|
Ghost Story
|
| 00:00:46 |
Operatic Contralto Aria |
| 00:01:18 |
HE'S DEAD. |
| 00:01:21 |
HE'S DEAD. |
| 00:01:24 |
I DON'T BELIEVE IT ! |
| 00:01:27 |
THERE'S NO PULSE ! |
| 00:01:31 |
YOU-- |
| 00:03:42 |
A LITTLE AFTER MIDNIGHT, |
| 00:03:45 |
THE OLD CARETAKER WAS AWAKENED |
| 00:03:49 |
WHIMPERING, PITIFULLY. |
| 00:03:53 |
THE SOUND CAME AGAIN, |
| 00:03:57 |
ONLY THIS TIME |
| 00:04:04 |
THE GRAVEYARD WAS SILENT... |
| 00:04:06 |
EXCEPT FOR THE STEADY PADDING |
| 00:04:10 |
AS HE WENT |
| 00:04:13 |
"HELLO ? IS SOMEONE THERE ? |
| 00:04:17 |
BUT THERE WAS NOTHING. |
| 00:04:21 |
AS HE STOOD THERE, |
| 00:04:24 |
FEELING SOMETHING |
| 00:04:29 |
HE HAPPENED TO LOOK DOWN. |
| 00:04:31 |
AND THERE AT HIS FEET, |
| 00:04:34 |
SOMEONE HAD BEEN BURIED... |
| 00:04:36 |
THAT VERY AFTERNOON. |
| 00:04:40 |
THE GRAVE HAD BEEN DISTURBED. |
| 00:04:43 |
THE SOIL WAS UPSET, |
| 00:04:50 |
"RESPECT," HE MUTTERED, |
| 00:04:53 |
SURE NOW THAT HE WAS THE |
| 00:04:56 |
SO HE SMOOTHED OUT THE SOIL... |
| 00:05:00 |
AND SET THE CROSS BACK UPRIGHT |
| 00:05:04 |
AND THEN HE WENT BACK |
| 00:05:08 |
BUT OUTSIDE, |
| 00:05:10 |
IN THE GRAVEYARD, |
| 00:05:13 |
IN THE WIND, |
| 00:05:15 |
THERE WAS STILL A FAINT WISP |
| 00:05:19 |
ALMOST LIKE A SONG: |
| 00:05:24 |
"ALIVE. STILL ALIVE !" |
| 00:05:29 |
AAAH ! |
| 00:05:31 |
"ALIVE." |
| 00:05:43 |
GOD. |
| 00:05:45 |
MARVELOUS STORY. |
| 00:05:48 |
MARVELOUS. |
| 00:05:55 |
I THINK THAT |
| 00:05:57 |
DAMN NEAR SCARED THE PANTS |
| 00:06:00 |
WELL, I DON'T KNOW |
| 00:06:03 |
BUT I COULD DO |
| 00:06:05 |
HEAR, HEAR. |
| 00:06:08 |
I'VE GOT TO |
| 00:06:10 |
NO BRANDY ? |
| 00:06:14 |
BESIDES, IT'S LATE, |
| 00:06:17 |
AND MILLY'LL BE WAITIN' UP TO-- |
| 00:06:20 |
COME ON. I'LL |
| 00:06:23 |
YOU KNOW, TEN YEARS FROM NOW, |
| 00:06:27 |
WILL BE WEARING TIES |
| 00:06:29 |
AND-- |
| 00:06:31 |
I'D FEEL |
| 00:06:33 |
WELL, IT'S TIME |
| 00:06:35 |
YOU LOOK TERRIBLE. |
| 00:06:38 |
DAMN IT TO HELL. |
| 00:06:41 |
GENTLEMEN, |
| 00:06:44 |
I WOULD LIKE TO PROPOSE |
| 00:06:46 |
TO US: |
| 00:06:51 |
CHOWDER SOCIETY. |
| 00:06:53 |
THE CHOWDER SOCIETY. |
| 00:06:55 |
THE CHOWDER SOCIETY. |
| 00:07:18 |
WHO ARE YOU ? |
| 00:07:21 |
WHO ARE YOU ? |
| 00:07:23 |
WOKE ME. |
| 00:07:27 |
TELL ME ! |
| 00:07:32 |
DAVID. |
| 00:07:40 |
- WHO ARE YOU ? |
| 00:07:47 |
I KNOW ? |
| 00:07:52 |
I AM YOU. |
| 00:07:56 |
NO. |
| 00:08:00 |
COLD. |
| 00:08:16 |
WHAT ARE YOU ? |
| 00:08:53 |
DONNIE ? COME HOME, DONNIE. |
| 00:08:58 |
THERE'S BEEN A TERRIBLE ACCIDENT |
| 00:09:03 |
YOUR BROTHER IS... |
| 00:09:07 |
COME HOME RIGHT AWAY. |
| 00:09:16 |
NOW ARRIVING AT GATE THREE |
| 00:09:20 |
HARTFORD AND SPRINGFIELD. |
| 00:09:24 |
GATE THREE FROM NEW YORK, |
| 00:09:27 |
HARTFORD AND SPRINGFIELD. |
| 00:09:34 |
BUS FOR MONTREAL-- |
| 00:09:38 |
WELL-- IS THIS |
| 00:09:42 |
I'M FINE. |
| 00:09:45 |
- L-LOOK AT YOU. |
| 00:09:48 |
MONTPELIER, |
| 00:09:52 |
BREAK OUT THE SNOWMOBILES, |
| 00:09:55 |
TWO INCHES OF THAT LOVELY |
| 00:09:59 |
AND A MASSIVE COLD FRONT |
| 00:10:01 |
NO QUESTION ABOUT IT. |
| 00:10:18 |
TALKIN' ABOUT IT |
| 00:10:22 |
RIGHT. |
| 00:10:27 |
HOW'S THE WRITING |
| 00:10:30 |
I'VE HAD OTHER THINGS |
| 00:10:33 |
TEACHING ? |
| 00:10:38 |
OH, DON. |
| 00:10:41 |
SO, WHAT DO YOU THINK |
| 00:10:45 |
THIS WAS AN ACCIDENT. |
| 00:10:47 |
OH, IS THAT WHAT YOU |
| 00:10:50 |
WHAT, THAT HE FELL ? |
| 00:10:54 |
I DON'T GIVE A DAMN ! |
| 00:10:56 |
I KNOW SOMETHING HAPPENED |
| 00:10:59 |
JESUS CHRIST, DAD ! |
| 00:11:03 |
HE MAY HAVE BEEN MURDERED ! |
| 00:11:17 |
I KNEW THE GIRL |
| 00:11:22 |
I SLEPT WITH HER, DAD. |
| 00:11:27 |
I SLEPT WITH HER. |
| 00:11:31 |
YOU COME HERE LOOKING LIKE |
| 00:11:35 |
YOUR BROTHER |
| 00:11:38 |
DAD-- |
| 00:11:40 |
AND YOU START CARRYING ON |
| 00:11:45 |
- DAD ! |
| 00:11:52 |
SOMEHOW. |
| 00:11:56 |
DAD. |
| 00:12:02 |
I WILL FEAR NO EVIL, |
| 00:12:06 |
THY ROD AND THY STAFF-- |
| 00:12:10 |
THOU PREPAREST A TABLE-- |
| 00:12:12 |
SURELY GOODNESS |
| 00:12:38 |
DAVID. DAVID. |
| 00:12:47 |
DON. |
| 00:12:49 |
OH ! I-- I DIDN'T KNOW |
| 00:12:55 |
YOU WERE HAVIN' |
| 00:12:58 |
LORD, WAS I EVER. |
| 00:13:02 |
THINK I'LL TURN IN. |
| 00:13:05 |
GOOD NIGHT. |
| 00:13:10 |
WELL, YOU'RE ALL I HAVE |
| 00:13:17 |
UH, MAYBE-- |
| 00:13:20 |
UH, MAYBE |
| 00:13:24 |
YOU AND I CAN GO FISHIN' |
| 00:13:28 |
I-I'D LIKE THAT. |
| 00:13:30 |
ME TOO. |
| 00:13:35 |
WELL, STAY AROUND A FEW DAYS |
| 00:13:41 |
WHATEVER YOU SAY. |
| 00:13:52 |
DON'T FORGET TO LOCK UP, |
| 00:14:17 |
WAKE UP. WAKE UP ! |
| 00:14:21 |
NOOOO ! |
| 00:14:25 |
STELLA. |
| 00:14:28 |
MY GOD. |
| 00:14:31 |
WOW. |
| 00:14:45 |
YOU POOR DARLING. |
| 00:14:52 |
BETTER ? |
| 00:14:59 |
YOU WANNA TELL ME |
| 00:15:01 |
NO, NO, NO. |
| 00:15:04 |
OH. |
| 00:15:06 |
THOSE GRUESOME STORIES |
| 00:15:09 |
IT'S A WONDER |
| 00:15:13 |
WHAT ARE YOU OLD FOOLS |
| 00:15:21 |
YOU'RE NUTS. |
| 00:16:10 |
DAD ? |
| 00:16:17 |
DAD ? |
| 00:16:21 |
DAD, YOU OKAY ? |
| 00:16:25 |
FINE. FINE. |
| 00:16:28 |
YOU SURE ? |
| 00:16:33 |
ARE YOU SURE ? |
| 00:17:25 |
MORNING, MR. MAYOR. |
| 00:17:29 |
IS EVERYTHING OKAY ? |
| 00:17:33 |
THE WIFE AND I... |
| 00:17:55 |
DAVID ! |
| 00:18:00 |
DAVID ! |
| 00:18:03 |
DAVID ! |
| 00:18:07 |
DAVID ! |
| 00:18:15 |
DAVID ! |
| 00:18:48 |
WHAT THE HELL IS HE-- |
| 00:18:54 |
NED ? |
| 00:18:57 |
NED. |
| 00:19:04 |
NED ! |
| 00:19:27 |
HOLY SHIT. |
| 00:19:42 |
RICK, THAT'S PATHETIC ! |
| 00:19:44 |
THANK GOD YOU'RE BACK ! |
| 00:19:47 |
AND SO ARE YOU, |
| 00:19:52 |
HE SAW HIM ! |
| 00:19:54 |
I CAN'T IMAGINE WHAT, |
| 00:19:56 |
HE WAS WALKING-- |
| 00:19:58 |
WE'VE GOT TO HELP THE BOY. |
| 00:20:03 |
YOU TALK AS IF HE WAS |
| 00:20:07 |
I'M SURE EDWARD LEFT HIM |
| 00:20:09 |
- WHY DON'T YOU TELL HIM |
| 00:20:13 |
TO KNOW A MAN OVER 50 YEARS. |
| 00:20:16 |
YOU-- YOU'D THINK YOU KNEW |
| 00:20:19 |
YOU'RE NOT DOING YOUR |
| 00:20:23 |
MYBLOOD ? |
| 00:20:26 |
MR. JAMES, IT'S JOEL BRENNER |
| 00:20:29 |
WANTS TO KNOW IF YOU'LL WRITE |
| 00:20:32 |
- RICKY, YOU TAKE CARE OF IT. |
| 00:20:36 |
MY GOD. HE WENT |
| 00:20:39 |
SAY WHATEVER YOU DAMN PLEASE. |
| 00:20:42 |
I CAN'T BELIEVE IT. |
| 00:20:45 |
- COME ON, COME ON. |
| 00:20:48 |
COME ON, YOU BETTER |
| 00:20:53 |
YOU-- YOU-- |
| 00:20:55 |
YOU KNEW HIM AS WELL AS I DID, |
| 00:20:59 |
I DON'T BELIEVE IT ! |
| 00:21:04 |
NOT NOW, RICKY. |
| 00:21:09 |
YES. NOW. |
| 00:22:10 |
MY GOD, SEARS. |
| 00:22:13 |
SOMETHING'S HAPPENING. |
| 00:22:16 |
SOMETHING TERRIBLE. |
| 00:22:20 |
PERSISTENT |
| 00:22:23 |
THAT'S A VERY NICE QUALITY, |
| 00:22:25 |
- DON'T TRY TO BAMBOOZLE ME. |
| 00:22:29 |
AND A MONTHLY SPOOK STORY. |
| 00:22:34 |
YOU'RE DISSEMBLING. |
| 00:22:37 |
ALL RIGHT. |
| 00:22:40 |
WHAT WOULD YOU ADVISE ? |
| 00:22:45 |
I DON'T KNOW. BUT WE'VE |
| 00:24:19 |
HELLO. |
| 00:24:23 |
ANSWER ME. |
| 00:24:25 |
ANSWER THE MAN, FENNY. |
| 00:24:27 |
HELLO, MR. HAWTHORNE. |
| 00:24:31 |
WHAT ARE YOU DOING HERE ? |
| 00:24:35 |
WE WANT TO PLAY. |
| 00:24:40 |
YOU CAN'T STAY HERE. |
| 00:24:43 |
- IS THAT SO ? |
| 00:24:47 |
NO. NO, WE'RE NOT. |
| 00:24:54 |
- WE KNOW THE OWNER. |
| 00:24:56 |
SURE, THERE IS ! |
| 00:25:00 |
- WHO ? |
| 00:25:04 |
OUR NEW FRIEND. |
| 00:25:07 |
NO ONE LIVES HERE. |
| 00:25:11 |
SOMEONE FANTASTIC. |
| 00:25:13 |
WHAT ? |
| 00:25:16 |
YOU'VE LIVED IN THIS TOWN |
| 00:25:19 |
WHAT ? |
| 00:25:22 |
HE KNOWS, |
| 00:25:35 |
MAYBE HE'D LIKE TO PLAY |
| 00:25:37 |
WHAT ? |
| 00:25:40 |
YEAH. YOU'RE GONNA BE |
| 00:25:42 |
AND INTERESTING THINGS |
| 00:25:45 |
NO. |
| 00:25:48 |
YOU'RE GONNA BE HAVING |
| 00:25:51 |
YOU KNOW, RICKY, |
| 00:25:54 |
YOU'RE NOT GONNA KNOW |
| 00:25:57 |
YOU WON'T KNOW UP |
| 00:26:00 |
WE'RE GOING TO TEAR THE SOUL |
| 00:26:03 |
AND CRUSH ITS BARE BONES |
| 00:26:11 |
FENNY DID GOOD, |
| 00:26:14 |
EXCELLENT. |
| 00:26:17 |
I LOVED IT. NOW I'LL TELL YOU |
| 00:26:35 |
THAT'S HIM ! |
| 00:26:40 |
GREGORY BATE. |
| 00:26:42 |
ARE YOU SURE, |
| 00:26:45 |
POSITIVE. |
| 00:27:01 |
THE EVIDENCE, |
| 00:27:04 |
LEADS ME TO ONLY ONE |
| 00:27:07 |
THAT EDWARD CHARLES WANDERLEY, |
| 00:27:13 |
TOOK HIS OWN LIFE. |
| 00:27:15 |
GET THEM OUT OF THAT HOUSE |
| 00:27:19 |
I'M SURE EVERYBODY |
| 00:27:21 |
DON'T SMART-ASS ME. |
| 00:27:25 |
SEARS JAMES, |
| 00:27:28 |
WHO EVER GOT IN |
| 00:27:30 |
I SHOULD HOPE |
| 00:27:34 |
MR. HAWTHORNE. |
| 00:27:44 |
IT'S JUST LIKE MR. HAWTHORNE |
| 00:27:48 |
"EXTREMELY UNSTABLE," |
| 00:27:51 |
HE AND THE BOY ESCAPED |
| 00:27:58 |
AND, WALT... |
| 00:28:02 |
BACK IN CALIFORNIA. |
| 00:28:04 |
GEEZ, WHAT A PAIR ! |
| 00:28:07 |
MM, WALT ! |
| 00:28:10 |
YOU THINK THERE'S |
| 00:28:13 |
I AIN'T NO FREUD. |
| 00:28:21 |
DAMN FUNNY WORLD. |
| 00:28:29 |
STRANGEST THINGS |
| 00:28:32 |
I WAS JUST THINKING |
| 00:28:35 |
-ONE OF MY EARLIEST |
| 00:28:39 |
CALL ME RICKY. EVERYBODY DOES. |
| 00:28:43 |
YOUR FATHER AND I |
| 00:28:50 |
YOU DIDN'T ASK ME HERE |
| 00:28:55 |
NO. NO. |
| 00:29:02 |
SEARS WOULD BRAIN ME |
| 00:29:07 |
BUT I THINK |
| 00:29:09 |
ALL OF US: MILBURN, |
| 00:29:17 |
ESPECIALLY |
| 00:29:21 |
WHO IS THIS ? |
| 00:29:54 |
I'M NEVER GONNA FIND NOTHIN'. |
| 00:29:57 |
ONLY A PAIR OF LOONIES. |
| 00:30:03 |
COCKAMAMIE ! |
| 00:30:06 |
SOMEONE'S IDEA OF A JOKE. |
| 00:32:03 |
THE LORD IS MY SHEPHERD, |
| 00:32:05 |
I SHALL NOT WANT. |
| 00:32:09 |
HE MAKETH ME TO LIE DOWN |
| 00:32:12 |
HE RESTORETH-- |
| 00:32:19 |
SUCH A TRAGEDY. |
| 00:32:23 |
I'M SO VERY SORRY. |
| 00:32:34 |
WHAT KIND OF WELCOME |
| 00:32:37 |
SOMEONE'S DIED HERE. |
| 00:32:41 |
WHAT DO YOU WANT ? |
| 00:32:46 |
HOW DO YOU KNOW MY NAME ? |
| 00:32:50 |
TO LOOK. |
| 00:32:56 |
TO TOUCH. |
| 00:32:59 |
WHO ARE YOU ? |
| 00:33:01 |
MY NAME IS GREGORY BATE, |
| 00:33:04 |
ALTHOUGH I'VE BEEN KNOWN |
| 00:33:07 |
GET OUT ! |
| 00:33:11 |
ARE YOU AFRAID, DON ? |
| 00:33:14 |
WILL YOU BE AFRAID WHEN |
| 00:33:20 |
YOU'RE CRAZY. |
| 00:33:22 |
GREAT TREATS ARE IN STORE |
| 00:33:27 |
IMAGINE. |
| 00:33:31 |
- GET THE HELL OUT ! |
| 00:33:34 |
GOOD BOY. |
| 00:33:38 |
WE DO HAVE SOMETHING SPECIAL |
| 00:33:51 |
IT'S A LITTLE PRESENT |
| 00:34:00 |
WHERE DID YOU GET THAT ? |
| 00:34:10 |
EVERY WINTER. |
| 00:34:21 |
YOU SHOULD |
| 00:34:23 |
YOU LOOK LIKE |
| 00:34:29 |
YOU'RE GIVING |
| 00:34:43 |
- HE'S FOUND A PICTURE OF HER. |
| 00:34:45 |
- DON. |
| 00:34:47 |
I'M AFRAID EDWARD KEPT ONE. |
| 00:34:49 |
- WHAT HAVE YOU TOLD HIM ? |
| 00:34:53 |
I WANTED TO. |
| 00:34:55 |
- THE CIRCLE |
| 00:34:59 |
- CHANGE IS CHANGE |
| 00:35:04 |
HUH ! |
| 00:35:07 |
WE CAN FEEL THINGS |
| 00:35:11 |
AND WE DISMISS THEM |
| 00:35:16 |
WE HAVE NIGHTMARES |
| 00:35:19 |
NOW THAT EDWARD'S GONE, |
| 00:35:23 |
I FEAR-- |
| 00:35:26 |
THAT MORE OF US |
| 00:35:28 |
I THINK HE'S RIGHT. |
| 00:35:31 |
- I TOLD HIM |
| 00:35:37 |
- MILLY. |
| 00:35:40 |
TO YOUR PRIVATE BUSINESS. |
| 00:35:43 |
WELL, YOUNG MAN, |
| 00:35:50 |
I WANT TO BUY MY WAY |
| 00:35:52 |
BUY ? |
| 00:35:56 |
WITH A STORY. |
| 00:36:02 |
I'M SORRY, MR. HAWTHORNE. |
| 00:36:04 |
RICKY. |
| 00:36:06 |
BUT IT'S WORSE THAN YOU KNOW. |
| 00:36:11 |
MY BROTHER WAS THE FIRST. |
| 00:36:14 |
I THINK THIS IS |
| 00:36:23 |
I HAD LANDED A... |
| 00:36:27 |
AT A SMALL LIBERAL ARTS |
| 00:36:32 |
PRETTY UNROMANTIC STUFF, |
| 00:36:35 |
OF AN UNDERGRADUATE COURSE |
| 00:36:40 |
I WAS SEEING-- I WAS SORT OF |
| 00:36:45 |
A GIRL NAMED HELEN KAYON. |
| 00:36:50 |
MR. WANDERLEY. |
| 00:36:57 |
- WHO WAS THAT ? |
| 00:37:00 |
- HOW'D SHE KNOW WHO I WAS ? |
| 00:37:05 |
RIGHT. |
| 00:37:07 |
- CALL ME TONIGHT. |
| 00:37:12 |
"AND THE FIRST THING |
| 00:37:16 |
"THE FIRST THING HE DOES |
| 00:37:19 |
"AND THE SECOND THING |
| 00:37:22 |
"IS HUG THEIR SIN |
| 00:37:25 |
"AND GLOAT OVER IT. |
| 00:37:27 |
AND TRY TO UNDERSTAND." |
| 00:37:30 |
WHICH IS THE MYTH |
| 00:37:35 |
BETWEEN NOW |
| 00:37:37 |
I'D LIKE YOU TO THINK ABOUT |
| 00:37:43 |
DO YOU HAVE A QUESTION, |
| 00:37:45 |
YEAH, THE PART |
| 00:37:47 |
- YES ? |
| 00:37:49 |
NEXT TIME. |
| 00:38:03 |
SO YOU'RE WORKIN' LATE, |
| 00:38:08 |
NO, THAT'S NOT REALLY FAIR, |
| 00:38:13 |
ALMA. ALMA MOBLEY. |
| 00:38:22 |
- SHALL I TELL THE DEAN-- |
| 00:38:26 |
UM, HE'S-- I REALLY |
| 00:38:29 |
I WONDERED IF YOU'RE NOT BUSY, |
| 00:38:32 |
UH, IF YOU'RE NOT DOING |
| 00:38:36 |
UH, I MEAN-- |
| 00:38:39 |
YOU MUST HAVE BEEN |
| 00:38:45 |
YOU'VE BEEN DOING |
| 00:38:49 |
I DON'T KNOW |
| 00:38:51 |
MAYBE WE SHOULD |
| 00:39:01 |
CLOSE YOUR EYES. |
| 00:39:04 |
MAKE A WISH. |
| 00:40:10 |
IF YOU WANT TO MAKE LOVE |
| 00:41:00 |
DO YOU LIKE IT ? |
| 00:41:08 |
I'M FRIGHTENED |
| 00:41:20 |
I GUESS I'D BETTER |
| 00:41:25 |
YES. |
| 00:41:46 |
AHHH ! |
| 00:42:22 |
I WANT ANOTHER KISS. |
| 00:42:30 |
WE'RE GOING TO BE LATE. |
| 00:42:34 |
I DON'T KNOW ANYTHING |
| 00:42:36 |
THERE'S NOTHING MUCH |
| 00:42:39 |
I'LL SAY. |
| 00:42:43 |
- COME ON, TELL ME. |
| 00:42:49 |
WELL, UH, |
| 00:42:55 |
YOU'RE ENGLISH, RIGHT ? |
| 00:42:58 |
NONE OF THAT MATTERS. |
| 00:43:04 |
TELL ME WHERE YOU LIVE. |
| 00:43:06 |
AH, JUST A COUPLE OF ROOMS. |
| 00:43:09 |
AH, MILBURN ? |
| 00:43:13 |
WELL, IT'S JUST A GRAVE |
| 00:43:16 |
UH, NOTHIN'S CHANGED THERE |
| 00:43:19 |
SOUNDS LOVELY. |
| 00:43:31 |
WILL YOU TAKE ME THERE |
| 00:43:33 |
YEAH. |
| 00:43:38 |
YEAH, |
| 00:43:59 |
NOW. |
| 00:44:02 |
I WANT YOU... NOW. |
| 00:44:06 |
HERE ? |
| 00:44:08 |
HERE. |
| 00:44:17 |
THIS DOOR IS NOT TO BE LOCKED |
| 00:44:22 |
THERE'S MRS. MEREDITH. |
| 00:44:26 |
OPEN THIS DOOR THIS INSTANT. |
| 00:44:34 |
DON'T STOP. |
| 00:44:36 |
DON'T STOP. DON'T STOP. |
| 00:45:12 |
YOU'RE NOT WEARING-- |
| 00:45:15 |
WHERE'D YOU LEAVE 'EM ? |
| 00:45:18 |
DID YOU LEAVE-- |
| 00:45:22 |
YOU FOLKS LIKE TO ORDER NOW ? |
| 00:45:28 |
- COME ON, TELL ME. I'VE TOLD |
| 00:45:32 |
NO SECRETS. |
| 00:45:35 |
NO. |
| 00:45:37 |
JUST YOU. |
| 00:45:41 |
- LONG TIME AGO. |
| 00:45:45 |
IT WASN'T ANYTHING |
| 00:45:50 |
JUST-- |
| 00:45:52 |
TELL ME THAT |
| 00:45:54 |
- HAVE ANYTHING TO DO WITH YOU ? |
| 00:46:00 |
- NO. |
| 00:46:03 |
BECAUSE I'M GOING TO BE, |
| 00:46:06 |
JUST ME. |
| 00:46:12 |
NOW LET ME TELL YOU |
| 00:46:16 |
YOU HAVEN'T DONE ANY WORK |
| 00:46:19 |
- I DON'T CARE. |
| 00:46:23 |
YES, YOU ARE BAD. |
| 00:47:03 |
WHAT IS IT, ALMA ? |
| 00:47:10 |
WATER. |
| 00:47:56 |
LET'S, UH... |
| 00:48:06 |
WE COULD, UH... |
| 00:48:10 |
CRETE. |
| 00:48:14 |
DON, I'D LOVE THAT. |
| 00:48:17 |
- BUT-- |
| 00:48:19 |
I'D RATHER GO TO MILBURN. |
| 00:48:24 |
NO. NOT MILBURN. |
| 00:48:26 |
YOU'RE KIDDING, RIGHT ? |
| 00:48:28 |
DON'T YOU WANT |
| 00:48:33 |
I WANT TO MEET |
| 00:48:36 |
WELL, MY MOTHER DIED |
| 00:48:41 |
HE'S STILL ALIVE. |
| 00:48:44 |
SURELY THIS IS DIFFERENT. |
| 00:48:47 |
THIS IS OUR WEDDING. |
| 00:48:53 |
WHAT'S YOUR BROTHER LIKE ? |
| 00:48:58 |
HE'S MORE LIKE MY FATHER, |
| 00:49:00 |
SUCCESSFUL. AMBITIOUS. |
| 00:49:03 |
MORE OF A HUNTER. |
| 00:49:09 |
YOU DON'T REALLY |
| 00:49:13 |
I WANT TO GET MARRIED |
| 00:49:17 |
THE SAME CHURCH. |
| 00:49:19 |
I WANT TO WALK |
| 00:49:22 |
IN MY WHITE DRESS |
| 00:49:25 |
AND I WANT EVERYONE |
| 00:49:28 |
YOUR FATHER, |
| 00:49:31 |
THE WHOLE TOWN. |
| 00:49:35 |
ALL OF MILBURN. |
| 00:50:27 |
I WILL TAKE YOU PLACES... |
| 00:50:30 |
WHERE YOU HAVE NEVER BEEN. |
| 00:50:35 |
I WILL SHOW YOU THINGS |
| 00:50:40 |
ALMA ? |
| 00:50:48 |
AND I WILL SEE THE LIFE |
| 00:51:18 |
ARE YOU ALL RIGHT ? |
| 00:51:23 |
ALMA ? |
| 00:52:03 |
DO YOU REMEMBER ? |
| 00:52:07 |
THE FIRST NIGHT |
| 00:52:09 |
IT WAS RAINING THEN. |
| 00:52:23 |
WHAT IS IT ? |
| 00:52:26 |
LET'S TALK TOMORROW. |
| 00:52:31 |
I DON'T WANT TO GET |
| 00:52:36 |
WHEN ? |
| 00:52:39 |
MAYBE NOT AT ALL. |
| 00:52:41 |
YOU HAVE TO. |
| 00:52:45 |
YOU DON'T KNOW ANYTHING ! |
| 00:52:53 |
NO. |
| 00:53:29 |
ALMA. |
| 00:53:45 |
ALMA ! |
| 00:53:59 |
ALMA, LISTEN-- |
| 00:54:04 |
CAN I HELP YOU, |
| 00:54:06 |
WHERE IS SHE ? |
| 00:54:08 |
MISS MOBLEY DID NOT TURN UP |
| 00:54:12 |
TO SAY THAT |
| 00:54:15 |
THE DEAN IS MOST UPSET. |
| 00:54:19 |
YOU'RE LAX. YOU'RE LAZY. |
| 00:54:23 |
YOU DISAPPEAR FOR DAYS |
| 00:54:29 |
DISAPPOINTED ? |
| 00:54:35 |
I THOUGHT YOU |
| 00:55:15 |
ALMA ? |
| 00:55:33 |
WAIT. THAT'S |
| 00:55:36 |
WHO IS IT ? |
| 00:55:40 |
OKAY. |
| 00:55:42 |
HI, DONNIE. |
| 00:55:46 |
I BEEN THINKIN' ABOUT YOU. |
| 00:55:49 |
UH, DAVE, |
| 00:55:51 |
YEAH. I GOTTA TALK TO YOU. |
| 00:55:54 |
WHAT ? ROBERT REDFORD |
| 00:55:57 |
NO, I'M SERIOUS. |
| 00:56:00 |
UM, I JUST DON'T KNOW |
| 00:56:02 |
ALL RIGHT. WELL, |
| 00:56:05 |
OKAY. UM, |
| 00:56:08 |
I WAS UP ON COLUMBUS AVENUE |
| 00:56:11 |
AND, UH, SOMEBODY |
| 00:56:13 |
UH-HUH. |
| 00:56:15 |
I TURNED AROUND, |
| 00:56:19 |
SHE THINKS I'M YOU, RIGHT ? |
| 00:56:23 |
YES. I GOT AROUND |
| 00:56:28 |
WHAT'S HER NAME, DAVE ? |
| 00:56:32 |
DONNIE. |
| 00:56:34 |
UH, SHE IS NOT THE PERSON |
| 00:56:38 |
SHIT. |
| 00:56:41 |
SHE'S WORRIED YOU HAVE |
| 00:56:49 |
EVERYTHING ABOUT HER |
| 00:56:53 |
GET AWAY FROM HER, DAVE. |
| 00:56:56 |
I CAN UNDERSTAND |
| 00:56:59 |
IF ALMA HAD WALKED OUT |
| 00:57:02 |
I DON'T RESENT ANYTHING. |
| 00:57:05 |
OH, COME OFF IT. |
| 00:57:06 |
SHUT THE HELL UP |
| 00:57:10 |
LOOK AT HER. |
| 00:57:16 |
AND YOU KNOW, LIKE, |
| 00:57:20 |
I DON'T THINK WE'RE TALKIN' |
| 00:57:34 |
WHEN THEY BROKE DOWN THE DOOR |
| 00:57:40 |
SHE HAD SIMPLY VANISHED. |
| 00:57:46 |
THERE HAD NEVER BEEN |
| 00:57:58 |
I CAN VOUCH FOR THEIR MERIT. |
| 00:58:02 |
WHAT ABOUT MY STORY ? |
| 00:58:05 |
WELL, THAT WAS QUITE A TALE, |
| 00:58:08 |
IT HAPPENED. |
| 00:58:15 |
WHY IS SHE HERE ? |
| 00:58:18 |
SHE MUST HAVE HEARD YOU. |
| 00:58:21 |
I KNOW YOU'RE SCARED. |
| 00:58:23 |
I'M SCARED TOO. |
| 00:58:27 |
I'M LUCKY TO HAVE ESCAPED |
| 00:58:32 |
BUT I THINK... |
| 00:58:36 |
SOUNDS LIKE KNUTE ROCKNE |
| 00:58:43 |
THAT'S ALMA MOBLEY. |
| 00:58:51 |
I DON'T BELIEVE YOU. |
| 00:58:57 |
I KNEW THIS |
| 00:59:00 |
- COINCIDENCE. |
| 00:59:04 |
NEITHER DO I. |
| 00:59:11 |
NO. |
| 00:59:17 |
I'M AN OLD MAN |
| 00:59:21 |
WE'LL ALL BE VERY GRATEFUL |
| 00:59:27 |
I KNEW IT. |
| 00:59:35 |
THE LAST TIME I SAW ALMA, |
| 00:59:39 |
WHERE'D YOU GET IT ? |
| 00:59:42 |
A LITTLE PRESENT |
| 00:59:44 |
- THISHADTO HAPPEN. |
| 00:59:49 |
OH, NO. NO. |
| 00:59:52 |
PLEASE, LET ME TELL YOU |
| 00:59:55 |
- MILLY ! |
| 00:59:57 |
OH, MY FRIENDS ! |
| 01:00:02 |
- PLEASE LET ME TALK |
| 01:00:06 |
ALL THIS TALK OF GRAVES |
| 01:00:09 |
LISTEN TO ME ! PLEASE ! |
| 01:00:56 |
?? MY FACE ?? |
| 01:01:00 |
?? BIDST NOT FORGET ?? |
| 01:01:05 |
?? WHERE E'ER THOU ART ?? |
| 01:01:12 |
?? FORGET MY FACE ???? |
| 01:01:18 |
NO, I'M NOT GOING IN THERE. |
| 01:01:20 |
NO, I'M NOT ! |
| 01:01:23 |
NO ! OH, YEAH, MAYBE. |
| 01:01:26 |
NO ! NOO-OO ! |
| 01:01:35 |
IT'S JUST AS I TOLD YOU. |
| 01:01:42 |
NO PULSE AT ALL. |
| 01:01:47 |
LIKE I SAID. |
| 01:01:49 |
JOHN ! |
| 01:01:52 |
- NO ! NO ! |
| 01:01:58 |
- JOHN ! |
| 01:02:01 |
YOU'RE DEAD ! |
| 01:02:04 |
- I DON'T BELIEVE IT ! |
| 01:02:09 |
NO. NO ! NO. |
| 01:02:30 |
I'LL BE DOWN |
| 01:02:54 |
MILLY ? |
| 01:03:00 |
THERE. |
| 01:03:04 |
IS IT LATE ? |
| 01:03:07 |
OH. |
| 01:03:12 |
COME ON, NOW. |
| 01:03:14 |
I BROUGHT YOU |
| 01:03:16 |
THOUGH YOU HARDLY DESERVE IT |
| 01:03:19 |
WHAT DO YOU MEAN ? |
| 01:03:26 |
- YOU ATTACKED ME ! |
| 01:03:30 |
YOU STARED AT ME AS IF |
| 01:03:41 |
OH, MILLY. |
| 01:03:45 |
FORGIVE ME. |
| 01:03:47 |
TOO MANY OF THOSE |
| 01:03:50 |
TOO MUCH OF THAT HIGH AND MIGHTY |
| 01:03:58 |
OH, DEAR GOD, |
| 01:04:01 |
TELL ME. |
| 01:04:08 |
BAD DREAMS AGAIN. |
| 01:04:11 |
IT'S ALL OVER. |
| 01:04:14 |
JOHN ? |
| 01:04:19 |
I CAN'T REMEMBER. |
| 01:04:22 |
"SHE MOVED." |
| 01:04:26 |
YES, SHE MOVED. |
| 01:04:31 |
SHE COULDN'T-- |
| 01:04:35 |
THERE'S NO PULSE. |
| 01:04:40 |
FOR GOD'S SAKE, JOHN. |
| 01:04:43 |
SHE WAS-- |
| 01:04:50 |
NO. IT'S J-J-JUST |
| 01:04:53 |
NO. TELL ME. |
| 01:04:57 |
NOW, GO ON, GO ON. |
| 01:05:10 |
YOU'RE A STUBBORN OLD MULE, |
| 01:05:16 |
BUT I LOVE YOU. |
| 01:05:18 |
GO ON, DRINK YOUR TEA. |
| 01:05:21 |
BOSSY. |
| 01:05:24 |
OH, I ALMOST FORGOT. |
| 01:05:28 |
I DON'T SEE PATIENTS. |
| 01:05:31 |
NOW DON'T WORRY |
| 01:05:47 |
I'M SORRY, BUT THE DOCTOR |
| 01:06:22 |
MILLY. |
| 01:06:25 |
MILLY. |
| 01:06:29 |
MILLY ! |
| 01:06:56 |
JOHN ? JOHN ! |
| 01:07:01 |
WHERE IS IT ? |
| 01:07:05 |
HERE, SIT DOWN. |
| 01:07:07 |
WHAT HAVE YOU DONE |
| 01:07:10 |
I WAS IN HERE BEFORE |
| 01:07:13 |
THAT WOMAN ! |
| 01:07:18 |
GALLI. SHE SAID HER NAME |
| 01:07:22 |
ODD SORT OF CLOTHES. |
| 01:07:31 |
AM-- AMBULANCE. |
| 01:07:34 |
GET AN AMBULANCE. |
| 01:07:39 |
MILBURN COUNTY. |
| 01:07:57 |
WHY CAN'T THEY HURRY ? |
| 01:08:06 |
THINK I'LL TAKE A BITE |
| 01:08:16 |
EVA ? |
| 01:08:31 |
HELLO ? MILLY ? |
| 01:08:48 |
THIS IS THE WORST STORY |
| 01:08:51 |
- THE WORST THING |
| 01:08:55 |
WE THOUGHT WE COULD KEEP IT |
| 01:08:58 |
SHOULD HAVE KNOWN BETTER. |
| 01:09:00 |
- GUILT. |
| 01:09:04 |
WE THOUGHT IT HAD NOTHING |
| 01:09:09 |
NOW JOHN IS DEAD TOO. |
| 01:09:15 |
AH, DON'T BLAME YOURSELF. |
| 01:09:18 |
I USED TO MALIGN HIM |
| 01:09:28 |
EVA GALLI. |
| 01:09:33 |
THERE, I'VE SAID IT. |
| 01:09:37 |
- YEAH. |
| 01:09:41 |
WELL, THAT'S OBVIOUS, |
| 01:09:46 |
WE KILLED HER. |
| 01:09:53 |
THE TWO OF YOU ? |
| 01:09:55 |
ALL OF US. |
| 01:09:57 |
THE CHOWDER SOCIETY, |
| 01:10:00 |
IN THE SPRING |
| 01:10:04 |
THAT WAS THE START OF IT. |
| 01:10:07 |
THE BEGINNING. |
| 01:10:57 |
MUST HAVE MONEY. |
| 01:10:59 |
SHE'S RICH. |
| 01:11:02 |
- WHERE IS SHE FROM ? |
| 01:11:06 |
EVA GALLI. |
| 01:11:17 |
SHE'S... AN ANGEL. |
| 01:11:30 |
EVA. |
| 01:11:39 |
MAKE WAY. |
| 01:11:42 |
GOOD AFTERNOON, MISS GALLI. |
| 01:11:45 |
MAY I HELP YOU, |
| 01:11:49 |
HELLO. |
| 01:11:52 |
WE WERE, UH, |
| 01:11:57 |
THE MOST SPECTACULAR-- |
| 01:12:02 |
AM I RIGHT, JOHN ? |
| 01:12:04 |
ONE MORE YEAR OF MED SCHOOL |
| 01:12:08 |
MILBURN NEEDS |
| 01:12:12 |
WHAT ABOUT YOU, |
| 01:12:14 |
OH, UH, GOSH, |
| 01:12:18 |
RICKY, IS "MISS GALLI" |
| 01:12:21 |
UH-- |
| 01:12:23 |
EVA. |
| 01:12:29 |
UH, WHAT WAS |
| 01:12:32 |
YOUR PLANS |
| 01:12:35 |
OH, WELL, MY, UH-- |
| 01:12:38 |
MY FATHER'S GOT HIS HEART |
| 01:12:41 |
SO-- |
| 01:12:43 |
FOREVER. |
| 01:12:46 |
DON'T TAKE ANY GUFF |
| 01:12:48 |
OLD PENCIL STUBS, |
| 01:12:51 |
AND YOU, EDWARD ? |
| 01:12:56 |
HUH ? WHAT ? IN THIS TOWN ? |
| 01:13:00 |
NED'S GONNA BE |
| 01:13:04 |
THOUGHT I'D LIKE |
| 01:13:31 |
AH. |
| 01:13:33 |
LOOK AT YOU, STANDING HERE. |
| 01:13:40 |
EDWARD ? |
| 01:13:54 |
DON'T WORRY, |
| 01:14:12 |
THINKS SHE'S TOO GOOD |
| 01:14:15 |
I DON'T THINK SHE'S SO-- |
| 01:14:18 |
SHUT UP, NETTIE. |
| 01:14:32 |
RICKY, MOVE AROUND |
| 01:14:35 |
IN FRONT OF SEARS. |
| 01:14:38 |
JOHN, TAKE A STEP |
| 01:14:40 |
STAY THERE ! |
| 01:14:44 |
JOHN ! |
| 01:14:46 |
I'VE ONLY RENTED THE HOUSE |
| 01:14:48 |
WHY DON'T YOU BUY IT ? |
| 01:14:51 |
GOOD. KEEP STILL, |
| 01:14:54 |
OHH. |
| 01:14:58 |
SIX, SEVEN. |
| 01:15:00 |
SHE HAS TO STAY, |
| 01:15:07 |
NED ! |
| 01:15:16 |
HERE WE GO ! |
| 01:15:21 |
JOHN ! |
| 01:15:54 |
WHERE ARE YOU GOING ? |
| 01:15:57 |
FOR A WALK. |
| 01:16:07 |
I'LL COME TOO. |
| 01:16:28 |
"ALL DAY 'TIL EVENING |
| 01:16:30 |
"BEAT WEARILY |
| 01:16:33 |
"I WAS NOT SORROWFUL |
| 01:16:36 |
"AND EVERYTHING |
| 01:16:39 |
HER LIPS, HER EYES, |
| 01:16:42 |
YOU'RE BEING VERY BAD. |
| 01:16:45 |
I WANT YOU. |
| 01:16:47 |
WATCH OUT ! |
| 01:16:50 |
YOU DON'T MIND, |
| 01:17:17 |
NED ? |
| 01:17:19 |
DO YOU WANT TO TRY AGAIN ? |
| 01:17:26 |
NED ! |
| 01:17:28 |
IT'S NOT THE END |
| 01:17:40 |
?? THE BLUE OF HER EYES ?? |
| 01:17:44 |
?? AND THE GOLD OF HER HAIR ?? |
| 01:17:48 |
?? ARE A BLEND |
| 01:17:54 |
?? AND THE MOONLIGHT BEAMS ?? |
| 01:17:57 |
?? ON THE GIRL OF MY DREAMS ?? |
| 01:18:01 |
?? SHE'S THE SWEETHEART ?? |
| 01:18:04 |
?? OF SIGMA CHI ???? |
| 01:18:11 |
WELL, IT'S ABOUT TIME. |
| 01:18:25 |
RICKY ? WOULD YOU |
| 01:18:30 |
YES, MA'AM ! |
| 01:18:38 |
YOU'RE DRUNK. |
| 01:18:42 |
SO ARE YOU. |
| 01:18:47 |
A TOAST. |
| 01:18:51 |
STAND UP. |
| 01:18:55 |
STAND UP. |
| 01:19:04 |
TO THE MYSTERIES |
| 01:19:06 |
TO WOMEN ! |
| 01:19:11 |
ALL WOMEN |
| 01:19:14 |
JOHN ! JOHN ! |
| 01:19:26 |
SO TELL US, NED. |
| 01:19:29 |
- YES ! COME ON. |
| 01:19:32 |
PLEASE. |
| 01:19:48 |
MY DEAR FRIENDS-- |
| 01:19:51 |
DON'T HOLD OUT. |
| 01:19:56 |
WHAT WAS IT LIKE ? |
| 01:20:05 |
IT WAS... |
| 01:20:08 |
- OOOH ! |
| 01:20:13 |
YOU HAVE NO IDEA. |
| 01:20:16 |
SHE'S A GODDESS. |
| 01:20:21 |
A GODDAMN GODDESS ! |
| 01:20:30 |
?? BEAMS ON THE GIRL |
| 01:20:36 |
?? SHE'S THE SWEETHEART ?? |
| 01:20:38 |
?? OF SIGMA CHI ???? |
| 01:20:48 |
SHH ! |
| 01:20:52 |
SHH ! |
| 01:20:55 |
SHH, SHH, SHH. |
| 01:21:04 |
SHH ! |
| 01:21:10 |
M-MAYBE-- MAYBE |
| 01:21:13 |
OF COURSE SHE'S HOME. |
| 01:21:15 |
SUCH A LITTLE |
| 01:21:19 |
NO, NO, NO, WAIT ! |
| 01:21:21 |
IT'S TOO LATE. I TELL YOU. |
| 01:21:24 |
FOR WHAT ? |
| 01:21:26 |
- HELLO, NED. |
| 01:21:33 |
YOU'VE BROUGHT EVERYONE, |
| 01:21:35 |
HI, EVA. |
| 01:21:38 |
EVA. |
| 01:21:41 |
WELL, ARE YOU JUST |
| 01:21:44 |
OR ARE YOU ALL |
| 01:22:29 |
ALL RIGHT, JOHN. |
| 01:22:35 |
JOHN ? |
| 01:22:37 |
I'M DANCING |
| 01:22:43 |
OHH. |
| 01:22:51 |
I THINK IT'S TIME |
| 01:22:54 |
OH, NO, NO, COME ON. |
| 01:22:57 |
WHAT ABOUT MY DANCE ? |
| 01:23:00 |
YOU HEARD THE LADY. |
| 01:23:04 |
YOU JUST WANT HER ALL |
| 01:23:07 |
UH-UH. |
| 01:23:10 |
I SUPPOSE YOU'RE |
| 01:23:14 |
I DON'T THINK SO. |
| 01:23:19 |
NO. |
| 01:23:21 |
NO. WHY NOT ? |
| 01:23:24 |
SEARS. PLEASE. |
| 01:23:29 |
NO. I WANT MY DANCE. |
| 01:23:34 |
GET YOUR THINGS. |
| 01:23:37 |
GET YOUR THINGS. |
| 01:23:41 |
COME ON, WE GOTTA GO. |
| 01:23:49 |
WE GOTTA GO, JOHN. |
| 01:23:55 |
- WHOSE TURN WITH EVA ? |
| 01:24:04 |
YOU GET YOUR DANCE. |
| 01:24:09 |
YOU ALL WILL. |
| 01:24:11 |
UH, WAIT, PLEASE. |
| 01:24:14 |
MISS GALLI, |
| 01:24:19 |
WE'RE LEAVING. |
| 01:24:22 |
I'M TOO DRUNK. |
| 01:24:39 |
EVA ! |
| 01:24:41 |
AREN'T YOU HAVING FUN, |
| 01:24:47 |
I'VE HAD ENOUGH. |
| 01:24:52 |
I THINK I'LL TAKE A BITE |
| 01:25:10 |
WHO'S NEXT ? |
| 01:25:14 |
EVA ? |
| 01:25:17 |
DANCE WITH ME, |
| 01:25:23 |
SLUT. |
| 01:25:34 |
POOR NEDDIE. |
| 01:25:37 |
DID YOU ? |
| 01:25:43 |
YOU'RE PATHETIC. |
| 01:25:50 |
-SHALL I TELL YOU |
| 01:25:56 |
EVA ? |
| 01:26:00 |
EVA ? WAKE UP ! |
| 01:26:03 |
WAKE UP ! |
| 01:26:07 |
EVA ? |
| 01:26:12 |
PLEASE. |
| 01:26:27 |
SHE'S DEAD. |
| 01:26:30 |
I TELL YOU, |
| 01:26:32 |
NO. NO. |
| 01:26:36 |
WE'VE GOTTA |
| 01:26:38 |
RUINED. |
| 01:26:41 |
I'M A MURDERER. |
| 01:26:44 |
LOOK, WE'RE ALL |
| 01:26:47 |
NO. NO ! |
| 01:26:51 |
NO, WE'VE GOT |
| 01:26:55 |
HIDE IT WHERE IT |
| 01:27:34 |
OH, JESUS. |
| 01:27:39 |
SHUT UP ! |
| 01:27:50 |
DO WE REALLY HAVE TO ? |
| 01:27:54 |
YOU KNOW WHAT YOU'RE DOIN', |
| 01:28:30 |
- OH, JESUS ! |
| 01:28:33 |
- OH, MY GOD. |
| 01:28:36 |
I TELL YOU, SHE'S DEAD. |
| 01:28:48 |
NO ! EVA ! EVA ! |
| 01:28:52 |
NO ! EVA ! EVA ! |
| 01:28:57 |
EVA. EVA. |
| 01:29:04 |
EVA. |
| 01:29:49 |
WE'D NEVER TALK ABOUT IT AGAIN. |
| 01:29:53 |
WE TOLD OURSELVES |
| 01:29:56 |
WE PUT IT BEHIND US. |
| 01:30:00 |
GOT ON WITH THE REST |
| 01:30:03 |
WASN'T SHE MISSED ? |
| 01:30:05 |
THE TOWN ASSUMED SHE'D GOT |
| 01:30:09 |
THERE WAS A BIT OF TALK, |
| 01:30:12 |
YOU COULD ALMOST FEEL |
| 01:30:14 |
YOU MEAN NOBODY EVER |
| 01:30:16 |
IT WAS AS IF SHE |
| 01:30:19 |
AS IF IT HAD |
| 01:30:22 |
AS IF WE HAD DREAMED |
| 01:30:25 |
AH, WHAT ABOUT THE CAR ? |
| 01:30:28 |
STILL AT THE BOTTOM |
| 01:30:32 |
AND YOU STAYED HERE ? |
| 01:30:35 |
WE COULDN'T. |
| 01:30:38 |
WHAT ELSE COULD WE HAVE DONE ? |
| 01:30:42 |
COULD HAVE GONE TO THE POLICE |
| 01:30:45 |
INSTEAD, WE DID THIS... |
| 01:30:53 |
YOU THINK IT'S EVA ? |
| 01:30:57 |
- AND THAT SOMEHOW OR OTHER |
| 01:31:02 |
SO DO I. |
| 01:31:04 |
I THINK MAYBE BY GROWIN' OLD, |
| 01:31:09 |
MAYBE THE FORCES, OR WHATEVER |
| 01:31:13 |
AND THESE STORIES |
| 01:31:15 |
- MAYBE THE GUILT-- |
| 01:31:19 |
AND MY BROTHER. |
| 01:31:25 |
I THINK GREGORY BATE |
| 01:31:28 |
I WANT TO GO TO HER HOUSE. |
| 01:31:31 |
I HOPE YOU'LL COME WITH ME. |
| 01:31:37 |
I WILL. |
| 01:32:00 |
AND WHERE DO YOU THINK |
| 01:32:04 |
AH. YOU'LL DO |
| 01:32:07 |
YOU'LL MARCH RIGHT BACK |
| 01:32:11 |
- BUT I HAVE TO GO OUT. |
| 01:32:17 |
YOU INFURIATE ME |
| 01:32:21 |
I'VE BEEN MARRIED TO YOU |
| 01:32:25 |
AND I'M NO CLOSER TO YOU |
| 01:32:30 |
I'LL TELL YOU IN THE SPRING. |
| 01:32:32 |
I'M GOING TO TAKE YOU |
| 01:32:34 |
TO ANTIBES, SAINT-TROPEZ, |
| 01:32:38 |
AND I'M GONNA TELL YOU |
| 01:33:15 |
I NEVER THOUGHT |
| 01:33:18 |
IF ONLY WE'D BEEN 30 |
| 01:33:21 |
OH, WHAT FOOLS |
| 01:33:24 |
I DON'T THINK |
| 01:33:26 |
SHE'S HERE. |
| 01:33:31 |
YOU WANT TO TRY |
| 01:33:36 |
NOTHING WILL COME OF THIS. |
| 01:33:41 |
DO YOU WANT TO STAY |
| 01:33:46 |
NOT ON YOUR LIFE. |
| 01:33:49 |
IT'S HARD TO BELIEVE, BUT |
| 01:33:52 |
THE ROOMS DOWNSTAIRS AND HER |
| 01:33:58 |
SO WAS ALMA'S. |
| 01:34:03 |
AAAH. |
| 01:34:13 |
ALL RIGHT, THAT'S ENOUGH. |
| 01:34:17 |
WE'LL ALL GO. |
| 01:34:20 |
PLEASE, SEARS. |
| 01:34:24 |
I'M TOO OLD, TOO TIRED |
| 01:34:28 |
SEARS ! |
| 01:34:38 |
I COULD NEVER MAKE HIM |
| 01:34:59 |
- YOU OKAY ? |
| 01:35:13 |
ALL CLEAR SO FAR. |
| 01:35:18 |
CAN YOU HEAR ME ? |
| 01:35:51 |
RICKY ? |
| 01:35:55 |
RICKY ? |
| 01:36:06 |
FIND ANYTHING ? |
| 01:36:09 |
JUST AN EMPTY ROOM. |
| 01:36:12 |
YOU OKAY ? |
| 01:36:15 |
I WAS JUST THINKING. |
| 01:36:18 |
NO, YOU SCAMP. |
| 01:36:21 |
IT'S SEARS. |
| 01:36:25 |
A LOT OF PEOPLE THINK I TAKE |
| 01:36:30 |
IT'S SORT OF PERMANENT |
| 01:36:35 |
WHAT CAN I DO ? I'VE BEEN |
| 01:36:43 |
HE'LL BE OKAY. |
| 01:36:45 |
I WONDER. |
| 01:37:52 |
DANCE WITH ME, |
| 01:38:14 |
MAYBE HE JUST GOT STUCK |
| 01:38:16 |
HE'D HAVE COME BACK |
| 01:38:20 |
I DON'T LIKE IT. |
| 01:38:29 |
WE'LL END IT, RICKY. |
| 01:38:33 |
- AN OLD MAN AND A PUP, HUH ? |
| 01:38:42 |
SEARS WAS RIGHT. |
| 01:38:46 |
HERE. |
| 01:38:49 |
I HAVE TO GET YOU |
| 01:38:57 |
BE RIGHT BACK. |
| 01:39:34 |
- THANK GOODNESS |
| 01:39:47 |
DON'T STRUGGLE, |
| 01:39:52 |
- YOU'LL BE QUIET ? |
| 01:39:55 |
- THAT'S A GOOD LITTLE RABBIT. |
| 01:40:01 |
WOULD YOU LIKE TO |
| 01:40:03 |
THAT'S WHAT SHE PROMISED US. |
| 01:40:07 |
IMAGINE THE PEACE |
| 01:40:11 |
YOU GO TO HELL. |
| 01:40:16 |
IMAGINE HER WAITING FOR YOU |
| 01:40:19 |
IMAGINE HER SLEEPING |
| 01:40:22 |
- WAITING. |
| 01:40:26 |
WOULDN'T YOU LIKE |
| 01:40:30 |
GOOD LORD, |
| 01:40:33 |
ALIVE. |
| 01:40:36 |
STILL ALIVE. |
| 01:40:38 |
SH-SHE TRICKED YOU ! |
| 01:40:41 |
OH, I'LL LIVE LONGER |
| 01:40:44 |
OH, NO, YOU WON'T ! |
| 01:41:51 |
OH. |
| 01:43:08 |
YOU'RE OUTTA YOUR SKULL. |
| 01:43:13 |
WE'VE GOT TO HURRY. |
| 01:43:52 |
AREN'T YOU EVEN |
| 01:43:58 |
OH, DON, |
| 01:44:09 |
I THOUGHT YOU'D |
| 01:44:13 |
Y-YOU'RE NOT HERE. |
| 01:44:16 |
YOU'RE NOT HERE. |
| 01:44:19 |
TALK SENSE, DON. |
| 01:44:23 |
YOU CAN HEAR ME. |
| 01:44:29 |
- I'M HERE. |
| 01:44:39 |
FASTER ! |
| 01:44:41 |
POOR DON. |
| 01:44:45 |
HAVEN'T YOU BEEN |
| 01:44:51 |
WAITING FOR ME ? |
| 01:44:57 |
- I'VE COME FOR YOU. |
| 01:45:01 |
AND YOU WILL BE TOO. |
| 01:45:04 |
DEAD AND WET AND COLD. |
| 01:45:16 |
DON'T YOU WANT |
| 01:45:23 |
DON'T YOU WANT TO KNOW |
| 01:45:40 |
I WILL TAKE YOU PLACES |
| 01:45:51 |
I WILL SHOW YOU THINGS |
| 01:46:01 |
AND I WILL SEE THE LIFE |
| 01:47:57 |
CLOSED-CAPTIONED BY |
