|
Girl With A Pearl Earring
|
| 00:01:13 |
Woman: Griet. |
| 00:01:20 |
Leave that. |
| 00:01:33 |
- Griet? |
| 00:01:54 |
Father: Do you remember? |
| 00:01:55 |
You watched me paint it. |
| 00:02:15 |
I never thought our family |
| 00:02:21 |
Food may be strange |
| 00:02:27 |
Keep clear of their Catholic prayers. |
| 00:02:30 |
Or if you must be with them |
| 00:02:33 |
stop your ears. |
| 00:03:46 |
- Girl #1: Give it. |
| 00:03:48 |
- Give it back. |
| 00:03:52 |
Girl #1: You did not get it. |
| 00:03:55 |
Do you know the house |
| 00:03:57 |
Tell Tanneke |
| 00:04:21 |
Woman: You took your time. |
| 00:04:26 |
Young mistress is out |
| 00:04:28 |
I'm to show you round. |
| 00:04:31 |
Water for the table. |
| 00:04:35 |
Take water from the canal |
| 00:04:37 |
It's clean enough |
| 00:04:41 |
Soda... |
| 00:04:44 |
sand and soap. |
| 00:04:45 |
In cooking kitchen you're to help |
| 00:04:48 |
buy fish and meat... |
| 00:04:49 |
when young mistress |
| 00:04:52 |
You'll take your meals |
| 00:04:57 |
That's your sleeping place. |
| 00:05:01 |
Scour the pots and pans. |
| 00:05:02 |
Young mistress and master sleep |
| 00:05:06 |
You'll get used to it. |
| 00:05:14 |
You're to clean in there. |
| 00:05:18 |
Not now! |
| 00:05:20 |
He's painting. |
| 00:05:42 |
(mice squeaking) |
| 00:06:30 |
(light tapping) |
| 00:06:43 |
(water boiling) |
| 00:07:20 |
(clucking) |
| 00:07:27 |
Good morning, madam. |
| 00:07:30 |
Don't speak till |
| 00:07:34 |
Tanneke showed you what needs |
| 00:07:37 |
Yes, madam. |
| 00:07:38 |
This is only a trial. |
| 00:08:06 |
I... |
| 00:08:10 |
my husband does... |
| 00:08:14 |
Go in. |
| 00:08:18 |
Go in. |
| 00:08:56 |
Disturb nothing. |
| 00:08:58 |
Leave all just as it is. |
| 00:09:03 |
Open the shutters, |
| 00:11:00 |
You're not the first to forget |
| 00:11:05 |
Tell me, girl... |
| 00:11:06 |
do you think it finished? |
| 00:11:11 |
Three months. |
| 00:11:13 |
Another three before he's satisfied, |
| 00:11:18 |
Well get along, girl. |
| 00:11:19 |
You're not paid |
| 00:11:29 |
Man: Good to see you. |
| 00:11:30 |
- Tanneke: Are you well? |
| 00:11:36 |
- Can we go? |
| 00:11:38 |
Paul. |
| 00:11:40 |
This is Griet, |
| 00:11:42 |
She'll fetch the meat now. |
| 00:11:43 |
So, Griet... |
| 00:11:44 |
what takes your fancy? |
| 00:11:46 |
Nothing is too good |
| 00:11:48 |
An ox tongue |
| 00:11:50 |
Pieter... |
| 00:11:52 |
chops... |
| 00:11:53 |
In the book again? |
| 00:12:00 |
There you are. |
| 00:12:09 |
This meat's not fresh. |
| 00:12:14 |
The mistress won't like it. |
| 00:12:18 |
Pieter. |
| 00:12:22 |
Get the parcel |
| 00:12:41 |
That's better. |
| 00:12:44 |
We'll see you again, Griet. |
| 00:12:46 |
Yes. |
| 00:12:56 |
Woman: No! |
| 00:12:57 |
Man: I'll take that. |
| 00:13:01 |
Make way now. |
| 00:13:05 |
- What is it? |
| 00:13:07 |
They've lived next door |
| 00:13:13 |
The shame. |
| 00:13:16 |
Lost everything. |
| 00:13:19 |
Watch out for young mistress. |
| 00:13:22 |
She hates money troubles. |
| 00:13:25 |
She'll turn spiteful at this, |
| 00:13:33 |
Mistress: The last time you said it was |
| 00:13:36 |
Man: It will be done soon. |
| 00:13:38 |
Mistress: Oh yes, soon. |
| 00:13:40 |
Next month, next year? |
| 00:13:42 |
It's all the same to you, |
| 00:13:44 |
if your children starve |
| 00:13:47 |
When you sit up there |
| 00:13:49 |
Man: You're being ridiculous. |
| 00:13:51 |
Mistress: No, Jan, |
| 00:13:53 |
(steps, slamming door) |
| 00:13:57 |
One year it got so bad, |
| 00:14:00 |
You could imagine |
| 00:14:05 |
She smashed half the china... |
| 00:14:07 |
went to spoil |
| 00:14:11 |
Well, he's a temper on him too |
| 00:14:18 |
She's not set so much as a foot |
| 00:14:26 |
(door opens, steps) |
| 00:14:56 |
(woman screaming in pain) |
| 00:15:02 |
(screaming) |
| 00:15:09 |
There you are. |
| 00:15:11 |
Hail Mary, Mother of God, |
| 00:15:12 |
pray for us sinners now |
| 00:15:15 |
Tanneke: Six babies. Why does |
| 00:15:18 |
Woman: Just get on with the work. |
| 00:15:19 |
- Push! |
| 00:15:24 |
Woman: I need more rags, girl. |
| 00:15:26 |
Woman: More rags. |
| 00:15:28 |
(panting) |
| 00:15:31 |
(screaming) |
| 00:15:33 |
Woman: Push, push! |
| 00:15:35 |
Woman: Good, that's good! |
| 00:15:38 |
Mistress: Oh, Jan, |
| 00:15:42 |
Woman: Johannes, that's it. |
| 00:15:44 |
Look at him, |
| 00:15:46 |
(blessing in Latin) |
| 00:15:53 |
(baby crying) |
| 00:15:58 |
Take this to the house of your master's |
| 00:16:21 |
Man: To the left. |
| 00:16:23 |
Man: Open up, |
| 00:16:27 |
That's it. |
| 00:16:34 |
Van Ruijven: |
| 00:16:38 |
Honored guest. |
| 00:16:40 |
It's the old woman's idea to combine |
| 00:16:45 |
She is a tight fist. |
| 00:16:48 |
I won't turn out |
| 00:16:51 |
Me and the brat |
| 00:16:58 |
You have a very wide eyes. |
| 00:17:00 |
What do they call you? |
| 00:17:05 |
- Griet. |
| 00:17:07 |
Griet. |
| 00:17:12 |
Your master is a fine painter, |
| 00:17:16 |
The finest in Delft. |
| 00:17:18 |
He's painted me. |
| 00:17:20 |
Perhaps that will be |
| 00:17:30 |
Look at that dress. |
| 00:17:32 |
You can almost stroke |
| 00:17:35 |
And the wine winkling |
| 00:17:40 |
Can you imagine yourself |
| 00:17:46 |
She loved it, you know. |
| 00:17:48 |
Lace and satin pressed tight |
| 00:17:52 |
The silk, heavy on her thighs. |
| 00:17:56 |
The gentlemen watching. |
| 00:18:00 |
My God, she was happy. |
| 00:18:02 |
She thought she was somebody. |
| 00:18:04 |
All dressed up like a lady. |
| 00:18:08 |
Green as grass, |
| 00:18:12 |
She had only worked there |
| 00:18:13 |
before Master Van Ruijven |
| 00:18:17 |
Got her into that fine red dress. |
| 00:18:22 |
Poured wine down her |
| 00:18:25 |
That dress |
| 00:18:26 |
She was carrying his by-blow |
| 00:18:35 |
He thinks we don't know |
| 00:19:00 |
Tanneke: Come on, keep up. |
| 00:19:09 |
Butcher: Come on now, my little one. |
| 00:19:12 |
The price was three guilders, |
| 00:19:14 |
Three guilders... |
| 00:19:43 |
(knocking) |
| 00:19:49 |
Why are you here? |
| 00:19:52 |
A nice greeting, when I brought |
| 00:19:56 |
Better carry it through. |
| 00:20:02 |
Not even a smile |
| 00:20:04 |
Not today. |
| 00:20:07 |
Come on. |
| 00:20:12 |
I'll put it in the book, then. |
| 00:20:14 |
one smile. |
| 00:20:35 |
Man: |
| 00:20:43 |
Welcome, |
| 00:20:45 |
Van Ruijven: Mistress Thins. |
| 00:21:01 |
(applause) |
| 00:21:09 |
Friends and neighbors, |
| 00:21:11 |
our honored guest, |
| 00:21:14 |
not only |
| 00:21:16 |
to celebrate the safe delivery |
| 00:21:18 |
praise be to God, |
| 00:21:23 |
but also to rejoice |
| 00:21:26 |
a new masterpiece |
| 00:21:31 |
Johannes Vermeer. |
| 00:21:59 |
Is this Indian yellow? |
| 00:22:04 |
Distilled from the urine |
| 00:22:07 |
fed only on mango leaves. |
| 00:22:12 |
You've glazed my wife |
| 00:22:20 |
It was the right color. |
| 00:22:21 |
No stinting, eh? |
| 00:22:27 |
I cannot bear the suspense |
| 00:22:30 |
Pray tell us |
| 00:22:32 |
This is good. |
| 00:22:36 |
Color and perspective is true, |
| 00:22:44 |
All this skill lavished |
| 00:22:48 |
Why... |
| 00:22:50 |
it's almost as if... |
| 00:22:53 |
And have you considered |
| 00:22:57 |
We cannot expect you to give up Emilie |
| 00:23:00 |
Considered? It's already in hand. |
| 00:23:02 |
A coming fellow |
| 00:23:04 |
Studied under |
| 00:23:07 |
though, who hasn't |
| 00:23:11 |
"A Merry Company by Candlelight," |
| 00:23:19 |
So, have you decided |
| 00:23:21 |
Have you found inspiration up |
| 00:23:25 |
Is there another patron in Delft |
| 00:23:29 |
I've not yet found a subject. |
| 00:24:02 |
(thunder roaring) |
| 00:24:06 |
(baby crying) |
| 00:24:26 |
Yes? |
| 00:24:27 |
About the studio, mistress. |
| 00:24:30 |
Should I clean the windows? |
| 00:24:32 |
You don't need to ask me |
| 00:24:35 |
It's just... |
| 00:24:38 |
it may change the light. |
| 00:24:48 |
Of course. |
| 00:24:51 |
Wash them. |
| 00:25:37 |
(gasping) |
| 00:25:38 |
Stay as you were. |
| 00:25:47 |
By the window. |
| 00:25:58 |
Drop it. |
| 00:26:08 |
Just... |
| 00:26:21 |
You can go. |
| 00:26:42 |
(bells tolling) |
| 00:27:08 |
Priest: Brothers and sisters... |
| 00:27:10 |
welcome to the house |
| 00:27:12 |
Let us lift up our hearts |
| 00:27:16 |
to give Him thanks and praise |
| 00:27:34 |
Father, mother, |
| 00:27:37 |
our butcher's son... |
| 00:27:40 |
Sir, mistress, |
| 00:27:42 |
So, the butcher... |
| 00:27:47 |
Griet is the hardest to please |
| 00:27:50 |
Aye, she gets that from me. |
| 00:27:56 |
There now, I forgot. |
| 00:27:58 |
We must speak with |
| 00:28:00 |
Griet, you go on |
| 00:28:09 |
- Man: Good morning. |
| 00:28:11 |
where is that smile |
| 00:28:13 |
when I have been so clever |
| 00:28:19 |
You had nothing better |
| 00:28:32 |
Woman #1: Shocking. |
| 00:28:34 |
Woman #2: |
| 00:28:38 |
When I saw you with Tanneke I thought |
| 00:28:49 |
He started a new painting. |
| 00:28:54 |
There's no buyer. |
| 00:28:55 |
He won't even let me see it. |
| 00:28:58 |
But he's working again. |
| 00:29:00 |
It usually takes him longer. |
| 00:29:45 |
Man: Good. |
| 00:29:50 |
Very good. |
| 00:30:38 |
Do you know what it is? |
| 00:30:47 |
A camera obscura. |
| 00:31:03 |
Look into the glass. |
| 00:31:17 |
Here. Put this on. |
| 00:31:20 |
(gasping) |
| 00:31:31 |
You can see? |
| 00:31:37 |
- I'm so sorry, sir. |
| 00:31:40 |
What did you see? |
| 00:31:45 |
I saw the painting. |
| 00:31:49 |
But... |
| 00:31:55 |
how did it get in there? |
| 00:32:01 |
See this? |
| 00:32:04 |
This is called "a lens." |
| 00:32:05 |
Beams of reflected light |
| 00:32:10 |
into the box... |
| 00:32:12 |
Is it real? |
| 00:32:14 |
It's an image. |
| 00:32:16 |
A picture made of light. |
| 00:32:22 |
Does the box show you |
| 00:32:32 |
It helps. |
| 00:32:40 |
Girl #1: You didn't get me. |
| 00:32:43 |
Girl #2: No, you're cheating. |
| 00:32:44 |
Girl #1: Oh, do we have to play this? |
| 00:32:48 |
Girl #1: So... |
| 00:32:50 |
- Girl #1: Stop it. |
| 00:32:52 |
There. |
| 00:32:55 |
Now you're it. |
| 00:32:57 |
- I've got it. |
| 00:32:59 |
Yes I can. |
| 00:33:00 |
- No way. |
| 00:33:01 |
- No. |
| 00:33:04 |
Man: Cornelia! |
| 00:33:09 |
I won't tell you again. |
| 00:33:12 |
Woman: Girls, come inside. |
| 00:33:13 |
- Why? |
| 00:33:47 |
It's dirty now. |
| 00:34:43 |
(giggling) |
| 00:35:01 |
- I'm sorry, sir. |
| 00:35:10 |
Stay. |
| 00:35:35 |
Lead white. |
| 00:35:42 |
From the cupboard. |
| 00:36:20 |
Please let me see your hair. |
| 00:36:25 |
What color is it? |
| 00:36:27 |
Brown. |
| 00:36:31 |
Straight or curly? |
| 00:36:34 |
Neither. |
| 00:36:35 |
Long? |
| 00:36:37 |
- Very long? |
| 00:36:44 |
My mother will expect me home. |
| 00:36:46 |
She knows where you are, Griet. |
| 00:37:03 |
- (steps) |
| 00:37:09 |
Well... |
| 00:37:10 |
Nothing is the right color. |
| 00:37:15 |
This is the base color. |
| 00:37:16 |
It gives the tone... |
| 00:37:19 |
shadow in the light. |
| 00:37:21 |
And when it's dry... |
| 00:37:23 |
I glaze over it with blue, but... |
| 00:37:26 |
thinly, so that |
| 00:37:38 |
Look, Griet. |
| 00:37:41 |
Look at the clouds. |
| 00:37:46 |
What color are they? |
| 00:37:53 |
White? |
| 00:37:56 |
No... |
| 00:38:06 |
Yellow. |
| 00:38:11 |
Blue... |
| 00:38:16 |
There are colors |
| 00:38:25 |
Now you understand. |
| 00:38:48 |
Thinking about |
| 00:39:18 |
Come. |
| 00:39:22 |
This... is ruby shellac. |
| 00:39:34 |
Gum arabic. |
| 00:39:39 |
Wine skin. |
| 00:39:45 |
This will make verdigris. |
| 00:39:49 |
Malachite. |
| 00:39:54 |
Vermilion. |
| 00:40:02 |
That... |
| 00:40:05 |
linseed oil. |
| 00:40:08 |
Bone black. |
| 00:40:10 |
An you grind it with a muller, |
| 00:40:22 |
You try. |
| 00:40:37 |
Twist from the shoulder. |
| 00:40:41 |
It's like this. |
| 00:41:25 |
- (baby crying) |
| 00:41:29 |
The child needs a draught. |
| 00:41:33 |
My mother will not be content |
| 00:41:36 |
Come on. |
| 00:41:37 |
You will need... |
| 00:41:48 |
On the master's account. |
| 00:42:03 |
- Griet. |
| 00:42:07 |
I want you to get something |
| 00:42:10 |
I want some colors. |
| 00:42:15 |
My wife need not know. |
| 00:42:22 |
This is too thin. |
| 00:43:42 |
Did you get the lapis? |
| 00:43:48 |
You can mix the colors. |
| 00:43:52 |
Mix the colors? |
| 00:43:54 |
Sir, I haven't time. |
| 00:43:57 |
Make time. |
| 00:44:20 |
(baby crying) |
| 00:44:22 |
(snoring) |
| 00:44:29 |
Mistress: Nurse! |
| 00:44:30 |
- Nurse. |
| 00:44:37 |
Mistress: Nurse! Come on! |
| 00:00:30 |
I don't know. |
| 00:00:32 |
A month or so. |
| 00:00:34 |
No, Cornelia, |
| 00:00:36 |
A month or more. |
| 00:00:40 |
Why? |
| 00:00:41 |
What's it to you? |
| 00:00:43 |
Well, she's eating us out of house |
| 00:00:46 |
She must eat for the baby. |
| 00:00:48 |
All I'm saying is, I can't cook |
| 00:00:53 |
Tell her to be quiet, then. |
| 00:00:55 |
If I could just go back to the cellar... |
| 00:00:57 |
Well, you can't. |
| 00:01:01 |
Griet has your place. |
| 00:01:09 |
Why not move Tanneke back? |
| 00:01:16 |
Put a mattress in the attic |
| 00:01:18 |
Tanneke can sleep soundly... |
| 00:01:21 |
and Griet can clean the studio |
| 00:01:29 |
My jewels. |
| 00:01:33 |
You always have my jewels |
| 00:01:36 |
She... |
| 00:01:38 |
You lock up at night, |
| 00:01:39 |
open it in the morning. |
| 00:01:53 |
There. |
| 00:01:56 |
Yes, mistress. |
| 00:03:21 |
Got it. |
| 00:03:22 |
No, we are drawing. |
| 00:03:24 |
- Well, I do. |
| 00:03:30 |
No need to go |
| 00:03:33 |
Mistress wants eggs. |
| 00:03:39 |
No... |
| 00:03:41 |
she cannot abide the smell |
| 00:03:49 |
So soon? |
| 00:03:51 |
As if there weren't enough mouths |
| 00:03:55 |
Still... |
| 00:03:57 |
what can you do, eh? |
| 00:04:00 |
Men. |
| 00:04:40 |
Marvelous. |
| 00:04:44 |
No, Jan. |
| 00:04:50 |
(laughing) |
| 00:08:42 |
Why did you move the chair? |
| 00:08:49 |
She looked trapped. |
| 00:09:00 |
(distant thunder) |
| 00:09:11 |
Maria: Griet! |
| 00:09:14 |
Are you up there? |
| 00:09:32 |
One of my tortoiseshell combs |
| 00:09:48 |
Mistress: |
| 00:09:56 |
Griet: Master, I did not do it. |
| 00:10:02 |
Help me. |
| 00:10:13 |
Tanneke: Please. |
| 00:10:17 |
Maertge: Papa? |
| 00:10:18 |
- Father? |
| 00:10:20 |
Leave it alone. I'll find it. |
| 00:10:23 |
Mistress: What's going on? |
| 00:10:28 |
Stop it! |
| 00:10:30 |
For heaven's sake, |
| 00:10:31 |
you're scaring the children. |
| 00:10:35 |
What are you doing? |
| 00:10:50 |
Cornelia. |
| 00:11:03 |
(groaning) |
| 00:11:15 |
She's dishonest. |
| 00:11:16 |
Always sneaking around. |
| 00:11:21 |
Tanneke has complained of it. |
| 00:11:23 |
Creeping upstairs all day long. |
| 00:11:25 |
My daughter is right, |
| 00:11:30 |
I only took her |
| 00:11:32 |
- If I thought she'd be... |
| 00:11:35 |
we need the extra help. |
| 00:11:37 |
Fit in all your work |
| 00:11:38 |
and do not slack |
| 00:11:43 |
I shall invite Master Van Ruijven. |
| 00:11:45 |
Johannes must have |
| 00:11:51 |
Get back to work. |
| 00:12:14 |
Van Ruijven: All these girls. |
| 00:12:16 |
The boys will soon |
| 00:12:19 |
I tell you, if I was |
| 00:12:22 |
A connoisseur in everything, |
| 00:12:25 |
But you should be faithful |
| 00:12:31 |
Art. |
| 00:12:33 |
Your name will surely be famed |
| 00:12:36 |
With your exquisite taste, |
| 00:12:40 |
your subtle understanding |
| 00:12:44 |
No, no, stop it, stop it. My God, woman, |
| 00:12:47 |
Now what is it you want? |
| 00:12:49 |
A group painting. |
| 00:12:51 |
Yourself and Emilie. |
| 00:12:53 |
Your lovely daughter too. |
| 00:12:57 |
Or... |
| 00:12:59 |
a merry company. |
| 00:13:01 |
Wine... |
| 00:13:03 |
a good meal on your table. |
| 00:13:05 |
Your friends all about. |
| 00:13:07 |
- And dancing. |
| 00:13:10 |
I'll take your bait. |
| 00:13:12 |
The picture, several figures. |
| 00:13:14 |
A merry gathering, |
| 00:13:18 |
And if I'm to spend |
| 00:13:23 |
I want something |
| 00:13:27 |
I think she ought to be |
| 00:13:31 |
A tavern scene. |
| 00:13:33 |
Griet could come and serve me. |
| 00:13:38 |
Look at her, man. |
| 00:13:40 |
How hard is it |
| 00:13:45 |
Can I have her? |
| 00:14:17 |
Griet, there's been talk |
| 00:14:22 |
I've done nothing. |
| 00:14:23 |
Van Ruijven's cook says |
| 00:14:27 |
You'll have heard about him and the maid |
| 00:14:35 |
- You shouldn't believe gossip. |
| 00:14:39 |
I'll tell Pieter |
| 00:14:44 |
Liver? |
| 00:14:45 |
Griet. |
| 00:14:46 |
You've heard? |
| 00:14:48 |
I heard. |
| 00:14:50 |
No smoke without fire, |
| 00:14:55 |
- Is that what you think? |
| 00:14:59 |
You're only a maid, |
| 00:15:02 |
- I must get back. |
| 00:15:08 |
Just remember who you are. |
| 00:15:12 |
Don't get caught up |
| 00:15:15 |
I am only a maid, |
| 00:15:17 |
but I would never give in |
| 00:15:19 |
I wasn't talking |
| 00:15:33 |
Van Ruijven: |
| 00:15:35 |
Come here. |
| 00:15:37 |
What were you doing today? |
| 00:15:41 |
We both did. |
| 00:15:42 |
I hear you've been of great use |
| 00:15:46 |
All that grinding and stirring, eh? |
| 00:15:52 |
Master and maid. |
| 00:15:54 |
It's a tune we all know. |
| 00:15:58 |
And you can practice together now |
| 00:16:03 |
You won't forget, will you? |
| 00:16:07 |
Good. |
| 00:16:36 |
- What should I...? |
| 00:16:40 |
No. I already... already begun |
| 00:16:46 |
You're not to sit with Master |
| 00:16:51 |
Thank you, sir. |
| 00:16:56 |
I'm to paint you alone. |
| 00:17:14 |
My daughter must not hear |
| 00:17:21 |
It's to hang |
| 00:17:26 |
He's no fool, |
| 00:17:28 |
An he won't be taken for one, |
| 00:17:34 |
You're a fly in his web. |
| 00:17:39 |
We all are. |
| 00:17:50 |
Man: You've to admit, my friend, |
| 00:18:00 |
Tomorrow morning. |
| 00:18:03 |
I cannot, I have work. |
| 00:18:05 |
Find a way. |
| 00:18:29 |
The front of your cap, |
| 00:18:49 |
Take off your cap. |
| 00:18:57 |
No, sir. |
| 00:18:59 |
I cannot. |
| 00:19:01 |
Cannot? |
| 00:19:03 |
I will not. |
| 00:19:06 |
I need to see |
| 00:19:08 |
The cap covers too much. |
| 00:19:18 |
There's some cloth |
| 00:20:28 |
You know, I've a mind to go up there |
| 00:20:31 |
in the act. |
| 00:20:36 |
But you said yourself |
| 00:20:38 |
Oh, not with Emilie |
| 00:20:41 |
when he's alone with some |
| 00:20:46 |
Have you ever notice how |
| 00:20:49 |
Only the young pretty ones. |
| 00:20:51 |
On their own. |
| 00:20:53 |
You'll have to wait then. |
| 00:20:57 |
He makes only one painting |
| 00:21:00 |
Is that so? |
| 00:21:44 |
Mistress: Jan? |
| 00:21:48 |
Jan? |
| 00:22:34 |
Haven't you finished yet? |
| 00:22:50 |
I'll be in my studio |
| 00:23:04 |
Open your mouth. |
| 00:23:09 |
Sir? |
| 00:23:11 |
Open your mouth. |
| 00:23:17 |
Less. |
| 00:23:22 |
Now lick your lips. |
| 00:23:36 |
Again. |
| 00:23:55 |
Again. |
| 00:23:58 |
(steps, door closing) |
| 00:24:01 |
Girl: |
| 00:24:34 |
Wear these. |
| 00:24:51 |
Good. |
| 00:25:03 |
Look, Griet. |
| 00:25:06 |
Point of light in the shadow of the neck |
| 00:25:08 |
Jan. |
| 00:25:18 |
Sir. |
| 00:25:19 |
- Do not ask this of me. |
| 00:25:22 |
The composition, |
| 00:25:24 |
I've seen you paint |
| 00:25:26 |
You want me to imagine |
| 00:25:28 |
My ears are not pierced. |
| 00:25:38 |
She'll find out. |
| 00:25:46 |
This has to be, Griet. |
| 00:25:50 |
See for yourself. |
| 00:26:09 |
You looked inside me. |
| 00:27:08 |
I've got you! |
| 00:27:11 |
Now hold still. |
| 00:27:15 |
Now, girl... |
| 00:27:16 |
tell me how you get on |
| 00:27:19 |
Has he found his composition? |
| 00:27:22 |
Do you move him? |
| 00:27:25 |
Tell me, has the master's brush |
| 00:27:33 |
Ripe as a plum... |
| 00:27:36 |
What's he playing at? |
| 00:27:39 |
He made a bargain with me. |
| 00:27:48 |
- No! |
| 00:27:51 |
What a great fool he is. |
| 00:27:55 |
Don't fight. |
| 00:28:02 |
No! No! |
| 00:28:03 |
Woman: Griet? |
| 00:28:09 |
Not a word. |
| 00:28:11 |
You'll lose your place. |
| 00:28:17 |
He won't look at you again. |
| 00:28:19 |
Woman: Griet! |
| 00:28:24 |
Ah, there you are, my dear. |
| 00:28:26 |
The maid |
| 00:28:29 |
cock and bull story. |
| 00:29:10 |
Well, girl? |
| 00:29:13 |
What's to be done? |
| 00:29:16 |
Master Van Ruijven |
| 00:29:18 |
and he will bear no more delay. |
| 00:29:22 |
If he crosses Van Ruijven over this... |
| 00:29:24 |
he will lose him. |
| 00:29:26 |
Then what? |
| 00:29:54 |
My daughter is out for the day. |
| 00:29:58 |
Do it now. |
| 00:30:47 |
You do it. |
| 00:32:31 |
Look at me. |
| 00:32:32 |
Now turn your head, |
| 00:32:37 |
Look at me. |
| 00:32:44 |
There, that's it. |
| 00:33:51 |
I'll see you later. |
| 00:34:42 |
Don't rush away, |
| 00:34:46 |
Leave the house. |
| 00:34:48 |
Join me and Paul |
| 00:34:51 |
- I must get back. |
| 00:34:53 |
I'll send someone. |
| 00:34:54 |
No. |
| 00:34:56 |
Our own life, Griet... |
| 00:35:02 |
Marry me. |
| 00:36:07 |
(fast-paced steps) |
| 00:36:12 |
(loud, distant arguing) |
| 00:36:16 |
Mistress: Laughing at me |
| 00:36:17 |
I will see for myself. |
| 00:36:21 |
There is nothing to see. |
| 00:36:23 |
Maria: Calm, my dear. |
| 00:36:24 |
Mistress: |
| 00:36:27 |
Am I a child?! |
| 00:36:30 |
Does no one speak the truth to me |
| 00:36:32 |
By all the saints, if you would stop |
| 00:36:35 |
More lies?! |
| 00:36:36 |
I don't want to hear |
| 00:36:40 |
I have a right to know. |
| 00:36:50 |
So. |
| 00:36:55 |
No more hiding now. |
| 00:36:56 |
Here I am. |
| 00:37:00 |
I want to see this painting. |
| 00:37:05 |
There's no point. |
| 00:37:06 |
No point?! |
| 00:37:10 |
I am too stupid to look |
| 00:37:17 |
She can't read! |
| 00:37:20 |
Sit down. |
| 00:37:22 |
Why can't I look? |
| 00:37:23 |
It's just a commission. Gone |
| 00:37:30 |
They are just paintings. |
| 00:37:31 |
Pictures, for money. |
| 00:37:43 |
Is it true she wore my pearls? |
| 00:37:54 |
How could you? |
| 00:37:59 |
How could you? |
| 00:38:11 |
Show me this painting. |
| 00:38:13 |
You'll make yourself ill. |
| 00:38:15 |
You show me. |
| 00:38:44 |
It's obscene. |
| 00:38:56 |
Why don't you paint me? |
| 00:38:58 |
Because you don't understand! |
| 00:39:01 |
And she does? |
| 00:39:10 |
(screaming) |
| 00:39:29 |
No! |
| 00:39:38 |
Get out of my house! |
| 00:41:17 |
(steps) |
| 00:43:01 |
I've come |
| 00:43:03 |
Tanneke? |
| 00:43:09 |
This is for you. |
| 00:45:48 |
Subtitles By CHIBCHAKAN © 2005 |
