|
Give em Hell Malone
|
| 00:00:57 |
Getting shot's never easy. |
| 00:01:01 |
Bullets tend to hurt, a lot. |
| 00:01:05 |
If they go straight through, fine. |
| 00:01:07 |
That you can deal. |
| 00:01:16 |
Sometimes they take care |
| 00:01:19 |
Sometimes they need a hand. |
| 00:01:26 |
But if they glance off a bone, |
| 00:01:30 |
they tend to bounce around |
| 00:01:32 |
like dice in a backgammon cup. |
| 00:01:34 |
Getting knifed isn't any better. |
| 00:01:36 |
Even if you're dealing with a pro. |
| 00:01:38 |
Someone who severs |
| 00:01:40 |
Punches one through the heart. |
| 00:01:42 |
You'll be lucky if the lights go out |
| 00:02:10 |
Funny thing is, |
| 00:02:12 |
sometimes these punks take care |
| 00:02:16 |
Without even knowing it. |
| 00:02:28 |
My name's Malone. |
| 00:02:31 |
In my line of work you have to knife |
| 00:02:33 |
and shoot before you're knifed, |
| 00:02:35 |
because there's one golden rule |
| 00:02:39 |
Once you're dead, you stay that way. |
| 00:02:42 |
Oh, fuck! |
| 00:02:46 |
Okay, okay, okay! You win! |
| 00:02:49 |
All right?! |
| 00:02:51 |
Hey, look. |
| 00:02:53 |
You can have it. |
| 00:02:59 |
So, don't shoot! |
| 00:03:02 |
Look, there's my gun. |
| 00:03:11 |
I'm cool, man. All right? |
| 00:03:18 |
I'm cool. |
| 00:03:25 |
Cool, huh? |
| 00:03:45 |
Mine. See you in hell. |
| 00:03:47 |
Shit! |
| 00:03:56 |
I got the case! I got the case! |
| 00:04:00 |
Fuck! |
| 00:04:33 |
Some men are harder |
| 00:04:36 |
Fortunately, |
| 00:04:41 |
Woah! |
| 00:04:59 |
Fuck me. Shit. |
| 00:05:07 |
Hey! Walk away, wino! |
| 00:05:16 |
Fucking drunk! |
| 00:05:20 |
Walk it off! |
| 00:05:32 |
Pink? Goddamn, Pink. |
| 00:05:37 |
Ta-da! |
| 00:05:41 |
God, Malone! |
| 00:05:42 |
Whoa! |
| 00:05:51 |
Don't worry, kid. |
| 00:07:16 |
Thank you. |
| 00:07:18 |
Here's your keys, kid. |
| 00:07:53 |
Try to keep the screaming down. |
| 00:08:00 |
Listen, I know |
| 00:08:02 |
out there watching right now. |
| 00:08:03 |
They get asked out |
| 00:08:06 |
But they're just all so terrified |
| 00:08:09 |
on a two-hour long date with |
| 00:08:12 |
What is proper etiquette |
| 00:08:14 |
giving someone a brush off |
| 00:08:16 |
Wow. |
| 00:08:18 |
Mom? |
| 00:08:20 |
Why, why are you yelling? |
| 00:08:27 |
Hey, Ma. |
| 00:08:28 |
Malone! |
| 00:08:30 |
Hey, Ma. |
| 00:08:32 |
Not so hard, Ma. |
| 00:08:35 |
You were supposed |
| 00:08:37 |
Esther's granddaughter was here. |
| 00:08:41 |
Wow. You got a hell of a way |
| 00:08:44 |
Maybe you should start |
| 00:08:46 |
Maybe I will. |
| 00:08:48 |
You look like hell. |
| 00:08:49 |
What did you do? |
| 00:08:51 |
Fight's when the other guy |
| 00:08:53 |
Oh, ever since you were 6, |
| 00:08:56 |
Fights at the playground. |
| 00:08:59 |
- Ah, to do no harm. |
| 00:09:01 |
- Easy. Whoa, Mom. |
| 00:09:04 |
Buckle your shoe. |
| 00:09:05 |
Hey, Ma. Come on. I deserve it. |
| 00:09:07 |
You deserve a smack across the face. |
| 00:09:10 |
Now, say it with me. |
| 00:09:13 |
I admit I'm powerless over alcohol. |
| 00:09:15 |
And my life |
| 00:09:17 |
See how unmanageable |
| 00:09:26 |
You don't know what you've got |
| 00:09:29 |
If you weren't so hardheaded, |
| 00:09:32 |
Say it again, Ma. |
| 00:09:34 |
You're hardheaded. |
| 00:09:37 |
Oh, no. Before that. |
| 00:09:39 |
You don't know |
| 00:09:40 |
Right now, I've got it. |
| 00:09:43 |
What the hell were those |
| 00:09:45 |
Don't mumble, Malone. |
| 00:09:49 |
What the hell would you throw |
| 00:09:51 |
You threw yourself out a window? |
| 00:09:52 |
No, Ma. |
| 00:09:55 |
Oh, please don't grow a mustache! |
| 00:09:57 |
Your father did, |
| 00:09:59 |
and it looked like a rat curled up |
| 00:10:08 |
You know, weaker men than you have |
| 00:10:14 |
How many bullets |
| 00:10:16 |
before you live again? |
| 00:10:18 |
You know, you can quit the booze. |
| 00:10:22 |
Someone to prop you up |
| 00:10:28 |
Malone? |
| 00:10:33 |
Well, I guess I should be grateful. |
| 00:10:35 |
If it wasn't for these lovely |
| 00:10:49 |
It's her birthday tomorrow. |
| 00:11:00 |
Sir, I'm gonna need to see some I.D. |
| 00:11:14 |
Next time there's a new guy, |
| 00:11:16 |
tell him let the big, bad, black |
| 00:11:23 |
There's a blot on this city. |
| 00:11:26 |
It's as if God came along, |
| 00:11:29 |
and took a big holy shit |
| 00:11:34 |
Or, maybe it was you, Boulder. |
| 00:11:36 |
You're nearly as big as, |
| 00:11:41 |
Ah, it wasn't me, Boss. |
| 00:11:42 |
Well, the point is... |
| 00:11:44 |
...the city has lost its sense |
| 00:11:47 |
and without structure, without order, |
| 00:11:54 |
I heard Stache's little pick up |
| 00:11:57 |
We had some uninvited party-goers, |
| 00:12:01 |
No. |
| 00:12:03 |
Who did? |
| 00:12:04 |
Malone. |
| 00:12:05 |
Malone? Just one guy? |
| 00:12:10 |
Well, go get him, Boulder. |
| 00:12:12 |
Well, it's not that easy, Boss. |
| 00:12:17 |
Word is he turned |
| 00:12:19 |
to gun-for-hire after what |
| 00:12:22 |
They killed his wife... |
| 00:12:24 |
...his son, his brother... |
| 00:12:31 |
...his brother's family... |
| 00:12:35 |
...tried to stamp |
| 00:12:45 |
Personally, |
| 00:12:51 |
Boulder, do you have any idea |
| 00:12:56 |
now that he has that case? |
| 00:12:58 |
Opened it. |
| 00:12:59 |
Goddamn right he's opened it. |
| 00:13:01 |
And now that he's seen what's inside, |
| 00:13:06 |
You got a problem with that? |
| 00:13:08 |
Boss, the guy's a sadist. |
| 00:13:10 |
Little sadism might come in handy. |
| 00:13:14 |
Speaking of sadism, |
| 00:13:18 |
The Mauler? Have you seen |
| 00:13:25 |
Boulder, you're a killer. |
| 00:13:27 |
You're the bloodiest son-of-a-bitch |
| 00:13:29 |
and I pay you very well too, don't I? |
| 00:13:32 |
Yes, sir. |
| 00:13:32 |
But that's not why you do |
| 00:13:37 |
My wife's gonna pull out of it. |
| 00:13:40 |
Then as long as you |
| 00:13:43 |
I'll keep floating her medical bills. |
| 00:13:45 |
I learned something early on |
| 00:13:46 |
and I've never forgotten. |
| 00:13:49 |
Men will work |
| 00:13:54 |
But they will absolutely |
| 00:14:00 |
I'll find The Mauler. |
| 00:14:06 |
And put Malone's face |
| 00:14:08 |
Wake up every thug |
| 00:14:10 |
I want everyone to know |
| 00:14:12 |
Five million dollars. |
| 00:14:13 |
But, most importantly, |
| 00:14:17 |
Yes, sir. |
| 00:14:26 |
And, Boulder... ripped out |
| 00:14:31 |
The physics of punching |
| 00:14:35 |
make that an impossibility. |
| 00:14:37 |
Next time, |
| 00:14:41 |
Yes, sir. |
| 00:14:54 |
Son of a bitch! |
| 00:15:00 |
What's this? |
| 00:15:01 |
Was it just me, or were we paid |
| 00:15:03 |
to recover what was inside the case, |
| 00:15:06 |
It was a set-up, Murph. |
| 00:15:09 |
No way. No way. Not possible. |
| 00:15:12 |
I did my homework. |
| 00:15:14 |
Just you and the client. |
| 00:15:16 |
I need to know who hired me, Murph. |
| 00:15:18 |
Now, you know we follow a formula |
| 00:15:21 |
Nobody's the wiser. |
| 00:15:25 |
What's a couple of bullet holes |
| 00:15:29 |
What was in the case? |
| 00:15:31 |
You miss the part |
| 00:15:33 |
What's wrong with you? |
| 00:15:35 |
What was in the case? |
| 00:15:36 |
It was the meaning of love, Murph. |
| 00:15:44 |
You're looking at her. |
| 00:15:47 |
Evelyn, Malone, |
| 00:15:51 |
He's a swell guy. |
| 00:15:54 |
I hope your man's better at delivering |
| 00:15:57 |
'cause he sure as hell |
| 00:15:59 |
Yeah, well, Evelyn, Malone |
| 00:16:02 |
ran into a little speed bump |
| 00:16:06 |
Said it was some sort of a set-up. |
| 00:16:09 |
You were paid to get the case, |
| 00:16:12 |
What did you do |
| 00:16:13 |
Never mind about that. |
| 00:16:14 |
I had ten goons trying to make me |
| 00:16:17 |
So, let's skip to the part |
| 00:16:19 |
I'm not your sister. |
| 00:16:21 |
You ain't the client either. |
| 00:16:23 |
Talk. Or I'll make like you're my |
| 00:16:26 |
Promises, promises. |
| 00:16:29 |
You think a dime-store hussy like that |
| 00:16:31 |
No way. |
| 00:16:31 |
Um, my apologies, Evelyn. He's not |
| 00:16:36 |
Can it. |
| 00:16:37 |
That's all right, Murph. |
| 00:16:38 |
I don't expect manners |
| 00:16:41 |
Yeah, I'm much better at biting |
| 00:16:43 |
And hunting and killing, |
| 00:16:46 |
That's why they pay me. |
| 00:16:47 |
Okay, the gorilla wins. |
| 00:16:50 |
What? |
| 00:16:51 |
So much for the job being legit. |
| 00:16:53 |
Look, all I know is that I'm supposed |
| 00:16:56 |
Tonight. |
| 00:16:57 |
To who, lady? Who wants it? |
| 00:17:02 |
A gorilla wouldn't understand. |
| 00:17:14 |
Something I said? |
| 00:17:18 |
Look... |
| 00:17:20 |
They have my brother, Sammy. |
| 00:17:23 |
I got a letter saying if I don't |
| 00:17:25 |
they're gonna kill him. |
| 00:17:27 |
Where? |
| 00:17:40 |
Hey, darlin', we're closed |
| 00:17:50 |
Where's your parents? |
| 00:17:51 |
Parents? |
| 00:17:55 |
Guess they left me here. |
| 00:17:59 |
All by my lonesome. |
| 00:18:04 |
Are you lollipop69? |
| 00:18:09 |
At first, I thought it was a joke, |
| 00:18:13 |
But you're here. |
| 00:18:17 |
You're really here. |
| 00:18:23 |
Now, what are you going |
| 00:18:37 |
If they find out there's nothing |
| 00:18:40 |
I'll have your brother |
| 00:18:42 |
Just keep it closed. |
| 00:18:50 |
When we get a little closer, |
| 00:18:52 |
Okay. |
| 00:19:12 |
This one turns on the sound. |
| 00:19:17 |
This one turns on the lights. |
| 00:19:21 |
And this one... |
| 00:19:23 |
...makes the horsies go up and down. |
| 00:19:29 |
I thought that's |
| 00:19:40 |
This might be easier if you took |
| 00:19:43 |
It might get in the way. |
| 00:19:49 |
Agreed. |
| 00:20:02 |
Ah, pretty, pretty, |
| 00:21:16 |
I've got your case! |
| 00:21:20 |
I've got your case! |
| 00:21:58 |
Where's my brother?! |
| 00:22:03 |
Oh, my God! |
| 00:22:05 |
Sammy! |
| 00:22:09 |
I like to cut the soft ones. |
| 00:22:13 |
Please. |
| 00:22:17 |
Malone! |
| 00:22:23 |
Sammy! Sammy! |
| 00:22:30 |
Shit! |
| 00:22:34 |
Who grabbed you? |
| 00:22:36 |
Who grabbed you? |
| 00:22:38 |
Sister. |
| 00:22:39 |
Talk to me, damn it! |
| 00:22:43 |
Damn it. |
| 00:23:01 |
I'm watching you. |
| 00:23:10 |
Malone?! |
| 00:23:12 |
Ring around the rosie |
| 00:23:14 |
Malone?! |
| 00:23:21 |
Evelyn?! |
| 00:23:27 |
Malone? |
| 00:23:33 |
- Where the hell is she? |
| 00:23:36 |
Help me. |
| 00:24:05 |
Which way?! |
| 00:24:07 |
If you see yourself, turn. |
| 00:24:08 |
Let's get the hell out of here. |
| 00:24:27 |
Two questions, sister. |
| 00:24:29 |
You say you were told to deliver |
| 00:24:31 |
or they'd kill your brother. |
| 00:24:32 |
And now he's dead, thanks to you. |
| 00:24:34 |
How'd you know where the case |
| 00:24:36 |
The letter. |
| 00:24:37 |
And how'd you find Murph? |
| 00:24:39 |
Also in the letter. |
| 00:24:41 |
Where'd you get this |
| 00:24:42 |
From my goddamn mail box. |
| 00:24:54 |
Listen up, lady. |
| 00:24:55 |
Not only did you almost |
| 00:24:57 |
you also blew any chance of me |
| 00:25:00 |
Let alone who killed your brother. |
| 00:25:01 |
So, unless you've got |
| 00:25:03 |
in that overwrought hairdo of yours, |
| 00:25:05 |
I suggest you get the hell |
| 00:25:06 |
Out of your life? |
| 00:25:07 |
You told me you'd save my brother, |
| 00:25:10 |
Get out. Get out. |
| 00:25:12 |
Where am I supposed to go? |
| 00:25:13 |
Here. Take a cab. |
| 00:25:15 |
Wait. I've got the letter. |
| 00:25:24 |
Who gave it to you? |
| 00:25:25 |
Eddie the Cheese. |
| 00:25:28 |
After who grabbed Sammy? |
| 00:25:30 |
I asked Eddie. I even said please. |
| 00:25:36 |
Lady, you ain't got to persuade |
| 00:25:40 |
- What? |
| 00:25:43 |
Here. |
| 00:25:45 |
Don't leave me. |
| 00:25:47 |
Please. Please! Malone! |
| 00:26:08 |
Matchstick. |
| 00:26:10 |
You gotta burn every place you rob? |
| 00:26:12 |
Disco should have died |
| 00:26:17 |
I'm just helping it along. |
| 00:26:19 |
Damn. |
| 00:26:36 |
They killed Sammy. |
| 00:26:45 |
Look, um, |
| 00:26:48 |
But you can't stay here. |
| 00:26:51 |
I need Malone. |
| 00:26:53 |
If they killed Sammy, |
| 00:26:57 |
Please, Murph. Where is he? |
| 00:27:00 |
I can't tell you where he is. |
| 00:27:03 |
You know, we have |
| 00:27:05 |
Don't ask, don't tell. |
| 00:27:10 |
Malone. |
| 00:27:11 |
No, he doesn't knock. |
| 00:27:13 |
Upstairs. |
| 00:27:18 |
What are you doing here? |
| 00:27:32 |
Up awfully late, Murph. |
| 00:27:34 |
Yeah. Yeah. |
| 00:27:36 |
Well, I was just, cataloging |
| 00:27:40 |
Hell of a Friday night, Boulder. |
| 00:27:42 |
I don't see any stamps. |
| 00:27:44 |
You always were |
| 00:27:47 |
Never could get a nickel by you. |
| 00:27:49 |
Still for the life of me can't |
| 00:27:52 |
You didn't fire me. I quit. |
| 00:27:54 |
- Oh, really? |
| 00:27:55 |
Is that right? |
| 00:27:56 |
'Cause I seem to remember |
| 00:27:58 |
and saying, "Murph, |
| 00:28:01 |
and I said, "Yeah, of course you do, |
| 00:28:04 |
Is that antique? |
| 00:28:07 |
I quit! |
| 00:28:13 |
Where's Malone? |
| 00:28:15 |
Malone? |
| 00:28:18 |
Can I get you a cup of tea? |
| 00:28:25 |
Next time, it's your face. |
| 00:28:29 |
Now, me and Malone |
| 00:28:31 |
Just like you do now. |
| 00:28:34 |
So, I'm willing to bet |
| 00:28:38 |
Where is he? |
| 00:28:44 |
What? |
| 00:28:46 |
Where is he?! |
| 00:28:50 |
Unlike my genetically |
| 00:28:54 |
I would like to take this opportunity |
| 00:28:58 |
but to play nice. |
| 00:29:00 |
You see, life hasn't always |
| 00:29:05 |
Yet, still I've always made it |
| 00:29:09 |
to turn the other cheek, |
| 00:29:12 |
To look at the bright side. |
| 00:29:14 |
Especially when life is at its worst. |
| 00:29:20 |
Now, before things start |
| 00:29:24 |
I think it would be very nice of you |
| 00:29:29 |
Okay. There's no need |
| 00:29:31 |
We're all businessmen, right? Let's |
| 00:29:34 |
Okay. |
| 00:29:36 |
How 'bout the business of kerosene? |
| 00:29:38 |
You see, it's a very |
| 00:29:41 |
It looks like water, |
| 00:29:46 |
The only difference is when |
| 00:29:53 |
then it burns like hell. |
| 00:29:58 |
Okay, I don't know anything, |
| 00:30:01 |
He came in here screaming |
| 00:30:02 |
about the meaning of love |
| 00:30:04 |
and then he beat the hell out |
| 00:30:07 |
The meaning of love. |
| 00:30:10 |
Once upon a time, |
| 00:30:14 |
who loved playing with matches, |
| 00:30:17 |
because fire was his only |
| 00:30:20 |
but then after the accident, |
| 00:30:22 |
he learned to respect fire, Murph, |
| 00:30:24 |
because fire, though it's beautiful, |
| 00:30:29 |
It's powerful, and if you're not |
| 00:30:35 |
Do you understand what I'm saying? |
| 00:30:36 |
So, as the house |
| 00:30:40 |
the little boy's Mommy |
| 00:30:43 |
They sounded like music to his ears |
| 00:30:49 |
to get between the bad little boy |
| 00:30:56 |
Fire. |
| 00:31:01 |
Okay, corner of Compton |
| 00:31:06 |
Sycamore and Compton. 318. |
| 00:31:14 |
Thanks, Murph. |
| 00:31:17 |
Oh, now that we're friends, |
| 00:31:20 |
Can we just forget about this whole, |
| 00:31:25 |
I miss Mom and Dad dearly, |
| 00:31:28 |
And, tell you the truth, |
| 00:31:32 |
Therapy? |
| 00:31:33 |
You should be in a dog kennel, |
| 00:32:26 |
All right. |
| 00:32:31 |
Come here. Doc says you gotta take |
| 00:32:39 |
Little fucker. Come here. |
| 00:33:24 |
Don't hit me again, okay? |
| 00:33:26 |
Whatever's left of my good looks |
| 00:33:29 |
You know who I am? |
| 00:33:30 |
You're Malone. |
| 00:33:32 |
Your family was murdered, and |
| 00:33:36 |
with your bare hands. |
| 00:33:37 |
Sometimes. |
| 00:33:38 |
Sometimes I weld their eyelids |
| 00:33:41 |
Today's been pretty shitty, |
| 00:33:44 |
Who pinched Sammy Smalls? |
| 00:33:48 |
They'll kill me. |
| 00:34:10 |
What was that, you say? |
| 00:34:14 |
It's Jerry. He runs a hooker joint |
| 00:34:18 |
Okay? |
| 00:34:19 |
He sent the money. |
| 00:34:22 |
Jerry? |
| 00:34:26 |
Malone!? |
| 00:34:29 |
No. |
| 00:34:32 |
I can't breathe. I can't... |
| 00:34:36 |
Quiet. No talking. |
| 00:34:50 |
Come on! |
| 00:34:56 |
If somebody ever got to me or Murph, |
| 00:35:00 |
Give up the address |
| 00:35:02 |
That way, there'd be time enough |
| 00:35:06 |
Put up the gun, doll. |
| 00:35:08 |
Okay. |
| 00:35:10 |
Come on. |
| 00:35:12 |
That's a good girl. |
| 00:35:15 |
Wait a minute. |
| 00:35:19 |
I gave it to him. |
| 00:35:23 |
Aw, hell. |
| 00:35:24 |
That's right, Malone. |
| 00:35:28 |
They killed him |
| 00:35:40 |
I can't stop seeing Sammy |
| 00:35:45 |
Everybody dies. |
| 00:35:53 |
Those men who killed Murph, |
| 00:35:59 |
they think I'm with you. |
| 00:36:02 |
You have to help me, Malone. |
| 00:36:07 |
Scotch. |
| 00:36:14 |
Good scotch like this |
| 00:36:17 |
but in light of the circumstances, |
| 00:36:19 |
I don't think history will judge you |
| 00:36:25 |
The meaning of love. |
| 00:36:27 |
Murph said something about it before |
| 00:36:32 |
What is it? |
| 00:36:36 |
It's a lonely thing, killing a man. |
| 00:36:40 |
Once you start, |
| 00:36:43 |
once you kill somebody |
| 00:36:49 |
...pulling that trigger |
| 00:36:53 |
No one cares about you. |
| 00:36:55 |
You sure about that? |
| 00:36:58 |
You pull that trigger, you start |
| 00:37:03 |
The higher you stack 'em, |
| 00:37:07 |
So you just keep pulling |
| 00:37:12 |
Bang. Bang. |
| 00:37:16 |
It's a cold world, Evelyn. |
| 00:37:19 |
But at least I know |
| 00:37:23 |
Scotch is far easier, trust me. |
| 00:37:36 |
I'm powerless over alcohol. |
| 00:37:47 |
Just finished cleaning it. |
| 00:37:50 |
It's a good thing |
| 00:37:51 |
I wouldn't have wanted you |
| 00:37:56 |
My guess is when Murph |
| 00:37:58 |
there were more ears listening |
| 00:38:04 |
Damn it. No bullets. |
| 00:38:06 |
Open it. |
| 00:38:07 |
Don't be stupid. |
| 00:38:09 |
Think it's gonna do us any good? |
| 00:38:14 |
Damn it. |
| 00:38:16 |
Who is it? |
| 00:38:20 |
Okay. Okay. Okay. |
| 00:38:25 |
Can I help you? |
| 00:38:27 |
Malone. |
| 00:38:28 |
Boulder, what are you doing here? |
| 00:38:31 |
For the last time, |
| 00:38:38 |
I see you're still |
| 00:38:41 |
Yeah. I would never start |
| 00:38:45 |
Before I surrendered, |
| 00:38:49 |
Terrible things. |
| 00:38:50 |
But I've managed to mend a lot |
| 00:38:54 |
You could, too. |
| 00:38:56 |
We have a meeting |
| 00:39:00 |
I already got a mother. |
| 00:39:01 |
Where's the case? |
| 00:39:04 |
Mother, mother, mother. |
| 00:39:05 |
Oh, how I wish I still had a mother. |
| 00:39:11 |
Mother would have |
| 00:39:15 |
Yum-yum. |
| 00:39:17 |
Hey, easy, Sparky. |
| 00:39:19 |
Save that book for the bedroom. |
| 00:39:21 |
The name's Matchstick. |
| 00:39:23 |
I'm surprised you haven't |
| 00:39:25 |
seeing as how we're both |
| 00:39:28 |
wrought in the ashes of our |
| 00:39:33 |
Take a seat, pussycat. |
| 00:39:36 |
You see, the story I heard was |
| 00:39:41 |
Your wife or your son. |
| 00:39:48 |
Hell's bells, Malone. |
| 00:39:51 |
And then, after you chose the wife, |
| 00:40:01 |
Oh, Hell's Bells, what a tragedy. |
| 00:40:06 |
Kiss my ass. |
| 00:40:07 |
Oh, Malone. I doubt that would be |
| 00:40:12 |
You see, I have precious little |
| 00:40:20 |
Where'd you get Psycho Boy? |
| 00:40:22 |
Whose payroll you on anyway? |
| 00:40:24 |
I'm in business for myself, Malone. |
| 00:40:27 |
Just like you. I'm my own man, |
| 00:40:31 |
What, Murph wasn't |
| 00:40:33 |
Hard to be good for anyone |
| 00:40:35 |
That wasn't smart, Boulder. |
| 00:40:38 |
Now I'm gonna have to |
| 00:40:41 |
Now, let's not confuse the facts, |
| 00:40:44 |
It wasn't the oversized baggage |
| 00:40:48 |
No. It was flames. |
| 00:40:53 |
Smoke. Heat. Immolation. |
| 00:41:00 |
We're here for the case, Malone. |
| 00:41:02 |
Yeah? Who wants it? |
| 00:41:03 |
Doesn't matter who wants it. |
| 00:41:06 |
Murph said it was |
| 00:41:09 |
It is. |
| 00:41:10 |
We know you opened that case, and |
| 00:41:14 |
Now, where is it? |
| 00:41:20 |
Why don't you ask him? |
| 00:41:29 |
Easy, big man. |
| 00:41:30 |
That way. Come on. |
| 00:41:32 |
Back up. Go on. |
| 00:41:34 |
You mind? I just had that area |
| 00:41:38 |
Sorry to cause you discomfort. |
| 00:41:41 |
Go on. That's it. |
| 00:41:45 |
Come on. |
| 00:41:47 |
Go ahead. Go ahead. |
| 00:41:50 |
Go. Go. |
| 00:41:51 |
Go ahead. You gonna shoot? |
| 00:41:53 |
Yeah. I would, |
| 00:42:00 |
Here! Come on! Come on! |
| 00:42:06 |
Oh, shit. |
| 00:42:08 |
Shit! |
| 00:42:10 |
Come on! Come on! |
| 00:42:11 |
Sorry if I don't know how to load guns |
| 00:42:17 |
- Come on! |
| 00:42:19 |
Against the wall. |
| 00:42:20 |
All right. |
| 00:42:21 |
She's the crazy one! |
| 00:42:27 |
What is that? |
| 00:42:28 |
You're not gonna like what's gonna |
| 00:42:32 |
Hey, hey, hey! |
| 00:42:48 |
Here. I want you to go |
| 00:42:53 |
Buy me a pint of whiskey. |
| 00:42:54 |
They give you any trouble, |
| 00:42:55 |
You coming? |
| 00:42:56 |
These guys aren't |
| 00:42:58 |
I'm gonna make them that way. |
| 00:43:00 |
I'll meet you at the Tradewinds Motel. |
| 00:43:28 |
Where is it? |
| 00:43:31 |
Where is it?! |
| 00:43:41 |
Closed. |
| 00:43:43 |
It's for Malone. |
| 00:43:48 |
Malone? |
| 00:43:49 |
Yes, Malone. |
| 00:43:51 |
Whiskey. |
| 00:43:52 |
Yes. Whiskey. |
| 00:44:14 |
Oh, God! |
| 00:44:15 |
Not the booze! |
| 00:44:18 |
Come on, Malone! Come on! |
| 00:44:24 |
Malone! |
| 00:44:25 |
Who put out the reward on the case, |
| 00:44:28 |
Go blow, Malone. |
| 00:44:29 |
Why do they want it?! |
| 00:44:32 |
Go blow, Malone! |
| 00:44:34 |
Come on! |
| 00:44:36 |
I'll be back for that thing |
| 00:44:38 |
Why aren't you at the hotel? |
| 00:44:39 |
You didn't notice, |
| 00:44:41 |
When I tell you to do |
| 00:45:08 |
Are you nuts?! |
| 00:45:09 |
I need a drink. |
| 00:45:11 |
Be right back. |
| 00:45:33 |
Come on! |
| 00:45:45 |
Boulder, you had one job. |
| 00:45:49 |
What? Slow down. |
| 00:45:52 |
I don't care if he's got |
| 00:45:54 |
I'm not asking you to invite him |
| 00:45:56 |
I'm telling you to jam him in the boot |
| 00:46:00 |
No, no, I didn't realize that a |
| 00:46:05 |
Hold on. Yeah? |
| 00:46:08 |
What? What? |
| 00:46:10 |
What do you mean, they're gonna |
| 00:46:12 |
Doesn't she have her visa? |
| 00:46:14 |
She never got one? |
| 00:46:16 |
None of the girls got their visas? |
| 00:46:18 |
You're goddamned right it's bad! |
| 00:46:19 |
Take an awfully long dick to fuck |
| 00:46:23 |
Who is responsible? |
| 00:46:25 |
Frankie the Crooner? You sure? |
| 00:46:27 |
Well, find out! |
| 00:46:29 |
Boulder, call me back |
| 00:46:32 |
No! He couldn't actually rip |
| 00:46:45 |
Can't you see the sign, man? |
| 00:46:48 |
I'm out to lunch. |
| 00:46:49 |
Malone? |
| 00:46:51 |
Malone! |
| 00:46:53 |
What's it called when you're out |
| 00:46:55 |
Munchies? |
| 00:46:56 |
You're sweating, Jerry. |
| 00:46:59 |
It's just me, your ol' pal from the |
| 00:47:02 |
With two beds. |
| 00:47:03 |
You mean, she's not a...? |
| 00:47:04 |
I don't know. Are you? |
| 00:47:05 |
What does your cheek say? |
| 00:47:07 |
My cheek? |
| 00:47:10 |
Hey, I can see you've got |
| 00:47:14 |
I got the best room in the house. |
| 00:47:15 |
Complete with complimentary |
| 00:47:21 |
What's my ol' pal |
| 00:47:23 |
doing packing his dirty laundry? |
| 00:47:25 |
Does he know Eddie the Cheese |
| 00:47:27 |
If Eddie got pinched, then he might |
| 00:47:30 |
sent to a girl named Evelyn. |
| 00:47:34 |
Whose payroll are you on, Jerry? |
| 00:47:36 |
Whitmore. Okay? Christ! |
| 00:47:39 |
I got paid to write the letter |
| 00:47:42 |
Whitmore. |
| 00:47:50 |
Here. Watch something |
| 00:48:05 |
Come on. |
| 00:48:10 |
Christ, I'm aroused. |
| 00:48:13 |
I'll be sure to call if I see one. |
| 00:48:15 |
Why bother? |
| 00:48:20 |
Earplugs? |
| 00:48:22 |
Me. In your room. With a bed. |
| 00:48:26 |
We don't have time to sleep. |
| 00:48:28 |
Jerry's working for Whitmore, |
| 00:48:30 |
which means Whitmore hired me |
| 00:48:32 |
means Whitmore killed your brother. |
| 00:48:34 |
Problem is, |
| 00:48:37 |
He went underground years ago. |
| 00:48:39 |
Goddamn mole. |
| 00:48:42 |
What about what was |
| 00:48:44 |
Why do you think |
| 00:48:47 |
Forget about that. |
| 00:48:48 |
Whitmore went |
| 00:48:50 |
to make sure it ended up |
| 00:48:51 |
Not yours. |
| 00:48:53 |
Don't confuse yourself. |
| 00:48:55 |
Whitmore used you |
| 00:48:57 |
Not to keep it for yourself. |
| 00:49:00 |
I told you, it was the meaning of... |
| 00:49:02 |
Of love? |
| 00:49:04 |
Bullshit. |
| 00:49:05 |
Why don't you just give it |
| 00:49:07 |
before someone else gets hurt? |
| 00:49:10 |
A lot of people got hurt |
| 00:49:12 |
I just happened to be first. |
| 00:49:15 |
Do you think you want it rough, |
| 00:49:19 |
You want it soft. |
| 00:49:24 |
Now, if you don't mind, |
| 00:49:27 |
It's been a dirtier night |
| 00:49:31 |
Get some rest! |
| 00:49:35 |
Few hours now won't kill us. |
| 00:50:34 |
Oh, ladies, |
| 00:50:37 |
you more than earned your stay |
| 00:50:40 |
You deserve what I usually reserve |
| 00:50:43 |
but since yours have all ready fallen, |
| 00:50:48 |
Hey! Here's the fun. |
| 00:50:57 |
Well, well, well. Good evening. |
| 00:51:00 |
Son of a bitch. |
| 00:51:02 |
Sorry about that. |
| 00:51:03 |
Good-looking crowd. |
| 00:51:06 |
Let's get down. |
| 00:51:11 |
Oh, yeah. |
| 00:51:15 |
Well, good night, ladies |
| 00:51:18 |
That's right |
| 00:51:25 |
It's time... |
| 00:51:30 |
I'm just gonna... |
| 00:51:34 |
All right, you know what? |
| 00:51:36 |
because I'm right in the middle |
| 00:51:38 |
My visas. |
| 00:51:40 |
Mr. Whitmore? |
| 00:51:46 |
Yeah. Um, what? |
| 00:51:49 |
Where the fuck are my visas? |
| 00:51:50 |
Well.. I don't.. I don't |
| 00:51:56 |
This is the first |
| 00:51:59 |
Well, I just found out |
| 00:52:00 |
from our warehouse last night. |
| 00:52:02 |
Meanwhile, I got some tramp |
| 00:52:04 |
claiming you gave her one |
| 00:52:07 |
Well I mean, you know, I mean, |
| 00:52:12 |
You know. It's not like I need to, |
| 00:52:16 |
I mean, I'm a working musician. |
| 00:52:17 |
Got the, got the ladies falling |
| 00:52:20 |
I have to wear special wading pants |
| 00:52:23 |
Working? |
| 00:52:25 |
The only paying gig you've got is |
| 00:52:27 |
Well, if you didn't steal |
| 00:52:30 |
Or you're gonna get your nuts jerked |
| 00:52:32 |
Okay. |
| 00:52:37 |
All right, well, then, I will play |
| 00:52:42 |
It would be my pleasure. |
| 00:52:43 |
All circuits are busy now. |
| 00:52:44 |
If you would like to make a call, |
| 00:52:45 |
Okay. Just contact my agent. |
| 00:52:47 |
All right, bye-bye. |
| 00:52:53 |
Good night, ladies |
| 00:52:59 |
Ladies, good night |
| 00:53:06 |
It's times like these I'd much rather |
| 00:53:11 |
Look at those happy shmucks. |
| 00:53:12 |
Three hundred dollars, |
| 00:53:20 |
Meanwhile, I'm a paying out millions |
| 00:53:24 |
to a bunch of two-bit crooks |
| 00:53:26 |
who make me feel |
| 00:53:29 |
Present company excluded, |
| 00:53:35 |
What the hell's wrong with you? |
| 00:53:38 |
Don't tell me I hurt your feelings. |
| 00:53:40 |
I've been mending a lot |
| 00:53:47 |
I can't work for you anymore. |
| 00:53:50 |
I have to be my own man. |
| 00:53:53 |
Captain of my ship. |
| 00:53:56 |
Now, I need you to give me a loan |
| 00:53:59 |
and I'll pay you back, with interest. |
| 00:54:02 |
Can you believe this guy? |
| 00:54:05 |
He's a sap. |
| 00:54:09 |
Aren't you, Leslie? |
| 00:54:11 |
Name is Boulder. |
| 00:54:12 |
Oh. |
| 00:54:14 |
Leslie. Boulder. |
| 00:54:16 |
We got a mutually beneficially |
| 00:54:19 |
You do what I tell you, |
| 00:54:21 |
and I make sure that your wife's |
| 00:54:25 |
You should be more gracious. |
| 00:54:27 |
Murph sure as hell |
| 00:54:29 |
You lose me, and she blinks out. |
| 00:54:33 |
Like a light. |
| 00:54:37 |
Ah! I, I heard the doctors say |
| 00:54:40 |
of the poor woman's recovery. |
| 00:54:42 |
No, she's gonna pull out of it. |
| 00:54:43 |
No. I heard she's brain dead. |
| 00:54:47 |
Don't look at me like that. |
| 00:54:49 |
I mean, I'm not the one |
| 00:54:52 |
Children! Enough! |
| 00:54:54 |
The case. Did you find it? |
| 00:54:57 |
The Mauler found it |
| 00:55:00 |
but it was empty. |
| 00:55:02 |
Well, then, go find Malone. |
| 00:55:04 |
We'll beat it out of him. |
| 00:55:18 |
Malone! |
| 00:55:22 |
You're bleeding really bad. |
| 00:55:25 |
Brockwood. |
| 00:55:26 |
- Malone? |
| 00:55:28 |
Where? |
| 00:55:30 |
Brockwood Retirement Home. |
| 00:55:34 |
Okay. |
| 00:55:40 |
Hey, here's the fun. |
| 00:55:45 |
Oh, my goodness! Yes! |
| 00:55:50 |
Thank you. |
| 00:55:52 |
It's good to be young. |
| 00:55:57 |
Well, hey, to be alive. |
| 00:56:01 |
Little hot? |
| 00:56:03 |
Hey, you could probably, |
| 00:56:07 |
It's not Pink Floyd. |
| 00:56:10 |
Enough with the lights! |
| 00:56:12 |
Deaf motherfucker. |
| 00:56:15 |
Okay, let's get this going. |
| 00:56:17 |
Which way? |
| 00:56:19 |
So, let's swap pills. |
| 00:56:21 |
Crank up the oxygen. |
| 00:56:24 |
And let's get... sexy. |
| 00:56:29 |
Well, good night, ladies |
| 00:56:31 |
Oh! |
| 00:56:32 |
Oh! Are you feeling it? |
| 00:56:33 |
Ladies, good night |
| 00:56:35 |
Ha, ha! How! |
| 00:56:40 |
Oh, you've got to be shitting me. |
| 00:56:45 |
Excuse me. |
| 00:56:48 |
Yeah, get me Whitmore. |
| 00:57:04 |
Don't you got a retired |
| 00:57:08 |
You finished? |
| 00:57:09 |
Oh! Is she with you? |
| 00:57:12 |
Yeah, she's a client, Ma. |
| 00:57:15 |
Come in, come in. |
| 00:57:16 |
Thank you. |
| 00:57:25 |
You've changed. |
| 00:57:27 |
Yeah, so has your underwear, |
| 00:57:31 |
How do you know my boy? |
| 00:57:34 |
I told you. Mom, Mom! |
| 00:57:37 |
Murphy's client. |
| 00:57:39 |
Was Murph's client. |
| 00:57:40 |
Anyway, we're not really |
| 00:57:43 |
It's complicated. |
| 00:57:44 |
I think she's perfect! |
| 00:57:48 |
You've been drinking? |
| 00:57:56 |
What's the matter with you? |
| 00:57:57 |
It's a special day. |
| 00:58:03 |
Oh. |
| 00:58:09 |
Oh. |
| 00:58:16 |
You shouldn't have. |
| 00:58:19 |
I didn't. |
| 00:58:20 |
That's the sweetest, nicest thing |
| 00:58:26 |
Oh, you love your Mommy. |
| 00:58:27 |
Say it with me! |
| 00:58:30 |
Keep her inside. |
| 00:58:37 |
Hey. Where's the squawker? |
| 00:58:39 |
I don't know. Made a phone call |
| 00:58:52 |
Still trying to breastfeed |
| 00:58:55 |
I felt like the only cow |
| 00:58:59 |
Oh, Malone! Your friend here's been |
| 00:59:03 |
Sounds so idyllic. |
| 00:59:07 |
Put the gun down. |
| 00:59:11 |
That's it. |
| 00:59:12 |
Now, give me the meaning of love, |
| 00:59:21 |
She's a pretty as she needs to be, |
| 00:59:29 |
Okay, Mom. Let's go. |
| 00:59:32 |
Come on. |
| 00:59:34 |
Malone! |
| 00:59:37 |
Come on, Mom! |
| 00:59:40 |
Malone. |
| 00:59:41 |
Oh, wow. You're big. |
| 00:59:45 |
Wouldn't hit a guy in front |
| 00:59:51 |
Get in the car! |
| 00:59:52 |
Give 'em hell, Malone! |
| 01:00:00 |
I need the meaning of love! |
| 01:00:02 |
Where is it? What is it? |
| 01:00:04 |
Ask your mother. |
| 01:00:32 |
Are you all right? |
| 01:00:34 |
Start the car! Start the fucking car! |
| 01:00:37 |
Okay! Okay, let's go! |
| 01:00:39 |
Go! Go! |
| 01:00:46 |
Come on. |
| 01:00:48 |
You know Poco Rio, |
| 01:00:50 |
Here. |
| 01:00:51 |
Poco Rio?! |
| 01:00:53 |
I don't want to go to some place |
| 01:00:55 |
Ma, here. |
| 01:00:57 |
Find a nice spa. |
| 01:00:58 |
Treat yourself like a queen. |
| 01:01:01 |
- What the hell was that for? |
| 01:01:05 |
Get in the car. |
| 01:01:06 |
Watch your head, watch your head. |
| 01:01:10 |
Here. Go! Go! |
| 01:01:16 |
Yeah, no, |
| 01:01:18 |
I got it, you lazy motherfucker. |
| 01:01:22 |
Tony Bennett didn't have |
| 01:01:24 |
I have to do it. |
| 01:01:33 |
Oh, my goodness. |
| 01:01:36 |
I haven't seen you around |
| 01:01:38 |
Frankie the Crooner, right? |
| 01:01:39 |
Yeah, born and raised, |
| 01:01:42 |
You know? |
| 01:01:44 |
So, ah, look, five grand |
| 01:01:48 |
in these great United States |
| 01:01:50 |
Or if you don't have the cash, |
| 01:01:53 |
we could work out |
| 01:02:02 |
Malone. |
| 01:02:03 |
Hey. |
| 01:02:08 |
I dunno. |
| 01:02:11 |
Aren't you a...? |
| 01:02:13 |
What does your nose say? |
| 01:02:15 |
My nose? |
| 01:02:16 |
Yeah. |
| 01:02:27 |
- Who did you call, Frankie? |
| 01:02:47 |
Fuck! Okay! Okay! |
| 01:02:51 |
Stop the car, |
| 01:03:03 |
Hey! Stop the car! |
| 01:03:09 |
Fucker! |
| 01:03:15 |
I'll talk! |
| 01:03:23 |
Whitmore! All right? |
| 01:03:25 |
Whitmore! |
| 01:03:27 |
God! Unbelievable! |
| 01:03:29 |
You know, I gotta tell you, Malone, |
| 01:03:31 |
out there on that case, all right? |
| 01:03:33 |
And I hate to bruise your ego, |
| 01:03:36 |
I mean, Whitmore is up to his gills |
| 01:03:40 |
stolen visas, lieutenants |
| 01:03:42 |
All right, it is unreasonable. |
| 01:03:44 |
So he called a meeting |
| 01:03:48 |
But the fucked up thing is, |
| 01:03:51 |
they're gonna double cross him. |
| 01:03:54 |
You lying to me, Frankie? |
| 01:03:56 |
Let me tell you something. |
| 01:03:57 |
Whitmore only travels |
| 01:04:00 |
You can see his limo |
| 01:04:02 |
If it don't cross over that bridge, |
| 01:04:04 |
All right, you know where I sing, and |
| 01:04:08 |
Oh, it must be a hell of a thing |
| 01:04:11 |
ooh, every day is yours. |
| 01:04:13 |
She's not an only child. |
| 01:04:15 |
Whitmore killed her brother, |
| 01:04:18 |
Sammy ain't got no sister. |
| 01:04:22 |
What? |
| 01:04:29 |
I played at every one of his birthdays |
| 01:04:32 |
He sure as shit ain't got no sister. |
| 01:04:35 |
Someone taking you for a ride, pal. |
| 01:04:40 |
You got a goldfish. |
| 01:04:52 |
What did he say? |
| 01:04:55 |
What are you doing? |
| 01:05:01 |
What are you doing? |
| 01:05:02 |
Driving fast. |
| 01:05:11 |
Malone, stop! |
| 01:05:12 |
Oh, my God! |
| 01:05:23 |
I take back all those mean things |
| 01:05:25 |
I was just trying to be smart. |
| 01:05:27 |
Yeah, you're smart, all right. |
| 01:05:36 |
Why did you hire me |
| 01:05:40 |
He was gonna kill my brother. |
| 01:05:43 |
Sammy's last words were "sister", |
| 01:05:47 |
You know why? |
| 01:05:52 |
I might survive. |
| 01:06:01 |
Come clean. Huh?! |
| 01:06:05 |
Come clean! |
| 01:06:08 |
Come clean! |
| 01:06:10 |
I'm pregnant! |
| 01:06:22 |
Okay, lady, spill. |
| 01:06:28 |
Whitmore picks his girls |
| 01:06:32 |
He keeps his favorites for himself. |
| 01:06:35 |
But if you ever lose enthusiasm, |
| 01:06:42 |
That means he sends you |
| 01:06:45 |
the back-rooms, the sex clubs. |
| 01:06:49 |
I did it until I decided it was bad. |
| 01:06:51 |
Bad. For what? |
| 01:06:59 |
Whitmore's baby. |
| 01:07:03 |
Sammy Small wasn't my brother. |
| 01:07:06 |
When Whitmore kicked me out, |
| 01:07:08 |
Whitmore didn't know. |
| 01:07:09 |
So Sammy's working for Whitmore? |
| 01:07:13 |
Sammy told me Whitmore was gonna |
| 01:07:16 |
Why? |
| 01:07:20 |
Sammy didn't know, |
| 01:07:24 |
you'd run straight to Whitmore, |
| 01:07:25 |
so I convinced him to let me |
| 01:07:28 |
Whitmore found out, |
| 01:07:31 |
I made up the brother story |
| 01:07:34 |
Where the hell is he? |
| 01:07:38 |
Christ, Malone, |
| 01:07:41 |
How should I know? |
| 01:07:43 |
Why did you do it? |
| 01:07:47 |
To meet you. |
| 01:07:49 |
Like it or not, |
| 01:07:51 |
No, I mean, really, why? |
| 01:07:56 |
'Cuz I'm gonna kill Whitmore. |
| 01:07:58 |
I'm gonna put a bullet |
| 01:08:01 |
and I need you to get me to him. |
| 01:08:03 |
- Nobody kills Whitmore. |
| 01:08:05 |
- 'Cuz they need him alive. |
| 01:08:10 |
Is it the meaning of love? |
| 01:08:15 |
What? Think a lady like me |
| 01:08:33 |
Well... |
| 01:08:37 |
That was special. |
| 01:08:45 |
I'd go with you, |
| 01:08:48 |
I couldn't live with myself |
| 01:09:01 |
What are you doing?! |
| 01:09:02 |
Come here. |
| 01:09:03 |
Get away from me! |
| 01:09:05 |
Get away from me, you creep! |
| 01:09:07 |
Malone, put me down! |
| 01:09:10 |
Put me down, you dumb, ugly ox! |
| 01:09:23 |
What about the cops? |
| 01:09:25 |
This seal means |
| 01:09:28 |
Get your hands off of me! |
| 01:09:30 |
Easy, sweetheart. |
| 01:09:32 |
Whitmore's men might not be |
| 01:09:33 |
to come back to the scene |
| 01:09:35 |
But a damsel in distress |
| 01:09:40 |
Come on. |
| 01:09:41 |
Happy? |
| 01:09:44 |
It's too tight. It hurts. |
| 01:09:48 |
What if I have to go |
| 01:09:51 |
Fertilize. |
| 01:09:52 |
Come on! |
| 01:09:58 |
Quiet. |
| 01:10:08 |
I never heard of Poco Rio. |
| 01:10:17 |
Hey. |
| 01:10:40 |
I hate carnivals. |
| 01:10:44 |
Check it out! |
| 01:10:49 |
Whitmore wants to have a talk about |
| 01:10:54 |
Might help if he made |
| 01:10:55 |
Well, maybe |
| 01:10:57 |
losing that case to Malone. |
| 01:10:59 |
Fuck Malone and fuck that case. |
| 01:11:02 |
Whitmore's got no respect |
| 01:11:05 |
49% of me wants to show him |
| 01:11:08 |
so he better do nothing |
| 01:11:10 |
You were mean about as well as that |
| 01:11:14 |
Shortchanging Whitmore's |
| 01:11:16 |
and you're the only one out here |
| 01:11:30 |
We're not alone. |
| 01:11:33 |
Gee, you think, pretty boy? |
| 01:11:37 |
Hey, you schmoes, check out... |
| 01:11:42 |
Where the hell are you two going? |
| 01:11:43 |
It might be Malone! |
| 01:11:44 |
- Whitmore's here. |
| 01:11:47 |
You two look for Malone! |
| 01:11:50 |
Whoa, Stache, |
| 01:11:53 |
Only when I'm on top. |
| 01:11:58 |
Hey! Whitmore! |
| 01:12:10 |
Where the hell's Whitmore? |
| 01:12:12 |
Okay, first of all, |
| 01:12:13 |
let me just say that I didn't |
| 01:12:15 |
He caught me with the visas. |
| 01:12:18 |
He... I don't like violence. |
| 01:12:20 |
I'm a singer. |
| 01:12:22 |
Sure you are, Frankie. |
| 01:12:38 |
Sometimes I like to go tribal. |
| 01:12:42 |
Tired already? |
| 01:13:13 |
What the hell? |
| 01:14:11 |
Who the hell's back there? |
| 01:14:22 |
It's just the meaning of love |
| 01:14:33 |
It's just the meaning of love |
| 01:14:53 |
Do you know |
| 01:14:55 |
Tallying up elementary school |
| 01:15:20 |
You've killed a lot |
| 01:15:25 |
Did that give you pleasure? |
| 01:15:27 |
You're gonna give me a rash, lady. |
| 01:15:31 |
Did you finally get your revenge |
| 01:15:38 |
I heard you like fairy tales. |
| 01:15:45 |
Once upon a time, |
| 01:15:51 |
and the most adorable little boy. |
| 01:15:55 |
But one night while Malone |
| 01:16:01 |
the job was in his home. |
| 01:16:06 |
They had a good time |
| 01:16:09 |
and then taking turns |
| 01:16:14 |
Then when they were all spent... |
| 01:16:17 |
Bang! Bang! Bang! Bang! |
| 01:16:27 |
It's not fair! |
| 01:16:30 |
You had such a happy family... |
| 01:16:34 |
...and I can't even get a date. |
| 01:16:39 |
Do you think it's my personality? |
| 01:16:41 |
Nah, it's probably your face. |
| 01:16:52 |
Girls... |
| 01:17:01 |
You know what |
| 01:17:04 |
It's cozy. |
| 01:17:06 |
Ah, Malone, so pathetic. |
| 01:17:13 |
You still haven't learned |
| 01:17:18 |
It's rebirth, the phoenix rising |
| 01:17:25 |
Don't give me the poetic crap. |
| 01:17:27 |
The only lesson you should have |
| 01:17:29 |
Oh, but then, I wouldn't have |
| 01:17:36 |
And that would have been |
| 01:17:41 |
Ho, ho, ha, ha. |
| 01:17:43 |
Wow, Sparky, went a little heavy |
| 01:17:55 |
Let's play nice, Malone-sy, okay? |
| 01:18:01 |
I'll give you the name |
| 01:18:06 |
You give me |
| 01:18:10 |
Yes. Yes... |
| 01:18:15 |
What do you say, Malone-sy? |
| 01:18:20 |
You hand over the meaning of love, |
| 01:18:27 |
Why don't you |
| 01:18:30 |
If I had known the three of you |
| 01:18:33 |
I'd have had you all over for tea. |
| 01:18:34 |
Look, my hands, |
| 01:18:38 |
Ooh, the loss of motor skills |
| 01:18:44 |
Oopsy. Oh. Oh. |
| 01:18:46 |
Apologies, Malone-sy on your nice, |
| 01:18:51 |
It's just like they have |
| 01:18:55 |
Oops! Oopsy! |
| 01:18:57 |
Oops! Oh, Malone-sy! So sorry! |
| 01:19:00 |
Oopsy again, Malone-sy! |
| 01:19:03 |
And again! And again and again |
| 01:19:06 |
and again and again and again! |
| 01:19:08 |
Oh, how 'bout a drink, Malone-sy? |
| 01:19:13 |
Parched. Yeah. |
| 01:19:14 |
There you go, Malone-sy. |
| 01:19:22 |
Now... dah, dah, dah, dah. |
| 01:19:30 |
Don't move. Don't move. |
| 01:19:34 |
In this light, |
| 01:20:22 |
Always take the gun. |
| 01:20:25 |
Toasty! Oh, oh, yes, yes! |
| 01:20:30 |
Nice, toasty! |
| 01:20:33 |
Oh! |
| 01:20:36 |
You think this looks painful, |
| 01:20:39 |
imagine what Whitmore |
| 01:20:50 |
Burn in hell, you fucker. |
| 01:20:56 |
Shit. |
| 01:21:08 |
What the hell? |
| 01:21:24 |
Mom! Mom! |
| 01:21:27 |
What?! What?! |
| 01:21:29 |
Why are you yelling? |
| 01:21:32 |
Where's Evelyn? |
| 01:21:33 |
The whole place has been tossed. |
| 01:21:35 |
I dunno. |
| 01:21:37 |
I had a little nap, |
| 01:21:40 |
and then the third was pretty good, |
| 01:21:43 |
Anyway, I fed your cat his medicine. |
| 01:21:47 |
How the hell'd you manage that? |
| 01:21:49 |
Well, I had to feed you, didn't I? |
| 01:21:58 |
I wonder if A.A. |
| 01:22:22 |
And yet another reason |
| 01:22:25 |
If you were still drinking, I would |
| 01:22:28 |
Now, I want you to |
| 01:22:32 |
Understand? His hovel. |
| 01:22:52 |
They seem to know you here. |
| 01:23:02 |
Hello, Malone. |
| 01:23:04 |
I thought you were done |
| 01:23:07 |
Hell, I thought |
| 01:23:12 |
So, this is it? |
| 01:23:15 |
You were Whitmore's |
| 01:23:19 |
What did he promise you? |
| 01:23:20 |
Castle in the sand? |
| 01:23:22 |
Something more permanent. |
| 01:23:27 |
Not bad for someone |
| 01:23:32 |
Come on, baby. |
| 01:23:35 |
You came to kill Whitmore, not me. |
| 01:23:37 |
Where is he? |
| 01:23:38 |
Buying flowers. |
| 01:23:40 |
From the moment you sweet-talked |
| 01:23:42 |
you were playing double. |
| 01:23:45 |
You lied about being the client, |
| 01:23:48 |
and that phony letter |
| 01:23:52 |
Being kidnapped when nobody else |
| 01:23:58 |
And Sammy, he wasn't your lover, |
| 01:24:03 |
He was just a dupe, just like me. |
| 01:24:07 |
Hell, there was no way to know |
| 01:24:09 |
unless you knew exactly |
| 01:24:12 |
I didn't know it was your kid's toy. |
| 01:24:18 |
I never told you it was. |
| 01:24:23 |
You set me up. Lead me here. |
| 01:24:28 |
Maybe I haven't been |
| 01:24:31 |
Straight? |
| 01:24:35 |
Now you're gonna help me |
| 01:24:39 |
I let you kiss me, didn't I? |
| 01:24:52 |
You're a hard man to kill. |
| 01:24:59 |
My family. |
| 01:25:00 |
Your family doesn't want |
| 01:25:04 |
But you already know that. |
| 01:25:08 |
Malone's family's dead, Boss. |
| 01:25:12 |
Yes. |
| 01:25:14 |
Let's talk about the elephant |
| 01:25:17 |
Let's talk about the meaning of love. |
| 01:25:21 |
That's the meaning of love? |
| 01:25:25 |
Malone's family's not dead. |
| 01:25:27 |
He made up those stories |
| 01:25:29 |
See, he knows in our line of work, |
| 01:25:31 |
the best way to hurt a man |
| 01:25:35 |
so he started |
| 01:25:38 |
But then one day you showed up, |
| 01:25:42 |
She didn't even bother to leave you |
| 01:25:45 |
Or were you just too drunk |
| 01:25:49 |
Truth is, they're worth |
| 01:25:52 |
than you'll ever be to them. |
| 01:25:54 |
That may be. |
| 01:25:57 |
But unless you prove my family's safe, |
| 01:26:04 |
Nobody's worth that much to me. |
| 01:26:11 |
Wrap him up, Boulder. |
| 01:26:13 |
Boulder, you hear me?! |
| 01:26:23 |
Okay, Whitmore, so you got me. |
| 01:26:28 |
Why the runaround if all you were |
| 01:26:33 |
You've already done it. |
| 01:26:38 |
You see, you've now murdered |
| 01:26:43 |
which means I'm finally free |
| 01:26:48 |
Fuck! |
| 01:26:49 |
You can't buy respectability, |
| 01:26:52 |
but you can kill everyone who |
| 01:27:03 |
You murdered my entire syndicate, |
| 01:27:06 |
took my hapless, |
| 01:27:09 |
forced your way |
| 01:27:12 |
even murdered the love of my life. |
| 01:27:15 |
Now your corpse |
| 01:27:33 |
You are a hard man to kill. |
| 01:27:37 |
But lucky for me, |
| 01:27:46 |
My wife's no longer around, |
| 01:27:50 |
Boulder! |
| 01:27:52 |
I quit! |
| 01:28:08 |
Your son's favorite toy. |
| 01:28:12 |
You wanna know |
| 01:28:15 |
They're safe, I swear. |
| 01:28:35 |
Give you the rest of the number |
| 01:28:39 |
You hear that? |
| 01:28:42 |
What? Hear what? |
| 01:28:44 |
Flies. |
| 01:29:09 |
Blackmailing son of a bitch. |
| 01:29:15 |
Well... |
| 01:29:20 |
To not being dead. |
| 01:29:27 |
Nah, I got my reasons. |
| 01:29:32 |
I don't. |
| 01:29:44 |
See you, sweetheart. |
| 01:29:48 |
Malone! |
| 01:29:53 |
So you never really ripped |
| 01:29:57 |
Let's hope you never find out, |
| 01:30:10 |
Please insert 25 cents |
| 01:30:12 |
We're sorry, your call cannot be |
| 01:30:15 |
Please check the number |
| 01:30:17 |
or call your operator to help you. |
| 01:30:21 |
The number you have reached |
| 01:30:24 |
Please insert $1.25 |
| 01:30:26 |
Please be sure you... |
| 01:30:32 |
Information, how may I help you? |
| 01:30:44 |
I'm sorry, there's no answer. |
| 01:30:53 |
Hello? Mom? |
| 01:30:57 |
Hello? Hello? |
| 01:31:00 |
Who's this? |
| 01:31:02 |
Hello? Malone, is that you? |
| 01:31:06 |
Hello? Malone? Is that you? |
| 01:31:15 |
Is that you? |
| 01:31:17 |
Please, Malone. |
