Gigli
|
00:00:52 |
{y:i}You see, after all is said and done... |
00:00:56 |
{y:i}the only thing you can be really sure of... |
00:00:59 |
{y:i}the only thing |
00:01:03 |
{y:i}is that you just never fucking know. |
00:01:07 |
{y:i}I bet the last thing |
00:01:09 |
{y:i}when you were tying your shoelaces |
00:01:11 |
{y:i}was that there was a chance... |
00:01:13 |
{y:i}that by the end of the day, this day... |
00:01:15 |
{y:i}those same shoelaces |
00:01:19 |
{y:i}by somebody working |
00:01:22 |
Am I right? |
00:01:24 |
I'm right, right? |
00:01:28 |
Hey! Get the fuck out of here! |
00:01:31 |
What, you wanna know about this? |
00:01:34 |
Take that shit to the dry cleaners. |
00:01:36 |
Now! |
00:01:42 |
Sorry. Long day. Where was I? |
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You know, the human body is, |
00:01:50 |
How much do you weigh? 165? 170? |
00:01:55 |
Now, I figure |
00:02:00 |
you'd have, give me a second... |
00:02:04 |
thirty-four pounds... |
00:02:06 |
of, like, solid... |
00:02:09 |
not meat... |
00:02:11 |
It'd be more like beef jerky, you know? |
00:02:14 |
But with hair and bones and teeth... |
00:02:18 |
shriveled-up tattoos and whatnot. |
00:02:21 |
Probably be like this big. |
00:02:24 |
In any event, |
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Because somebody has some money |
00:02:33 |
Is it you, perchance? |
00:02:35 |
Is it you that has some money |
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No. |
00:02:42 |
- No? Sure? |
00:02:46 |
I'm gonna start this thing and leave. |
00:02:51 |
What do you think? |
00:02:57 |
Wouldn't be appropriate if I asked you |
00:03:01 |
I got it. |
00:03:03 |
Calm down. I just need four quarters. |
00:03:05 |
No. I got Louis' money. |
00:03:11 |
You got it. |
00:03:12 |
Yeah, I do. |
00:03:15 |
I got some of it, anyways. |
00:03:21 |
No, this isn't what we talked about. |
00:03:25 |
- You been breaking the contract. |
00:03:27 |
It's simple. I give you, you give me. |
00:03:29 |
You don't give me. It's a breach of contract. |
00:03:31 |
You're fucking up. |
00:03:34 |
I'm asking you a question. |
00:03:37 |
- Louis, I'm scared now. |
00:03:40 |
I told you not to let this get out of control. |
00:03:42 |
What'd I tell you? I told you that, right? |
00:03:45 |
Listen, here's what you're gonna do for me: |
00:03:47 |
You're gonna come see me tomorrow |
00:03:51 |
Okay, you hear me? |
00:03:52 |
- Yes, I do. |
00:03:54 |
Otherwise I can't talk to you no more. |
00:03:58 |
I'm gonna have to send Gigli over. |
00:04:01 |
You come to me tomorrow |
00:04:04 |
- I'll be here tomorrow. |
00:04:06 |
- I'm not kidding. |
00:04:08 |
- Okay. |
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Fucking roach. |
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Fucking class of people. |
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- I'm in Siberia around here. |
00:04:18 |
Fuck this city. |
00:04:22 |
It's Gigli, by the way. |
00:04:24 |
- What? |
00:04:26 |
pronounced Gigli. It rhymes with really. |
00:04:29 |
- Is that right? Is that so? |
00:04:31 |
All right. |
00:04:34 |
Meanwhile, you got something |
00:04:38 |
It's about half. |
00:04:41 |
- Half? |
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Believe me, that's all the guy had. |
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How about it's not better than nothing, |
00:04:51 |
Better is fuck the money |
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Since when are you authorized |
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I'm sorry, Louis. I didn't know. |
00:04:59 |
Are you all they got to offer around here? |
00:05:01 |
You're supposed to be |
00:05:06 |
I'm sorry. |
00:05:13 |
Walk with me. |
00:05:17 |
There is a certain individual... |
00:05:18 |
who is creating very substantial difficulties |
00:05:23 |
Now, this certain party... |
00:05:26 |
is very bullheaded |
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from what I would like to call |
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- All right, how can I help? |
00:05:35 |
The individual needs to be touched |
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convince him of the error of his ways |
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- particularly my friend from New York. |
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Now, this certain individual, he's got... |
00:05:51 |
a beloved relative |
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I want the relative gotten, all right? |
00:06:00 |
And I want him, for the time being, |
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Perhaps then reason can prevail. |
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- You're following all this? |
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Got it. |
00:06:44 |
All right. Wait. |
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- Where is he? |
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Right there? That's him? |
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All right. Thanks. |
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I'm all right. You can go outside. |
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Are you Brian? |
00:07:29 |
I know you're Brian. |
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Hello? |
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What are you eating there? |
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- What are those, polly seeds? |
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I'm stupid. |
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- They look like polly seeds to me. |
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That's the same thing. |
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We called them polly seeds |
00:07:55 |
You must be the stupidest person, |
00:08:05 |
Me and you, we're supposed |
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We'll take a walk around the block. |
00:08:11 |
I won't give anybody my seeds. |
00:08:13 |
Barry always asks |
00:08:15 |
Don't worry about it. Keep those. |
00:08:19 |
Let's go. We're gonna take a walk. Come on. |
00:08:22 |
What did that? |
00:08:24 |
He's kidding. |
00:08:34 |
Sorry about that. All right, look... |
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it's real simple. |
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You and I are gonna go outside |
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I won't grab you again, okay? |
00:08:45 |
I have to go to the Baywatch. |
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I'm sorry, what? |
00:08:49 |
I have to go to the Baywatch. |
00:08:52 |
You wanna watch "Baywatch"? |
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Roll by my apartment, |
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You're the stupidest person. |
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Not television. The Baywatch. |
00:09:03 |
The Baywatch? |
00:09:05 |
- Yeah, the Baywatch. |
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Can I go? |
00:09:16 |
- You wanna go now? |
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Yeah. I'm going there. I was on my way. |
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- Yes, I would. |
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Let's go. |
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Come on, let's go. |
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Okay, I gotta get my radio. |
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- The music's gonna be good there. |
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Baywatch! |
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Here we come. |
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Wait a minute. |
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- You hear that? |
00:09:57 |
Yep, it's my walkie-talkie calling. |
00:10:00 |
Yeah, hello? |
00:10:01 |
I told you, don't ever bother me again |
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What? No, we're going to the Baywatch. |
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Yep, that's right, the Baywatch. |
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No. Holy mackerel. |
00:10:18 |
Would you know |
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We'll call you tomorrow for the update. |
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How do you like that? |
00:10:31 |
- No. |
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I can't believe it. |
00:10:36 |
This always happens like that, right? |
00:10:45 |
Hello there. P.O.B. |
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What does that mean? |
00:10:49 |
P.O.B. Limo drivers say that. |
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That's good. What does it mean? |
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P.O.B. Passenger On Board. |
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- Already? |
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That's good. |
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- I am. |
00:11:01 |
{y:i}- We'll talk later. |
00:11:14 |
Come on in. It's all right. I don't bite. |
00:11:24 |
You hungry? I got food. |
00:11:28 |
You thirsty? |
00:11:31 |
I want a soda. |
00:11:32 |
You want a soda? I'm out of soda. |
00:11:35 |
You want a water? I'll get you a water. |
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All right. How is that? Good? |
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- I wanna go home. |
00:12:04 |
No, I wanna go home. |
00:12:05 |
No, we got to stay here. |
00:12:08 |
So maybe you wanna watch TV or cartoons? |
00:12:11 |
I wanna go home. |
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- We got to stay here. |
00:12:18 |
Brian, what are you doing? |
00:12:20 |
- Take me home now. |
00:12:23 |
- Fuck all of you! You stupid soup-fucker! |
00:12:25 |
- Don't do that, motherfucker! |
00:12:29 |
- Cut it out! Stop! Be quiet! |
00:12:39 |
All right. |
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Where are my seeds? |
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They're sunflower seeds, idiot. |
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They're right there. |
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- They're sunflower seeds. |
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Stay here. |
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Everything's fine. Just kidding around. |
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- Hello. |
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May I be of some assistance? |
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Well, that remains to be seen. |
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Look, I'm sorry to bother you. It's just... |
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I was wondering if it wouldn't be |
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- That's... |
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I just took a one-bedroom in the front... |
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and I've been waiting all day for |
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- You know... |
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It'll only take a second, I promise. |
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I can't. I'm sorry. |
00:14:00 |
I'll be in and out before you know it. |
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Just leave a faint scent. |
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Yeah, all right. Come on in. |
00:14:14 |
- Thank you. |
00:14:19 |
The phone's right there. |
00:14:21 |
- I promise it'll only take a minute. |
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Hello. |
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What are you doing? |
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These computer answering things, |
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- You're making a telephone call. |
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Don't call Baywatch |
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I wouldn't think of it. |
00:15:15 |
I'm sorry, I got to ask. |
00:15:20 |
Not yet. |
00:15:24 |
I'm Ricki. |
00:15:29 |
Larry Gigli, right? |
00:15:32 |
- I saw it on the mailbox. |
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Rhymes with really. |
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- It's nice to meet you, Larry Gigli. |
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What's your name? |
00:15:47 |
Bob. |
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- You're stupid. That's not my name. |
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- What is your name, sweetie? |
00:15:54 |
- His name's not Bob. |
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Whatever your name is... |
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has anyone ever told you |
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Can I talk to you for a minute? |
00:16:19 |
Sure. |
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In private. |
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I can't fucking believe this. |
00:16:35 |
It's an unexpected bonus. Who'd have |
00:16:39 |
- You're better than a dog. |
00:16:42 |
Whatever. |
00:16:56 |
You know, |
00:16:59 |
But I gotta tell you, I'm frankly amazed |
00:17:05 |
- Am I missing something here? |
00:17:08 |
Why don't you call Louis |
00:17:15 |
I don't know that I know any Louis. |
00:17:18 |
Then I guess he hasn't called you |
00:17:21 |
with a task of this magnitude. |
00:17:24 |
That he feels the stakes are too high. |
00:17:27 |
- Nope. |
00:17:29 |
I guess he also probably |
00:17:32 |
that he'd feel more comfortable if there were |
00:17:36 |
perhaps even mutually hostile |
00:17:39 |
so they could keep an eye on one another. |
00:17:43 |
Nope. There's no reason |
00:17:46 |
for precisely |
00:17:48 |
It'd probably make both our lives a lot easier |
00:17:56 |
That's good stuff. I had that today. |
00:18:00 |
- Excuse me one minute. |
00:18:06 |
Louis, you there? |
00:18:08 |
I'm here. What do you want? |
00:18:11 |
Yeah, there's this... |
00:18:13 |
young lady here trying to tell me that... |
00:18:15 |
All right, this thing is monumental. |
00:18:17 |
Certainly too big for a jerk-off like yourself, |
00:18:21 |
{y:i}This thing represents my ass and my future. |
00:18:24 |
I want you to work with her and I want you |
00:18:29 |
I want you to know... |
00:18:30 |
that I will personally excoriate |
00:18:33 |
for the tiniest fuckup in this action. |
00:18:35 |
{y:i}- And I want you to understand that. |
00:18:39 |
"Yes, Louis"? |
00:18:41 |
Do you happen to know |
00:18:45 |
It's not coming to me at the moment. |
00:18:47 |
It means "to strip or wear off the skin of... |
00:18:51 |
"to flay." |
00:18:52 |
{y:i}I'm learning a word a day. And it's critical |
00:18:56 |
but that's not why I used it |
00:18:59 |
{y:i}In this conversation |
00:19:03 |
Now, if you'll excuse me, I'll be going now. |
00:19:07 |
All right, I'll talk to you later. |
00:19:15 |
Now don't get yourself all tied in a knot. |
00:19:17 |
Okay? I don't know this guy, |
00:19:20 |
But my reputation apparently is pretty solid. |
00:19:23 |
So why don't you just get yourself straight... |
00:19:27 |
and we can put this whole thing behind us. |
00:19:29 |
And if you have |
00:19:33 |
I would really be most appreciative. |
00:19:35 |
- I want tea. |
00:19:39 |
Let me tell you something, okay? |
00:19:41 |
I don't know who the fuck you think you are, |
00:19:45 |
You got that? |
00:19:47 |
If you wanna talk about reputations... |
00:19:49 |
and if by some fucking miracle long shot |
00:19:53 |
let me tell you who the fuck I am. |
00:19:55 |
I am the fucking Sultan of Slick, Sadie. |
00:20:00 |
You wanna be a gangster? |
00:20:02 |
You sit at my fucking feet. Gather the pearls |
00:20:07 |
Because I'm the fucking original, |
00:20:11 |
fucking hustler, |
00:20:19 |
I don't know what you're talking about, |
00:20:25 |
And don't you worry your little |
00:20:28 |
I can manage. |
00:20:32 |
How many cups of your own spit |
00:20:38 |
I think about 35 cups. |
00:20:40 |
- Would you just shut the fuck up. |
00:20:45 |
- What is it with you? |
00:20:47 |
- What, you just go in and out? |
00:20:50 |
- What the fuck are you talking about? |
00:20:54 |
Do me a favor |
00:20:57 |
- Looks like... |
00:20:59 |
You'll end up with Elliot over there. |
00:21:01 |
I know you understand |
00:21:04 |
- I'm telling you... |
00:21:07 |
How about if I smack you |
00:21:11 |
Leave him alone. We're supposed |
00:21:14 |
Don't tell me what we're supposed to do. |
00:21:16 |
How about this? |
00:21:19 |
You'll kill me? Fuck you! Go ahead. |
00:21:22 |
I'll kill you. |
00:21:25 |
You don't tell me what to do. Okay? |
00:21:28 |
Don't tell me what we might do. |
00:21:32 |
Don't tell me what we maybe should do. |
00:21:37 |
I'll tell you this, |
00:21:44 |
I'm gonna say 35 cups. |
00:21:50 |
I'm a genius. I'm a genius, man. |
00:21:57 |
- What's he talking about? |
00:22:01 |
Look, why don't we try |
00:22:10 |
Nice. |
00:22:14 |
Easy. |
00:22:26 |
So, what do you normally hire out for? |
00:22:29 |
I do jobs of various types. |
00:22:33 |
- How about yourself? |
00:22:36 |
I do various types of jobs of various kinds. |
00:22:40 |
There you have it. |
00:22:44 |
How come I never seen you around before? |
00:22:47 |
I'm from another place. |
00:22:51 |
Where would that be, Ricki? |
00:22:54 |
Somewhere else, Larry. |
00:22:57 |
Okay. I see. |
00:23:02 |
- And my name's not really Ricki. |
00:23:11 |
Then how about I keep calling you Ricki |
00:23:14 |
- Lf it'll make you happy. |
00:23:21 |
- This isn't very good food. |
00:23:26 |
- I'm hungry. |
00:23:32 |
- He said he's hungry. |
00:23:34 |
- I don't like this food. |
00:23:37 |
Back off! God! It's not his fault. |
00:23:40 |
Yeah, it's not my fault I'm brain-damaged. |
00:23:45 |
Beautiful. What are you, his shop steward? |
00:23:48 |
Listen, you fucking retard, eat your... |
00:23:49 |
- Enough! Easy already. |
00:23:51 |
- What is your... |
00:23:53 |
In every relationship |
00:23:56 |
It so happens that in this relationship |
00:24:00 |
I'm the bull, you're the cow. |
00:24:03 |
All right? Bull. Cow. |
00:24:06 |
- You got that? |
00:24:09 |
You make him something else to eat. |
00:24:12 |
I wanna go home. |
00:24:15 |
You can't go home. |
00:24:17 |
- I wanna go home. |
00:24:19 |
- Eat your food! |
00:24:29 |
How you gonna go |
00:24:36 |
This is your spot. Yeah? |
00:24:39 |
It's nice. Come on. Lie down. |
00:24:48 |
This is a couch. |
00:24:49 |
Don't worry about it. It's fine. |
00:25:00 |
Larry, read to me. |
00:25:02 |
- What? |
00:25:06 |
Read to him, Larry. |
00:25:08 |
I don't wanna read to him. |
00:25:12 |
Read to me, Larry. |
00:25:13 |
- What for? |
00:25:17 |
- It soothes you down? |
00:25:20 |
- What am I gonna read? I got nothing here. |
00:25:32 |
You don't have a book? |
00:25:36 |
- I got a phone book. |
00:25:40 |
- Read to me, Larry. |
00:25:50 |
Here you go. |
00:25:51 |
"Since 1868. |
00:25:55 |
"For well over a century, |
00:25:58 |
"has fired up generations of thrill-seekers." |
00:26:02 |
- Okay? |
00:26:05 |
Read to me more. |
00:26:11 |
"Lts all-natural ingredients and |
00:26:16 |
"keeps Tabasco |
00:26:24 |
"Try it on eggs, pizza, salads, |
00:26:27 |
"for a burst of flavor |
00:26:31 |
- Read to me more. |
00:26:32 |
I'm not reading the ingredients. I'm done. |
00:26:35 |
- Okay, thank you, Larry. |
00:26:58 |
Tell you what, no offense... |
00:27:01 |
you don't look like any contractor |
00:27:05 |
Apparently, there's a need for all types. |
00:27:15 |
So listen. |
00:27:16 |
You know, I was thinking |
00:27:20 |
about us being stuck in this situation. |
00:27:24 |
I think you're right. |
00:27:27 |
I think so. |
00:27:29 |
So, you know, look, |
00:27:34 |
But I just... This is, you know... |
00:27:37 |
I hate to see you sleep on the floor like that. |
00:27:41 |
So if you want to, |
00:27:45 |
just take half of my bed. |
00:27:50 |
'Cause we're working together. |
00:27:52 |
You know, we're partners. We'll just... |
00:27:56 |
do the whole thing professionally. |
00:28:02 |
That's very kind of you. Thank you. |
00:28:09 |
You know, professionally. |
00:28:12 |
Please. |
00:28:13 |
How's that professionally? You like that? |
00:28:18 |
That's professional. Right here. |
00:28:19 |
Bull. Cow. That's how that works. |
00:28:28 |
There's your bull right there! |
00:28:32 |
There's the horn. |
00:28:34 |
You fuck with the bull, you get the horn. |
00:28:43 |
That's professional. |
00:28:47 |
Fucking professional. |
00:28:49 |
Look at that. |
00:28:52 |
That's the bull. Right. |
00:28:55 |
Get the bull by the horn. |
00:28:58 |
I'll give you the horn. Want to see the horn? |
00:30:07 |
You know... |
00:30:09 |
you're actually a very attractive woman. |
00:30:14 |
Thank you. |
00:30:16 |
You're welcome. |
00:30:19 |
You know, this may be a good time |
00:30:22 |
that you not allow the seeds of cruel hope |
00:30:27 |
I don't know what that means, |
00:30:31 |
It means you're not my type. |
00:30:36 |
Is that right? |
00:30:40 |
What about me is not your type? |
00:30:47 |
Your penis. |
00:30:49 |
What does that mean? |
00:30:52 |
It means I'm gay. |
00:30:55 |
It means I'm a lesbian. |
00:31:00 |
But I got to tell you, if I wasn't... |
00:31:04 |
I mean, after a first date like this, |
00:31:08 |
not to just get under the covers |
00:31:13 |
Good night. |
00:31:19 |
"Good night"? |
00:31:36 |
{y:i}Whoa, Step-papa. |
00:31:40 |
{y:i}sheep's all that and a bag of chips. |
00:31:54 |
{y:i}Melbourne's forecast. ; |
00:31:57 |
{y:i}but we're expecting a mostly fine day with |
00:32:01 |
Who the fuck are you talking to? |
00:32:03 |
{y:i}Sydney also fine and 18. |
00:32:06 |
Give me that back, please. |
00:32:07 |
{y:i}- Sunny, 32. |
00:32:09 |
{y:i}Adelaide and Hobart both |
00:32:12 |
You know how much this shit costs? |
00:32:17 |
- It's $5. |
00:32:21 |
- It's $10. |
00:32:26 |
Why am I even talking to you for? |
00:32:28 |
- It's $10. |
00:32:41 |
Just wanted to tell you, you know, |
00:32:47 |
You know, no hard feelings. |
00:32:49 |
You know what I mean? |
00:32:56 |
That's it. Don't be coming back, though. |
00:33:01 |
One shot with me. I'm out. |
00:33:07 |
Are you expecting somebody? |
00:33:14 |
Come on! |
00:33:17 |
- Larry! |
00:33:19 |
- It's your mother. |
00:33:22 |
Open the door! |
00:33:24 |
- I was watching that. |
00:33:27 |
Go in this room. Go. I want you to stay here. |
00:33:29 |
- Don't come out. Don't say anything. |
00:33:32 |
- Yeah. Soon. Stay here. Be quiet. |
00:33:34 |
- Come on, I'm dying here! |
00:33:38 |
- Larry, I have a chicken. |
00:33:42 |
What? |
00:33:44 |
Your door's not thick enough to pretend |
00:33:47 |
- What's up? |
00:33:52 |
- How are you today? |
00:33:55 |
Just fine. |
00:33:57 |
I'm searching for news on the underground. |
00:34:03 |
Might you know what it is I'm getting at? |
00:34:06 |
- No. |
00:34:09 |
This is one of those mysterious cases. |
00:34:13 |
Unsolvable. Probably turn out |
00:34:17 |
we're obligated to at least create |
00:34:21 |
- What? |
00:34:25 |
You know, your friend Louis... |
00:34:30 |
his supervisor back in the home office |
00:34:35 |
- Sorry? |
00:34:39 |
He's through. |
00:34:40 |
Looking at huge federal time. |
00:34:45 |
No chance of parole, never ever. Time. |
00:34:53 |
Yep. I'm sorry to say. |
00:34:56 |
I hear he's a good guy, but, you know... |
00:34:59 |
In any event, here's my problem... |
00:35:01 |
and if you know any of this, |
00:35:06 |
This federal prosecutor out here... |
00:35:09 |
the one with Starkman's testicular matter |
00:35:13 |
this very federal prosecutor's |
00:35:17 |
Any of this sound familiar? |
00:35:20 |
To me? No. |
00:35:22 |
No. Well... |
00:35:24 |
This very federal prosecutor's little brother, |
00:35:28 |
may have been absconded with... |
00:35:31 |
which, as you can imagine, |
00:35:39 |
I think... |
00:35:41 |
But I could be wrong about this because |
00:35:45 |
But I think maybe someone... |
00:35:48 |
in your professional community... |
00:35:52 |
might be participating |
00:35:55 |
to, I don't know... |
00:35:57 |
help squeeze a little friendship... |
00:36:01 |
altruism, whatever, |
00:36:05 |
Maybe in the hopes that Starkman... |
00:36:08 |
will wake up one morning... |
00:36:16 |
And wake up one morning |
00:36:21 |
The school of thought of my colleagues |
00:36:25 |
I alone am of the opposite school. |
00:36:30 |
But what's important is what you think. |
00:36:33 |
As a friend who's got his ear to the street. |
00:36:39 |
- I never... You know... |
00:36:41 |
You don't know nothing. |
00:36:44 |
I can tell just by looking at you. |
00:36:53 |
The whole thing's probably |
00:37:02 |
Man, you know what I'd love to do... |
00:37:06 |
right now? |
00:37:14 |
Go down to Marie Callender's... |
00:37:17 |
get me a big bowl, pie, some ice cream on it. |
00:37:22 |
Good. |
00:37:23 |
Put some on your head... |
00:37:25 |
your tongue would slap your brains out |
00:37:29 |
Interested? |
00:37:32 |
Sure? |
00:37:34 |
Yeah, I'm trying to get in shape, you know. |
00:37:58 |
Say no more. |
00:38:03 |
Thanks for the hospitality. |
00:38:06 |
It can't be the most pleasant thing |
00:38:11 |
Maybe if you hear anything, |
00:38:16 |
Yeah, you know, if I hear anything. |
00:38:24 |
Yeah, I'll let you know. |
00:38:45 |
All right. |
00:38:52 |
A federal fucking prosecutor! |
00:38:55 |
- Fuck! |
00:38:58 |
- I'll come back now, okay? |
00:39:02 |
- I'm hungry. |
00:39:05 |
- I'm hungry, though. |
00:39:09 |
- My brother's a federal fucking "prostitutor." |
00:39:18 |
Put this on. |
00:39:21 |
- Did you know about all that stuff? |
00:39:24 |
- Maybe we should check into a hotel. |
00:39:27 |
I live here. This is my place. |
00:39:28 |
No one's getting me out of my place. |
00:39:31 |
- I'm hungry. I wanna eat. |
00:39:39 |
Come on. |
00:39:43 |
Fucking around. |
00:39:46 |
When are we getting to the Baywatch? |
00:39:49 |
- What? What's that? You hear that? |
00:39:51 |
What is that? It's the walkie-talkie again. |
00:39:55 |
Hello? What? |
00:39:58 |
You got to be kidding me. Again? |
00:40:02 |
How long? Maybe tomorrow? Okay. |
00:40:05 |
Kick those guys in the ass for me, will you? |
00:40:07 |
Those fucking guys. All right. |
00:40:09 |
Talk to you later. Give us a call back. |
00:40:13 |
Unbelievable. |
00:40:14 |
You believe that? |
00:40:18 |
- They're closed? |
00:40:20 |
They said they're working on the problem, |
00:40:23 |
they don't know how long it's gonna be. |
00:40:25 |
What is the Baywatch? |
00:40:29 |
It's where all the beautiful girls are. |
00:40:35 |
They swim there. |
00:40:36 |
- You're talking about the TV show? |
00:40:42 |
The Baywatch is where they really are. |
00:40:47 |
I think you could be friends there. |
00:40:56 |
I think that's where the sex is. I think so. |
00:41:33 |
- Hey, you wanna turn that down? |
00:41:40 |
I don't think this is the best time |
00:41:47 |
- Hey, Beavis, turn the fucking radio off. |
00:41:53 |
"Bitch"? |
00:41:54 |
You know what, creating a scene right now |
00:42:00 |
Yeah, that's right. Why don't you come here |
00:42:09 |
What happened? |
00:42:11 |
Let me. Okay? |
00:42:16 |
Go ahead. |
00:42:18 |
You know, what you boys need |
00:42:22 |
However, in the meantime... |
00:42:28 |
Excuse me. |
00:42:33 |
You ever heard of Tai Moi Chai? |
00:42:35 |
No. Okay. |
00:42:37 |
In traditional Tai Moi Chai, |
00:42:43 |
That's the gouging out |
00:42:46 |
with one's finger. |
00:42:49 |
The highest and most difficult to master |
00:42:53 |
"Kai Toi Mai". |
00:42:54 |
Loosely translated, |
00:42:58 |
Now, once the thumb liquefies the eye... |
00:43:02 |
it is deftly and immediately replaced |
00:43:06 |
Deep thrust, hooking around |
00:43:11 |
and then removing it with such force... |
00:43:14 |
as to bring with it, by suction, |
00:43:19 |
The part of the brain, as I'm sure |
00:43:26 |
The extraordinary element of this move... |
00:43:30 |
the genius of it... |
00:43:32 |
the absolute poetry of it... |
00:43:36 |
is that, aside from the obvious wound... |
00:43:39 |
one's opponent is left with no memory |
00:43:44 |
Family, friends, nothing. |
00:43:49 |
Hence, "Kai Toi Mai": |
00:43:54 |
"The rip that takes the past." |
00:43:57 |
As you can imagine, very difficult |
00:44:01 |
but I felt well worth the trips |
00:44:11 |
People skills. |
00:44:13 |
See, knowing |
00:44:16 |
knowing how and when to make a move... |
00:44:18 |
in short, |
00:44:23 |
These are things you boys are gonna |
00:44:27 |
And one more thing: |
00:44:28 |
Sports are all well and good, |
00:44:32 |
So I want you guys to study hard |
00:44:36 |
- Okay? Everyone, yes? |
00:44:39 |
Okay. Good. |
00:44:45 |
Brian, let's go. |
00:44:56 |
Nice computer. |
00:45:00 |
Here's suck-my-dick. Com. |
00:45:10 |
So can you really do all that kung fu shit... |
00:45:13 |
you said back there with the eye and that? |
00:45:17 |
No. |
00:45:20 |
That was all bullshit? |
00:45:26 |
Sun Tzu said that in a war... |
00:45:29 |
the best victory |
00:45:33 |
- Is this some more bullshit now I'm getting? |
00:45:36 |
Who's Sun Tzu? |
00:45:39 |
A Chinese military theoretician |
00:45:42 |
that in a conflict, getting angry, |
00:45:47 |
is a tactically and strategically stupid move. |
00:45:50 |
It clouds your ability to reason. |
00:45:55 |
You wanna cloud |
00:45:58 |
thus gaining the upper hand yourself. |
00:46:04 |
Whatever. |
00:46:06 |
You know, |
00:46:08 |
I can see how that wouldn't be |
00:46:12 |
- What is that supposed to mean? |
00:46:16 |
I mean... |
00:46:18 |
when men are boys, they're encouraged |
00:46:22 |
so they're forced to find other ways to let |
00:46:26 |
fighting and getting angry |
00:46:31 |
So when these boys grow up, guess what |
00:46:36 |
A guy who's miserable at work |
00:46:39 |
comes home at night, what does he do? |
00:46:42 |
He doesn't usually cry |
00:46:46 |
He usually yells at them. |
00:46:53 |
So, Larry... |
00:46:56 |
What? |
00:46:58 |
What is it exactly you're so sad about? |
00:47:03 |
No, I'm serious. |
00:47:16 |
Yeah. What about your friend? |
00:47:19 |
Mrs. Leonard. Whatever her name is. |
00:47:25 |
Look, I can't right now, I'm sorry. |
00:47:29 |
It's not a good time, Ma, that's why. |
00:47:33 |
No. |
00:47:35 |
Okay. All right! |
00:47:38 |
What do you want, blood? |
00:47:41 |
I'll be right over there. |
00:47:45 |
I got to make a quick detour. |
00:47:51 |
Easy. A little lower. |
00:47:53 |
- Right here? |
00:47:56 |
- A little lower. |
00:48:00 |
All right, right there. God. |
00:48:02 |
Look, Ma, if Mrs. Leonard isn't around, |
00:48:06 |
I can't just drop everything |
00:48:10 |
What, and I didn't drop everything for you? |
00:48:13 |
"I'm so sorry, Larry, |
00:48:16 |
"You're gonna have to call Mrs. Leonard." |
00:48:20 |
- Let me just... |
00:48:31 |
- What? |
00:48:33 |
I got to pee, Larry. |
00:48:35 |
I thought I told you to wait in the car. |
00:48:37 |
I thought you'd prefer it if we came in |
00:48:41 |
Wouldn't want you to think |
00:48:44 |
Besides, I want to meet your mother. |
00:48:47 |
- No. |
00:48:53 |
- Yeah, close, personal. |
00:48:56 |
I got to pee, Larry. |
00:48:58 |
- Larry, invite them in! |
00:49:10 |
- Hello, everybody. |
00:49:13 |
My God. |
00:49:16 |
- What a beauty. |
00:49:18 |
What? I'm just saying. |
00:49:20 |
You should see some of the pigs |
00:49:22 |
I mean, not that they were pigs, per se. |
00:49:24 |
It's just that, by and large, they were |
00:49:30 |
You, I could tell right off the bat, |
00:49:35 |
- Excuse me, miss, where's the men's room? |
00:49:40 |
Larry, she's gorgeous. |
00:49:46 |
- So, what is your story, honey? |
00:49:49 |
- Don't pay no attention to her. |
00:49:52 |
Yeah. She's blind in one eye, though. |
00:49:55 |
Open the door. |
00:49:58 |
You all right in there? |
00:50:00 |
So this is where you grew up? |
00:50:03 |
Are you writing a book? |
00:50:14 |
- Ma. |
00:50:20 |
I think you two |
00:50:23 |
- Ma. |
00:50:24 |
What's with the "Ma"? |
00:50:27 |
Stop already with the "Ma." |
00:50:31 |
So, tell me... |
00:50:33 |
are you and Larry sweethearts? |
00:50:35 |
Before you answer, |
00:50:40 |
What? Yes, I hope so. |
00:50:42 |
What's so terrible about "I hope so"? |
00:50:44 |
- Yeah? Guess what. |
00:50:46 |
She's a lesbian. |
00:50:54 |
Never mind. |
00:50:56 |
She's been with fellas before. |
00:51:02 |
You're right. |
00:51:04 |
But sometimes they have their limitations. |
00:51:14 |
What are you two talking about? |
00:51:15 |
Never mind. |
00:51:19 |
- Am I right, sweetheart? |
00:51:22 |
You know, |
00:51:26 |
I used to be... |
00:51:28 |
quite experimental. |
00:51:31 |
- Jesus Christ! |
00:51:32 |
Look who's not up-to-the-minute now. |
00:51:35 |
- Big boy. |
00:51:37 |
Brian, come on. We're going. That's it. |
00:51:39 |
All right. Just remember, you two, |
00:51:43 |
All right, we'll remember that. |
00:51:46 |
- Let's go. |
00:51:50 |
- I love you. |
00:51:51 |
- I washed my hands. |
00:51:54 |
- Goodbye. |
00:51:58 |
I feel like I know you already. |
00:52:00 |
- Very nice meeting you. |
00:52:02 |
All right, we're going. Let's go. |
00:52:06 |
Just remember, you two, keep an open mind |
00:52:10 |
- We will. |
00:52:12 |
- I like her, she's very nice. |
00:52:25 |
{y:i}On the satellite map, |
00:52:28 |
{y:i}and New South Wales is bringing showers... |
00:52:30 |
{y:i}and there's very little activity |
00:52:33 |
{y:i}But there is some low-level cloud |
00:52:36 |
{y:i}which will bring isolated showers |
00:52:39 |
{y:i}Another chilly night in Melbourne's suburbs |
00:52:43 |
- What are you doing now? |
00:52:45 |
- Brian, I told you, this is very expensive. |
00:52:50 |
Don't argue with me. |
00:52:53 |
Why are you doing this? What do you care |
00:52:57 |
- Australia. |
00:52:59 |
It's not England. |
00:53:00 |
Whatever, Brian. |
00:53:07 |
I really like her voice. |
00:53:15 |
Okay. Try to keep it under control, though. |
00:53:18 |
- All right? |
00:53:20 |
- Thank you. |
00:53:46 |
So I'm not your type? |
00:53:50 |
How did we get back there all of a sudden? |
00:53:53 |
Relax. |
00:53:55 |
You're more woman |
00:53:57 |
I don't need to be dipping |
00:54:01 |
But I'm just curious |
00:54:04 |
you say you've been with guys. |
00:54:07 |
I have. |
00:54:10 |
But they have their shortcomings? |
00:54:13 |
Besides the fact that they give terrible head. |
00:54:17 |
See, right there, that tells me something. |
00:54:20 |
I know the guys you've been with |
00:54:24 |
how to bring home the pearls |
00:54:28 |
I was actually just joking. |
00:54:30 |
Well, since we're letting it all hang out now, |
00:54:35 |
Okay, when it comes to pleasing a woman, |
00:54:40 |
they're at a natural disadvantage. |
00:54:42 |
It's like they might try hard, |
00:54:46 |
with millions of years of |
00:54:52 |
Nature has evolved man for that purpose. |
00:54:56 |
Satisfy. |
00:54:58 |
Lead the pack. |
00:55:02 |
That's why lesbians are always buying, |
00:55:07 |
sexual appliances, erotic monkey wrenches |
00:55:12 |
for what they don't have. |
00:55:17 |
The penis. That's right. |
00:55:21 |
Its very design |
00:55:26 |
Forward motion. With advancements. |
00:55:30 |
Fucking progress into the dark, deep... |
00:55:33 |
mysterious unknown. |
00:55:38 |
It's like adventure-seeking... |
00:55:41 |
frontier-conquering... |
00:55:44 |
obstacle-eradicating. |
00:55:48 |
And you tried to create the impression |
00:55:52 |
You're settling for second best. |
00:55:55 |
So, in review... |
00:55:58 |
you're saying... |
00:56:00 |
that it's men |
00:56:05 |
That's all I'm telling you. |
00:56:08 |
Loving, caring... |
00:56:10 |
- sensitive, giving men. |
00:56:15 |
You're entitled to your opinion. |
00:56:21 |
But let us reconsider women for a minute. |
00:56:24 |
- Shall we? |
00:56:27 |
Their form: |
00:56:31 |
Neck. Shoulders. |
00:56:35 |
Legs. |
00:56:37 |
Hips. |
00:56:40 |
I think pretty cool. |
00:56:43 |
Now, as far as your famous... |
00:56:46 |
penis goes... |
00:56:49 |
The penis is like some sort of... |
00:56:51 |
bizarre sea slug... |
00:56:54 |
or like a really long toe. |
00:56:58 |
I mean, it's handy, important even. |
00:57:03 |
The top of the list of erotic destinations? |
00:57:08 |
One's first impulse is to kiss what? |
00:57:16 |
To kiss the lips. |
00:57:19 |
Firm... |
00:57:20 |
delicious lips. Sweet lips. |
00:57:25 |
Surrounding a warm, moist... |
00:57:30 |
dizzyingly scented mouth. |
00:57:33 |
That's what everyone wants to kiss. |
00:57:36 |
Not a toe. Not a sea slug. |
00:57:40 |
A mouth. |
00:57:44 |
And why do you think that is, stupid? |
00:57:49 |
Because the mouth is the twin sister... |
00:57:52 |
the almost exact look-alike of the what? |
00:57:58 |
Not the toe. |
00:58:01 |
The mouth is the twin sister... |
00:58:04 |
of the vagina. |
00:58:12 |
And all creatures big and small |
00:58:16 |
The opening. To be taken in, engulfed. |
00:58:21 |
To be squeezed and lovingly crushed |
00:58:26 |
the all-powerful, all-encompassing. |
00:58:29 |
Now, if it's design you're concerned with... |
00:58:32 |
hidden meanings, symbolism and power... |
00:58:36 |
forget the top of Mount Everest. |
00:58:37 |
Forget the bottom of the sea, |
00:58:41 |
There is no place, nowhere, |
00:58:44 |
of more ambitions, more battles |
00:58:49 |
between a woman's legs |
00:58:54 |
my pussy. |
00:58:59 |
So I guess this is just my roundabout way |
00:59:02 |
that it is women who are, |
00:59:07 |
Wouldn't you agree? |
00:59:11 |
I agree. |
00:59:14 |
And so do I. |
00:59:30 |
{y:i}Hello? |
00:59:39 |
{y:i}- Is somebody there? |
00:59:43 |
Who's this? |
00:59:49 |
I don't find this funny. |
00:59:53 |
Is this the retard? |
00:59:56 |
Brian, what are you doing now? |
01:00:03 |
Hello? |
01:00:04 |
Who the fuck is this? |
01:00:07 |
What the fuck is going on over there? |
01:00:10 |
Nothing. Sorry, Louis. |
01:00:12 |
{y:i}We're not getting the desired movement. |
01:00:14 |
{y:i}We're stepping up the operation. |
01:00:16 |
First thing in the morning, send his thumb |
01:00:21 |
- Yeah. |
01:00:23 |
{y:i}To James Dorf |
01:00:28 |
Hold on one second. Go in the other room. |
01:00:32 |
Go in the other room in the back. |
01:00:35 |
I'm talking on the phone. Go in the back. |
01:00:39 |
What do you mean? |
01:00:42 |
You cut it the fuck off. |
01:00:44 |
{y:i}or whatever it is. |
01:00:47 |
and that's how you send it. |
01:00:51 |
Make sure you kindly refrain from providing |
01:00:56 |
I mean... |
01:00:58 |
You want me to cut his thumb off? |
01:01:00 |
It's enough already. Put the clam-licker on. |
01:01:03 |
Hold on. Wait a minute. |
01:01:07 |
I can't believe I'm talking to a professional. |
01:01:09 |
I'll send people to help you, |
01:01:12 |
- I'm not saying that. |
01:01:15 |
and then having to hire someone |
01:01:19 |
{y:i}Do your fucking job right, you hear me? |
01:01:20 |
I'm getting tired of this. |
01:01:31 |
- Larry. |
01:01:34 |
Can I stay here with you? |
01:01:37 |
No. |
01:01:41 |
- Time for you to go to bed anyways. |
01:01:44 |
- Lf I tell you to go to bed, go to bed. |
01:01:50 |
"New. Our best Charmin ever. |
01:01:53 |
"Charmin Ultra Double Roll. |
01:01:55 |
"Twice as many sheets |
01:01:58 |
"Unscented bathroom tissue. |
00:00:03 |
"4.5 inches by 4.0 inches." |
00:00:05 |
And they got it in centimeters or whatever. |
00:00:12 |
It's the same shit on the back. All right? |
00:00:16 |
- Good night. |
00:00:22 |
- Yeah. |
00:00:49 |
What are your friends like? |
00:00:53 |
- I don't really have friends. |
00:00:58 |
Nobody. |
00:01:03 |
Why do I think you're not exaggerating? |
00:01:09 |
I just keep to myself. |
00:01:10 |
I go about my business, you know. |
00:01:14 |
A charming, loveable guy like yourself? |
00:01:18 |
I'm sure there's a ton of straight women |
00:01:26 |
Louis wants us to cut the kid's thumb off. |
00:02:19 |
I'd like to give shouts to all my homies. |
00:02:22 |
Mrs. Friedman. Lily. |
00:02:24 |
Mr. Mossman |
00:02:28 |
Forgot his name. |
00:02:30 |
And all my peeps at Wilshire Adult Care. |
00:02:33 |
Everybody in the cafeteria. Big ups! |
00:02:37 |
What's up to my man Larry. And Ricki. |
00:02:41 |
Yo, yo, yo. Peace, G. |
00:02:44 |
And the rec room. |
00:02:50 |
I got neighbors, you know. |
00:02:54 |
{y:i}Dígame sabrosa. |
00:02:58 |
- What's that? |
00:03:01 |
What does it mean? |
00:03:04 |
I don't know. |
00:03:09 |
See that? |
00:03:11 |
Don't be a playa hater, G. |
00:03:20 |
- Yeah? |
00:03:24 |
Who the fuck are you? |
00:03:29 |
Excuse me. |
00:03:32 |
What a shithole! |
00:03:33 |
- Lady, I think you're in the wrong place. |
00:03:37 |
All right? You're in the wrong place. |
00:03:42 |
And who the fuck are you? |
00:03:44 |
- You're the fuck are you. |
00:03:49 |
What are you doing here? |
00:03:52 |
- I'm stalking you. |
00:03:54 |
First of all, |
00:03:57 |
Second of all, you're out of line. |
00:03:59 |
This is a professional situation |
00:04:02 |
What kind of professional situation? |
00:04:06 |
A fucking man? |
00:04:08 |
Okay. I really thought |
00:04:11 |
- Are you telling people where we are? |
00:04:14 |
- Shut the fuck up. |
00:04:16 |
Listen, both of you shut up. |
00:04:17 |
Look, I haven't told anybody where we are. |
00:04:22 |
this is a professional situation. |
00:04:24 |
Our problems |
00:04:28 |
and they have nothing to do with him. |
00:04:30 |
- I want you to leave right now! Please. |
00:04:33 |
I'm not leaving, he's leaving. |
00:04:35 |
What? Who the fuck do you think you are? |
00:04:37 |
- I fucking live here. I'm not going anywhere. |
00:04:40 |
Neither am I. Going to be all there is to that. |
00:04:43 |
- Why are you doing this? |
00:04:45 |
What if I roundhouse you upside |
00:04:49 |
- I don't know. Give it a shot. |
00:04:53 |
- Don't be macho. |
00:04:55 |
This isn't lesbian talk-circle time. |
00:04:58 |
- You're getting the fuck out. Got it? |
00:05:02 |
You need a little freedom or something? |
00:05:06 |
We can all have sex together, that's fine. |
00:05:09 |
What do you say, Hot Rocks? |
00:05:10 |
- Would you like it? |
00:05:12 |
- You know you want it. |
00:05:16 |
It's over. |
00:05:19 |
- It's not him. It's us, honey. |
00:05:22 |
Just shut up for one second! God! Fuck! |
00:05:25 |
This has nothing to do with him. |
00:05:32 |
- It's just, we're over. |
00:05:34 |
We'll set up together, the three of us, |
00:05:38 |
- Baby, you're not hearing me. |
00:05:44 |
God damn it! |
00:05:46 |
See, I'm going to kill myself right now |
00:05:50 |
- That's a nice girl. |
00:05:56 |
- What the fuck is that? |
00:05:58 |
No. |
00:06:01 |
- What did you do? |
00:06:04 |
- Get away. |
00:06:05 |
Get away. What's wrong with you? |
00:06:07 |
- Oh, my God. |
00:06:08 |
Lady, you need some Band-Aids. |
00:06:15 |
This must be Mental-fucking-lllness Week. |
00:06:30 |
That woman is fucking beautiful. |
00:06:35 |
Yes. |
00:06:37 |
She's like the ones at the Baywatch. |
00:06:42 |
They make my penis sneeze. |
00:06:49 |
You got a good sense of humor, |
00:06:52 |
God bless you. |
00:06:56 |
- Thank you. |
00:06:58 |
When my penis sneezes, |
00:07:01 |
"God bless you, penis." |
00:07:22 |
She's going to be okay. |
00:07:24 |
What a relief. |
00:07:28 |
Brian, would you excuse us? |
00:07:32 |
- You'll be all right in the car? |
00:07:34 |
Okay, good. |
00:07:47 |
I just... |
00:07:49 |
I got to tell you, |
00:07:52 |
I say we don't do it. |
00:08:00 |
You trying to test me? |
00:08:02 |
Is that it? You wanna see |
00:08:05 |
No. |
00:08:08 |
So, what are you, |
00:08:13 |
Look, I've done some bad things... |
00:08:15 |
but I didn't sign on to this |
00:08:19 |
Because, as far as I'm concerned, |
00:08:27 |
How would you get around it? |
00:08:30 |
I'd work it out. |
00:08:32 |
But first I got to know, are you with me? |
00:08:46 |
Sure. |
00:08:48 |
Sure or yes? |
00:08:49 |
- That's the same thing. |
00:08:52 |
See, if I were to ask you to move my couch |
00:08:57 |
But if I were to ask you |
00:09:00 |
and tell me from the bottom of your heart... |
00:09:02 |
if it would give you great pleasure |
00:09:06 |
if I may be presumptuous, |
00:09:10 |
See, it just implies |
00:09:16 |
Ask me the question again. |
00:09:19 |
Okay. Are you with me? |
00:09:23 |
Yes. |
00:09:28 |
Yeah? Good. |
00:09:34 |
Isn't this B level? |
00:09:34 |
Isn't this B level? |
00:09:35 |
This is D level. You shouldn't be here. |
00:09:37 |
I'm looking for B level. |
00:09:38 |
This is a D level and no one is allowed here. |
00:09:43 |
Hold on. |
00:09:45 |
You're confusing me. |
00:09:46 |
Let's just start from the beginning. |
00:09:49 |
Oh, my God. |
00:09:52 |
- I am so sorry. |
00:09:58 |
Just soak that in cold water |
00:10:02 |
I promise you. Yes. No, it will. |
00:10:06 |
The thing is, the reason I'm here |
00:10:10 |
- Close your eyes. |
00:10:11 |
Close your eyes. Follow me. |
00:10:15 |
Come on. Go. You're fine. |
00:10:24 |
- Can I open them? |
00:10:26 |
- It's cold in here. |
00:10:39 |
- Can I open them? |
00:10:42 |
Stay turned around. |
00:10:44 |
Smells like my grandmother's. |
00:10:51 |
- What was that? |
00:11:21 |
{y:i}I like big butts and I cannot lie |
00:11:25 |
{y:i}The other brothers can't deny |
00:11:27 |
{y:i}When the girls walk in |
00:11:30 |
{y:i}And round things in your face |
00:11:34 |
{y:i}'Cause you notice that butt was stuffed |
00:11:36 |
{y:i}'Cause I'm long, and I'm strong |
00:11:39 |
{y:i}And I'm down to get the friction on |
00:11:40 |
{y:i}So, ladies, yeah |
00:11:42 |
{y:i}Ladies, yeah |
00:11:43 |
{y:i}If you wanna roll in my Mercedes |
00:11:46 |
{y:i}So turn around! Stick it out! |
00:11:50 |
{y:i}Baby got back! |
00:11:53 |
{y:i}Baby got back! |
00:11:58 |
That's an old-school song. |
00:12:01 |
You're old-school, too, Larry. |
00:12:08 |
We got an item that we want |
00:12:11 |
- Mail out. |
00:12:13 |
Could we just get an envelope from you? |
00:12:15 |
What size would you like? |
00:12:17 |
- Just the top, right... |
00:12:23 |
So all right. |
00:12:26 |
We're done, right? |
00:12:29 |
That's it. |
00:12:45 |
Thanks. |
00:13:03 |
Would you like your parcel insured? |
00:13:08 |
No, that's all right. |
00:13:28 |
I'll be right back. |
00:13:33 |
Friend of yours? |
00:13:35 |
Close, personal. |
00:13:45 |
You know something? |
00:13:49 |
I'm fucking sad. You got me. |
00:13:54 |
You know why I'm fucking sad? |
00:13:59 |
beautiful, sexy, gorgeous... |
00:14:03 |
heartthrob-o-rama, |
00:14:07 |
17-on-a-fucking-10-scale girl... |
00:14:10 |
sleeping in a bed, right next to me. |
00:14:14 |
And you know what? |
00:14:16 |
She's a stone-cold dyke. |
00:14:20 |
A fucking untouchable... |
00:14:22 |
unhaveable, unattainable brick wall... |
00:14:25 |
fucking Dykeasaurus Rexi. |
00:14:29 |
So it's sad, okay? |
00:14:33 |
I feel fucking sadness about that. |
00:14:36 |
There's nothing I can fucking do. |
00:14:44 |
And not only is she a major babe... |
00:14:48 |
but I really like this girl a lot. |
00:14:51 |
A lot. |
00:14:53 |
She's not like anybody else |
00:14:56 |
and that's a completely fucking new one |
00:15:00 |
I don't even know her real fucking name. |
00:15:04 |
And in case you're interested, my life sucks. |
00:15:08 |
All right? Stick a fork in me, I'm done. |
00:15:28 |
{y:i}Clean the bar all you like. |
00:15:32 |
{y:i}- Oh, you got me. |
00:15:45 |
Do you think your fingernails |
00:15:55 |
They're fine. |
00:16:01 |
What? You don't like my fingernails now? |
00:16:05 |
Look, I have no idea if this is true or not, |
00:16:10 |
that those who are balanced |
00:16:14 |
check their fingernails this way. |
00:16:17 |
And those balanced more toward |
00:16:23 |
I had a feeling that even though |
00:16:27 |
that you are wrestling |
00:16:31 |
That's fucking bullshit. |
00:16:33 |
I can't see. I'm farsighted. |
00:16:37 |
So I hold them out here |
00:16:41 |
To find out how somebody's |
00:16:45 |
I can't see. That's why I hold them far away. |
00:16:48 |
- All right. |
00:16:50 |
No, all right. |
00:16:51 |
I was gonna do this. That's what I wanna do. |
00:16:53 |
But I know I can't see |
00:16:56 |
All right. |
00:17:09 |
Don't give me that look. |
00:17:15 |
- Are you gay? |
00:17:18 |
No. I'm not gay! |
00:17:20 |
Why do you look at me and think I'm gay? |
00:17:23 |
I'm not fucking gay! |
00:17:25 |
- Are you sure? |
00:17:30 |
You know what, I bet you're right. |
00:17:32 |
- Thank you. |
00:17:35 |
Ricki, whatever your real name is, |
00:17:41 |
Look how I'm acting. |
00:17:46 |
You give me a fucking headache. |
00:17:50 |
I don't even know why I had a crush on you, |
00:17:55 |
that you really cured me of. |
00:17:59 |
I don't know. |
00:18:01 |
Maybe it's because you know |
00:18:04 |
Maybe that turns you on. |
00:18:08 |
You cannot kick my ass. |
00:18:30 |
What? |
00:18:36 |
You need a woman. |
00:18:39 |
I got one. |
00:18:41 |
Stop. |
00:18:44 |
Kiss me again. |
00:18:49 |
I thought you wanted to be my bitch. |
00:18:53 |
This is so fucked up. |
00:19:18 |
- Where you going? |
00:19:26 |
Gobble, gobble. |
00:19:29 |
What? |
00:19:32 |
Now, you talk the talk... |
00:19:34 |
you know I'm expecting |
00:19:36 |
Show me what I've been missing |
00:19:39 |
Lay some of that sweet "heterolingus" |
00:19:48 |
I think... |
00:19:50 |
to be serious... |
00:19:53 |
I just... You know, I think... |
00:19:56 |
I was thinking, you know, |
00:19:59 |
when you said probably, |
00:20:02 |
about what feels better to another woman. |
00:20:06 |
A guy might be at a certain disadvantage. |
00:20:11 |
It's like, you need a handicap. |
00:20:18 |
Shut up and get over here. |
00:22:10 |
God bless you, penis. |
00:22:14 |
What'd you say? |
00:22:18 |
Nothing. |
00:22:22 |
Every relationship has a bull and a cow? |
00:22:27 |
That's right. |
00:22:47 |
Just to be up front about all this... |
00:22:51 |
when this gig is over... |
00:22:54 |
I want you to know |
00:23:18 |
{y:i}Listen... |
00:23:19 |
you and Trixie over there, |
00:23:23 |
Louis, what's going on? |
00:23:25 |
And don't bring the thing. |
00:23:27 |
- The what? |
00:23:30 |
What thing? |
00:23:31 |
The thing. Don't bring... Don't bring it. |
00:23:35 |
- You mean the... |
00:23:37 |
{y:i}You leave it somewhere safe |
00:23:40 |
- All right. |
00:23:42 |
{y:i}- Yeah, I understand. |
00:23:46 |
What? |
00:23:48 |
It's Louis. Fucking pissed. |
00:23:51 |
See this? Some cookies in there. |
00:23:55 |
Be back. |
00:23:57 |
- When are you coming back? |
00:23:59 |
- Just relax, eat your breakfast. Okay? |
00:24:03 |
Well, you can't skip breakfast. |
00:24:06 |
Don't go nowhere. Don't touch nothing. |
00:24:09 |
- Don't make phone calls. I'm not kidding. |
00:24:13 |
All right. See you later. |
00:24:15 |
- Bye, Ricki. |
00:24:28 |
- What? |
00:24:39 |
You know, I got this fantasy. |
00:24:43 |
About making it with a guy? |
00:24:48 |
No. |
00:24:50 |
That's not it. |
00:24:54 |
Going somewhere, you know, |
00:25:02 |
clean. |
00:25:05 |
- Clean? |
00:25:09 |
No scumbags telling you what to do. |
00:25:14 |
Someplace you could just be. |
00:25:20 |
Be yourself. |
00:25:24 |
No bad stuff. |
00:25:31 |
That sounds good. |
00:25:48 |
- What's up? |
00:25:53 |
Follow me. |
00:26:05 |
Hello. |
00:26:08 |
- Welcome. Nice to meet you. |
00:26:12 |
Finally. Nice to meet you, too. |
00:26:14 |
Come. Look at you. Beautiful. |
00:26:16 |
Come on in. Here. Grab a couch. |
00:26:19 |
Sit, sit. |
00:26:21 |
I say everything twice. In, in. Sit, sit. |
00:26:24 |
I'm so glad you could come... |
00:26:27 |
on such a short notice, too. |
00:26:31 |
I really... I thank you. |
00:26:36 |
I'm sorry if I'm a bit of a mess, |
00:26:41 |
I'm sure Louis told you, |
00:26:45 |
some little legal problems |
00:26:50 |
What are you gonna do? It's a nuisance, |
00:26:54 |
I got to fight it, right? |
00:26:58 |
I mean, I can't go to jail. |
00:27:02 |
I'm used to the finer things. |
00:27:04 |
- Louis, am I right? |
00:27:08 |
It can't be. So I think we can say... |
00:27:12 |
beyond a shadow of a doubt, |
00:27:21 |
Somewhere a mistake has been made. |
00:27:27 |
Did you know... |
00:27:30 |
that apparently some people... |
00:27:32 |
do not regard the thumb, |
00:27:40 |
Curious for myself, I turned to Louis here... |
00:27:43 |
who with his newfound dictionary skills |
00:27:48 |
- You know what it said? |
00:27:51 |
Tell him what it said, Louis. |
00:27:54 |
It said, quote: |
00:27:55 |
"The short, thick, inner digit of the hand |
00:28:00 |
Now it said, "digit," not "finger." |
00:28:03 |
So I still don't really know, technically, |
00:28:08 |
- Right? |
00:28:11 |
Right. Look at him. I love him. |
00:28:14 |
I love this guy. He eats no matter what. |
00:28:18 |
What's this? |
00:28:20 |
What is this? Louis. |
00:28:23 |
I've been subpoenaed. |
00:28:27 |
I can't be consorting with armed felons. |
00:28:33 |
A little consideration, please. |
00:28:36 |
Besides, you think something like this |
00:28:40 |
anyway, to intimidate people? |
00:28:45 |
I say intimidation comes from within. |
00:28:48 |
There are a multitude of qualities |
00:28:51 |
that make them intimidating. |
00:28:53 |
Not only this, this is the outside. |
00:28:58 |
But you know |
00:29:01 |
Not that you asked. |
00:29:03 |
But the absolutely most intimidating |
00:29:07 |
When an individual just doesn't give a shit. |
00:29:11 |
- Louis, you want to go to medical school? |
00:29:17 |
Yes! |
00:29:21 |
Students there |
00:29:31 |
I feel like I'm floating. |
00:29:35 |
I feel... |
00:29:38 |
released. |
00:29:43 |
I don't give a shit. |
00:29:46 |
I don't. |
00:29:58 |
I have no compunctions... |
00:30:02 |
none whatsoever. |
00:30:08 |
And I am very concerned... |
00:30:12 |
about the way things have turned out here. |
00:30:24 |
How was the bleeding? |
00:30:30 |
The bleeding? |
00:30:32 |
No, not him. |
00:30:36 |
The retard, when you cut his thumb off. |
00:30:39 |
Louis told me you were concerned. |
00:30:49 |
Bleeding was fine. |
00:30:52 |
Fine? |
00:30:54 |
It was all right. |
00:30:59 |
Okay. Good. |
00:31:08 |
I didn't need your help, you know. |
00:31:15 |
What were you thinking? |
00:31:18 |
You were gonna extort a federal prosecutor. |
00:31:22 |
You thought you could say: |
00:31:26 |
"Kidnapped your little brother, |
00:31:33 |
You didn't think |
00:31:38 |
You didn't think every fucking fed... |
00:31:42 |
wouldn't drop what they were doing... |
00:31:44 |
and dive in to protect one of their own? |
00:31:49 |
What do you morons think... |
00:31:53 |
this is Little Italy? |
00:31:57 |
Wake up! |
00:31:58 |
This is the twenty-fucking-first century! |
00:32:16 |
So now... |
00:32:21 |
things are bad. |
00:32:25 |
And whether you wanna call a thumb... |
00:32:28 |
a finger or a digit... |
00:32:31 |
for the sake of this discussion, |
00:32:36 |
You know why? |
00:32:38 |
Because whatever you choose to call it... |
00:32:43 |
a thumb... |
00:32:45 |
has a fingerprint... |
00:32:48 |
and the one you sent... |
00:32:51 |
had the wrong fucking one. |
00:32:58 |
- Mr. Starkman... |
00:33:02 |
you piece of shit! |
00:33:09 |
You don't try to extort... |
00:33:12 |
a federal fucking prosecutor! |
00:33:18 |
And if you do... |
00:33:22 |
you don't fuck around! |
00:33:31 |
Fuck this. |
00:33:33 |
Cutting off his thumb was a stupid order. |
00:33:35 |
We would have been derelict |
00:33:41 |
Hello. |
00:33:42 |
How long could we have kept below radar... |
00:33:44 |
with a thumbless, bleeding half-wit? |
00:33:47 |
You see, sometimes... |
00:33:50 |
one has to use |
00:33:55 |
to override a dumb request. |
00:33:59 |
With all due respect... |
00:34:01 |
even at this point if you were to ask us... |
00:34:04 |
to pursue a course of action that would be... |
00:34:08 |
let's say, contrary to your best interests... |
00:34:12 |
then as awkward as it might be... |
00:34:16 |
we would have to take exception. |
00:34:23 |
Aside from those of us in this room... |
00:34:26 |
there's only one person, really, |
00:34:32 |
And I feel that we should... |
00:34:36 |
rectify that problem as soon as we can. |
00:34:42 |
I think I'd much prefer just to... |
00:34:46 |
you know... |
00:34:49 |
end it right here. |
00:34:54 |
And that would be |
00:34:59 |
If you think that having |
00:35:02 |
and telling them all about being kidnapped |
00:35:07 |
If you think that's the best tactic |
00:35:12 |
If you think that's any less dumb |
00:35:16 |
well, then that would be |
00:35:23 |
But if you don't... |
00:35:26 |
then let us take the thorn out of your side. |
00:35:29 |
Let us make sure that kid will never be |
00:35:36 |
And if after that you're still not happy... |
00:35:41 |
then we can all talk again. |
00:35:51 |
- You were kidding, right? |
00:35:54 |
We'll take Brian back |
00:35:59 |
Are we going to the Baywatch now? |
00:36:01 |
No, we can't go to the Baywatch now. |
00:36:10 |
Maybe this is it. Maybe this is the thing. |
00:36:12 |
Maybe this is a sign coming from nowhere, |
00:36:15 |
just telling me it's time. It's time to get out. |
00:36:28 |
{y:i}When I'm alone in my room |
00:36:31 |
{y:i}and in the back of my mind |
00:36:34 |
{y:i}telling me I need a girl |
00:36:37 |
{y:i}For the first time in my life I see |
00:36:40 |
{y:i}So if you know who you are |
00:36:44 |
{y:i}take a chance with my love |
00:36:47 |
{y:i}I need love |
00:36:54 |
{y:i}I need love |
00:36:55 |
Let me ask you something. |
00:37:02 |
No, I don't. |
00:37:05 |
Let me do something for you. |
00:37:06 |
You know, make up for all the problems |
00:37:12 |
Because I see you're a little nervous |
00:37:15 |
Let me tell you something. You got |
00:37:20 |
Let me tell you this thing that I heard, |
00:37:25 |
You know? |
00:37:26 |
It's that the thing |
00:37:30 |
if you do it, if you step up, |
00:37:35 |
You see a girl that you like |
00:37:38 |
bro, step up. |
00:37:41 |
Go up to her and say: |
00:37:43 |
"Hi, how are you today? |
00:37:47 |
Take it from there, |
00:37:50 |
Try it with me. Practice. Go ahead. |
00:37:53 |
Hello, how are you today? |
00:37:55 |
Try it with me. Go ahead. Just say it. |
00:37:59 |
Hello, how are you today? |
00:38:03 |
Come on, Brian. Hello. |
00:38:09 |
How are you today? |
00:38:12 |
"How are you today?" |
00:38:14 |
Nice weather we're having. |
00:38:19 |
"Nice weather we're having." |
00:38:21 |
There you go. You see how he did it? |
00:38:25 |
If you're afraid, step up and good things |
00:38:30 |
- I stepped up. |
00:38:34 |
That's how you move. Step it up. |
00:38:48 |
So, now that we're partners in crime... |
00:38:52 |
how about telling me your real name. |
00:38:56 |
The reason that I ask that... |
00:38:58 |
is because I don't know |
00:39:02 |
but I've been thinking about it. |
00:39:03 |
And seeing... You know, looks like |
00:39:09 |
So I thought, you know... |
00:39:12 |
All right, look. |
00:39:13 |
I'm gonna lay it all out there for you |
00:39:16 |
I'm just gonna say it, |
00:39:21 |
- I think... |
00:39:25 |
You know I haven't done |
00:39:28 |
The whole man thing... |
00:39:30 |
doesn't really |
00:39:34 |
I know. |
00:39:36 |
But somehow you got through. |
00:39:40 |
Somehow. |
00:39:45 |
But in the end... |
00:39:49 |
I don't think |
00:40:08 |
- So where do you think you'll go? |
00:40:16 |
Somewhere clean. |
00:40:22 |
You know, Northern California... |
00:40:26 |
Oregon maybe. |
00:40:28 |
You could just drop me off |
00:40:31 |
- and I'll figure it out from there. |
00:40:36 |
After that, Brian, |
00:40:43 |
We just left there a little while ago, though. |
00:40:46 |
I don't mean my apartment. |
00:40:49 |
Where I got you. |
00:40:54 |
What, you mean to stay? |
00:40:57 |
Yeah, buddy. To stay. |
00:41:57 |
Oh, my God. |
00:42:07 |
- It's open. Oh, my God. |
00:42:10 |
- Oh, my God. I'm gonna go. |
00:42:12 |
- What's he talking about? |
00:42:17 |
They're open. Oh, my God. The Baywatch. |
00:42:21 |
They're open! |
00:42:24 |
- Cowabunga! |
00:42:25 |
That's the Baywatch? |
00:42:27 |
It's open. It's the Baywatch. |
00:42:30 |
Hello there! |
00:42:33 |
I can't believe this. |
00:42:36 |
- I can't believe. Stop. |
00:42:39 |
No, we have to stop! |
00:42:41 |
No, Larry, no! They're here. We're here. |
00:42:46 |
I know. We can't, though. I'm sorry. |
00:42:49 |
- We're here. Come on. |
00:42:51 |
- We're right here. |
00:42:53 |
Wait. That's it. We're right here. |
00:43:00 |
Wait a second. |
00:43:17 |
All right. |
00:43:22 |
What do you think? |
00:43:30 |
- Can I go down there? |
00:43:36 |
I mean, we're not allowed down there. |
00:43:39 |
Plus, we got to go soon. |
00:43:42 |
Please? Please, can I go down there? |
00:43:46 |
You know, Brian, I don't even think... |
00:43:50 |
This might not even be the Baywatch. |
00:43:58 |
Larry, you promised me. |
00:44:03 |
You promised me. |
00:44:10 |
- It's right there. |
00:44:14 |
Just for five minutes? |
00:44:22 |
Brian, what's your brother's name? |
00:44:27 |
My brother's name is stinky Jimmy Dorf. |
00:44:32 |
Yeah, some other time, I do. |
00:44:34 |
Yeah, Los Angeles. The U.S. Courthouse. |
00:44:39 |
- Because... Do you want to know why? |
00:44:44 |
Because sometimes he smells like fish. |
00:44:47 |
No, I don't think so. |
00:44:48 |
Yeah, I'll give you my name. |
00:45:06 |
Brian, look at me. |
00:45:10 |
I think your brother and his friends |
00:45:14 |
Okay? |
00:45:19 |
I want you to know something. |
00:45:23 |
You're a good kid. |
00:45:26 |
I'm sorry about all the... |
00:45:32 |
I'm sorry for being... |
00:45:42 |
I'm sorry. |
00:45:49 |
I think you're wrong. |
00:45:53 |
I think that is the Baywatch right there. |
00:46:01 |
Who knows. Maybe it is. |
00:46:05 |
I'm a genius, man. I knew it. |
00:46:11 |
You take good care of yourself, Brian. |
00:46:26 |
You take good care of yourself, Larry. |
00:46:31 |
I'll do that. |
00:46:36 |
Brian, let me ask you something. |
00:46:41 |
- My fingernails? |
00:46:48 |
- Don't say nothing. |
00:46:52 |
I got A-plus nails. |
00:46:55 |
- I give an A-plus for fingernails. |
00:46:58 |
Go ahead. |
00:47:10 |
Go on. |
00:47:18 |
I don't know how you're thinking |
00:47:22 |
what your plans are... |
00:47:27 |
but I think you should take my car. |
00:47:31 |
Go ahead, take it. Take it. |
00:47:36 |
I couldn't do that, Larry. |
00:47:42 |
I'd rather... |
00:47:46 |
It's a good car, |
00:47:50 |
And I know that |
00:47:54 |
So just, you know, take it. |
00:47:57 |
I was thinking |
00:48:00 |
I'm trying to change my image. |
00:48:07 |
Go ahead, take it. |
00:48:12 |
Please. |
00:48:22 |
Okay. |
00:48:26 |
- I will, thank you. |
00:48:30 |
Just do me one favor, though. |
00:48:34 |
Name it. |
00:48:36 |
As far as the lesbian thing goes... |
00:48:42 |
Yeah? |
00:48:44 |
...if you do ever think |
00:48:49 |
promise you'll give me a call first. |
00:49:43 |
{y:i}Okay, ladies and gentlemen, listen up. |
00:49:48 |
{y:i}Camera is ready and picture is up. |
00:49:50 |
{y:i}I need all dancers to first position |
00:49:54 |
{y:i}All dancers to first position |
00:50:37 |
{y:i}Okay, listen up, guys. |
00:50:41 |
{y:i}Come on, guys, |
00:50:44 |
{y:i}As the old song goes. ; |
00:50:47 |
{y:i}Find someone to love. |
00:51:15 |
Come on, Brian. Dance with someone. |
00:51:25 |
Nice weather we're having. |
00:51:28 |
Yes, it's very nice. |
00:51:38 |
It is? |
00:51:41 |
Yes. But the weather's always very nice |
00:51:47 |
Yes. |
00:51:51 |
And a 10% chance of precipitation |
00:51:54 |
extending from New South Wales to Victoria. |
00:52:06 |
{y:i}And playback. |
00:52:09 |
{y:i}And action. |
00:53:40 |
Rochelle. |
00:53:43 |
What? |
00:53:45 |
Rochelle. That's my real name. |
00:54:00 |
So, Rochelle... |
00:54:04 |
does this mean |
00:54:07 |
I wouldn't go that far. |
00:54:10 |
But I figured |
00:54:14 |
the least I could do |
00:54:20 |
Fair enough. |
00:54:37 |
What? |
00:54:39 |
You know, |
00:54:47 |
- I'm not sure how to take that. |
00:54:51 |
Yeah? |
00:54:53 |
Like your mother said, |
00:54:58 |
Sometimes you just never know. |
00:55:01 |
Are you driving or bullshitting? |
00:55:05 |
I'm driving. |
00:58:25 |
{y:i}I like big butts and I cannot lie |
00:58:29 |
{y:i}The other brothers can't deny |
00:58:31 |
{y:i}When the girls walk in |
00:58:33 |
{y:i}And round things in your face |
00:58:37 |
{y:i}'Cause you noticed that butt was stuffed |
00:58:40 |
{y:i}'Cause I'm long, and I'm strong |
00:58:42 |
{y:i}And I'm down to get the friction on |
00:58:44 |
{y:i}So, ladies, yeah |
00:58:46 |
{y:i}Ladies, yeah |
00:58:47 |
{y:i}If you wanna roll in my Mercedes |
00:58:50 |
{y:i}So turn around! Stick it out! |
00:58:54 |
{y:i}Baby got back! |
00:58:57 |
{y:i}Baby got back! |