|
Gentlemen Broncos
|
| 00:00:26 |
(IN THE YEAR 2525 PLAYING) |
| 00:00:31 |
MAN: (SINGING) In the year 3535 |
| 00:00:35 |
Ain't gonna need |
| 00:00:39 |
Everything you think, do and say |
| 00:00:42 |
Is in the pill you took today |
| 00:00:47 |
In the year 4545 |
| 00:00:50 |
Ain't gonna need your teeth, |
| 00:00:54 |
You won't find a thing to chew |
| 00:00:58 |
Nobody's gonna look at you |
| 00:01:02 |
In the year 5555 |
| 00:01:06 |
Your arms are hanging |
| 00:01:10 |
Your legs got nothing to do |
| 00:01:13 |
Some machine's doing that for you |
| 00:01:18 |
In the year 6565 |
| 00:01:21 |
Ain't gonna need no husband, |
| 00:01:25 |
You'll pick your son, |
| 00:01:29 |
From the bottom |
| 00:01:41 |
In the year 7510 |
| 00:01:45 |
If God's a-coming |
| 00:01:49 |
Maybe he'll look around himself and say |
| 00:01:53 |
Guess it's time for the Judgment Day |
| 00:01:56 |
In the year 8510 |
| 00:02:00 |
God is gonna shake his mighty head |
| 00:02:04 |
He'll either say, |
| 00:02:08 |
Or tear it down and start again, whoa-oh |
| 00:02:16 |
In the year 9595 |
| 00:02:19 |
I'm kind of wondering |
| 00:02:23 |
He's taken everything |
| 00:02:27 |
And he ain't put back nothing, whoa-oh |
| 00:02:33 |
Now it's been 10,000 years |
| 00:02:36 |
Man has cried a billion tears |
| 00:02:39 |
For what he never knew |
| 00:02:42 |
Now man's reign is through |
| 00:02:44 |
JUDITH: Benjamin. |
| 00:02:46 |
What are you doing? We're going to be late. |
| 00:02:48 |
- JUDITH: Are you excited? |
| 00:02:51 |
And guess what? |
| 00:02:52 |
I heated up the hot water bottle |
| 00:02:57 |
MAN: (SINGING) In the year 2525 |
| 00:03:02 |
If man is still alive |
| 00:03:05 |
If woman can survive |
| 00:03:17 |
(TIRES SCREECH) |
| 00:03:24 |
Benjy, I'm so glad you signed up for this. |
| 00:03:27 |
I think this is gonna be |
| 00:03:36 |
- Hey. You Benjamin? |
| 00:03:39 |
I'm Mr. Keefe, |
| 00:03:42 |
but you can call me Todd, |
| 00:03:46 |
I think you're really gonna enjoy |
| 00:03:52 |
It's the best writers' camp in the state. |
| 00:03:55 |
Keefe, can you tell me how much money |
| 00:04:01 |
You think 4 bucks would be enough? |
| 00:04:03 |
- Uh... I'd say more like 40, maybe? |
| 00:04:14 |
Well, we better hit the road. |
| 00:04:18 |
Be safe. |
| 00:04:19 |
(BUS ENGINE STARTING) |
| 00:04:23 |
Hey, Benjy. |
| 00:04:25 |
Remember who you are |
| 00:04:30 |
JUDITH: I love you forever and ever. |
| 00:04:44 |
Good morning, homeschoolers |
| 00:04:47 |
Is everybody excited |
| 00:04:54 |
Yeah. |
| 00:04:56 |
We will be stopping for lunch |
| 00:05:01 |
Some of you can afford to eat there, |
| 00:05:05 |
but those who can't will just eat |
| 00:05:11 |
Are there any questions? |
| 00:05:21 |
TABATHA: Whether you like it or not, |
| 00:05:24 |
- especially to Europe, I think... |
| 00:05:27 |
- It's different. |
| 00:05:29 |
And you're completely infused |
| 00:05:31 |
whether you open yourself up to it or not. |
| 00:05:33 |
- So, I found it really, really inspiring. |
| 00:05:36 |
Come here, I want you to meet someone. |
| 00:05:43 |
Benjamin, |
| 00:05:46 |
She's new to the co-op as well. Kind of. |
| 00:05:48 |
(TABATHA CHUCKLES) |
| 00:05:50 |
She spent all last year as |
| 00:05:55 |
Cool. Where did you go? |
| 00:05:57 |
Brussels. |
| 00:05:59 |
Benjamin is from Saltair, |
| 00:06:12 |
Keefe is so dang awesome. |
| 00:06:15 |
Yeah, he seems pretty cool. |
| 00:06:18 |
I write French mysteries, you know. |
| 00:06:20 |
How long you been doing that? |
| 00:06:22 |
Mainly the last six months. |
| 00:06:29 |
Can I borrow some money |
| 00:06:31 |
All my cash is still in euros and I haven't |
| 00:06:39 |
What? Yeah, sure. |
| 00:06:44 |
Thanks. I owe you big time. |
| 00:06:48 |
Don't worry about it. |
| 00:06:58 |
(BUS ENGINE STARTING) |
| 00:07:07 |
Sorry, they didn't have any, so I just |
| 00:07:12 |
TABATHA: Hey, can we come sit by you? |
| 00:07:15 |
Hey, Lonnie, bring our stuff. |
| 00:07:28 |
Benjamin, this is Lonnie Donaho. |
| 00:07:31 |
- Hi. |
| 00:07:34 |
He has his own video production company, |
| 00:07:38 |
Since I've been away, |
| 00:07:41 |
I sent him my latest installments via e-mail. |
| 00:07:44 |
It's been an amazing experience. |
| 00:07:49 |
How many films have you made? |
| 00:07:51 |
Mmm. Eighty-three. |
| 00:07:53 |
But some are just trailers. |
| 00:07:55 |
Dang. That's a lot. |
| 00:07:58 |
Do you produce only Tabatha's work? |
| 00:08:00 |
No. I do all kind of movies. |
| 00:08:04 |
Horse movies, romance, soaps, fantasies... |
| 00:08:10 |
Hey, Lonnie, can you squirt me |
| 00:08:23 |
Will you give me a hand massage? |
| 00:08:28 |
Yeah. |
| 00:08:31 |
Yeah, I can do that. |
| 00:08:57 |
(MOANING) |
| 00:09:12 |
(CONTINUES MOANING) |
| 00:09:26 |
(KNOCKING ON DOOR) |
| 00:09:27 |
(SNORING) |
| 00:09:32 |
You guys are so lucky |
| 00:09:35 |
Mine just wants to eat. |
| 00:09:37 |
Hey. I don't think you're allowed to be here. |
| 00:09:43 |
Relax, Benjamin, |
| 00:09:46 |
(STUDENTS CHATTERING) |
| 00:09:50 |
So, when are you gonna let me read |
| 00:09:53 |
I don't know. |
| 00:09:57 |
Why not? |
| 00:09:58 |
I've let my mom read a few, |
| 00:10:02 |
Most people just get sicked out |
| 00:10:04 |
Really? Are there romantic sequences? |
| 00:10:07 |
No. None of that crap. It's just some mild |
| 00:10:11 |
Well, have you tried posting |
| 00:10:14 |
Yeah. But everybody can do that, you know. |
| 00:10:17 |
I want to get published for real. |
| 00:10:18 |
Ronald Chevalier had his first trilogy |
| 00:10:23 |
Well, you'll never get anywhere |
| 00:10:39 |
You can read this. It's called Yeast Lords |
| 00:10:45 |
(CLEARS THROAT) |
| 00:10:56 |
BENJAMIN: The Nad Lab was a cold, |
| 00:10:59 |
Bronco, the last of the Yeast Lords, |
| 00:11:01 |
lay spread-eagle, |
| 00:11:04 |
Someone had stolen his yeast, |
| 00:11:08 |
(GASPS) |
| 00:11:10 |
What the crap? |
| 00:11:15 |
Oh, my... My gems! |
| 00:11:18 |
Sorry, Bronco. |
| 00:11:22 |
Daysius. I should've known it was you. |
| 00:11:26 |
Oh, I'm not the real Lord Daysius. |
| 00:11:28 |
My name is Dennis. |
| 00:11:31 |
We're all very sorry. |
| 00:11:35 |
But we're investigating ways |
| 00:11:39 |
Your gonad is being used for research. |
| 00:11:42 |
You took my nads. |
| 00:11:44 |
We only took one. |
| 00:11:46 |
You took my nads, Dennis. |
| 00:11:48 |
I know you're upset, |
| 00:11:52 |
We'll be done with it very soon. |
| 00:11:55 |
Darn you, flippin' Daysius. |
| 00:12:03 |
Get away from me with that. You hear me? |
| 00:12:06 |
Relax, Bronco. This will ease the pain. |
| 00:12:11 |
(SNARLING) |
| 00:12:15 |
You release me, my cat's hungry. |
| 00:12:20 |
Release me! |
| 00:12:23 |
(GROANS) |
| 00:12:28 |
You tell Lord Daysius |
| 00:12:33 |
(GASPS) |
| 00:12:52 |
(TOILET FLUSHING) |
| 00:12:59 |
Good night, Benjamin. |
| 00:13:18 |
Program. |
| 00:13:20 |
Program. |
| 00:13:51 |
Before we commence the activities, |
| 00:13:52 |
I'd like to introduce you |
| 00:13:57 |
He is a man who has repeatedly |
| 00:14:03 |
A man whose canon of work has pushed |
| 00:14:11 |
A man who has created such realistic |
| 00:14:18 |
Chevalier. |
| 00:14:21 |
CLETUS: Without further ado, |
| 00:14:23 |
I give you one of the greatest |
| 00:14:29 |
Dr Ronald Chevalier |
| 00:14:36 |
(WHOOPING) |
| 00:14:42 |
Thank you. So good to see you, Cletus. |
| 00:14:52 |
Greetings and salutations |
| 00:14:55 |
It is such an honor to be in the midst |
| 00:15:02 |
When I was your age, |
| 00:15:07 |
a body of work you now know |
| 00:15:12 |
(AUDIENCE APPLAUDING) |
| 00:15:13 |
- WOMAN: I love you, Ronald! |
| 00:15:16 |
But what many people fail to recognize |
| 00:15:19 |
is that I created over 49 different |
| 00:15:26 |
No way. |
| 00:15:38 |
In this first piece, we see an early |
| 00:15:45 |
Here, she uses her knowledge of lasers |
| 00:15:53 |
Here is a detail of the ruptured moon crust |
| 00:15:57 |
'"Must rupture the moon crust, '" |
| 00:16:02 |
This is a piece that came to me in a dream |
| 00:16:07 |
I call it Migration, |
| 00:16:09 |
and it depicts a fleet of harpies |
| 00:16:14 |
to create laser-rain |
| 00:16:18 |
A hard rain's gonna fall |
| 00:16:22 |
And finally we have a youngling |
| 00:16:25 |
trying to penetrate |
| 00:16:29 |
You won't do it like that, youngling |
| 00:16:39 |
Thank you |
| 00:16:42 |
For the first time ever, |
| 00:16:46 |
Prism Publishing will be hosting a contest |
| 00:16:48 |
for the best work submitted at this festival |
| 00:16:52 |
It will be judged by a panel |
| 00:16:56 |
including myself, |
| 00:16:59 |
and the winner will receive |
| 00:17:04 |
at selected bookstores nationwide |
| 00:17:07 |
(AUDIENCE MURMURING) |
| 00:17:12 |
In addition, I will personally |
| 00:17:19 |
to accompany the winning story |
| 00:17:22 |
(AUDIENCE EX CLAIMING) |
| 00:17:25 |
May the glistening chrome of |
| 00:17:32 |
(AUDIENCE APPLAUDING) |
| 00:17:33 |
Amen |
| 00:18:09 |
I'm assuming that most of you are here |
| 00:18:13 |
Alpha, you love to write fantasy fiction, |
| 00:18:17 |
and beta, the character names |
| 00:18:23 |
We're going to begin with a little game |
| 00:18:28 |
known as "The Power of the Suffix." |
| 00:18:33 |
You. Give me the name |
| 00:18:38 |
Nebuchadnezzar. |
| 00:18:40 |
Oh, boy. |
| 00:18:41 |
Very original. |
| 00:18:43 |
I've heard that one before. |
| 00:18:45 |
But don't worry, need thou not be afraid, |
| 00:18:49 |
for we can turn a humdrum, |
| 00:18:55 |
into something magical like this... |
| 00:18:59 |
Nebucoronius. |
| 00:19:04 |
And it's that easy. |
| 00:19:06 |
We can add "onius," "ainous," or "anous" |
| 00:19:13 |
to just about anything, |
| 00:19:16 |
You. Give me the name |
| 00:19:20 |
Bronco. |
| 00:19:22 |
What is he, a centaur? |
| 00:19:23 |
No. |
| 00:19:25 |
Does he shape-shift into equine form ever? |
| 00:19:28 |
No, he's just a man. |
| 00:19:30 |
Well, then, I would... |
| 00:19:33 |
and I'd replace it with an "L." Bronlonius. |
| 00:19:38 |
And if he's part of a traveling clan, |
| 00:19:40 |
his clansfellow could call him |
| 00:19:43 |
except on formal occasions. |
| 00:19:45 |
CHEVALIER: Yes? |
| 00:19:47 |
What about names found in troll colonies? |
| 00:19:50 |
In troll colonies, |
| 00:19:53 |
Give me an example. |
| 00:19:55 |
One of my trolls is named Teacup. |
| 00:20:00 |
I don't like it. |
| 00:20:06 |
CHEVALIER: Yes? |
| 00:20:07 |
But I still like the name Teacup better. |
| 00:20:09 |
It's not a... |
| 00:20:10 |
It's not a question of liking it better, |
| 00:20:15 |
picturing myself as a troll mother. |
| 00:20:18 |
I have just given birth |
| 00:20:22 |
They're covered in placentae, |
| 00:20:26 |
for the vital, life-giving colostrum. |
| 00:20:30 |
I'm not thinking, "Hmm, Teacup," am I? |
| 00:20:34 |
It's just not believable. |
| 00:20:38 |
And if I don't believe it, |
| 00:20:42 |
Trojainous. Troka Kahn. Trody. |
| 00:20:48 |
Names in this vein. |
| 00:20:49 |
If female, Trojana. |
| 00:20:52 |
Yes? |
| 00:20:54 |
I thought trolls were supposed |
| 00:20:59 |
Are you telling me |
| 00:21:04 |
You do realize I am the author of Troll, Ho |
| 00:21:07 |
Because it all boils down to species. |
| 00:21:11 |
Are they tree-dwellers, |
| 00:21:14 |
A troll wouldn't come up |
| 00:21:20 |
Trojainous. |
| 00:21:25 |
How was the workshop? |
| 00:21:28 |
I don't know. |
| 00:21:31 |
He's kind of lame. |
| 00:21:32 |
Really? I think he's gorgeous. |
| 00:21:36 |
He's not gonna like my story, |
| 00:21:39 |
Oh, I don't think so. |
| 00:21:43 |
What do you mean? |
| 00:21:44 |
Well, I thought your story was really good. |
| 00:21:49 |
Really? |
| 00:21:50 |
I thought you didn't like it. |
| 00:21:54 |
No. I... I actually thought |
| 00:22:01 |
What inspired it? |
| 00:22:05 |
I wanted to write a story for my dad. |
| 00:22:08 |
He kind of died when I was young. |
| 00:22:12 |
Oh, gosh, I'm so sorry. |
| 00:22:15 |
He was real brave. |
| 00:22:21 |
I see. So Bronco is kind of like your dad, |
| 00:22:26 |
and his gonads are his seed, |
| 00:22:30 |
That's why they're so precious. |
| 00:22:33 |
Well, you know, like all great writers, |
| 00:22:35 |
you're gonna have to go through |
| 00:22:37 |
but someday your junk will be seen by all, |
| 00:22:43 |
I truly believe that. |
| 00:22:48 |
Thanks, Tabatha. |
| 00:22:53 |
(PHONE RINGING) |
| 00:22:58 |
Chevalier. |
| 00:23:00 |
MERVE: Ronald, how's |
| 00:23:04 |
Well, let me read you a passage |
| 00:23:09 |
"Pierre used to be a jockey in college. |
| 00:23:12 |
"He loves to have rice pudding with his tea. |
| 00:23:15 |
"He loves solving animal murders. |
| 00:23:18 |
"Pierre has two horses, |
| 00:23:25 |
"He rides Paris France |
| 00:23:27 |
"looking for mysterious things. |
| 00:23:30 |
"He rides Jacques for pleasure." |
| 00:23:34 |
Merve, never make me do |
| 00:23:38 |
These kids are a joke. |
| 00:23:39 |
Ronald, as your publisher, |
| 00:23:41 |
it's not a bad idea to get in touch |
| 00:23:44 |
(SIGHS) |
| 00:23:47 |
All right. |
| 00:23:51 |
Listen, Merve, did you have a chance |
| 00:23:55 |
Ronald, I'll cut to the chase It's horrible |
| 00:23:59 |
We can't publish it It won't sell |
| 00:24:01 |
Unless you can give us something |
| 00:24:04 |
we're just gonna have to let you go |
| 00:24:06 |
Merve, Merve, wait. |
| 00:24:08 |
Moon Fetus |
| 00:24:11 |
A fetus is found on a moon base. |
| 00:24:18 |
That's the premise. |
| 00:24:19 |
I'll talk to you later |
| 00:24:27 |
(GRUNTING) |
| 00:25:06 |
BENJAMIN: Bronco cried out in pain |
| 00:25:10 |
trying to sew his junk back on |
| 00:25:12 |
(GROANING) |
| 00:25:24 |
- Excuse me. |
| 00:25:27 |
Is this your pudding? |
| 00:25:28 |
What do you want? |
| 00:25:30 |
Hey! |
| 00:25:31 |
(EX CLAIMS) |
| 00:25:33 |
That was my backup nad. |
| 00:25:35 |
I'm sorry. |
| 00:25:37 |
Was it a fancy pudding? |
| 00:25:46 |
I know who you are. |
| 00:25:48 |
Say what? |
| 00:25:50 |
Our fathers fought valiantly |
| 00:25:56 |
I was but a child then, |
| 00:26:00 |
When your father died |
| 00:26:03 |
your mother wept so hard |
| 00:26:07 |
To keep you alive, |
| 00:26:14 |
Vanaya? |
| 00:26:16 |
- It is I. |
| 00:26:20 |
My family is dead. |
| 00:26:22 |
My brother and I have been forced |
| 00:26:24 |
ever since the epidemic. |
| 00:26:25 |
- You have a brother? |
| 00:26:28 |
His name is Kanaya. |
| 00:26:31 |
He doesn't speak. |
| 00:26:32 |
(YELPS) |
| 00:26:33 |
But he's very handy |
| 00:26:36 |
He can build anything. |
| 00:26:38 |
What y'all... What y'all want from me? |
| 00:26:41 |
Let us come with you. |
| 00:26:43 |
Together, we can destroy |
| 00:26:48 |
We shall begin a new yeast colony, |
| 00:26:54 |
Well, that's my dream, |
| 00:26:59 |
They got my reproductives, Vanaya. |
| 00:27:02 |
Daysius is gonna build himself an army |
| 00:27:07 |
I can't let that happen. |
| 00:27:10 |
You know how weird that'd be, |
| 00:27:14 |
with my face, running around, |
| 00:27:20 |
I'm sorry, Vanaya, I have to do this alone. |
| 00:27:23 |
You and Kanaya would just be dead weight, |
| 00:27:26 |
Gotta cut bait on this deal. |
| 00:27:27 |
Krolaxx, come on. Come on, Krolaxx. |
| 00:27:30 |
We know where |
| 00:27:33 |
Yeah, right. |
| 00:27:34 |
I can smell a cache |
| 00:27:39 |
It's being held in |
| 00:27:42 |
I can show you. |
| 00:27:43 |
Kanaya and I just escaped |
| 00:27:48 |
If you don't believe me, smell my breath. |
| 00:27:57 |
(BELCHING) |
| 00:28:02 |
(SNIFFING) |
| 00:28:06 |
Tastes like homemade licorice. |
| 00:28:09 |
Take me there. |
| 00:28:11 |
Take me to your yeast factory. |
| 00:28:15 |
I am your soldier. |
| 00:28:23 |
JUDITH: I know |
| 00:28:26 |
but while you were at Cletus Fest, |
| 00:28:32 |
Only $5, clearance sale at Haymart. |
| 00:28:41 |
These are girls' shoes, Mom. |
| 00:28:45 |
Oh, shoot. |
| 00:28:47 |
I thought they were skipper shoes. |
| 00:28:51 |
How about some good news? |
| 00:28:54 |
I got really inspired about my collection, |
| 00:28:56 |
and I came up with a bunch of new designs. |
| 00:29:03 |
Do you mind if I run a few of them by you? |
| 00:29:06 |
Okay. |
| 00:29:08 |
I've changed the name of my collection |
| 00:29:13 |
I liked it 'cause I thought |
| 00:29:16 |
but I was hoping |
| 00:29:20 |
Now, my first one is called Front Pew. |
| 00:29:25 |
Now what I did was I extended |
| 00:29:29 |
so it brings the attention |
| 00:29:34 |
And this one, it's breakfast-inspired. |
| 00:29:38 |
It's called Simply Cinnamon. |
| 00:29:42 |
I'm gonna make it out of some beach |
| 00:29:49 |
This one is called Righteous Dew. |
| 00:29:53 |
Your father would've just loved this one. |
| 00:29:58 |
This one's called Reachable Dream, |
| 00:30:02 |
because all of our dreams are reachable, |
| 00:30:28 |
Hi. Welcome to LeVonne's. |
| 00:30:30 |
Can I look at that salmon gown? |
| 00:30:34 |
Certainly. |
| 00:30:42 |
This is a very practical design from |
| 00:30:47 |
CUSTOMER: Well, how much is it? |
| 00:30:50 |
This treasure right here |
| 00:30:53 |
Well, that's a rip-off. |
| 00:31:01 |
Hey. What are you guys doing here? |
| 00:31:03 |
Lonnie's stepsister runs |
| 00:31:07 |
They make a really good taco. |
| 00:31:17 |
So, I noticed you left Cletus early. |
| 00:31:19 |
Yeah, I had to come back and |
| 00:31:25 |
When do we get our manuscripts back? |
| 00:31:27 |
Well, we got ours at the end of camp. |
| 00:31:30 |
But don't you have another copy? |
| 00:31:32 |
Because I really think Lonnie should read it. |
| 00:31:35 |
He has connections |
| 00:31:37 |
He might know someone |
| 00:31:40 |
Are you serious? |
| 00:31:42 |
Mmm. |
| 00:31:43 |
Well, it was so nice |
| 00:31:47 |
Oh, okay. |
| 00:32:02 |
Yes. |
| 00:32:09 |
Bronco. |
| 00:32:12 |
I can do better. |
| 00:32:15 |
Broncanuss. |
| 00:32:18 |
(SIGHS) |
| 00:32:21 |
Broncaho. |
| 00:32:24 |
Not quite. |
| 00:32:29 |
Brutus. |
| 00:32:36 |
Forgive me. |
| 00:32:39 |
(KEYS CLACKING) |
| 00:32:41 |
Cyclops there. |
| 00:32:43 |
Cyclops there. |
| 00:32:48 |
CHEVALIER: Brutus and Venonka surveyed |
| 00:32:51 |
looking for an Achilles'heel |
| 00:32:54 |
There was none |
| 00:32:56 |
Cyclops there. Cyclops there. |
| 00:33:01 |
Cyclops there. |
| 00:33:04 |
Turrets. |
| 00:33:07 |
Moon buggies. |
| 00:33:11 |
Oh, my holy crap. |
| 00:33:14 |
Surveillance does. |
| 00:33:16 |
I hate those. |
| 00:33:18 |
This is ridiculous. That's the most |
| 00:33:23 |
Kenonka. Kenonka. |
| 00:33:27 |
Show me your bag of secrets. |
| 00:33:31 |
What's all this crap? |
| 00:33:33 |
I thought you said he was good at making |
| 00:33:37 |
What I meant to say was |
| 00:33:42 |
BRUTUS: What's he doing now? |
| 00:33:43 |
VENONKA: I don't know. |
| 00:33:46 |
BRUTUS: (SIGHS) I'm not seeing it. |
| 00:33:49 |
I'm not seeing results. |
| 00:33:50 |
All I see is a bunch of organic waste. |
| 00:33:54 |
BRUTUS: What did he find, the genius? |
| 00:34:00 |
Wait a sec. |
| 00:34:04 |
(SNIFFING) |
| 00:34:10 |
Well, it's not a clean yeast. |
| 00:34:13 |
It's just a fungus beef |
| 00:34:20 |
'Tis ripe and delicious, though. |
| 00:34:23 |
Watch this. |
| 00:34:32 |
All right, let's give it a little test. |
| 00:34:36 |
Not bad. |
| 00:34:39 |
It's pretty good yeast. |
| 00:34:42 |
This isn't bad. |
| 00:34:45 |
This is pretty good. |
| 00:34:46 |
It's not concentrate, |
| 00:34:50 |
Ha ha, whoopee! |
| 00:34:54 |
I like it. |
| 00:34:57 |
I like it. |
| 00:35:22 |
JUDITH: Hey, Benjamin, come here. |
| 00:35:28 |
(DOOR SHUTS) |
| 00:35:29 |
(JUDITH EX CLAIMS) |
| 00:35:30 |
Benjamin. |
| 00:35:32 |
I want you to meet Dusty, |
| 00:35:36 |
What? |
| 00:35:37 |
Well, I noticed you didn't have any friends, |
| 00:35:40 |
so I signed you up |
| 00:35:44 |
(HISSING) |
| 00:35:46 |
I thought maybe you two could go out |
| 00:35:49 |
while I grill up some cod. |
| 00:35:54 |
JUDITH: Oh, my word. |
| 00:36:00 |
That's all right. |
| 00:36:02 |
Maybe I have some paper towel. |
| 00:36:06 |
JUDITH: Oh, my goodness. |
| 00:36:22 |
Your mom's smoking hot. |
| 00:36:24 |
What? |
| 00:36:26 |
Shh! |
| 00:36:27 |
(MEOWS) |
| 00:36:36 |
What is that? |
| 00:36:38 |
It's rat poison and some of my poo. |
| 00:36:41 |
Sick. Is it lethal? |
| 00:36:44 |
No. I don't know. Maybe. |
| 00:36:49 |
Here, you try it. |
| 00:36:51 |
I can't. |
| 00:36:52 |
Dude, it's the circle of life. Go for it. |
| 00:37:09 |
(SCREAMING) |
| 00:37:20 |
(MYSTERIOUS MUSIC |
| 00:37:21 |
CHEVALIER: (SINGING) Centaur lover |
| 00:37:24 |
(PHONE RINGING) |
| 00:37:28 |
Centaur lover |
| 00:37:30 |
(MUSIC STOPS) |
| 00:37:35 |
Chevalier. |
| 00:37:36 |
- Ronald, it's Merve |
| 00:37:39 |
I don't know where this came from, |
| 00:37:42 |
Really? You like it? |
| 00:37:44 |
I haven't even finished reading it, |
| 00:37:47 |
That's amazing. |
| 00:37:48 |
I mean, it's a little jarring in places, |
| 00:37:52 |
Are you sure, Merve? |
| 00:37:53 |
I've just completed the cover art |
| 00:37:57 |
No, no, no, I want you to start doing |
| 00:37:59 |
of Brutus and his dog, Balzaak |
| 00:38:02 |
Yes. Yes, I'll get right on it. |
| 00:38:05 |
You're back to your old self |
| 00:38:08 |
- Thank you, Merve. |
| 00:38:13 |
(SOBBING) |
| 00:38:17 |
- Mom. |
| 00:38:18 |
You're not bleeding, it's just water. |
| 00:38:21 |
What? |
| 00:38:31 |
My gelee insert. |
| 00:38:32 |
(PHONE RINGING) |
| 00:38:33 |
You're gonna be okay. |
| 00:38:38 |
Hello? |
| 00:38:39 |
TABA THA: May I please speak |
| 00:38:42 |
Tabatha? |
| 00:38:44 |
I'm calling you on behalf of Donaho Studios |
| 00:38:46 |
Lonnie thinks he wants |
| 00:38:51 |
Are you serious? |
| 00:38:54 |
Mmm-hmm. It's gonna be |
| 00:38:57 |
We'd like for you to come down |
| 00:39:00 |
Also, could you play a role in the movie |
| 00:39:03 |
The sooner we finish it, |
| 00:39:07 |
Yeah. |
| 00:39:09 |
Yeah, totally. I'd be honored. |
| 00:39:12 |
It's a romantic story I wrote. |
| 00:39:15 |
And also, since your mom |
| 00:39:17 |
do you think you could |
| 00:39:19 |
'Cause we are in desperate need |
| 00:39:22 |
That's fine. Yeah, I could do that. |
| 00:39:24 |
Okay, great. So, we'll see you soon. |
| 00:39:26 |
And congratulations, Benjamin. |
| 00:39:44 |
Are these the nighties? |
| 00:39:46 |
Yeah. We have to be really careful |
| 00:39:52 |
Hey, Lonnie, what are my lines? |
| 00:39:53 |
TABATHA: Okay, guys, |
| 00:39:55 |
and then this trailer will be done. |
| 00:39:59 |
LONNIE: Headphone, please. |
| 00:40:04 |
(SMOOTH JAZZ MUSIC PLA YING) |
| 00:40:09 |
And... |
| 00:40:13 |
Action. |
| 00:40:47 |
(EXHALES) |
| 00:41:00 |
Mmm. You like? |
| 00:41:10 |
Cut! |
| 00:41:11 |
(MUSIC STOPS) |
| 00:41:12 |
Lonnie! You can't do that. |
| 00:41:16 |
Excuse me? |
| 00:41:17 |
I don't even think |
| 00:41:20 |
I'm sorry. I'm sorry. I can't do this. |
| 00:41:29 |
TABATHA: Benjamin. |
| 00:41:31 |
No, Benjamin, wait, I'm sorry. |
| 00:41:33 |
Look, it was Lonnie's idea, not mine. |
| 00:41:34 |
And I'll have my people restore it |
| 00:41:37 |
Tabatha, me and my mom are |
| 00:41:39 |
We can't afford that. |
| 00:41:41 |
Benjamin, look, |
| 00:41:42 |
Lonnie has come into |
| 00:41:47 |
What does that mean? |
| 00:41:49 |
Benjamin, Lonnie wants |
| 00:41:54 |
Are you serious? |
| 00:41:55 |
I'm dead serious. |
| 00:41:57 |
Yeast Lords is amazing, |
| 00:41:58 |
and it is definitely worth |
| 00:42:02 |
Hey, Lonnie? |
| 00:42:05 |
LONNIE: 500, cash. |
| 00:42:07 |
500? |
| 00:42:09 |
What's wrong? |
| 00:42:12 |
No. |
| 00:42:13 |
Who's that guy? |
| 00:42:16 |
He's my Angel. |
| 00:42:19 |
Nice. |
| 00:42:26 |
So, do we have a deal or what? |
| 00:42:31 |
Yeah. |
| 00:42:36 |
JUDITH: Hi, guys. |
| 00:42:40 |
Did you catch any neat rocks? |
| 00:42:42 |
Yeah. It was fun. |
| 00:42:48 |
How about you, Duster? |
| 00:42:51 |
What? |
| 00:43:24 |
BENJAMIN: Bronco and Vanaya |
| 00:43:28 |
but the yeast patty Bronco had previously |
| 00:43:53 |
(GROANS) |
| 00:44:02 |
(GROANING) |
| 00:44:04 |
Bronco! |
| 00:44:06 |
We must stop that gunfire |
| 00:44:09 |
Well, find something, Kanaya, anything. |
| 00:44:23 |
Well, not that, you idiot. |
| 00:44:26 |
That's just an old pudding. |
| 00:44:27 |
(SIGHS) |
| 00:44:31 |
(POWERING DOWN) |
| 00:44:39 |
(COUGHS) |
| 00:44:41 |
Bronco. Are you all right? |
| 00:44:44 |
What happened? |
| 00:44:45 |
The fungus beef, |
| 00:44:48 |
We must get you out of here. |
| 00:44:49 |
I can't move. |
| 00:44:53 |
(STAG BELLOWING) |
| 00:44:55 |
(GASPS) |
| 00:45:00 |
Oh, mother. A battle stag. |
| 00:45:04 |
I hate those. |
| 00:45:11 |
No! Run, Kanaya, run! |
| 00:45:35 |
No, Kanaya, no! Run away! |
| 00:46:06 |
And action. |
| 00:46:08 |
(CRYING) |
| 00:46:14 |
Are you all right, Vanaya? |
| 00:46:18 |
My brother. |
| 00:46:25 |
We are yeastless. |
| 00:46:26 |
We are yeastless. |
| 00:46:28 |
Easy, easy. |
| 00:46:31 |
Your brother loves you, Vanaya. |
| 00:46:33 |
He'll do anything for you. |
| 00:46:36 |
But Daysius has surely |
| 00:46:41 |
He's the chosen one. |
| 00:46:44 |
He was born with flesh pockets. |
| 00:46:48 |
LONNIE: Haven't you read the prophecies? |
| 00:46:51 |
DUSTY: No. |
| 00:46:52 |
LONNIE: We must stop him, Bronco. |
| 00:46:55 |
DUSTY: Yes, but first |
| 00:46:59 |
Come, let's bed down for the eve. |
| 00:47:02 |
LONNIE: Okay. |
| 00:47:05 |
And... |
| 00:47:08 |
Cut! |
| 00:47:09 |
(EX CLAIMS) |
| 00:47:10 |
(TAPE REWINDING) |
| 00:47:13 |
Lonnie. |
| 00:47:15 |
Lonnie. |
| 00:47:16 |
And there we go, I think. Is that good? |
| 00:47:18 |
Yes. |
| 00:47:19 |
(TABATHA EX CLAIMING) |
| 00:47:21 |
TABATHA: Oh, my gosh, Lonnie, I think all |
| 00:47:23 |
are so much better than the original. |
| 00:47:26 |
I mean, this will be one |
| 00:47:28 |
that is actually way better than the book. |
| 00:47:30 |
(BOTH EX CLAIMING IN EX CITEMENT) |
| 00:48:10 |
Without a doubt, |
| 00:48:16 |
'"Referring to her neck, she squawked, |
| 00:48:19 |
'"'This isn't a wart, |
| 00:48:23 |
'"'Now let us in" |
| 00:48:25 |
(ALL LAUGHING) |
| 00:48:30 |
Next question |
| 00:48:32 |
Over here |
| 00:48:34 |
In the second book |
| 00:48:37 |
Tribonius seduces the Borg Queen |
| 00:48:38 |
by playing her an original piece |
| 00:48:42 |
Can you explain what that music |
| 00:48:44 |
Yes I believe you're referring |
| 00:48:49 |
the notes of which are too numerous |
| 00:48:55 |
I can, however, |
| 00:48:58 |
which until now have been unpublished |
| 00:49:02 |
That'd be awesome. |
| 00:49:03 |
(CLEARS THROA T) |
| 00:49:10 |
'"Within my breast-meat, there is a famine |
| 00:49:14 |
'"No more sweets in the mammary cannon |
| 00:49:18 |
'"You are Gorgana, my eagle, my queen |
| 00:49:24 |
'"Your ovaries will destroy me |
| 00:49:27 |
'"Collect me in your wings |
| 00:49:30 |
'"I am just a man, and I want to breed |
| 00:49:35 |
'"Together we will learn to love |
| 00:49:39 |
'"You gorgeous hag, you freak machine'" |
| 00:49:53 |
Yes, the young man right over here |
| 00:49:56 |
I recently sold a story that I wrote |
| 00:49:59 |
and I'm worried they're gonna ruin it. |
| 00:50:01 |
I know a lot of your books |
| 00:50:03 |
so I'm just wondering |
| 00:50:06 |
and let somebody else completely |
| 00:50:10 |
Great question |
| 00:50:16 |
I remember early on in my career working |
| 00:50:21 |
I told the producers I wanted |
| 00:50:25 |
No special effects |
| 00:50:29 |
And I had a scientist friend |
| 00:50:34 |
a prototype of some mamocans, |
| 00:50:40 |
I tried them on |
| 00:50:44 |
and one overheated |
| 00:50:49 |
and actually exploded |
| 00:50:53 |
It was very sad |
| 00:50:55 |
So how do I avoid situations like that? |
| 00:50:58 |
I mean, the idea of somebody |
| 00:51:01 |
I see Have they paid you yet? |
| 00:51:04 |
Yeah. They gave me a check. |
| 00:51:06 |
Well, cash that check immediately |
| 00:51:10 |
I mean, isn't that why we do what we do, |
| 00:51:14 |
For the money, for the riches of the earth |
| 00:51:16 |
When the future generations will look back, |
| 00:51:18 |
do you think they will remember us |
| 00:51:21 |
No, but for the wealth |
| 00:51:24 |
Why do you think I wear this bracelet? |
| 00:51:30 |
And who knows? |
| 00:51:34 |
something even better |
| 00:51:42 |
Thank you, and thank you for coming. |
| 00:51:45 |
Thank you very much. |
| 00:51:46 |
CHEVALIER: You're welcome. Thank you. |
| 00:51:49 |
Hello. |
| 00:51:50 |
Hey. I don't know |
| 00:51:52 |
I was actually |
| 00:51:55 |
Of course. Yes, you look vaguely familiar. |
| 00:51:59 |
I submitted this story called Yeast Lords |
| 00:52:01 |
I know it didn't win or anything, |
| 00:52:02 |
I was just wondering |
| 00:52:04 |
I thought maybe you can |
| 00:52:08 |
No, I don't think I read that one. |
| 00:52:10 |
It must have been one of the other judges. |
| 00:52:14 |
Okay. |
| 00:52:16 |
Goodbye. |
| 00:52:34 |
(JUDITH CRYING) |
| 00:52:42 |
Mom. |
| 00:52:46 |
Mom, you need to calm down |
| 00:53:00 |
My gosh. |
| 00:53:03 |
I just... You know, I did the inventory |
| 00:53:08 |
and it... It appears that |
| 00:53:11 |
And that's $100 we don't have this month. |
| 00:53:15 |
I don't know how |
| 00:53:18 |
Don't worry about that, I'm fine. |
| 00:53:21 |
You know, in the meantime, I might have |
| 00:53:26 |
You know, maybe we could have, like, a... |
| 00:53:34 |
Mom, I am not selling two in a sack. |
| 00:53:37 |
Come on, feel how heavy these are. |
| 00:53:45 |
Two-for-one Country Balls. |
| 00:53:48 |
Two-for-one Country Balls. |
| 00:54:01 |
Hi. I just need to cash this. |
| 00:54:05 |
This check is post-dated for next year. |
| 00:54:08 |
It is? |
| 00:54:09 |
Come back in a year from now, |
| 00:54:35 |
(TABATHA WHOOPING) |
| 00:54:37 |
(WIND OF CHANGEPLAYING) |
| 00:54:41 |
TABATHA: Yeah! |
| 00:54:46 |
(INAUDIBLE) |
| 00:54:55 |
MAN: (SINGING) The world is closing in |
| 00:54:59 |
Did you ever think |
| 00:55:02 |
that we could be so close, like brothers? |
| 00:55:10 |
The future's in the air |
| 00:55:13 |
I can feel it everywhere |
| 00:55:16 |
Blowing with the wind of change |
| 00:55:24 |
Take me to the magic of the moment |
| 00:55:30 |
On a glory night |
| 00:55:33 |
Where the children of tomorrow |
| 00:55:39 |
In the wind of change |
| 00:55:51 |
Walking down the street |
| 00:55:54 |
Distant memories |
| 00:55:57 |
Are buried in the past forever |
| 00:56:05 |
I follow the Moskva |
| 00:56:08 |
Down to Gorky Park |
| 00:56:11 |
Listening to the wind of change |
| 00:56:19 |
Take me to the magic of the moment |
| 00:56:25 |
On a glory night |
| 00:56:29 |
Where the children of tomorrow |
| 00:56:34 |
In the wind of change |
| 00:56:42 |
(INAUDIBLE) |
| 00:57:02 |
MALE ANNOUNCER ON TV: |
| 00:57:05 |
here in the Great Basin valley, |
| 00:57:07 |
we bring you The Rod Decker Show, |
| 00:57:10 |
serving your community for over a decade |
| 00:57:13 |
Your host, Rod Decker |
| 00:57:17 |
Good morning |
| 00:57:19 |
We have some filmmakers here today |
| 00:57:22 |
Mr Lonnie Donaho is |
| 00:57:26 |
Miss Tabatha Jenkins is the producer. |
| 00:57:29 |
And seated next to me is |
| 00:57:33 |
Look. It's Dusty. |
| 00:57:36 |
These guys are prolific. |
| 00:57:40 |
ROD: And what's it about? |
| 00:57:42 |
Basically, it's a story |
| 00:57:46 |
that find love during |
| 00:57:50 |
War and disease |
| 00:57:52 |
ROD: Okay, that sounds |
| 00:57:55 |
Your idea? Did you come up with it? |
| 00:57:57 |
No way. She bought |
| 00:58:02 |
This is so neat. |
| 00:58:05 |
But to be honest, |
| 00:58:09 |
Bridgette? Some kind |
| 00:58:13 |
have made an adaptation |
| 00:58:16 |
without my permission. |
| 00:58:17 |
I'm completely distressed. I can't even |
| 00:58:22 |
Dusty Crissop, the leading man, |
| 00:58:25 |
What was it like working with Mr. Donaho? |
| 00:58:27 |
Lonnie is the best director |
| 00:58:34 |
I don't know of another director |
| 00:58:39 |
and the next he puts on |
| 00:58:44 |
Yes, I don't know what we can do. |
| 00:58:47 |
Can we crush them in the press? |
| 00:58:49 |
DUSTY: It's like working |
| 00:58:52 |
I know, but if there's |
| 00:58:56 |
We're out of time. |
| 00:58:58 |
If you want to see Yeast Lords, |
| 00:59:00 |
premiere is tonight at the Saltair Cinema. |
| 00:59:03 |
And to my guests, break a leg. |
| 00:59:05 |
I think that's |
| 00:59:08 |
Thanks for being here. Good luck to you. |
| 00:59:10 |
- Thanks, Rod. |
| 00:59:15 |
Oh, my gosh. Benjamin. |
| 00:59:19 |
What are you and I gonna |
| 00:59:22 |
You got to promise me |
| 00:59:35 |
MAN: Mr. Donaho? |
| 00:59:38 |
Hi, I'm with the Village Gazette |
| 00:59:41 |
Hi. |
| 00:59:52 |
Hey, Benjamin. I'm so glad you came. |
| 00:59:56 |
I'm good. |
| 00:59:57 |
Nice to see you, Benjy-boy. |
| 00:59:59 |
Hey, Lonnie. This is my mom, Judith. |
| 01:00:02 |
Hi. I like your matching hippie clothes. |
| 01:00:05 |
Oh, thank you. |
| 01:00:10 |
There are important press people here, |
| 01:00:12 |
so don't forget to do |
| 01:00:16 |
You got it. |
| 01:00:18 |
Shall we take our seats? |
| 01:00:24 |
(AUDIENCE APPLAUDING) |
| 01:00:30 |
(LONNIE READING) |
| 01:00:35 |
LONNIE: Daisy had everything |
| 01:00:38 |
Beauty |
| 01:00:40 |
Money |
| 01:00:43 |
A 50-acre horse ranch |
| 01:00:46 |
(HORSE NEIGHING) |
| 01:00:48 |
A prize-winning stallion |
| 01:00:52 |
But what she didn't have was |
| 01:00:54 |
Logan, the stable boy |
| 01:01:02 |
But he was already married to her sister |
| 01:01:15 |
Hey, Logan, want to go for a ride? |
| 01:01:18 |
Can we bring old big sis along? |
| 01:01:20 |
I was thinking it could be just the two of us |
| 01:01:26 |
Come on in The water's great |
| 01:01:29 |
I don't think that's a good idea |
| 01:01:31 |
(LAUGHING) |
| 01:01:53 |
I don't care if you have |
| 01:01:58 |
I love my wife |
| 01:02:03 |
TABA THA: My horse's semen |
| 01:02:07 |
Investors from all over the world have tried |
| 01:02:10 |
to get their hands on it |
| 01:02:11 |
(HORSE NEIGHING) |
| 01:02:15 |
(TABA THA SCREAMING) |
| 01:02:23 |
Benjamin. |
| 01:02:32 |
(GULPS) |
| 01:02:34 |
I've only just realized |
| 01:02:36 |
was very real to me. |
| 01:02:40 |
I don't feel very good. |
| 01:02:42 |
Oh, well, you're nervous about the film, |
| 01:02:45 |
Yeah. |
| 01:02:46 |
Well, let's get out of here, then. |
| 01:02:47 |
Let's go someplace |
| 01:02:51 |
(TABA THA SCREAMING) |
| 01:02:53 |
(GUNSHOTS FIRING) |
| 01:02:54 |
Okay. |
| 01:02:56 |
Can you hold on for just a second? |
| 01:02:58 |
Oh, yeah. |
| 01:03:07 |
(LONNIE READING) |
| 01:03:24 |
Come with me to my underground facilities |
| 01:03:36 |
Working at the yeast facility |
| 01:03:40 |
and gave me so many diseases |
| 01:03:43 |
I wish I could've been there for ye |
| 01:03:48 |
Your brother loves you, Vanaya, |
| 01:03:53 |
But Daysius has surely |
| 01:04:04 |
(GROANS) |
| 01:04:07 |
(GROANS) |
| 01:04:10 |
LONNIE: One of the laser hit my boobs |
| 01:04:14 |
Okay, we can go. |
| 01:04:34 |
I thought we could grab a couple of |
| 01:05:15 |
CHEVALIER: Groggily, |
| 01:05:18 |
There was a numb pain below, |
| 01:05:20 |
some stitches obviously |
| 01:05:23 |
Instantly, Brutus knew that one |
| 01:05:34 |
Oh, my gosh, is that |
| 01:05:37 |
Read this. |
| 01:05:39 |
Benjy, don't ruin it for me. |
| 01:05:40 |
Just read it. |
| 01:05:42 |
Okay. |
| 01:05:47 |
"As Brutus struggled to free |
| 01:05:50 |
"a voice spoke to him |
| 01:05:53 |
"'I'm sorry, Brutus, |
| 01:05:57 |
"'We're investigating ways |
| 01:06:05 |
I don't believe this. |
| 01:06:07 |
(JUSTLIKE JESSE JAMES PLAYING) |
| 01:06:17 |
Benjamin, wait, we can get through this. |
| 01:06:21 |
WOMAN: (SINGING) Strutting into town |
| 01:06:24 |
Just a small-town dude |
| 01:06:29 |
Honey, are you looking |
| 01:06:33 |
Well, all right |
| 01:06:35 |
You think you're so bad, |
| 01:06:39 |
Shoot them all down |
| 01:06:43 |
Honey, but you met your match tonight |
| 01:06:47 |
Oh, that's right |
| 01:06:49 |
You think you'll knock me off my feet |
| 01:06:51 |
Till I'm flat on the floor |
| 01:06:52 |
Till my heart is crying Indian |
| 01:06:56 |
So come on, baby |
| 01:07:00 |
Come on, baby, |
| 01:07:03 |
Dusty? |
| 01:07:07 |
What are you doing here? |
| 01:07:09 |
I brought your wrap gift. |
| 01:07:14 |
Oh. |
| 01:07:24 |
People hated your movie. |
| 01:07:26 |
Some of them walked out. |
| 01:07:28 |
Yeah, I kind of figured that. |
| 01:07:30 |
And this guy said |
| 01:07:33 |
It's not true. |
| 01:07:35 |
Yeah. I hit that guy in the face. |
| 01:07:39 |
Then I punched Lonnie in the neck. |
| 01:07:41 |
Lonnie's a butthole. |
| 01:07:44 |
Did you hear what he did to my voice? |
| 01:07:48 |
That's why if somebody messes |
| 01:07:50 |
you gotta take them out. |
| 01:07:52 |
'Cause you're good. |
| 01:07:54 |
And I'm not saying that |
| 01:07:59 |
Thanks. |
| 01:08:04 |
WOMAN: (SINGING) Just like Jesse James |
| 01:08:06 |
Tonight you're gonna go down in flames |
| 01:08:10 |
Just like Jesse James |
| 01:08:13 |
Tonight you're gonna go down in flames |
| 01:08:17 |
Just like Jesse James |
| 01:08:23 |
I'm gonna shoot you down, Jesse James |
| 01:08:30 |
Look. |
| 01:08:33 |
JUDITH: Who's that? |
| 01:08:36 |
Isn't that your hero? He's in town. |
| 01:08:39 |
Maybe after Don Carlos, |
| 01:08:43 |
You know, Don Carlos owns the biggest |
| 01:08:46 |
and he wants to see my entire line. |
| 01:08:49 |
I mean, this could be my big ticket. |
| 01:08:52 |
I feel like things are changing for us, |
| 01:08:54 |
And it's gotta be Dusty. |
| 01:08:59 |
Come on. Come on, honey, I need your help. |
| 01:09:03 |
We gotta do a few loads. |
| 01:09:05 |
Ow. |
| 01:09:07 |
Get her. |
| 01:09:14 |
JUDITH: Guess this is it. |
| 01:09:17 |
I'm so nervous. |
| 01:09:19 |
I just pray that he likes my collection. |
| 01:09:24 |
How do I look? |
| 01:09:26 |
You look fine. |
| 01:09:28 |
Wish me luck. |
| 01:09:30 |
(PIANO PLAYING SCHMALTZY MUSIC) |
| 01:09:58 |
(GASPS) |
| 01:10:10 |
Your house is a real palace. |
| 01:10:14 |
Hey. I didn't see you there. |
| 01:10:17 |
Love your dress. |
| 01:10:19 |
Thank you. |
| 01:10:21 |
Why don't you go into my bedroom |
| 01:10:24 |
and I'll be there in a second. |
| 01:10:32 |
(SIGHS) |
| 01:10:41 |
CHEVALIER: Brutus stood |
| 01:10:44 |
and held aloft a futuristic cylinder |
| 01:10:48 |
I made us a time capsule. |
| 01:10:50 |
I put a butt-Ioad of keepsakes in it. |
| 01:10:53 |
We can send it floating downstream, |
| 01:10:55 |
and that way, if we die, |
| 01:11:00 |
Look at this. |
| 01:11:02 |
It's a friendship stone. |
| 01:11:06 |
Come closer. |
| 01:11:09 |
Let's blow on it. |
| 01:11:12 |
You blow first. |
| 01:11:14 |
(BOTH BLOWING) |
| 01:11:20 |
(SPLASHES) |
| 01:11:22 |
(BOTH LAUGHING) |
| 01:11:32 |
What? |
| 01:11:40 |
(JUDITH CRYING) |
| 01:11:53 |
Mom. What happened? |
| 01:12:01 |
He wanted me to bed down with him. |
| 01:12:03 |
He what? |
| 01:12:04 |
He said if I slept with him, |
| 01:12:07 |
that I could have my nightgowns |
| 01:12:17 |
But I couldn't do it. |
| 01:12:21 |
Benjamin, no! Benjamin, no! |
| 01:12:25 |
Hey, Don Carlos! How about you come |
| 01:12:29 |
Benjamin, stop, get back in the car. |
| 01:12:32 |
Benjamin, get back in the car! |
| 01:12:37 |
(EX CLAIMING) |
| 01:12:39 |
BENJAMIN: You think you can harass |
| 01:12:43 |
Come down here and fight me! |
| 01:12:45 |
(GUNSHOT) |
| 01:12:50 |
(JUDITH SOBBING) |
| 01:12:53 |
Mom, I need you to pop open the trunk |
| 01:12:55 |
I can't. |
| 01:12:57 |
Just pop open the trunk |
| 01:12:59 |
No, but I can't. |
| 01:13:01 |
(SCREAMING) |
| 01:13:17 |
(CLICKING) |
| 01:13:38 |
(PARANOID PLAYING) |
| 01:13:42 |
(EX CLAIMS) |
| 01:13:44 |
(CARLOS SCREAMING) |
| 01:13:50 |
MAN: (SINGING) Finished with my woman |
| 01:13:56 |
People think I'm insane |
| 01:14:13 |
All day long I think of things |
| 01:14:16 |
But nothing seems to satisfy |
| 01:14:21 |
- Hello. |
| 01:14:23 |
And who can I make this out to? |
| 01:14:25 |
Kristie. |
| 01:14:26 |
Kristie. |
| 01:14:33 |
I would just love to step inside your brain |
| 01:14:38 |
Explore its many kingdoms |
| 01:14:42 |
Take it from someone who lives there, |
| 01:14:47 |
My mind is a landscape |
| 01:14:51 |
A place where even the bravest of travelers |
| 01:14:54 |
would be shaken |
| 01:14:57 |
Wow! |
| 01:14:59 |
Hmm. |
| 01:15:00 |
I know. May the gods bless you. |
| 01:15:04 |
MAN: (SINGING) And so as you hear |
| 01:15:10 |
I tell you to enjoy life |
| 01:15:20 |
- Hi. |
| 01:15:25 |
I was wondering |
| 01:15:43 |
Excuse me for a moment. |
| 01:15:49 |
(FEEDBACKSCREECHING) |
| 01:15:51 |
Friends Friends |
| 01:15:55 |
I would like to introduce you |
| 01:15:59 |
This young man standing beside me |
| 01:16:03 |
loved Brutus and Balzaak so much |
| 01:16:06 |
that he turned it into a gripping screen |
| 01:16:13 |
(PEOPLE GASP) |
| 01:16:14 |
As a reward for his efforts, |
| 01:16:17 |
Prism Publishing has decided to honor him |
| 01:16:21 |
with an all-expenses-paid trip |
| 01:16:25 |
to any one of the lower 48 states, |
| 01:16:28 |
(PEOPLE EX CLAIMING IN AWE) |
| 01:16:29 |
And this commemorative bean-pillow, |
| 01:16:36 |
mini-size, |
| 01:16:43 |
this jacket, |
| 01:16:47 |
and a trip to Space Camp |
| 01:16:49 |
(ALL GASP) |
| 01:16:51 |
Awesome. |
| 01:16:53 |
Join me now in a moment of silence |
| 01:16:55 |
as we commemorate his contribution |
| 01:17:12 |
(EX CLAIMS) |
| 01:17:14 |
(PEOPLE MURMURING) |
| 01:17:18 |
Put the pillow down, I beg of you. |
| 01:17:20 |
You stole my story. |
| 01:17:22 |
I don't know what you're talking about. |
| 01:17:23 |
All you did was change the character |
| 01:17:26 |
Shut up. |
| 01:17:29 |
Please, someone seize him. |
| 01:17:33 |
Seize him. |
| 01:17:34 |
You're a fraud, and all your fans |
| 01:17:38 |
Take him away. |
| 01:17:41 |
MAN: Get lost. |
| 01:17:43 |
But, please, show leniency. |
| 01:17:47 |
GUARD: Open the gate. |
| 01:17:53 |
Benjamin? |
| 01:17:55 |
Benjamin? |
| 01:17:58 |
Benjamin? |
| 01:18:02 |
Oh, Benjamin. There you are. |
| 01:18:06 |
Oh, honey. |
| 01:18:08 |
This is a terrible place. |
| 01:18:11 |
Are you all right? |
| 01:18:15 |
I'm fine. |
| 01:18:16 |
I don't know how this all happened. I just... |
| 01:18:19 |
You're gonna have to spend |
| 01:18:24 |
Oh, honey, don't cry. I know I... |
| 01:18:27 |
I brought you some presents. |
| 01:18:37 |
Happy birthday. A popcorn car. |
| 01:18:50 |
Well, I can give it to you later. |
| 01:19:05 |
I've been registering all your stories |
| 01:19:06 |
with the Writers' League |
| 01:19:16 |
(IN THE YEAR 2525 PLAYING) |
| 01:19:18 |
MAN: (SINGING) In the year 2525 |
| 01:19:23 |
I thought someday |
| 01:19:26 |
If man is still alive |
| 01:19:30 |
If woman can survive |
| 01:19:33 |
They may find |
| 01:19:44 |
"'Aroo? ' questioned Balzaak. |
| 01:19:47 |
"'Don't give me that, you crazy wolf,' |
| 01:19:52 |
"'You know why I put that in there. |
| 01:19:57 |
"'And besides, |
| 01:20:00 |
(INAUDIBLE) |
| 01:20:01 |
MAN: (SINGING) In the year 4545 |
| 01:20:03 |
Ain't gonna need your teeth, |
| 01:20:08 |
Chevalier. |
| 01:20:09 |
You won't find a thing to chew |
| 01:20:11 |
Nobody's gonna look at you |
| 01:20:15 |
In the year 5555 |
| 01:20:19 |
Your arms are hanging |
| 01:20:23 |
Your legs got nothing to do |
| 01:20:27 |
Some machine's doing that for you |
| 01:20:31 |
In the year 6565 |
| 01:20:35 |
Ain't gonna need no husband, |
| 01:20:38 |
You'll pick your son, |
| 01:20:41 |
(EX CLAIMS) |
| 01:20:42 |
From the bottom |
| 01:20:47 |
In the year 6565 |
| 01:20:51 |
Ain't gonna need no husband, |
| 01:20:54 |
You'll pick your son, |
| 01:20:58 |
From the bottom |
| 01:21:01 |
Land your stag! |
| 01:21:12 |
(EX CLAIMS) |
| 01:21:16 |
(GRUNTS) |
| 01:21:22 |
(EX CLAIMING) |
| 01:21:33 |
(EX CLAIMS) |
| 01:21:40 |
(EX CLAIMING) |
| 01:21:45 |
BRONCO: Come on, Daysius. |
| 01:21:54 |
(EX CLAIMS) |
| 01:21:58 |
(GRUNTING) |
| 01:22:05 |
(GROANS) |
| 01:22:07 |
(SCREAMING) |
| 01:22:08 |
MAN: (SINGING) For what he never knew |
| 01:22:11 |
Now man's reign is through |
| 01:22:14 |
But through the eternal night |
| 01:22:17 |
The twinkling of starlight |
| 01:22:20 |
So very far away |
| 01:22:22 |
Maybe it's only yesterday |
| 01:22:26 |
(EX CLAIMING) |
| 01:22:27 |
In the year 2525 |
| 01:22:31 |
If man is still alive |
| 01:22:34 |
(GRUNTS) |
| 01:22:37 |
(EX CLAIMING) |
| 01:22:44 |
(EXHALES) |
| 01:22:45 |
Yeah. |
| 01:22:51 |
Oh, my gosh. |
| 01:22:54 |
Benjamin, you are so talented. |
| 01:22:57 |
This is amazing. |
| 01:23:00 |
So are you, Mom. |
| 01:23:03 |
What's this? |
| 01:23:12 |
I love you. |
| 01:23:16 |
(JUDITH CRYING) |
| 01:23:19 |
(SNAKE HISSING) |
| 01:24:01 |
(WHOOPING) |
| 01:24:42 |
(CARRY ON WA YWARD SON PLAYING) |
| 01:24:43 |
MAN: (SINGING) Carry on my wayward son |
| 01:24:46 |
There'll be peace when you are done |
| 01:24:50 |
Lay your weary head to rest |
| 01:24:54 |
Don't you cry no more |
| 01:25:50 |
Once I rose above |
| 01:25:54 |
Just to get a glimpse |
| 01:25:58 |
I was soaring ever higher |
| 01:26:02 |
But I flew too high |
| 01:26:06 |
Though my eyes could see |
| 01:26:10 |
Though my mind could think |
| 01:26:13 |
I hear the voices when I'm dreaming |
| 01:26:17 |
I can hear them say |
| 01:26:21 |
Carry on my wayward son |
| 01:26:25 |
There'll be peace when you are done |
| 01:26:28 |
Lay your weary head to rest |
| 01:26:32 |
Don't you cry no more |
| 01:26:46 |
Masquerading as a man with a reason |
| 01:26:49 |
My charade is the event of the season |
| 01:26:53 |
And if I claim to be a wise man |
| 01:26:57 |
It surely means that I don't know |
| 01:27:01 |
On a stormy sea of moving emotion |
| 01:27:04 |
Tossed about, |
| 01:27:08 |
I set a course for winds of fortune |
| 01:27:12 |
But I hear the voices say |
| 01:27:16 |
Carry on my wayward son |
| 01:27:19 |
There'll be peace when you are done |
| 01:27:23 |
Lay your weary head to rest |
| 01:27:27 |
- Don't you cry no more |
| 01:28:57 |
(MOANING) Oh, yeah. |
| 01:29:06 |
ripped by looxlike |
