Gi La Testa A Fistful of Dynamite
|
00:01:30 |
(explosion) |
00:03:25 |
Ho! Hu-ja! Hu-ja! |
00:03:29 |
Ho! |
00:03:35 |
Hi-ah, caballo! |
00:03:41 |
Hi-o! Hu-ja! Hu-ja! |
00:03:46 |
Hi-ah, caballo! |
00:03:55 |
Whoa, caballo! |
00:03:57 |
Whoa! |
00:04:07 |
Señor! |
00:04:11 |
Señor! |
00:04:14 |
Señor... |
00:04:15 |
- Tighten up that girth. |
00:04:20 |
My mother is dead. |
00:04:22 |
Straight down the road, |
00:04:33 |
PIease... |
00:04:39 |
Get outta here. |
00:04:53 |
Hey. |
00:04:54 |
Hey, amigo. |
00:04:58 |
Come here. |
00:05:22 |
Oh... |
00:05:23 |
Perfect. |
00:05:27 |
You're perfect. |
00:05:30 |
(chuckling) |
00:05:32 |
I swear to God, boys, |
00:05:35 |
I'm gonna put you in that stage and watch |
00:06:02 |
(laughter) |
00:06:07 |
Move. |
00:06:26 |
(chinking of glass and china) |
00:07:01 |
- By God, I... |
00:07:06 |
(wind howls) |
00:07:36 |
(tuts) |
00:07:39 |
Over there. |
00:07:54 |
Not that door. |
00:07:58 |
PuII. Go on. |
00:08:06 |
There you are. Now you just sit down |
00:08:13 |
You see? He does understand. |
00:08:16 |
Who knows, perhaps he can even taIk. |
00:08:19 |
Oh, now, even the peasants... |
00:08:22 |
A bit of mustard? Thank you. |
00:08:24 |
Even peasants are entitIed to their rights. |
00:08:27 |
After aII, they have won a revoIution. |
00:08:32 |
AnimaIs. That's what they are, animaIs. |
00:08:35 |
(burps) Pardon. |
00:08:37 |
Let us not forget, even animaIs |
00:08:40 |
PersonaIIy, I consider them |
00:08:43 |
- Yes, brutes. Quite right. |
00:08:47 |
I hate saying it, but you shouId |
00:08:52 |
You wouId never imagine. |
00:08:54 |
- Did you know... |
00:08:57 |
I can imagine Iiving in such promiscuity. |
00:09:00 |
AII of them in one room, |
00:09:03 |
Iying in a heap Iike rats in a sewer. |
00:09:06 |
At night, when the Iights are out, |
00:09:10 |
You never know who is next - |
00:09:17 |
Every country has its own pIague. |
00:09:21 |
Just Iike them niggers we got back home. |
00:09:24 |
Just Iike animaIs, you mean, |
00:09:27 |
ExactIy, which is why they're haIfwits. |
00:09:32 |
Hey, you. Do you know |
00:09:40 |
Do you know at Ieast how oId you are? |
00:09:45 |
He doesn't know. |
00:09:48 |
You know how many kids you have? |
00:09:52 |
Do you know how many kids |
00:09:57 |
He doesn't know anything. |
00:09:59 |
And it was to benefit scum Iike this |
00:10:04 |
And that ass, Madero, wanted to give |
00:10:09 |
to idiots Iike this. |
00:10:12 |
We are aII pawns in the hands of God. |
00:10:14 |
FortunateIy, divine providence |
00:10:18 |
My dear Monsignor, Iet us be reaIistic. |
00:10:22 |
What you caII providence, I caII GeneraI |
00:10:28 |
Which is the best pIace for animaIs, |
00:10:34 |
AnimaIs. |
00:10:36 |
I can imagine, Father. |
00:10:41 |
..wanted to give the government |
00:10:45 |
AnimaIs. |
00:10:46 |
Every country has its own pIague. |
00:10:52 |
AnimaIs. |
00:10:53 |
..providence has disposed |
00:10:56 |
Animals. |
00:10:57 |
..providence has disposed |
00:11:01 |
- Just like them niggers... |
00:11:07 |
- Just like them niggers. |
00:11:11 |
- Halfwits. |
00:11:12 |
- Brutes. |
00:11:15 |
- ..unfortunate brutes. |
00:11:17 |
- Niggers. |
00:11:19 |
- Brutes. |
00:11:21 |
- ..unfortunate brutes. |
00:11:23 |
- ldiots. |
00:11:25 |
Anda, caballo! Anda! |
00:11:30 |
Hu-yo! |
00:11:35 |
Anda, caballo! |
00:11:41 |
Hey, you. Come on, |
00:11:44 |
Move, wiII ya, |
00:11:49 |
You think they'd get off their asses |
00:11:54 |
Anda! |
00:11:56 |
Caballa, hu-yo! |
00:12:06 |
Hu-yo, caballa! |
00:12:11 |
Ha! Ha! Ha! |
00:12:13 |
Argh! |
00:12:47 |
(cock crows) |
00:13:26 |
Take him away before |
00:13:30 |
Ladies and gentIemen, give everything |
00:13:35 |
We kiII them aII, OK, Papa? |
00:13:38 |
How many times have I toId you, ChuIo, |
00:13:50 |
(man) Asomate arriba y mirale bien. |
00:13:54 |
Come. |
00:13:55 |
Come, come, come, come! |
00:14:11 |
You wanted to know my famiIy? |
00:14:13 |
That's my sons. Each one of them |
00:14:18 |
And now you kneeI. |
00:14:20 |
KneeI. |
00:14:21 |
KneeI! |
00:14:23 |
Papa! |
00:14:28 |
This is my father, I think. |
00:14:30 |
- PIeased to meet... |
00:14:35 |
My mother, she had the bIood of the |
00:14:44 |
And now I ask you a question. |
00:14:47 |
Can you make a baby? |
00:14:50 |
Can you make a baby? |
00:14:54 |
That's sad. But we wiII fix that. |
00:15:00 |
- Señora! |
00:15:04 |
Let go. |
00:15:19 |
Go on. |
00:15:23 |
Go. |
00:15:36 |
(cow moos) |
00:15:42 |
(whistles) |
00:15:47 |
- Go! Go! Go! |
00:15:50 |
Go! Go! |
00:16:27 |
(cock crows) |
00:16:48 |
(she exhales, slowly) |
00:16:54 |
That's pretty good, huh? |
00:18:01 |
(gasps) |
00:18:04 |
Oh, Jesus... |
00:18:07 |
HeIp me. I'm going to faint. |
00:18:10 |
No, no, no, no, no. |
00:18:13 |
You faint now |
00:18:16 |
(laughter and chatter in Spanish) |
00:18:25 |
Juanito, you get everything? |
00:18:30 |
You'II pay for this, you bastard. I'm |
00:18:35 |
To me you're just a naked son of a bitch. |
00:19:01 |
Thank you. |
00:19:33 |
Thank you. For everything. |
00:21:40 |
(tyre hisses) |
00:22:31 |
(turns engine off) |
00:23:20 |
(lrish accent) Have you a Iight? |
00:23:48 |
Duck, you sucker. |
00:23:57 |
There is a hoIe in the roof. |
00:24:07 |
Hey! |
00:24:26 |
I wouIdn't do that if I were you. |
00:24:28 |
Why? |
00:24:43 |
You puII that trigger |
00:24:58 |
And if I faII... |
00:25:01 |
they'II have to aIter aII the maps. |
00:25:24 |
You see, when I go, haIf this |
00:25:29 |
IncIuding yourseIf. |
00:26:00 |
(chuckles) |
00:26:04 |
(laughs) |
00:26:10 |
- You understand now. |
00:26:14 |
I understand. Si! |
00:26:17 |
It's Iike a miracIe of God. |
00:26:21 |
I stop your motorcycIe, you do the magic |
00:26:26 |
- Even? |
00:26:30 |
No, we're not even. |
00:26:33 |
Fix my motorcycIe, we'II be even. |
00:26:37 |
I'II be inside. |
00:26:47 |
- We kiII him now, Papa? |
00:26:49 |
First we fix the motorcycIe. Shh... |
00:27:05 |
- It's whisky. |
00:27:09 |
Where you going in this contraption? |
00:27:13 |
WeII, where you going? |
00:27:17 |
Shaver Mines. |
00:27:20 |
Lucanina? Yeah, I know that pIace. |
00:27:24 |
I know that fat German son of a bitch. |
00:27:27 |
That greasy tub of Iard Mr Aschenbach, |
00:27:29 |
who wrings our peopIe dry Iike sIaves, |
00:27:33 |
One girI had an ass, her cheeks were |
00:27:37 |
- When I got her pregnant, he fired her! |
00:27:40 |
WiII you shut up |
00:27:46 |
OK. |
00:27:49 |
OK. |
00:27:51 |
Anything you say, firecracker. |
00:27:58 |
(shouting) |
00:28:02 |
Take your hands off that. |
00:28:45 |
(chuckles) |
00:28:48 |
Good for you, firecracker. |
00:28:51 |
Not even one Iousy peso. |
00:28:54 |
I don't know why I named you NapoIeon |
00:28:59 |
This is a bank. |
00:29:00 |
- Mesa Verde. |
00:29:04 |
And if we can get this firecracker |
00:29:09 |
Where does he come in? |
00:29:13 |
No, you need an expert |
00:29:17 |
You onIy need matches and baIIs, Juan. |
00:29:21 |
- Si? |
00:29:28 |
You see that tree over there? |
00:29:50 |
(strikes a match / fuse fi zzes) |
00:29:52 |
(explosion) |
00:29:58 |
Short fuse. |
00:30:22 |
Now you understand |
00:32:09 |
Where the heII are we? |
00:32:12 |
What kind of work you do |
00:32:16 |
Listen, I ask you a question. |
00:32:21 |
- I've been Iooking for siIver for him. |
00:32:24 |
I don't understand how you waste your |
00:32:31 |
To me, that's a sin. |
00:32:37 |
- Have you any better ideas? |
00:32:41 |
- There isn't any goId in these hiIIs. |
00:32:46 |
In Mesa Verde. |
00:32:50 |
Mesa Verde? It's a city. |
00:32:54 |
Of course it's a city. Who ever heard |
00:33:01 |
Uh-huh. A bank? |
00:33:05 |
Not a bank. The bank. |
00:33:10 |
The most beautifuI, wonderfuI, fantastic, |
00:33:14 |
gorgeous, magnificent bank |
00:33:17 |
When you stand before the bank, |
00:33:20 |
you see it has the gates of goId |
00:33:25 |
And when you go inside, |
00:33:30 |
GoId spittoons, goId handIes. |
00:33:33 |
And money, money... |
00:33:36 |
You know? I know because I saw this |
00:33:41 |
I went with my father. He tried to rob |
00:33:45 |
- But they wiII never catch me. Eh, Papa? |
00:33:48 |
Listen, firecracker. |
00:33:55 |
Listen, why don't you come with me? |
00:34:01 |
And we wiII become rich. |
00:34:08 |
Hey, what the heII is your name? |
00:34:13 |
Sean. |
00:34:15 |
What? |
00:34:18 |
John. |
00:34:24 |
- What is your name? |
00:34:27 |
(laughs) |
00:34:28 |
That's fantastic. That is incredibIe. |
00:34:31 |
My name is Juan and yours is John. |
00:34:34 |
- So what? |
00:34:37 |
That is... ehh... ohh... ahh... |
00:34:42 |
destiny. |
00:34:48 |
(silent footage with |
00:36:17 |
No. And I mean it. |
00:36:19 |
Why? If it's more money that you want, |
00:36:23 |
I don't care about the money. That doesn't |
00:36:29 |
Listen to what I'm teIIing you. |
00:36:32 |
You make the hoIes with the hoIy water |
00:36:35 |
and then I wiII go in |
00:36:39 |
Listen, it takes one bandito |
00:37:04 |
- So you can read? |
00:37:07 |
I see a man's picture, underneath it I see |
00:37:18 |
Hey... |
00:37:20 |
What kind of troubIe you in? |
00:37:26 |
Oh... |
00:37:27 |
We fought a revoIution in IreIand. |
00:37:30 |
RevoIution? Seems to me revoIutions are |
00:37:35 |
We had a revoIution. AII the brave peopIe |
00:37:40 |
Like Pancho ViIIa, |
00:37:43 |
This man had two baIIs Iike the buII. He |
00:37:47 |
when he come out, he came out as what? |
00:37:52 |
That to me is the buIIshit. |
00:37:57 |
Wait a minute. |
00:38:01 |
You come here to join the revoIution? |
00:38:04 |
No. No. |
00:38:09 |
No, one was enough for me. |
00:38:16 |
Stop, you... you dirty |
00:38:19 |
son of a bitch gringo bastard! |
00:38:27 |
(air hisses) |
00:40:12 |
Hey! |
00:40:20 |
Duck, you sucker. |
00:41:29 |
- Say, which way is it to Lucanina? |
00:41:35 |
Mexico is big, but for you |
00:41:40 |
(echoing) Big... Big... Big... |
00:41:44 |
(grunts) |
00:42:30 |
(laughter) |
00:42:38 |
(laughter continues) |
00:43:20 |
(horses approaching) |
00:43:27 |
(Juan) John, where are you? It's us. |
00:43:35 |
Come on... Come on, you. |
00:43:42 |
Go on in there. |
00:43:45 |
Just a IittIe further inside, |
00:43:53 |
(Juan) What's this? You crazy? |
00:43:57 |
My friend, didn't I teII you |
00:44:04 |
Oh, shit. |
00:44:07 |
Who are those peopIe inside? |
00:44:10 |
You mean who were those peopIe inside. |
00:44:35 |
Who... |
00:44:38 |
Who were they? |
00:44:41 |
ChuIo! |
00:44:48 |
Who were those peopIe, for Christ's sake? |
00:44:51 |
One of them was Aschenbach. Then |
00:44:56 |
Everybody's dead in there. |
00:44:59 |
WiII you keep quiet and go get |
00:45:04 |
Anyway, when I went to Aschenbach |
00:45:08 |
and I toId him, I said you wanted |
00:45:13 |
I said ''That's too bad |
00:45:17 |
Then he was ready to come running. |
00:45:20 |
By the way, I think the captain and |
00:45:24 |
The captain says ''I want to see the man.'' |
00:45:27 |
I said to the captain |
00:45:30 |
when he has bIown off |
00:45:33 |
and he is bIeeding to death?'' |
00:45:35 |
When they heard that, |
00:45:39 |
Anyway, you don't have any probIem. |
00:45:44 |
AIso, you have no contract. |
00:45:49 |
(Juan chuckles) |
00:45:50 |
Of course there is one IittIe probIem: |
00:45:54 |
They wiII have a hard ass when it comes |
00:45:59 |
But don't worry about that. |
00:46:02 |
- I wiII say anything you teII me to say. |
00:46:06 |
I don't need any heIp from you |
00:46:12 |
You fucking chicken thief. |
00:46:22 |
What do you want with me? |
00:46:27 |
Nothing. |
00:46:30 |
I just thought that maybe... |
00:46:33 |
we couId go... |
00:46:36 |
to Mesa Verde. |
00:46:42 |
The bank. Isn't there anything eIse |
00:46:46 |
Yes, there's a pIace where |
00:46:51 |
and in front of you there's... |
00:46:53 |
- The bank. |
00:46:57 |
Listen, Mesa Verde, |
00:47:01 |
Let me teII you, it wiII be Juan and John, |
00:47:09 |
We'II caII it ''Johnny and Johnny''. |
00:47:13 |
Amigo, we go to America, |
00:47:16 |
In CaIifornia, CoIorado, Kansas City, |
00:47:20 |
You know, you have to think of |
00:47:25 |
I'm thinking of the big train behind us. |
00:47:28 |
Hey! Out of the way! |
00:47:31 |
(whistle toots) |
00:51:03 |
Hey, you. |
00:51:06 |
I know that face. |
00:51:09 |
Where have I seen you before? |
00:51:16 |
(man gasps) |
00:51:41 |
Stop right where you are. |
00:51:50 |
Drop that knife, you bastard. |
00:52:05 |
I have famiIy. |
00:52:25 |
I have a famiIy too. |
00:52:27 |
(screams) |
00:54:18 |
BeautifuI, eh? My chiIdren... |
00:54:21 |
(gunshot) |
00:54:26 |
Un, dos, un, dos... |
00:54:32 |
Peloton, izquierda. |
00:54:36 |
Un, dos, un, dos... |
00:54:49 |
Peloton, alto. |
00:54:53 |
Flanco izquierdo, ya! |
00:54:57 |
Fusiles armados. |
00:55:01 |
Media vuelta. |
00:55:05 |
Marchen! |
00:55:19 |
Tienen algo que pedir. |
00:55:37 |
Ytú? |
00:55:55 |
Peloton... |
00:56:00 |
Listo... |
00:56:09 |
Presenten armas. |
00:56:19 |
- Preparen. |
00:56:26 |
Apunten. |
00:56:33 |
- Fuego! |
00:56:36 |
En su lugar, descanso. |
00:56:44 |
(gunshot) |
00:56:46 |
Hey, God, you sure this is Mesa Verde? |
00:58:29 |
Do you have your beans |
00:58:32 |
- I don't want nothing from you. |
00:58:36 |
Listen to me, you son of a bitch. |
00:58:38 |
You puII that trick on me one more time, |
00:58:44 |
For Christ's sake... |
00:58:48 |
The train comes, I take it. Been waiting |
00:58:52 |
My Mesa Verde? It's changed. This shit |
00:58:56 |
Just the way we Iike it. |
00:59:00 |
What do you mean, |
00:59:05 |
If it's a revoIution, it's confusion. |
00:59:10 |
(musical interlude) |
00:59:54 |
What are you taIking about? |
00:59:59 |
Where there's confusion, |
01:00:02 |
stands a good chance of getting it. |
01:00:05 |
I don't understand you. |
01:00:15 |
Is him? |
01:00:21 |
That's him. |
01:00:28 |
Him who? |
01:00:30 |
- Do you trust me? |
01:00:33 |
- You want to get inside over there? |
01:00:36 |
I'm going to see to it |
01:00:52 |
(man groans) |
01:00:58 |
(agonised cry) |
01:01:00 |
(man) Don't move, goddamn it. |
01:01:29 |
(scream) |
01:01:35 |
That does it. ReIax now. |
01:01:38 |
ReIax. It's aII over. |
01:01:43 |
If you'd Iet this infection go any Ionger, |
01:01:55 |
MaIIory! |
01:01:58 |
You've hardIy joined us |
01:02:02 |
and aIready you're front-page news. |
01:02:06 |
''Irish dynamiter wanted for murder.'' |
01:02:15 |
You have a reaI taIent for making friends. |
01:02:18 |
(chuckles) |
01:02:19 |
You've stirred up a hornet's nest. |
01:02:23 |
I'II grant you the captain. |
01:02:25 |
But, tiII now, nobody dared take |
01:02:32 |
Not even Pancho ViIIa. |
01:02:35 |
Seems even His Majesty's Secret Service |
01:02:41 |
Yet you are an asset to us. |
01:02:45 |
Even if sometimes |
01:02:49 |
Who says I drink too much? |
01:02:53 |
- Your Iiver does. |
01:02:58 |
He's aII right. |
01:03:00 |
Except that, when operating, |
01:03:04 |
What the doctor means is one time |
01:03:10 |
And now, to our work, friends. |
01:03:14 |
I have good news. |
01:03:16 |
In two days, ViIIa and Zapata wiII attack |
01:03:24 |
We here, Iike those in other cities, must |
01:03:29 |
Huerto's downfaII |
01:03:33 |
Whereas MigueI's is onIy a question |
01:03:38 |
Very easy to say. |
01:03:41 |
We'II attack in four pIaces |
01:03:44 |
Antonio, your men are to hit |
01:03:48 |
So divide into two groups, |
01:03:53 |
Jesus, the raiIway station and |
01:03:58 |
Be in position in time, in smaII groups |
01:04:02 |
Act Iike traveIIers or raiIroad empIoyees. |
01:04:06 |
ManoIo and Juanito wiII attack |
01:04:10 |
Agreed? |
01:04:12 |
This is their point |
01:04:16 |
and is the key to the success of our pIan. |
01:04:18 |
You must create the impression |
01:04:22 |
And, if necessary, be prepared |
01:04:27 |
The fourth and Iast target... |
01:04:32 |
When the enemy is busy on four fronts, |
01:04:39 |
Are we stiII agreeing? |
01:04:43 |
- You'II need men. |
01:04:49 |
- One? |
01:04:54 |
Him? |
01:04:57 |
Him? Him? |
01:04:59 |
What is with this ''him''? |
01:05:02 |
To do what? |
00:00:02 |
To attack the bank. |
00:00:07 |
The bank? |
00:00:09 |
We wiII take care of the bank. |
00:00:12 |
That's why we're here, |
00:00:17 |
Then what can I say? Except... |
00:00:23 |
I hope you make it. |
00:00:25 |
Me, too. And him. |
00:00:28 |
We'II meet again tonight |
00:00:32 |
I have to go. I Ieft a woman in Iabour and |
00:00:41 |
- Tierra y libertad, |
00:00:46 |
Go upstairs and Ieave one at a time, |
00:00:49 |
Speaking of sight, how's your cataract? |
00:00:54 |
- WeII... |
00:00:57 |
You don't have to say anything. |
00:01:00 |
I understand everything. |
00:01:03 |
Tierra y libertad, |
00:01:07 |
Ylibertad, |
00:02:27 |
(gunfi re and shouting) |
00:02:35 |
Avisen al capitán, Pronto, |
00:02:43 |
(gunfi re and shouting continues) |
00:03:00 |
Go. |
00:03:03 |
Psst, psst... |
00:03:11 |
Bravo, ChuIo. |
00:03:25 |
(soldier shouts orders) |
00:03:30 |
Boy, there must be a Iot of money |
00:03:41 |
- Do you know how this works? |
00:03:46 |
short fuse. |
00:03:49 |
No. |
00:03:51 |
No? |
00:03:52 |
NormaI rate. 30 seconds. |
00:03:57 |
Si, |
00:03:59 |
30 seconds. |
00:05:02 |
- What do you find? |
00:05:09 |
Wait a minute... |
00:05:12 |
(gunshot) |
00:05:27 |
Psst... |
00:07:44 |
There's the safe. |
00:08:12 |
Duck, you suckers. |
00:08:33 |
(gunfi re) |
00:08:52 |
- Where you going, for Christ's sake? |
00:08:57 |
I went into the bank and there's |
00:09:01 |
The money was transferred |
00:09:05 |
They've been using this pIace |
00:09:12 |
- What do you mean, a poIiticaI prison? |
00:09:15 |
AII I asked you |
00:09:19 |
But you know this bank is my Iife. |
00:09:23 |
The reaIity of that is |
00:09:28 |
through sheer courage |
00:09:31 |
(gunfi re and shouting continues) |
00:09:38 |
Ah, yes. |
00:09:42 |
You're a grand hero of the revoIution now. |
00:09:47 |
- Viva Miranda! |
00:09:49 |
- AII I want is the money. |
00:09:53 |
- You taught me one thing. |
00:09:58 |
How to get fucked. |
00:11:05 |
(man sings) |
00:11:24 |
What's that? |
00:11:26 |
It's a map. |
00:11:30 |
It's your country |
00:11:34 |
It's not my country. |
00:11:39 |
Your country's aIso Huerta |
00:11:45 |
and Gunther Ruiz and his Iocusts... And |
00:11:50 |
RevoIution? Don't try to teII me about |
00:11:56 |
The peopIe that read books |
00:12:00 |
- They say ''It's time to have a change.'' |
00:12:02 |
Shh, shh, shh, shit, shush. |
00:12:06 |
I know what I'm taIking about |
00:12:10 |
The peopIe who read books |
00:12:14 |
and say ''We have to have a change.'' |
00:12:18 |
Then the peopIe that read the books |
00:12:21 |
and taIk and taIk and taIk |
00:12:23 |
But what has happened |
00:12:27 |
They're dead. |
00:12:32 |
That's your revoIution. |
00:12:40 |
Shh... |
00:12:42 |
So, pIease, don't teII me |
00:12:57 |
And what happens afterwards? The same |
00:13:41 |
Capitán,,, |
00:13:48 |
No se me rajen, |
00:13:57 |
(man) Vamos, que es el último jalón, |
00:14:09 |
(sighs) |
00:14:13 |
I don't Iike it either. |
00:14:18 |
He's on the road that Ieads |
00:14:21 |
They wiII comb the area bush by bush. |
00:14:25 |
That's why the order is to puII back |
00:14:28 |
That's a briIIiant order. |
00:14:33 |
Here we are facing it. You and the rest |
00:14:39 |
want to piss it up against the waII. |
00:14:41 |
Not everybody can fight. There are those |
00:14:46 |
Yes, yes, of course. |
00:14:50 |
Yeah, weII... |
00:14:52 |
Don't pay any attention to me. |
00:14:55 |
It's personaI. |
00:15:08 |
Sorry about those orders. I'm staying. |
00:15:12 |
I don't give a fuck about your revoIutions. |
00:15:15 |
I'm tired of running up and down |
00:15:18 |
So I've stopped, right here |
00:15:26 |
Maybe it's out of spite |
00:15:30 |
Or maybe... |
00:15:32 |
maybe my feet are sore. |
00:15:38 |
Hm. |
00:15:44 |
If he's going to stay, I'm going to stay too. |
00:15:47 |
I don't know, maybe because |
00:15:52 |
Hombres, me and the irlandés here, |
00:15:55 |
we're gonna catch ourseIves |
00:15:59 |
Atención! |
00:16:03 |
And if things go bad here, then every |
00:16:09 |
- Comprende? |
00:16:11 |
Vamos ahora, |
00:16:40 |
If something happens |
00:16:45 |
then I pray that the great God in heaven |
00:17:13 |
WeII... |
00:17:17 |
- Good Iuck. |
00:17:41 |
Listen, when they are out of sight, |
00:17:54 |
No? |
00:17:55 |
You can't mean to stay here. AII those |
00:18:03 |
Remember, John and Juan? |
00:18:08 |
America? |
00:18:11 |
The miIIions? |
00:18:13 |
No? |
00:18:15 |
No. |
00:18:18 |
I don't understand you. I thought you |
00:18:22 |
- What can we do against those Iocusts? |
00:18:27 |
If it's a choice I have to make |
00:18:30 |
and ridding the worId of a few uniforms, |
00:18:33 |
I'II not be choosing the chicken thief. |
00:18:38 |
OK. |
00:18:42 |
OK. |
00:18:45 |
No. |
00:18:47 |
(chuckles) |
00:18:49 |
No, no, no, no, no. |
00:18:51 |
You wouId Iike that, uh? |
00:18:53 |
WeII, you Iisten to me, |
00:18:57 |
you Irish piece of shit. |
00:19:01 |
You think you're the onIy man in the worId |
00:19:05 |
Cos I have the baIIs and I stay. |
00:19:17 |
(chuckles) |
00:19:27 |
(Juan) He says there's no danger. |
00:19:33 |
No matter how I Iook with them, |
00:19:39 |
Why am I mixed up in this fucking |
00:19:44 |
Why didn't you strike me dead |
00:19:49 |
(chuckles) Look at him. Look at him. |
00:19:53 |
He acts Iike a tourist that's going |
00:19:57 |
Look at him. |
00:20:00 |
He is having fun. |
00:20:02 |
(chuckles) |
00:20:03 |
I'm gIad he's having fun, God, |
00:20:08 |
No. |
00:20:14 |
Hey... |
00:20:16 |
What's this? |
00:20:22 |
(chuckles) |
00:20:23 |
Now he goes to sIeep? |
00:20:26 |
Go ahead. You sIeep. |
00:20:28 |
SIeep. |
00:20:30 |
I teII you something, |
00:20:37 |
May the good Lord watch over you. |
00:20:50 |
(chuckles) |
00:20:52 |
(drone of an engine) |
00:21:24 |
Stop over there, Sergeant. |
00:21:54 |
Hey... |
00:21:56 |
Psst. |
00:22:00 |
God, onIy an idiot |
00:22:08 |
Hey... |
00:23:40 |
Abandon the trucks. Break ranks, |
00:23:44 |
ArtiIIery, fire at wiII. |
00:28:54 |
AII of them. |
00:28:59 |
Six. |
00:29:05 |
I never counted them before. |
00:30:49 |
No, Juan, no. |
00:30:52 |
No, for Christ's sake. |
00:31:42 |
(gunfi re) |
00:31:54 |
(gunfi re continues) |
00:32:03 |
(gunfi re stops) |
00:32:05 |
(gunfi re resumes) |
00:32:22 |
(gunfi re continues) |
00:32:43 |
(gunfi re continues) |
00:33:06 |
(gunfi re continues) |
00:33:30 |
(gunfi re stops) |
00:33:34 |
Quieto, No te muevas, que te quiebro, |
00:33:37 |
Capitán, Ya lo agarramos, |
00:33:40 |
Échelo al camión |
00:33:43 |
Que llegue vivo, |
00:33:45 |
(engine starts) |
00:33:49 |
(vehicle drives away) |
00:36:45 |
Pelotón, de frente, Marchen, |
00:36:51 |
Un, dos, un, dos,,, |
00:36:53 |
(tramping) |
00:37:02 |
Un, dos, un, dos,,, |
00:37:11 |
Un, dos, un, dos,,, |
00:37:15 |
Pelotón, alto, |
00:37:19 |
Flanco izquierdo, izquierda, |
00:37:21 |
Posición de tiro, |
00:37:30 |
Tiene algo que pedir?, |
00:37:38 |
Pelotón,,,, |
00:37:43 |
preparen armas, |
00:37:46 |
(cocking of rifles) |
00:37:49 |
Apunten, |
00:38:16 |
(silent footage) |
00:39:33 |
(rifle volley) |
00:39:45 |
(gunshot) |
00:39:47 |
(gunshot) |
00:39:51 |
(further gunshots) |
00:40:03 |
Pelotón, flanco derecho, |
00:40:08 |
De frente, ar, |
00:41:27 |
Tienes algo que pedir?, |
00:42:11 |
Pelotón, fi rmes, |
00:42:18 |
Posición de tiro, |
00:42:20 |
(man whistles a tune) |
00:42:27 |
Preparen armas, |
00:42:29 |
(cocking of rifles) |
00:42:32 |
Apunten, |
00:42:34 |
(John) Short fuse. |
00:43:08 |
(gunfi re) |
00:44:59 |
El hecho de que Huerta abandonó |
00:45:06 |
A traidores como tú, |
00:45:16 |
Pelotón, preparen,,, |
00:45:19 |
armas, |
00:45:27 |
Apunten, |
00:45:29 |
Fuego, |
00:45:32 |
Pelotón, en su lugar, descanso, |
00:45:37 |
(gunshot) |
00:45:41 |
(gunshot) |
00:45:44 |
(gunshot) |
00:47:27 |
(splat) |
00:47:40 |
But for the rich you sing. |
00:47:56 |
Oh, Jesus, Juan. |
00:47:58 |
(laughs) |
00:48:03 |
Anyway, if they ever get |
00:48:06 |
we might be abIe to make the border |
00:48:18 |
America. |
00:48:20 |
It's America, Juan. |
00:48:23 |
Jesus, if it's as great as they say it is, |
00:48:29 |
Juan... |
00:48:35 |
Oh, Jesus... |
00:48:41 |
Jesus, Juan... |
00:48:46 |
What is it, Juan and... John? |
00:48:51 |
Johnny and Johnny? |
00:48:54 |
I make the hoIes and you get in. |
00:48:58 |
(train lurches) |
00:49:24 |
(car horn) |
00:49:28 |
(man shouts) |
00:49:33 |
(car horn) |
00:50:19 |
What's happening? |
00:50:22 |
They're just moving the train around. |
00:50:25 |
We'II be Ieaving shortIy. The uniforms just |
00:50:32 |
(whistle) |
00:50:56 |
(clucks raucously) |
00:51:27 |
(chicken continues to cluck loudly) |
00:51:38 |
(chicken clucks contentedly) |
00:51:46 |
(raucous clucking resumes) |
00:51:50 |
(chicken screeches / silence) |
00:52:19 |
(gunfi re) |
00:52:57 |
(banging on door) |
00:53:24 |
Get out of the way. |
00:53:35 |
What do you want from me, you scum? |
00:53:38 |
Let me by. |
00:53:44 |
(gunfi re continues) |
00:54:32 |
(gunfi re) |
00:55:25 |
It's yours. |
00:55:30 |
There's a fortune inside. |
00:55:34 |
Money. |
00:55:36 |
JeweIs. |
00:55:38 |
PearIs. |
00:56:29 |
(gunfi re subsides / excited chatter) |
00:57:23 |
Hórale, rápido, Amontónenlos al centro, |
00:57:27 |
Yachichárrenlos a tiros, |
00:57:52 |
WeII, this may not be going to America. |
00:57:56 |
Maybe the train won't, but we wiII. |
00:58:12 |
Hey... |
00:58:16 |
Which way is America? |
00:58:22 |
It's sure as heII not that way. |
00:58:26 |
That's the way. |
00:58:31 |
WeII, then... |
00:58:39 |
Iet's go. |
00:58:51 |
(cheering) |
00:58:59 |
Even Pancho ViIIa's |
00:59:01 |
He's aIways saying |
00:59:09 |
Me? |
00:59:12 |
That's right. |
00:59:14 |
The miIitary junta commander |
00:59:18 |
Whatever it was you heard, I can |
00:59:23 |
But words can't describe what Juan |
00:59:28 |
(laughs) |
00:59:29 |
Doctor. |
00:59:33 |
How you been? |
00:59:36 |
Now this is the man |
00:59:41 |
Hey... |
00:59:46 |
John. |
00:59:51 |
Doctor. |
00:59:57 |
We thought we'd Iost you, Doctor. |
01:00:01 |
(brakes screech) |
01:00:13 |
(loud crash) |
01:00:16 |
You got a Iight? |
01:00:22 |
Listen, Gunther Ruiz is after us |
01:00:27 |
I think we shouId get out of here. |
01:00:31 |
Jesus, Juan, you can't Ieave now. |
01:00:36 |
- Can I teII you something? |
01:00:39 |
Fuck you. |
01:00:46 |
That's aII. |
01:01:01 |
A train carrying over 1 ,000 soIdiers and |
01:01:06 |
- What about ViIIa's troops? |
01:01:11 |
And asks us to hoId out for 24 hours. |
01:01:23 |
- Where the heII are we? |
01:01:27 |
It's a beautifuI desert there. |
01:01:30 |
Not a stream, canyon or anything |
01:01:33 |
How Iong do you think |
01:01:36 |
Three hours, more or Iess. |
01:01:38 |
Three hours. |
01:01:52 |
WeII... |
01:01:55 |
Looks as though we'II have to stop them |
01:01:59 |
AII that takes is unboIting |
01:02:04 |
- They'd stiII sIaughter us. |
01:02:07 |
There's more than one way |
01:02:12 |
- How much dynamite have we? |
01:02:15 |
Is that enough for you? |
01:02:19 |
Yes. It'II have to do, I reckon. |
01:02:22 |
We'II aIso need a Iocomotive and a man. |
01:02:26 |
Si, si, si, si, OK. |
01:02:29 |
OK. |
01:02:31 |
Someone who's brave |
01:02:34 |
Never mind about that. |
01:02:39 |
Someone Iike Doctor ViIIega, I think. |
01:02:46 |
Er... |
01:02:48 |
WeII, er... |
01:02:51 |
I'm honoured. |
01:02:54 |
I don't doubt it, Doctor. |
01:02:57 |
AIso because an oId friend of ours |
01:03:01 |
A CoIoneI Gunther Ruiz. |
01:03:14 |
(whistle) |
01:04:10 |
Let's get shoveIIing, man. We'II never |
01:04:28 |
Come on, put your back in it, ViIIega. |
01:04:40 |
Let's stop pretending, MaIIory. |
01:04:44 |
You sensed it. Or guessed it. |
01:04:47 |
SimpIer than that, ViIIega. |
01:04:49 |
I saw you. That night in the rain. |
01:04:55 |
(steam hisses) |
01:05:03 |
I see. |
01:05:05 |
You've aIready judged |
01:05:17 |
That's why you've brought me with you. |
01:05:22 |
It's easy to judge. |
01:05:24 |
Have you ever been tortured? |
01:05:27 |
I was sure. And yet I taIked. |
01:05:31 |
Some men died because of me. |
01:05:35 |
Why? The dead remain dead. |
01:05:38 |
But me, I have not changed. |
01:05:42 |
- I can continue to serve the cause. |
01:05:46 |
Shut up, for Christ's sake. |
01:07:52 |
When I started using dynamite, |
01:07:57 |
AII of it. |
01:08:00 |
FinaIIy, I beIieve onIy in dynamite. |
01:08:04 |
I don't judge you, ViIIega. |
01:08:08 |
I did that onIy once in my Iife. |
01:08:13 |
Get shoveIIing. |
01:09:47 |
The end of the Iine, ViIIega. |
01:09:53 |
And I can't heIp you now. |
01:10:09 |
Just cIose your eyes and jump. |
01:10:20 |
For Christ's sake, save yourseIf. |
01:10:39 |
Dios mìo! |
01:10:42 |
(brakes squeal) |
01:10:49 |
(whistle) |
01:11:35 |
(gunfi re) |
01:11:57 |
(gunfi re and exploding mortars) |
01:14:15 |
(gunshot) |
01:14:20 |
(gunshot) |
01:14:23 |
Shit... |
01:14:27 |
God... |
01:15:00 |
(Juan continues fi ring machine gun) |
01:15:46 |
Hey... |
01:15:48 |
Man, remember? |
01:15:53 |
You remember what you toId me? |
01:15:56 |
You toId me about America. |
01:16:00 |
And the banks and the goId. |
01:16:04 |
Like you toId me on the train, remember? |
01:16:12 |
Hey. Hey. |
01:16:15 |
Hey... |
01:16:18 |
No, you son of a bitch. |
01:16:21 |
Now you know you toId me that. |
01:16:24 |
And you Ieave me now, |
01:16:31 |
- They'II make you a generaI. |
01:16:42 |
Come on. TaIk to me. |
01:16:44 |
TaIk. Keep taIking. TaIk. |
01:16:47 |
TaIk. TeII me about ViIIega. |
01:16:50 |
- ViIIega? |
01:16:54 |
He died. |
01:16:57 |
He died a great, grand... |
01:17:01 |
grand, gIorious hero of the revoIution. |
01:17:09 |
(John chuckles) |
01:17:21 |
(gunfi re continues) |
01:17:24 |
OK. |
01:17:27 |
Easy, easy... |
01:17:29 |
I'II go. I'II get heIp. |
01:17:32 |
Yeah. |
01:17:38 |
GeneraI... |
01:17:45 |
- Have you a Iight? |
01:18:25 |
Oh, my friend... |
01:18:28 |
I'd hate to have to give you |
01:18:34 |
(gunfi re continues) |
01:18:58 |
I'II go get heIp. |
01:19:03 |
(gunfire continues) |