Then who's briefcase is this? |
| 01:22:12 |
Kinky. |
| 01:22:13 |
And it's a front |
| 01:22:15 |
Captain, I know you're starving... |
| 01:22:16 |
but my instincts tell me |
| 01:22:39 |
Move it. |
| 01:22:42 |
Yes! |
| 01:23:03 |
Thank you. |
| 01:23:11 |
I know who you are. |
| 01:23:12 |
You're the cliché European bad guys |
| 01:23:15 |
and dumped him in the river. |
| 01:23:18 |
No, too obvious, |
| 01:23:21 |
Yeah, baby, get down. |
| 01:23:27 |
The blue has such a sensual feel. |
| 01:23:39 |
There he is. |
| 01:23:41 |
Okay, I'll distract him |
| 01:24:03 |
Mr. Perkins, where's Leslie? |
| 01:24:05 |
- He'll be down in about five minutes. |
| 01:24:09 |
That's all I've been hearing all night. |
| 01:24:13 |
I'm going to be forced |
| 01:24:15 |
Who are you gonna arrest? |
| 01:24:17 |
Well, when I do it's going to be |
| 01:24:24 |
I'm sorry. |
| 01:24:26 |
- Where's Leslie? |
| 01:24:29 |
Five minutes. |
| 01:24:39 |
Hey, man, you spill my drink. |
| 01:24:50 |
It's the briefcase? |
| 01:24:52 |
Excuse me. |
| 01:24:54 |
Mr. Big. |
| 01:25:08 |
What the hell is the difference? |
| 01:25:13 |
- Mr. Feldman? |
| 01:25:15 |
I'm so glad you're alive. |
| 01:25:17 |
I won't be coming back to work. |
| 01:25:20 |
- Henry, wait! |
| 01:25:22 |
This is not about you |
| 01:25:25 |
- It's about my wife. |
| 01:25:27 |
Carol needs me more. |
| 01:25:31 |
- I need her. |
| 01:25:34 |
Mr. Perkins! |
| 01:25:36 |
Your wife Carol... |
| 01:25:38 |
what a talent! |
| 01:25:40 |
I'd very much like to give her |
| 01:25:42 |
- Really? |
| 01:25:44 |
And I think |
| 01:25:46 |
I have one just like it. |
| 01:25:52 |
Sol, I have the feeling |
| 01:25:57 |
Happy birthday, Henry. |
| 01:26:01 |
Come on, baby. |
| 01:26:03 |
Ladies and gentlemen, |
| 01:26:08 |
Tom Jones! |
| 01:26:10 |
Come on! |
| 01:26:16 |
- Hey, have you seen Henry Perkins? |
| 01:26:31 |
- Hi, Vic, how are you? |
| 01:26:35 |
Henry? I got it! |
| 01:26:52 |
Henry, this is the briefcase |
| 01:26:58 |
- Vic, Henry, they're here! |
| 01:27:02 |
Mr. Perkins! |
| 01:27:03 |
It's being over five minutes. |
| 01:27:09 |
"Brerfcurse"! |
| 01:27:12 |
- What? |
| 01:27:18 |
Awesome, it's like seeing |
| 01:27:30 |
Happy birthday to |
| 01:27:34 |
Brerfcurse! |
| 01:27:37 |
Looks like we'll all be going |
| 01:27:43 |
Make a wish, honey. |
| 01:27:46 |
Drop it! |
| 01:27:51 |
They're real bullets, everybody. |
| 01:27:55 |
Run! |
| 01:28:00 |
What the hell is going on? |
| 01:28:24 |
- Great party, Henry. |
| 01:28:27 |
He's got a gun. |
| 01:28:32 |
- Let's go! |
| 01:28:34 |
I'm a cop! |
| 01:28:40 |
I'm a cop! |
| 01:28:46 |
Let's go! |
| 01:28:49 |
- Run! |
| 01:28:52 |
Henry, I changed my mind. |
| 01:29:01 |
It's not Barcelona, it's Greece. |
| 01:29:03 |
Greece? |
| 01:29:05 |
I always wanted to go to Greece. |
| 01:29:12 |
- I love you. |
| 01:29:19 |
Let's get down |
| 01:29:26 |
My fish! |
| 01:29:43 |
I need backup. Send help. |
| 01:30:25 |
We're live at Hoboken, New Jersey, |
| 01:30:27 |
has left three men dead. |
| 01:30:29 |
Vasile Zolton, suspected Romanian |
| 01:30:33 |
was one of the three men |
| 01:30:35 |
in the apartment |
| 01:30:37 |
Detective Dennis Slater |
| 01:30:40 |
Detective Slater, |
| 01:30:41 |
I cannot comment |
| 01:30:44 |
Are you watching |
| 01:30:45 |
On a personal note |
| 01:30:47 |
sex toys should be |
| 01:30:49 |
and drugs kill as is evidenced |
| 01:30:53 |
Hey, listen, I spoke to the broke. |
| 01:30:57 |
What the hell is this? |
| 01:31:00 |
Perkins! |
| 01:31:03 |
Perkins! |
| 01:31:31 |
Henry, you're the man. |
| 01:31:33 |
I told you, Vic. |
| 01:31:34 |
Yeah, but, Carol, I'm sorry you missed |
| 01:31:37 |
Who needs Greece |
| 01:31:39 |
- Hey, can I see it, honey? |
| 01:31:43 |
"Voilà". |
| 01:31:44 |
Carol! |
| 01:31:46 |
Lower your hand, honey. |
| 01:31:50 |
Come on, baby. |
