|
Get Shorty
|
| 00:00:18 |
It's fucking cold outside. |
| 00:00:21 |
That guy on the radio said |
| 00:00:24 |
It's 34. |
| 00:00:25 |
That's freezing, for chrissakes. |
| 00:00:29 |
Yo, Chili. |
| 00:00:32 |
They're closing down the Granville. |
| 00:00:34 |
You know, |
| 00:00:37 |
That guy owes Momo a couple G's. |
| 00:00:39 |
I know. I was thinking |
| 00:00:42 |
I could run it. |
| 00:00:45 |
Why would Momo want a theater |
| 00:00:49 |
Outside of making it a porno house, |
| 00:00:53 |
I'm gonna go |
| 00:00:55 |
-Besides, you got a job. |
| 00:00:59 |
How you doing, Ray? |
| 00:01:00 |
Good. You? |
| 00:01:02 |
Okay. |
| 00:01:05 |
Miami Beach, for chrissakes! |
| 00:01:07 |
Chili Palmer. |
| 00:01:09 |
It's chilly outside, |
| 00:01:12 |
It's a regular fucking chilifest. |
| 00:01:16 |
How you doing, Ray? |
| 00:01:17 |
Obviously much better |
| 00:01:22 |
That was a good one. |
| 00:01:32 |
When you're done staring |
| 00:01:35 |
I'll meet you |
| 00:01:50 |
-Where's my coat? |
| 00:01:53 |
Do you see |
| 00:01:55 |
like Pacino wore in ''Serpico''? |
| 00:01:57 |
-Cause if you don't, you owe me $379. |
| 00:02:00 |
I didn't come to Florida |
| 00:02:04 |
Find my coat or give me the $379 |
| 00:02:13 |
Wait a minute. |
| 00:02:15 |
No, he didn't take it. |
| 00:02:17 |
'Cause someone took his coat. |
| 00:02:19 |
So Mr. Barboni tried this other coat. |
| 00:02:22 |
That was my coat. |
| 00:02:23 |
He was wearing it home. |
| 00:02:26 |
My car keys are in that coat. |
| 00:02:28 |
Mr. Barboni is a good customer. |
| 00:02:32 |
I know who he works for. |
| 00:02:35 |
This way. |
| 00:02:37 |
Are you sure it was Ray Bones |
| 00:02:41 |
That's what the man said. |
| 00:02:42 |
Tomorrow, I see on the TV weather, |
| 00:02:45 |
-You don't need the coat. |
| 00:02:48 |
Hey, Chili. Get the coat. |
| 00:02:52 |
Then we're gonna have to call Momo |
| 00:02:55 |
And Momo'll be pissed off for wasting |
| 00:02:59 |
Don't worry. I'm not saying |
| 00:03:25 |
Yeah, yeah. |
| 00:03:30 |
What! |
| 00:03:33 |
My nose! |
| 00:04:14 |
Holy shit! |
| 00:04:16 |
Somebody call 9-fucking-1-1 ! |
| 00:04:20 |
Somebody call 9-fucking-1-1 ! |
| 00:04:25 |
What do you want me to do? |
| 00:04:29 |
You're lucky |
| 00:04:31 |
The coat was a Christmas present, |
| 00:04:35 |
Listen to me, Jimmy. |
| 00:04:36 |
You gotta do something about this guy. |
| 00:04:39 |
He's got no fucking respect |
| 00:04:42 |
He's got no respect for you. |
| 00:04:44 |
I don't got to do shit. |
| 00:04:48 |
He works for Momo |
| 00:04:50 |
As long as Momo's around, |
| 00:04:54 |
Do you understand? |
| 00:04:56 |
Over here. |
| 00:05:01 |
We're here, Momo. |
| 00:05:03 |
I hope you checked this place out good, |
| 00:05:07 |
and I don't want |
| 00:05:09 |
I checked everything, Momo. |
| 00:05:46 |
Who is it? |
| 00:05:47 |
It's Momo. |
| 00:05:49 |
Get in here. |
| 00:05:56 |
Surprise! |
| 00:08:18 |
So you're trying to say |
| 00:08:20 |
No, I said I'm never going to bed. |
| 00:08:24 |
This article says |
| 00:08:27 |
As long as I stay |
| 00:08:30 |
What? That's the dumbest thing I ever |
| 00:08:34 |
In my recliner. |
| 00:08:37 |
Or I'll go to a coffee shop, |
| 00:08:41 |
How many people you know |
| 00:08:50 |
You cut straight hair in here |
| 00:08:54 |
Hey, Bones. That's quite a scar |
| 00:08:57 |
Why don't you have these guys fit you |
| 00:09:01 |
You two geezers |
| 00:09:05 |
This man is the man. You understand |
| 00:09:09 |
He's Mr. Bones, |
| 00:09:13 |
You can do better |
| 00:09:16 |
Not these days. |
| 00:09:20 |
You got a miss. |
| 00:09:23 |
He's dead. |
| 00:09:24 |
How do you know? |
| 00:09:26 |
Yeah, he told me |
| 00:09:28 |
Personally? |
| 00:09:30 |
Yeah, he personally told me |
| 00:09:33 |
in that getaway jet crash |
| 00:09:35 |
Maybe he took out flight insurance. |
| 00:09:38 |
You check it out. |
| 00:09:41 |
He owns some dry cleaning store |
| 00:09:44 |
Let me explain something to you. |
| 00:09:47 |
Which means everything he had now |
| 00:09:51 |
Which also means that when I speak, |
| 00:09:55 |
E.g., from now on, you start showing me |
| 00:09:59 |
E.g. means ''for example.'' |
| 00:10:01 |
I think you want to say ''i.e.'' |
| 00:10:03 |
-Bullshit. It's short for ''ergo.'' |
| 00:10:06 |
To the best of my knowledge, |
| 00:10:09 |
E.g., i.e., fuck you! |
| 00:10:13 |
you say, ''Okay!'' |
| 00:10:15 |
-Yeah. Okay. |
| 00:10:17 |
You owe me the dry cleaner's 15 G's |
| 00:10:20 |
which is another... |
| 00:10:26 |
2,700. |
| 00:10:28 |
Get it from his wife or out of |
| 00:10:32 |
But you never hand me a book |
| 00:10:41 |
We'll see you, Ray. |
| 00:10:44 |
Go see the dry cleaner's wife. |
| 00:10:48 |
I told you not to piss him off. |
| 00:10:50 |
Don't say another fucking word. |
| 00:10:54 |
I hate the dry cleaning business. |
| 00:10:57 |
I hate being inside all day |
| 00:11:01 |
Must be hot. |
| 00:11:03 |
You have no idea how hot it is. |
| 00:11:08 |
You know, Fay, I was wondering... |
| 00:11:11 |
did Leo have life insurance? |
| 00:11:14 |
I don't know of any. |
| 00:11:22 |
I trust you, Chili. |
| 00:11:25 |
I think you're a decent type of man. |
| 00:11:29 |
Thank you. Thank you, Fay. |
| 00:11:33 |
I wish he really was dead. |
| 00:11:36 |
He's a son of a bitch. |
| 00:11:45 |
That's him, all right. |
| 00:11:48 |
Hit on every showgirl in town. |
| 00:11:50 |
Tell them he was the ''Martinizing King'' |
| 00:11:52 |
He's in L.A. |
| 00:11:54 |
Put him on a plane. |
| 00:11:57 |
Leo spanked her? |
| 00:11:58 |
Apparently... |
| 00:12:00 |
he invites her to the track |
| 00:12:02 |
She tells him what he can do with that. |
| 00:12:06 |
My guess, he's by his lonesome |
| 00:12:09 |
If you go to L.A., |
| 00:12:13 |
Sixty days over. |
| 00:12:15 |
Movie producer? |
| 00:12:18 |
-Yeah, why not? |
| 00:12:20 |
You're gonna love this guy. |
| 00:12:23 |
Harry Zimm. |
| 00:12:38 |
Thanks a bunch. |
| 00:12:40 |
-Where is it? |
| 00:12:44 |
-What is that? |
| 00:12:48 |
I ordered a Cadillac. |
| 00:12:49 |
That's the Cadillac of minivans. |
| 00:12:52 |
Are you kidding me? |
| 00:12:54 |
If you want, La Tijera Car Rental |
| 00:12:57 |
but I think all they got |
| 00:13:01 |
I guess I'll take |
| 00:13:23 |
Harry. |
| 00:13:26 |
Goddamn it, wake up. |
| 00:13:29 |
What's wrong? |
| 00:13:30 |
Somebody's downstairs. |
| 00:13:32 |
Be quiet. |
| 00:13:34 |
I don't hear anything. |
| 00:13:36 |
Right there. |
| 00:13:40 |
That's the television. |
| 00:13:42 |
When I came upstairs, you stayed |
| 00:13:45 |
I told you to turn off |
| 00:13:48 |
I also told you |
| 00:13:52 |
I did that. I turned the television off |
| 00:13:57 |
then I laid it on the floor. |
| 00:14:00 |
You know what could've happened? |
| 00:14:03 |
The dog came in, stepped on it |
| 00:14:06 |
I don't have a dog, Harry. |
| 00:14:11 |
You don't? |
| 00:14:13 |
What happened to Muffy? |
| 00:14:15 |
Are you going down there, |
| 00:14:18 |
I'm going. |
| 00:14:20 |
Hurry! |
| 00:14:27 |
Anybody skimming the pool? |
| 00:14:30 |
I'm going, I'm going. |
| 00:14:34 |
I'm going to the bathroom. |
| 00:14:36 |
I'm going. |
| 00:14:55 |
Are you on |
| 00:14:57 |
No, not yet. |
| 00:14:59 |
Where I live, with all the premium |
| 00:15:03 |
2,800 channels! |
| 00:15:05 |
-2,800. |
| 00:15:07 |
Harry Zimm. |
| 00:15:09 |
Jesus Christ! |
| 00:15:11 |
How you doing? |
| 00:15:14 |
Oh, Jesus. If I have a heart attack, |
| 00:15:17 |
Where you been, Harry? |
| 00:15:19 |
Have we met? |
| 00:15:21 |
We just did. |
| 00:15:24 |
You're in pictures, right? |
| 00:15:26 |
Did you think what would happen |
| 00:15:29 |
Look at me, Harry. |
| 00:15:30 |
I am. |
| 00:15:32 |
Keep looking at me. |
| 00:15:34 |
That's what I'm doing. |
| 00:15:38 |
You know Dick Allen? |
| 00:15:40 |
That's what this is. You're a collector |
| 00:15:44 |
You come in here |
| 00:15:47 |
I thought you were an actor |
| 00:15:50 |
We'll see about this. |
| 00:15:56 |
Operator, |
| 00:15:59 |
Harry, let me |
| 00:16:01 |
Don't act like a hard-on. |
| 00:16:05 |
You want to sit |
| 00:16:11 |
Harry, a marker is like a check. |
| 00:16:13 |
I know what a marker is. |
| 00:16:16 |
They don't want yours to bounce. |
| 00:16:19 |
Your dear friend, |
| 00:16:22 |
left messages on your machine, |
| 00:16:24 |
So he asked me to look you up. |
| 00:16:27 |
So I follow you here, |
| 00:16:30 |
Looks like Karen Flores, |
| 00:16:34 |
You're not looking at me, Harry. |
| 00:16:35 |
-Why must I look at you? |
| 00:16:38 |
You're going to get rough? |
| 00:16:40 |
I make good by tomorrow, |
| 00:16:42 |
Come on, Harry. |
| 00:16:45 |
You tell Dick Allen... |
| 00:16:47 |
I'll cover those markers |
| 00:16:49 |
If he doesn't like it, |
| 00:16:56 |
So you want me to call you a cab? |
| 00:16:58 |
You make movies? |
| 00:17:00 |
I produce |
| 00:17:04 |
You mentioned ''Grotesque'' before? |
| 00:17:06 |
That happens to be ''Grotesque, Part II'' |
| 00:17:10 |
She also starred in three |
| 00:17:13 |
You may have seen them. |
| 00:17:16 |
I got an idea for a movie. |
| 00:17:32 |
Leo, he would wear... |
| 00:17:34 |
plaid wool hats in Miami |
| 00:17:40 |
He doesn't want anyone |
| 00:17:48 |
Say hello to Chili Palmer. |
| 00:17:50 |
Chili, this is Karen Flores. |
| 00:17:52 |
It's a pleasure to meet you. |
| 00:17:54 |
How'd you get in the house? |
| 00:17:56 |
He just told me an idea for a movie. |
| 00:17:59 |
Sit down, have a drink. Tell Karen. |
| 00:18:03 |
Maybe you didn't hear me. |
| 00:18:05 |
I came in the back door. |
| 00:18:07 |
-You broke in. |
| 00:18:11 |
-What if it were? |
| 00:18:14 |
It's about a dry cleaner that scams |
| 00:18:17 |
Tell her. |
| 00:18:18 |
Well, it's simple. |
| 00:18:20 |
Basically, it's about a guy |
| 00:18:23 |
and he's three weeks over |
| 00:18:25 |
The interest you have to pay. |
| 00:18:26 |
I know. |
| 00:18:28 |
Anyway, this dry cleaner-- |
| 00:18:31 |
He's scared. He doesn't know |
| 00:18:33 |
So Leo gets on a plane, |
| 00:18:37 |
They announce there's some kind |
| 00:18:40 |
They'll be there maybe an hour... |
| 00:18:42 |
but keep your seats, |
| 00:18:44 |
The guy's in no shape |
| 00:18:47 |
So he gets off the plane. |
| 00:18:49 |
He goes to the cocktail lounge |
| 00:18:52 |
In fact, he's still in the lounge |
| 00:19:01 |
When the guy finds out it was |
| 00:19:04 |
If he had stayed on the plane, |
| 00:19:06 |
He knows his luck has changed. |
| 00:19:08 |
If everybody thinks he's dead, he won't |
| 00:19:12 |
Keep going. |
| 00:19:14 |
Since Leo's name was |
| 00:19:16 |
they bring his wife |
| 00:19:18 |
They're going through personal effects, |
| 00:19:21 |
Leo's bags were on the plane. |
| 00:19:24 |
things that only she would |
| 00:19:35 |
My Leo! |
| 00:19:38 |
A couple days go by. |
| 00:19:41 |
They tell her they're sorry their plane |
| 00:19:46 |
The amount based on what he would |
| 00:19:49 |
How much is she offered? |
| 00:19:51 |
300 grand. So they take it. |
| 00:19:55 |
He gets his wife |
| 00:19:57 |
and he takes off for Vegas |
| 00:19:59 |
He gets there. |
| 00:20:01 |
to let her know |
| 00:20:03 |
She never hears from him again, |
| 00:20:05 |
He runs the 300 grand |
| 00:20:08 |
-He comes to L.A.-- |
| 00:20:10 |
because he's winning, |
| 00:20:12 |
So we show in a back story |
| 00:20:16 |
He's got the dough |
| 00:20:19 |
mix with the celebs, |
| 00:20:21 |
so he comes to L.A. |
| 00:20:23 |
I don't know about the mixing |
| 00:20:25 |
That was something new |
| 00:20:28 |
But, yeah, |
| 00:20:30 |
I don't know |
| 00:20:32 |
What? That's it? |
| 00:20:34 |
I said that I had |
| 00:20:37 |
That's half a movie |
| 00:20:39 |
There's maybe 40 minutes |
| 00:20:41 |
You don't have a girl, |
| 00:20:44 |
On top of that, you don't have |
| 00:20:46 |
-You don't have a good guy. |
| 00:20:49 |
The shylock is barely mentioned... |
| 00:20:51 |
and it's not believable the wife |
| 00:20:54 |
Harry doesn't realize |
| 00:20:56 |
That Miami flight that went down? |
| 00:21:00 |
Harry must've been busy. |
| 00:21:01 |
-That's where you got the idea? |
| 00:21:05 |
Wait a minute. You're not the guy? |
| 00:21:08 |
Leo. |
| 00:21:09 |
You wouldn't be talking to me |
| 00:21:11 |
-No, I'm not the guy, Harry. |
| 00:21:15 |
For God's sake, Harry, |
| 00:21:17 |
That's what you do for a living? |
| 00:21:19 |
That's what I did until recently. |
| 00:21:22 |
After I'm done here, |
| 00:21:25 |
I got an early call. |
| 00:21:27 |
No problem, babe. |
| 00:21:30 |
I'm saying that I would like you |
| 00:21:35 |
Oh, yeah. |
| 00:21:38 |
It was absolutely a pleasure |
| 00:21:53 |
I guess in your line of work |
| 00:21:56 |
You know, in case |
| 00:21:59 |
They always pay. |
| 00:22:02 |
You pack a gun? |
| 00:22:04 |
Not really. |
| 00:22:06 |
You ever been arrested? |
| 00:22:07 |
I've been picked up for loan-sharking |
| 00:22:12 |
No, I'm clean, Harry. |
| 00:22:14 |
Racketeering. |
| 00:22:16 |
That covers a lot of ground, |
| 00:22:18 |
Get to the point. |
| 00:22:33 |
That's us. |
| 00:23:27 |
Good girl. |
| 00:23:32 |
Don't say nothing. |
| 00:23:33 |
Sit down and act like |
| 00:23:36 |
What the fuck you talking about? |
| 00:23:38 |
-Give me the fucking money. |
| 00:23:42 |
Now, be looking. |
| 00:23:44 |
Man over to your right |
| 00:23:48 |
Derecho. |
| 00:23:51 |
That's a federal officer. |
| 00:23:54 |
He moves his leg, |
| 00:23:58 |
Good. |
| 00:24:02 |
Try it without looking |
| 00:24:05 |
-What's your name? |
| 00:24:07 |
All right. You know he's there. |
| 00:24:09 |
I'm gonna get up. Once I'm gone, |
| 00:24:12 |
You feel something under your ass. |
| 00:24:14 |
to a locker |
| 00:24:17 |
along with some product |
| 00:24:19 |
Powder's been stepped on |
| 00:24:21 |
You're supposed to give me |
| 00:24:23 |
Try to be cool, Yahoo. |
| 00:24:26 |
I told you where it is. |
| 00:24:28 |
Do it how I told you, |
| 00:24:49 |
What'd you have for breakfast? |
| 00:24:51 |
How come you weigh so much? |
| 00:24:54 |
Did you have a burrito? |
| 00:24:58 |
Give it to the nice lady. |
| 00:25:03 |
Say thank you. |
| 00:25:05 |
Thank you. |
| 00:25:10 |
Like fucking clockwork, huh, Bear? |
| 00:25:12 |
Hi, Bo! |
| 00:25:13 |
Hey, Farrah. |
| 00:25:16 |
Told you to watch your mouth |
| 00:25:25 |
These guys, my investors, |
| 00:25:28 |
They put some money |
| 00:25:32 |
Did okay. |
| 00:25:34 |
This was a few months ago |
| 00:25:38 |
about this band of killer circus freaks |
| 00:25:42 |
There's a 700-pound fat lady who has |
| 00:25:46 |
Harry, look at me. |
| 00:25:48 |
You're trying to tell me you fucked up |
| 00:25:51 |
and that's hard to do. |
| 00:25:53 |
Let's talk |
| 00:25:55 |
You blew 200 grand |
| 00:25:57 |
on a football game in Vegas, |
| 00:26:01 |
They don't seem like they'd take it |
| 00:26:04 |
They'd break my legs. |
| 00:26:06 |
You got that on the brain. |
| 00:26:10 |
I needed a half-million dollars |
| 00:26:12 |
A movie script? |
| 00:26:14 |
Blockbuster but quality. |
| 00:26:17 |
This is going to be |
| 00:26:23 |
Murray Saffrin, the guy who wrote it, |
| 00:26:26 |
Had it in his drawer |
| 00:26:28 |
He shows it to me. Says he's got |
| 00:26:32 |
-Would I produce it? |
| 00:26:34 |
Two-time Academy Award nominee, |
| 00:26:39 |
That's Martin Weir. |
| 00:26:40 |
He played the mob guy |
| 00:26:43 |
One of his best parts. |
| 00:26:45 |
His best was when he played the crippled |
| 00:26:48 |
''Ride the Clouds.'' |
| 00:26:50 |
-That woman. She looks familiar. |
| 00:26:53 |
Every day, same time, |
| 00:26:56 |
He faces west, |
| 00:26:58 |
She faces east |
| 00:27:01 |
Unbelievable. |
| 00:27:03 |
Anyway, |
| 00:27:05 |
who happens to be |
| 00:27:07 |
Murray gives the shrink the script. |
| 00:27:09 |
The shrink gives it to the trainer, |
| 00:27:13 |
-Martin loves it. He flips. |
| 00:27:16 |
The problem is Murray. |
| 00:27:19 |
Doris, Murray's widow... |
| 00:27:21 |
finds out about the Martin Weir thing, |
| 00:27:25 |
she wants half a million |
| 00:27:27 |
So you want me to put you |
| 00:27:30 |
so he can invest in your movie? |
| 00:27:32 |
That, or what if |
| 00:27:34 |
were to befall the Widow Saffrin? |
| 00:27:37 |
No. I'm not going to pop her, okay? |
| 00:27:39 |
It was just a thought. |
| 00:27:41 |
I'll tell you what I can do. |
| 00:27:46 |
Make the point so they understand. |
| 00:27:48 |
You don't know these guys. |
| 00:27:49 |
Believe me, Harry. |
| 00:28:10 |
I once asked a literary agent |
| 00:28:13 |
He said, ''Ransom notes.'' |
| 00:28:16 |
Ransom notes. |
| 00:28:18 |
Here it is, |
| 00:28:26 |
''Lovejoy sits behind the wheel watching |
| 00:28:30 |
Is he following someone? |
| 00:28:32 |
Read it. |
| 00:28:42 |
I think your investors are here. |
| 00:28:45 |
Oh, Jesus. |
| 00:28:46 |
All right, this is the plan. |
| 00:28:48 |
I want the limo guys to sit in the chairs, |
| 00:28:53 |
No, no. Keep the blinds open. |
| 00:28:56 |
I'll sit at the desk. |
| 00:28:59 |
Just start talking, |
| 00:29:03 |
You understand? |
| 00:29:05 |
They'll be looking at you, |
| 00:29:07 |
They'll be saying, |
| 00:29:10 |
But don't say anything. |
| 00:29:12 |
-I gotta say something. |
| 00:29:15 |
Don't say more than you have to. |
| 00:29:17 |
Unless it's like... |
| 00:29:19 |
''Glad you assholes stopped by. |
| 00:29:21 |
You're kidding, right? |
| 00:29:23 |
Just say the movie's been |
| 00:29:26 |
Whatever you do, don't mention |
| 00:29:31 |
All right. Let's go. |
| 00:29:34 |
-Hey, Ronnie. |
| 00:29:38 |
-Bo. |
| 00:29:40 |
Did we enter a time warp? I feel |
| 00:29:44 |
Have a seat. |
| 00:29:52 |
This is my associate, Chili Palmer. |
| 00:29:55 |
So there's no misunderstanding... |
| 00:29:56 |
in spite of the rumors |
| 00:29:59 |
your investment in ''Freaks'' |
| 00:30:02 |
your participation agreement. |
| 00:30:04 |
I can hear you, man, |
| 00:30:06 |
Right here. |
| 00:30:09 |
What I've been wondering is, |
| 00:30:13 |
Where you been? |
| 00:30:15 |
New York. I was interviewing actors, |
| 00:30:19 |
Main thing is ''Freaks'' is going |
| 00:30:22 |
-A couple months? |
| 00:30:26 |
Just a couple months. |
| 00:30:29 |
prep. |
| 00:30:31 |
Bullshit, man! |
| 00:30:34 |
We are going to do this picture. |
| 00:30:37 |
I just have |
| 00:30:39 |
One I promised this guy for years. |
| 00:30:42 |
I want to see your books. |
| 00:30:44 |
Show me a two |
| 00:30:46 |
In black and white. |
| 00:30:49 |
I want to see |
| 00:30:51 |
Hey, Ronnie. |
| 00:30:54 |
You have a piece of a movie, |
| 00:30:58 |
If he wants to do another movie |
| 00:31:02 |
Excuse me, bro', |
| 00:31:04 |
I'm telling you how it is. |
| 00:31:11 |
What is this other movie |
| 00:31:13 |
-Let me show you. |
| 00:31:16 |
Who am I talking to? |
| 00:31:19 |
You can talk to me. |
| 00:31:20 |
That's what I thought. |
| 00:31:24 |
Outside of ''Freaks,'' it's none |
| 00:31:28 |
Here it is right here. |
| 00:31:32 |
I don't want you to think |
| 00:31:36 |
''Mr. Loveboy.'' |
| 00:31:39 |
It's fluff. |
| 00:31:42 |
You think we see your movies? |
| 00:31:47 |
It makes no difference to me |
| 00:31:49 |
Take our 20 points |
| 00:31:52 |
and put them in this |
| 00:31:54 |
No, I can't do that. |
| 00:31:57 |
You're positive? |
| 00:31:58 |
It's a different kind of deal. |
| 00:32:03 |
Okay. Then be good enough |
| 00:32:07 |
or you think about us coming in |
| 00:32:11 |
By Friday, |
| 00:32:14 |
You hear me? |
| 00:32:16 |
Take your time, Harry. |
| 00:32:19 |
Are we, Ronnie? |
| 00:32:35 |
What? |
| 00:32:46 |
What! |
| 00:32:50 |
Maybe I wasn't clear, but I thought |
| 00:32:54 |
I had to tell them something. |
| 00:32:58 |
Never say anything |
| 00:33:01 |
You asked me to get these guys |
| 00:33:03 |
Next thing I know, you're saying, |
| 00:33:06 |
I couldn't believe my ears. |
| 00:33:08 |
I told them I'd think about it. |
| 00:33:10 |
In this town, what does that mean? |
| 00:33:12 |
That's the difference |
| 00:33:15 |
I say what I mean. If I want something |
| 00:33:19 |
If I want Martin Weir, |
| 00:33:21 |
I don't fuck around |
| 00:33:24 |
Shrink's trainer. |
| 00:33:25 |
Take me back to my car. |
| 00:33:41 |
- Tommo? Chili. |
| 00:33:44 |
I been calling |
| 00:33:46 |
Ray Bones is looking for you. |
| 00:33:49 |
-I'm in L.A. now. |
| 00:33:52 |
Going into the movie business. |
| 00:33:55 |
What the fuck do you know |
| 00:33:57 |
I don't think |
| 00:33:59 |
I think you're full of shit. |
| 00:34:02 |
I gotta go. |
| 00:34:03 |
Call me when you know more |
| 00:34:06 |
-Hey, Chili-- |
| 00:34:08 |
What are you doing here? |
| 00:34:11 |
I wanted to apologize |
| 00:34:14 |
Let me get this straight. |
| 00:34:16 |
You broke in again to apologize |
| 00:34:19 |
Your patio door was open. |
| 00:34:21 |
You shouldn't do that. |
| 00:34:24 |
Make sure you lock it |
| 00:34:27 |
Bad day? |
| 00:34:28 |
I spent all day |
| 00:34:30 |
The director said |
| 00:34:32 |
the emotional core |
| 00:34:34 |
What? Obviously he didn't |
| 00:34:39 |
You saw that? |
| 00:34:40 |
When you turn to the camera... |
| 00:34:43 |
and say to the alien mother |
| 00:34:46 |
Joan Crawford, on her best day, |
| 00:34:50 |
in her day, the intensity you |
| 00:34:54 |
That was a good scene. |
| 00:34:57 |
For any movie. |
| 00:34:59 |
I'm better than |
| 00:35:01 |
walking around in a tank top and fuck-me pumps, |
| 00:35:05 |
But what a scream. |
| 00:35:07 |
It's a real gift. |
| 00:35:08 |
All I'm saying is it'd be nice to get |
| 00:35:12 |
Like in that great Bette Davis movie, |
| 00:35:15 |
where she walks up to the guy, |
| 00:35:18 |
and says, ''I'd kiss you, |
| 00:35:21 |
Great line. |
| 00:35:22 |
How come you don't do movies |
| 00:35:24 |
Because I married the great Martin Weir. |
| 00:35:28 |
Have you read Harry's new script? |
| 00:35:31 |
He says it's the best thing |
| 00:35:34 |
He must mean |
| 00:35:37 |
Was that why Harry |
| 00:35:39 |
To ask you to help him |
| 00:35:42 |
Harry's dreaming of a $40 million |
| 00:35:44 |
he'll never get off the ground... |
| 00:35:46 |
with a star he'll never sign, |
| 00:35:49 |
He said Martin flipped over it. |
| 00:35:51 |
Martin's known for his flipping. |
| 00:35:54 |
He flips over a script, |
| 00:35:58 |
Why don't I go to Harry's office |
| 00:36:01 |
Read it yourself. |
| 00:36:04 |
Don't go out of your way. |
| 00:36:05 |
No, it's nothing. |
| 00:36:09 |
I better go talk to Leo, |
| 00:36:12 |
Right. |
| 00:36:14 |
That movie, ''Touch of Evil,'' |
| 00:36:17 |
We could check it out if you want. |
| 00:36:23 |
That's all right. |
| 00:36:28 |
See you around. |
| 00:36:32 |
See you. |
| 00:36:57 |
My name is Ray. |
| 00:37:01 |
Have you spoken with Mr. Palmer |
| 00:37:05 |
Once or twice. |
| 00:37:07 |
What was it you talked about? |
| 00:37:09 |
Nothing, really. |
| 00:37:11 |
This and that? |
| 00:37:18 |
I really want us to be friends. |
| 00:37:20 |
And we know that friends don't |
| 00:37:25 |
Let's start all over again... |
| 00:37:27 |
and you tell me |
| 00:37:33 |
Okay? |
| 00:37:40 |
Good evening, sir. |
| 00:37:41 |
And a very good evening |
| 00:37:44 |
Thank you. |
| 00:38:08 |
Leo. |
| 00:38:10 |
Look at me. |
| 00:38:15 |
I never thought |
| 00:38:17 |
Leaving over 300 grand |
| 00:38:20 |
But I guess you are. |
| 00:38:22 |
I didn't know |
| 00:38:25 |
Where would you? |
| 00:38:27 |
How about a bank? |
| 00:38:28 |
They'd report it to the IRS. |
| 00:38:30 |
Don't open an account. |
| 00:38:33 |
You dip in it |
| 00:38:35 |
How'd you know I was here? |
| 00:38:37 |
Here's another tip. |
| 00:38:39 |
Next time you write your wife, |
| 00:38:41 |
Fay told you about the money? |
| 00:38:47 |
I'm here to save your ass. |
| 00:38:49 |
How? By taking my money? |
| 00:38:51 |
The money you won today |
| 00:38:54 |
It's all mine! |
| 00:38:55 |
Leo, sit down. |
| 00:39:00 |
I don't know how you got this far. |
| 00:39:03 |
You're through. |
| 00:39:06 |
I hope you're not so dumb |
| 00:39:09 |
Ray Bones is the man |
| 00:39:11 |
When he finds out what you did, |
| 00:39:14 |
including the sporty little hat |
| 00:39:17 |
Most likely he'll shoot you, |
| 00:39:21 |
I'm not gonna do that. |
| 00:39:24 |
You've got $310,000 |
| 00:39:27 |
I'll take the 300 you scammed from |
| 00:39:30 |
I'll borrow from you |
| 00:39:33 |
Wait. |
| 00:39:35 |
You take all my money, |
| 00:39:38 |
At 18%. Now, don't ask another |
| 00:39:45 |
You won't know where I am! |
| 00:39:49 |
I'll find you, Leo. You leave |
| 00:39:57 |
Wait a minute. |
| 00:40:01 |
You want to borrow 10, |
| 00:40:04 |
That's 15 for the vig plus the 10. |
| 00:40:07 |
You go the whole year, buddy! |
| 00:40:10 |
You hear me! |
| 00:40:47 |
This is good. |
| 00:40:49 |
This ''Mr. Lovejoy.'' |
| 00:40:51 |
It needs a better ending, but yes, |
| 00:40:56 |
You understand. I knew Harry was lying, |
| 00:41:01 |
but holding on to it like you'd have |
| 00:41:06 |
That's funny. |
| 00:41:07 |
I was thinking what I'll have |
| 00:41:10 |
I'm explaining to you what |
| 00:41:13 |
I came to rip off any of this |
| 00:41:18 |
I wouldn't make you out to be a burglar. |
| 00:41:21 |
Harry called you his associate. |
| 00:41:25 |
I never heard your name or read it in |
| 00:41:29 |
What he said. |
| 00:41:31 |
You must bring |
| 00:41:33 |
I do. Me. |
| 00:41:36 |
It says here you're getting |
| 00:41:39 |
That's right. Martin. |
| 00:41:40 |
Come on. |
| 00:41:43 |
I'm gonna put a gun |
| 00:41:46 |
''Sign the fucking papers, Martin, |
| 00:41:48 |
That's it. |
| 00:41:50 |
I wonder, would that work? |
| 00:41:52 |
You know who I see |
| 00:41:54 |
Harvey Keitel. |
| 00:41:57 |
He was pretty good |
| 00:41:59 |
Missed it. |
| 00:42:01 |
You know who else? |
| 00:42:03 |
Morgan Freeman, yeah. |
| 00:42:07 |
So what? |
| 00:42:09 |
Where's it say in the script |
| 00:42:11 |
Color's what the part needs, man. |
| 00:42:16 |
What do you think of the script? |
| 00:42:23 |
First thing that's got |
| 00:42:26 |
The writer's name, Murray Saffrin, |
| 00:42:29 |
I'm with you on that one. |
| 00:42:32 |
You know what I'm thinking? |
| 00:42:34 |
Why don't you and I |
| 00:42:38 |
You could write one? |
| 00:42:39 |
There's nothing to it. |
| 00:42:40 |
All you do, you get an idea. |
| 00:42:44 |
Then you hire someone else |
| 00:42:47 |
where they belong, |
| 00:42:49 |
Maybe fix up the spelling |
| 00:42:52 |
Although I've seen some scripts |
| 00:42:55 |
There were hardly any commas at all, |
| 00:42:59 |
You get to the end. |
| 00:43:04 |
That's it? |
| 00:43:08 |
Then what the fuck |
| 00:43:12 |
Because I'm offering |
| 00:43:15 |
Tell you what. |
| 00:43:16 |
If I need a ride sometime... |
| 00:43:19 |
I'll let you know. |
| 00:43:25 |
How could you arrest me here? |
| 00:43:29 |
This is where you're going to die. |
| 00:43:35 |
That was no misfire! |
| 00:43:38 |
'cause I don't want |
| 00:43:40 |
unless you'd rather |
| 00:43:48 |
Is she there? |
| 00:43:50 |
She's in the car. |
| 00:43:53 |
- You sure you got enough? |
| 00:43:57 |
How many did you frame? |
| 00:43:59 |
-You better give me that gun. |
| 00:44:03 |
That's the second bullet |
| 00:44:05 |
That's the second bullet |
| 00:44:14 |
You're going down, Orson. |
| 00:44:20 |
Isn't somebody going to come |
| 00:44:23 |
In a few minutes. |
| 00:44:26 |
The cop did. |
| 00:44:28 |
The cop did. |
| 00:44:31 |
-He loved him. |
| 00:44:33 |
He was a great detective. |
| 00:44:35 |
-But a lousy cop. |
| 00:44:38 |
Is that all you have |
| 00:44:41 |
He was some kind of a man. |
| 00:44:47 |
What does it matter |
| 00:44:57 |
-Good-bye, Tanya. |
| 00:45:02 |
Adios. |
| 00:45:19 |
You've been here the whole time? |
| 00:45:21 |
I just caught the end. |
| 00:45:23 |
Welles didn't even want |
| 00:45:25 |
He had some studio contract |
| 00:45:28 |
Sometimes you do your best work |
| 00:45:34 |
I brought the script. |
| 00:45:36 |
Harry left a copy at my house. |
| 00:45:38 |
-How'd you like it? |
| 00:45:40 |
I don't like the title, |
| 00:45:43 |
-So you read it? |
| 00:45:46 |
-You and Harry make a great team. |
| 00:45:49 |
-I'll make a deal with him. |
| 00:45:52 |
I don't want to act in it. |
| 00:45:54 |
-Especially if I help get Martin. |
| 00:45:58 |
Yeah. |
| 00:46:00 |
Is that why you came? |
| 00:46:03 |
I want to know. |
| 00:46:04 |
Why would anyone want |
| 00:46:07 |
Yesterday you were a loan shark. |
| 00:46:09 |
Yeah, but I was never |
| 00:46:12 |
Especially this bullshit |
| 00:46:14 |
It's bad enough treating these guys |
| 00:46:17 |
Smiling at stupid comments |
| 00:46:20 |
You think the movie business |
| 00:46:23 |
Yeah, but I like movies. |
| 00:46:25 |
If I help Harry, |
| 00:46:28 |
outside of raising money |
| 00:46:30 |
That doesn't sound so hard. |
| 00:46:32 |
I was in the money business, and I have |
| 00:46:36 |
Listen, I'm going to talk |
| 00:46:39 |
I told Harry I'd meet you and him |
| 00:46:45 |
This just might work out. |
| 00:46:47 |
You never know. |
| 00:46:49 |
It just might. |
| 00:46:54 |
Adios. |
| 00:47:49 |
I spent eight hours at the airport |
| 00:47:53 |
I don't like that. |
| 00:47:54 |
This is not the way |
| 00:47:56 |
You do not know |
| 00:47:58 |
I don't want no fucking key. |
| 00:48:01 |
Yayo! You gonna smoke, |
| 00:48:07 |
I told you where the money is. |
| 00:48:11 |
No! |
| 00:48:13 |
I go to the airport, |
| 00:48:16 |
I tell them I come to get something |
| 00:48:19 |
-That's all you know? |
| 00:48:22 |
Wait here a minute, Yayo. |
| 00:48:26 |
Keep an eye on Yahoo for me. |
| 00:48:40 |
That's how you get things done. |
| 00:48:47 |
What the fuck |
| 00:48:49 |
I'm taking you out, Yahoo. |
| 00:49:02 |
Did you see that? |
| 00:49:05 |
Maybe we could get |
| 00:49:08 |
You could fix my railing |
| 00:49:11 |
I invite the man up here |
| 00:49:13 |
Get him to lean |
| 00:49:15 |
Dumbest idea I ever heard. |
| 00:49:19 |
Here's the thing, Bear. |
| 00:49:21 |
I want to produce movies. |
| 00:49:22 |
What's the point of living in L.A. |
| 00:49:26 |
And I mean high up in it. |
| 00:49:28 |
That's why Harry's going |
| 00:49:31 |
not Chili Palmer. |
| 00:49:54 |
I can't believe |
| 00:49:56 |
I bought it for ten bucks |
| 00:49:59 |
You were supposed to meet me |
| 00:50:01 |
I know, but look. ''Martin Weir's house |
| 00:50:04 |
-That must be Geo-- |
| 00:50:06 |
Nicole? |
| 00:50:08 |
Jesus, it is you. |
| 00:50:10 |
I don't believe this. |
| 00:50:12 |
This is great. |
| 00:50:14 |
-Hi, Nicki. |
| 00:50:16 |
Shit, I didn't see you there. |
| 00:50:18 |
Come in, baby. You gotta come in. |
| 00:50:23 |
Where've you been? |
| 00:50:27 |
Chili was the only one at Momo's |
| 00:50:30 |
What a gentleman. |
| 00:50:32 |
Do you like my hair? |
| 00:50:34 |
Nice, yeah. |
| 00:50:37 |
Martin won't let me shave. |
| 00:50:40 |
Takes him back to the sixties |
| 00:50:44 |
Speak of the devil. |
| 00:50:46 |
Karen, look at you. |
| 00:50:51 |
You smell so good. |
| 00:50:54 |
Neat. |
| 00:50:57 |
-Chili, is it? |
| 00:50:59 |
Chili's a gangster. |
| 00:51:01 |
Ran a club I used to play at |
| 00:51:04 |
-How is Momo these days? |
| 00:51:06 |
Bummer. |
| 00:51:08 |
Well, I'll let you get |
| 00:51:10 |
Chili, do not leave |
| 00:51:13 |
See you. |
| 00:51:17 |
So... |
| 00:51:20 |
You know how beautiful you are? |
| 00:51:23 |
You really are beautiful. |
| 00:51:25 |
I'm sitting here... |
| 00:51:28 |
I'm looking at you, |
| 00:51:31 |
-Really? |
| 00:51:33 |
I'm wondering, how did it go wrong? |
| 00:51:38 |
It didn't slip away. You did, by going |
| 00:51:43 |
Yeah. That was a good party. |
| 00:51:46 |
Marty, you were so good |
| 00:51:48 |
Martin. |
| 00:51:49 |
That was a beautiful role. |
| 00:51:51 |
All I had to do was find |
| 00:51:54 |
the stem I used to wind him up, |
| 00:51:57 |
-He'd just play. |
| 00:52:00 |
If I didn't know better, |
| 00:52:03 |
-Thank you. |
| 00:52:05 |
And the fink part. |
| 00:52:08 |
I never met a fink, |
| 00:52:11 |
but the way you played a fink, |
| 00:52:14 |
Yeah. |
| 00:52:15 |
Two weeks |
| 00:52:18 |
I went back to Bensonhurst |
| 00:52:21 |
I'm Italian, |
| 00:52:23 |
I wanted to get the rhythms |
| 00:52:28 |
We speak differently? |
| 00:52:30 |
It's more your attitude. |
| 00:52:32 |
Your speech patterns show a certain |
| 00:52:35 |
in your opinions, your indifference |
| 00:52:38 |
It's like-- |
| 00:52:40 |
We don't give a shit. |
| 00:52:42 |
Kind of, yeah. |
| 00:52:44 |
Anyway, once I get |
| 00:52:47 |
the rhythms, |
| 00:52:51 |
I can actually get into their heads |
| 00:52:55 |
-Really? |
| 00:52:57 |
I'm one of those guys. |
| 00:53:00 |
Don't get me wrong. |
| 00:53:02 |
An actual metamorphosis doesn't |
| 00:53:07 |
-So you don't know what I'm thinking? |
| 00:53:11 |
You want to know |
| 00:53:13 |
-Yeah, if you want to tell me. |
| 00:53:16 |
One of mine? |
| 00:53:17 |
No, one that we're producing. |
| 00:53:20 |
With what? |
| 00:53:24 |
Maybe this wasn't a good idea. |
| 00:53:26 |
No, no. |
| 00:53:30 |
Not since I left |
| 00:53:32 |
The pressure got too much? |
| 00:53:34 |
Pressure? I'm the one |
| 00:53:36 |
Oh, yeah? |
| 00:53:38 |
-Can I ask a question? |
| 00:53:40 |
You're an actor. |
| 00:53:43 |
We've been known to make believe. |
| 00:53:45 |
Pretend this. |
| 00:53:48 |
A guy owes you 15 grand, |
| 00:53:50 |
He takes off. |
| 00:54:06 |
Oh, Martin, |
| 00:54:09 |
Just... |
| 00:54:10 |
you know. |
| 00:54:12 |
I'm doing Shylock, |
| 00:54:14 |
-Right. |
| 00:54:17 |
The acquisition of money. |
| 00:54:19 |
To inflict pain if I have to. |
| 00:54:22 |
Guy splits with 15 large |
| 00:54:24 |
I'd go after him! |
| 00:54:27 |
-Look at me. |
| 00:54:29 |
No, look at me |
| 00:54:31 |
Put it in your eyes. |
| 00:54:33 |
''You're mine, asshole.'' |
| 00:54:37 |
How about this? |
| 00:54:42 |
What are you telling me? |
| 00:54:45 |
That you want to go to bed? |
| 00:54:46 |
Wait, wait. |
| 00:54:57 |
Now you're squinting, |
| 00:55:01 |
What do you-- |
| 00:55:03 |
-Look at me. |
| 00:55:05 |
What I'm thinking is, |
| 00:55:07 |
''I fucking own you.'' |
| 00:55:09 |
What I'm not doing is feeling |
| 00:55:12 |
You see, |
| 00:55:14 |
You're an entry in my book. |
| 00:55:18 |
All right. |
| 00:55:26 |
Not bad. |
| 00:55:29 |
-No wonder you're Martin Weir. |
| 00:55:32 |
That's what I think of you, asshole. |
| 00:55:35 |
Nothing. |
| 00:55:36 |
I believe it. |
| 00:55:39 |
I turn this on |
| 00:00:03 |
-How do I know that? |
| 00:00:06 |
His wife told me. |
| 00:00:16 |
Harry, how you doing? |
| 00:00:18 |
Oh, hi. |
| 00:00:22 |
I'm expecting some people. |
| 00:00:24 |
You must be doing some big deals, |
| 00:00:27 |
I'm working on a few things. |
| 00:00:29 |
I hear you bagged |
| 00:00:32 |
This town. |
| 00:00:35 |
Chili Palmer told me. |
| 00:00:37 |
Last night, when he called me |
| 00:00:40 |
Chili Palmer |
| 00:00:43 |
Yeah. |
| 00:00:46 |
So the wife sues the airline. |
| 00:00:50 |
Good-looking too. |
| 00:00:53 |
When do I meet up with the husband |
| 00:00:55 |
That's not so simple. |
| 00:00:57 |
There's a mob guy. Real hard-on. |
| 00:01:00 |
He wants to take you out |
| 00:01:04 |
Right, right. |
| 00:01:06 |
At this point, |
| 00:01:10 |
That's all you'll tell me? |
| 00:01:12 |
Actually, Martin, |
| 00:01:14 |
was to talk about ''Mr. Lovejoy.'' |
| 00:01:16 |
We understand you read the script. |
| 00:01:20 |
Refresh my memory. |
| 00:01:22 |
Listen, Harry. How'd you like |
| 00:01:26 |
You pay me back at your convenience |
| 00:01:28 |
Are you serious? |
| 00:01:30 |
All I want in return is to work |
| 00:01:33 |
I've already got some strong ideas |
| 00:01:37 |
Gentlemen, |
| 00:01:40 |
Let's get another for Mr. Zimm. |
| 00:01:46 |
You're just going to give me |
| 00:01:48 |
We'll talk about that, |
| 00:01:51 |
how'd you hook up |
| 00:01:55 |
''Mr. Lovejoy.'' was good. |
| 00:01:59 |
-Who's Buddy? |
| 00:02:01 |
-Karen knows him. |
| 00:02:03 |
I'm intrigued. |
| 00:02:05 |
Another look at ''The Cyclone.'' |
| 00:02:07 |
The way a visual fabric |
| 00:02:09 |
while the metaphor plays |
| 00:02:14 |
Hey, Chili, |
| 00:02:15 |
I like to sit up high. |
| 00:02:18 |
It is the Cadillac of minivans. |
| 00:02:21 |
Check this out. |
| 00:02:27 |
Mind if I take it for a spin? |
| 00:02:38 |
He was watching Letterman? |
| 00:02:42 |
Did he find the dry cleaner, |
| 00:02:45 |
Leo? |
| 00:02:48 |
I bet he did, but he ain't giving |
| 00:02:52 |
Not the way I am. |
| 00:02:55 |
Assuming I go along with this, |
| 00:02:59 |
Whenever you want. |
| 00:03:00 |
The money's in a jock bag |
| 00:03:04 |
just waiting in a locker |
| 00:03:06 |
At the airport? |
| 00:03:11 |
It was waiting on a deal |
| 00:03:15 |
You don't want to know. |
| 00:03:17 |
I don't know... |
| 00:03:19 |
It's not the kind of thing you do, |
| 00:03:21 |
Why not send your boy, |
| 00:03:24 |
If he gets busted, hit on the head, |
| 00:03:29 |
C-18. |
| 00:03:31 |
Magic number. |
| 00:03:39 |
I'm positive. |
| 00:03:42 |
No, it was Rita Hayworth |
| 00:03:46 |
Excuse me, Harry. |
| 00:03:49 |
Wait here. |
| 00:04:00 |
I'd like you to meet |
| 00:04:02 |
Movie stuntman, champion weight lifter, |
| 00:04:07 |
Throws things out |
| 00:04:09 |
You ought to turn around |
| 00:04:12 |
You're a stuntman? |
| 00:04:14 |
-Any good? |
| 00:04:25 |
That's not bad |
| 00:04:29 |
I'll make you a deal. |
| 00:04:30 |
If you can get out of here |
| 00:04:33 |
I won't clean up the floor with you |
| 00:04:37 |
You don't know me. |
| 00:04:39 |
You only think you do. |
| 00:04:53 |
That guy is a stuntman. |
| 00:04:54 |
Yeah, he was in ''Creatures II.'' |
| 00:05:05 |
Rough business |
| 00:05:07 |
I may have to go back |
| 00:05:10 |
What're you still doing |
| 00:05:12 |
He happens to be loaning me $500,000. |
| 00:05:16 |
I can write any kind |
| 00:05:18 |
-Cash or check? |
| 00:05:21 |
It happens to be sitting at the airport |
| 00:05:24 |
A locker at the airport. Jesus Christ, |
| 00:05:28 |
You're being set up. |
| 00:05:30 |
You cancelled that ''Freaks'' deal. |
| 00:05:32 |
Is that right? |
| 00:05:35 |
Why did Catlett say I should send you |
| 00:05:39 |
You haven't done a thing for me |
| 00:05:41 |
except show Bo Catlett my script. |
| 00:05:44 |
You're right. |
| 00:05:47 |
At least Bo has invested |
| 00:05:49 |
We spoke with Martin. |
| 00:05:51 |
We? |
| 00:05:52 |
-Chili and me. |
| 00:05:54 |
He asked us to call Buddy, |
| 00:05:56 |
A meeting. |
| 00:06:00 |
Guy's been in town two days... |
| 00:06:02 |
and already he thinks |
| 00:06:04 |
Okay, Mr. O. Selznick, |
| 00:06:07 |
or are you going to talk |
| 00:06:11 |
I found him, |
| 00:06:14 |
Do you have it? |
| 00:06:15 |
If I gave you Leo's money, |
| 00:06:18 |
-That's a new kind of trouble. |
| 00:06:21 |
Ray Barboni. He lives in Miami. |
| 00:06:25 |
Who the fuck is Momo? |
| 00:06:28 |
I tell you what I'll do for you. |
| 00:06:29 |
I'll go to the airport |
| 00:06:32 |
I'll check it out. If there's |
| 00:06:34 |
But don't get your hopes up. |
| 00:06:36 |
Maybe I should call |
| 00:06:39 |
and see if he wants |
| 00:06:41 |
Don't waste your time. |
| 00:06:44 |
Give me the key. |
| 00:06:52 |
Tell him he's gotta be out there |
| 00:06:56 |
Because the actor will |
| 00:06:59 |
I gotta go. |
| 00:07:05 |
Coming! |
| 00:07:09 |
-Who is it? |
| 00:07:11 |
Oh, fuck. |
| 00:07:13 |
I heard that. |
| 00:07:15 |
Hello, Doris. |
| 00:07:17 |
Harry Zimm. |
| 00:07:18 |
You look like a wet kiss. |
| 00:07:25 |
Aren't you going to offer me |
| 00:07:28 |
Come in, Doris. |
| 00:07:30 |
My favorite color... |
| 00:07:32 |
putty. |
| 00:07:34 |
I like it. |
| 00:07:36 |
What do you want? |
| 00:07:47 |
I miss Murray. |
| 00:07:49 |
Yeah, I miss him too. |
| 00:07:51 |
A hell of a good writer. |
| 00:07:53 |
I should know. I discovered him, |
| 00:07:56 |
What he was was a hack. |
| 00:07:59 |
He couldn't get a job writing |
| 00:08:02 |
I'm being honest. |
| 00:08:04 |
He was a lousy writer |
| 00:08:06 |
I just didn't know |
| 00:08:09 |
20/20 hindsight and all that. |
| 00:08:13 |
I hate being alone. |
| 00:08:15 |
The house is so quiet. |
| 00:08:17 |
So lonely. |
| 00:08:20 |
It needs... |
| 00:08:22 |
a man's touch. |
| 00:08:26 |
Nice necklace, Doris. |
| 00:08:36 |
I don't know |
| 00:08:39 |
You seem to feel fine about it. |
| 00:08:43 |
I mean morally. |
| 00:08:46 |
Murray's dead. |
| 00:08:51 |
Does this mean that... |
| 00:08:53 |
you'll reconsider our deal |
| 00:08:56 |
No, but now that |
| 00:08:58 |
I did talk to a gorgeous |
| 00:09:01 |
who just happened |
| 00:09:03 |
What'd he say? |
| 00:09:05 |
If Martin's interested, |
| 00:09:10 |
Don't worry, Harry. |
| 00:09:12 |
I'm still giving you until Friday. |
| 00:09:15 |
How honorable of you. |
| 00:09:18 |
You want me to go? |
| 00:09:20 |
Just say so. |
| 00:09:25 |
What the hell. |
| 00:09:35 |
Fuck. |
| 00:09:40 |
Fuck, fuck, fuck. |
| 00:09:48 |
What? |
| 00:09:49 |
Ray Barboni? |
| 00:09:50 |
Who is this? |
| 00:09:52 |
Is this the guy |
| 00:09:54 |
It depends. |
| 00:09:56 |
Who is this? |
| 00:09:57 |
This is the one telling you |
| 00:10:00 |
Okay, asshole? |
| 00:10:04 |
What 300 grand |
| 00:10:06 |
The 300 grand a guy named Leo Devoe |
| 00:10:10 |
The 300 grand Chili Palmer |
| 00:10:16 |
Hello? |
| 00:10:18 |
Are you there? |
| 00:10:19 |
I'm here. |
| 00:10:22 |
Either you're a big chickenshit, |
| 00:10:25 |
Trust me. |
| 00:10:28 |
Then who are you? |
| 00:10:30 |
I happen to work for Harry Zimm, okay? |
| 00:10:32 |
Who? |
| 00:10:33 |
Harry Zimm. The man happens to be |
| 00:10:37 |
Never heard of him. |
| 00:10:38 |
Maybe because you've never been |
| 00:10:42 |
Maybe you should get on a plane, come |
| 00:10:47 |
So this Zimm guy, |
| 00:10:50 |
Is that |
| 00:10:53 |
Zimm don't ask for dick. |
| 00:10:55 |
Zimm tells you the way it is, |
| 00:10:59 |
Or else what? |
| 00:11:01 |
Or else |
| 00:12:23 |
Excuse me. |
| 00:12:25 |
I have a gift |
| 00:12:27 |
It's a surprise, and I was wondering |
| 00:12:32 |
Ten bucks. |
| 00:12:35 |
Yeah, okay. |
| 00:12:37 |
You'll need some of this. |
| 00:12:40 |
Make it quick. |
| 00:12:43 |
C-17. |
| 00:13:03 |
Good man. |
| 00:14:05 |
Let's go, boys. |
| 00:14:10 |
Excuse me, sir. |
| 00:14:12 |
Agent Curtis, |
| 00:14:14 |
These are Agents Dunbar and Morgan. |
| 00:14:17 |
What's going on? |
| 00:14:19 |
Let's follow him and behave ourselves. |
| 00:14:28 |
Mr. Barbone? |
| 00:14:30 |
I'm Bobby, your driver. |
| 00:14:32 |
Yeah, but I hope you drive better |
| 00:14:35 |
The name is Barboni |
| 00:14:39 |
Want to go to the hotel first, |
| 00:14:41 |
I want to get my fucking money. |
| 00:14:46 |
[ Skipped item nr. 1122 ] |
| 00:14:46 |
-You live in Miami? |
| 00:14:48 |
Why are you in Los Angeles? |
| 00:14:49 |
-I'm in movies. |
| 00:14:51 |
-No, I'm a producer. |
| 00:14:53 |
Not yet, I just got started. |
| 00:14:57 |
I got a search warrant |
| 00:15:00 |
Pat him down. |
| 00:15:02 |
Put your hands on the wall. |
| 00:15:04 |
Spread your legs. |
| 00:15:06 |
What are you doing |
| 00:15:07 |
Picking up my wife, |
| 00:15:10 |
If you live in Miami, |
| 00:15:13 |
We had a fight. She left me. |
| 00:15:17 |
I called her and said, |
| 00:15:19 |
Maybe a change of scenery |
| 00:15:22 |
She said okay, |
| 00:15:25 |
-Wife a Lakers fan? |
| 00:15:28 |
I'm a fan of everything that's L.A. |
| 00:15:31 |
He's clean. |
| 00:15:34 |
You can go. |
| 00:15:37 |
What are you looking for? |
| 00:15:39 |
A bomb? |
| 00:15:40 |
Something that shouldn't be here. |
| 00:15:42 |
Is that right? |
| 00:15:43 |
Get an attendant to open the lockers. |
| 00:15:47 |
I'll think about it. |
| 00:15:48 |
I'd do that. |
| 00:15:50 |
Then I'd get |
| 00:16:03 |
You ever want to go to the beach, |
| 00:16:06 |
Of course, on the weekend |
| 00:16:09 |
I'm from Miami fucking Beach, |
| 00:16:13 |
Does the sun ever shine in this town, |
| 00:16:16 |
They say the smog's the reason |
| 00:16:20 |
That's what they say? |
| 00:16:22 |
What a bunch of fucking bullshit. |
| 00:16:39 |
I don't know how I could have |
| 00:16:41 |
The same as the other one except |
| 00:16:46 |
You didn't have the key on you? |
| 00:16:48 |
You think I'd be standing here? |
| 00:16:49 |
If you're gonna set someone up, |
| 00:16:52 |
it's gotta be a surprise. |
| 00:16:54 |
Spotted them? |
| 00:16:56 |
Did it work in some movie |
| 00:16:59 |
Got to ask you for that key back. |
| 00:17:02 |
Wait. The setup didn't work, |
| 00:17:06 |
Bo said if you didn't open the locker, |
| 00:17:09 |
You're serious? |
| 00:17:11 |
This is how you guys do business? |
| 00:17:15 |
There's no fucking way |
| 00:17:18 |
Unless you put a gun to my head. |
| 00:17:20 |
Move away |
| 00:17:22 |
I don't need a gun for you. |
| 00:17:27 |
All right. |
| 00:17:29 |
Breathe through your mouth. |
| 00:17:32 |
Breathe. |
| 00:17:35 |
Bear, look at me. |
| 00:17:39 |
Tell your boss |
| 00:17:42 |
He made a deal with Harry, |
| 00:17:45 |
Got that? |
| 00:17:50 |
Why are you hanging around a guy |
| 00:17:54 |
You were in the movies. |
| 00:17:56 |
What's he ever done |
| 00:18:00 |
-You okay? |
| 00:18:03 |
How about when you fell |
| 00:18:06 |
Pulled my quadriceps. |
| 00:18:10 |
How many movies you been in? |
| 00:18:12 |
About 60. |
| 00:18:14 |
-No shit? |
| 00:18:15 |
What were some of them? |
| 00:18:17 |
You didn't see |
| 00:18:27 |
Harry Zimm? |
| 00:18:31 |
Who is it? |
| 00:18:34 |
I'm the dipshit |
| 00:18:39 |
Mr. Barboni, what a nice surprise. |
| 00:18:43 |
Have a seat. |
| 00:18:45 |
Right here. |
| 00:18:52 |
Ray Bones. |
| 00:18:54 |
Barboni, sorry. |
| 00:19:02 |
They say the fucking smog |
| 00:19:05 |
you have |
| 00:19:10 |
What do you mean |
| 00:19:12 |
He knew it was a setup, |
| 00:19:14 |
Where's the money? |
| 00:19:15 |
I guess it's still |
| 00:19:17 |
You guess? |
| 00:19:20 |
I mean I don't care. |
| 00:19:22 |
I really don't care. |
| 00:19:24 |
I'll call you later. |
| 00:19:27 |
Mr. Escobar, what a surprise. |
| 00:19:30 |
-Where's my nephew? |
| 00:19:33 |
Yayo! |
| 00:19:37 |
I haven't seen Yayo. |
| 00:19:41 |
He's my sister's kid. No father. |
| 00:19:46 |
I only gave him the job as a favor |
| 00:19:50 |
Family. |
| 00:19:52 |
He comes up here |
| 00:19:54 |
He's supposed to return with $500,000. |
| 00:19:58 |
Meanwhile, my sister's going crazy. |
| 00:20:02 |
Me? I just want to know |
| 00:20:06 |
I gave the man his money |
| 00:20:10 |
You gave him the money? |
| 00:20:12 |
I gave him a key to a locker |
| 00:20:15 |
Why would you |
| 00:20:17 |
There were a zillion DEA guys |
| 00:20:20 |
A zillion? |
| 00:20:22 |
That's a lot. |
| 00:20:23 |
Mr. Escobar, maybe your nephew |
| 00:20:26 |
Why're you talking |
| 00:20:29 |
I think I have Ramon and Cesar |
| 00:20:35 |
What do you think? |
| 00:20:37 |
I think you speak |
| 00:20:40 |
We're spending the weekend |
| 00:20:43 |
Take the tour. |
| 00:20:46 |
Check out that ''Miami Vice'' |
| 00:20:48 |
Nice. |
| 00:20:50 |
After, we're going |
| 00:20:53 |
get my money. |
| 00:20:59 |
And Yayo too. |
| 00:21:03 |
His fucking nephew? |
| 00:21:05 |
Go to the bank. |
| 00:21:08 |
We got dick in the bank. |
| 00:21:10 |
We dumped it all |
| 00:21:13 |
I'm talking about you, |
| 00:21:16 |
owning a piece |
| 00:21:19 |
How much of a piece |
| 00:21:21 |
I'm saying you could invest |
| 00:21:24 |
that Palmer owes you |
| 00:21:27 |
It's up to you. |
| 00:21:29 |
Where's Chili Palmer? |
| 00:21:33 |
Where's my fucking money? |
| 00:21:34 |
Ray, look at me. |
| 00:21:39 |
What? |
| 00:21:40 |
Look at me. |
| 00:21:41 |
Did you say look at you? |
| 00:21:43 |
Look at me, Ray. |
| 00:21:45 |
I'll tell you what, Harry. |
| 00:21:47 |
Take a fucking look at this. |
| 00:21:50 |
And have a peek at this. |
| 00:21:53 |
You know, Harry, |
| 00:21:57 |
is the exact fucking thing |
| 00:21:59 |
A little fucking exercise... |
| 00:22:02 |
after that long... |
| 00:22:04 |
fucking... |
| 00:22:06 |
plane ride. |
| 00:22:10 |
You got a big problem, Harry. |
| 00:22:14 |
Come on, Harry, |
| 00:22:17 |
Look at me, Harry. |
| 00:22:19 |
Where's my money? |
| 00:22:22 |
Where's my money? |
| 00:22:27 |
I'll ask you one more time... |
| 00:22:29 |
then I gotta shoot you, |
| 00:22:32 |
Where's my money? |
| 00:22:34 |
Your money? |
| 00:22:36 |
Who the fuck are you? |
| 00:22:38 |
I'm Ray Barboni, from Miami. |
| 00:22:41 |
Like that's |
| 00:22:43 |
The man you're standing on |
| 00:22:46 |
-This piece of shit owes me money. |
| 00:22:48 |
I don't like waiting in line. |
| 00:22:50 |
Tough shit. This ain't Miami. |
| 00:22:54 |
No, no, fuck you, fuckball. |
| 00:22:56 |
L.A. is an open city, and I don't think |
| 00:22:59 |
from nobody for nothing. |
| 00:23:00 |
Really? |
| 00:23:03 |
I just closed it. |
| 00:23:05 |
You must be one |
| 00:23:08 |
because you got your gun |
| 00:23:12 |
What do you got there? |
| 00:23:15 |
Fucking Fiat of guns, |
| 00:23:24 |
Don't you puke |
| 00:23:28 |
I want you to do me a favor. |
| 00:23:31 |
I want you to take this gun... |
| 00:23:33 |
and put a pill |
| 00:23:35 |
I know you're thinking, ''Why fucking |
| 00:23:39 |
But you see, |
| 00:23:41 |
tell you whether or not |
| 00:23:44 |
and I was never here. |
| 00:23:46 |
Understand, Harry? |
| 00:23:50 |
If you say I was... |
| 00:23:52 |
I'll come back |
| 00:23:57 |
Knock it off, Harry. |
| 00:24:00 |
That's it. |
| 00:24:01 |
That's it. |
| 00:24:05 |
Not a worry in the world. |
| 00:24:08 |
Your pool needs skimming. |
| 00:24:11 |
Martin wants to have lunch tomorrow, |
| 00:24:14 |
Depends on who pays. |
| 00:24:16 |
Definitely not Martin. |
| 00:24:19 |
They have no idea |
| 00:24:21 |
Most of them don't know |
| 00:24:26 |
I can't imagine |
| 00:24:29 |
You don't like Martin much, |
| 00:24:31 |
No, I do. I do. |
| 00:24:34 |
I think he's short. |
| 00:24:40 |
I know he's a good actor, but what |
| 00:24:46 |
Martin was different then. |
| 00:24:48 |
He wasn't a movie star. |
| 00:24:51 |
Anyway, what about your story? |
| 00:24:54 |
Thought of a title? |
| 00:24:55 |
How about, ''Get Shorty?'' |
| 00:24:57 |
How about, |
| 00:25:00 |
That's a different story. |
| 00:25:03 |
I'm still getting |
| 00:25:06 |
But I have added to it. |
| 00:25:09 |
There's a girl in it now. |
| 00:25:11 |
Really? |
| 00:25:14 |
She looks a lot like you. |
| 00:25:20 |
I think you could be an actor. |
| 00:25:22 |
I know you're acting sometimes, |
| 00:25:25 |
You thought I was faking? |
| 00:25:27 |
No, not then. |
| 00:25:29 |
I mean in general. |
| 00:25:31 |
You don't mean a movie star, right? |
| 00:25:34 |
Well, whichever. |
| 00:25:37 |
I could see myself in the parts |
| 00:25:40 |
Maybe even an Al Pacino movie. |
| 00:25:44 |
I can't see myself in a movie |
| 00:25:48 |
and they act like 3 grown-up assholes, |
| 00:25:51 |
Chili, look at me. |
| 00:26:00 |
Leave a message. |
| 00:26:02 |
Hi, Karen, it's Doris. |
| 00:26:04 |
You might want to come by Cedars |
| 00:26:08 |
He's in the emergency room. |
| 00:26:11 |
Let's go. |
| 00:26:14 |
I stopped by his office... |
| 00:26:17 |
to see if he wanted to take me |
| 00:26:19 |
I saw Harry and some other man |
| 00:26:23 |
Good night, Todd. |
| 00:26:26 |
Oh, man. |
| 00:26:29 |
-Jesus. |
| 00:26:31 |
He can't talk. |
| 00:26:33 |
What happened? |
| 00:26:35 |
According to Todd-- |
| 00:26:37 |
a man named Ronnie came by |
| 00:26:41 |
He got rough, |
| 00:26:43 |
You shot Ronnie? |
| 00:26:48 |
Hello, hello. |
| 00:26:51 |
Looks like Mr. Zimm has a broken jaw |
| 00:26:56 |
to go with these fractured hands. |
| 00:26:59 |
Excuse us, folks. |
| 00:27:06 |
Martin wanted to meet us |
| 00:27:09 |
I'd cancel, but he's going |
| 00:27:11 |
so I really think maybe |
| 00:27:14 |
Who wants to take a crack |
| 00:27:22 |
Son of a bitch. |
| 00:27:24 |
Hi, Bo! |
| 00:27:26 |
Hey, Farrah. |
| 00:27:28 |
Little honey bunny. |
| 00:27:29 |
You wipe your feet |
| 00:27:32 |
That's my girl. |
| 00:27:34 |
Keep Uncle Bo's carpet |
| 00:27:37 |
I been calling you, man. |
| 00:27:39 |
See the paper? |
| 00:27:40 |
Yeah, I seen it. |
| 00:27:43 |
Says Harry shot |
| 00:27:46 |
Four through the chest |
| 00:27:48 |
His foot, Jesus. |
| 00:27:52 |
Tonight, I got one for you |
| 00:27:56 |
Go take a look |
| 00:27:58 |
I can't. |
| 00:28:01 |
I gotta take Farrah |
| 00:28:06 |
and that don't matter, |
| 00:28:08 |
I don't work for you no more. |
| 00:28:11 |
to your face, |
| 00:28:13 |
The Colombians are in L.A., |
| 00:28:16 |
If that ain't enough, as a bonus, |
| 00:28:20 |
That's your problem. |
| 00:28:27 |
Honey bunny. Come here. |
| 00:28:30 |
Come see Uncle Bo. |
| 00:28:32 |
You know Uncle Bo |
| 00:28:37 |
In fact he hates it so much... |
| 00:28:39 |
he takes a fall, |
| 00:28:41 |
He'll plea-deal his way out. |
| 00:28:43 |
Give up his ace stuntman, |
| 00:28:47 |
if they go easy on the cat. |
| 00:28:50 |
I hear in federal joints they let you |
| 00:28:52 |
with your daddy on Father's Day. |
| 00:28:55 |
Let her go. |
| 00:29:04 |
After this one, I'm out. |
| 00:29:06 |
This is the last time |
| 00:29:08 |
Remember Harry's story |
| 00:29:12 |
the one who stole $300,000 |
| 00:29:14 |
What about him? |
| 00:29:16 |
Tonight, look around Palmer's hotel room |
| 00:29:21 |
See if he hasn't stashed it somewhere. |
| 00:29:28 |
What kind of food do they got |
| 00:29:31 |
Continental, but it doesn't matter. |
| 00:29:34 |
Why not? |
| 00:29:35 |
Because a movie stars can never order |
| 00:29:38 |
They have to think of something they |
| 00:29:49 |
Harry, what're you doing here? |
| 00:29:53 |
You look like you should be |
| 00:29:56 |
My project! |
| 00:29:57 |
-What did he say? |
| 00:30:03 |
Thattaboy, Killer! |
| 00:30:07 |
Right this way. |
| 00:30:13 |
You're a celebrity. |
| 00:30:32 |
Excuse me. |
| 00:30:39 |
-Good to see you. |
| 00:30:44 |
Oh, my goodness. |
| 00:30:51 |
Sweet face. |
| 00:30:54 |
You look great. |
| 00:30:55 |
Smell good too. |
| 00:31:03 |
I hear you had |
| 00:31:05 |
Anyway, I'm glad you're okay. |
| 00:31:08 |
You know what else? I'm really glad |
| 00:31:12 |
when I auditioned for Eddie Solomon, |
| 00:31:16 |
If I'd have gotten that part, |
| 00:31:20 |
Have you guys ordered? |
| 00:31:23 |
Can we order? |
| 00:31:27 |
-Hi, what's your name? |
| 00:31:29 |
Hi, Stephanie. |
| 00:31:33 |
Shallots only slightly browned, |
| 00:31:36 |
And no salt. |
| 00:31:37 |
Why don't you bring one for the table? |
| 00:31:41 |
I know, how about having |
| 00:31:45 |
The drink with the little strawberries. |
| 00:31:51 |
I think the romance angle in your story |
| 00:31:55 |
It shouldn't be just a hop |
| 00:31:58 |
They should fall deeply in love. |
| 00:32:00 |
Which two? |
| 00:32:01 |
Later, when their lives |
| 00:32:03 |
and the mob guy is chasing them, |
| 00:32:07 |
but it adds a wistful element |
| 00:32:09 |
Mob guy? |
| 00:32:10 |
I have to consider, |
| 00:32:12 |
it's another man's wife |
| 00:32:15 |
Yeah, and you have such morals. |
| 00:32:17 |
Mob guy? |
| 00:32:19 |
I have to run. |
| 00:32:21 |
What I'd like to see is that... |
| 00:32:23 |
they begin to have misgivings |
| 00:32:26 |
This becomes a moral dilemma. |
| 00:32:28 |
They rationalize taking it, |
| 00:32:32 |
What money? |
| 00:32:33 |
The 300 large. |
| 00:32:35 |
I know I shouldn't talk about it |
| 00:32:37 |
but I have such a good feeling |
| 00:32:40 |
I am that shylock. |
| 00:32:46 |
Harry, look at me. |
| 00:32:49 |
Not bad. |
| 00:32:52 |
It scares me |
| 00:32:55 |
I could do this tomorrow, |
| 00:33:01 |
Doll face. |
| 00:33:03 |
You really should think |
| 00:33:05 |
We could do something together. |
| 00:33:07 |
I'll give it some heavy thought. |
| 00:33:15 |
Take care of yourself. |
| 00:33:21 |
Enjoy. |
| 00:33:29 |
Here, let me help you out. |
| 00:33:36 |
Suck harder. |
| 00:33:47 |
Wake up! |
| 00:33:50 |
It's Harry. |
| 00:33:51 |
How do you know? |
| 00:33:53 |
He's doing the same thing you did. |
| 00:33:56 |
That's not Dave. |
| 00:33:59 |
-You going down? |
| 00:34:02 |
You don't know? |
| 00:34:03 |
I don't know. |
| 00:34:10 |
-Karen, you got a gun? |
| 00:34:13 |
-Any kind of gun will do. |
| 00:34:23 |
Sounds like ''Rio Bravo.'' |
| 00:34:45 |
Guessl'll take |
| 00:34:49 |
I thought you would. |
| 00:34:57 |
You want that gun? |
| 00:34:59 |
I wish you would. |
| 00:35:04 |
I need the money. |
| 00:35:06 |
What money? |
| 00:35:08 |
The 300 grand you got |
| 00:35:11 |
Let's me get this straight. |
| 00:35:13 |
You break |
| 00:35:15 |
and you ask for 300 grand |
| 00:35:17 |
Just give me the money. |
| 00:35:19 |
I can't believe how you guys |
| 00:35:21 |
I can't believe how fucked up |
| 00:35:24 |
How about I count to three and organize |
| 00:35:29 |
You're going to shoot me? |
| 00:35:31 |
-Just a second. Two. |
| 00:35:41 |
She can't talk right now. |
| 00:35:44 |
That's a nice scream. |
| 00:35:47 |
All right, I'll get you the money, |
| 00:35:49 |
-I gotta go get it. |
| 00:35:51 |
In the meantime, |
| 00:35:53 |
-Do you know Laurel Canyon? |
| 00:35:56 |
8150 Wonderland Avenue. |
| 00:35:59 |
I'll be there, Karen. |
| 00:36:12 |
-You get the money? |
| 00:36:14 |
-What is this? |
| 00:36:18 |
Make yourself comfortable. |
| 00:36:25 |
-She's a movie star! |
| 00:36:27 |
For chrissake. |
| 00:36:28 |
-Going to make a trade. |
| 00:36:30 |
-The money. |
| 00:36:33 |
-Calm down. |
| 00:36:35 |
-You want me to calm down! |
| 00:36:37 |
What, are you |
| 00:36:40 |
Go ahead! |
| 00:36:42 |
Calm the hell down... |
| 00:36:44 |
unless you want to spend the rest |
| 00:36:47 |
in a room |
| 00:36:50 |
So! |
| 00:36:52 |
This is one of them houses you see |
| 00:36:55 |
Where's Karen? |
| 00:36:57 |
In my bathroom. |
| 00:37:05 |
-Let me see her. |
| 00:37:10 |
You okay? |
| 00:37:12 |
Guy's got a fucking pink toilet, |
| 00:37:15 |
She's great. |
| 00:37:18 |
First, I'm gonna settle something |
| 00:37:20 |
Now, I've been shot at before... |
| 00:37:23 |
once by accident, |
| 00:37:25 |
and I'm still here. |
| 00:37:26 |
I'm gonna be here |
| 00:37:28 |
Which means you gotta be |
| 00:37:30 |
Nowhere near me, |
| 00:37:32 |
Here's your money. |
| 00:37:33 |
Take it and leave... |
| 00:37:35 |
the movie business to the rest of us |
| 00:37:39 |
Come on, Karen. |
| 00:37:47 |
You broke in my house, |
| 00:37:49 |
What? |
| 00:37:50 |
Only this time it ain't no John Wayne |
| 00:37:53 |
-in ''El Dorado.'' |
| 00:37:56 |
Robert Mitchum played the drunk |
| 00:37:58 |
Dean Martin played the drunk |
| 00:38:01 |
Basically, it was the same part. |
| 00:38:04 |
He played John Wayne. |
| 00:38:06 |
Man, I can't wait |
| 00:38:08 |
Are you going to talk to me-- |
| 00:38:13 |
That's for the stairs, |
| 00:38:16 |
Get him off my carpet |
| 00:38:22 |
You want to take this guy out? |
| 00:38:24 |
Come out to the deck. |
| 00:38:26 |
You shoot him. |
| 00:38:30 |
-Shouldn't he have a weapon? A knife? |
| 00:38:33 |
All right, that's enough. |
| 00:38:35 |
You keep hitting him like that, |
| 00:38:38 |
It'll look like somebody beat him up |
| 00:38:41 |
No, he ain't. |
| 00:38:51 |
Hold on! |
| 00:38:54 |
What are you doing? |
| 00:38:56 |
-What are you doing? |
| 00:38:58 |
She's shooting at us! |
| 00:39:05 |
I'm sorry. |
| 00:39:07 |
I'm sorry. |
| 00:39:14 |
How do you think |
| 00:39:16 |
Beats the shit out of me. |
| 00:39:31 |
Were you scared up there? |
| 00:39:33 |
You bet. |
| 00:39:34 |
You don't act like it. |
| 00:39:36 |
I was scared then, not now. |
| 00:39:42 |
I'll be right back. |
| 00:40:05 |
How'd you get in? |
| 00:40:06 |
It was easy. |
| 00:40:08 |
I acted real stupid, |
| 00:40:11 |
What brings you to L.A., Bones? |
| 00:40:12 |
Please, don't insult me. |
| 00:40:15 |
Turn around! |
| 00:40:18 |
Do you know that you're |
| 00:40:21 |
Let me look in these pockets. |
| 00:40:24 |
You should've told me about Leo |
| 00:40:26 |
Why would I do that? |
| 00:40:28 |
Because he's a customer of mine. |
| 00:40:33 |
Well, well, well. |
| 00:40:37 |
C-18. |
| 00:40:40 |
I wonder what this could be? |
| 00:40:42 |
A locker key? |
| 00:40:44 |
But where's the locker? |
| 00:40:46 |
I checked the bag at the airport. |
| 00:40:49 |
Which terminal? |
| 00:40:51 |
Which terminal! |
| 00:40:52 |
Sovereign. |
| 00:40:57 |
You found Leo. |
| 00:40:59 |
You took the poor bastard's money. |
| 00:41:05 |
Why haven't you left? |
| 00:41:07 |
I like it out here. |
| 00:41:11 |
You know, Chili, |
| 00:41:14 |
There's really no reason |
| 00:41:17 |
Forget all the stuff |
| 00:41:20 |
I don't even remember |
| 00:41:23 |
You took a swing at me for some |
| 00:41:26 |
I say you owe me money. |
| 00:41:28 |
I say you owe me the juice on the money? |
| 00:41:32 |
I say live and let die. |
| 00:41:34 |
But this... |
| 00:41:36 |
is strictly between you and I. |
| 00:41:39 |
You say nothing... |
| 00:41:41 |
to nobody about this. |
| 00:41:43 |
Whatever you say. |
| 00:41:44 |
I think it's only fair. |
| 00:41:48 |
Then it's all settled. |
| 00:41:50 |
I'll see you around. |
| 00:41:54 |
Dumb fuck. |
| 00:42:11 |
Come on. |
| 00:42:20 |
The fucking airport. |
| 00:43:11 |
Bingo, boys. |
| 00:43:13 |
Hey, Bones, |
| 00:43:21 |
Fuck you, fuckball. |
| 00:43:27 |
Damn! |
| 00:43:28 |
Cut! Cut! |
| 00:43:30 |
-I...I'm pushing the right button. |
| 00:43:34 |
Every take I push the right button. |
| 00:43:36 |
Bear, man, |
| 00:43:39 |
I don't really know. |
| 00:43:40 |
What do you want to do, Harry? |
| 00:43:43 |
Wrap. |
| 00:43:44 |
It's a wrap. |
| 00:43:48 |
Harry, what're you doing? You should've |
| 00:43:51 |
This is only the second day. |
| 00:43:56 |
Do me a favor, okay? |
| 00:43:57 |
I don't understand. |
| 00:44:01 |
I just don't think |
| 00:44:04 |
-Why the hell not? |
| 00:44:06 |
Come on. |
| 00:44:08 |
Why does he keep pushing Martin? |
| 00:44:10 |
Packaging. |
| 00:44:12 |
You can't make a Martin Weir |
| 00:44:15 |
Where do you want to go? |
