|
Glorious 39
|
| 00:00:39 |
(JOYFUL SQUEALING |
| 00:00:51 |
Come on, Glorious! |
| 00:00:54 |
(INDISTINCT SHOUTING |
| 00:01:09 |
(BOY) How does Wilfred fit into it? |
| 00:01:12 |
He will never beat Wilfred! |
| 00:01:18 |
Princess Celia! Fat Men dancing! |
| 00:01:22 |
That is what we call them |
| 00:01:28 |
- En garde! Voilà! |
| 00:01:31 |
Victory for me! |
| 00:01:33 |
Victory, victory, victory! |
| 00:02:27 |
(CHURCH BELLS CHIME) |
| 00:03:17 |
- (MAN) Yes? |
| 00:03:21 |
- Is Mr. Page there? |
| 00:03:24 |
Both, if possible. |
| 00:03:26 |
(DOOR BUZZES) |
| 00:03:31 |
(MAN) |
| 00:03:37 |
(KNOCKS) |
| 00:03:39 |
Come in. |
| 00:03:44 |
I am Walter, this is Oliver. |
| 00:03:48 |
And you are our cousin Michael. |
| 00:03:51 |
Yes...that's me. |
| 00:03:54 |
I believe we met once |
| 00:03:58 |
I am sure he remembers it vividly! |
| 00:04:04 |
Have some cake. |
| 00:04:06 |
(CHURCH BELLS CHIME) |
| 00:04:10 |
Delicious cake. |
| 00:04:15 |
Is that the 2 of you? |
| 00:04:16 |
It is indeed. As I am sure |
| 00:04:26 |
You do have a lot of radios. |
| 00:04:28 |
They're from our childhood. |
| 00:04:34 |
It'll take a moment to warm up. |
| 00:04:35 |
What do you want to ask |
| 00:04:39 |
Right, yes, um... |
| 00:04:43 |
I'm interested in history. |
| 00:04:46 |
And you're the only ones left |
| 00:04:50 |
Yes. |
| 00:04:53 |
- My grandmother. |
| 00:04:58 |
I just wondered... |
| 00:05:01 |
What happened to her sister, Anne? |
| 00:05:03 |
(WALTER) She was an actress. |
| 00:05:05 |
She was indeed. |
| 00:05:07 |
She played the best friend |
| 00:05:10 |
That's her, up there. |
| 00:05:12 |
Anne was the oldest. |
| 00:05:15 |
She was adopted, of course. |
| 00:05:17 |
As frequently happens, |
| 00:05:20 |
But they didn't think |
| 00:05:22 |
and so they adopted one. |
| 00:05:25 |
And then, lo and behold, |
| 00:05:30 |
They were all very close. |
| 00:05:34 |
You didn't think it would work. |
| 00:05:37 |
Let's see if we can find |
| 00:05:41 |
What happened to her? |
| 00:05:45 |
Tell me. |
| 00:05:47 |
It's not always a good place |
| 00:05:51 |
- This is a little bit better. |
| 00:05:55 |
Let's see if we can get |
| 00:05:59 |
(STATIC, BAND MUSIC PLAYING) |
| 00:06:09 |
(WALTER) It had been a fantastic |
| 00:06:14 |
The most glorious summer |
| 00:06:17 |
for a very long time. |
| 00:06:20 |
The year before, it had seemed |
| 00:06:25 |
the policy of appeasing Hitler, |
| 00:06:28 |
really had worked. |
| 00:06:30 |
And even now it seemed |
| 00:06:35 |
Your grandmother, |
| 00:06:39 |
had grown up |
| 00:06:42 |
with an even more beautiful garden. |
| 00:06:46 |
It was a very exciting time. |
| 00:06:48 |
Ralph was doing well |
| 00:06:51 |
Anne had a part she was |
| 00:06:56 |
It was your |
| 00:07:00 |
and they had prepared |
| 00:07:03 |
or rather Anne had, |
| 00:07:06 |
because she was in charge |
| 00:07:09 |
(LAUGHTER) |
| 00:07:15 |
The Fat Men on the march. It's one |
| 00:07:19 |
(CHUCKLES) |
| 00:07:21 |
(CELIA) |
| 00:07:23 |
The other one's a little dotty. |
| 00:07:25 |
(ANNE) |
| 00:07:28 |
but he can be great fun. |
| 00:07:33 |
Anne, he is beautiful. |
| 00:07:36 |
Why all the knights? |
| 00:07:39 |
Ah. It's...it's something |
| 00:07:43 |
Perhaps I'll get to take |
| 00:07:46 |
(LAUGHS) |
| 00:07:48 |
Do you want to see? |
| 00:07:55 |
(RALPH) |
| 00:07:56 |
Anne started it, |
| 00:07:59 |
We call them |
| 00:08:01 |
This reminds me of someone |
| 00:08:03 |
(LAUGHS) |
| 00:08:07 |
Oh, that's George. |
| 00:08:09 |
His sister, Sonia, |
| 00:08:11 |
so he's a little upset. |
| 00:08:15 |
Were you allowed to put them |
| 00:08:18 |
Almost everywhere! |
| 00:08:20 |
This is the shell line. |
| 00:08:22 |
We were not allowed to cross it. |
| 00:08:24 |
Those buildings were stuffed with |
| 00:08:28 |
- I bet you did cross it, though. |
| 00:08:31 |
We never have. |
| 00:08:34 |
There were so many |
| 00:08:36 |
Do you want to see |
| 00:08:38 |
We have time to go, don't we, Anne? |
| 00:08:43 |
Yes. If we're quick. |
| 00:08:49 |
Oh! |
| 00:08:52 |
(ECHOING) |
| 00:08:56 |
Marvellous place to come |
| 00:08:59 |
Point of order, Mr. Speaker! |
| 00:09:03 |
The Honourable Member |
| 00:09:06 |
(LAWRENCE LAUGHS) |
| 00:09:07 |
Both the 1st part |
| 00:09:13 |
So this is where it all comes from, |
| 00:09:17 |
about chubby men |
| 00:09:19 |
They were all deeply flawed, |
| 00:09:21 |
overweight and lazy. |
| 00:09:23 |
- We liked them like that. |
| 00:09:26 |
when we wanted them to be. |
| 00:09:29 |
They slaughtered anyone |
| 00:09:33 |
Your father made terrific speeches |
| 00:09:36 |
It's a pity he speaks |
| 00:09:39 |
Well, his health |
| 00:09:42 |
That's why he takes |
| 00:09:45 |
I've heard a lot about your papa. |
| 00:09:46 |
Heard he's the most charming man |
| 00:09:50 |
Which makes me rather nervous. |
| 00:09:52 |
What if he doesn't like me? |
| 00:09:56 |
(BIRDS CHIRPING) |
| 00:10:06 |
Hello. |
| 00:10:10 |
Happy birthday. |
| 00:10:11 |
Oh, my, my, my! |
| 00:10:13 |
What a glorious homecoming! |
| 00:10:16 |
Anne, you've surpassed yourself, |
| 00:10:20 |
You all have. |
| 00:10:21 |
Henry, you've met, of course. |
| 00:10:24 |
a colleague of Henry's. |
| 00:10:27 |
It is a delight to find |
| 00:10:30 |
- Happy birthday, Papa. |
| 00:10:32 |
- Your mother is still getting ready? |
| 00:10:35 |
- She did all the flowers, of course. |
| 00:10:39 |
- Happy birthday. |
| 00:10:41 |
- And you must be Lawrence. |
| 00:10:43 |
It's a pleasure to meet you, sir. |
| 00:10:46 |
Thank you. You certainly live up |
| 00:10:49 |
Papa! |
| 00:10:51 |
(CHUCKLES) |
| 00:10:53 |
Did he say he is one of the cleverest |
| 00:10:57 |
and I had better watch out? |
| 00:11:01 |
(DISTANT CHATTERING |
| 00:11:07 |
Why are you here |
| 00:11:11 |
A little fishing. I was determined |
| 00:11:16 |
- How very sensible. |
| 00:11:19 |
to such an ancient place, it's... |
| 00:11:22 |
Well, it's quite possible to think |
| 00:11:26 |
But it isn't, is it? |
| 00:11:27 |
We're not sleepwalking |
| 00:11:30 |
We're going up to it, |
| 00:11:32 |
I've certainly been known |
| 00:11:35 |
Precisely in what way |
| 00:11:38 |
I will tell you precisely. |
| 00:11:41 |
march into Czechoslovakia |
| 00:11:43 |
Now we're saying, "That's all right, |
| 00:11:47 |
- Are we saying that? |
| 00:11:49 |
Hitler wants to take over Europe, |
| 00:11:52 |
so long as he doesn't bother us. |
| 00:11:55 |
Forgive a statement that's obvious, |
| 00:11:57 |
or what I think is obvious, |
| 00:11:59 |
but evil has to be stood up to. |
| 00:12:01 |
But one has to be |
| 00:12:04 |
- One has to have the means. |
| 00:12:07 |
Even if we have let Germany re-arm, |
| 00:12:09 |
we mustn't exaggerate |
| 00:12:11 |
Under this current government of |
| 00:12:14 |
we are behaving as if |
| 00:12:17 |
at absolutely all costs. |
| 00:12:18 |
So every day we do something |
| 00:12:22 |
Do you really think that is true? |
| 00:12:23 |
What did you have in mind? |
| 00:12:25 |
To give you one example, |
| 00:12:29 |
I've heard the most |
| 00:12:31 |
that we are trying |
| 00:12:33 |
in accepting a gigantic secret loan, |
| 00:12:37 |
which we will negotiate for them |
| 00:12:40 |
so they might turn their armament |
| 00:12:43 |
We are actually planning |
| 00:12:46 |
That does sound truly bizarre, |
| 00:12:48 |
Alexander fought in the war, |
| 00:12:51 |
so I don't criticise him, |
| 00:12:53 |
but not enough other people |
| 00:12:56 |
It's up to young M Ps like me |
| 00:12:59 |
which is leading us |
| 00:13:01 |
That is...quite a claim, Mr. Haldane. |
| 00:13:04 |
Yes, and I'm aware |
| 00:13:07 |
the present leadership will stand |
| 00:13:10 |
The present leadership |
| 00:13:13 |
because he would stand up to Hitler. |
| 00:13:15 |
He doesn't care |
| 00:13:18 |
So I feel I have to do |
| 00:13:21 |
to make sure Mr. Churchill |
| 00:13:25 |
Come on Thursday. |
| 00:13:28 |
The house will be empty |
| 00:13:34 |
- Can you come? (LAUGHS) |
| 00:13:36 |
I'll still be at Cranmore, I can come. |
| 00:13:45 |
(BALCOMBE) |
| 00:13:56 |
A very pleasant evening. |
| 00:14:07 |
(HECTOR) |
| 00:14:09 |
A strange, strange man. |
| 00:14:13 |
(ENGINE STARTS) |
| 00:14:23 |
Thank you |
| 00:14:26 |
(DISTANT LAUGHTER) |
| 00:14:28 |
- It wasn't spoilt by Hector? |
| 00:14:32 |
I'm used to his fiery outbursts. |
| 00:14:36 |
And there is the possibility |
| 00:14:41 |
Will you read to me, darling? |
| 00:14:45 |
What would you like me to read? |
| 00:14:48 |
It doesn't matter. |
| 00:15:03 |
(ANNE) |
| 00:15:05 |
"and a drowsy numbness |
| 00:15:09 |
"as though of hemlock I had drunk, |
| 00:15:13 |
"or emptied some dull opiate..." |
| 00:15:17 |
(BIRDS CHIRPING) |
| 00:15:19 |
(CAT MEOWS) |
| 00:15:24 |
(CAT MEOWS) |
| 00:15:37 |
(MEOWING CONTINUES) |
| 00:15:49 |
Oh, Sonia. |
| 00:15:55 |
(DOOR OPENS) |
| 00:16:09 |
You've made me |
| 00:16:13 |
What've you been doing |
| 00:16:16 |
Reading Papa's manuscript |
| 00:16:30 |
What are these doing here? |
| 00:16:33 |
Been having a good listen, |
| 00:16:37 |
(CHUCKLES) |
| 00:16:39 |
(FOOTSTEPS) |
| 00:16:42 |
Hello? |
| 00:16:58 |
Mama? |
| 00:16:59 |
- I found Sonia. |
| 00:17:04 |
So much needs doing. |
| 00:17:07 |
- You didn't see anyone pass by here? |
| 00:17:12 |
It must have been |
| 00:17:15 |
Look who I've found. |
| 00:17:17 |
Ah! |
| 00:17:20 |
She got into one of the sheds. |
| 00:17:22 |
She didn't realise |
| 00:17:25 |
I thought you knew that. |
| 00:17:27 |
Grumpy old girl. So good you're back. |
| 00:17:29 |
Look what I found there too. |
| 00:17:32 |
One of your favourites, Papa! |
| 00:17:34 |
(CELIA) She's been dancing |
| 00:17:36 |
How odd. I don't think |
| 00:17:39 |
- I wonder how that happened. |
| 00:17:48 |
(MAN 1 ON RECORD) |
| 00:17:50 |
(MAN 2) |
| 00:17:53 |
I thought we dealt with that subject |
| 00:17:56 |
and were allowing |
| 00:17:59 |
There are various factors which have |
| 00:18:02 |
(CHUCKLING) That's no foxtrot. |
| 00:18:06 |
- (CHUCKLES) |
| 00:18:08 |
I think this must be Joseph's doing. |
| 00:18:11 |
Mr. Balcombe asked if he could store |
| 00:18:15 |
They're drowning in paper, |
| 00:18:17 |
The government needs |
| 00:18:19 |
It seemed a harmless thing to do. |
| 00:18:21 |
The reason he gave is interesting, |
| 00:18:26 |
He said there were so few places |
| 00:18:27 |
where one can trust |
| 00:18:29 |
but knowing our servants, |
| 00:18:31 |
He said that? |
| 00:18:33 |
They hardly manage to clean the |
| 00:18:37 |
People didn't count on |
| 00:18:39 |
Why are they storing records |
| 00:18:43 |
Which clearly are not. |
| 00:18:45 |
That's probably their idea |
| 00:18:49 |
"Let's call everything after a dance. |
| 00:18:51 |
"That'll fool everybody, nobody |
| 00:18:55 |
Since Munich they've been recording |
| 00:18:58 |
because people's note-taking |
| 00:19:01 |
But I had no idea we had some here. |
| 00:19:06 |
(LAWRENCE) |
| 00:19:09 |
(ANNE) |
| 00:19:12 |
Not even the servants. |
| 00:19:16 |
They've all gone to the fête. |
| 00:19:20 |
Do we have to have George watching? |
| 00:19:25 |
- That's Sonia. |
| 00:19:28 |
Do we have to have her watching? |
| 00:19:30 |
She likes to watch people make love. |
| 00:19:36 |
How many people has she watched? |
| 00:19:39 |
Oh, I've asked, but she's not telling. |
| 00:19:56 |
(CAR DOOR OPENS AND CLOSES) |
| 00:19:57 |
(GIRL) It's the way we always come, |
| 00:20:00 |
Well, there appear to be |
| 00:20:03 |
(SCOFFS) |
| 00:20:05 |
- Shall I take it? |
| 00:20:09 |
Aunt Elizabeth! What a surprise! |
| 00:20:14 |
There's been |
| 00:20:17 |
Which I hope is not inconvenient. |
| 00:20:20 |
It has been quite |
| 00:20:24 |
First, the ball at Blenheim Palace, |
| 00:20:30 |
People said |
| 00:20:32 |
Then there was the one |
| 00:20:35 |
which was an awful crush, and |
| 00:20:39 |
- No offence, my dear. |
| 00:20:44 |
Actually, it was rather invigorating. |
| 00:20:48 |
You're looking very well, my dear. |
| 00:20:51 |
Positively glowing. |
| 00:20:55 |
It must be the country air. |
| 00:20:57 |
(LAUGHS) |
| 00:21:00 |
(DISTANT CHATTERING |
| 00:21:03 |
I'll see you in London. |
| 00:21:06 |
Promise? |
| 00:21:08 |
Of course. |
| 00:21:14 |
Even though so much is happening, |
| 00:21:16 |
nothing is going |
| 00:21:48 |
You don't mind me |
| 00:21:51 |
Of course not, Gilbert. |
| 00:21:54 |
We won't work today. |
| 00:21:56 |
It's always the bit players |
| 00:21:58 |
Come on, Gilbert, no moaning today. |
| 00:22:03 |
I'm looking forward |
| 00:22:05 |
You're coming up for the weekend, |
| 00:22:09 |
I'm honoured to be invited, |
| 00:22:12 |
But I don't really feel |
| 00:22:14 |
It's the same old part for me, |
| 00:22:18 |
Phone call, Miss Keyes. |
| 00:22:23 |
Hello? |
| 00:22:25 |
- It's Lawrence. |
| 00:22:27 |
- Have you heard the news? |
| 00:22:30 |
Hector is dead. |
| 00:22:33 |
What? |
| 00:22:36 |
What happened? That's terrible. |
| 00:22:38 |
I think he killed himself. |
| 00:22:40 |
Oh, my God. |
| 00:22:43 |
- It's in the newspaper. |
| 00:22:46 |
He must have killed himself or... |
| 00:22:48 |
Or what? |
| 00:22:50 |
No, I... I can't talk on the telephone. |
| 00:22:54 |
I'm going to Scotland to see |
| 00:22:57 |
- As soon as I'm back... |
| 00:23:00 |
Not long. |
| 00:23:02 |
- When I'm back, I have to see you. |
| 00:23:06 |
(LAWRENCE HANGS UP) |
| 00:23:15 |
There you are. I thought you'd been |
| 00:23:20 |
What's the matter? |
| 00:23:22 |
Somebody I know has died. |
| 00:23:31 |
Oh, yes. Hector Haldane. |
| 00:23:34 |
Always thought |
| 00:23:36 |
He was one of the young |
| 00:23:39 |
speaking out against |
| 00:23:42 |
I read one of his speeches once. |
| 00:23:47 |
He's been calling for a change |
| 00:23:53 |
(GILBERT) |
| 00:23:55 |
He was a man of potential. |
| 00:24:00 |
I saw him only 2 weeks ago. |
| 00:24:06 |
(DOOR OPENS) |
| 00:24:10 |
There you are, my dear! |
| 00:24:14 |
I'm sorry I'm late. |
| 00:24:17 |
You'll have a thrilling evening, |
| 00:24:20 |
- Have you heard the news? |
| 00:24:24 |
Poor Hector. It's terrible news. |
| 00:24:26 |
He was so full of life. |
| 00:24:30 |
(CHURCH BELL CHIMES) |
| 00:24:33 |
So, Alexander. |
| 00:24:35 |
I'm glad to see |
| 00:24:40 |
The family still matters here, clearly. |
| 00:24:48 |
You should've put a coat on, Celia. |
| 00:24:51 |
(ALEXANDER) |
| 00:24:54 |
- Do you know what happened? |
| 00:24:56 |
Lawrence didn't tell me very much. |
| 00:24:59 |
He said he thought Hector |
| 00:25:03 |
It's possible. He was excitable. |
| 00:25:07 |
But there was something |
| 00:25:11 |
And very brave. |
| 00:25:19 |
I'm so honoured |
| 00:25:22 |
We're delighted to get |
| 00:25:25 |
And we are all here. |
| 00:25:27 |
You've already met Kathleen, |
| 00:25:31 |
Oh, yes. |
| 00:25:33 |
I hope you approve. I'm conducting |
| 00:25:36 |
It's an anthem that reaches back |
| 00:25:44 |
Let us hope |
| 00:25:51 |
Are we allowed to wave at Walter? |
| 00:25:56 |
You're still looking so pale, my dear. |
| 00:26:01 |
Yes. |
| 00:26:04 |
I was just thinking about |
| 00:26:07 |
He works at the Home Office |
| 00:26:10 |
He's in the secret service. |
| 00:26:12 |
Is he? |
| 00:26:14 |
Would he have taken |
| 00:26:16 |
Very possibly, but I don't think |
| 00:26:20 |
Bumped him off? |
| 00:26:23 |
No, I didn't mean that, of course. |
| 00:26:25 |
Mind you, he is rather spooky. |
| 00:26:28 |
He seems a little odd, I admit, |
| 00:26:32 |
It's just... Hector seemed |
| 00:26:35 |
You can't just get rid |
| 00:26:38 |
(CHOIR SINGING IN LATIN) |
| 00:26:46 |
Both the 1st part... |
| 00:26:49 |
and the 3rd part. |
| 00:26:51 |
Forgive a statement that's obvious, |
| 00:26:53 |
but evil has to be stood up to. |
| 00:26:59 |
I'll ask Mr. Balcombe |
| 00:27:02 |
he's got stored in our sheds. |
| 00:27:04 |
It's not right |
| 00:27:07 |
and we don't know what they are. |
| 00:27:10 |
He can do it very soon. |
| 00:27:13 |
We'll feed him up and then get him |
| 00:27:21 |
What a splendid estate |
| 00:27:24 |
It's no wonder you're so proud of it, |
| 00:27:27 |
I remember hearing you speak |
| 00:27:29 |
- about the wonders of nature. |
| 00:27:33 |
It was inspiring. |
| 00:27:34 |
(BABY CRYING) |
| 00:27:43 |
I know I've seen you |
| 00:27:46 |
1 or 2 performances |
| 00:27:50 |
- Your porter, in Macbeth... |
| 00:27:53 |
Drunken porter, as I remember. |
| 00:27:56 |
Especially towards |
| 00:28:00 |
Come on, everybody. |
| 00:28:04 |
- Let's go to the mossy island. |
| 00:28:07 |
I can't move! |
| 00:28:09 |
We can't take the baby |
| 00:28:12 |
It's all right. I'll stay here |
| 00:28:15 |
Don't worry, Aunt Elizabeth, |
| 00:28:18 |
We'll both sit |
| 00:28:26 |
(FLIES BUZZING) |
| 00:28:35 |
(BABY BABBLES) |
| 00:28:39 |
I think I might stretch my legs |
| 00:28:43 |
I'll lose all use of them |
| 00:28:44 |
if I don't get out |
| 00:29:18 |
(LAWRENCE) |
| 00:29:20 |
(ANNE) |
| 00:29:34 |
(ANNE SIGHS) |
| 00:29:47 |
Oliver? |
| 00:29:54 |
They must have come back for him. |
| 00:29:59 |
Oliver? |
| 00:30:02 |
Oliver! |
| 00:30:09 |
Hello! |
| 00:30:14 |
Papa! |
| 00:30:16 |
Have you got Oliver with you?! |
| 00:30:19 |
Papa? |
| 00:30:25 |
Walter! Didn't you hear me? |
| 00:30:26 |
Have they got Oliver with them? |
| 00:30:28 |
- No. YOU'VE got Oliver. |
| 00:30:31 |
Somebody must've come back |
| 00:30:35 |
He's not on the mossy island. |
| 00:30:38 |
(TWIG SNAPS) |
| 00:30:41 |
Hello? Who's that? |
| 00:30:45 |
Walter, go back and get them all, |
| 00:30:49 |
Go and get them all right now. |
| 00:31:00 |
(PANTING) |
| 00:31:07 |
(BABY CRYING) |
| 00:31:10 |
Oliver! |
| 00:31:18 |
(BABY CONTINUES CRYING) |
| 00:31:26 |
(ECHOING) |
| 00:31:31 |
Who's got Oliver?! |
| 00:31:42 |
(BABY CRYING) |
| 00:32:03 |
(GASPS) |
| 00:32:05 |
Walter! What are you doing here? |
| 00:32:08 |
I've done that. They're all |
| 00:32:12 |
- Are you playing a game, Walter? |
| 00:32:15 |
Did you move Oliver? |
| 00:32:18 |
I told you, I am not playing a game. |
| 00:32:22 |
Tell me where Oliver is. |
| 00:32:26 |
(ALEXANDER) |
| 00:32:30 |
There she is. |
| 00:32:33 |
- Have you got Oliver? |
| 00:32:35 |
He's gone! |
| 00:32:36 |
I was just there, and |
| 00:32:39 |
- and the pushchair vanished! |
| 00:32:43 |
- He can't have gone far. |
| 00:32:45 |
- Oh, my God! |
| 00:32:48 |
If we all fan out, |
| 00:32:51 |
I'm so sorry! |
| 00:32:52 |
- Oliver! |
| 00:32:57 |
I think we should take this path. |
| 00:33:00 |
But I've looked here. Of course I have. |
| 00:33:02 |
We're following the path! |
| 00:33:04 |
- I've been down this path. |
| 00:33:07 |
Everything's going to be all right. |
| 00:33:09 |
He's not anywhere here. |
| 00:33:14 |
(ALL SHOUTING FOR OLIVER) |
| 00:33:17 |
Oliver! |
| 00:33:29 |
Oh, my God! Oh, thank God! |
| 00:33:31 |
(RALPH) |
| 00:33:34 |
(BABY CRYING) |
| 00:33:35 |
Here he is, safe and sound. |
| 00:33:42 |
I'm sorry! |
| 00:33:45 |
(ELIZABETH) |
| 00:33:48 |
I don't know. I really don't know. I... |
| 00:33:51 |
I must have fallen asleep |
| 00:33:56 |
- Somebody moved him. |
| 00:33:59 |
Maybe you were concentrating |
| 00:34:03 |
- you walked with him, not realising. |
| 00:34:06 |
- I didn't move him! |
| 00:34:10 |
- You said you fell asleep. |
| 00:34:13 |
I didn't move him, |
| 00:34:19 |
I did not move him! |
| 00:34:23 |
He did have a hell of a lot |
| 00:34:27 |
I hear they've got |
| 00:34:29 |
to take several tons |
| 00:34:32 |
and put it in his basement! |
| 00:34:33 |
They're so worried |
| 00:34:36 |
they'd rather put it |
| 00:34:38 |
What excuse did you give, Papa, |
| 00:34:41 |
I said in winter the sheds all leak. |
| 00:34:43 |
I didn't move the baby. |
| 00:34:46 |
- I do. |
| 00:34:49 |
- It was Walter. |
| 00:34:51 |
- Why would he do that? |
| 00:34:54 |
Perhaps he'd had wine |
| 00:34:57 |
Or somebody |
| 00:34:59 |
Why would they do that, darling? |
| 00:35:01 |
To make me seem unreliable, |
| 00:35:04 |
He knows I'm friends |
| 00:35:07 |
I think we should let Mr. Balcombe |
| 00:35:11 |
and just not invite him again - ever. |
| 00:35:14 |
We want to be sure we get rid of him, |
| 00:35:16 |
which I'm sure we can do. |
| 00:35:18 |
We've lost a terrific chance |
| 00:35:24 |
- So, I think that is everything. |
| 00:35:28 |
I believe so, yes. |
| 00:35:32 |
And there's nothing left behind |
| 00:35:36 |
- In the house? |
| 00:35:38 |
No. |
| 00:35:41 |
No. I don't know of anything. |
| 00:35:51 |
- (KNOCKING) |
| 00:35:56 |
I just wanted to see how you are. |
| 00:35:59 |
I'm absolutely fine. |
| 00:36:02 |
Of course not. |
| 00:36:04 |
Anyway, the spooky man |
| 00:36:07 |
Papa says we're returning |
| 00:36:10 |
- Really? |
| 00:36:11 |
Because Parliament |
| 00:36:14 |
It's a bit of a crisis, apparently. |
| 00:36:15 |
But I think it's terrific we're going. |
| 00:36:18 |
Nowadays I can't stand it |
| 00:36:24 |
No disrespect to Sonia. |
| 00:36:29 |
You'll forgive me, won't you? |
| 00:36:31 |
I really miss Horatio. |
| 00:36:35 |
(MEOWS) |
| 00:36:38 |
(MAID) Oh, Sir Alexander! |
| 00:36:41 |
The house is not aired! |
| 00:36:43 |
We had no idea you were |
| 00:36:46 |
And Mrs. Hardiman is not back |
| 00:36:49 |
(ALEXANDER) |
| 00:36:51 |
We live in unpredictable times. |
| 00:36:53 |
We can manage without Mrs. Hardiman. |
| 00:36:55 |
And there is this awful racket |
| 00:36:58 |
They're getting ready for a party. |
| 00:36:59 |
- There's been banging all day long. |
| 00:37:03 |
As long as they don't |
| 00:37:05 |
And remember to invite us. |
| 00:37:07 |
(DANCE MUSIC PLAYING FAINTLY) |
| 00:37:17 |
It doesn't seem to be |
| 00:37:20 |
The house all wrapped up like this. |
| 00:37:22 |
- No. |
| 00:37:25 |
(DANCE MUSIC PLAYING) |
| 00:37:29 |
Glorious... I know |
| 00:37:34 |
but with my new job, |
| 00:37:37 |
and I know who to ask |
| 00:37:41 |
So...only if you wish it, of course, |
| 00:37:44 |
but I could find out |
| 00:37:48 |
- You could? |
| 00:37:57 |
I don't know if I want to know. |
| 00:38:00 |
For some reason, |
| 00:38:03 |
who my real parents are. |
| 00:38:06 |
I don't think about it much any more. |
| 00:38:10 |
It's a big decision. |
| 00:38:20 |
(DANCE MUSIC PLAYING) |
| 00:38:23 |
Oh, Betty. There used to be another |
| 00:38:27 |
Whatever happened to that? |
| 00:38:29 |
Oh, that old thing? |
| 00:38:43 |
(MAN ON RECORD) We're clear which |
| 00:38:46 |
and which remain |
| 00:38:49 |
I think we're all agreed |
| 00:38:52 |
reports that we've had back |
| 00:38:55 |
at the next meeting. |
| 00:38:57 |
The individual reports |
| 00:38:59 |
are number 10, 15 and 22. |
| 00:39:10 |
(AGITATED MAN) nothing more to say! |
| 00:39:13 |
And you've got to stop! |
| 00:39:16 |
(MAN 1) We're just reminding you, |
| 00:39:19 |
That information is private! |
| 00:39:22 |
People do all sorts of things |
| 00:39:24 |
And if I have, I have! |
| 00:39:27 |
I just want you to stop calling me |
| 00:39:30 |
(MAN 1) We wanted you to realise |
| 00:39:34 |
and it is best for you to listen to us. |
| 00:39:36 |
(HECTOR) I cannot believe |
| 00:39:39 |
I want you to stop calling |
| 00:39:41 |
DO YOU HEAR ME? |
| 00:39:43 |
You have to agree to that! My father is ill! |
| 00:39:45 |
He cannot stand it! You have no right... |
| 00:39:47 |
(CRASHES) |
| 00:39:49 |
I'm so sorry, miss. I had no idea |
| 00:39:52 |
I didn't realise you might want |
| 00:39:56 |
Don't worry, Betty. It's my fault. |
| 00:40:00 |
I had to listen to something |
| 00:40:10 |
- Going out, Papa? |
| 00:40:13 |
Yes. To the club, |
| 00:40:16 |
where the atmosphere |
| 00:40:18 |
I need to talk to you, |
| 00:40:21 |
Not now, darling. |
| 00:40:24 |
The world goes on moving |
| 00:40:27 |
and I am not at all sure |
| 00:40:30 |
- More gramophone records, I see. |
| 00:40:33 |
I thought you gave everything back |
| 00:40:38 |
What is that? |
| 00:40:39 |
- This is a real foxtrot, for once. |
| 00:40:44 |
Good. |
| 00:40:46 |
We don't want to give Mr. Balcombe |
| 00:40:50 |
No, that would not be good. |
| 00:40:56 |
We'll talk...when this crisis is over. |
| 00:40:59 |
(DANCE MUSIC PLAYING FAINTLY) |
| 00:41:03 |
I love them having a party next door |
| 00:41:06 |
Is the balloon going up? Now? |
| 00:41:10 |
I should have listened to the wireless. |
| 00:41:12 |
It may or may not be going up. |
| 00:41:14 |
Should we be held |
| 00:41:17 |
Do we really want to go to war for them? |
| 00:41:20 |
Can this be happening all over again? |
| 00:41:23 |
That's what's going on. |
| 00:41:25 |
They're all travelling back from |
| 00:41:29 |
It's as bad as that. |
| 00:41:33 |
You go on making your movie. |
| 00:41:37 |
I can't just do that, |
| 00:41:39 |
No, this is good advice. |
| 00:41:41 |
It's an absolutely splendid thing |
| 00:41:49 |
They're not going to do our scene |
| 00:41:53 |
Not today? I don't believe it! |
| 00:41:55 |
We will never be needed. |
| 00:41:57 |
The weather's not right, apparently. |
| 00:41:59 |
I've managed to get my father's |
| 00:42:04 |
Will you come home with me, Gilbert? |
| 00:42:06 |
Who could resist such an invitation? |
| 00:42:09 |
I want to play you something, in private. |
| 00:42:12 |
It's this gramophone record. |
| 00:42:14 |
You're much better informed |
| 00:42:16 |
Flattery as well! Today is looking up. |
| 00:42:19 |
We just have to pick up |
| 00:42:24 |
(ANNE) |
| 00:42:25 |
This is the way to travel |
| 00:42:33 |
Always dreamt |
| 00:42:35 |
Hasn't happened yet. |
| 00:42:39 |
Not even once. |
| 00:42:42 |
(GILBERT) |
| 00:42:45 |
for no one has any idea |
| 00:42:51 |
So, what's the tune |
| 00:42:54 |
It's not a tune, it's a conversation. |
| 00:43:07 |
It's a recording of a meeting. |
| 00:43:09 |
I found it among things Mr. Balcombe |
| 00:43:13 |
There was another record as well, |
| 00:43:17 |
The man who killed himself? |
| 00:43:20 |
It's broken. It got smashed. |
| 00:43:22 |
Since the baby and the pushchair, |
| 00:43:25 |
When did I say that? |
| 00:43:27 |
I know it's my fault I haven't read |
| 00:43:30 |
being too bound up with my work. |
| 00:43:32 |
It's conceivable the secret service |
| 00:43:35 |
the conversations |
| 00:43:39 |
- That is possible? |
| 00:43:42 |
Yes, and that spying |
| 00:43:44 |
could be used to put pressure |
| 00:43:47 |
To blackmail them into silence, |
| 00:43:50 |
- That too is possible, if risky. |
| 00:43:52 |
because they wouldn't wish that |
| 00:43:55 |
No! Imagine what the supporters |
| 00:43:58 |
would do with information like that. |
| 00:44:00 |
It would bring down |
| 00:44:02 |
Churchill would become Prime Minister, |
| 00:44:04 |
that would lead to a bolder approach |
| 00:44:07 |
Blackmail. Well, I never. |
| 00:44:10 |
Although it's...possible, of course, |
| 00:44:14 |
are taking things further |
| 00:44:17 |
Is that what's on that recording? |
| 00:44:19 |
Oh, no, no. |
| 00:44:23 |
But I thought perhaps you would know |
| 00:44:26 |
Why would they record a boring meeting? |
| 00:44:28 |
Perhaps because somebody |
| 00:44:31 |
and they didn't want notes taken? |
| 00:44:32 |
That's just |
| 00:44:35 |
But now, if war comes, |
| 00:44:38 |
On the contrary, my dear, |
| 00:44:42 |
Some of these people don't want a war. |
| 00:44:45 |
They don't want Winston Churchill |
| 00:44:48 |
They want this country to be left alone. |
| 00:44:50 |
They don't care |
| 00:44:52 |
as long as this lovely place |
| 00:44:55 |
They'll want to make peace |
| 00:44:58 |
maybe at any price, |
| 00:45:00 |
and give Hitler |
| 00:45:05 |
But we shouldn't worry. |
| 00:45:06 |
We will be looking down at everybody |
| 00:45:09 |
dressed in ludicrous Victorian dress. |
| 00:45:13 |
That is, if we ever get our call. |
| 00:45:55 |
(RALPH) |
| 00:46:00 |
There you are! |
| 00:46:02 |
You're so early. You're much too early. |
| 00:46:06 |
It is nearly 3 o'clock |
| 00:46:08 |
You missed something gorgeous. |
| 00:46:11 |
There were exotic birds |
| 00:46:14 |
And Aunt Elizabeth is still here. |
| 00:46:16 |
Like me, she hasn't slept all night. |
| 00:46:22 |
So you've been up all night, |
| 00:46:25 |
Yes. Still to go to bed! |
| 00:46:28 |
I stayed up with the young people. |
| 00:46:30 |
Haven't done that for years. |
| 00:46:34 |
I was meant to go hours ago, |
| 00:46:37 |
- (CHUCKLES) |
| 00:46:39 |
Just the person I want to see. |
| 00:46:41 |
- I am? |
| 00:46:44 |
and hear what I've got to tell you. |
| 00:46:49 |
I've been tidying up my house, |
| 00:46:53 |
in case we have to run like mice, |
| 00:46:54 |
and you'll never guess |
| 00:46:57 |
My whole collection |
| 00:46:59 |
- many of them featuring you. |
| 00:47:02 |
Mm. You in Richard II |
| 00:47:08 |
Marvellous! I'd love to see them. |
| 00:47:10 |
(WHISPERS) |
| 00:47:11 |
You'll have to come with me now, |
| 00:47:13 |
because if this irritating war |
| 00:47:16 |
the whole thing will get scattered. |
| 00:47:18 |
You don't mind coming to my little |
| 00:47:21 |
- Not at all. That'd be thrilling. |
| 00:47:23 |
My career in theatre programmes. |
| 00:47:27 |
- I was superstitious. |
| 00:47:29 |
- Milk? |
| 00:47:30 |
We had an appointment. |
| 00:47:35 |
Yes... Give me what you want me |
| 00:47:39 |
the record, and I'll listen to it |
| 00:47:42 |
(RALPH) I'd love to have seen |
| 00:47:45 |
(RALPH LAUGHS) |
| 00:47:48 |
What? I didn't say anything. |
| 00:47:52 |
(BIRDS CHIRPING) |
| 00:48:01 |
(DIRECTOR) |
| 00:48:04 |
Where the hell is Mr. Williams? |
| 00:48:13 |
I'm late. |
| 00:48:18 |
I'm late. |
| 00:48:20 |
Well, come on! Come on, Gilbert! |
| 00:48:25 |
- Where've you been? |
| 00:48:30 |
(DIRECTOR) We have to go |
| 00:48:33 |
It's clouding over, we're losing |
| 00:48:36 |
Mark it, please House of Cheyney, |
| 00:48:44 |
(DIRECTOR) Action! |
| 00:48:45 |
Uncle, I know you said not to take |
| 00:48:51 |
But the master has been so kind |
| 00:48:55 |
(GILBERT) |
| 00:48:59 |
I know you have your eye on him. |
| 00:49:01 |
But he is engaged to another |
| 00:49:04 |
and, however much you hope, |
| 00:49:10 |
You should listen to me, Jenny. |
| 00:49:13 |
(DIRECTOR) Cut! Everyone, |
| 00:49:18 |
Apparently... |
| 00:49:20 |
I'm not quite sure how to put it. |
| 00:49:23 |
- We're now at war. |
| 00:49:25 |
We're at war with Germany. |
| 00:49:27 |
So it's happened. |
| 00:49:29 |
This news is very shocking, |
| 00:49:32 |
I've asked for a wireless to be sent up, |
| 00:49:35 |
and when it arrives, |
| 00:49:37 |
take an early tea break. |
| 00:49:39 |
But for now, we'll pick up |
| 00:49:42 |
Roll up. Action! |
| 00:49:44 |
- Do you understand, Anne? |
| 00:49:47 |
Which bit do you think |
| 00:49:50 |
That we're at war, |
| 00:49:52 |
Come on, for God's sake! Action! |
| 00:49:54 |
- (ANNE) Thank you. |
| 00:50:01 |
You're not waiting for me, |
| 00:50:03 |
I'm sorry. It was a very long day. |
| 00:50:05 |
- We've been watching the door. |
| 00:50:08 |
But we thought |
| 00:50:11 |
We thought today of all days |
| 00:50:15 |
"Thy love is better |
| 00:50:20 |
"Richer than wealth, |
| 00:50:24 |
"Of more delight |
| 00:50:29 |
"And having thee, |
| 00:50:38 |
(VOMITING) |
| 00:50:42 |
Goodness, Mick! |
| 00:50:44 |
What did you do last night? |
| 00:51:42 |
(GUNSHOT) |
| 00:51:44 |
(OFFICER) |
| 00:51:48 |
Come along. |
| 00:51:51 |
- (GASPS) |
| 00:52:10 |
I was just taking him his tea. |
| 00:52:12 |
I was only a couple of minutes late. |
| 00:52:14 |
He wasn't in his dressing room. |
| 00:52:19 |
They say it looks like he shot himself... |
| 00:52:21 |
They said I shouldn't ask but... |
| 00:52:24 |
- Did you see a note? |
| 00:52:27 |
- So you didn't see a note? |
| 00:52:30 |
I was only a tiny bit late |
| 00:52:35 |
And I can't get through |
| 00:52:38 |
I've called and called. |
| 00:52:40 |
It would be terrible |
| 00:52:46 |
- (WOMAN) Yes? |
| 00:52:49 |
Putting you through. |
| 00:52:54 |
I'm... sorry, I made a mistake. |
| 00:52:57 |
Mr. Newbolt is not here. |
| 00:53:00 |
To Paris? |
| 00:53:04 |
He WAS in Scotland, and now |
| 00:53:08 |
This morning? |
| 00:53:10 |
- When will he be back? |
| 00:53:15 |
(THUNDER RUMBLES) |
| 00:53:28 |
(KNOCKING) |
| 00:53:30 |
I've just seen the dreadful news |
| 00:53:35 |
I am so sorry. |
| 00:53:42 |
- You must be so upset. |
| 00:53:48 |
It was horrible. |
| 00:53:53 |
Does anybody know what happened? |
| 00:53:55 |
They say he shot himself. |
| 00:54:02 |
But there wasn't a note. |
| 00:54:04 |
I waited for hours to see |
| 00:54:05 |
if they would find a note from him, |
| 00:54:08 |
- And they didn't. |
| 00:54:12 |
It's an extraordinarily |
| 00:54:16 |
for me too. |
| 00:54:21 |
It seems it was so recent, |
| 00:54:26 |
and having been |
| 00:54:28 |
having fought in that delightful show, |
| 00:54:31 |
I can tell you |
| 00:54:37 |
I know a lot of people are very confused. |
| 00:54:42 |
And I don't want to seem |
| 00:54:45 |
You're an actress. |
| 00:54:49 |
- (CHUCKLES) Yes, that's true. |
| 00:54:54 |
full of your stories and drawings, |
| 00:54:59 |
Your comic knights and their adventures. |
| 00:55:01 |
Yes, and so I don't want it to seem |
| 00:55:04 |
I understand. |
| 00:55:06 |
And Gilbert may have killed himself. |
| 00:55:12 |
What if something else is going on? |
| 00:55:16 |
Why would they |
| 00:55:19 |
It doesn't seem likely, darling, |
| 00:55:24 |
- I love you. |
| 00:55:27 |
No one knows what each day |
| 00:55:30 |
and that's very disconcerting. |
| 00:55:32 |
It applies to me as well. |
| 00:55:34 |
One thing is certain: |
| 00:55:37 |
we won't let Mr. Balcombe |
| 00:55:41 |
whatever he's up to. |
| 00:55:43 |
I will keep you safe. |
| 00:55:48 |
Some things |
| 00:55:54 |
I just heard the news. It's awful. |
| 00:55:59 |
It is amazing how much |
| 00:56:02 |
It's incredible, |
| 00:56:04 |
I thought I saw |
| 00:56:08 |
A silver beast? |
| 00:56:10 |
It was, in fact, a barrage balloon |
| 00:56:12 |
but it was moving by itself |
| 00:56:15 |
And they say 2 million people |
| 00:56:20 |
And lots and lots of people |
| 00:56:24 |
- Their pets? |
| 00:56:26 |
Really? How awful! |
| 00:56:28 |
Because they're leaving and |
| 00:56:31 |
or because they feel |
| 00:56:33 |
- I may be going to America. |
| 00:56:37 |
- When are you going? |
| 00:56:42 |
Things keeps changing, but at the |
| 00:56:45 |
I should go there and try |
| 00:56:49 |
Don't worry. |
| 00:56:54 |
So can you go down to Norfolk |
| 00:56:58 |
She's staying down there. |
| 00:57:02 |
Your mother will join you |
| 00:57:05 |
I just need to leave this garden |
| 00:57:08 |
It would be good if you could |
| 00:57:11 |
Yes. They just want me at the studio |
| 00:57:19 |
Miss Keyes! |
| 00:57:23 |
These were in your dressing room. |
| 00:57:24 |
I don't know if you meant |
| 00:57:27 |
I think the cigarette case is Mr. Williams'... |
| 00:57:29 |
but I didn't know who else to give it to. |
| 00:57:32 |
I didn't see this |
| 00:57:35 |
It was in a cupboard right at the back. |
| 00:57:37 |
It will be a shock seeing him again, Anne. |
| 00:57:39 |
You'll find it distressing |
| 00:57:40 |
seeing Mr. Williams |
| 00:57:43 |
Yes, of course it's strange... |
| 00:57:47 |
Yes, that's why I thought |
| 00:57:50 |
get it done while we still can. |
| 00:57:54 |
You just need to do your first line |
| 00:57:59 |
Uncle, I know you said I shouldn't |
| 00:58:04 |
(DIRECTOR) You look radiant |
| 00:58:08 |
..and it is a fine opportunity. |
| 00:58:10 |
There will be other opportunities. |
| 00:58:14 |
(DIRECTOR) Gilbert is a bit detached, |
| 00:58:17 |
He wasn't quite there. |
| 00:58:20 |
Obviously already decided |
| 00:58:25 |
(ANNE REVOICES) |
| 00:58:27 |
I shouldn't have taken the job... |
| 00:58:28 |
Is that...? |
| 00:58:34 |
Maybe you should watch |
| 00:58:38 |
Perhaps we should have done that first. |
| 00:58:40 |
(SOUND PLAYING BACKWARDS) |
| 00:58:47 |
I know you have your eye on him. |
| 00:58:49 |
But he is engaged to another, |
| 00:58:53 |
that situation will not change. |
| 00:58:58 |
You should listen to it again, Anne. |
| 00:59:01 |
What... What the hell is he doing? |
| 00:59:05 |
He's saying the wrong line. |
| 00:59:09 |
Rewind. Rewind that. |
| 00:59:12 |
(REEL REWINDS |
| 00:59:20 |
You should listen to it again, Anne. |
| 00:59:22 |
Did you hear that? "You should |
| 00:59:26 |
Rewind again, please. |
| 00:59:28 |
(REEL REWINDS) |
| 00:59:31 |
The real line is, |
| 00:59:34 |
He called you Anne instead of Jenny |
| 00:59:38 |
You should listen to it again, Anne. |
| 00:59:45 |
Anne. |
| 00:59:48 |
Listen. |
| 00:59:59 |
(RATTLING) |
| 01:00:06 |
- Ah, you're here, Miss Anne. |
| 01:00:13 |
There you are. I've been waiting |
| 01:00:18 |
There's some miserable-looking |
| 01:00:20 |
but the sandwiches look promising. |
| 01:00:22 |
It's been a long journey. |
| 01:00:31 |
(MAN) |
| 01:00:33 |
that we set out and agreed upon |
| 01:00:36 |
and how we might |
| 01:00:39 |
And the 3rd objective |
| 01:00:42 |
as important as ever |
| 01:00:49 |
And I think it will simplify matters |
| 01:00:52 |
under the same heading |
| 01:00:56 |
Oh, Gilbert. |
| 01:00:58 |
(BALCOMBE) |
| 01:01:00 |
for applying the greatest pressure |
| 01:01:04 |
- is coordinated in one place. |
| 01:01:06 |
The operation that was mounted |
| 01:01:10 |
has been successful and |
| 01:01:13 |
And the 3rd one, on Hector Haldane, |
| 01:01:16 |
is, I think, about to be achieved. |
| 01:01:20 |
But we do now need to give |
| 01:01:24 |
to ease communication amongst us. |
| 01:01:26 |
(RALPH) Oh, I can give you a name. |
| 01:01:30 |
I've got the perfect name. |
| 01:01:35 |
We won't forget that in a hurry, |
| 01:01:38 |
(BALCOMBE) "Thin Men Dancing"? |
| 01:01:41 |
Where did that come from? |
| 01:01:44 |
- No chance of confusion there! |
| 01:01:51 |
No! |
| 01:01:55 |
I've got the perfect name. |
| 01:01:59 |
And let us see how much dancing |
| 01:02:08 |
(SOBBING) |
| 01:02:14 |
I did knock, miss. |
| 01:02:18 |
Her Ladyship's wondering |
| 01:02:28 |
Beatrice Townsend rang me yesterday. |
| 01:02:30 |
She said at least there is |
| 01:02:33 |
one won't have to wake up |
| 01:02:35 |
wondering if one has got |
| 01:02:40 |
But I expect the competition |
| 01:02:43 |
will begin again very soon. |
| 01:02:45 |
They won't let a small thing |
| 01:02:51 |
Nor should they. Don't you agree? |
| 01:02:53 |
I agree it will take |
| 01:02:55 |
And we mustn't let it stop us either. |
| 01:02:57 |
We must stick together down here, |
| 01:03:00 |
or we will go absolutely mad. |
| 01:03:02 |
We will do everything together - |
| 01:03:04 |
listen to the wireless, |
| 01:03:07 |
do everything like twin sisters. |
| 01:03:10 |
Yes, Aunt Elizabeth. |
| 01:03:12 |
Don't look so thoughtful, my dear. |
| 01:03:14 |
But, of course, you have had |
| 01:03:19 |
Poor Mr. Williams. |
| 01:03:20 |
I hope it wasn't seeing |
| 01:03:23 |
in the programmes from my collection |
| 01:03:27 |
Having one's life summed up |
| 01:03:32 |
This little war |
| 01:03:37 |
(RADIO) This is the National |
| 01:03:40 |
First news, copyright reserved. |
| 01:03:42 |
(MAN) |
| 01:03:44 |
Can I have extension 182, |
| 01:03:48 |
One moment. |
| 01:03:54 |
I'm sorry, |
| 01:03:58 |
(NEWS OVER RADIO) |
| 01:04:01 |
You've broken the rules already, |
| 01:04:05 |
We're going to do |
| 01:04:09 |
Come in here and let's listen |
| 01:04:13 |
and if we should take it seriously. |
| 01:04:19 |
(ELIZABETH) I can usually only enjoy |
| 01:04:24 |
But it is very peaceful here. |
| 01:04:27 |
The war seems such a long way off. |
| 01:04:31 |
Although, since no bombs |
| 01:04:34 |
maybe London is this quiet. |
| 01:04:41 |
Do you know |
| 01:04:44 |
- Have you heard from him? |
| 01:04:46 |
But then he dislikes using |
| 01:04:54 |
We don't seem to be alone. |
| 01:04:59 |
(ELIZABETH) |
| 01:05:04 |
(ELIZABETH) |
| 01:05:17 |
Just have to change my shoes, dear, |
| 01:05:22 |
You've got my other shoes, haven't you? |
| 01:05:24 |
- Let me help you. |
| 01:05:32 |
I'm so glad you're here |
| 01:05:36 |
Thank you. |
| 01:05:43 |
And now I am going to spoil it all |
| 01:05:49 |
Because if they go into the bag |
| 01:05:51 |
they'll make these shoes |
| 01:05:56 |
There's a scraper round the corner. |
| 01:06:01 |
(TWIG SNAPS) |
| 01:06:13 |
There you are, my dear. |
| 01:06:14 |
I was just telling the vicar |
| 01:06:16 |
we must do some fundraising |
| 01:06:18 |
After all, it was our family |
| 01:06:21 |
And what a good job they made of it. |
| 01:06:24 |
Hopefully we will still be looking |
| 01:06:27 |
It must be marvellous to end up |
| 01:06:31 |
"To end up"? |
| 01:06:34 |
Of course. A slip of the tongue. |
| 01:06:37 |
I meant such an old, established |
| 01:06:41 |
It must be such a good feeling. |
| 01:06:43 |
(CHOIR SINGING IN LATIN) |
| 01:07:37 |
(COUGHS) |
| 01:07:42 |
I just have to get rid of this. |
| 01:07:46 |
(ANNE COUGHS) |
| 01:08:11 |
(JAZZ MUSIC PLAYING) |
| 01:08:26 |
(SIGHS) |
| 01:08:28 |
(CAR ENGINE STARTS UP) |
| 01:08:52 |
Miss Anne, that car ain't safe to drive. |
| 01:08:55 |
I have to go to London urgently. |
| 01:08:57 |
- That car ain't safe, Miss Anne. |
| 01:09:02 |
Get out of the way, Lucy! |
| 01:09:06 |
Miss Anne, don't go! Miss Anne! |
| 01:09:10 |
Don't go! |
| 01:09:26 |
Come on. You're not |
| 01:09:34 |
(HORN HONKING) |
| 01:09:37 |
What the hell does he want? |
| 01:10:06 |
Bloody farmers! |
| 01:10:27 |
The road ahead is closed. There |
| 01:10:31 |
You'll have to find another route through. |
| 01:10:33 |
I'm going to London. How do I get there? |
| 01:10:35 |
By another route. |
| 01:10:37 |
Yeah. Thank you for that. |
| 01:10:41 |
Where's that lorry that passed me? |
| 01:10:43 |
You seem to have allowed |
| 01:10:45 |
Could you switch |
| 01:10:51 |
- Can I see your identity card? |
| 01:10:54 |
- I don't have one. |
| 01:10:57 |
From yesterday everyone |
| 01:11:01 |
It's the law. There are no exceptions. |
| 01:11:03 |
- I'm afraid I'll have to detain you. |
| 01:11:08 |
I've been down at the film studio. |
| 01:11:12 |
I really need to get to London today. |
| 01:11:14 |
Without a card you're going nowhere. |
| 01:11:17 |
I am the daughter of a Member |
| 01:11:20 |
If you telephone him, or allow me... |
| 01:11:22 |
Step out of the vehicle, please. |
| 01:11:26 |
Move over to that side |
| 01:11:35 |
Get into the vehicle. |
| 01:11:44 |
I think you might at least |
| 01:11:46 |
(CAR ENGINE STARTS UP) |
| 01:12:07 |
(FOOTSTEPS APPROACHING) |
| 01:12:12 |
Can I ask you to come this way now? |
| 01:12:16 |
We've had a lot of people like you today, |
| 01:12:18 |
taking no notice of the regulations. |
| 01:12:20 |
So this is what happens. |
| 01:12:41 |
(ANNE) |
| 01:12:47 |
I don't suppose you're going to tell me |
| 01:12:50 |
how long I am going to be held here. |
| 01:12:51 |
I wouldn't complain if I were you, miss. |
| 01:12:55 |
We have the power now |
| 01:12:59 |
- Did you know that? |
| 01:13:03 |
Habeas corpus. |
| 01:13:06 |
Do you know what |
| 01:13:08 |
Of course... Of course I do. |
| 01:13:12 |
Well, it doesn't exist any more. It's gone. |
| 01:13:16 |
We can keep you as long as |
| 01:13:19 |
Don't need to ask a judge any more, |
| 01:13:22 |
Don't even need to tell anyone |
| 01:13:30 |
(IN DISTINCT CHATTER) |
| 01:13:55 |
Glorious! What are you doing? |
| 01:13:59 |
Thank God you're here! |
| 01:14:00 |
Papa got a call from these soldiers |
| 01:14:04 |
They called the Houses of Parliament. |
| 01:14:06 |
Aunt Elizabeth telephoned to say |
| 01:14:09 |
like you were about to die |
| 01:14:12 |
The vicar was heartbroken. |
| 01:14:16 |
I had to...get away. |
| 01:14:22 |
I've got a bit of a confession to make. |
| 01:14:24 |
Although it won't come |
| 01:14:28 |
I'm terribly in love. |
| 01:14:31 |
I'm so in love with Lawrence, |
| 01:14:33 |
I couldn't bear to be away from him, |
| 01:14:37 |
I had this incredible urge to see him. |
| 01:14:39 |
How wonderful, darling! That's fantastic! |
| 01:14:43 |
That is pretty romantic, Glorious, yes. |
| 01:14:46 |
There's a party tonight |
| 01:14:49 |
and we've helped arrange it. |
| 01:14:51 |
(RALPH) Nothing can stop the parties |
| 01:14:54 |
It's all the ambassadors. |
| 01:14:55 |
Lawrence is going to be there too. |
| 01:15:00 |
He is? |
| 01:15:01 |
Now you've been detained, |
| 01:15:04 |
(RALPH) Dawson will drive your car |
| 01:15:09 |
I thought it was dangerous to drive. |
| 01:15:11 |
Apparently it is! That's why you |
| 01:15:15 |
But Dawson's expendable, isn't he! |
| 01:15:17 |
Lots more where you came from, |
| 01:15:20 |
I get to drive the Rolls, |
| 01:15:23 |
We're hosts to tonight's party, |
| 01:15:26 |
Yes, including a hot bath for you, darling. |
| 01:15:29 |
You look a real country girl like that! |
| 01:15:36 |
You've time to have a really good |
| 01:15:42 |
You see, everything's gone now. |
| 01:15:46 |
And with the whole town blacked out, |
| 01:15:50 |
Like being in another place |
| 01:15:53 |
On the moon or something! |
| 01:15:56 |
- You look so lovely. |
| 01:16:00 |
I am the hostess |
| 01:16:03 |
so I'm just a tiny bit nervous. |
| 01:16:05 |
It's part of my new job. |
| 01:16:06 |
I am attached |
| 01:16:09 |
I am going to need to go a little early. |
| 01:16:11 |
That's fine. I'll escort Anne. |
| 01:16:15 |
All right. I must volunteer too. |
| 01:16:18 |
I have to do something for the war effort. |
| 01:16:19 |
Glorious, you don't have to do that. |
| 01:16:22 |
- That's what you keep doing. |
| 01:16:30 |
A lot of our childhood things |
| 01:16:35 |
I'm not sure |
| 01:16:42 |
(CAT MEOWS) |
| 01:16:44 |
Do you recognise him? |
| 01:16:46 |
Oh, yes, of course. |
| 01:16:50 |
So, darling, this is a little bit nasty, |
| 01:16:52 |
but Aunt Elizabeth wants him put down |
| 01:16:54 |
because she's left London. |
| 01:16:56 |
I was going to take him to the vet, |
| 01:16:58 |
but now you're here, could you do it? |
| 01:17:01 |
I'm needed at work, you see. |
| 01:17:03 |
And I can't ask |
| 01:17:07 |
And I would be so upset |
| 01:17:10 |
- Will you do it? |
| 01:17:21 |
You look so good, Glorious. |
| 01:17:24 |
Here you are! So far, no disasters. |
| 01:17:27 |
They haven't started throwing things? |
| 01:17:29 |
Argentina has been extremely |
| 01:17:32 |
Mr. Kennedy goes on about how much |
| 01:17:36 |
and how everything is over for us |
| 01:17:39 |
Darling, you must go downstairs |
| 01:17:43 |
That's altogether more fun. |
| 01:17:56 |
(ALEXANDER) |
| 01:17:59 |
these little flags, |
| 01:18:01 |
and somewhere on the map |
| 01:18:04 |
- is some treasure! |
| 01:18:06 |
So you stick your flag |
| 01:18:09 |
and whoever is the nearest |
| 01:18:13 |
(GASPING AND LAUGHTER) |
| 01:18:15 |
So come on, everybody, take a flag. |
| 01:18:17 |
(EXCITED SHOUTING) |
| 01:18:19 |
Darling! There you are! |
| 01:18:27 |
- It's terrific to see you. |
| 01:18:31 |
- For leaving Norfolk? |
| 01:18:34 |
Would you take this, |
| 01:18:36 |
Children, Ralph here |
| 01:18:39 |
Gladly. Just don't forget to |
| 01:18:42 |
It's all the children |
| 01:18:45 |
They don't know whether they'll be |
| 01:18:49 |
- They don't know what's happening. |
| 01:18:51 |
A bit like us, yes. |
| 01:18:54 |
I should never have sent you |
| 01:18:59 |
How could I have done that? |
| 01:19:03 |
- (IN DISTINCT CHATTER) |
| 01:19:04 |
Now you must go |
| 01:19:09 |
Some jelly? Why? |
| 01:19:10 |
(IN DISTINCT CHATTER) |
| 01:19:18 |
(ANNE GASPS) |
| 01:19:20 |
- Oh, Lawrence! |
| 01:19:24 |
Oh, I didn't know |
| 01:19:27 |
I didn't know |
| 01:19:29 |
Yes, they suddenly |
| 01:19:32 |
I am not cry... I'm not crying. |
| 01:19:34 |
It's just, for a moment, |
| 01:19:38 |
and I know it isn't. |
| 01:19:40 |
Now then, when we've got |
| 01:19:42 |
I think we should have |
| 01:19:45 |
What about a song |
| 01:19:47 |
- Everybody like the sound of that? |
| 01:19:50 |
- Something terrible is going on. |
| 01:19:54 |
- Ralph is involved. |
| 01:19:56 |
You know? |
| 01:19:57 |
Do you think he realises the |
| 01:20:00 |
- Maybe he doesn't. |
| 01:20:03 |
He's my brother. |
| 01:20:08 |
I want to believe he couldn't. |
| 01:20:10 |
What I've found out is that there's |
| 01:20:13 |
and a motley collection of other people, |
| 01:20:16 |
including some |
| 01:20:18 |
who are trying to bring this war |
| 01:20:22 |
They think we have no chance. |
| 01:20:25 |
I think they killed my friend Gilbert. |
| 01:20:27 |
- And they blackmailed Hector... |
| 01:20:30 |
* Be there at our waking, |
| 01:20:36 |
* Your bliss in our hearts, Lord, |
| 01:20:41 |
They drove Hector to kill himself, |
| 01:20:44 |
- I've got a recording of a meeting. |
| 01:20:48 |
I don't have it here. |
| 01:20:51 |
I really have to have it. |
| 01:20:54 |
I must get it tomorrow. |
| 01:20:56 |
We'll meet in the morning, |
| 01:20:59 |
(SINGS SONG IN FRENCH) |
| 01:21:06 |
I know. The vet's. |
| 01:21:10 |
(SCOFFS) The vet? |
| 01:21:12 |
I have to take a cat to be put down. |
| 01:21:15 |
- Yes, that sounds rather perfect. |
| 01:21:25 |
- It's all right. We are in love. |
| 01:21:30 |
That's what I told him, and |
| 01:21:38 |
Not in front of the children, |
| 01:21:47 |
If we're to use your idea, |
| 01:21:51 |
We can't use one that's near the house. |
| 01:21:53 |
It has to be out of the way, |
| 01:21:56 |
I'll do that now, use |
| 01:22:00 |
- No, don't go. |
| 01:22:02 |
(ALL) * He whistled and he sang |
| 01:22:06 |
* And he won the heart of a lady |
| 01:22:16 |
Now we've started the singing, |
| 01:22:18 |
we'll have to do every single country! |
| 01:22:20 |
Not my most brilliant idea. |
| 01:22:26 |
Come with me, Glorious. |
| 01:22:27 |
- I've got something to show you. |
| 01:22:30 |
Follow me. It's important. |
| 01:22:38 |
It's such a big basement. |
| 01:22:41 |
You've only seen a corner of it. |
| 01:22:47 |
(SOUND OF TYPING) |
| 01:22:54 |
Right. Come on in. This is Miss Semel. |
| 01:22:56 |
- She's working late. |
| 01:23:00 |
Now, we have 2 things |
| 01:23:04 |
- Your identity card... |
| 01:23:07 |
Splendid. I asked Ralph |
| 01:23:10 |
Rather a long walk to get to it, though. |
| 01:23:13 |
That's perfect. You have your card. |
| 01:23:18 |
I'd better get back to |
| 01:23:20 |
I've spent too much time |
| 01:23:23 |
They're so much more interesting! |
| 01:23:25 |
- I'll come with you. |
| 01:23:28 |
- What is it? |
| 01:23:32 |
I'm not running away. |
| 01:23:37 |
I don't know. |
| 01:23:39 |
I found out the other thing, |
| 01:23:44 |
It seems a rather appropriate moment |
| 01:23:47 |
If you want. |
| 01:23:49 |
You mean about my parents? |
| 01:23:52 |
Do you want to hear, |
| 01:23:55 |
All right. Why not? |
| 01:23:59 |
- Good night, Miss Semel. |
| 01:24:02 |
I think you'll be pleased. |
| 01:24:06 |
It explains your theatrical bent - |
| 01:24:12 |
They were a Romany family. |
| 01:24:15 |
Your parents were gypsies. |
| 01:24:25 |
There are no pictures, sadly. |
| 01:24:27 |
One of them |
| 01:24:31 |
Maybe they had Russian blood. |
| 01:24:34 |
Thank you. |
| 01:24:40 |
I see nothing wrong |
| 01:24:45 |
I think I'll go back to the party now. |
| 01:25:01 |
Hello? |
| 01:25:14 |
Walter! |
| 01:25:16 |
How are you here? |
| 01:25:18 |
YOU'RE here, |
| 01:25:20 |
Why are you here? |
| 01:25:22 |
I didn't realise you were |
| 01:25:25 |
They thought I might be able |
| 01:25:27 |
I'm sure you will be. Excuse me. |
| 01:25:36 |
Anne! |
| 01:25:39 |
- Don't you realise? |
| 01:25:43 |
(WHISPERS) |
| 01:26:03 |
Lawrence! Thank God it's you. |
| 01:26:06 |
What is this? I wasn't that long. |
| 01:26:11 |
- Here, have some more. |
| 01:26:16 |
I have an address for you. |
| 01:26:18 |
- You can find out anything here. |
| 01:26:22 |
We'll meet there. Put the evidence |
| 01:26:26 |
and address it |
| 01:26:28 |
- Who? |
| 01:26:31 |
(LAUGHS) |
| 01:26:33 |
- Will they follow me there? |
| 01:26:36 |
Keep an eye out, but I don't think so. |
| 01:26:38 |
They won't follow you into the vet. |
| 01:26:44 |
There you are, darling. |
| 01:26:45 |
I'm off to take Bombardier |
| 01:26:48 |
- Well, you know what for. |
| 01:26:51 |
There may be lot of people there, |
| 01:26:54 |
Anne, if it's not too much to ask, |
| 01:26:57 |
I think you should take Horatio too. |
| 01:27:01 |
Take our cat? Why? |
| 01:27:03 |
If I'm going to the US next week, |
| 01:27:09 |
I'll take Bombardier |
| 01:27:11 |
has asked for that to happen. |
| 01:27:13 |
I'll find another home for Horatio. |
| 01:27:15 |
- I'm sure I can. |
| 01:27:18 |
A lot of other people |
| 01:27:20 |
They can be told |
| 01:27:23 |
I find myself having to tell them |
| 01:27:27 |
Anyway, we'll get Dawson |
| 01:27:32 |
Come and sit with me |
| 01:27:37 |
No, I'm the only one who's not |
| 01:27:40 |
so I should do it, |
| 01:27:43 |
I will take the cats to be put to sleep, |
| 01:27:45 |
then I will come back and help you. |
| 01:27:57 |
There's no school any more. |
| 01:28:00 |
These children haven't been |
| 01:28:05 |
We'll find Lawrence, but I won't |
| 01:28:15 |
I will find a way. |
| 01:28:27 |
(DOGS BARKING) |
| 01:28:36 |
Excuse me. |
| 01:28:41 |
My form? What form? |
| 01:28:45 |
Are you here to have your pets |
| 01:28:47 |
I'm...meeting someone first. |
| 01:28:49 |
You can't join the queue until |
| 01:28:52 |
All those people have, so must you. |
| 01:28:56 |
(WOMAN SOBBING) |
| 01:29:00 |
Excuse me. Has anyone |
| 01:29:04 |
No, miss. |
| 01:29:07 |
- (DOG WHINES) |
| 01:29:23 |
I... I haven't quite finished filling it out. |
| 01:29:26 |
I haven't signed it |
| 01:29:28 |
That'll do. Not everybody signs them. |
| 01:29:31 |
- As long as it's filled out. |
| 01:29:34 |
I was meeting with someone here, |
| 01:29:38 |
- You may come in, Miss...? |
| 01:29:40 |
(VET) |
| 01:29:42 |
But I...haven't joined the queue. |
| 01:29:44 |
I... I don't want to queue-jump. |
| 01:29:48 |
Please, come in here, Miss Keyes. |
| 01:29:50 |
And bring your cats with you, of course. |
| 01:29:53 |
(DOG BARKS) |
| 01:30:00 |
We're being inundated at the moment. |
| 01:30:03 |
I think because we have the space |
| 01:30:07 |
which you don't get |
| 01:30:09 |
But it's amazing how quickly |
| 01:30:12 |
- Why have I jumped the queue? |
| 01:30:17 |
Agitated? |
| 01:30:19 |
There are people crying out there. |
| 01:30:23 |
We like people to be certain |
| 01:30:26 |
and you seemed |
| 01:30:28 |
Believe me, I can tell. |
| 01:30:30 |
Well...maybe I just need |
| 01:30:36 |
and until I meet my friend, |
| 01:30:38 |
I thought so. |
| 01:30:40 |
We have a little room, |
| 01:30:42 |
precisely for that purpose, |
| 01:30:44 |
for people to make sure. |
| 01:32:39 |
(GASPS) |
| 01:32:41 |
(WHIMPERS) |
| 01:32:53 |
(GASPS) |
| 01:32:55 |
(SOBS) |
| 01:33:12 |
(NURSE) |
| 01:33:15 |
Miss Keyes? |
| 01:33:28 |
(SOBS) |
| 01:33:42 |
(IN DISTINCT CHATTER) |
| 01:34:01 |
I've changed my mind. |
| 01:34:04 |
I'm not ready to do this. Thank you |
| 01:34:09 |
We must call you a taxi. Miss Keyes? |
| 01:34:12 |
- You can't manage like that. |
| 01:34:23 |
You're not safe with me now. |
| 01:34:26 |
(CATS MEOW) |
| 01:34:28 |
(TEARFULLY) |
| 01:34:58 |
(GASPS) |
| 01:35:10 |
Hello. |
| 01:35:12 |
Can you do something for me? |
| 01:35:18 |
I...need you to post this. |
| 01:35:22 |
I'll... I'll give you some money. |
| 01:35:27 |
You'll get a stamp for it? |
| 01:35:32 |
It's really urgent. |
| 01:36:02 |
Anne! |
| 01:36:04 |
Anne! Where are you? |
| 01:36:10 |
Here she is. |
| 01:36:13 |
I thought some homemade |
| 01:36:17 |
I knew she was upset. |
| 01:36:19 |
People do find it upsetting. |
| 01:36:22 |
I'll just leave it here, shall I? |
| 01:36:31 |
Why are you here? |
| 01:36:33 |
They found your number on the form |
| 01:36:37 |
and phoned me |
| 01:36:40 |
and when I got here you'd run out |
| 01:36:44 |
Why did you come right out here, |
| 01:36:50 |
I don't know. |
| 01:36:54 |
I couldn't bear to do it near home. |
| 01:36:58 |
- I let them go. |
| 01:37:04 |
Well, why not? |
| 01:37:07 |
It's terrible. |
| 01:37:09 |
Look what's happened in just a few days. |
| 01:37:13 |
It's like a vision of hell, isn't it? |
| 01:37:17 |
Animals going onto a fire |
| 01:37:22 |
The world's gone mad. |
| 01:37:27 |
People are finding out |
| 01:37:34 |
Maybe we need something stronger |
| 01:37:39 |
Here, darling. |
| 01:37:58 |
Are you aware... |
| 01:38:04 |
They're doing something awful. |
| 01:38:07 |
Who, darling? |
| 01:38:12 |
Are you doing it too? |
| 01:38:24 |
(CHURCH BELLS CHIME) |
| 01:38:31 |
Darling, you're back with us. |
| 01:38:35 |
This noise doesn't help, does it? |
| 01:38:41 |
You're in Aunt Elizabeth's house. |
| 01:38:42 |
(SLURRING) |
| 01:38:45 |
(RALPH) Our home is being used |
| 01:38:48 |
This is Mrs. Knight. |
| 01:38:51 |
She will look after you. |
| 01:38:59 |
(CHURCH BELL CHIMES) |
| 01:39:20 |
(RALPH) |
| 01:39:38 |
Where are you going? |
| 01:39:46 |
(RALPH) Don't you realise? |
| 01:39:49 |
to feel there's no hope. |
| 01:39:52 |
That way we can do our deal |
| 01:40:00 |
(SCREAMS) |
| 01:40:02 |
Get out! |
| 01:40:05 |
(IN DISTINCT CHATTER) |
| 01:40:10 |
(GASPING) |
| 01:40:22 |
What is happening to me? |
| 01:40:30 |
This is just so you can rest, |
| 01:40:33 |
You've been ill. You must get better. |
| 01:40:38 |
Are they poisoning me? |
| 01:40:40 |
Poisoning you? |
| 01:40:42 |
Of course not, darling. |
| 01:40:46 |
I can still remember |
| 01:40:50 |
When you arrived to be with us, |
| 01:40:56 |
You came in a taxi with a nurse. |
| 01:41:00 |
And when I held you and felt you |
| 01:41:06 |
it was the most beautiful present. |
| 01:41:13 |
I could never let harm come to that. |
| 01:41:16 |
So you loved me then? |
| 01:41:20 |
"Then"? I love you! |
| 01:41:25 |
(CHURCH BELLS CHIME) |
| 01:41:38 |
I thought you'd never wake up. |
| 01:41:41 |
I wish I hadn't. |
| 01:41:45 |
You're not eating your food, I see. |
| 01:41:49 |
Your father |
| 01:41:52 |
My father? |
| 01:41:56 |
- I don't believe you. |
| 01:41:58 |
He and I are working together. |
| 01:42:04 |
Your father |
| 01:42:07 |
Charmingly absent-minded, |
| 01:42:10 |
He hides his true seriousness, my dear, |
| 01:42:13 |
except from those of us |
| 01:42:18 |
This recording of our meeting, |
| 01:42:21 |
the one you tried to post, |
| 01:42:26 |
I am sure you knew that, my dear. |
| 01:42:32 |
All the records were for him. |
| 01:42:34 |
Why else would they |
| 01:42:38 |
It's a little hot, isn't it? |
| 01:42:50 |
We're using your house in London |
| 01:42:54 |
Your father is chairing those meetings. |
| 01:42:59 |
That is why you are here. |
| 01:43:02 |
How simple it is, |
| 01:43:09 |
Are you going to kill me? |
| 01:43:12 |
My dear, |
| 01:43:15 |
Even for an actress! |
| 01:43:17 |
Really! The adopted daughter |
| 01:43:19 |
What could have given you such an idea? |
| 01:43:37 |
(INTERFERENCE ON RADIO) |
| 01:43:47 |
(SWITCHES RADIO OFF) |
| 01:43:58 |
- What happened to her? |
| 01:44:00 |
Yes, I think you do. |
| 01:44:05 |
(CHURCH BELLS CHIME) |
| 01:44:07 |
You are a little feverish, |
| 01:44:11 |
Hot and cold flushes. |
| 01:44:15 |
- You've got a temperature. |
| 01:44:19 |
You're mistaken, darling. |
| 01:44:23 |
I would never let him come back. |
| 01:44:25 |
We don't need to see |
| 01:44:32 |
So quiet, isn't it? No children, no pets. |
| 01:44:37 |
It's the most peculiar thing, |
| 01:44:42 |
Except for the horrid bells. |
| 01:44:43 |
They're talking about stopping |
| 01:44:46 |
till the end of the war. |
| 01:44:47 |
Talk about a silver lining! |
| 01:44:54 |
Now we need to find you |
| 01:44:58 |
I am not eating anything |
| 01:45:00 |
until you stop putting |
| 01:45:14 |
(DOOR CLOSES) |
| 01:45:19 |
Mr. Balcombe was here. I didn't dream it. |
| 01:45:24 |
He had Lawrence killed. |
| 01:45:27 |
You're feverish, darling. |
| 01:45:29 |
You let that man come back |
| 01:45:42 |
This war is a terrible thing, my dear. |
| 01:45:48 |
As you know, I hate exaggeration, |
| 01:45:50 |
but everything we believe in, |
| 01:45:54 |
everything I believe in - |
| 01:45:58 |
will be destroyed if we get involved |
| 01:46:06 |
I certainly don't sympathise |
| 01:46:10 |
In fact, I rather despise it. |
| 01:46:12 |
But there is absolutely no chance |
| 01:46:20 |
We will be completely destroyed |
| 01:46:26 |
And we are working |
| 01:46:33 |
Nothing must disturb that. |
| 01:46:37 |
Ralph understands this. |
| 01:46:44 |
But somehow I knew...you wouldn't. |
| 01:46:52 |
So we have to keep you here. |
| 01:46:56 |
- To do what with? |
| 01:47:02 |
I couldn't share |
| 01:47:04 |
what I need to do for this country. |
| 01:47:09 |
Maybe there are 2 sorts of love. |
| 01:47:15 |
I don't want to be made to choose. |
| 01:47:28 |
(GRUNTING) |
| 01:47:35 |
Mama? |
| 01:47:38 |
(SIGHS) |
| 01:47:42 |
Mama! |
| 01:47:47 |
(VOICES OUTSIDE) |
| 01:47:49 |
(CRIES OUT IN FRUSTRATION) |
| 01:47:51 |
(INDISTINCT CHATTER) |
| 01:47:54 |
You've turned into a proper hostess |
| 01:47:57 |
- Ralph can go. |
| 01:47:59 |
Someone has to be here for Anne. |
| 01:48:02 |
(RALPH) Nobody would listen to Anne. |
| 01:48:06 |
But it is best we do this. |
| 01:48:07 |
It's simple. We bring Mrs. Knight |
| 01:48:10 |
Mrs. Knight will get something down her |
| 01:48:12 |
that will keep her quiet, |
| 01:48:14 |
We can have an outing |
| 01:48:17 |
- (CELIA LAUGHS) |
| 01:48:21 |
You are nothing to do with me! |
| 01:48:34 |
You will not bring |
| 01:48:37 |
You think I'm going to let that bitch |
| 01:48:40 |
I will not let that fucking woman |
| 01:48:45 |
Why are you looking like that? |
| 01:48:50 |
I'm not frightened of you! |
| 01:48:53 |
Remember, I am the child of gypsies! |
| 01:48:55 |
It was bound to come out sooner or later, |
| 01:48:57 |
what I'm really like! |
| 01:48:59 |
That's what YOU think, isn't it! |
| 01:49:05 |
Darling... |
| 01:49:06 |
Don't you fucking "darling" me, |
| 01:49:10 |
You are nothing to do with me! |
| 01:49:13 |
This is not the way, Glorious. |
| 01:49:16 |
Will you just leave me alone with her? |
| 01:49:23 |
(DOOR CLOSES) |
| 01:49:30 |
Why don't you ever do what you're told? |
| 01:49:33 |
Why do you insist |
| 01:49:36 |
Because, in the end, what you never |
| 01:49:40 |
Nothing that really mattered! |
| 01:49:44 |
You would not listen to me, would you? |
| 01:49:47 |
I told you to get on with your life. |
| 01:49:50 |
And now look at you. Look at you! |
| 01:49:57 |
We just have to stop |
| 01:49:59 |
and it's all over. |
| 01:50:05 |
(CELIA) |
| 01:50:07 |
(DOOR IS LOCKED) |
| 01:50:09 |
(RALPH) |
| 01:50:12 |
(GRUNTING) |
| 01:50:37 |
It would depend on the condition. |
| 01:50:39 |
(LAUGHS) |
| 01:50:40 |
(IN DISTINCT CHATTER) |
| 01:50:52 |
I'll never let you go away again. |
| 01:51:16 |
(GASPS) |
| 01:51:19 |
Bombardier! |
| 01:51:22 |
You can't get in, |
| 01:51:33 |
(SOBS) |
| 01:51:50 |
(AIR-RAID SIRENS) |
| 01:52:07 |
(THUD) |
| 01:52:14 |
Anyone there? |
| 01:52:25 |
(CHILDREN PLAYING OUTSIDE) |
| 01:52:50 |
Mama, did you open the door? |
| 01:52:56 |
Thank you, Mama. |
| 01:53:01 |
Go. |
| 01:53:05 |
(SIGHS) |
| 01:53:24 |
- Walter. |
| 01:53:29 |
I need to get away from here. |
| 01:53:30 |
Come this way. I'll find you a taxi. |
| 01:53:33 |
I will. |
| 01:53:37 |
(CHILDREN PLAYING) |
| 01:53:40 |
Who are those children? |
| 01:53:42 |
I thought all the children had been |
| 01:53:46 |
They have. |
| 01:53:57 |
(IN DISTINCT CHATTERING) |
| 01:54:07 |
There they are. |
| 01:54:25 |
We're just giving the ambassadors' |
| 01:54:28 |
- Come and help. |
| 01:54:33 |
Anne! Come here, darling. |
| 01:54:40 |
Come to me. |
| 01:55:25 |
(CHURCH BELL CHIMES) |
| 01:55:28 |
- And none of us saw her again. |
| 01:55:32 |
She died, I believe, in Canada |
| 01:55:36 |
(OLIVER) |
| 01:55:45 |
No words of condemnation for me? |
| 01:55:54 |
No. You were... |
| 01:55:56 |
(OLIVER) |
| 01:55:58 |
And it was such a long time ago. |
| 01:56:05 |
I just did what they wanted. |
| 01:56:09 |
I did what Mr. Balcombe |
| 01:56:18 |
They said she needed |
| 01:56:31 |
I was only doing what was expected. |
| 01:56:35 |
It was a very strange time back then. |
| 01:56:42 |
I even tried to warn her. |
| 01:56:47 |
They've all gone now. |
| 01:56:51 |
Can't trouble us. |
| 01:56:53 |
Can't trouble Walter. |
| 01:56:58 |
Yes. I must go. |
| 01:57:02 |
There is just one thing, a little favour. |
| 01:57:05 |
Another one? |
| 01:57:08 |
My mother arranged |
| 01:57:10 |
She would have been waiting a |
| 01:57:14 |
If you could just come and say hello, |
| 01:57:19 |
Please. Will you come? |
| 01:57:22 |
(CHURCH BELL CHIMES) |
| 01:57:37 |
(PIGEONS FLUTTERING) |
| 01:57:43 |
Subtitles: Arigon |
| 01:58:11 |
Dear God! It's impossible! |
| 01:58:35 |
Walter, Oliver... This is my mother. |
| 01:58:40 |
And this...is Anne Keyes. |
| 01:58:45 |
It's good to meet you again, gentlemen. |
| 01:58:48 |
It's so very good. |
| 01:58:51 |
Anne. |
| 01:58:54 |
I had no idea, no idea at all. |
| 01:58:57 |
No idea that I was still here? |
| 01:59:01 |
No, I know you didn't. |
| 01:59:04 |
You knew all along. |
| 01:59:07 |
You knew! |
| 01:59:09 |
We wanted to hear it from your own lips. |
| 01:59:11 |
I just wanted to say hello again. |
| 01:59:16 |
Since we are family. |
