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Ghosts Of The Abyss en
00:00:39	I believe things can
00:00:44	that they do resonate
00:00:46	create, like, an echo.
00:00:53	The story of the "Titanic"
00:00:56	to each person who hears it,
00:01:00	This giant ship,
00:01:01	all these people
00:01:04	this iceberg, the warnings.
00:01:07	What would it have been like
00:01:09	to be there
00:01:33	I knew Jim was going to go back
00:01:36	He had talked about it.
00:01:38	He wanted to take
00:01:40	since he had made the film.
00:01:42	He had invited me in passing.
00:01:45	But I guess I didn't
00:01:48	I would actually go.
00:01:50	- Hello!
00:01:51	You speak English?
00:01:53	Great. I'm looking for my room.
00:02:00	Oh.
00:02:01	Oh, thank you.
00:02:04	But then,
00:02:06	"No, I really want you
00:02:10	for yourself
00:02:14	I had to go.
00:02:41	The "Keldysh" is the largest
00:02:44	in the world.
00:02:45	And all the activity onboard
00:02:47	and what they have to accomplish
00:02:53	They take their work
00:02:55	Everything is checked
00:02:58	just like a space mission.
00:03:21	Oh!
00:03:23	My name is Lewis Abernathy.
00:03:25	I'm an underwater explorer.
00:03:27	I got them all.
00:03:29	I have been trying to thumb
00:03:32	for probably 10 years now.
00:03:34	What do you got?
00:03:35	We got bots, slimy bots, and
00:03:40	Huge rusticles,
00:03:42	My name is Lori Johnston.
00:03:44	My position was
00:03:46	looking at the rusticles.
00:03:48	The idea that she spiraled down,
00:03:52	My name is Charles Pellegrino.
00:03:54	I was one of the historians and
00:03:59	We tend to think of it
00:04:02	I'm Don Lynch,
00:04:05	based upon the testimony and
00:04:08	The people who were there
00:04:12	My name is Ken Marschall.
00:04:14	I've been studying the "Titanic"
00:04:18	I checked it out.
00:04:21	Through those years and study,
00:04:23	I've sort of become
00:04:25	about the ship and her structure
00:04:31	It was an amazing expedition
00:04:33	in terms of all of
00:04:37	and engineering we were using,
00:04:40	The R.O.V.S were amazing.
00:04:43	On the cutting edge
00:04:45	Just try to keep the light in
00:04:48	I'm gonna explore these cabins.
00:04:50	There is no script. We don't
00:04:52	We don't know
00:04:55	The crucial thing
00:04:58	is lighting.
00:05:00	Just come up over and light
00:05:03	- You see what I mean?
00:05:05	So we had a sister ship on
00:05:10	The "EAS" had
00:05:13	called Medusa.
00:05:15	The theory was to lower the
00:05:19	and do this overlighting,
00:05:23	There was no manual
00:05:25	Nobody had ever combined
00:05:27	into a single-dive operation
00:05:33	We were pushing the limits
00:05:36	which was a little eerie
00:05:37	given the fate of the ship
00:05:46	This is where it all happened.
00:05:49	It could be any other part
00:05:50	but there's something special
00:05:52	this is the spot
00:05:55	Why this shipwreck?
00:05:58	Why not the "Moro Castle"?
00:06:01	They're all good.
00:06:02	They're all good,
00:06:04	Look at the stuff
00:06:06	You've got the biggest ship
00:06:08	the president of the company
00:06:11	the builder onboard.
00:06:12	And it hits an iceberg,
00:06:15	that you've got all these hours
00:06:18	You don't get that
00:06:20	It's really a Greek tragedy
00:06:23	She was so cheated.
00:06:26	So much energy went into
00:06:29	You know, the epitome
00:06:32	and architecture, maritime
00:06:35	And to have it taken away,
00:06:38	just four days out of England.
00:06:41	And that's part, I guess,
00:06:46	The fact that you could never
00:06:49	before or since.
00:06:50	The ship remains
00:06:53	as an eternal memorial.
00:06:55	And we can visit that memorial.
00:06:57	We can bear witness
00:07:00	And if we're gonna do
00:07:02	we have to do it now,
00:07:05	there might not be anything.
00:07:06	Five years ago,
00:07:08	We had to will it
00:07:12	"Monday, August 20, 2001.
00:07:16	Tomorrow morning
00:07:18	into the cold, dark netherworld
00:07:21	and see 'Titanic' for ourselves
00:07:23	as she lies broken
00:07:27	How do you prepare
00:07:37	Okay. Dive one.
00:07:39	It's gonna be
00:07:43	and me and Vince in "Mir-1."
00:07:45	Pilots are gonna be
00:07:48	Anatoly Sagalevitch, "Mir-1."
00:07:56	Okay. Here's your checklist.
00:07:59	Have your last will
00:08:02	make sure your insurance
00:08:04	write a final note
00:08:06	These are the kind of things
00:08:18	Next stop, "Titanic. "
00:08:19	Happy hunting.
00:08:20	Let's rock and roll.
00:08:24	The moment of truth.
00:08:35	See you in the sunshine.
00:08:52	To get in
00:08:55	and descend 12,500 feet
00:08:58	down into the bottom
00:09:01	it just was maybe a little more
00:09:18	Oxygen?
00:09:19	Yeah.
00:09:20	That's good.
00:09:21	Yeah.
00:10:36	Yeah, I can see how you get
00:11:19	Look at the colors change.
00:11:32	Boy, that's fast.
00:11:40	This tells you the oxygen
00:11:43	Yes.
00:11:44	So it's at 21.
00:11:46	Now, if that gets below 19,
00:11:50	What's the number
00:11:52	It's 19.
00:11:55	It's good.
00:11:56	But if it gets below what?
00:12:06	Does the battery sound okay?
00:12:09	- That's normal?
00:12:11	Now, if you have
00:12:14	and everything fails,
00:12:15	I heard something about,
00:12:17	you can disengage,
00:12:21	Just...
00:12:23	Yes, we have many possibilities.
00:12:30	I hope we never drop battery,
00:12:36	How much?
00:12:37	It's $250, 000, I think.
00:12:42	I mean, would you take a check?
00:12:50	2, 000 meters?
00:12:51	Yes. 2, 000.
00:13:11	That's pretty deep.
00:13:24	Something wrong?
00:13:26	It's okay?
00:13:27	Yes.
00:13:30	That's handy.
00:13:31	And it's fixed.
00:13:33	I adjust for them for later.
00:13:35	Oh, okay. Okay.
00:13:39	"Mir-1," "Mir-1,"
00:13:42	What is your depth?
00:13:45	"Mir-2," "Mir-2,"
00:13:48	Depth is 3,353 meters.
00:13:55	See you on the bottom.
00:14:12	I see bottom.
00:14:16	Oh, yeah.
00:14:17	You see it?
00:14:18	Yeah.
00:14:25	Bottom of the ocean.
00:14:28	Look at that.
00:14:31	It looks like
00:14:44	It wasn't just the idea
00:14:46	of putting your faith
00:14:48	and going to the bottom
00:14:51	There's thousands of tons
00:14:54	But where we were going,
00:14:58	We'll see more debris as we go.
00:15:05	Yeah, look. There's some china.
00:15:10	Yeah, we got her.
00:15:11	You want to see "Titanic"
00:15:14	You're gonna love this.
00:15:15	- It's, like, there she is, baby.
00:15:18	Okay.
00:15:36	Bill, it's the bow.
00:15:39	Oh, look at that.
00:15:43	Oh, God.
00:15:46	What a sight.
00:15:47	What a sight!
00:15:51	So Medusa is lighting it up.
00:16:08	Look at that.
00:16:11	Oh, man.
00:16:13	Oh, now you get a sense
00:16:16	My God!
00:16:19	This was the "Titanic. "
00:16:20	This is the fabled liner
00:16:24	at the bottom
00:16:26	You approach it
00:16:29	Bill, it is bow anchor.
00:16:32	Oh, God.
00:16:33	Its port side
00:16:35	That is incredible.
00:16:39	Look at that!
00:16:40	It's dug in all the way
00:17:06	Oh, it's amazing just to be
00:17:09	Gosh, you could just reach out
00:17:16	We're near the anchor crane.
00:17:19	See it?
00:17:20	Look.
00:17:22	Okay.
00:17:31	Okay. Okay.
00:17:34	I knew we were gonna get close,
00:17:46	The experience of being
00:17:49	is almost like
00:17:53	The way you float around it,
00:17:54	it really is an ethereal,
00:18:01	We're here.
00:18:04	Oh, yeah.
00:18:05	You can see right down
00:18:07	Boy, it just falls into
00:18:22	Oh, there's the crow's-nest door
00:18:25	They climbed up
00:18:28	to get out to the crow's nest.
00:18:29	That's where Fleet stood.
00:18:31	Right there
00:18:35	Iceberg right ahead!
00:18:38	You see the... it looks
00:18:42	What is that?
00:18:43	Yeah, it's a gate.
00:18:45	- Yes, it's gate. Yes.
00:18:47	Officers locked that
00:18:48	to keep the steerage passengers
00:18:53	Of course, I'd have been
00:19:08	Oh, God. So that's
00:19:11	And there's the telemotor.
00:19:14	The helm.
00:19:19	Try to imagine
00:19:20	what it must have been like
00:19:23	First Officer William Murdoch
00:19:26	Quartermaster Hichens
00:19:35	That split-second decision
00:19:39	Iceberg right ahead!
00:19:41	He can go left
00:19:46	Quickly!
00:19:52	Murdoch is suddenly staring
00:19:55	right down the barrel.
00:20:01	Murdoch knows how many
00:20:04	how few lifeboats there are,
00:20:06	what grave danger
00:20:09	Golly.
00:20:10	That is history right there.
00:20:37	Wow. Just like a cliff
00:20:55	"Mir-2," "Mir-2,"
00:20:58	We're gonna be going up.
00:21:00	Did they start up?
00:21:05	Well, let's clear "Titanic"
00:21:09	"Titanic" was good to us today.
00:21:22	Goodbye, "Titanic. "
00:21:52	Oh! Oh!
00:22:44	Hello, again.
00:22:45	Hello, Sergei.
00:22:47	Whoo.
00:22:48	Welcome to "Keldysh. "
00:22:51	Quite a ride.
00:22:54	If the bow is so dug in,
00:22:57	And seeing that wall going
00:23:00	and falling into nothing,
00:23:01	even just with
00:23:03	really was like, "Holy cow.
00:23:08	What exciting work.
00:23:12	We were exploring the "Titanic"
00:23:16	and these incredible
00:23:17	Have you ever been in any sub?
00:23:19	Only at Disneyland.
00:23:21	This is different.
00:23:27	Good luck.
00:23:28	See you later.
00:23:37	These dives,
00:23:40	I want to make sure
00:23:41	we pack as much information,
00:23:45	as I can possibly get
00:23:47	Ha! Ha! Ha!
00:23:52	You know, you have
00:23:55	It was a great camaraderie.
00:24:05	I screamed like a girl
00:24:08	Crying like a kid?
00:24:09	Cried like a baby.
00:24:13	The R.O.V.S were fascinating.
00:24:16	Initially they were called
00:24:18	But ultimately they were named
00:24:29	My name is Mike Cameron.
00:24:31	I'm the R.O.V. Creator.
00:24:34	The vehicle is not unlike
00:24:37	It's got a brain.
00:24:40	It's got eyes
00:24:42	Give it a little forward.
00:24:44	You are in, Daddy-O.
00:24:47	It's got this character
00:24:51	The real revolutionary
00:24:55	It's like a spider
00:24:57	Come in here,
00:25:00	come back out.
00:25:01	If these bots worked
00:25:04	we could go through
00:25:08	The bots are finally going
00:25:10	Three years in the making.
00:25:17	"Mir-1," Jake's just
00:25:21	Here he comes. He's out.
00:25:25	I think we were so
00:25:29	Very quickly,
00:25:35	The R. O.V. Had just
00:25:40	This is what it's all about.
00:25:46	Jeff, stand by.
00:25:47	We're about to launch Bot 1,
00:25:52	Sight enabler.
00:25:55	Com link.
00:25:58	All right.
00:26:01	Elwood's coming out.
00:26:10	Pretty cool.
00:26:13	Looking good, Elwood.
00:26:16	Tell them we'll meet in the
00:26:20	We're gonna meet in the
00:26:23	Copy that.
00:26:25	The grand staircase
00:26:28	was, in my opinion, the most
00:26:31	And the dome,
00:26:33	the wrought-iron dome overhead,
00:26:37	It's really a blessing
00:26:38	that this staircase
00:26:41	because it allows easy access
00:26:50	What's Elwood's 20?
00:26:51	Right above you.
00:26:53	Getting ready to start
00:26:58	Okay.
00:26:59	That's them.
00:27:01	Okay.
00:27:02	Okay.
00:27:03	Proceed slowly.
00:27:05	Proceeding slowly.
00:27:13	This is so much
00:27:24	We knew the beauty
00:27:27	But no one knew what we'd find
00:27:34	Continue down one.
00:27:35	You're crossing the floor
00:27:38	You're looking
00:27:41	- Do not go into "C" deck.
00:27:43	"C" deck. "D" deck.
00:27:49	All right. He's in position
00:27:52	Stand by there, Jeff.
00:27:54	Your first move
00:27:57	Roger that.
00:27:59	You getting ready
00:28:01	Do I want to be pointed aft
00:28:04	Yeah. Okay.
00:28:05	Okay.
00:28:07	Move ahead slow.
00:28:10	Moving ahead slow.
00:28:29	Tell him to move
00:28:33	Move real, real,
00:28:36	Real easy.
00:28:38	Moving real easy.
00:28:42	Believe we are heading
00:28:48	We're looking
00:28:51	Looks like it had
00:28:54	We should come to the right.
00:28:56	Come to the right, Jeff.
00:28:57	And we'll head
00:29:00	Copy that.
00:29:02	So far, the vehicle
00:29:11	It's performing beautifully.
00:29:14	Just shy of 200 feet out.
00:29:16	Okay.
00:29:22	Move forward to that doorframe.
00:29:28	We are inside the "Titanic. "
00:29:33	- Tell him to slow down.
00:29:35	Slow down.
00:29:37	Copy that.
00:29:38	I still can't believe
00:29:44	I keep waiting for somebody
00:29:46	and I'm gonna go back
00:29:49	I don't think I can get out of
00:29:52	My trailer!
00:29:55	I need to call my agent.
00:29:58	It's getting
00:30:01	Looks like Carlsbad Caverns
00:30:05	Is he pinned?
00:30:06	Is there no way forward
00:30:09	Go left.
00:30:11	Go left.
00:30:12	Making the turn.
00:30:17	That's too close to the bottom.
00:30:20	You're too close to the bottom.
00:30:22	Copy that.
00:30:23	Oh!
00:30:26	Boy, this is nerve-racking.
00:30:30	There's something there.
00:30:33	Windows, windows.
00:30:34	Dining-room windows.
00:30:36	- We're going for the window.
00:30:39	Look at that.
00:30:39	- Unbelievable.
00:30:41	Take it real slow here.
00:30:43	Those are
00:30:45	Try to get your light up
00:30:49	- Amazing, huh?
00:30:50	Turn off his spotlight.
00:30:52	Turn off your spotlight.
00:30:53	Make a nice image
00:30:55	Make a nice picture
00:30:58	Look at that.
00:31:00	Oh, boy!
00:31:01	Beautiful.
00:31:05	Very much intact.
00:31:06	Looks like the glass,
00:31:07	all the leaded glass,
00:31:09	It's not broken.
00:31:20	The first-class
00:31:23	Among the passengers who
00:31:26	and his wife, Madeline,
00:31:29	She would be widowed
00:31:34	We are not in Kansas anymore.
00:31:41	I think you got a friend.
00:31:43	Oh.
00:31:46	Sam stopped by to say hello.
00:31:48	He's giving us the tour.
00:31:53	"Follow me," he says.
00:32:13	It's like a fantasy
00:32:16	The craftsmanship.
00:32:20	That human hands created
00:32:22	that human eyes looked
00:32:25	And then you realize
00:32:27	that you're 12, 500 feet
00:32:32	Oh, look at that woodwork.
00:32:34	That's all wood, Genya.
00:32:38	But these things created by man,
00:32:41	in this dark abyss,
00:32:44	They're not supposed to be here.
00:32:46	Unbelievable.
00:32:47	Who would've thought
00:32:50	It's the dream come true for me.
00:32:55	What's significant
00:32:58	is that this is where
00:33:00	overheard a conversation
00:33:02	between Captain Smith
00:33:03	the owner of the "Titanic. "
00:33:05	And she heard Ismay
00:33:07	to have the "Titanic" arrive
00:33:11	I think we're going to beat
00:33:13	and arrive in New York
00:33:27	We're holding
00:33:29	starboard side.
00:33:34	Isn't that beautiful?
00:33:37	It looks like it's just been
00:33:41	"Titanic's" main
00:33:43	was on "D" deck.
00:33:45	And she had
00:33:48	on both the port
00:33:50	Through the eyes of the R. O.V.,
00:33:53	we could see the wrought-iron
00:33:56	which were unknown to historians
00:33:59	We had no idea what was inside,
00:34:02	This is the way
00:34:04	They came in through that door,
00:34:14	And in this entrance vestibule,
00:34:17	there was a large sideboard
00:34:19	where lots of first-class china
00:34:22	The dish cabinet
00:34:25	But you could see the teacups
00:34:28	stacked perfectly there.
00:34:29	I wish I had those dishes,
00:34:32	Give it up on eBay.
00:34:35	There's the elevators.
00:34:39	There's...
00:34:40	There's the shaft.
00:34:45	Look at that.
00:34:48	I thought they called them
00:34:51	The ship was owned
00:34:54	Hmm.
00:34:56	Like you could
00:34:58	Whenever you're
00:35:01	try to remember to turn
00:35:03	There may still be paneling
00:35:06	and there will be
00:35:08	"A" deck, "B" deck,
00:35:10	When you come out
00:35:11	Most likely that paneling
00:35:14	That would be a classic shot
00:35:16	to have that lettering
00:35:18	Ken loves this stuff.
00:35:20	I feel like I'm making a film
00:35:25	And there it is.
00:35:28	- Tell him "bingo. "
00:35:30	The "A" had recently
00:35:34	That brass letter was heavier
00:35:38	Okay. I see where we are.
00:35:41	We were methodical
00:35:44	We had to be because the wreck
00:35:48	It was spooky.
00:35:51	"D" 33 was the cabin
00:35:53	of Henry Sleeper Harper
00:35:56	Sitting on the remains
00:35:59	is Henry Harper's bowler hat.
00:36:01	Just the idea
00:36:09	Hey, look.
00:36:11	Maybe a mirror.
00:36:14	It is.
00:36:21	"A" 11 was occupied
00:36:24	Before getting into a lifeboat,
00:36:26	she went back to her cabin
00:36:29	because she didn't trust
00:36:37	Jim was looking
00:36:40	We had a good idea
00:36:43	And he was searching
00:36:46	The R. O.V. Is narrow enough
00:36:49	And I saw there was jagged glass
00:36:53	That could sever the tether,
00:36:56	Ken says we can do this.
00:36:57	It's a gamble.
00:36:59	Don't do it.
00:37:00	You're gonna be laying your
00:37:03	There he goes.
00:37:06	That's what I'm talking about.
00:37:08	Okay, now that you're in,
00:37:12	That's not a brass bed.
00:37:15	It's kind of creepy.
00:37:17	I don't know.
00:37:17	Molly Brown said
00:37:20	I don't see a brass bed.
00:37:22	Molly Brown was a character.
00:37:24	She and her husband had made
00:37:27	And she was desperate
00:37:30	The "Titanic" tragedy
00:37:38	Uh, Genya?
00:37:39	Yes?
00:37:40	Um, I need to pee.
00:37:42	I don't think I can hold it
00:37:46	- No problem.
00:37:47	For me, personally,
00:37:49	I've always been kind of
00:37:53	I need a little privacy.
00:37:54	But when you got to go
00:37:57	you got to go.
00:38:00	It's okay?
00:38:14	Um, I'll turn around.
00:38:16	- Can you turn around?
00:38:17	Thank you.
00:38:20	Let's see here.
00:38:23	Point your lights
00:38:25	My God.
00:38:27	Look at that, Tolya.
00:38:28	A brass bed sitting
00:38:33	Maybe Molly Brown did stay
00:38:36	But which one?
00:38:42	They've built
00:38:44	but I don't know that they'll
00:38:48	And even now,
00:38:49	after 90 years of laying
00:38:52	its beauty came to light.
00:39:02	Okay.
00:39:04	Okay. Tell them
00:39:07	Jake's in the promenade.
00:39:08	We did get into one
00:39:11	on "B" deck.
00:39:12	Private promenade.
00:39:13	They call them
00:39:15	These were the fanciest, most
00:39:18	And in April 1912,
00:39:20	you would have paid over $3, 000
00:39:24	This must be some of the facing.
00:39:27	Yeah, it's some
00:39:37	We are in the room.
00:39:38	Jake's in the room.
00:39:40	This is Bruce Ismay's suite.
00:39:41	This is the guy
00:39:43	with 1, 500 people still onboard.
00:39:46	Ooh, that's a beauty.
00:39:48	We are in the sitting room,
00:39:51	Isn't that amazing? That
00:39:55	These little touches
00:39:57	You can almost feel the hands
00:40:06	J. Bruce Ismay
00:40:07	was managing director
00:40:09	and he vetoed the idea
00:40:12	He felt fewer would be fine,
00:40:13	that as long as they met
00:40:22	It is Smith's bathtub.
00:40:24	Oh, Captain Smith.
00:40:25	Wow.
00:40:27	The captain of the "Titanic"
00:40:28	used to take his baths
00:40:31	His little pink butt
00:40:35	Captain Smith was called
00:40:38	because he was so popular
00:40:41	30 years at sea.
00:40:44	This voyage was to be
00:40:46	He was going to take
00:40:50	across the ocean on her
00:40:56	I n archeology,
00:40:58	we carry these ghosts
00:41:01	And I was kind of imagining
00:41:03	Thomas Andrews
00:41:07	Thomas Andrews
00:41:10	and president of
00:41:12	He designed and built the
00:41:15	He knew the ship better
00:41:16	He put davits on the ship
00:41:19	to take a lifeboat from here
00:41:22	and then go inward
00:41:24	in a second position and go out.
00:41:26	I n his own hand,
00:41:27	in his notebook,
00:41:30	that are supposed to go on the
00:41:33	He was overruled
00:41:35	and forced to comply
00:41:38	of the Board of Trade
00:41:42	Andrews cared
00:41:45	and was onboard to make
00:41:48	and make sure
00:41:50	If only there were
00:41:52	these submersibles sending
00:41:56	into his creation.
00:42:18	Move a little right
00:42:20	There you go.
00:42:22	We're good.
00:42:24	It's coming out, folks.
00:42:26	- Okay. Ease it forward.
00:42:28	We explored
00:42:31	and made it into several crew
00:42:34	that had never even been
00:42:36	Is that the "D" deck?
00:42:38	I think so.
00:42:39	Yeah.
00:42:41	All right. That's it.
00:42:44	So just ease on in there.
00:42:50	Okay.
00:42:51	It should go right up to it.
00:42:56	So we got into third class.
00:42:57	We were in the general room
00:43:01	There wasn't a lot of detail
00:43:04	because it was never
00:43:08	The bar at one end that
00:43:11	There were table bases
00:43:13	The tables and bench bases
00:43:16	It was neat to see those.
00:43:18	That's a very big table.
00:43:20	The place where they all ate.
00:43:22	They would've sat here
00:43:24	This was where
00:43:26	by many of the third-class
00:43:29	And it really was moving
00:43:32	where so many of them spent
00:43:41	There was a brand-new
00:43:44	that was strapped down
00:43:46	And we have some fairly good
00:43:50	of what it would look like now.
00:43:52	Going from "F" deck
00:43:56	A solid hatch cover,
00:43:59	But it's open.
00:44:00	And it would be
00:44:03	Only a few items would show up
00:44:07	We were on "G" deck.
00:44:10	We are now on the orlop deck.
00:44:12	Correct.
00:44:13	Tilt up,
00:44:17	Tilt up, and we see some gak.
00:44:20	I see some light back there.
00:44:22	Yeah.
00:44:24	Maybe that is the car.
00:44:25	It is.
00:44:27	- I think that's the car.
00:44:28	It's the car.
00:44:30	No.
00:44:33	No!
00:44:35	It can't be that easy.
00:44:36	It is.
00:44:37	I don't think that's the car.
00:44:39	I think we're seeing cars.
00:44:41	- Shiny piece of...
00:44:43	I'm thinking...
00:44:45	That looks like wheel.
00:44:47	Jim, that's a fender.
00:44:49	I don't care what planet you're
00:44:53	This is headlight.
00:44:56	We're seeing cars, boy.
00:44:59	All right,
00:45:01	now that we're here
00:45:06	There's a car.
00:45:07	That's a car.
00:45:08	No, those are...
00:45:12	Wicker trunk.
00:45:13	That's a tire.
00:45:14	There were some pretty
00:45:18	obviously man-made stuff,
00:45:20	but nothing clearly
00:45:25	Yeah, we should be able to get
00:45:33	- Are you in?
00:45:34	Oh, baby.
00:45:37	That's awesome.
00:45:41	Count doors on the right. That's
00:45:43	There should be
00:45:46	The first door should take you
00:45:48	You want to go in there?
00:45:50	Yeah.
00:45:52	That's definitely
00:45:55	Oh, look at that.
00:45:57	You can see the bow tapering in.
00:46:00	Exactly.
00:46:01	Shape of the ship.
00:46:02	You can imagine exactly
00:46:06	The firemen were segregated
00:46:08	from the rest of the crew,
00:46:09	probably because they had
00:46:12	So their quarters
00:46:14	They had two staircases,
00:46:16	which took them
00:46:18	and to the boiler rooms.
00:46:21	Imagine spiraling your way down
00:46:23	to the furnaces
00:46:26	to join hundreds of men
00:46:28	into the gaping maws
00:46:35	That's kind of spooky.
00:46:55	And when you finish your shift
00:46:57	you climb back up into
00:47:00	at the very bow of the ship,
00:47:04	then you do it all over again.
00:47:08	Even here, we could feel
00:47:12	At the top of one
00:47:14	we found a drinking fountain.
00:47:16	I'm sure that even
00:47:19	must have been
00:47:26	Here we've got a plan
00:47:31	what happened that night.
00:47:33	The "Titanic" was divided into
00:47:37	separated by
00:47:40	That's these white lines here.
00:47:42	And the ship was designed to be
00:47:46	The worst they could imagine
00:47:48	at the juncture
00:47:50	which would flood
00:47:52	The ship would only sink so far
00:47:55	She was also designed to float
00:47:58	with any three of the first five
00:48:02	Or the first four in a row
00:48:05	if they were in some
00:48:07	That was
00:48:09	Run into a rock or something
00:48:12	She'd buckle back,
00:48:14	With all of this combination
00:48:18	she was considered
00:48:20	What they didn't envision
00:48:26	"Titanic" struck the iceberg,
00:48:28	a glancing blow
00:48:30	scraped along and ruptured
00:48:34	moving along into
00:48:36	into this cargo compartment,
00:48:38	into Boiler Room Number 6
00:48:40	and two feet
00:48:42	of Boiler Room Number 5.
00:48:44	And as the ship sank,
00:48:45	just at the point where it was
00:48:48	it reached the top of this
00:48:50	and started flowing up
00:48:53	and down into
00:48:55	It was just
00:48:57	There was no way,
00:48:59	that the ship
00:49:03	So where exactly did it split?
00:49:05	Well, it broke in two
00:49:09	Just right about at
00:49:12	There's a natural weak spot
00:49:16	right above
00:49:18	There is a large air shaft here
00:49:21	to ventilate
00:49:25	My God.
00:49:26	What that must have
00:49:30	What that must have been like.
00:49:32	What a deathblow
00:49:41	Imagine the vortex to create
00:49:45	That's what gets me.
00:49:46	Seeing the end of the stern
00:49:49	Can't you just see one
00:49:54	And then...
00:49:58	And you know
00:50:00	"Whoa," you know?
00:50:03	Exactly.
00:50:04	Our best shot is probably
00:50:07	on the starboard side, right?
00:50:09	That's the guts of it.
00:50:10	Starboard side.
00:50:11	Sometimes I see him
00:50:15	Yes.
00:50:16	- Good.
00:50:17	And I lose, sometimes, good
00:50:23	Right.
00:50:24	But the thing is
00:50:27	He can't, otherwise his lights
00:50:29	He has to be above
00:50:33	or like this.
00:50:34	Yes.
00:50:38	So sort of this.
00:50:42	See, if the water is clear,
00:50:45	The engine room,
00:50:47	to keep that thing alive.
00:50:48	They were "Titanic. "
00:50:52	They didn't die
00:50:54	They died with a monkey wrench,
00:51:07	That is the starboard engine.
00:51:10	Look at that.
00:51:11	Oh, man!
00:51:13	Look at the size of that thing.
00:51:22	Okay, keep panning, because I'm
00:51:30	Oh, man.
00:51:31	It does give you the scale,
00:51:34	next to that giant sphinx
00:51:52	When you see the stern
00:51:56	and there are
00:51:58	standing four stories high,
00:52:01	they really do look like
00:52:05	that are guarding
00:52:29	When the historians
00:52:32	they think of the lives
00:52:35	When I look at the ship
00:52:38	I look at the life
00:52:42	"Titanic" is very much alive.
00:52:46	Rusticles are bacteria...
00:52:52	that are actually eating
00:52:54	and the insides of the ship.
00:52:56	I look at a rail and think,
00:53:01	They're breaking 'Titanic' down
00:53:05	But then you immediately
00:53:07	"Who touched this railing last?"
00:53:13	Helen Candee is one
00:53:16	She had written one of the
00:53:20	Basically, the theme being
00:53:21	how a woman can get along
00:53:24	without a man.
00:53:25	And that's how she was traveling
00:53:29	And on the very last sunrise
00:53:32	that the "Titanic"
00:53:34	she snuck out
00:53:37	just to greet the sunrise alone.
00:53:39	And she wrote about it
00:53:41	and how she felt the power
00:53:44	and that it was stronger
00:53:47	maybe even stronger
00:53:50	And then, suddenly,
00:53:52	as if she had thought
00:54:09	Mmm. It's good.
00:54:10	That's good borscht.
00:54:12	- Borscht in Russian.
00:54:14	Borscht.
00:54:19	Cabbage, potatoes, bouillon.
00:54:22	Everybody eat borscht.
00:54:30	Anatoly has a song
00:54:34	about the blue sky that you see
00:54:36	when you return to the surface
00:54:40	And I think that's very apropos,
00:54:43	that you didn't think
00:54:56	It's very difficult to wander
00:54:59	and not think of the "Titanic"
00:55:05	You know, what would've happened
00:55:07	hadn't stayed at their station
00:55:08	when the "Titanic" had gone
00:55:12	It would have been
00:55:17	I became very close with the men
00:55:20	It's quieter in here.
00:55:23	There wasn't a lot said.
00:55:25	But there was still very much
00:55:29	Tell me.
00:55:31	If we were going
00:55:35	and all of a sudden,
00:55:38	Or "Drunken fishing-boat captain
00:55:41	And they ring alarm,
00:55:51	Ah.
00:55:54	Full speed.
00:55:58	The engines all stop?
00:56:07	Whoo!
00:56:10	Yay!
00:56:39	Ah.
00:56:42	Anatoly! Dal Dal
00:57:00	On our last dive to "Titanic,"
00:57:03	we found
00:57:05	- Inside, yeah?
00:57:07	It almost has wings.
00:57:09	See the wings that are flying?
00:57:11	The oddest creature
00:57:15	was something
00:57:17	And to my knowledge,
00:57:23	Several creatures down there
00:57:25	that I don't think
00:57:28	"Titanic,"
00:57:29	because there is
00:57:32	has really allowed us to do
00:57:37	You could actually see
00:57:39	gelatinous-type clouds
00:57:42	and fingerlike structures
00:57:44	that were hanging
00:57:49	Intertwined
00:57:51	we'll see these lavender worms.
00:57:54	Shimmery, strange things,
00:57:57	And they particularly like
00:58:04	Let's go up to him.
00:58:06	Even the fish don't
00:58:08	that are found outside.
00:58:09	To me, they appear to live
00:58:14	He's heading for
00:58:16	Hey, he knows
00:58:23	Wow. I can't believe it.
00:58:26	I didn't think I'd see
00:58:29	I had no idea
00:58:30	we were approaching the bow
00:58:32	We're awful close to this stuff.
00:58:35	"Mir-2," you got
00:58:37	Be careful.
00:58:38	- It's safe to be this close?
00:58:41	If something happens to us, your
00:58:45	Oh, great.
00:58:50	I see a real shiny thing
00:58:53	Oh, these are whistles, Genya.
00:58:56	Oh, my goodness.
00:59:03	Ooh, look at this.
00:59:05	Yes.
00:59:06	Like a hatch cover.
00:59:09	Yes.
00:59:10	I don't think we've ever seen
00:59:12	I saw it earlier.
00:59:13	Yeah.
00:59:14	It got blown off
00:59:17	It's just blown right out here
00:59:21	Oh, my God.
00:59:22	- What? What?
00:59:25	- Oh, look at that.
00:59:27	Can you believe it survived?
00:59:30	That's a first-class
00:59:32	- Water decanter.
00:59:35	I was pretty calm going down.
00:59:37	As a matter of fact, we saw,
00:59:39	there was this woman's shoe.
00:59:41	It was perfectly preserved.
00:59:43	And it was laced up.
00:59:44	You know, I was just like,
00:59:47	That's somebody's grave marker.
00:59:49	That's the only grave marker
00:59:54	You see now that we are coming
00:59:57	Yeah.
01:00:00	This was Lifeboat One,
01:00:02	where Sir Cosmo and
01:00:05	with only 10 other people
01:00:07	in a lifeboat that could have
01:00:15	The law of the sea
01:00:17	when you go to evacuate a ship.
01:00:19	For the time being,
01:00:21	I shall require
01:00:23	On the port side of the
01:00:26	took it to mean
01:00:28	and he only let women
01:00:31	and then as few crewmen
01:00:33	Please! Daddy!
01:00:35	Don't you worry.
01:00:40	Working on the other
01:00:42	getting the boats in the water
01:00:44	shoving men, women, children,
01:00:47	He didn't care.
01:00:48	- May I get in the boat?
01:00:51	Yes, ma'am.
01:00:53	Lower away!
01:00:55	Almost 2/3 of everyone
01:00:57	have Murdoch to thank for it.
01:01:08	Moving into the "A" deck
01:01:12	it really looked familiar.
01:01:15	A long, sweeping, open deck.
01:01:18	The forward end was enclosed
01:01:21	This is right where
01:01:24	John Jacob Astor put
01:01:27	right through one
01:01:30	Because she was pregnant,
01:01:32	he asked
01:01:34	May I accompany my wife?
01:01:35	No, sir.
01:01:37	Come on.
01:01:38	Here, darling.
01:01:40	And so he told her
01:01:43	No, sir.
01:01:47	I've been thinking about
01:01:51	and we're going on these dives.
01:01:52	There's an element
01:01:55	It's a calculated risk.
01:01:56	But I think the idea
01:01:59	and saying, "I love you,"
01:02:02	and trying to bear up.
01:02:03	"Now, just go in the lifeboats.
01:02:05	Daddy will be along
01:02:07	That's just torturous.
01:02:09	Trying to make your family
01:02:12	You're just keeping up
01:02:15	Exactly.
01:02:16	Also, it's the question
01:02:19	that you keep going back to.
01:02:20	For me, ever since
01:02:23	the whole idea
01:02:26	how would I have beared up?
01:02:28	Would I have had the character
01:02:31	and shown that kind of nobility,
01:02:34	And as we romanticize
01:02:39	and it's such a romantic time
01:02:42	you want to put yourself
01:02:43	with the men
01:02:45	But you really can't assume
01:02:48	what your character would be
01:02:51	unless you've been through
01:02:54	Absolutely.
01:02:56	You see the doors,
01:02:58	Yeah.
01:03:00	This is where the band played.
01:03:03	The orchestra
01:03:05	and they started playing
01:03:11	You think of the band in
01:03:14	They played,
01:03:17	was getting into a lifeboat
01:03:19	But how calming
01:03:21	to the people who were onboard.
01:03:28	Okay.
01:03:29	This right over here
01:03:34	Everyone knows
01:03:36	that the Marconi Wireless played
01:03:39	Senior Marconi Wireless Operator
01:03:42	and Junior Operator
01:03:45	until the very end.
01:03:47	You should try S. O. S.
01:03:49	Yes, it might be
01:03:53	During the final moments
01:03:56	the ship's power
01:03:59	Harold Bride
01:04:01	trying to compensate
01:04:05	To our great astonishment
01:04:08	the settings still visible
01:04:12	They are in the final settings
01:04:16	Hey, that's better!
01:04:17	They have the human touch
01:04:25	Pull!
01:04:27	Pull together!
01:04:28	Many of the boats
01:04:33	Return to the ship!
01:04:35	- Boat 6! Return.
01:04:38	No!
01:04:39	It's our lives now.
01:04:43	The suction will pull us down
01:04:46	"Titanic" was
01:04:48	"You have 21/2 hours to
01:04:52	What are you gonna be?
01:04:54	Will you be a hero?
01:04:57	Time for one more hand.
01:04:59	Poker. Five card draw.
01:05:04	Would you fight to survive?
01:05:06	Would you take your place
01:05:08	that were relegated
01:05:11	and wait patiently
01:05:13	and lets you free?
01:05:14	- Help us!
01:05:16	- Please!
01:05:18	I think it's fortunate
01:05:20	will never be put to that test.
01:05:23	Any more women or children?
01:05:26	Anyone else, men?
01:05:29	Quickly!
01:05:32	Prepare to lower!
01:05:35	Bruce Ismay.
01:05:37	He's the guy
01:05:39	And yet he did survive,
01:05:43	Right and left together!
01:05:44	I don't know which man
01:05:47	Bruce Ismay,
01:05:51	or Thomas Andrews,
01:05:52	for not having fought
01:06:00	There was
01:06:02	just chaos as those
01:06:05	Get back, I say!
01:06:08	Get back!
01:06:12	Women and children only,
01:06:15	It was precarious.
01:06:17	There was one lifeboat where
01:06:21	This forced women to decide
01:06:23	whether they were gonna be
01:06:25	They were trying to take
01:06:27	There were so many people
01:06:30	Several women said, " I am not
01:06:34	They're not leaving without me. "
01:06:36	They overcrowded that lifeboat,
01:06:37	but the water was so calm,
01:06:39	It had over 70 people,
01:06:42	It must have been up
01:06:44	It was that far above the water.
01:06:46	You could've put your hand over
01:06:50	At the very end,
01:06:52	Murdoch was trying to get
01:06:54	while the ship
01:06:57	Get back!
01:06:58	Step away!
01:07:04	Crank this down there, men!
01:07:06	They cranked the davits in
01:07:07	to drag the collapsible
01:07:09	But by then, it was too late.
01:07:20	The number-one davit remains
01:07:24	an unspoken monument
01:07:25	to Murdoch's dedication
01:07:29	After the lifeboats had gone,
01:07:31	we have evidence of some
01:07:33	just going back to their cabins.
01:07:35	They had no hope of surviving,
01:08:13	To me, it must have been tough
01:08:16	knowing they could have possibly
01:08:18	and rescued some of the people
01:08:21	once the ship had gone under.
01:08:23	To go in there
01:08:25	and nothing less.
01:08:26	We've got 1, 500 people
01:08:29	all screaming for help,
01:08:32	You could easily have
01:08:34	trying to climb onboard at once.
01:08:36	They're sitting
01:08:39	To not row back or to have that
01:08:42	I can't believe that
01:08:45	How safe are you in a lifeboat
01:08:46	in the middle
01:08:49	"Titanic" is that thing
01:08:50	you always try to
01:08:52	"What would I have done if I
01:08:55	Heroism and character
01:08:57	will always be the domain of
01:09:00	That's what will never change.
01:09:06	On one of the later dives,
01:09:07	Jim decided to go back into the
01:09:11	and have "Mir-2" shine lights
01:09:12	through those leaded-glass
01:09:15	- Getting ready?
01:09:17	Here comes the light.
01:09:18	Nice.
01:09:20	Perfect.
01:09:32	Not since April 14, 1912,
01:09:34	had human eyes seen light
01:09:37	pouring through
01:09:44	A lot of the washstands
01:09:47	yet here was one
01:09:50	And so someone took
01:09:52	set that glass down,
01:09:55	and 90 years later, that glass
01:09:58	I n the middle of this,
01:10:02	It really ties you
01:10:04	It does.
01:10:06	You still see things
01:10:08	where people had last left them.
01:10:12	Lamps still plugged in.
01:10:17	The medicine bottles
01:10:22	It's the things people touched
01:10:24	that bring the pictures alive
01:10:31	So we're looking at it
01:10:33	I need more power.
01:10:35	Come on, baby.
01:10:37	- We have a problem.
01:10:38	We got
01:10:40	Whoa, there's something
01:10:43	Uh-oh.
01:10:45	Oh, Jesus.
01:10:46	- Did we crash?
01:10:48	We're dead and buoyant.
01:10:50	Drop it. Drop it.
01:10:52	- Easy, easy, easy.
01:10:56	Oh, we're not gonna live.
01:10:59	Guys, get a visual on us,
01:11:02	You're headed
01:11:04	You're sitting
01:11:06	We're dead in the water.
01:11:09	We're watching you.
01:11:11	The whole thing
01:11:13	The batteries, they
01:11:16	It was very bizarre.
01:11:17	It was like,
01:11:22	They flew beautifully
01:11:25	that we had an absolute, total
01:11:32	I've had a debate with myself
01:11:33	as to whether I would
01:11:36	because better to lose one
01:11:38	It's almost a straight shot,
01:11:39	except there's a couple
01:11:41	I think there's a way
01:11:44	Yeah, it's not too far
01:11:47	No.
01:11:48	But the first thing we got to do
01:11:51	The weight with a piece
01:11:53	I want to fly up underneath it
01:11:55	and stick the weight
01:11:57	sink it to the floor,
01:11:58	then come up, dock with it
01:12:01	That's the only way to do it.
01:12:03	Let me know
01:12:09	We had to rescue Elwood,
01:12:11	not just because these bots
01:12:14	but because,
01:12:16	he'd become part of the crew.
01:12:18	Oh, where, oh, where
01:12:22	Look up.
01:12:24	Hello, Elwood.
01:12:26	We tried to
01:12:30	To make it come down
01:12:32	If I can just go forward.
01:12:38	What the hell was that?
01:12:39	Something fell.
01:12:43	See, we're thrusting
01:12:45	so it may not come down
01:12:48	All right, so let me get set
01:12:55	It's on there.
01:12:57	It's on there.
01:13:01	I'm gonna have to get out
01:13:05	Otherwise,
01:13:08	I'm going out.
01:13:13	Oh!
01:13:16	Link error.
01:13:17	We lost...
01:13:20	It's gonna come past us
01:13:22	We might as well get it on tape.
01:13:26	Here she comes.
01:13:30	Say goodbye.
01:13:33	Probably two hours
01:13:36	All we hear over the radio is...
01:13:37	Say goodbye to Jake.
01:13:39	"Say goodbye to Jake"?
01:13:43	What's happened?
01:13:44	Hit our own tether.
01:13:46	Cable broke.
01:13:48	I can't imagine
01:13:50	He goes through
01:13:52	He loses one robot.
01:13:58	Well, we got
01:14:00	and we got our kite scenario.
01:14:03	The two ways we thought we could
01:14:11	And after a quick exchange,
01:14:14	we noticed the tether
01:14:16	Genya grabs the joysticks that
01:14:20	And he grabs the tether
01:14:23	around the arms
01:14:25	This is scary.
01:14:27	If he breaks it
01:14:32	Oh, my God.
01:14:35	You're scaring me now, Genya.
01:14:37	To wind up this tether,
01:14:40	of the same motion
01:14:42	winding this up.
01:14:43	35 minutes
01:14:47	- Hey!
01:14:49	I thought it was on the ground.
01:14:52	You got him.
01:14:54	Our next task
01:14:57	and slap it on top of the robot
01:14:59	with the manipulator arms
01:15:03	- You got him.
01:15:07	As Genya is pulling up on it,
01:15:08	the Velcro rips off the robot,
01:15:11	the entire robot was free
01:15:14	There's no tether holding it.
01:15:16	It's free. Grab it.
01:15:18	Genya, the most amazing operator
01:15:22	I've ever seen in my life,
01:15:25	He pulls it back in
01:15:28	I'm going gray over here.
01:15:32	I think he's got it
01:15:34	He's got the tool out.
01:15:37	Whoo!
01:15:38	Garage closed.
01:15:40	He lives another day!
01:15:41	Oh, my God!
01:15:44	I do believe
01:15:46	I do believe you owe
01:15:49	Dude, I'll buy you a brewery.
01:15:53	That was incredible.
01:15:59	The R. O.V. Department
01:16:02	Was that amazing?
01:16:03	That was the most amazing
01:16:07	I think I aged a year.
01:16:09	And we sat there,
01:16:11	just fly up
01:16:13	and keep on going.
01:16:15	Genya wound it all in like
01:16:19	Great job, man.
01:16:20	So we got the rescue half done.
01:16:22	We installed the weight,
01:16:26	We saw it with the weight
01:16:29	I don't know
01:16:31	I think metal hooks would work
01:16:34	that you can stab
01:16:36	and pull it out by the screen.
01:16:49	I told you we'd nab him.
01:16:53	Just remember,
01:16:54	peel away to your right.
01:17:01	Come on, baby.
01:17:05	- We're in.
01:17:06	- I n?
01:17:08	Now I'm gonna sit for a minute.
01:17:13	Take a little break.
01:17:15	Very good.
01:17:19	We're halfway.
01:17:21	There's nothing in front of him.
01:17:23	Push him a little bit,
01:17:27	- Hooks pulled out.
01:17:29	Hooks pulled out.
01:17:30	And I think
01:17:35	Yeah, the weight would've
01:17:39	All right.
01:17:40	The question is,
01:17:43	Something's right over me.
01:17:44	Oh, there we go.
01:17:46	Now we're rising.
01:17:47	All right.
01:17:50	Okay.
01:17:52	We could bend our hooks
01:17:54	Oh, that looked good.
01:17:55	Push him a little bit,
01:17:59	The hooks still there?
01:18:00	Negative.
01:18:02	It looks good.
01:18:02	Let's go for a drive
01:18:07	Oh, I'm yawing in a weird way,
01:18:10	so I'm just gonna
01:18:13	I'm gonna play the hand.
01:18:15	I think the door is down there.
01:18:18	"Mir-1," we see the door.
01:18:21	There's the light.
01:18:22	Tell them we see them.
01:18:24	"Mir-2," "Mir-2,"
01:18:26	Maintain position.
01:18:28	- All right.
01:18:30	Hanging up.
01:18:32	I'm hung up.
01:18:34	And we're stuck.
01:18:36	See it?
01:18:40	We are hung up solid.
01:18:44	Nothing.
01:18:48	I think we lost it.
01:18:57	I don't know what to do.
01:19:03	I'm sure nothing's changed,
01:19:07	Okay. I'm gonna back up,
01:19:13	And then charge it.
01:19:20	Now we get to
01:19:24	Hey.
01:19:26	- We're going.
01:19:28	Go toward the light, Jake.
01:19:34	Oh, come on, baby.
01:19:37	"Mir-2," "Mir-2,"
01:19:40	Tilt your light down.
01:19:42	Copy that.
01:19:45	I keep feeling shocks.
01:19:47	I think I still have him.
01:19:49	Oh, that's why.
01:19:52	Tell them to take a visual on us
01:19:55	- Look at that.
01:19:58	Oh, my God.
01:20:00	It looks great.
01:20:02	Do you see Elwood?
01:20:05	Yes, we do.
01:20:06	We got him.
01:20:19	We pulled it off, Daddy-O.
01:20:22	Yeah.
01:20:23	Whoo.
01:20:24	Great job.
01:20:25	Everybody did a great job.
01:20:27	Elwood is safe and sound.
01:20:30	And the time is 6: 16,
01:20:39	See you later.
01:20:45	What's this thing
01:20:47	The worst terrorist attack
01:20:49	We all were wrapped up
01:20:52	and thought it was important.
01:20:54	Hit by two separate
01:20:57	And then this horrible event
01:20:59	and slammed us
01:21:01	God.
01:21:08	The morning after
01:21:11	I kept thinking how trivial
01:21:15	It just wasn't a big deal
01:21:25	The emotional
01:21:29	We now understood
01:21:31	to be a witness to tragedy.
01:21:34	The sense of shock and numbness
01:21:36	and the disbelief that
01:21:40	It does happen.
01:21:42	Occasionally,
01:21:47	But, hey,
01:21:51	We all have.
01:21:53	We go on.
01:21:58	I think
01:22:06	Everyone decided
01:22:10	I think that after we'd
01:22:13	"Titanic" did seem to become
01:22:15	Not so much for itself,
01:22:18	of what can happen
01:22:21	and how I think
01:22:24	when it comes.
01:22:27	Archie Frost was
01:22:31	Just barely into his twenties
01:22:33	and had worked
01:22:36	when the ship was being built.
01:22:38	After a certain point, Andrews
01:22:41	"The ship does not have
01:22:44	and if you stay here,
01:22:48	Archie Frost said,
01:22:49	"We'll stay here as long
01:22:53	Those are the everyday heroes.
01:22:55	The people
01:22:57	kept the generators running,
01:22:59	and kept power
01:23:02	who kept the crowds calm.
01:23:05	You find the ordinary hero
01:23:21	When you see the stern
01:23:24	where 1, 500 people had died,
01:23:27	I don't really know
01:23:37	You can't help
01:23:39	There's no doubt
01:23:42	in the stern.
01:23:43	But they're no longer there.
01:23:45	Every trace
01:23:47	has been dissolved
01:23:51	Okay, "Mir-2."
01:23:52	Get in position
01:23:56	Jim, getting into
01:24:04	"The 1,500 souls
01:24:08	reminding us always
01:24:12	but for our vigilance, humility,
01:24:18	Goodbye.
01:24:33	We had been at sea a long time.
01:24:36	I was thinking about
01:24:47	On the final day, as we left,
01:24:49	at the stern of the ship
01:24:52	It was almost like a halo effect
01:24:57	And it had an ethereal feel
01:25:02	I think you leave "Titanic,"
01:25:05	It's always there.
01:25:07	And many times,
01:25:10	I'm suddenly back there,
01:25:16	and I feel like I am
01:25:28	Ripped by : SkyFury

Ghosts Of The Abyss