Ghost

en
00:02:39 - Oh, this is great!
00:02:42 Oh, that's incredible. There's
00:02:47 - And eighty years of dust.
00:02:50 We could put our bedroom upstairs,
00:02:54 - For what?
00:02:57 One!
00:02:59 Two!
00:03:01 Three!
00:03:03 - And four?
00:03:07 And five?
00:03:11 - Watch, watch!
00:03:17 - It's beautiful.
00:03:20 - You guys, it's absolutely incredible.
00:03:24 - A little paint.
00:03:28 Carl, you're obsessed.
00:03:31 A little bit.
00:03:32 Wow, look!
00:03:36 Hey, it's an Indian Head penny.
00:03:38 1898.
00:03:42 It’s a good omen.
00:03:45 You're the good omen.
00:03:51 Oh, it's so great!
00:04:01 l had Rose move your 3 o'clock
00:04:05 Gary Alan called. He has to see you
00:04:10 3 o'clock is the only time
00:04:14 Sam?
00:04:18 - I’m sorry.
00:04:20 You're not having brain surgery.
00:04:22 Pitching these Japanese guys
00:04:26 Sam, you're going to be great. OK?
00:04:30 What am l supposed to say? l can't
00:04:36 Great. Where did you get those?
00:04:39 Molly. What do you think?
00:04:42 - Oh, man. Look at that, a Testarossa.
00:04:45 - Ouch!
00:04:58 How are you?
00:05:00 He said that it was contagious.
00:05:03 - No?
00:05:05 l shouldn't even be coming in today.
00:05:08 What about the rash?
00:05:11 The rash?
00:05:12 The rash is also incredibly contagious.
00:05:16 - He said they've both been spreading.
00:05:22 On your genitals again?
00:05:24 Yeah, yeah, right on the genitals.
00:05:28 Basically everywhere.
00:05:32 Excuse me, I’m sorry.
00:05:38 - You're sick!
00:05:39 - Morning, Paul.
00:05:41 Save it, Paul.
00:05:43 - Morning, Mr. Wheat.
00:05:46 - Sam.
00:05:51 - Here it is.
00:05:55 - Morning, Sam.
00:05:57 - Listen, the Kobiashi people...
00:06:00 - They're early!
00:06:02 - Come here!
00:06:05 - How long have they been here?
00:06:07 Andy Dillon called. He needs $900,000
00:06:11 - By ten?
00:06:16 - Carl?
00:06:19 Carl...
00:06:21 Dillon needs 900,000 in Albany by ten.
00:06:25 - Yes, but l need your MAC code.
00:06:34 - Discretion, right?
00:06:37 - You bet. I’ll do it right now.
00:06:40 Bill, I’ll call you back.
00:06:52 OK, that's fine.
00:06:53 That's fine.
00:06:56 This is too far out.
00:06:59 Can you get this, man?
00:07:03 Are you guys from
00:07:10 Almost...
00:07:15 - Saved your life!
00:07:17 Why do you scare me to death?
00:07:20 It’s better than seeing this gorgeous
00:07:24 Look out!
00:07:31 - Grab it!
00:07:34 - Did you invite Carl?
00:07:36 - Carl!
00:07:38 - Oh, my God.
00:07:40 - Now, go there.
00:07:43 - Right here?
00:07:48 - Where do you want this?
00:07:52 - God, this place looks great!
00:07:56 Like is hardly the word. l had no idea
00:08:01 - What about her?
00:08:05 - What are these?
00:08:08 Will you help me lift this up?
00:08:13 - Just finished it. What do you think?
00:08:18 Sam, what's this chair doing here?
00:08:21 - l love that chair.
00:08:25 I’ve had it forever.
00:08:27 - When l watch TV, l sit in it.
00:08:31 - And it doesn't go with anything.
00:08:35 You're right, it does.
00:08:38 - We'll paint it.
00:08:50 Are you OK?
00:08:52 I’m fine.
00:08:57 What's the matter?
00:08:59 Nothing.
00:09:04 Are you worried about the promotion?
00:09:09 No, not really.
00:09:19 Then what - moving in together?
00:09:23 No.
00:09:28 l don't know. It’s a lot of things.
00:09:35 l just don't want the bubble to burst.
00:09:40 It seems like...
00:09:43 ..whenever anything good in my life
00:09:54 l love you.
00:09:56 l really love you.
00:10:01 Ditto.
00:10:05 The pilot's first report of trouble was
00:10:12 Oh, Jesus. Another one?
00:10:16 Don't watch that.
00:10:19 l should cancel my LA trip.
00:10:25 Sam, get serious!
00:10:27 - Besides, you lead a charmed life.
00:10:33 It’s amazing. Just like that...
00:10:36 Blackout.
00:11:42 What are you doing?
00:11:45 l couldn't sleep.
00:11:49 Boy...
00:11:51 l really must have passed out.
00:11:53 - What time is it?
00:12:20 Oh, no!
00:12:21 l hope it wasn't a masterpiece.
00:12:24 Well, it's not now.
00:12:28 - Can l help?
00:12:30 Put your hands here...
00:12:35 Let the clay slide between your fingers.
00:15:25 Oh, no.
00:15:28 - What's the matter?
00:15:32 The Greenberg and White accounts,
00:15:35 - l changed it.
00:15:38 - l just want to nose around a bit.
00:15:43 Can you keep a secret?
00:15:47 Yeah, sure. What's up?
00:15:50 There's too much money
00:15:53 That's impossible.
00:16:00 Sam, this is going to take you hours.
00:16:03 - It already has taken me hours.
00:16:07 No, it's OK. It’s like a vendetta now.
00:16:11 Thanks, though, l appreciate it.
00:16:14 - lf you start to go blind, give a shout.
00:16:18 Listen, what are you and Moll
00:16:22 We're going to the theatre.
00:16:25 l think she likes the guys in tights.
00:16:27 - You want to go?
00:16:31 - Later.
00:16:38 Well, l loved it.
00:16:42 l could tell, and so could the rest of
00:16:53 - Did l tell you what Marcia said?
00:16:56 It wasn't six times.
00:17:01 This was really important. I’m going
00:17:04 The New York Times
00:17:08 The New York Times is a frustrated
00:17:12 who flunked art school.
00:17:16 About 8 million readers, that's who.
00:17:18 No, they're just reading
00:17:22 Your work is really beautiful.
00:17:26 It shouldn't matter what anyone else
00:17:35 - l want to marry you, Sam.
00:17:40 - What?
00:17:45 I’ve been thinking about it a lot.
00:17:48 l think we should just do it.
00:17:50 - Are you serious?
00:17:57 What's that look for?.
00:18:03 You never wanted to talk about it.
00:18:15 - Do you love me, Sam?
00:18:22 - Why don't you ever say it?
00:18:25 - l say it all the time.
00:18:32 People say ''l love you'' all the time,
00:18:40 Sometimes you need to hear it.
00:18:44 l need to hear it.
00:18:46 Let's go!
00:18:56 - What should we do?
00:18:59 - What do you want?
00:19:02 Sam, just give it to him.
00:19:06 Just take the money. Just leave...
00:19:09 No! Sam!
00:19:11 You son of a bitch!
00:19:18 Somebody help us!
00:19:25 Somebody! Somebody help us!
00:19:31 Stop it, Sam!
00:19:53 Molly?.
00:19:57 Molly! You got...?
00:20:10 Oh, baby, hold on.
00:20:17 Somebody?. Somebody!
00:20:20 Somebody help us!
00:20:25 Oh, my God!
00:20:33 You're going to be OK.
00:20:44 Somebody?. Somebody help me!
00:20:48 Please, anybody!
00:20:52 OK, lady, take it easy.
00:20:55 We'll help you.
00:20:57 Molly?. Molly?.
00:20:59 Molly!
00:21:07 What shall we do?
00:21:19 What's happening? What's...
00:21:23 Is he breathing?
00:21:31 Oh, goddamn, hold on.
00:21:55 Here we go.
00:22:02 Sam, don't you leave me! Hold on!
00:22:57 lf you would just step this way.
00:23:16 - So, what happened to you?
00:23:20 You're new, huh? l can tell.
00:23:23 - Are you talking to me?
00:23:27 It’s a whole new ball of wax.
00:23:29 - Who are you?
00:23:32 She's in the cardiac wing.
00:23:45 Shot? That'll do it every time.
00:23:49 Poor bastard.
00:23:51 You may as well get used to it -
00:23:59 I’ll tell you a secret.
00:24:03 Zip-zap - ain't nothing at all.
00:24:12 He ain't going to make it. I’ve seen it
00:24:21 You see? Here they come.
00:24:28 Lucky bastard!
00:24:32 You never know.
00:24:54 Who are they?.
00:25:00 No!
00:25:09 God help me!
00:25:14 Help me!
00:25:21 ''l am sunk in the abysmal swamp
00:25:26 ''l have reached the watery depths.
00:25:32 ''l am wearied with calling.''
00:25:35 As we say farewell to our friend,
00:25:39 we are reminded of his kindness,
00:25:42 his generosity,
00:25:45 his buoyancy of spirit.
00:25:48 All that we treasure,
00:25:50 our loved ones,
00:25:55 ..our mind,
00:25:58 are but on loan to us.
00:26:03 We are all travelers on the same road,
00:26:12 As our loved one enters eternal life,
00:26:15 let us remember
00:26:20 That although we will miss him,
00:26:24 and dispel the darkness.
00:27:04 l picked up your shirts today.
00:27:08 l don't know why.
00:27:14 Mr. Reynolds told me to tell you ''hello.''
00:27:20 l broke into tears.
00:27:25 It’s like l think about you every minute.
00:27:28 It’s like l can still feel you.
00:27:40 I’m here, Moll.
00:27:50 What's the matter, kitty?.
00:27:52 What's the matter?.
00:27:55 Crazy cat.
00:28:01 Sam?
00:28:05 It’s really stupid.
00:28:18 l love this picture.
00:28:20 It’s great. Office.
00:28:32 Let me see that!
00:28:34 Sam's address book.
00:28:43 - Dave Brubeck, should l toss them?
00:28:47 No? Molly, we hated that concert.
00:28:52 You wanted to save those?
00:28:54 Rolaids? Molly, what are you doing?
00:29:06 l just miss him, Carl.
00:29:09 Me, too.
00:29:14 Carl? Wait a minute.
00:29:18 Not that one.
00:29:20 I’m sorry.
00:29:24 Hey, Moll. Why don't you come?
00:29:27 - It’s like summer outside.
00:29:31 - It would be good for you to get out.
00:29:35 You can't stay in here all day.
00:29:38 l can't do it!
00:29:40 You're not the one who died.
00:29:46 - I’m sorry.
00:29:50 Shit!
00:29:55 - Maybe you're right. Just a short one.
00:30:03 I’m sorry.
00:30:05 Molly?.
00:31:05 What are you doing here?
00:31:07 You bastard!
00:31:11 You son of a bitch!
00:31:29 What do you want?
00:31:32 Molly?.
00:31:35 Molly, get out!
00:31:43 No, Molly!
00:31:45 No, please?
00:31:49 He's got a gun, Molly!
00:31:51 Hi, kitty.
00:31:54 You hurt her, I’ll...
00:32:21 Shit!
00:32:25 Is somebody there?
00:32:30 Hello?
00:33:46 Let go! What are you doing?
00:33:53 Like trains?
00:34:05 Stay out! This is mine.
00:35:21 Shit!
00:35:33 It’s me. l couldn't get it.
00:35:36 She came home.
00:35:38 Give me a couple of days. I’ll go back.
00:35:41 Relax. I’ll get it.
00:35:46 Get what?
00:35:50 Who are you?
00:35:58 No. You stay away from her!
00:36:03 Do you hear me?
00:36:05 You stay away from her!
00:37:07 Rosa Santiago?
00:37:15 Please be seated.
00:37:31 Our sister will be with us soon.
00:37:37 Sister Oda Mae,
00:37:39 grant us the gift
00:37:43 Appear before us now.
00:37:50 Mrs. Santiago?
00:37:53 - Buenos días.
00:37:57 You wish to contact your husband.
00:38:01 Thank you.
00:38:03 But you know, Mrs. Santiago,
00:38:07 there's no telling
00:38:10 so you've got to be a believer.
00:38:14 Sí, l believe, l believe.
00:38:17 Then let us begin.
00:38:40 l can't.
00:38:41 It’s too difficult.
00:38:44 l just can't seem to make contact.
00:38:48 I’m feeling something.
00:38:51 Did he know someone
00:38:57 Consuelo?
00:39:00 Lucita? Julietta?
00:39:02 Josephina? Linda? Maria?
00:39:05 Sí, sí! His Mama, she is Maria.
00:39:09 Yes! Praise God.
00:39:13 Oh, my God...
00:39:20 It’s too difficult. It’s two of them -
00:39:25 l pay more! How much?
00:39:28 - How much?
00:39:30 Way to go. Milk her for every penny.
00:39:49 Yes. l believe we can start again.
00:40:07 Praise the Lord! Thank you, Jesus.
00:40:26 Welcome, Mrs. Santiago. You are
00:40:31 - My husband?
00:40:33 Oh, yeah, where?
00:40:38 - Julio?
00:40:41 l feel his vibration.
00:40:47 - l see him.
00:40:50 He's a handsome man.
00:40:54 Handsome?
00:40:56 Mrs. Santiago, in our Father's
00:41:00 Oh, Julio.
00:41:03 Julio is coming towards us.
00:41:08 He's there.
00:41:12 He's dressed in a black suit.
00:41:16 Black suit?
00:41:19 - Could be blue.
00:41:23 Who is that?
00:41:25 Where are you?
00:41:27 Did you hear it?
00:41:30 Where are you?
00:41:32 - Who are you?
00:41:35 - You can hear me?
00:41:38 l don't believe this. My name
00:41:43 - Say my name, ''Sam Wheat.''
00:41:48 - Talk to me, Oda Mae.
00:41:54 - Jesus...!
00:41:57 l swear, no more cheating. I’ll do
00:42:02 No way.
00:42:11 It’s OK.
00:42:17 - All right, sister?.
00:42:22 My mother had it, and her mother.
00:42:26 They always said l had it,
00:42:31 They told me all about it, but now that
00:42:35 Just go away. Find somebody else.
00:42:38 - You're out of your mind.
00:42:41 She hit her head hard.
00:42:43 She was talking to somebody
00:42:46 Sister can do that.
00:42:48 - Where exactly are you?
00:42:52 - You're standing right beside me?
00:42:56 - Are you white?
00:42:59 - White?
00:43:01 - You know what?
00:43:04 - l knew it, a white guy! Why me?
00:43:09 There's a woman who is in terrible
00:43:14 is going back to our apartment.
00:43:18 - Why would she listen to me?
00:43:24 Look...
00:43:28 ..you're all I’ve got. I’m not leaving
00:43:34 l don't care how long it takes,
00:43:51 - Hello.
00:43:55 My name is Oda Mae Brown,
00:43:59 l have a message for you.
00:44:01 It sounds crazy, but it's not. You've
00:44:07 - Who is this?
00:44:12 - What?
00:44:18 - l told you!
00:44:21 I’m not going anywhere.
00:44:24 Second verse, same as the first.
00:44:27 I’m Henry the Eighth, l am
00:44:31 l got married to the widow next door,
00:44:44 Henry the Eighth l am, l am
00:44:49 Second verse, same as the first
00:44:51 I’m Henry the Eighth, l am
00:44:56 - l got married to the widow next door.
00:45:01 I’ll go anywhere you want to,
00:45:11 l can't believe I’m doing this. What
00:45:16 She's probably not even there.
00:45:22 Which building is it?
00:45:26 Push 3.
00:45:29 - See, nobody's there.
00:45:32 l did everything l said l would.
00:45:35 I’m sorry.
00:45:39 All right, don't sing.
00:45:43 - Hello?
00:45:46 l called you last night
00:45:52 l told you!
00:46:00 Hey, Molly. l know you're up there.
00:46:03 l know you hear me.
00:46:06 This is for real!
00:46:09 Remember the starfish at Montego Bay?.
00:46:11 How would l know that?
00:46:14 l know about the underwear
00:46:18 l won't forget that.
00:46:21 l know about the picture in Reno.
00:46:24 Hey, Molly!
00:46:28 The sweater she knitted,
00:46:32 He just told me about the sweater
00:46:37 Four sizes.
00:46:42 - Do you hear me?
00:46:44 - Nobody's talking to you.
00:46:47 Want to kiss my butt?
00:46:50 - l won't stay here all day.
00:46:52 Oh, shut up!
00:46:55 Molly, I’m going to count to three,
00:46:59 One-two-three.
00:47:01 - No, wait.
00:47:04 It’s Molly.
00:47:12 Molly?.
00:47:16 I’m Oda Mae Brown.
00:47:23 l don't know you or Sam,
00:47:26 He kept me up all night singing
00:47:30 That's how he got me
00:47:34 Look, I’m sorry.
00:47:36 l just don't believe in this
00:47:40 - Tell her she's wrong.
00:47:43 - You're talking to him right now?.
00:47:46 He asked me to tell you
00:47:50 - Where is he?
00:47:55 - I’m right here.
00:48:00 - I’m holding her hand.
00:48:13 What are you doing?
00:48:18 lf you think I’m here for my health,
00:48:21 Sam's dead. He's dead.
00:48:25 - Tell her l love her.
00:48:29 Sam would never say that.
00:48:32 - Tell her ''ditto.''
00:48:34 Ditto!
00:49:05 l don't know how I’m doing this.
00:49:08 Confidentially - nothing like this
00:49:13 Now l can't turn it off.
00:49:17 - Is this him? Is this you?
00:49:20 Cute! White, but cute.
00:49:24 What l don't understand is,
00:49:27 - l don't know.
00:49:30 He's stuck, he's in between worlds.
00:49:33 Sometimes the spirit
00:49:37 the essence still feels
00:49:40 - Stop rambling.
00:49:44 - He's got an attitude.
00:49:46 Yes, you do.
00:49:49 lf you didn't, you wouldn't
00:49:53 - Oh, goddammit...
00:49:57 - Would you relax?.
00:50:00 lf you want me to help,
00:50:03 That's it, I’m leaving.
00:50:08 - Now, you'd better apologize.
00:50:13 Now would you sit down?
00:50:17 - Please?
00:50:21 l need you to tell Molly
00:50:24 but you have to tell her
00:50:27 Yes. He wants me to tell you
00:50:37 - Molly, you're in danger.
00:50:40 Quit moving around - you're making
00:50:46 Molly, you're in danger, girl.
00:50:51 - What are you talking about?
00:50:55 His name is Willie Lopez,
00:50:58 His name is Willie Lopez,
00:51:02 - Write it down.
00:51:05 Just do it!
00:51:08 He's so testy!
00:51:11 - What do l write?
00:51:16 303 Prospect Place?
00:51:19 - It’s my neighborhood.
00:51:22 he's got my key, and he was in here.
00:51:25 - He was in here.
00:51:29 you went upstairs,
00:51:32 When you came back he was here.
00:51:37 Molly, go to the police.
00:51:43 He says go to the police.
00:51:46 - Somebody else is involved.
00:51:50 - Where are you going?
00:51:54 l did everything l said l would.
00:51:58 Have a nice life, have a nice death,
00:52:04 There's no one on earth who'd
00:52:09 You've got to be rational about this.
00:52:12 Sam is no more in this room than...
00:52:17 l understand the need
00:52:22 - But this is absurd!
00:52:27 How could you believe
00:52:31 - l watched them have a conversation.
00:52:36 - What about the things she knew?.
00:52:40 The photo Sam took of me
00:52:45 And the green underwear
00:52:52 She said Sam knew who killed him.
00:52:56 - That he was set up.
00:53:00 - She had a name and an address.
00:53:03 Willie Lopez,
00:53:08 - This is sick.
00:53:16 Molly, l don't understand
00:53:21 ..swallow this crap.
00:53:24 This guy may not even exist.
00:53:26 Maybe she's using you
00:53:31 You're right. You're absolutely right.
00:53:35 - That's what I’ve got to find out.
00:53:40 She said Sam wants me
00:53:42 Sam wants you to go to the police?
00:53:47 What are you going to tell them?
00:53:50 That some storefront psychic lady
00:53:54 Do you know how that sounds?
00:54:00 I’m sorry,
00:54:02 this really gets to me.
00:54:05 - It’s OK if you don't believe me.
00:54:12 Look...
00:54:16 ..if it'll make you feel any better,
00:54:20 l want you to try and get some sleep.
00:54:24 OK?.
00:54:28 I’ll call you in the morning.
00:54:57 Be careful!
00:55:12 Carl! What the hell
00:55:17 - Who have you been talking to?
00:55:21 Some woman knows all about you.
00:55:26 - l haven't said a word to anybody.
00:55:30 - How do women know where l live?
00:55:36 Now, l want you to find this bitch,
00:55:40 and l want you to...
00:55:44 Just get rid of her, OK?.
00:55:46 I’ve got 4 million dollars
00:55:52 lf l don't get those codes,
00:55:58 ..I’m... dead. We're both dead.
00:56:02 Tell them you only launder money
00:56:06 What the hell is wrong with you?
00:56:10 You killed a man.
00:56:14 l did you a favor, man,
00:56:18 Look, these are drug dealers, OK?.
00:56:22 Just don't blow this for me, Willie.
00:56:26 $80,000 of that money is mine.
00:56:32 Let me have the keys
00:56:36 I’ll get the address book myself, OK?.
00:57:04 You goddamn bastard! Why?.
00:57:07 You were my friend!
00:57:12 l had a life, goddamn you!
00:57:14 l had a life!
00:57:24 l don't even believe
00:57:28 But she was real.
00:57:30 Do you think I’d come here
00:57:35 You told me if l had any new
00:57:39 So, here l am.
00:57:45 l know how this sounds. l hear myself
00:57:51 But she knew things she couldn't have
00:57:56 According to this psychic lady,
00:57:59 there are ghosts and spirits
00:58:04 Watching us all the time?
00:58:09 I’m never going
00:58:12 Excuse me.
00:58:26 The guy's name is Willie Lopez.
00:58:32 OK. You wait here and let me see
00:58:37 Right.
00:59:38 - Where's the file on Willie Lopez?
00:59:44 He was probably some old boyfriend
00:59:48 This psychic woman's
00:59:52 1967, Shreveport.
00:59:55 Forgery, selling of false ID.
00:59:58 Served one year in 197 1 .
01:00:01 Arrested for fraud,
01:00:04 numbers racketeering,
01:00:08 - Look, this is impossible!
01:00:11 She knew things - private things.
01:00:16 A lot of times they read the obits.
01:00:18 All she had to do
01:00:21 They even go through your garbage
01:00:26 Letters, old papers.
01:00:30 No.
01:00:33 It was real.
01:00:37 She knew about a sweater l knitted.
01:00:42 And songs we sang.
01:00:49 The trip to Montego Bay.
01:00:53 I’m sorry. l know this is hard.
01:00:57 People want so much to believe.
01:00:59 They're grieving, they're vulnerable.
01:01:04 for one last moment. Believe me,
01:01:11 l know how you must feel,
01:01:19 No.
01:01:24 Thank you.
01:01:39 Oh, God, let this be it.
01:01:53 Yes!
01:02:06 - Hello.
01:02:09 Everything's fine. We're all set.
01:02:14 l want you to transfer the money
01:02:18 under the name ''Rita Miller. ''
01:02:21 Tomorrow, at five minutes
01:02:25 transfer the full account to
01:02:29 registry number 486-9580.
01:02:32 - Call us when it's done.
01:02:36 Just tell Mr. Balistrari that there
01:02:41 Yeah, I’ll do that. Good work.
01:03:41 Molly, why can't you hear me?
01:03:56 - Who is it?
01:04:00 No, don't open the goddamn door!
01:04:04 Listen, l know it's late.
01:04:08 I’ve been thinking about you all day.
01:04:10 l feel really lousy about last night.
01:04:14 - This supernatural thing...
01:04:18 It’s not. You needed me
01:04:21 l wasn't there for you,
01:04:26 It’s just... l just...
01:04:30 l want you to know
01:04:34 - Thanks, Carl.
01:04:36 - That means a lot to me.
01:04:39 I’ve brought you some
01:04:45 - Thanks, that's very sweet.
01:04:50 l won't stay long,
01:04:53 - Yeah, come on in.
01:04:56 You seem a little tense. Are you OK?.
01:04:59 No, I’m fine. It’s just...
01:05:05 It still hurts so much.
01:05:07 - You lying snake!
01:05:12 They've given me my own accounts,
01:05:15 But l just haven't really
01:05:19 to absorb everything.
01:05:24 It’s no big deal.
01:05:37 - Can l have a little more cream?
01:05:42 Oh, shit!
01:05:45 - Are you all right?
01:05:50 - Let me throw that in the washer.
01:05:55 - Can l get you another shirt?
01:06:04 Where were you today?. l thought
01:06:09 l was supposed to, but l didn't
01:06:20 You did? What did you tell them?
01:06:25 It was awful.
01:06:28 l felt really stupid.
01:06:31 They brought out a file on this woman
01:06:36 - Rip-off artist, huh?
01:06:41 You know, the sad thing
01:06:46 Molly...
01:06:48 ..sometimes we need to believe.
01:06:52 Why?. What's the point?
01:06:54 It’s not easy to face the realities of life.
01:06:57 Sometimes you've
01:07:00 You've got to remember
01:07:04 Remember how good Sam was,
01:07:07 You were everything to him, Molly.
01:07:24 l feel so alone.
01:07:34 You're not alone, OK.
01:07:37 You've got your work - you're talented.
01:07:41 You're fantastically gorgeous.
01:07:45 l don't know what's real anymore.
01:07:49 l don't know what to think.
01:07:54 Just think about Sam.
01:07:58 Think about the time you two guys
01:08:07 Let your feelings out, it's OK.
01:08:10 Life turns on a dime.
01:08:14 You know...?
01:08:19 People think they're forever, that there
01:08:24 Sam taught us that.
01:08:27 We have to live for now.
01:08:33 For today.
01:08:53 - l can't. I’m sorry.
01:08:55 - l can't, it's just too soon.
01:08:59 You've been great, Carl.
01:09:03 - But l need you to leave.
01:09:07 Please...
01:09:15 Could we just have dinner tomorrow?.
01:09:21 - Yeah, sure.
01:10:29 Hey!
01:10:34 - Get off my train!
01:10:38 Get off!
01:10:40 Get off! Get off!
01:10:43 Get off! Get out of here!
01:10:45 - Get off!
01:10:47 Show me how you do that.
01:10:51 Get off!
01:10:53 - No.
01:11:01 You stubborn asshole!
01:11:07 What the hell are you doing? You're
01:11:13 You can't push it with your finger.
01:11:23 It's all in your mind. Your problem
01:11:28 You think you're wearing those clothes?
01:11:32 Bullshit! You ain't got a body no more.
01:11:37 You want to move something, you've
01:11:43 - How? How do you focus?
01:11:47 You just focus.
01:11:52 How did you do that?
01:11:54 You take all of your emotions,
01:11:58 Push it, down here
01:12:01 and then let it explode, like a reactor.
01:12:13 Don't laugh!
01:12:38 - Way to go, kid.
01:12:42 I did it!
01:12:44 Way to go.
01:12:53 From your gut, like I told you.
01:12:58 Give it time.
01:13:08 How long have you been here?
01:13:12 Since they pushed me.
01:13:14 - Someone pushed you?
01:13:17 - Who?
01:13:20 You think I fell? You think I jumped?
01:13:24 It wasn't my time!
01:13:28 I’m not supposed to be here.
01:13:39 I’d give anything for a drag!
01:13:43 - Just one drag.
01:13:47 Who are you? Why are you
01:13:54 Who sent you?
01:13:58 Leave me alone!
01:15:00 Concentrate, and you'll
01:15:04 - What's his name again?
01:15:07 Orlando, Orlando.
01:15:11 - I’m here.
01:15:13 - Sam!
01:15:17 Where did these ghosts come from?
01:15:21 In the morning and in the evening.
01:15:26 Did you tell every spook in the world
01:15:29 I got spooks from Jersey. There's stuff
01:15:34 - It’s amazing. You're really doing it!
01:15:38 Chill out!
01:15:41 I need your help again.
01:15:44 I’m not doing anything else with you.
01:15:47 You're holding on to a life that doesn't
01:15:52 - Are you speaking to me?
01:15:57 You're supposed to be concentrating.
01:16:02 Are you going to get out?
01:16:04 Fine, then stay there.
01:16:09 Let's do it.
01:16:12 Listen, I’ve got to talk to you now.
01:16:19 Oda Mae?
01:16:26 Oda Mae?
01:16:30 Ortisha.
01:16:32 - Orlando! Is that you?
01:16:37 - She's here!
01:16:45 Damn, baby, what did you do
01:16:50 Orlando, do you like it?
01:16:57 Get out of me, you son of a bitch!
01:17:03 - Don't ever do that to me again!
01:17:08 I can barely move.
01:17:10 You should know better.
01:17:14 - Everybody out!
01:17:19 Are you deaf? I said everybody out!
01:17:22 Everybody out! Get out, get out!
01:17:38 - Get out!
01:17:41 - Who are you?
01:17:45 - Why don't you tell me?
01:17:48 Willie?
01:17:50 - Prospect Place Willie?
01:18:08 I’m all right.
01:18:12 - We're in trouble. You have to help.
01:18:18 - They're trying to kill me!
01:18:21 Why don't you find a house to haunt?
01:18:25 Get some chains and rattle them.
01:18:27 l have a plan.
01:18:31 - Forget it.
01:18:40 Scout's honour.
01:18:43 All right.
01:18:45 What exactly do I have to do?
01:18:50 Have you got a nice dress?
01:18:54 - What's wrong with my clothes?
01:18:59 I’m going home. I don't know anything
01:19:04 - Just relax.
01:19:07 I know you're nervous,
01:19:11 I don't think I should do this.
01:19:13 - We're going to New Accounts.
01:19:18 Do what I say, and don't talk!
01:19:22 You're here to fill out a signature card
01:19:25 - Can I help you?
01:19:28 I’m here to fill out
01:19:30 - Do you know your account number?.
01:19:34 926-31043.
01:19:40 - Rita Miller.
01:19:42 Tell her Rita Miller.
01:19:43 Didn't you sign when you
01:19:46 Tell her Carl Bruner did it by phone.
01:19:49 Carl Bruner opened that account
01:19:53 and he's asked me to come in today.
01:19:57 - Is that right?
01:20:01 Just sign this card
01:20:05 May I use your pen?
01:20:13 No! Rita Miller!
01:20:15 I’m so sorry.
01:20:18 I need another one.
01:20:28 Tell her to send it up to the third floor
01:20:32 Make sure this goes to the third floor,
01:20:37 Let's go.
01:20:39 You know what I mean...!
01:20:43 - Yes, sure.
01:20:48 Bye-bye. I love these pens.
01:20:51 What do you want to keep the pen for?.
01:20:55 Carl Bruner speaking. Mr. Balistrari?
01:20:59 Balistrari? It’s me, John.
01:21:01 John... Sorry!
01:21:04 What's up?
01:21:06 I’ve got the info
01:21:09 - I’ll pick it up later, all right?
01:21:20 I couldn't talk you into losing the hat?
01:21:22 Keep messing with me,
01:21:27 You're here to see Lyle Ferguson.
01:21:31 - I’m here to see Lyle Ferguson.
01:21:35 - No, I’m here for my health.
01:21:38 - Tell him Rita Miller's here.
01:21:42 - Don't embellish.
01:21:45 Excuse me?
01:21:49 This guy Ferguson is a real jerk.
01:21:52 I’ve known him five years.
01:21:55 - Why are you whispering?
01:21:59 He's a social moron,
01:22:02 Tell the guard Ferguson knows you,
01:22:08 What is this in regards to?
01:22:11 He doesn't remember me? We spent
01:22:16 He and his lovely wife, Shirley. It was
01:22:25 Gas!
01:22:28 I get a little gas from time to time.
01:22:33 - Quit poking me!
01:22:37 Ferguson was so drunk, he could've
01:22:49 Here we go!
01:22:53 Hello.
01:22:58 Of course.
01:23:01 - Oh, a long time.
01:23:04 - How are Bobby and Snooky?.
01:23:08 Thank you for asking.
01:23:11 And how is your...
01:23:13 - ..family?.
01:23:17 Well, wonderful.
01:23:20 Ask how they did
01:23:23 I was wondering, how did you do
01:23:28 Gibraltar Securities? Well, it looks like
01:23:33 - We sure did.
01:23:36 Good old Randy.
01:23:39 Got a good head
01:23:41 - Her shoulders.
01:23:45 So, what brings you here today?.
01:23:49 I’m closing an account.
01:23:51 Do you have your account number?.
01:23:54 - Yes? Yes.
01:23:57 926...
01:23:58 ..31043. Is that right?
01:24:10 Well, Rita - it looks like you'll be
01:24:16 - Four million dollars!
01:24:19 - Is that correct?
01:24:23 Yes. That's correct.
01:24:30 - How would you like that?
01:24:34 - Pardon?
01:24:37 - A cashier's cheque.
01:24:41 Of course, you know
01:24:45 It’s a procedural thing.
01:24:59 Thank you. I’ll be right back.
01:25:03 Four million dollars!
01:25:12 Get me the First Island Bank
01:25:25 Now, we have some things
01:25:28 This officially closes the account.
01:25:34 Sign ''Rita Miller.''
01:25:38 Miller - that's my name.
01:25:40 My name - Rita Miller.
01:25:45 My name.
01:25:48 I’ll be right back.
01:25:52 - Just anywhere?
01:26:00 Fine.
01:26:01 The cheque...
01:26:06 ..here you are.
01:26:16 Mama took the money
01:26:19 and she sunk it into gas pumps.
01:26:22 And those gas stations have five
01:26:27 - Oda Mae, we've got to go.
01:26:30 It’s been a pleasure doing business.
01:26:35 Say goodnight to Bobby
01:26:38 Bye-bye.
01:26:45 What is wrong?
01:26:56 Excuse me - Lyle?
01:26:58 Molly Jensen.
01:27:00 The woman you were doing business
01:27:05 Did it have anything to do
01:27:08 - Sam? No.
01:27:12 Her name was Rita Miller.
01:27:16 Is there a problem?
01:27:19 No. I guess not.
01:27:51 Carl? Is something wrong?
01:27:54 Did somebody play
01:27:57 - One of my accounts is closed.
01:28:00 - Do you want me to call someone?
01:28:09 Four million dollars! What am I
01:28:12 I’m going to buy the building.
01:28:16 I’m going to make
01:28:21 Wait, Oda Mae.
01:28:25 You're right, I’ll put it
01:28:29 No. Endorse it.
01:28:31 No, if I drop it,
01:28:35 It’s not yours.
01:28:39 This is blood money. I was killed
01:28:43 - What are you going to do with it?
01:28:48 To your left.
01:28:54 You don't think I’m giving this
01:28:58 Otherwise they will track you down.
01:29:02 You're kidding me!
01:29:05 You'll go to heaven!
01:29:08 I want to go to a bank
01:29:15 - Hello.
01:29:20 - Endorse it ''Rita Miller.''
01:29:23 Make it out to St Joseph's Shelter.
01:29:25 I don't believe
01:29:33 - Give it to her.
01:29:37 - Just give her the cheque!
01:29:47 - Give her the cheque!
01:29:53 Bless you, child. Bless you.
01:30:01 Give it to her.
01:30:03 Let go. Let go!
01:30:13 - I’m proud of you.
01:30:16 What'll that nun do with it?
01:30:20 Leave me alone!
01:30:23 You're wonderful, Oda Mae!
01:31:00 Go ahead, search! You'll never find it.
01:31:04 They're going to kill you and Willie.
01:31:10 They're going to bury you
01:31:55 Who's doing that?
01:31:57 Who's doing that?
01:32:15 Hi. Where were you?
01:32:19 - Things got a little crazy, I forgot.
01:32:23 I wish you'd have called.
01:32:28 - I’ve got to ask you about something.
01:32:33 When you said you thought
01:32:37 - what did he say to you?
01:32:40 Listen, I want to know exactly what
01:32:45 Carl, let me go! Stop this!
01:32:50 It doesn't matter. It wasn't real.
01:32:54 What the hell's happened to you?
01:32:57 Does this have anything to do
01:33:03 At the bank?.
01:33:06 Ferguson said she closed an account.
01:33:08 Her name isn't even Oda Mae Brown.
01:33:17 Carl. Are you all right?
01:33:21 It’s just my stomach.
01:33:27 Do you have some Pepto-Bismol?
01:33:30 - Cyanide.
01:33:40 What's wrong?
01:33:50 Now do you believe in ghosts?
01:33:56 I’ll set the place on fire!
01:34:06 - I’ll cut her throat.
01:34:10 I swear to God. I’ll cut her throat.
01:34:16 I need that money.
01:34:20 If that psychic lady does not
01:34:25 Carl, who are you talking to?
01:34:27 Nothing. Molly, I have to go.
01:34:30 I can't explain it now,
01:34:34 - You're scaring me.
01:34:38 - Why not now?.
01:34:40 I’ll come back at 11 o'clock, OK?.
01:34:45 - Eleven!
01:34:51 I’m Arsenio Hall. Don't try
01:34:56 - I want to watch ''Love Connection.''
01:35:01 Leave that! That's Arsenio.
01:35:04 You love ''Love Connection,''
01:35:07 - She did!
01:35:11 - Oda Mae!
01:35:13 We're in trouble.
01:35:17 The cheque you said
01:35:21 - What's happening?
01:35:23 Get out of here, now! Go, go!
01:35:37 Knock on the doors!
01:35:40 Help!
01:35:42 - Let us in!
01:35:56 What are you doing?
01:36:09 They're going to get us. Where's Sam?
01:36:13 - It looks like the bitch just left.
01:36:28 Carl?
01:37:17 Willie!
01:37:27 You've got a serious problem, man.
01:37:51 Help me! Help!
01:38:48 That dude is dead.
01:38:54 You're dead, Willie.
01:39:25 Help me!
01:39:48 Tell the driver to hurry.
01:39:51 - Can you step on it, please.
01:40:03 Problems?
01:40:12 - Carl, is that you?
01:40:15 I know what you think of me, but we've
01:40:20 - I’ve got Sam here with me.
01:40:25 - I’m calling the police!
01:40:28 Fine. We want you to call the police.
01:40:32 Don't you get it? Sam wasn't
01:40:38 He found out
01:40:41 Carl is dangerous. He tried to kill me.
01:40:44 He's going to try to kill you, too.
01:40:48 Why are you doing this to me?
01:40:53 Why are you doing this to me?
01:40:58 Oda Mae. Tell her she's wearing
01:41:04 and the earrings
01:41:07 Sam says you're wearing the shirt
01:41:11 and the earrings
01:41:19 Don't you see?
01:41:28 - Give me a penny.
01:41:30 - Push a penny under the door, now!
01:42:11 - Tell her it's for luck.
01:42:49 Between Green and Mercer on Prince.
01:42:52 It’s the grey building
01:42:55 Thanks, Sergeant. Please hurry!
01:42:59 - They're on their way.
01:43:03 - What do we do now?.
01:43:16 Is Sam here?
01:43:19 Sam?
01:43:22 I’m sitting beside her.
01:43:25 He's sitting right beside you.
01:43:37 Sam, can you feel me?
01:43:40 With all my heart.
01:43:43 He says with all his heart.
01:43:57 I’d give anything
01:44:04 He says he wishes he was alive again,
01:44:10 Me, too.
01:44:28 OK. Look - you can use me.
01:44:33 - Use you?
01:44:36 - Use your body?.
01:47:40 - Molly, are you home?
01:47:44 - Molly!
01:47:52 What's happening to me?
01:47:59 Molly?.
01:48:10 Molly!
01:48:27 Come on!
01:48:32 Look!
01:48:34 Let's go!
01:48:45 - Molly!
01:48:52 - Molly!
01:48:55 This woman's a thief.
01:48:58 Why are you doing this?
01:49:02 Stop!
01:49:04 Get away from us.
01:49:16 Shit!
01:49:19 - Carl, why are you doing this?
01:49:25 Just give me the cheque!
01:49:28 Stay out of this, Molly!
01:49:39 Get off me!
01:49:46 Where is it?
01:49:48 - Where is it, goddammit?
01:49:51 You're lying to me.
01:49:58 The cheque!
01:50:11 I’ll kill her, Sam.
01:50:24 Just give me the cheque, Sam.
01:50:27 I promise you I’ll let her go
01:51:51 Sam?
01:51:54 Oh, Carl...
01:51:56 What?
01:53:03 Are you two all right?
01:53:08 Sam?
01:53:12 Molly?.
01:53:16 I can hear you!
01:53:52 Oh, God!
01:54:39 Sam?
01:54:41 They're waiting for you.
01:54:54 I’ll miss you.
01:54:57 Your mother'd be proud.
01:55:00 I’m going to miss you too, Sam.
01:55:06 Bye, Oda Mae.
01:55:08 Bye, Sam.
01:55:32 l love you, Molly.
01:55:35 I’ve always loved you.
01:55:44 Ditto.
01:56:06 It’s amazing, Molly.
01:56:09 The love inside - you take it with you.
01:56:24 See you.
01:56:32 See you.
01:56:51 Bye.
02:01:23 ENGLISH