|
Ghost World
|
| 00:02:48 |
High school is like the training wheels... |
| 00:02:51 |
for the bicycle of real life. |
| 00:02:53 |
It is a time when young people can explore... |
| 00:02:56 |
different fields of interests... |
| 00:02:58 |
and hopefully learn from their experiences. |
| 00:03:02 |
In coming to terms with my own personal setback... |
| 00:03:05 |
I have been able to learn... |
| 00:03:08 |
that I don't need to rely on drugs and alcohol... |
| 00:03:11 |
and that I'm very lucky... |
| 00:03:14 |
that more people besides myself and Kerry... |
| 00:03:19 |
weren't injured in the accident. |
| 00:03:21 |
And I have learned... |
| 00:03:23 |
that to overcome life's obstacles... |
| 00:03:26 |
you need faith, hope... |
| 00:03:30 |
and above all, a sense of humor. |
| 00:03:40 |
No more education |
| 00:03:42 |
It's time for celebration |
| 00:03:44 |
'Cause this is the day of our high school graduation |
| 00:03:48 |
We've stayed for the duration |
| 00:03:49 |
Achieved matriculation |
| 00:03:51 |
Now we're the newest members of the general population |
| 00:04:08 |
God, what a bunch of retards. |
| 00:04:11 |
God, I know. I thought that chipmunk face... |
| 00:04:13 |
was never going to shut up. |
| 00:04:14 |
I know. I liked her so much better... |
| 00:04:16 |
when she was an alcoholic crack addict. |
| 00:04:17 |
She gets in one car wreck... |
| 00:04:19 |
and all of the sudden she's Little Miss Perfect... |
| 00:04:20 |
and everyone loves her. |
| 00:04:22 |
Let's see if they gave me the right diploma. |
| 00:04:29 |
- What? |
| 00:04:31 |
These assholes are saying I have to go to summer school... |
| 00:04:32 |
and take some stupid art class. |
| 00:04:34 |
Why? |
| 00:04:35 |
God, I didn't think that just because you get an "F"... |
| 00:04:36 |
you have to take the whole class over again. |
| 00:04:38 |
Loser. |
| 00:04:55 |
Wow. This is so bad, it's almost good. |
| 00:04:57 |
This is so bad, it's gone past good and back to bad again. |
| 00:05:03 |
At least we'll never have to see... |
| 00:05:04 |
any of these creepy faces ever again. |
| 00:05:07 |
Unless they're in your summer school class. |
| 00:05:10 |
Shut up. |
| 00:05:14 |
- Don't turn around. |
| 00:05:16 |
- Don't turn around. |
| 00:05:18 |
Oh, my God. You guys, I can't believe we made it. |
| 00:05:22 |
Yeah. We graduated high school. |
| 00:05:24 |
How totally amazing. |
| 00:05:25 |
So, what are you guys doing this summer? |
| 00:05:27 |
Nothing. |
| 00:05:28 |
Well, I'm going to this actor's workshop... |
| 00:05:30 |
and I'm hoping to start auditions soon. |
| 00:05:33 |
Oh, we have to get together this summer. |
| 00:05:35 |
Yeah. That'll definitely happen. |
| 00:05:40 |
Well, bye, you guys. |
| 00:05:42 |
Congratulations! |
| 00:05:59 |
- Hey, Rebecca. |
| 00:06:02 |
So, we finally-- |
| 00:06:04 |
What about me? Am I not even here? |
| 00:06:06 |
Hey, Enid. |
| 00:06:09 |
- So, we finally made it, huh? |
| 00:06:15 |
So, where are you going to go to college? |
| 00:06:18 |
We're not. |
| 00:06:20 |
Really? |
| 00:06:21 |
Both of you? Why not? |
| 00:06:23 |
Just because. |
| 00:06:25 |
Yeah, we made other plans. |
| 00:06:28 |
I guess I should have figured... |
| 00:06:29 |
that you two would do something different. |
| 00:06:32 |
So, Todd, what are you going to be when you grow up? |
| 00:06:35 |
Well, I'm majoring in Business Administration... |
| 00:06:39 |
and thinking of minoring in Communications, so-- |
| 00:06:43 |
See, that's exactly the type of thing we're trying to avoid. |
| 00:06:46 |
Look at this. |
| 00:06:48 |
Is Stacy Himmler going out with Rod Harbaugh? |
| 00:06:51 |
Oh, God. How perfect. |
| 00:06:53 |
He better watch out, or he'll get AIDS when he date-rapes her. |
| 00:06:58 |
Where is the love |
| 00:07:01 |
You said you'd give to me |
| 00:07:03 |
As soon as you were free? |
| 00:07:05 |
Will it ever be? |
| 00:07:09 |
God, just think. We'll never see Dennis again. |
| 00:07:12 |
Good. |
| 00:07:14 |
No, really. Think about that. |
| 00:07:18 |
It's actually totally depressing. |
| 00:07:34 |
Is it crazy for an oil company to care about the environment? |
| 00:07:37 |
We don't think so. |
| 00:07:38 |
I already told you I'm not going to college. |
| 00:07:40 |
I think it's a good idea to keep all your options open. |
| 00:07:43 |
You can even enroll in the winter quarter. |
| 00:07:46 |
Actually, you could live here... |
| 00:07:48 |
and go to the city college part time... |
| 00:07:51 |
and still get a job if you want. |
| 00:07:55 |
Look at me. I'm not even listening... |
| 00:07:56 |
to a word you're saying. |
| 00:07:58 |
Did I tell you who I ran into at the bagel place? |
| 00:08:01 |
Who? |
| 00:08:02 |
- Guess. |
| 00:08:04 |
Well, someone from the past. |
| 00:08:09 |
- Who? |
| 00:08:12 |
- Yes. |
| 00:08:16 |
- Not the Maxine? |
| 00:08:20 |
Oh, God. How horrifying. |
| 00:08:28 |
It's very good. |
| 00:08:37 |
Jesus. |
| 00:09:05 |
Check out these people behind you. |
| 00:09:07 |
I'm totally convinced they're Satanists. |
| 00:09:19 |
So when are we gonna start looking for our apartment? |
| 00:09:21 |
Soon. |
| 00:09:22 |
I have to wait and see how this summer class goes first. |
| 00:09:24 |
God, it's so weird that we're finally out of high school. |
| 00:09:27 |
We've been waiting for this our whole lives. |
| 00:09:29 |
It's such a weird feeling. |
| 00:09:31 |
Yeah. It hasn't really hit me yet. |
| 00:09:34 |
Well, well, well. |
| 00:09:37 |
If it isn't Enid and Rebecca-- |
| 00:09:40 |
the little Jewish girl and her Aryan friend. |
| 00:09:42 |
- You're late, asshole. |
| 00:09:45 |
Did you bring the tape? |
| 00:09:50 |
You never paid me for that tape of the Indian dance routine. |
| 00:09:52 |
Yes, I did. |
| 00:09:55 |
You Jews are so clever with money. |
| 00:09:57 |
Fuck you! You stupid redneck hick. |
| 00:09:59 |
Oh, my God. Look, the Satanists are leaving. |
| 00:10:01 |
Hey, we should follow them. |
| 00:10:03 |
Oh, we totally have to. |
| 00:10:08 |
Oh, my God! |
| 00:10:16 |
So, what do you do if you're a Satanist, anyway? |
| 00:10:20 |
Sacrifice virgins and stuff. |
| 00:10:22 |
Well, that lets us off the hook. |
| 00:10:27 |
How the hell did we get so far behind them? |
| 00:10:29 |
I don't know. That's just great. |
| 00:10:30 |
- Jesus! |
| 00:10:33 |
Oh, my God. Look at this. |
| 00:10:36 |
"Wowsville"? Authentic Fifties diner? |
| 00:10:40 |
Since when were there mini-malls in the 1950s? |
| 00:10:46 |
Who could forget this great hit from the Fifties, huh? |
| 00:10:49 |
I feel as though I've stepped into a time warp. |
| 00:10:53 |
Hey, check out the awesome Fifties hairdo on our waiter. |
| 00:10:58 |
Hi. My name is Allen... |
| 00:11:02 |
and I'll be your waiter this afternoon. |
| 00:11:04 |
- Hi, Al. |
| 00:11:07 |
I'd imagine so. |
| 00:11:11 |
You should check out the personals. |
| 00:11:13 |
Maybe our future husbands are trying to contact us. |
| 00:11:19 |
Here we go. |
| 00:11:21 |
"Windsurfing doctor, Mensan IQ, maverick Sagittarius. |
| 00:11:26 |
"Let's hit the clubs, make each other laugh." |
| 00:11:29 |
You can have that one. |
| 00:11:31 |
Jesus, listen to this one. |
| 00:11:33 |
"Do you remember me, airport shuttle, June 7? |
| 00:11:36 |
"You, striking blond with yellow dress... |
| 00:11:39 |
"pearl necklace, brown shoes. |
| 00:11:40 |
"I was the bookish fellow in the green cardigan... |
| 00:11:43 |
"who helped you find your contact lens. |
| 00:11:45 |
"Am I crazy, or did we have a moment?" |
| 00:11:47 |
God, that's so pathetic. |
| 00:11:48 |
I mean, she probably didn't even notice him. |
| 00:11:51 |
And he's psychotically obsessing over every little detail. |
| 00:11:54 |
We should call him and pretend to be the blond. |
| 00:11:56 |
Oh, we totally have to. |
| 00:12:01 |
It's his machine. |
| 00:12:05 |
Hi, it's me. |
| 00:12:08 |
Your striking blond. |
| 00:12:09 |
Of course I remember you. |
| 00:12:11 |
Let's get together for lunch sometime. |
| 00:12:12 |
How about Friday at 1:00? |
| 00:12:15 |
Meet me at my favorite restaurant--Wowsville. |
| 00:12:19 |
It's in the mall on Century Parkway. |
| 00:12:21 |
See you there, darling. |
| 00:12:23 |
Oh, yeah, and be sure to wear that sexy green cardigan. |
| 00:12:30 |
Oh, it's that comedian I was telling you about. |
| 00:12:33 |
- I still live with my mother. |
| 00:12:37 |
So what if she's been dead for fifteen years? |
| 00:12:41 |
See? That's barely even a joke. |
| 00:12:43 |
Well, it's like I always say-- |
| 00:12:47 |
take my life...please. |
| 00:12:51 |
Joey McCobb, the weirdest man in show business. |
| 00:12:54 |
If he's so weird, how come he's wearing Nikes? |
| 00:12:59 |
Joey McCobb is our god. |
| 00:13:01 |
- I want to do him. |
| 00:13:04 |
Actually, he kind of reminds me... |
| 00:13:05 |
of that one guy you went out with--Larry. |
| 00:13:07 |
God, what look was he going for... |
| 00:13:08 |
a gay tennis player from the Forties? |
| 00:13:10 |
- Fuck you. |
| 00:13:14 |
Why do you have this? |
| 00:13:15 |
I don't know. You lent it to me in, like, tenth grade. |
| 00:13:17 |
Oh, look at how cute I am. |
| 00:13:22 |
What a little hose bag. |
| 00:13:26 |
Look, there's my dad with Maxine. |
| 00:13:28 |
God, look at her. What a fucking monster. |
| 00:13:33 |
If he starts dating her again, I'll kill myself. |
| 00:13:38 |
Listen, lady, you tell me you want to relax your hair. |
| 00:13:40 |
Sing it a lullaby or use this. It's all I've got. |
| 00:13:45 |
Hey, what you doing? |
| 00:13:46 |
You have five minutes left on your shift. |
| 00:13:55 |
Well, hello there, young employee of the Sidewinder. |
| 00:13:58 |
Look, I already told you guys, I'm not giving you a ride. |
| 00:14:02 |
What can you tell me, young man... |
| 00:14:03 |
about the various flavors of frozen yogurt? |
| 00:14:06 |
I'll be done in a minute. Can you guys just wait outside? |
| 00:14:09 |
I don't understand. I simply wish to know-- |
| 00:14:11 |
Josh, what are you doing? |
| 00:14:14 |
In addition to our favorites, chocolate and vanilla... |
| 00:14:17 |
this week we are featuring six-gun strawberry... |
| 00:14:19 |
wild cherry roundup, and ten-gallon tangerine. |
| 00:14:22 |
I don't believe I care for any of those. |
| 00:14:25 |
What's up, Josh? Give me two packs of cigarettes today. |
| 00:14:28 |
Working overtime. Sixteen hours. |
| 00:14:34 |
And nature's nectar, wake-up Juice. |
| 00:14:38 |
And give me six of these beef jerkys. |
| 00:14:41 |
I'm hungry enough to chew the crotch out of a rag doll. |
| 00:14:44 |
Hey! Hey, you! |
| 00:14:46 |
How many times I tell you? No shirt, no service. |
| 00:14:48 |
Get the hell out of my store. |
| 00:14:49 |
What do you think this is, Club Med? |
| 00:14:51 |
It's America, dude. Learn the rules. |
| 00:14:53 |
No, you learn the rules. We Greeks invented democracy. |
| 00:14:56 |
- You also invented homos. |
| 00:14:59 |
You wish. You got to buy me dinner first. |
| 00:15:04 |
So... |
| 00:15:05 |
Can we talk about this in a minute? |
| 00:15:07 |
Seriously, I'm, like, this close to being done. |
| 00:15:24 |
Son of a bitch. |
| 00:15:27 |
What do you think you're doing? |
| 00:15:29 |
Turn off that goddamn noise. |
| 00:15:31 |
Rock 'n' roll, baby. Freedom of speech. |
| 00:15:33 |
What do you think this is, Woodstock? |
| 00:15:34 |
- That guy rules! |
| 00:15:37 |
That guy spends more time in here than I do. |
| 00:15:40 |
It's my parking lot! |
| 00:15:41 |
So, Josh, will you please give us a ride? |
| 00:15:44 |
- Please, Josh? |
| 00:15:46 |
- Please? It'll be super fun. |
| 00:15:51 |
Look, I don't see why you guys even need a ride. |
| 00:15:54 |
You could walk there in two minutes. |
| 00:15:56 |
It's just an excuse for us to spend time with you, Josh. |
| 00:15:59 |
If this guy freaks out, will you protect us? |
| 00:16:01 |
This guy has every reason to freak out. |
| 00:16:04 |
This is a pretty fucked up thing to do to somebody. |
| 00:16:07 |
I think Josh is becoming too mature for us. |
| 00:16:14 |
Oh, look, maybe that's him. |
| 00:16:15 |
No. It's still twenty-five minutes too early. |
| 00:16:20 |
Aren't there a million places like this? |
| 00:16:22 |
No. This is the ultimate. |
| 00:16:24 |
It's, like, the Taj Mahal of fake Fifties diners. |
| 00:16:29 |
So, where's the Weird Al guy? |
| 00:16:33 |
There he is back there. |
| 00:16:35 |
I can see his hair bobbing up and down. |
| 00:16:39 |
I want to make love to him. |
| 00:16:42 |
I'm gonna tell him you said that. |
| 00:16:45 |
So nice to see you again, ladies. |
| 00:16:47 |
Hi, Weird Al. My friend here has-- |
| 00:16:49 |
Shut up! |
| 00:16:51 |
- She says she wants to-- |
| 00:16:56 |
Oh, my God. |
| 00:16:57 |
God, that is obviously him. |
| 00:17:18 |
Oh, my God. He just ordered a giant glass of milk. |
| 00:17:24 |
That's a vanilla milkshake. |
| 00:17:49 |
Oh, God, this is totally unbearable. |
| 00:18:18 |
Fucking asshole! What's wrong with you? |
| 00:18:20 |
Oh, my God. It's him. |
| 00:18:24 |
- Can anybody drive? |
| 00:18:27 |
- We should follow him home. |
| 00:18:30 |
Come on, Josh. Don't you want to see where this guy lives? |
| 00:18:44 |
God, he lives right in our neighborhood. |
| 00:18:45 |
He doesn't even look all that bummed out really. |
| 00:18:47 |
I know. |
| 00:18:49 |
Wouldn't he be, like, totally pissed off? |
| 00:18:53 |
This type of thing must happen to him all the time. |
| 00:18:57 |
Mirror, father, mirror. |
| 00:19:25 |
That piece is entitled "Mirror, Father, Mirror." |
| 00:19:32 |
I like to show it... |
| 00:19:33 |
to people that I'm meeting for the first time... |
| 00:19:35 |
because I think it says so much about who I am... |
| 00:19:39 |
and what it feels like to inhabit my specific skin. |
| 00:19:48 |
And this is exactly what I'm hoping to get... |
| 00:19:52 |
from each of you over the course of this summer-- |
| 00:19:54 |
a picture of your own self-exploration. |
| 00:20:00 |
Now, my own background is in video and performance art... |
| 00:20:06 |
but I'm hoping that doesn't influence you too much... |
| 00:20:09 |
and you'll find your own ways of externalizing the internal. |
| 00:20:14 |
And at the end of the summer, this class has been invited... |
| 00:20:17 |
to participate in a show of high school art... |
| 00:20:21 |
at the neighborhood activity center. |
| 00:20:24 |
The title of the show will be... |
| 00:20:27 |
"Brotherhood and Community: Art as Dialogue." |
| 00:20:34 |
Are there any questions so far? |
| 00:20:42 |
Great! |
| 00:20:44 |
This is really creepy. |
| 00:20:46 |
We just need to find out what apartment he's in... |
| 00:20:48 |
and we'll stalk him from a distance. |
| 00:20:50 |
I'm afraid if I see him, I'll feel really bad again. |
| 00:21:00 |
This is girl mail. |
| 00:21:05 |
This is computer catalogs and stuff. |
| 00:21:07 |
"The W.C. Fields Fan Club Newsletter"? |
| 00:21:11 |
Oh, my God. The National Psoriasis Foundation? |
| 00:21:14 |
- Bingo. |
| 00:21:22 |
Come on. |
| 00:21:23 |
What if he recognizes us? |
| 00:21:33 |
Eww, look at this. |
| 00:21:36 |
Eww. Gross. |
| 00:21:37 |
Kinda cute. |
| 00:21:39 |
It looks like a gross rat. |
| 00:21:40 |
That's a mongoose. |
| 00:21:43 |
How much is it? |
| 00:21:47 |
That's not officially for sale. |
| 00:21:49 |
I might have to hang on to that for the time being. |
| 00:21:57 |
So, you looking for anything in particular? |
| 00:22:02 |
Do you have any other old records besides these? |
| 00:22:04 |
Seymour does. |
| 00:22:06 |
Who does? |
| 00:22:07 |
Oh, him. Seymour. |
| 00:22:09 |
He's the man with the records. |
| 00:22:18 |
Do you have any old Indian records? |
| 00:22:21 |
Indian records? |
| 00:22:22 |
Yeah. You know, like, old Indian 1960s rock 'n' roll music. |
| 00:22:26 |
I may have one Hindu 78... |
| 00:22:29 |
in my collection from the Twenties... |
| 00:22:31 |
but it's not really for sale. |
| 00:22:33 |
I don't really collect foreign. |
| 00:22:41 |
Those are all 78s. You play 78s? |
| 00:22:45 |
Maybe not 78s, but I can play regular records. |
| 00:22:49 |
Well, there's some good stuff in here. |
| 00:22:51 |
- You like old music? |
| 00:22:54 |
There's some choice LPs in here... |
| 00:22:56 |
that reissue some really great old blues stuff. |
| 00:22:58 |
How about this one? Is it any good? |
| 00:23:00 |
No, that one's not so great. |
| 00:23:03 |
Excuse me. |
| 00:23:06 |
This is the one I'd recommend. |
| 00:23:07 |
It's... |
| 00:23:09 |
This track alone by Memphis Minnie... |
| 00:23:11 |
is worth about $500 if you own the original 78. |
| 00:23:14 |
I know the guy who owns the original... |
| 00:23:16 |
and lent it for use on this reissue. |
| 00:23:18 |
Wow. |
| 00:23:21 |
- How much is it? |
| 00:23:27 |
If you don't like it, you can bring it back for a refund. |
| 00:23:33 |
We're here every Saturday. |
| 00:23:36 |
I'm sure it's OK. |
| 00:23:44 |
Enjoy. |
| 00:23:47 |
It was so cute how he had his own little bags. |
| 00:23:49 |
I thought I was going to start crying. |
| 00:23:51 |
Yeah, he should totally just kill himself. |
| 00:23:53 |
Oh, here's one. |
| 00:23:56 |
But you have to share with a... |
| 00:23:58 |
"nonsmoking feminist and her two cats." |
| 00:24:01 |
I don't know. I kind of like him. |
| 00:24:03 |
He's the exact opposite of everything I really hate. |
| 00:24:07 |
In a way, he's such a clueless dork... |
| 00:24:09 |
he's almost kind of cool. |
| 00:24:10 |
That guy is many things, but he's definitely not cool. |
| 00:24:15 |
This would be good, but there's no kitchen. |
| 00:24:18 |
Yeah, but... you know what I mean. |
| 00:24:21 |
Not really. |
| 00:24:24 |
Forget it. I can't explain it. |
| 00:24:28 |
Oh, my God. What are you guys doing here? |
| 00:24:31 |
What are you doing here, Melorra? |
| 00:24:33 |
My acting workshop is across the street from here. |
| 00:24:35 |
I'm just on my break. |
| 00:24:36 |
Well, we won't keep you. |
| 00:24:39 |
I love this place. |
| 00:24:42 |
It's so, I don't know... You know, funky. |
| 00:24:50 |
So, what are you guys up to? |
| 00:24:52 |
We're looking for apartments. |
| 00:24:54 |
God, how cool. Where are you moving? |
| 00:24:56 |
We don't know yet. That's why we're looking. |
| 00:24:59 |
Somewhere downtown. |
| 00:25:00 |
God, that's so exciting. |
| 00:25:04 |
Oops, I should go. |
| 00:25:06 |
Bye, you guys. Call me. Bye. |
| 00:25:15 |
Funky. |
| 00:25:17 |
What, is she black now? |
| 00:25:20 |
So, I was thinking that when we look for our apartment... |
| 00:25:23 |
we have to convince these people that we're totally rich yuppies. |
| 00:25:28 |
What are you talking about? |
| 00:25:29 |
That's who people want to rent to. |
| 00:25:32 |
So all we have to do is buy semi-expensive outfits... |
| 00:25:36 |
and I think it's no big deal. |
| 00:25:39 |
It'll be really fun. |
| 00:26:00 |
Honey, have you seen my blue spatula? |
| 00:26:02 |
What, are you making pancakes? |
| 00:26:04 |
Not if I can't find that goddamn spatula. |
| 00:26:19 |
That's just great. When did you do that? |
| 00:26:23 |
God, how long have you been standing there? |
| 00:26:27 |
Hey, look. There's the pants. |
| 00:26:29 |
Where are we going? |
| 00:26:31 |
Let's go hassle Josh. |
| 00:26:33 |
Hassle? |
| 00:26:36 |
- Oh, look, there he is. |
| 00:26:38 |
Waiting for the bus that never comes. |
| 00:26:40 |
I wonder if he's just totally insane... |
| 00:26:41 |
or he really thinks the bus is coming? |
| 00:26:42 |
Why don't you just ask him? |
| 00:26:49 |
Hi. What's your name? |
| 00:26:52 |
Norman. |
| 00:26:55 |
- Are you waiting for a bus? |
| 00:27:00 |
I hate to tell you this... |
| 00:27:01 |
but they canceled this bus line two years ago. |
| 00:27:05 |
There are no more buses on this street. |
| 00:27:08 |
You don't know what you're talking about. |
| 00:27:15 |
Josh! |
| 00:27:29 |
I bet he's in there jerking off. |
| 00:27:31 |
I'll bet he never jerks off. |
| 00:27:33 |
Yeah, he's beyond human stuff like that. |
| 00:27:38 |
Should we leave a note? |
| 00:27:40 |
- Yeah. You got a pen? |
| 00:27:52 |
"Dear Josh, we came by to fuck you... |
| 00:27:57 |
"but you were not home. Therefore, you are gay. |
| 00:28:02 |
"Signed Tiffany and Amber." |
| 00:28:08 |
- You're going to leave that? |
| 00:28:11 |
Why do we have to go in here? I hate this place. |
| 00:28:13 |
Don't worry. It'll only take a second. |
| 00:28:16 |
Whoever told you that bullshit about boiling... |
| 00:28:17 |
is out of his mind. |
| 00:28:18 |
Carpet beetles are the only way to get flesh off a corpse. |
| 00:28:22 |
I'm just telling you what he said. |
| 00:28:25 |
Don't you creeps ever talk about anything nice? |
| 00:28:27 |
Don't you ever talk about fluffy kittens or the Easter Bunny? |
| 00:28:31 |
Look who's talking, Little Miss Badass. |
| 00:28:33 |
Yeah, nice outfit. |
| 00:28:35 |
Who are you supposed to be, Cyndi Lauper? |
| 00:28:38 |
Blow me, doofus. |
| 00:28:39 |
Oh, my God. Didn't they tell you? |
| 00:28:41 |
- Tell me what? |
| 00:28:44 |
I know it's over, asshole. |
| 00:28:45 |
Want to fuck up the system? Go to business school. |
| 00:28:49 |
That's what I'm going to do. |
| 00:28:50 |
Get a job at some big corporation... |
| 00:28:52 |
and, like, fuck things up from the inside. |
| 00:28:54 |
- You know, I'm not even trying-- |
| 00:28:57 |
Hey, do you have my money? |
| 00:29:04 |
Oh, how punk. |
| 00:29:06 |
You know that tape sucked, by the way? |
| 00:29:08 |
- So sorry if it offended Jew. |
| 00:29:10 |
- Get a job. |
| 00:29:13 |
Can we go now? |
| 00:29:15 |
You know, it's not like I'm some modern punk, dickhead. |
| 00:29:18 |
It's obviously a 1977 original punk rock look. |
| 00:29:22 |
Johnny Fuckface over there is too stupid to realize it. |
| 00:29:25 |
I didn't really get it, either. |
| 00:29:27 |
Everyone's too stupid. |
| 00:31:50 |
It took me a while before I got a chance to actually play it... |
| 00:31:54 |
but once I heard that song, it was like-- |
| 00:31:56 |
You liked it, huh? |
| 00:31:57 |
There's some really rare performances. |
| 00:32:01 |
What about--Did you like the Memphis Minnie? |
| 00:32:04 |
That was good, too. The whole record was good... |
| 00:32:06 |
but that one song, "Devil Got My Woman..." |
| 00:32:08 |
I mostly just keep playing that over and over. |
| 00:32:12 |
Do you have any other records like that? |
| 00:32:13 |
There are no other records like that. |
| 00:32:16 |
Actually, I have the original 78 in my collection. |
| 00:32:20 |
It's one of maybe five known copies. |
| 00:32:23 |
Wow. |
| 00:32:25 |
Yeah. Do you want to see it? |
| 00:32:27 |
I can run upstairs and get it. |
| 00:32:29 |
Sure, yeah. |
| 00:32:32 |
Watch my stuff. |
| 00:32:36 |
Here we go. It's... |
| 00:32:40 |
It's only about a B-minus. |
| 00:32:41 |
It's got an incipient lam crack... |
| 00:32:43 |
but it plays decent as I recall. |
| 00:32:49 |
- Oops, I dropped it! |
| 00:32:51 |
I was only kidding. |
| 00:32:55 |
Jesus, Seymour, are you all right? |
| 00:32:57 |
Yeah, it's just... |
| 00:32:59 |
it's very valuable. |
| 00:33:02 |
Now, last week, I asked you... |
| 00:33:05 |
to try to create a piece of artwork... |
| 00:33:06 |
that responds to something you have strong feelings about. |
| 00:33:11 |
I merely want to help you find... |
| 00:33:15 |
the best way to look within yourselves... |
| 00:33:18 |
the best key to your particular lock. |
| 00:33:22 |
And it looks like we have some really interesting work up here. |
| 00:33:26 |
Thanks. |
| 00:33:30 |
What can you tell us about your piece... |
| 00:33:33 |
Phillip? |
| 00:33:37 |
It's about The Mutilator. |
| 00:33:40 |
My goodness. |
| 00:33:43 |
It's a really great video game... |
| 00:33:45 |
about a guy who kills people with a big hammer. |
| 00:33:48 |
Oh. I thought maybe this was supposed to be your father. |
| 00:33:55 |
What can you tell us about this piece.. |
| 00:33:58 |
- Enid. |
| 00:34:00 |
Well, it's kind of a diary, |
| 00:34:06 |
Colorful. |
| 00:34:18 |
I think that Phillip and Enid can help us to see that... |
| 00:34:22 |
there are many different ways we can express ourselves. |
| 00:34:25 |
We can do things like these cartoons that are amusing... |
| 00:34:29 |
as a sort of a light entertainment... |
| 00:34:31 |
or we can do work that is more serious... |
| 00:34:35 |
in scope, in feeling, and that deals with issues-- |
| 00:34:37 |
emotional, spiritual, political... |
| 00:34:41 |
of great importance. |
| 00:34:43 |
Who is responsible for this? |
| 00:34:46 |
I am. |
| 00:34:47 |
Talk to us about it. |
| 00:34:50 |
It's my response to the issue of a woman's right to choose. |
| 00:34:53 |
It's something I feel super strongly about. |
| 00:34:59 |
Isn't this a wonderful piece, class? |
| 00:35:00 |
This definitely falls into that higher category of art... |
| 00:35:06 |
I was speaking of earlier. |
| 00:35:10 |
In a world where nothing is what it seems... |
| 00:35:14 |
in a time of uncertainty... |
| 00:35:17 |
the future is about to be placed... |
| 00:35:19 |
Hello. Welcome to Masterpiece Video. |
| 00:35:21 |
How may I help you this afternoon, sir? |
| 00:35:22 |
I'm looking for a copy of "8 1/2." |
| 00:35:24 |
Is that a new release, sir? |
| 00:35:26 |
No. It's the classic Italian film. |
| 00:35:28 |
Yes, sir. |
| 00:35:30 |
I'll just check that on the computer for you, sir. |
| 00:35:36 |
Hello! How are you young ladies this afternoon? |
| 00:35:38 |
May I help you find a particular Masterpiece movie? |
| 00:35:41 |
No. |
| 00:35:42 |
Yes, here it is. |
| 00:35:43 |
"9 1/2 Weeks" with Mickey Rourke. |
| 00:35:46 |
That would be in the erotic drama section. |
| 00:35:49 |
No, not "9 1/2," "8 1/2." The Fellini film. |
| 00:35:53 |
How about this one? |
| 00:35:55 |
Forget it. I'm sure it sucks. |
| 00:35:57 |
All these movies suck. |
| 00:36:00 |
America's top critics agree-- |
| 00:36:03 |
"The Flower That Drank The Moon..." |
| 00:36:04 |
Let's get out of here. This place makes me sick. |
| 00:36:07 |
We have to do something fun tonight. |
| 00:36:09 |
It's my last weekend of freedom before I start my stupid job. |
| 00:36:13 |
I know a party we could go to later. |
| 00:36:16 |
Really? Where? |
| 00:36:18 |
It's a surprise. |
| 00:36:23 |
Some records I will pay serious money for... |
| 00:36:25 |
provided that they're a sincere V-plus. |
| 00:36:28 |
Other than that, I just prefer to have them on CD. |
| 00:36:31 |
But CDs will never have the presence of an original 78. |
| 00:36:34 |
Wrong. A digital transfer, adequately mastered... |
| 00:36:37 |
will sound identical to the original. |
| 00:36:38 |
Do you have a decent equalizer? |
| 00:36:40 |
- I have a Klipsch 2B3. |
| 00:36:43 |
You expect a ten-band equalizer... |
| 00:36:45 |
to impart state-of-the-art sound? |
| 00:36:47 |
Dream a little dream. It's never gonna happen. |
| 00:36:52 |
I totally, totally hate you. |
| 00:36:54 |
Come on. This is a fun party. |
| 00:37:01 |
Erskine Hawkins and his orchestra, do you have that? |
| 00:37:03 |
That's nice, but no. |
| 00:37:07 |
- "Golden Wedding"? |
| 00:37:09 |
That's excellent. |
| 00:37:11 |
What's the story with the two cheerleaders over there? |
| 00:37:14 |
They're Seymour's. |
| 00:37:16 |
Seymour? No. You got to be kidding me. |
| 00:37:19 |
Don't worry about it. I've lived with the guy for five years. |
| 00:37:22 |
He's not getting any. Neither are you. |
| 00:37:25 |
Hey, you know what? Listen to me, Joe, all right? |
| 00:37:27 |
Let me tell you something, Joe, OK? |
| 00:37:30 |
You can't score a home run without swinging the bat. |
| 00:37:32 |
All right? Physically impossible. |
| 00:37:35 |
Watch and learn, padre. |
| 00:37:41 |
How's it going, Adam? |
| 00:37:44 |
There's a seat right there. |
| 00:37:46 |
- Mind if I sit down? |
| 00:37:49 |
Oh, man. That was cold. |
| 00:37:51 |
You're all right. |
| 00:37:53 |
You're pretty sharp. |
| 00:37:54 |
You're wearing a green dress. What are you, lrish? |
| 00:37:58 |
I bet you're Irish. What's your name? |
| 00:38:00 |
- Melorra. |
| 00:38:03 |
So listen to me, Melorra. |
| 00:38:05 |
Let me tell you something. |
| 00:38:07 |
You seem like an interesting chick. |
| 00:38:09 |
What are you doing hanging here with all these losers? |
| 00:38:12 |
What do you say you and me go hit some night spots? |
| 00:38:16 |
Well, Melorra, I'll be right back. |
| 00:38:20 |
I'm gonna get a beer. |
| 00:38:21 |
No, Enid, wait. |
| 00:38:24 |
Hey, that's all right. |
| 00:38:30 |
It has a large center hole and a hair crack. |
| 00:38:33 |
But the crack is so tight, it's completely inaudible. |
| 00:38:36 |
But a tight hair crack is just that--a crack. |
| 00:38:40 |
I don't collect cracked records. |
| 00:38:42 |
I only pay premium on mint records. |
| 00:38:46 |
Seymour, you know that. Please. |
| 00:38:53 |
So, what was all that about enlarged holes and tight cracks? |
| 00:38:58 |
I didn't think you would have any interest... |
| 00:39:01 |
in this get-together. |
| 00:39:02 |
If you would have told me you were coming... |
| 00:39:03 |
I would have warned you it's not like a real party or anything. |
| 00:39:06 |
You're right about that. |
| 00:39:09 |
So, is this your record collection? |
| 00:39:11 |
God, no. This is just junk I have for sale. |
| 00:39:14 |
- The record room is off limits. |
| 00:39:20 |
Here. |
| 00:39:28 |
Are all these records? |
| 00:39:29 |
I've got about 1,500 78s at this point. |
| 00:39:33 |
I've tried to pare down my collection... |
| 00:39:35 |
to just the essential. |
| 00:39:41 |
Look at this room. |
| 00:39:45 |
This is, like, my dream room. |
| 00:39:49 |
Look at all this stuff. |
| 00:39:55 |
You are, like, the luckiest guy in the world. |
| 00:39:58 |
I would kill to have stuff like this. |
| 00:40:00 |
Please. Go ahead and kill me. |
| 00:40:02 |
Oh, come on. What are you talking about? |
| 00:40:05 |
You think it's healthy to obsessively collect things? |
| 00:40:08 |
You can't connect with other people... |
| 00:40:10 |
so you fill your life with stuff. |
| 00:40:12 |
I'm just like all the rest of these pathetic collector losers. |
| 00:40:15 |
No, you're not. You're a cool guy, Seymour. |
| 00:40:19 |
Then how come I haven't had a girlfriend in four years? |
| 00:40:24 |
I can't even remember the last time a girl talked to me. |
| 00:40:26 |
I'm talking to you. |
| 00:40:27 |
You know, I bet there are tons of women... |
| 00:40:29 |
who'd go out with you in a minute. |
| 00:40:30 |
I know I could get you a date in, like, two seconds. |
| 00:40:32 |
Good luck. |
| 00:40:33 |
I mean it. You leave everything to me... |
| 00:40:35 |
I'm going to be your own personal dating service. |
| 00:40:38 |
Yeah, well, we should get back. |
| 00:40:39 |
By the end of this summer... |
| 00:40:40 |
you're going to be up to your neck in pussy. |
| 00:40:42 |
Jesus. |
| 00:40:44 |
What about her? Would you go out with her? |
| 00:40:47 |
What kind of a question is that? |
| 00:40:49 |
It's totally irrelevant, because a girl like that... |
| 00:40:52 |
would never be caught dead with me. |
| 00:40:53 |
Yeah, but put that aside for now. |
| 00:40:55 |
Would you go out with her? |
| 00:40:57 |
I really didn't get a good look at her. |
| 00:40:58 |
Yes, you did. Whoa. |
| 00:41:01 |
What about her? Are you into girls with big tits? |
| 00:41:03 |
Jesus. |
| 00:41:06 |
I mean, as long as she's not a complete imbecile... |
| 00:41:09 |
and she's even remotely attractive... |
| 00:41:12 |
Hey, look, there's Norman. Hi, Norman. |
| 00:41:18 |
We need to find a place where you can go... |
| 00:41:19 |
to meet women who share your interests. |
| 00:41:22 |
Maybe I don't want to meet someone who shares my interests. |
| 00:41:24 |
I hate my interests. |
| 00:41:26 |
List your five main interests in order of importance. |
| 00:41:30 |
I'd have to put traditional jazz, blues... |
| 00:41:33 |
and then ragtime at the top of the list. |
| 00:41:35 |
Right, so let's just say music. |
| 00:41:37 |
That way, we only use up one. |
| 00:41:39 |
All right. |
| 00:41:41 |
Can we go in here for a second? Just for a second. |
| 00:41:50 |
Just stopping by to say hi. |
| 00:41:55 |
This is my friend Seymour. |
| 00:42:01 |
OK. Well, we'll see you later, Josh. |
| 00:42:04 |
Josh, what you goddamn doing? |
| 00:42:05 |
Clean up that fucking mess! Jesus. |
| 00:42:09 |
So, was that your boyfriend? |
| 00:42:11 |
Josh? He's nobody's boyfriend. |
| 00:42:13 |
He's just this guy that Becky and I like to torture. |
| 00:42:16 |
But do you... Are you going out-- |
| 00:42:18 |
Oh, my God. We have to go in here. Come on. |
| 00:42:21 |
Yeah, sure. Very funny. |
| 00:42:23 |
Come on. Please? |
| 00:42:24 |
Becky and I have been dying to go in here... |
| 00:42:26 |
but we can never find any boys to take us. |
| 00:42:28 |
- I would really rather not. |
| 00:42:30 |
Just for a minute. It'll be a riot. |
| 00:42:32 |
- I don't think so. |
| 00:42:48 |
Oh, my God. Look at all these creeps. |
| 00:42:53 |
OK. Can we go? |
| 00:42:57 |
This place is a total riot. |
| 00:43:06 |
What are you doing? |
| 00:43:09 |
Oh, my God. |
| 00:43:11 |
Who would actually have sex with this thing? |
| 00:43:17 |
"Corporate Slut." Sophisticated. |
| 00:43:21 |
Come on. Can we go? |
| 00:43:24 |
Seymour, you have to lend me the money to buy this. |
| 00:43:30 |
I don't really have a lot of money on me right now. |
| 00:43:31 |
Come on, Seymour. Please? |
| 00:43:33 |
I don't want this showing up on a credit card statement. |
| 00:43:35 |
I'll get put on some weird mailing list. |
| 00:43:36 |
- It's not that much. |
| 00:43:39 |
Gimme all your money, bitch. |
| 00:43:42 |
Where did you get that? |
| 00:43:43 |
You'll never believe it. Guess. |
| 00:43:46 |
Where? |
| 00:43:48 |
Anthony's. |
| 00:43:50 |
No way. When? |
| 00:43:51 |
Just now. I went with Seymour. |
| 00:43:53 |
You cunt. |
| 00:43:55 |
Excuse me. |
| 00:43:57 |
I can't read the trivia question. |
| 00:44:03 |
"Where on the human body is the Douglas pouch located?" |
| 00:44:10 |
Oh, God. |
| 00:44:18 |
Slightly below the uterus on a female. |
| 00:44:30 |
Wow. |
| 00:44:31 |
He does that every single day. |
| 00:44:34 |
I'll have a decaf-mocha to go. |
| 00:44:37 |
One decaf-mocha. |
| 00:44:39 |
Can I get you-- |
| 00:44:40 |
No, I do not want a biscotti with that. |
| 00:44:45 |
God. How can you stand all these assholes? |
| 00:44:49 |
Some people are OK... |
| 00:44:50 |
but mostly I just feel like poisoning everybody. |
| 00:44:53 |
At least the wheelchair guy is entertaining. |
| 00:44:55 |
He doesn't even need that wheelchair. |
| 00:44:57 |
He's just totally lazy. |
| 00:44:58 |
That rules. |
| 00:45:00 |
No, it really doesn't. You'll see. |
| 00:45:04 |
You'll get totally sick of all the creeps... |
| 00:45:05 |
and losers and weirdos. |
| 00:45:07 |
But those are our people. |
| 00:45:09 |
Yeah, well. |
| 00:45:14 |
So, when are you going to get a job? |
| 00:45:18 |
I'm working on it. Got a few leads. |
| 00:45:21 |
Don't worry about it. I'll get a job next week. |
| 00:45:24 |
God, I can't believe you went to Anthony's without me. |
| 00:45:31 |
Oh, sweetie. |
| 00:45:33 |
Honey, would you come in here for a minute? |
| 00:45:38 |
Sweetie, you remember Maxine? |
| 00:45:48 |
I'm going to go to bed. I'm really tired. |
| 00:45:50 |
Honey, I made spaghetti. You don't want some? |
| 00:45:53 |
No. I have to get up early for class tomorrow. |
| 00:45:55 |
It's really quite something to see you all grown up, Enid. |
| 00:46:02 |
I'd love to know what you're doing now. |
| 00:46:03 |
I can't help but feel... |
| 00:46:05 |
I had some small part in how you turned out. |
| 00:46:10 |
What are you studying? |
| 00:46:12 |
You were always such a smart little girl. |
| 00:46:16 |
I'm taking a remedial high school art class... |
| 00:46:19 |
for fuck-ups and retards. |
| 00:46:23 |
Who is this, Enid? |
| 00:46:26 |
It's supposed to be Don Knotts. |
| 00:46:28 |
And what was your reason for choosing him as your subject? |
| 00:46:34 |
I don't know. I just like Don Knotts. |
| 00:46:38 |
Interesting. |
| 00:46:39 |
What do we have here, Margaret? |
| 00:46:42 |
It's a tampon in a teacup. |
| 00:46:45 |
I can see that. |
| 00:46:47 |
What can you tell us about it? |
| 00:46:48 |
First of all, what kind of sculpture is this? |
| 00:46:51 |
It's a found object. |
| 00:46:53 |
That's where an artist takes an ordinary object... |
| 00:46:55 |
and places it in an artistic context... |
| 00:46:57 |
and thus, it becomes art. |
| 00:46:58 |
But what can you tell us about it... |
| 00:47:00 |
in regard to your artistic intent? |
| 00:47:03 |
Well, I guess I see the teacup as a symbol for womanhood. |
| 00:47:09 |
Such as tea parties in the olden days... |
| 00:47:11 |
but instead of tea... |
| 00:47:13 |
I was trying to kind of confront people with this-- |
| 00:47:16 |
This shocking image of repressed femininity. |
| 00:47:19 |
Right. Exactly. |
| 00:47:21 |
Well, I think it's a really wonderful piece... |
| 00:47:24 |
and it illustrates perfectly what I was saying... |
| 00:47:27 |
about not being afraid to use controversial imagery. |
| 00:47:33 |
Oh. Well, this looks like the work of Phillip. |
| 00:47:43 |
Hey, you see that guy over there? |
| 00:47:45 |
- Which one? |
| 00:47:51 |
He gives me, like, a total boner. |
| 00:47:53 |
He's, like, the biggest idiot of all time. |
| 00:47:56 |
You guys up for some reggae tonight? |
| 00:47:59 |
OK, you're right. |
| 00:48:03 |
Sometimes I think I'm going crazy... |
| 00:48:04 |
from sexual frustration. |
| 00:48:06 |
And you haven't heard of the miracle of masturbation? |
| 00:48:14 |
Heads up. |
| 00:48:19 |
My band's playing here on Friday night... |
| 00:48:20 |
and there's going to be a bunch of cool bands playing... |
| 00:48:24 |
and you don't have to pay... |
| 00:48:26 |
if you show them this flier at the door. |
| 00:48:29 |
You should come check it out. |
| 00:48:34 |
Which band is yours? |
| 00:48:35 |
It's Alien Autopsy. |
| 00:48:37 |
Oh. Bitchin'. |
| 00:48:39 |
Yeah, well... |
| 00:48:42 |
maybe I'll see you there. |
| 00:48:43 |
Yeah. Thanks. |
| 00:48:48 |
God, what a dork. |
| 00:48:49 |
You're just jealous. |
| 00:48:51 |
Trust me, at this point, I'm past the fact... |
| 00:48:53 |
that every single guy likes you better than me. |
| 00:48:55 |
Oh, face it. You just hate every single guy... |
| 00:48:57 |
on the face of the earth. |
| 00:48:58 |
That's not true. |
| 00:49:00 |
I just hate all these extroverted, obnoxious... |
| 00:49:03 |
pseudo-bohemian losers. |
| 00:49:06 |
The Donnie G show. Donnie G! |
| 00:49:09 |
Nothing but classic rock... |
| 00:49:11 |
coming at you this beautiful evening. |
| 00:49:12 |
You're listening to KFTO-- |
| 00:49:14 |
God, that asshole's voice is so hateful. |
| 00:49:17 |
No wonder I never listen to the radio. |
| 00:49:19 |
Relax, Seymour. Relax. |
| 00:49:21 |
He's just so shrill and loud and piercing. |
| 00:49:24 |
I feel like I'm being jabbed in the face. |
| 00:49:27 |
"KTO coming at you on this beautiful evening." |
| 00:49:30 |
- So... |
| 00:49:35 |
Why'd you bring the record? |
| 00:49:36 |
I brought it so he can autograph it. |
| 00:49:38 |
He's going to be amazed to see it. |
| 00:49:40 |
It's one of only two known copies. |
| 00:49:43 |
I can't believe they have him as the opening act... |
| 00:49:44 |
and not the headliner. |
| 00:49:46 |
It's--What an insult. |
| 00:49:48 |
There's gonna be lots of girls to pick from at this bar. |
| 00:49:52 |
I'm not holding my breath in that department. |
| 00:50:06 |
What, are we in slow motion here? |
| 00:50:08 |
What are you, hypnotized? |
| 00:50:10 |
Have some more kids, why don't you? |
| 00:50:11 |
Jesus Christ, move it! |
| 00:50:13 |
Seymour! God. |
| 00:50:19 |
I can't believe these people. |
| 00:50:21 |
They could at least turn off their stupid sports game... |
| 00:50:23 |
until he's done playing. |
| 00:50:35 |
Thank you. |
| 00:50:37 |
Don't go away. |
| 00:50:39 |
We got Blues Hammer coming up in just a minute. |
| 00:50:41 |
Hey, check that out. |
| 00:50:46 |
She's nice, but, you know... |
| 00:50:49 |
Offer her a seat. |
| 00:50:51 |
- I'll do it. |
| 00:50:52 |
Wait. Let me think of something to say to her first. |
| 00:51:16 |
That was great music, huh? |
| 00:51:17 |
Yeah, I just love blues. |
| 00:51:19 |
Actually, technically, what he was mostly playing... |
| 00:51:25 |
would more accurately be classified in the ragtime idiom. |
| 00:51:28 |
Although, of course, not in the strictest sense... |
| 00:51:31 |
of the classical ragtime piano music... |
| 00:51:36 |
like that of Scott Joplin or Joseph Lamb. |
| 00:51:40 |
Authentic blues has a more conventional... |
| 00:51:43 |
twelve-bar structure in its stanzas. |
| 00:51:46 |
Oh. If you like authentic blues... |
| 00:51:49 |
you really gotta check out Blues Hammer. |
| 00:51:51 |
They're so great. |
| 00:52:43 |
All right, people, are you ready to boogie? |
| 00:52:47 |
'Cause we gonna play some authentic... |
| 00:52:48 |
way-down-in-the-delta blues. |
| 00:52:51 |
So get ready to rock your world! |
| 00:53:01 |
Well, I been plowin' behind the mule, son |
| 00:53:04 |
Picking cotton all day long |
| 00:53:09 |
Yes, I been plowin' |
| 00:53:12 |
Picking cotton all day long |
| 00:53:17 |
I said, Lordy, baby |
| 00:53:20 |
But my woman she be gone |
| 00:53:29 |
Now I remember why I haven't been anywhere in months. |
| 00:53:32 |
It's simple for everybody else. |
| 00:53:33 |
You give them a Big Mac and a pair of Nikes... |
| 00:53:36 |
and they're happy. |
| 00:53:37 |
I can't relate to ninety-nine percent of humanity. |
| 00:53:40 |
I can't relate to humanity, either... |
| 00:53:42 |
but I don't think it's completely hopeless. |
| 00:53:44 |
Well, it's not completely hopeless for you. |
| 00:53:47 |
I'm not even in the same universe... |
| 00:53:49 |
as those creatures back there. |
| 00:53:50 |
We just need to find you a place... |
| 00:53:52 |
where you can meet someone... |
| 00:53:53 |
who isn't a complete idiot, that's all. |
| 00:53:57 |
Why do you care so much if I get a date or not? |
| 00:53:59 |
I don't know. |
| 00:54:01 |
I guess I just can't stand the idea of a world... |
| 00:54:03 |
where a guy like you can't get a date. |
| 00:54:12 |
What is this, Seymour? |
| 00:54:15 |
Oh, that. |
| 00:54:17 |
I borrowed that from work about fifteen years ago. |
| 00:54:19 |
I guess it's mine now. |
| 00:54:21 |
What are you, a Klansman or something? |
| 00:54:24 |
Yeah, I'm a Klansman. |
| 00:54:28 |
You know the Cook's Chicken franchise? |
| 00:54:31 |
"Four-piece Cook's special... |
| 00:54:32 |
"deep-fried with side and slaw. It's outrageous!" |
| 00:54:36 |
Yeah, well, Cook's is just a made up name. |
| 00:54:41 |
Back in 1922... |
| 00:54:42 |
they were originally called Coon Chicken lnn. |
| 00:54:44 |
That's an early painting of their first logo. |
| 00:55:09 |
How come everybody doesn't know this? |
| 00:55:12 |
It's ancient history. |
| 00:55:13 |
Same reason nobody knows about this Lionel Belasco record. |
| 00:55:16 |
I was more interested in the whole Cook's phenomenon... |
| 00:55:20 |
when I was about your age. |
| 00:55:22 |
Sort of lost interest when I started working for them. |
| 00:55:26 |
You work for Cook's Chicken? |
| 00:55:29 |
For nineteen years. |
| 00:55:30 |
Were you a fry cook or something? |
| 00:55:33 |
Nothing so glamorous, actually. |
| 00:55:36 |
I'm an assistant manager at their corporate headquarters. |
| 00:55:39 |
Jesus. I'd go nuts if I had to work in an office all day. |
| 00:55:46 |
So I don't really get it. |
| 00:55:47 |
Are you saying that things were better back then... |
| 00:55:49 |
even though there was stuff like this? |
| 00:55:50 |
I suppose things are better now, but... |
| 00:55:54 |
I don't know, it's complicated. |
| 00:55:55 |
People still hate each other... |
| 00:55:56 |
but they just know how to hide it better. |
| 00:56:00 |
Can I borrow this? |
| 00:56:03 |
For what? |
| 00:56:05 |
I promise I'll take good care of it. |
| 00:56:06 |
They're very sensitive about that kind of stuff at work. |
| 00:56:10 |
Don't you trust me, Seymour? |
| 00:56:13 |
Let's address discussion to this piece. |
| 00:56:19 |
I don't like it. |
| 00:56:20 |
Can you tell us why? |
| 00:56:22 |
I don't know. |
| 00:56:25 |
I think it's totally weird. |
| 00:56:27 |
It's totally offensive. |
| 00:56:29 |
Yeah. I agree. |
| 00:56:30 |
It's not right. |
| 00:56:31 |
Well, these are all valid comments, but... |
| 00:56:34 |
I think we should see if the artist... |
| 00:56:36 |
has anything to bring to this. |
| 00:56:39 |
Well, I found this when I was doing some research... |
| 00:56:42 |
and I discovered that Cook's Chicken... |
| 00:56:45 |
used to be called Coon Chicken. |
| 00:56:48 |
So I decided to do my project based on this discovery... |
| 00:56:51 |
as kind of a comment on racism... |
| 00:56:55 |
and how it's whitewashed over in our culture. |
| 00:56:58 |
Did you actually do this painting? |
| 00:57:00 |
Well, no, it's more of a found art object. |
| 00:57:05 |
How do you think this addresses the subject of racism? |
| 00:57:08 |
It's complicated. |
| 00:57:10 |
I guess I'm trying to show... |
| 00:57:12 |
how racism used to be more out in the open... |
| 00:57:14 |
and now it's hidden or something. |
| 00:57:17 |
And how do you think an image like this... |
| 00:57:19 |
helps us to see that? |
| 00:57:21 |
I'm not sure. |
| 00:57:26 |
I guess because when we see something like this... |
| 00:57:30 |
it seems really shocking. |
| 00:57:31 |
And we have to wonder why it's so shocking. |
| 00:57:40 |
I don't really know what to say, Enid. |
| 00:57:46 |
I think it's a remarkable achievement. |
| 00:57:52 |
I'm going to let you handle the 4:30 crowd by yourself. |
| 00:57:54 |
That way, I can evaluate your performance while it's slow. |
| 00:57:57 |
Then we'll ease you into the big crowds, all right? |
| 00:57:59 |
- You can count on me, sir. |
| 00:58:04 |
Do you serve beer or any alcohol? |
| 00:58:09 |
I wish. |
| 00:58:10 |
Actually, you wish. |
| 00:58:12 |
After about five minutes of this movie... |
| 00:58:14 |
you're going to wish you had ten beers. |
| 00:58:23 |
What are you doing? You don't ever criticize the feature. |
| 00:58:26 |
Why? What's the difference? |
| 00:58:28 |
I mean, we already got his money. |
| 00:58:30 |
Look, that's the policy, OK? |
| 00:58:32 |
If you want to make up your own rules... |
| 00:58:34 |
open up your own theater. |
| 00:58:39 |
And let me have lots of butter on it. |
| 00:58:53 |
Here you go. |
| 00:58:54 |
Smothered in delicious yellow chemical sludge. |
| 00:59:01 |
What the hell is wrong with you? |
| 00:59:04 |
What? |
| 00:59:05 |
I was just joking around with the customers. |
| 00:59:07 |
- It's my shtick. |
| 00:59:10 |
And why aren't you pushing the larger sizes? |
| 00:59:12 |
Didn't you get training about up-sizing? |
| 00:59:14 |
Yeah, but I feel really weird. |
| 00:59:17 |
It's pretty sleazy. |
| 00:59:20 |
It's not optional! |
| 00:59:26 |
Jesus. |
| 00:59:28 |
Hi. Can I get a medium 7 Up? |
| 00:59:32 |
Medium? |
| 00:59:34 |
Why, sir, do you not know that for a mere 25 cents more... |
| 00:59:38 |
you could purchase a large beverage? |
| 00:59:40 |
And you know, I'm only telling you this... |
| 00:59:43 |
because we're such good friends. |
| 00:59:44 |
Medium is really only for suckers... |
| 00:59:46 |
who don't know the concept of value. |
| 00:59:48 |
What are you talking about? |
| 00:59:51 |
What kind of loser gets fired after one day? |
| 00:59:53 |
Look, I told you. The manager was a total asshole. |
| 00:59:56 |
I'll get another job. |
| 00:59:58 |
Besides, I have some ideas to make money in the meantime. |
| 01:00:05 |
I can't believe you're selling some of this stuff. |
| 01:00:08 |
Fuck it. Everything must go. |
| 01:00:16 |
I remember this hat. |
| 01:00:18 |
This was during your little old lady phase. |
| 01:00:22 |
How much is this? |
| 01:00:27 |
That's not for sale. |
| 01:00:30 |
Wait a minute. It says five dollars. |
| 01:00:32 |
I know, it's... |
| 01:00:35 |
That's a mistake. |
| 01:00:36 |
I'm not selling it. |
| 01:00:45 |
What was that all about? |
| 01:00:46 |
I thought "everything must go." |
| 01:00:48 |
Yeah, right. |
| 01:00:49 |
Like I'd let some asshole with a soul patch own Goofy Gus. |
| 01:00:55 |
How much for this dress? |
| 01:00:56 |
God, I can't believe you're selling that. |
| 01:01:03 |
That's five hundred dollars. |
| 01:01:05 |
- What? |
| 01:01:07 |
You're crazy. It should be, like, two dollars. |
| 01:01:10 |
I was wearing that when I lost my virginity. |
| 01:01:13 |
Why do I care about that? |
| 01:01:15 |
Why do you want it? |
| 01:01:17 |
It would look stupid on you anyway. |
| 01:01:18 |
God! Fuck you! |
| 01:01:24 |
So, now are you going to get a regular job? |
| 01:01:31 |
Do you want to do something tonight? |
| 01:01:32 |
I can't. It's Seymour's birthday tonight. |
| 01:01:34 |
Oh, shit. What time is it? |
| 01:01:36 |
I'm supposed to go to the store. I was going to make him a cake. |
| 01:01:39 |
Do you still want to go shopping tomorrow? |
| 01:01:41 |
Yeah, I guess. Call me. |
| 01:01:51 |
Since when can you make a cake? |
| 01:02:03 |
OK, you can open your eyes now. |
| 01:02:07 |
Oh, hey. Thanks, Enid. I really appreciate it. |
| 01:02:11 |
No, blow it out, doofus. |
| 01:02:19 |
- Are you OK? |
| 01:02:22 |
Oh, it's just my stupid back. I'll be all right in a minute. |
| 01:02:29 |
What is that? |
| 01:02:32 |
It's... |
| 01:02:34 |
It's just this elastic thing I have to wear sometimes... |
| 01:02:36 |
for lumbar support. |
| 01:02:38 |
What, like a girdle? |
| 01:02:42 |
Maybe now you can understand why I can't get a date. |
| 01:02:45 |
Well, at least you're not the only one. |
| 01:02:47 |
I think only stupid people have good relationships. |
| 01:02:51 |
That's the spirit. |
| 01:02:53 |
Actually, there is this one guy I have a crush on right now... |
| 01:02:56 |
but... totally fucked-up situation. |
| 01:03:01 |
Oh, yeah? |
| 01:03:03 |
Yeah. You met him, remember? That guy Josh. |
| 01:03:05 |
But I can't do anything about it... |
| 01:03:06 |
because Becky would totally freak out. |
| 01:03:10 |
Why? |
| 01:03:11 |
Just forget it. It's complicated. |
| 01:03:18 |
Aren't you going to get that? |
| 01:03:20 |
Let the machine get it. |
| 01:03:21 |
I have no desire to talk to anyone who might be calling me. |
| 01:03:28 |
I knew it. It's my mother. |
| 01:03:31 |
Hi, I'm calling for... |
| 01:03:34 |
You placed an ad in "The Weekly" over a month ago, and... |
| 01:03:37 |
well, I'm the blonde in the yellow dress. |
| 01:03:40 |
At least, I think I am. |
| 01:03:42 |
I saw the ad when you first placed it... |
| 01:03:44 |
but I was in this relationship at the time... |
| 01:03:45 |
so I cut the ad out, and... |
| 01:03:47 |
and I'm not in a relationship anymore. |
| 01:03:50 |
God, this is really confusing. |
| 01:03:52 |
Don't! |
| 01:03:53 |
Anyway, if you still want to talk to me... |
| 01:03:54 |
I can be reached at 555-2673. |
| 01:03:58 |
That's my work number... |
| 01:04:00 |
and my name is Dana. |
| 01:04:03 |
OK! Bye. |
| 01:04:08 |
Wow. |
| 01:04:11 |
What was all that about? |
| 01:04:12 |
It's just somebody's idea of a joke. |
| 01:04:15 |
That didn't sound like a joke to me. |
| 01:04:18 |
What, did you place an ad in the personals or something? |
| 01:04:22 |
Yeah, a long time ago. |
| 01:04:25 |
She called before. It's just somebody trying to humiliate me. |
| 01:04:29 |
I think you should call her back. |
| 01:04:40 |
Oh, look. We have to get these. |
| 01:04:47 |
You know, I can't afford stuff like this right now. |
| 01:04:50 |
Look, I'm sick of waiting. |
| 01:04:51 |
I mean, we have to get stuff if we're ever going to move. |
| 01:04:56 |
Aren't these the greatest? |
| 01:05:01 |
What? They're nice. |
| 01:05:04 |
I can't imagine spending money on plastic cups. |
| 01:05:07 |
You don't have to. I'll pay for everything now... |
| 01:05:09 |
and you can pay me back when you finally get a job. |
| 01:05:11 |
You're insane. |
| 01:05:13 |
So, are we still going to that thing tonight? |
| 01:05:15 |
What thing? |
| 01:05:17 |
You know, that guy's band is playing tonight. |
| 01:05:20 |
Alien Autopsy. |
| 01:05:21 |
Actually, Seymour's big date is tonight. |
| 01:05:24 |
And I kind of want to be around when he calls... |
| 01:05:26 |
you know, so I can hear how badly it went. |
| 01:05:27 |
God, I'm so sick of Seymour. |
| 01:05:34 |
That was great. |
| 01:05:37 |
Jeez, thanks a lot for cooking. |
| 01:05:39 |
I love to cook. |
| 01:05:41 |
Most women wouldn't invite a guy over on the first date, but... |
| 01:05:46 |
I think you should trust your instincts. |
| 01:05:48 |
When I talked to you on the phone... |
| 01:05:49 |
you just seemed so... I don't know, so harmless. |
| 01:05:53 |
Thanks. |
| 01:06:15 |
I love this song. |
| 01:06:20 |
Isn't it great? |
| 01:06:23 |
Doesn't it make you want to dance? |
| 01:06:25 |
- Come on. |
| 01:06:27 |
Come on, Seymour. Don't be silly. |
| 01:06:30 |
Anybody can dance. |
| 01:06:31 |
Here, follow me. Watch my feet. |
| 01:06:34 |
No, really. |
| 01:06:36 |
Come on, Seymour. |
| 01:06:37 |
Just feel the music. |
| 01:06:39 |
Loosen up. It's all in your head. |
| 01:06:42 |
Here, let's put down your bowl of ice cream. |
| 01:06:45 |
Wow, it's 9:00 already. |
| 01:06:48 |
If we're gonna make that movie, don't you think we should go? |
| 01:06:50 |
OK. Party pooper. |
| 01:07:07 |
I'm so excited to see this film. |
| 01:07:09 |
Dustoff Varnya is such a brilliant director. |
| 01:07:12 |
Did you see his last film... |
| 01:07:13 |
"The Flower That Drank The Moon"? |
| 01:07:15 |
It was glorious. |
| 01:07:18 |
Must have missed that one. |
| 01:07:20 |
Then again, what do I know? I like Laurel and Hardy movies. |
| 01:07:22 |
Really? I never really cared for those. |
| 01:07:26 |
Why does the fat one always have to be so mean to the skinny one? |
| 01:07:46 |
- Hello? |
| 01:07:49 |
- Oh, hi. |
| 01:07:52 |
Actually, it's still kind of happening. |
| 01:07:54 |
She's over here right now. I think it's going pretty well. |
| 01:07:58 |
- What? You're joking. |
| 01:08:01 |
It's not really the best time to talk, OK? |
| 01:08:03 |
What, are you going to have sex with her on your first date? |
| 01:08:06 |
Jesus! I'll talk to you later, OK? Bye. |
| 01:08:10 |
That was my mother. |
| 01:08:34 |
Do you still want to do something tonight? |
| 01:08:37 |
What happened to Seymour? |
| 01:08:38 |
I can't believe this. He actually scored. |
| 01:08:41 |
God, how repulsive. |
| 01:08:44 |
So, should I come over? |
| 01:08:45 |
Actually, I was just about to go out with some friends. |
| 01:08:50 |
What are you talking about? Who? |
| 01:08:53 |
Just some people from work. |
| 01:08:57 |
I don't believe you. |
| 01:08:59 |
You said you were busy, so... |
| 01:09:02 |
Look, I better get going. |
| 01:09:05 |
I guess I'll call you tomorrow. |
| 01:09:48 |
Boo! |
| 01:09:50 |
Please. |
| 01:09:53 |
Boy. |
| 01:09:55 |
So, where have you been? |
| 01:09:58 |
I've been looking all over for you. |
| 01:09:59 |
I've been wandering the streets day and night... |
| 01:10:01 |
trying to find you. |
| 01:10:03 |
Really? |
| 01:10:04 |
No. Joe told me where you are. |
| 01:10:09 |
But how come you never call me anymore? |
| 01:10:12 |
I'm sorry. I've just been really busy. |
| 01:10:18 |
So, how are things going with... |
| 01:10:22 |
What's her name? Dana? |
| 01:10:25 |
Pretty well. Surprisingly, you know. |
| 01:10:28 |
It's good. |
| 01:10:33 |
What do you do together? Is she into your old records and stuff? |
| 01:10:37 |
Yeah, sort of. I mean, she doesn't dislike that stuff. |
| 01:10:41 |
Anyway, she's trying. |
| 01:10:42 |
Actually, we're supposed to go antique shopping... |
| 01:10:45 |
for her apartment this afternoon. |
| 01:10:47 |
Sounds good. |
| 01:10:50 |
So, we should get together. |
| 01:10:52 |
I'll definitely give you a call this week or something. |
| 01:10:57 |
Are you trying to get rid of me? |
| 01:10:59 |
No, no, no. It's just that I... |
| 01:11:02 |
I should be going in a few minutes, and... |
| 01:11:07 |
Aren't you even going to ask how I'm doing? |
| 01:11:12 |
Sorry. |
| 01:11:13 |
So, how are you? |
| 01:11:18 |
I don't know. Good, I guess. |
| 01:11:23 |
Oh, hello. Guess I'm a little early. |
| 01:11:30 |
- This is Enid. |
| 01:11:34 |
It's great to finally meet you. |
| 01:11:37 |
So, how do you two know each other? |
| 01:11:41 |
I'm kind of surprised he hasn't mentioned me. |
| 01:11:43 |
- We're old friends. |
| 01:11:45 |
Yeah. Very close. |
| 01:11:47 |
In fact, I was standing right next to him... |
| 01:11:50 |
the first day you called. |
| 01:11:52 |
You know, if it wasn't for me... |
| 01:11:53 |
he would have never called you back. |
| 01:11:56 |
- Is that right? |
| 01:11:58 |
Well, I've really got to get going... |
| 01:12:00 |
but I'll stop by and see you sometime, Seymour. |
| 01:12:05 |
It really was great to meet you. |
| 01:12:11 |
Now remember, the art show is this Saturday... |
| 01:12:13 |
7:30 p.m., sharp. |
| 01:12:18 |
Oh, and Justin. |
| 01:12:22 |
I'm sorry. |
| 01:12:26 |
I'm gonna really miss all of you people. |
| 01:12:28 |
I hope that each of you feels as if you'll be... |
| 01:12:31 |
taking away something from this experience. |
| 01:12:37 |
Thanks. So long, everyone. |
| 01:12:43 |
Enid, can I speak to you for a moment? |
| 01:12:46 |
- Uh-oh. |
| 01:12:48 |
I got a call from a close friend of mine... |
| 01:12:50 |
at the Academy of Art and Design... |
| 01:12:52 |
and she tells me I'm allowed to place one student... |
| 01:12:55 |
from your graduating class for a full one-year scholarship... |
| 01:12:59 |
and I took the liberty of submitting your name. |
| 01:13:02 |
As far as I know it includes housing... |
| 01:13:03 |
and meals and everything. It's really quite an offer. |
| 01:13:07 |
Let me know as soon as you can, Enid. |
| 01:13:11 |
This could be a really great thing for you. |
| 01:13:20 |
Pumpkin? Honey? |
| 01:13:23 |
I'm coming in. |
| 01:13:26 |
Well, I have some good news. |
| 01:13:28 |
What is it now? |
| 01:13:29 |
Are you still looking for a job? |
| 01:13:31 |
I guess. |
| 01:13:32 |
Maxine thinks she can get you a job at Computer Station. |
| 01:13:35 |
Normally, you have to have a lot of references.... |
| 01:13:39 |
and at least two years of experience... |
| 01:13:41 |
but she thinks she can convince them. |
| 01:13:44 |
Tell her to forget it. I don't need her help. |
| 01:13:49 |
OK, that's... |
| 01:13:52 |
You know, if that's... |
| 01:13:55 |
If--Mm-hmm. |
| 01:14:13 |
Awful! Just awful! |
| 01:14:15 |
I will take care of it, I promise you. |
| 01:14:16 |
I will handle it. Thank you. |
| 01:14:19 |
Excuse me. |
| 01:14:22 |
I'm sorry, I need to speak with her for a second. |
| 01:14:25 |
- Well, enjoy the show. |
| 01:14:26 |
Yes, what is it, Phyllis? |
| 01:14:28 |
I am sorry... |
| 01:14:29 |
but you are simply going to have to remove that painting. |
| 01:14:31 |
Several of the parents have complained about it already. |
| 01:14:33 |
Well, I will do no such thing. |
| 01:14:35 |
Then I'm going to go over there and take it down myself. |
| 01:14:38 |
I think we should give the artist a chance... |
| 01:14:40 |
to talk with the parents about her intentions with this piece. |
| 01:14:43 |
We should be promoting discussion as a solution... |
| 01:14:46 |
instead of censorship. |
| 01:14:47 |
- Censorship? |
| 01:14:49 |
Oh, that is such a big word for you, Roberta. |
| 01:14:52 |
Excuse me. |
| 01:14:54 |
- Do not touch that-- |
| 01:14:56 |
Thank you, everyone, for your patience. |
| 01:15:00 |
Margaret, have you seen Enid? |
| 01:15:03 |
- I don't think she's even here. |
| 01:15:07 |
- All right. There we go. |
| 01:15:21 |
So--Excuse me. |
| 01:15:24 |
So there's this stupid art show I'm going to tonight... |
| 01:15:26 |
and I want you to be my date. |
| 01:15:27 |
There's something I want to show you. |
| 01:15:29 |
Yeah, I... I don't think I should. |
| 01:15:31 |
Of course you should. |
| 01:15:33 |
I'm already a million hours late. Come on. |
| 01:15:35 |
I better not. |
| 01:15:38 |
OK, well, forget the art show. Let's do something else, then. |
| 01:15:41 |
I really wish I could, Enid, but... |
| 01:15:45 |
Dana just got out of a really bad relationship... |
| 01:15:49 |
and I don't want her to have the wrong idea, you know? |
| 01:15:51 |
Hey, what's happening? |
| 01:15:56 |
Where'd you get those pants? |
| 01:16:01 |
They were a present from Dana. |
| 01:16:02 |
You like them? They a good fit? |
| 01:16:07 |
Yeah, whatever. I mean, what do I know about clothes? |
| 01:16:09 |
It's nice to have somebody do all the work for me. |
| 01:16:17 |
I'll just be in my room. |
| 01:16:21 |
What's her deal, anyway? |
| 01:16:22 |
Did she actually tell you that you can't see me anymore? |
| 01:16:25 |
No. No, I mean... |
| 01:16:29 |
Not exactly. She just... |
| 01:16:34 |
She just doesn't understand how I would know someone like you. |
| 01:16:37 |
What does that mean, "someone like me"? |
| 01:16:40 |
Just someone so young. |
| 01:16:48 |
Don't worry. I won't bother you anymore. |
| 01:17:43 |
Do you remember me? |
| 01:17:46 |
Sure. Sure. |
| 01:17:54 |
You're, like, the only person in this world I can count on... |
| 01:17:58 |
because, no matter what, I know you'll always be here. |
| 01:18:05 |
Well, that's what you think. |
| 01:18:10 |
I'm leaving town. |
| 01:18:17 |
Where are we? This is such a weird neighborhood. |
| 01:18:19 |
This is a totally normal, average neighborhood. |
| 01:18:22 |
3128. |
| 01:18:25 |
- That must be it. |
| 01:18:28 |
What? What's wrong with it? It looks totally normal. |
| 01:18:31 |
What? I said great. |
| 01:18:33 |
Yeah, I can tell you really love it. |
| 01:18:34 |
What am I supposed to say? |
| 01:18:36 |
"Gee, I can't wait to live in some depressing shit-hole... |
| 01:18:38 |
"out in the middle of nowhere"? |
| 01:18:39 |
You know, you hate every single place that we look at. |
| 01:18:42 |
Why don't you just tell me you don't want to live with me? |
| 01:18:48 |
Because you'll totally freak out and act like a psycho about it. |
| 01:18:52 |
What? |
| 01:18:54 |
You're the psycho. |
| 01:18:55 |
You've totally ignored me ever since high school ended. |
| 01:18:58 |
You're still living out some stupid seventh-grade fantasy! |
| 01:19:02 |
"Your own apartment." |
| 01:19:03 |
Fuck you. |
| 01:19:05 |
Have fun living with your dad for the rest of your life. |
| 01:19:13 |
God. Fuck you, too. |
| 01:19:19 |
Pumpkin? |
| 01:19:21 |
Pumpkin? |
| 01:19:26 |
Honey? |
| 01:19:27 |
What's wrong? |
| 01:19:33 |
Nothing. |
| 01:19:34 |
Because, honey, if something's wrong... |
| 01:19:35 |
I'd love it if we could talk about it. |
| 01:19:39 |
It's nothing. It's just some hormonal thing. |
| 01:19:42 |
Don't worry about it. |
| 01:19:43 |
OK, because I have some very, very important news... |
| 01:19:47 |
to talk about... |
| 01:19:49 |
and if you're not feeling well, we can do this some other time. |
| 01:19:55 |
What? |
| 01:19:58 |
Well, Maxine and I have been seeing a lot of each other. |
| 01:20:02 |
And we were thinking it might be really best... |
| 01:20:04 |
for all of us if at the end of the summer... |
| 01:20:07 |
she came here to live with us. |
| 01:20:09 |
We could really just see how we got along together... |
| 01:20:12 |
and see if this is-- |
| 01:20:27 |
Is this your first death mask? |
| 01:20:30 |
All artists have to suffer. |
| 01:20:34 |
Just a minute. |
| 01:20:36 |
I brought the application for the art academy. |
| 01:20:41 |
I just hope it's not too late. |
| 01:20:44 |
I am so sorry about what happened, Enid. |
| 01:20:47 |
What do you mean? |
| 01:20:49 |
Well, the whole business with the art show... |
| 01:20:51 |
and the newspaper-- it's just absolutely... |
| 01:20:55 |
They're forcing me to give you... |
| 01:20:57 |
a non-passing grade in the class. |
| 01:21:01 |
Can't I still get a scholarship to the art academy? |
| 01:21:04 |
- Well, I'm sorry, Enid-- |
| 01:21:06 |
- I can't breath under this mask. |
| 01:21:09 |
That's fine. Just breathe. Don't worry about it. |
| 01:21:30 |
Hey, what are you doing here? |
| 01:21:33 |
I needed to see you. |
| 01:21:35 |
What's up? |
| 01:21:37 |
Can you at least let me in? |
| 01:21:39 |
Yeah, sure. Come on in. |
| 01:21:43 |
Look, I just need someone to be nice to me for five minutes... |
| 01:21:45 |
and then I swear I'll leave you alone, OK? |
| 01:21:49 |
What's the matter? |
| 01:21:51 |
Do you have anything to drink? |
| 01:21:53 |
There might be some root beer. |
| 01:21:57 |
- What's this? |
| 01:21:59 |
We're supposed to be saving it for our two-month anniversary. |
| 01:22:02 |
You better not-- |
| 01:22:10 |
I mean, you like me, right, Seymour? |
| 01:22:14 |
We're good friends, right? |
| 01:22:16 |
Yeah, sure. Of course. |
| 01:22:30 |
What is this? |
| 01:22:32 |
Dana got it when we went shopping for antiques. |
| 01:22:37 |
She said it didn't go with her stuff... |
| 01:22:39 |
so she gave it to me. |
| 01:22:41 |
Said it would go better with my old-time thingamajigs. |
| 01:22:48 |
Jesus, how can you stand her? |
| 01:22:53 |
How come all that time I was trying to get you a date... |
| 01:22:55 |
you never asked me out? |
| 01:22:59 |
You're a beautiful young girl. |
| 01:23:01 |
I couldn't imagine you'd have any interest in me... |
| 01:23:03 |
except as an amusingly cranky eccentric curiosity. |
| 01:23:06 |
At least you're not like every other stupid guy in the world. |
| 01:23:09 |
All they care about is guitars or sports. |
| 01:23:12 |
I hate sports. |
| 01:23:20 |
Maybe I should just move in with you. |
| 01:23:23 |
I could do the cooking and dust your old records... |
| 01:23:26 |
until I get a job. |
| 01:23:33 |
You know what my number one fantasy used to be? |
| 01:23:37 |
What? |
| 01:23:39 |
I used to think about one day... |
| 01:23:42 |
just not telling anyone and going off to some random place. |
| 01:23:47 |
And I'd just disappear... |
| 01:23:52 |
and they'd never see me again. |
| 01:23:55 |
Do you ever think about stuff like that? |
| 01:23:58 |
I guess I probably did when I was your age. |
| 01:24:03 |
You know what we should do? |
| 01:24:05 |
We should just get in your car right now and just drive off. |
| 01:24:09 |
Just find some totally new place... |
| 01:24:11 |
and start a whole new life. |
| 01:24:12 |
Fuck everybody. |
| 01:24:16 |
I'm not in any good condition to drive. |
| 01:24:20 |
I'm serious. |
| 01:24:22 |
I'm just so sick of everybody. |
| 01:24:24 |
Why can't I just do what I want? |
| 01:24:27 |
What do you want? |
| 01:24:32 |
What do you want? |
| 01:24:37 |
Don't you like me? |
| 01:24:56 |
Boy, I never expected anything like this to happen. |
| 01:25:02 |
Yeah, well, me, neither. |
| 01:25:05 |
You must know I always... |
| 01:25:10 |
Did you mean all that stuff about moving in with me? |
| 01:25:17 |
I was just thinking out loud. |
| 01:25:21 |
I mean, you've got this thing with Dana, and... |
| 01:25:26 |
I'm not gonna let you fuck that up. |
| 01:25:27 |
Yeah, but I don't know, I just... |
| 01:25:34 |
I really need to get some sleep. |
| 01:25:40 |
Good night. |
| 01:26:13 |
Right. One second. |
| 01:26:17 |
- Sorry. Go ahead. |
| 01:26:20 |
Hi. Yeah. No, it's excluded. |
| 01:26:23 |
They've already paid the earnest money. |
| 01:26:25 |
Well, let's see if they bring it up... |
| 01:26:27 |
if they notice it on the final walkthrough. |
| 01:26:30 |
Right. |
| 01:26:32 |
Great. Sounds good. |
| 01:26:36 |
- Yes! |
| 01:26:38 |
- Great job. |
| 01:26:39 |
I'm proud of you. I'll catch you guys later. |
| 01:26:42 |
I'm going to start the paperwork. |
| 01:26:48 |
- Congratulations. |
| 01:26:54 |
So, what brings you down here? |
| 01:27:00 |
I just really feel like I need to say something to you. |
| 01:27:08 |
I've never said this to anyone before. |
| 01:27:10 |
Believe me, I've... |
| 01:27:13 |
I've stayed in horrible relationships for years... |
| 01:27:16 |
just so I wouldn't have to do this. |
| 01:27:18 |
What are you trying to say? |
| 01:27:24 |
Maybe it's not such a good idea that we keep going out. |
| 01:27:37 |
It's Enid. Leave a message. |
| 01:27:41 |
Seymour, here. |
| 01:27:42 |
I really want to talk to you. |
| 01:27:46 |
I've been thinking about what you said... |
| 01:27:48 |
about moving in here, and... |
| 01:27:50 |
Yeah, so just... |
| 01:27:55 |
give me a call when you get a chance. |
| 01:27:57 |
OK. Thanks. Bye. |
| 01:28:08 |
Look, I'm really sorry about the other day. |
| 01:28:10 |
I don't know what's wrong with me. |
| 01:28:12 |
I really do want to move in with you. |
| 01:28:14 |
Look, I don't know. |
| 01:28:18 |
I was thinking maybe I should just live alone, you know? |
| 01:28:21 |
I've decided to rent that place that we looked at... |
| 01:28:25 |
and I start moving in next week. |
| 01:28:28 |
Please let me come with you. Please. |
| 01:28:32 |
Look, I don't know. I don't think it's such a good idea. |
| 01:28:35 |
Of course it's a good idea. It's our plan. |
| 01:28:37 |
Yeah, but how are you going to pay rent and everything? |
| 01:28:39 |
You don't even have a job. |
| 01:28:41 |
I'll get a job tomorrow. I promise. |
| 01:28:44 |
Maxine said she could get me a job at Computer Station. |
| 01:28:47 |
Please, Becca. |
| 01:28:52 |
Tonight, I have a very special partner-- |
| 01:28:54 |
one who is a performance artist... |
| 01:28:58 |
in sign language for the deaf. |
| 01:29:00 |
Please welcome to the stage... |
| 01:29:06 |
Well, here's where the fun never stops. |
| 01:29:07 |
She could at least have the decency to call me back. |
| 01:29:10 |
Wasted time, trying to logically figure out the female brain. |
| 01:29:14 |
That's for sure. |
| 01:29:16 |
Maybe she got another boyfriend. |
| 01:29:21 |
Yeah, well, thanks for cheering me up. |
| 01:29:36 |
Oh, God. |
| 01:29:48 |
It's Enid. Leave a message. |
| 01:29:51 |
Oh, come on. |
| 01:29:56 |
Hey, look at it this way... |
| 01:29:59 |
at least things can't get any worse. |
| 01:30:08 |
Seymour! Just the man I want to see. |
| 01:30:11 |
Step in here for a minute. |
| 01:30:16 |
Have a seat. |
| 01:30:20 |
What can you tell me about this, Seymour? |
| 01:30:32 |
So, what do you think? |
| 01:30:35 |
It's fine. |
| 01:30:40 |
- Where's all your stuff? |
| 01:30:46 |
That's all you're bringing? |
| 01:30:49 |
No. I'm gonna pack up the rest tonight. |
| 01:30:50 |
I'll bring it over sometime tomorrow. |
| 01:30:52 |
What time? |
| 01:30:54 |
I don't know. Noon? |
| 01:30:57 |
All right, cool. Just make sure you're here by then... |
| 01:31:00 |
because we got a lot of stuff to do. |
| 01:31:02 |
Oh, wait. |
| 01:31:04 |
I got to show you this. It's really cool. |
| 01:31:11 |
Isn't it great? |
| 01:31:45 |
A smile is something special |
| 01:31:48 |
A ribbon is something rare |
| 01:31:51 |
So I'll be special, and I'll be rare |
| 01:31:53 |
With a smile and a ribbon in my hair |
| 01:31:59 |
To be a girl they notice |
| 01:32:01 |
Takes more than a fancy dress |
| 01:32:04 |
So I'll be special, and I'll be rare |
| 01:32:07 |
I'll be something beyond compare |
| 01:32:10 |
I'll be noticed because I'll wear |
| 01:32:12 |
A smile and a ribbon in my hair |
| 01:32:47 |
What's wrong with you, retard? It's 3:30. |
| 01:32:49 |
Oh, hi. Enid's stepmother told me that she'd be here. |
| 01:32:54 |
She's not at home? |
| 01:32:55 |
No, they told me that she'd be here. |
| 01:32:57 |
Well, where the fuck is she? |
| 01:32:59 |
She was supposed to be here three hours ago. |
| 01:33:01 |
Do you mind if I wait? I really need to talk to her. |
| 01:33:11 |
Are you sure she wasn't there? |
| 01:33:12 |
I mean, maybe she was just hiding from you or something. |
| 01:33:14 |
Why would she be hiding from me? |
| 01:33:17 |
I don't know. |
| 01:33:19 |
Where is she, then? |
| 01:33:22 |
Maybe she's with Josh? |
| 01:33:24 |
Josh? Why would she be with Josh? |
| 01:33:27 |
I really don't know enough about it to... |
| 01:33:32 |
But why did you say that she was hiding from me? |
| 01:33:34 |
Did she say anything to you about me? |
| 01:33:37 |
Yeah. She thinks you're a dork. |
| 01:33:39 |
She said that? |
| 01:33:42 |
What do you expect? I mean, considering how we met you... |
| 01:33:47 |
What do you mean? |
| 01:33:49 |
She didn't tell you about that? |
| 01:33:53 |
What are you talking about? |
| 01:33:55 |
On that pathetic fake blind date? |
| 01:33:58 |
What fake blind date? What are you talking about? |
| 01:34:05 |
Here. |
| 01:34:11 |
Look. |
| 01:34:41 |
Did you have a good laugh at my expense? |
| 01:34:44 |
What do you mean? |
| 01:34:45 |
Do you think that's funny? |
| 01:34:49 |
Here, is that funny? |
| 01:34:51 |
I'll show you something funny. |
| 01:34:57 |
- Hey. Damn it. Come on. |
| 01:35:05 |
Not so cool now, are you, good-looking boy? |
| 01:35:09 |
- What's going on? |
| 01:35:11 |
- Citizen's arrest. |
| 01:35:12 |
Call the cops! |
| 01:35:13 |
Get the hell out of my store! |
| 01:35:14 |
All right. Hey, no need to get violent. |
| 01:35:17 |
I'm outta here. |
| 01:35:43 |
Are you OK? |
| 01:35:52 |
You seem a little stoned. What are you on? |
| 01:35:56 |
High on life. |
| 01:35:58 |
Look, Seymour, I came by to tell you... |
| 01:36:01 |
how really, really sorry I am about everything. |
| 01:36:04 |
I know you probably totally hate me. |
| 01:36:06 |
You don't have to say-- |
| 01:36:07 |
Please. Don't say anything. |
| 01:36:10 |
I know I'm a total disappointment to everyone. |
| 01:36:15 |
I just quit my job this morning... |
| 01:36:17 |
and then I had a fight with Becky... |
| 01:36:19 |
because I told her I wasn't going to move in with her... |
| 01:36:21 |
and she really just wants to kill me. |
| 01:36:25 |
And there is just no way to explain how I feel. |
| 01:36:30 |
I don't... |
| 01:36:33 |
I guess I'll just have to figure myself out. |
| 01:36:37 |
Enid, I'm not mad at you. |
| 01:36:39 |
I know I'm just a dork. |
| 01:36:40 |
Seymour, you are not a dork. |
| 01:36:44 |
Sure I am. |
| 01:36:59 |
You are such a stupid idiot. |
| 01:37:01 |
Did you even look through the rest of the book? |
| 01:37:07 |
See? |
| 01:37:19 |
You're like...my hero. |
| 01:37:35 |
Thanks for waiting. |
| 01:37:41 |
Is he going to be OK? |
| 01:37:43 |
I think he'll be fine. |
| 01:37:55 |
What are you going to do now? |
| 01:38:00 |
I'm not sure. |
| 01:38:02 |
I'd better get going. I'm going to be late for work. |
| 01:38:09 |
Call me, OK? |
| 01:40:17 |
I have to admit things are starting to look up for me... |
| 01:40:20 |
since my life turned to shit. |
| 01:40:23 |
Remember what I said when we first started? |
| 01:40:25 |
This little break-up might be... |
| 01:40:27 |
the very best thing that ever happened to you. |
| 01:40:29 |
I think I'm ready to get back to my old life. |
| 01:40:34 |
You think that's too soon? |
| 01:40:38 |
Why don't we start with that next week? |
| 01:40:42 |
Thank you. |
| 01:40:43 |
Don't thank me. |
| 01:40:44 |
You're doing all the work. |
| 01:41:07 |
- Is he done? |
| 01:41:09 |
Seymour, did you have a chance... |
| 01:41:11 |
to think about what you might want for dinner... |
| 01:41:12 |
while you were in here? |
| 01:41:13 |
No, I haven't. |
| 01:41:15 |
Maybe we could discuss it in the car. |
| 01:41:18 |
Did you want mashed potatoes? |
| 01:41:19 |
See you next week. |
| 01:46:36 |
Not so funny now, tough guy, are you, huh? |
| 01:46:50 |
Motherfuckers! |
| 01:46:51 |
Fuck with me? |
