Godfather The
|
00:00:46 |
I believe in America. |
00:00:49 |
America has made my fortune. |
00:00:52 |
And I raised my daughter |
00:00:56 |
I gave her freedom, but I taught her |
00:01:02 |
She found a boyfriend, not an Italian. |
00:01:05 |
She went to the movies with him. |
00:01:09 |
I didn't protest. |
00:01:12 |
Two months ago he took her for a drive |
00:01:17 |
They made her drink whiskey... |
00:01:20 |
...and then they tried to |
00:01:24 |
She resisted, she kept her honour. |
00:01:30 |
So they beat her like an animal. |
00:01:34 |
When I went to the hospital, |
00:01:39 |
...her jaw was shattered, |
00:01:45 |
She couldn't even weep |
00:01:51 |
But I wept. Why did I weep? |
00:01:57 |
She was the light of my life. |
00:02:01 |
Beautiful girl. |
00:02:06 |
Now she will never be beautiful again. |
00:02:15 |
Sorry. |
00:02:24 |
I went to the police, |
00:02:29 |
These two boys were brought to trial. |
00:02:32 |
The judge sentenced them to three years |
00:02:38 |
Suspended the sentence! |
00:02:45 |
I stood in the courtroom like a fool. |
00:02:49 |
Those two bastards, they smiled at me. |
00:02:53 |
Then I said to my wife, "For justice, |
00:03:04 |
Why did you go to the police? |
00:03:08 |
What do you want of me? Tell me |
00:03:14 |
What is that? |
00:03:25 |
I want them dead. |
00:03:39 |
That I cannot do. |
00:03:42 |
I'll give you anything you ask. |
00:03:47 |
I've known you many years, but this |
00:03:53 |
I can't remember the last time |
00:03:59 |
Even though my wife is godmother |
00:04:03 |
But let's be frank here. |
00:04:08 |
And you were afraid to be in my debt. |
00:04:12 |
I didn't want to get into trouble. |
00:04:15 |
I understand. |
00:04:18 |
You found Paradise in America. |
00:04:23 |
You made a good living, had police |
00:04:27 |
You didn't need a friend like me. |
00:04:32 |
But now you come to me and say... |
00:04:35 |
"Don Corleone, give me justice. " |
00:04:39 |
But you don't ask with respect. |
00:04:42 |
You don't offer friendship. You don't |
00:04:48 |
You come on my daughter's wedding |
00:04:55 |
I ask you for justice. |
00:04:58 |
That is not justice. |
00:05:01 |
Let them suffer, then, as she suffers. |
00:05:06 |
How much shall I pay you? |
00:05:23 |
Bonasera, Bonasera. |
00:05:27 |
What have I ever done to make you |
00:05:32 |
If you'd come in friendship... |
00:05:34 |
...the scum that ruined your daughter |
00:05:40 |
And if an honest man like you should |
00:05:47 |
And then they would fear you. |
00:05:53 |
Be my friend? |
00:05:59 |
Godfather? |
00:06:05 |
Good. |
00:06:08 |
Some day, and that day may never |
00:06:14 |
But until that day... |
00:06:18 |
...accept this justice as a gift |
00:06:22 |
- Grazie, Godfather. |
00:06:31 |
Give this to Clemenza. |
00:06:36 |
I want people that aren't going to |
00:06:40 |
We're not murderers, |
00:07:08 |
- Where's Michael? |
00:07:12 |
We're not taking the picture |
00:07:21 |
- What's the matter? |
00:08:11 |
Don Barzini. |
00:08:29 |
Hey, Paulie! Let me have some wine. |
00:08:32 |
Paulie! More wine. |
00:08:35 |
- You look terrific on the floor. |
00:08:41 |
Take a walk and do your job. |
00:08:50 |
Sandra, watch the kids. |
00:08:54 |
You watch yourself, all right? |
00:09:16 |
20, 30 grand. In small bills, cash. |
00:09:21 |
In that little silk purse. |
00:09:24 |
If this were somebody else's wedding... |
00:09:27 |
Hey, Paulie! |
00:09:32 |
Stupid jerk! |
00:09:42 |
What's the matter? |
00:09:56 |
- Have to go back to work. |
00:09:58 |
No Sicilian can refuse any request |
00:10:08 |
Don Corleone, I'm honoured and |
00:10:17 |
Get out of here! |
00:10:21 |
What is it? It's my sister's wedding. |
00:10:30 |
Goddamn FBl don't respect nothing! |
00:10:36 |
Come here, come here, come here! |
00:10:53 |
...but towards the end, he was paroled |
00:10:57 |
...so for six months he's worked |
00:11:00 |
Nazorine, what can I do for you? |
00:11:03 |
Now that the war is over... |
00:11:05 |
...this boy, Enzo, they want to |
00:11:09 |
Godfather, I have a daughter. |
00:11:15 |
You want Enzo to stay in this country, |
00:11:20 |
You understand everything. |
00:11:23 |
Mr Hagen. Thank you. |
00:11:29 |
Wait till you see the wedding cake |
00:11:33 |
The bride, the groom and the angel... |
00:11:40 |
- Who should I give this job to? |
00:11:45 |
Give it to a Jew Congressman in |
00:11:56 |
Hey, Michael! |
00:12:16 |
He's not on the list, |
00:12:26 |
Is this necessary? |
00:12:28 |
He didn't expect to be invited to the |
00:12:34 |
Don Corleone, I'm honoured and |
00:12:39 |
...on the wedding day of your daughter. |
00:12:45 |
Michael... |
00:12:48 |
That man over there |
00:12:52 |
See that scary guy over there? |
00:12:55 |
- He's a very scary guy. |
00:12:58 |
His name is Luca Brasi. |
00:13:04 |
Michael, he's coming over here! |
00:13:11 |
You look terrific! |
00:13:13 |
My brother Tom Hagen, |
00:13:18 |
Your father's been asking for you. |
00:13:20 |
- Very nice to meet you. |
00:13:24 |
Why does your brother |
00:13:27 |
My brother Sonny found Tom Hagen |
00:13:31 |
He had no home, |
00:13:36 |
He's been with us ever since. |
00:13:39 |
He's a good lawyer. |
00:13:42 |
Not a Sicilian. I think he's |
00:13:47 |
- What's that? |
00:13:50 |
...like a counsellor, an advisor. |
00:13:54 |
You like your lasagne? |
00:14:00 |
Don Corleone. |
00:14:03 |
I'm honoured and grateful... |
00:14:05 |
...that you have invited me |
00:14:13 |
On the day of your daughter's wedding. |
00:14:17 |
And I hope that their first child |
00:14:23 |
I pledge my ever-ending loyalty. |
00:14:29 |
- For your daughter's bridal purse. |
00:14:35 |
Don Corleone, I'm going to leave you |
00:14:40 |
Thank you. |
00:15:29 |
Signora Corleone! |
00:15:33 |
No! |
00:16:41 |
Senator Cauley apologised for not |
00:16:46 |
Also some of the judges. |
00:16:53 |
What is that outside? |
00:17:03 |
Johnny! Johnny! |
00:17:09 |
I love you! |
00:17:20 |
He came all the way from California. |
00:17:24 |
- He's probably in trouble again. |
00:17:28 |
Johnny, Johnny! Sing a song! |
00:17:47 |
You never said you knew |
00:17:50 |
- Sure. You want to meet him? |
00:17:54 |
- My father helped him with his career. |
00:17:58 |
How? |
00:18:00 |
- Let's listen to this song. |
00:18:36 |
Please, Michael. Tell me. |
00:18:41 |
When Johnny was starting out, he was |
00:18:46 |
...with a big bandleader. |
00:18:49 |
And as his career got better and better, |
00:18:54 |
Johnny is my father's godson. |
00:18:57 |
My father went to see this bandleader. |
00:19:00 |
He offered him 10,000 dollars |
00:19:04 |
...but the bandleader said no. |
00:19:06 |
So the next day my father went to see |
00:19:13 |
Within an hour... |
00:19:16 |
...he signed a release |
00:19:22 |
- How did he do that? |
00:19:28 |
- What was that? |
00:19:33 |
...and father said that either his brains or |
00:19:43 |
That's a true story. |
00:19:55 |
That's my family, Kay. It's not me. |
00:20:10 |
Beautiful! |
00:20:42 |
I'll take care of it. |
00:20:45 |
Tom... |
00:20:46 |
I want you to find Santino. |
00:20:57 |
How are you, Fredo? |
00:20:59 |
My brother Fredo, |
00:21:03 |
- Hi. |
00:21:07 |
- This is my brother Mike. |
00:21:11 |
Yeah. This is your friend? |
00:21:14 |
I don't know what to do. |
00:21:20 |
Anyway, if I had this part in the picture, |
00:21:27 |
But this... Man won't give it to me, |
00:21:32 |
- What's his name? |
00:21:35 |
He won't give it to me, |
00:21:43 |
Sonny? |
00:21:46 |
Sonny? |
00:21:53 |
Sonny? |
00:21:55 |
- Sonny, are you in there? |
00:21:58 |
The old man wants you. |
00:22:01 |
One minute. |
00:22:16 |
A month ago he bought the movie rights |
00:22:21 |
The main character |
00:22:25 |
I wouldn't even have to act. |
00:22:28 |
Godfather, I don't know what to do. |
00:22:32 |
You can act like a man! |
00:22:37 |
Is this how you turned out a Hollywood |
00:22:42 |
"What can I do? What can I do?" |
00:22:46 |
Ridiculous. |
00:22:52 |
- You spend time with your family? |
00:22:55 |
Good. |
00:22:57 |
Because a man who doesn't spend time |
00:23:07 |
You look terrible. I want you to eat. |
00:23:10 |
Rest, and in a month this Hollywood |
00:23:15 |
It's too late, they start shooting |
00:23:19 |
I'm going to make him an offer |
00:23:24 |
Just go outside and enjoy yourself, |
00:23:31 |
- I want you to leave it all to me. |
00:23:58 |
- What time does my daughter leave? |
00:24:03 |
Do we give your son-in-law |
00:24:07 |
Never. Give him a living, but never |
00:24:12 |
- What else? |
00:24:15 |
- We'll have to see him next week. |
00:24:20 |
- When am I going to California? |
00:24:23 |
I want you to talk to this movie big shot |
00:24:30 |
If there's nothing else, I'd like to go |
00:24:36 |
Carlo, we're going to take the picture. |
00:24:40 |
Wait a minute. |
00:24:42 |
No, Michael. Not me. |
00:24:47 |
Okay, that's it. Just like that. Hold it! |
00:26:36 |
- You need a little more heat on that arc. |
00:26:40 |
I was sent by a friend |
00:26:43 |
This friend would give |
00:26:47 |
...if Mr Woltz would grant us a favour. |
00:26:49 |
Woltz is listening. |
00:26:52 |
Give Johnny the part in that war film |
00:27:01 |
And what favour would your friend |
00:27:06 |
He could make your future union |
00:27:09 |
And one of your stars has just moved |
00:27:13 |
Are you trying to muscle me? |
00:27:18 |
Let me lay it on the line. Johnny |
00:27:22 |
No matter how many Dago Guinea |
00:27:27 |
- I'm German-Irish. |
00:27:30 |
- I'm going to make trouble for you! |
00:27:35 |
I know New York's big lawyers. |
00:27:38 |
I have a special practice. I handle |
00:27:45 |
By the way, I admire your pictures |
00:27:52 |
Check him out. |
00:28:15 |
- It's really beautiful. |
00:28:18 |
- It used to decorate a king's palace. |
00:28:23 |
Why didn't you say |
00:28:25 |
I thought you were some cheap hustler |
00:28:29 |
- I only use his name when necessary. |
00:28:32 |
- Fine. |
00:28:36 |
You do appreciate beauty, don't you? |
00:28:41 |
There you are. |
00:28:44 |
I bet Russian czars never paid |
00:28:48 |
Khartoum. |
00:28:50 |
Khartoum. |
00:28:53 |
I'm not going to race him, though. |
00:28:58 |
Thanks, Tony. |
00:29:00 |
Let's get something to eat. |
00:29:03 |
Corleone is Johnny's godfather. |
00:29:07 |
To the Italian people that's |
00:29:11 |
I respect it. Tell him to ask me anything |
00:29:17 |
He never asks a second favour |
00:29:21 |
You don't understand. Johnny Fontane |
00:29:27 |
That part is perfect for him. |
00:29:30 |
I'm going to run him out of the business, |
00:29:36 |
Johnny Fontane ruined one of Woltz |
00:29:41 |
We trained her for five years. |
00:29:46 |
I spent hundreds of thousands of dollars |
00:29:51 |
Let me be even more frank. |
00:29:53 |
To show you that I'm not a hard-hearted |
00:29:58 |
She was beautiful. |
00:30:02 |
She's the greatest piece of ass I've had |
00:30:07 |
Then Johnny Fontane comes along with |
00:30:13 |
And she runs off. |
00:30:16 |
She threw it all away |
00:30:20 |
And a man in my position can't afford |
00:30:25 |
You get the hell out of here! |
00:30:27 |
If that goombah tries any rough stuff, |
00:30:32 |
Yeah, I heard that story. |
00:30:36 |
Thank you for dinner |
00:30:40 |
Maybe your car can take me |
00:30:43 |
Mr Corleone insists on hearing |
00:32:34 |
- You're not too tired, are you, Tom? |
00:32:38 |
I have the Sollozzo notes here. |
00:32:41 |
Now... |
00:32:44 |
Sollozzo is known as The Turk. He's |
00:32:50 |
...but only in matters of business |
00:32:54 |
His business is narcotics. |
00:32:58 |
He has fields in Turkey, |
00:33:01 |
In Sicily he has plants to process them |
00:33:05 |
He needs cash, he needs protection |
00:33:08 |
He'll give a piece of the action. |
00:33:12 |
The Tattaglia family is behind him here. |
00:33:18 |
- What about his prison record? |
00:33:23 |
He's known as a top narcotics man. |
00:33:25 |
- Santino, what do you think? |
00:33:32 |
Tom? |
00:33:34 |
Yes. There's more money in narcotics |
00:33:38 |
If we don't get into it, somebody else |
00:33:42 |
With that money they can buy |
00:33:47 |
Then they come after us. |
00:33:49 |
Now we have unions and gambling, and |
00:33:55 |
If we don't get a piece of that action, |
00:34:04 |
So? What's your answer |
00:34:12 |
Don Corleone. |
00:34:16 |
I need a man who has powerful friends. |
00:34:19 |
I need a million dollars in cash. |
00:34:22 |
I need those politicians that you carry |
00:34:28 |
- What is the interest for my family? |
00:34:32 |
In the first year your end should be |
00:34:37 |
And then it would go up. |
00:34:39 |
And what is the interest |
00:34:45 |
My compliments. |
00:34:50 |
I'll take care of them, out of my share. |
00:34:53 |
So I receive 30 per cent for finance... |
00:34:57 |
...political influence and legal protection? |
00:35:01 |
That's right. |
00:35:04 |
Why do you come to me? |
00:35:07 |
If you consider a million dollars in cash |
00:35:13 |
...ti saluto, Don Corleone. |
00:35:24 |
I said that I would see you, because |
00:35:30 |
...to be treated with respect. |
00:35:36 |
But, I must say no to you. |
00:35:41 |
And I'll give you my reason. |
00:35:43 |
It's true, I have |
00:35:47 |
They wouldn't be friendly long if I was |
00:35:52 |
...which they regard as a harmless vice, |
00:35:58 |
It doesn't make any difference to me |
00:36:02 |
But your business is... |
00:36:07 |
If you're worried about security, |
00:36:11 |
- The Tattaglias would guarantee our... |
00:36:22 |
I have a sentimental weakness |
00:36:26 |
They talk when they should listen. |
00:36:30 |
Signor Sollozzo, my no is final. I wish to |
00:36:35 |
I know you'll do well, and good luck. |
00:36:38 |
Especially since your interests |
00:37:03 |
Santino. |
00:37:05 |
Come here. |
00:37:09 |
What's the matter with you? Your brain |
00:37:15 |
Never tell anybody outside the family |
00:37:20 |
Go on. |
00:37:25 |
Tom, what's this nonsense? |
00:37:28 |
It's from Johnny. |
00:37:34 |
- Take it away. |
00:37:38 |
And... |
00:37:40 |
...tell Luca Brasi to come in. |
00:37:48 |
I'm a little worried |
00:37:51 |
Find out what he's got |
00:37:55 |
Go to the Tattaglias. |
00:37:59 |
Make them think that you're not |
00:38:04 |
...and find out what you can. |
00:38:23 |
I got something for your mother |
00:38:26 |
...and a tie for Freddy, |
00:38:31 |
- What do you want for Christmas? |
00:39:05 |
Andiamo, Fredo. |
00:39:07 |
- Tell Paulie to get the car. |
00:39:10 |
I'll have to get it myself. |
00:39:15 |
Paulie's a good kid. |
00:39:22 |
Buon Natale, caro. Grazie. |
00:40:05 |
- Luca! I'm Bruno Tattaglia. |
00:40:18 |
You know who I am? |
00:40:20 |
I know you. |
00:40:22 |
You have been talking to the |
00:40:26 |
I think you and I can do business. |
00:40:32 |
I need someone strong like you. |
00:40:35 |
I heard you are not happy... |
00:40:39 |
...with the Corleone family. |
00:40:41 |
Want to join me? |
00:40:45 |
What's in it for me? |
00:40:47 |
$50,000 to start with. |
00:40:54 |
Not bad! |
00:40:56 |
Agreed? |
00:41:54 |
Tom! Tom Hagen. Merry Christmas. |
00:41:58 |
- Glad to see you. I want to talk to you. |
00:42:03 |
Make time, Consigliere. Get in the car. |
00:42:08 |
What are you worried about? If I wanted |
00:42:12 |
Get in. |
00:42:24 |
- Fredo, I'm going to buy some fruit. |
00:42:34 |
Merry Christmas. I want some fruit. |
00:44:01 |
Would you like me better |
00:44:08 |
No. |
00:44:09 |
- What if I were Ingrid Bergman? |
00:44:15 |
Michael. |
00:44:17 |
No, I wouldn't like you better if you were |
00:44:38 |
They don't say if he's dead or alive. |
00:45:02 |
- Sonny, it's Michael. |
00:45:05 |
- Is he all right? |
00:45:08 |
There are all kinds of stories. |
00:45:13 |
- Are you there? |
00:45:16 |
- Where have you been? I was worried. |
00:45:21 |
No. Look, come home, kid. |
00:45:32 |
Oh, my God. |
00:45:38 |
Sonny! |
00:45:48 |
Stay back there. |
00:45:50 |
- Who is it? |
00:45:55 |
There's more news about your old man. |
00:45:58 |
Word is out that he's already dead. |
00:46:01 |
- What's the matter with you? |
00:46:04 |
- Where was Paulie? |
00:46:08 |
- How often? |
00:46:10 |
- Freddy didn't want a new bodyguard. |
00:46:14 |
I don't care how sick he is. Bring him |
00:46:18 |
- You want anyone sent over here? |
00:46:29 |
I'm going to have a couple of our people |
00:46:37 |
- Hello? |
00:46:39 |
- Yeah. |
00:46:42 |
In three hours he'll be released |
00:46:45 |
Listen to what he has to say |
00:46:49 |
What's done is done. Don't lose that |
00:46:53 |
I'll wait. |
00:47:09 |
Your boss is dead. |
00:47:13 |
I know you're not in the muscle end |
00:47:18 |
I want you to help the Corleones |
00:47:26 |
We got him outside his office |
00:47:32 |
Drink it. |
00:47:37 |
It's up to you to make peace |
00:47:45 |
Sonny was hot for my deal, wasn't he? |
00:47:49 |
And you knew |
00:47:53 |
- Sonny will come after you. |
00:47:59 |
So you have to talk sense into him. |
00:48:05 |
The other New York families will go |
00:48:10 |
Let's face it, with all due respect, |
00:48:18 |
Ten years ago, |
00:48:25 |
Well, now he's dead, Tom, |
00:48:30 |
You've got to talk to Sonny, to the |
00:48:41 |
It's good business, Tom. |
00:48:44 |
I'll try. But even Sonny won't be able |
00:48:52 |
Yeah, well... |
00:48:55 |
Let me worry about Luca. |
00:49:02 |
You just talk to Sonny. |
00:49:04 |
And the other two kids. |
00:49:10 |
- I'll do my best. |
00:49:14 |
Now you can go. |
00:49:23 |
I don't like violence, Tom. |
00:49:28 |
Blood is a big expense. |
00:49:50 |
He's still alive. |
00:49:53 |
They hit him with five shots, |
00:49:56 |
That's bad luck for me, and bad luck |
00:50:44 |
Your mother is at the hospital with |
00:50:50 |
It's a lot of bad blood. Sollozzo, Philip |
00:50:57 |
- You gonna kill all those guys? |
00:50:59 |
If you get rid of Sollozzo, |
00:51:03 |
What about Luca? |
00:51:06 |
If Luca sold out, we're in a lot of trouble. |
00:51:10 |
- Has anyone been in touch with Luca? |
00:51:14 |
- Hey, do me a favour... |
00:51:20 |
Well, Tom, you're consigliere. |
00:51:26 |
If we lose the old man, we lose the |
00:51:32 |
The other New York families might |
00:51:37 |
This is almost 1946. |
00:51:42 |
If your father dies... |
00:51:45 |
...you make the deal. |
00:51:47 |
- Easy to say. He's not your father. |
00:51:56 |
What is it? |
00:51:59 |
- Paulie, I told you to stay put. |
00:52:04 |
Tessio, go see what it is. |
00:52:10 |
- Shall I stay? |
00:52:12 |
- I'm fine. |
00:52:16 |
- No. |
00:52:19 |
- Go ahead. |
00:52:23 |
Take care of that son-of-a-bitch. |
00:52:28 |
- Make that the first thing on your list. |
00:52:33 |
Mickey, tomorrow, get some guys |
00:52:37 |
Maybe we shouldn't get Mike |
00:52:43 |
Hanging around the house on |
00:52:47 |
Try Luca again. |
00:52:58 |
- What's this? |
00:53:00 |
It means Luca Brasi |
00:53:16 |
- I'm going. |
00:53:19 |
Probably late. |
00:53:22 |
- Don't forget the cannoli! |
00:53:28 |
Rocco, sit on the other side. |
00:53:34 |
Sonny's running wild. He wants |
00:53:38 |
We have to find a spot on the |
00:53:43 |
- Know a good spot on the West Side? |
00:53:47 |
Think while you're driving. |
00:53:50 |
Watch the kids. |
00:54:02 |
Paulie, go down 39th Street, pick up |
00:54:08 |
Yeah, all right. |
00:54:09 |
Make sure they're clean, because |
00:54:14 |
- They're clean and exterminated. |
00:54:18 |
Exterminate! Watch out, |
00:54:28 |
Pull over. I've got to take a leak. |
00:55:11 |
Leave the gun. Take the cannoli. |
00:55:31 |
Hey, Mike! Hey, Mikey! |
00:55:36 |
- Yeah. |
00:55:44 |
- Who is it? |
00:55:50 |
- Hello. Kay? |
00:55:53 |
He's going to make it. |
00:55:55 |
I love you. |
00:55:58 |
I love you! |
00:56:00 |
- Michael? |
00:56:03 |
- Tell me you love me. |
00:56:06 |
Can't you say it? |
00:56:09 |
I'll see you tonight. |
00:56:11 |
Why don't you tell that nice girl |
00:56:14 |
I love you with all my heart. If I don't |
00:56:20 |
Come and learn something. You might |
00:56:25 |
You start with a little oil, |
00:56:28 |
Throw in some tomatoes, tomato paste, |
00:56:34 |
You get it to a boil, you shove in |
00:56:39 |
Add a little bit of wine. |
00:56:45 |
And a little bit of sugar. That's my trick. |
00:56:49 |
Cut the crap. I have more important |
00:56:53 |
You won't see him anymore. |
00:56:56 |
- Where are you going? |
00:56:59 |
- Send bodyguards with him. |
00:57:03 |
He'll be all right. Sollozzo knows |
00:57:06 |
- Be careful. |
00:57:11 |
Send somebody with him anyway. |
00:57:40 |
- I have to go. |
00:57:45 |
No, Kay. There will be detectives there, |
00:57:49 |
I'll wait in the cab. |
00:57:53 |
I don't want you to get involved. |
00:57:58 |
When will I see you again? |
00:58:07 |
Go back to New Hampshire, and I'll |
00:58:12 |
- When will I see you again, Michael? |
01:00:23 |
What are you doing here? |
01:00:27 |
I'm Michael Corleone. This is my father. |
01:00:31 |
What happened to the guards? |
01:00:34 |
Your father had too many visitors. |
01:00:39 |
The police made them leave |
01:00:46 |
Get me Long Beach 45620, please. |
01:00:52 |
Nurse. Wait a minute. Stay here. |
01:00:58 |
Sonny, I'm at the hospital. |
01:01:03 |
No Tessio's men, no detectives, |
01:01:07 |
- Don't panic. |
01:01:11 |
I'm sorry, but you will have to leave. |
01:01:16 |
We're going to move him to another |
01:01:22 |
- That's out of the question! |
01:01:26 |
Men are coming here to kill him. |
01:01:30 |
Help me, please. |
01:02:45 |
- Who are you? |
01:02:50 |
- Remember me? |
01:02:52 |
You'd better go, |
01:02:55 |
If there is trouble, I'll stay here to |
01:03:01 |
Listen. Wait for me outside, |
01:03:06 |
I'll be out in a minute. |
01:03:21 |
Just lie here, Pop. |
01:03:26 |
I'm with you now. |
01:03:30 |
I'm with you. |
01:04:05 |
Get rid of these. Come here. |
01:04:08 |
Put your hand in your pocket, like you |
01:05:02 |
You did good. |
01:05:50 |
I thought all you Guinea hoods |
01:05:53 |
- Why isn't anyone guarding my father? |
01:05:58 |
Don't you tell me my business! |
01:06:02 |
- Stay away from this hospital! |
01:06:08 |
- Phil, take him in! |
01:06:11 |
- He's a war hero. He's never been... |
01:06:17 |
- What's The Turk paying you? |
01:06:23 |
Stand him up straight. |
01:06:46 |
I'm the Corleone's attorney. These men |
01:06:51 |
They're licensed to carry firearms. |
01:06:53 |
If you interfere, you'll have to appear |
01:06:58 |
Let him go. |
01:07:31 |
- What's with all the new faces? |
01:07:35 |
After the hospital thing, Sonny got mad. |
01:07:38 |
We hit Bruno Tattaglia this morning. |
01:07:42 |
Jesus Christ. |
01:07:50 |
Looks like a fortress around here. |
01:07:55 |
Tommasuccio! Hey... 100 buttonmen |
01:08:00 |
That Turk shows one hair on his ass, |
01:08:06 |
Mike, let me look at you. |
01:08:11 |
You're beautiful, beautiful. |
01:08:15 |
The Turk wants to talk! Imagine |
01:08:20 |
- He wants a meeting today. |
01:08:23 |
What did he say... He wants us to send |
01:08:27 |
He promises that the deal |
01:08:30 |
- And Bruno Tattaglia? |
01:08:34 |
- He cancels out what they did to Father. |
01:08:38 |
No more! Not this time, Consigliere. |
01:08:41 |
No more meetings, discussions, |
01:08:45 |
I want Sollozzo, or we go to war... |
01:08:48 |
- The other families... |
01:08:50 |
This is business, not personal! |
01:08:53 |
- They shot my father... |
01:08:58 |
Then business will have to suffer. |
01:09:02 |
No more advice on how to |
01:09:11 |
I found out about Captain McCluskey, |
01:09:15 |
He's definitely on Sollozzo's payroll, |
01:09:19 |
McCluskey has agreed to be |
01:09:23 |
So when Sollozzo is being guarded, |
01:09:27 |
Nobody has ever gunned down |
01:09:31 |
All the families would come after you. |
01:09:36 |
Even the old man's political protection |
01:09:41 |
Do me a favour. |
01:09:49 |
All right, we'll wait. |
01:09:55 |
We can't wait. We can't wait. |
01:10:00 |
No matter what Sollozzo says, |
01:10:04 |
That's the key for him. |
01:10:08 |
- Mike is right. |
01:10:12 |
What about this McCluskey? |
01:10:21 |
They want to have a meeting |
01:10:24 |
It will be me, McCluskey and Sollozzo. |
01:10:31 |
Let's set the meeting. |
01:10:35 |
Get our informers to find out |
01:10:40 |
We insist it's a public place. |
01:10:44 |
Some place where there are people, |
01:10:50 |
They'll search me when I meet them, |
01:10:53 |
So I can't have a weapon on me. |
01:10:58 |
But if Clemenza can figure out a way to |
01:11:08 |
...then I'll kill them both. |
01:11:22 |
Nice college boy. Didn't want to |
01:11:27 |
Now you want to shoot a police captain |
01:11:30 |
This isn't like the army! You have to get |
01:11:36 |
You're taking this very personal. |
01:11:39 |
Tom, this is business |
01:11:43 |
- Where does it say you can't kill a cop? |
01:11:47 |
I'm talking about a cop who's mixed up |
01:11:53 |
A cop who got mixed up in the rackets |
01:11:57 |
That's a terrific story. We have |
01:12:03 |
- They might like a story like that. |
01:12:10 |
It's not personal, Sonny. |
01:12:16 |
It's as cold as they come. Impossible to |
01:12:22 |
I put a special tape on the trigger |
01:12:37 |
Is the trigger too tight? |
01:12:43 |
My ears! |
01:12:44 |
I left it noisy, so it scares away any |
01:12:49 |
You've shot them both. |
01:12:54 |
- Sit down, finish my dinner. |
01:12:58 |
Let your hand drop to your side |
01:13:01 |
Everybody will still think you've got it. |
01:13:06 |
...so walk out fast, but don't run. |
01:13:09 |
Don't look anybody in the eye, |
01:13:12 |
They'll be scared stiff, |
01:13:17 |
You'll be all right. You'll take a vacation, |
01:13:22 |
...and we'll catch the hell. |
01:13:24 |
- How bad do you think it will be? |
01:13:28 |
All the other families will probably |
01:13:32 |
These things have to happen every five, |
01:13:37 |
Been ten years since the last one. |
01:13:41 |
Like they should have stopped Hitler in |
01:13:47 |
You know, Mike, we were all proud |
01:13:52 |
Your father too. |
01:14:30 |
Nothing. Not a hint. Absolutely nothing. |
01:14:34 |
Even Sollozzo's people don't know |
01:14:38 |
How much time do we have? |
01:14:41 |
They're going to pick you up outside |
01:14:47 |
- We could put a tail on them. |
01:14:53 |
- What about the negotiator? |
01:14:58 |
- He's happy. They're letting him win. |
01:15:03 |
The negotiator plays cards |
01:15:06 |
- He could blast whoever is in the car. |
01:15:10 |
Sollozzo might not even be |
01:15:13 |
I'll get it. |
01:15:39 |
Louis' restaurant in the Bronx. |
01:15:41 |
- Is it reliable? |
01:15:44 |
A police captain is on call 24 hours |
01:15:50 |
- Anybody know this joint? |
01:15:55 |
A small family place, good food. |
01:16:00 |
They've got an old-fashioned toilet. |
01:16:07 |
We might be able to tape the gun |
01:16:10 |
All right. Mike, you go to the restaurant... |
01:16:14 |
...you eat, talk for a while, you relax. |
01:16:18 |
Then you go to take a leak. No, better |
01:16:23 |
Then you come back blasting. |
01:16:28 |
I want somebody very good |
01:16:32 |
I don't want him coming out |
01:16:35 |
- The gun will be there. |
01:16:40 |
Let's move. |
01:16:47 |
Did he tell you to drop the gun |
01:16:50 |
Yeah, a million times. |
01:16:56 |
Don't forget. Two shots apiece in |
01:17:07 |
How long do you think it will be |
01:17:11 |
At least a year. |
01:17:13 |
I'll square it with Mom, that you're not |
01:17:19 |
I'll get a message to that girlfriend |
01:17:29 |
Take care. |
01:17:33 |
Take care, Mike. |
01:18:06 |
I'm glad you came. I hope we can |
01:18:11 |
It's not the way I wanted things to go. |
01:18:16 |
I want to straighten everything out. |
01:18:20 |
I swear on my children |
01:18:24 |
But you have to keep an open mind |
01:18:27 |
I hope you're not a hothead like Sonny. |
01:18:33 |
He's a good kid. |
01:18:39 |
I'm sorry about the other night, Mike. |
01:18:42 |
I've got to frisk you, so turn around. |
01:18:51 |
I guess I'm getting too old for my job. |
01:18:57 |
Can't stand the aggravation. |
01:19:03 |
He's clean. |
01:19:30 |
Going to Jersey? |
01:19:34 |
Maybe. |
01:20:00 |
Nice work, Lou. |
01:20:37 |
- How's the food in this restaurant? |
01:20:43 |
I'll have it. |
01:21:18 |
- I'm going to speak Italian to Mikey. |
01:22:38 |
What I want... |
01:22:40 |
What's most important to me... |
01:22:45 |
...is that I have a guarantee. |
01:22:49 |
What guarantees can I give you? |
01:22:54 |
I missed my chance. |
01:22:57 |
I'm not that clever. |
01:23:00 |
All I want is a truce. |
01:23:09 |
I have to go to the bathroom. |
01:23:14 |
When you got to go, you got to go. |
01:23:22 |
He's clean. |
01:23:23 |
Don't take too long. |
01:23:28 |
I've frisked a thousand punks. |
01:28:09 |
Okay, you take over. |
01:28:27 |
I love you, Grandpa. |
01:28:32 |
I'm sorry, Pa. He doesn't know you yet. |
01:28:36 |
- Hey, big guy. Give it to Grandpa. |
01:28:39 |
"I hope you get well, Grandpa, and wish |
01:28:48 |
Go with your mother. |
01:28:50 |
Take them downstairs. |
01:28:58 |
Go on, Carlo, you too. |
01:29:02 |
Go on. |
01:29:23 |
- What's the matter with you, Carlo? |
01:29:42 |
Since McCluskey's killing, the police |
01:29:49 |
And also the other families. |
01:29:54 |
They hit us, so we hit them back. |
01:29:58 |
Through our newspaper contacts |
01:30:03 |
...about McCluskey's link with Sollozzo |
01:30:07 |
So things are loosening up. |
01:30:10 |
And I sent Fredo to Las Vegas, under |
01:30:17 |
- I want him to rest. |
01:30:29 |
Where's Michael? |
01:30:43 |
It was Michael who killed Sollozzo. |
01:30:48 |
But he's safe. We're starting to work |
01:31:12 |
Did you find out where that old pimp |
01:31:17 |
Sonny, things are starting to loosen up. |
01:31:20 |
If you go after Tattaglia, all hell |
01:31:25 |
- He must get better first. I'll decide... |
01:31:30 |
- Neither can they. Don't worry about it! |
01:31:34 |
- No more stalemate. I'll kill the bastard! |
01:31:39 |
Do as I say! If I had a Sicilian wartime |
01:31:45 |
Pop had Genco. Look what I got. |
01:31:50 |
I'm sorry. I didn't mean that. |
01:31:54 |
Ma made a little dinner. It's Sunday. |
01:31:57 |
Niggers are having a good time |
01:32:02 |
Driving new Cadillacs, |
01:32:06 |
That's because they've started |
01:32:09 |
Poppa never talked business |
01:32:12 |
- Shut up, Connie... |
01:32:17 |
Don't interfere. |
01:32:20 |
I'd like to talk to you after dinner. |
01:32:24 |
We don't discuss business at the table. |
01:33:12 |
I kiss your hand, Don Tommasino. |
01:33:20 |
Why are you so far |
01:33:22 |
You know I'm responsible to your |
01:33:25 |
The bodyguards are here. |
01:33:27 |
It's still dangerous... |
01:33:30 |
We've heard from Santino |
01:33:32 |
Your enemies know you're here. |
01:33:36 |
Did Santino say when |
01:33:39 |
Not yet. |
01:33:41 |
It's out of the question. |
01:33:46 |
Where are you going now? |
01:33:51 |
Take my car. |
01:33:54 |
I want to walk. |
01:33:59 |
Be careful. |
01:34:33 |
Where have all the men gone? |
01:34:34 |
They're all dead from vendettas. |
01:34:38 |
There are the names of the dead. |
01:34:57 |
Hey, hey, take me to the America, G.I.! |
01:35:00 |
Hey, hey, take me to the America, G.I.! |
01:35:05 |
America! Take me to the America, G.I.! |
01:35:27 |
Mamma mia what a beauty. |
01:35:38 |
I think you got hit |
01:35:46 |
In Sicily women are more |
01:36:12 |
Did you have a good hunt? |
01:36:15 |
You know all the girls |
01:36:17 |
We saw some real beauties. |
01:36:20 |
One of them struck our friend |
01:36:26 |
She would tempt the devil himself. |
01:36:36 |
Really put together. |
01:36:43 |
Such hair, such mouth! |
01:36:47 |
The girls around here are |
01:36:50 |
This one had a purple dress... |
01:36:53 |
And a purple ribbon in her hair. |
01:36:56 |
A type more Greek than Italian. |
01:37:02 |
Do you know her? |
01:37:07 |
There's no girl like that |
01:37:13 |
My God, I understand! |
01:37:18 |
What's wrong? |
01:37:21 |
Let's go. |
01:37:24 |
It's his daughter. |
01:37:26 |
Tell him to come here. |
01:37:30 |
Call him. |
01:37:51 |
Fabrizio, you translate. |
01:37:57 |
I apologise if I offended you. |
01:38:00 |
I'm a stranger in this country. |
01:38:03 |
I meant no disrespect |
01:38:11 |
I'm an American, hiding in Sicily. |
01:38:15 |
My name is Michael Corleone. |
01:38:20 |
There are people who'd pay a lot |
01:38:25 |
But then your daughter |
01:38:30 |
...instead of gaining a husband. |
01:38:40 |
I want to meet your daughter. |
01:38:43 |
With your permission, and under |
01:38:48 |
With all respect. |
01:38:56 |
Come to my house Sunday morning. |
01:39:05 |
What's her name? |
01:41:54 |
I'll knock you dizzy. |
01:42:02 |
Save it for the library. |
01:42:07 |
We've got to pick up my sister. |
01:42:27 |
What's the matter? |
01:42:31 |
What's the matter? |
01:42:34 |
- It was my fault! |
01:42:37 |
It was my fault. I hit him. |
01:42:40 |
I started a fight with him. |
01:42:48 |
I'm just going to get a doctor |
01:42:52 |
Sonny, please don't do anything. |
01:42:55 |
What's the matter with you? |
01:42:58 |
Make that baby an orphan |
01:43:05 |
You spic slobs still betting Yankees? |
01:43:08 |
Tell them to stop taking in action. |
01:43:11 |
We lost enough money last week. |
01:43:20 |
Come here, come here! |
01:44:16 |
If you touch my sister again, I'll kill you. |
01:48:03 |
Hey! We weren't expecting you, Kay. |
01:48:07 |
Yes, I have. I've tried writing and calling. |
01:48:12 |
- I want to reach Michael. |
01:48:15 |
All we know is that he's all right. |
01:48:20 |
- What was that? |
01:48:25 |
Tom, will you give this letter to Michael. |
01:48:30 |
If I accepted that, a court could prove |
01:48:36 |
He'll get in touch with you. |
01:48:38 |
I let my cab go, so can I call |
01:48:42 |
Come on. Sorry. |
01:49:02 |
- Hello? |
01:49:05 |
- Who is this? |
01:49:08 |
Tell him that I can't make it tonight |
01:49:17 |
Bitch! |
01:49:20 |
- Dinner's on the table. |
01:49:23 |
- The food is getting cold. |
01:49:26 |
You just told me to make you dinner! |
01:49:36 |
She has a filthy mouth, this Guinea brat. |
01:49:43 |
That's it, break it all, you spoiled |
01:49:56 |
Why don't you bring your whore |
01:50:00 |
Maybe I will. |
01:50:08 |
- Clean it up! |
01:50:11 |
You skinny, spoiled brat. |
01:50:15 |
Clean it up! I said, clean it up! |
01:50:21 |
Clean it up. Clean that up, you... |
01:50:27 |
Clean it! |
01:50:29 |
Clean it up! Yeah, kill me. |
01:50:33 |
- All you Corleones are murderers! |
01:50:36 |
Come on, kill me! |
01:50:39 |
Get out of here! |
01:50:41 |
- I hate you! |
01:50:44 |
You Guinea brat. Get out of here! |
01:50:57 |
Connie, what's the matter? |
01:51:01 |
Connie, talk louder. The baby's crying. |
01:51:04 |
Santino, I can't understand. |
01:51:08 |
Yeah, Connie. |
01:51:15 |
You wait there. |
01:51:19 |
No, you just wait there. |
01:51:23 |
Son-of-a-bitch. |
01:51:26 |
- Son-of-a-bitch! |
01:51:32 |
Open the goddamn gate! |
01:51:43 |
Sonny! |
01:51:50 |
- Sonny. |
01:51:53 |
Go after him, go on! |
01:52:24 |
Son-of-a-bitch. Come on! |
01:54:10 |
Give me a drop. |
01:54:20 |
My wife is crying upstairs. |
01:54:24 |
I hear cars coming to the house. |
01:54:31 |
Consigliere of mine... |
01:54:34 |
...tell your Don what everyone |
01:54:38 |
I didn't tell Mama anything. |
01:54:41 |
I was about to come up and wake you |
01:54:47 |
But you needed a drink first. |
01:54:52 |
Yeah. |
01:54:56 |
Well, now you've had your drink. |
01:55:03 |
They shot Sonny on the causeway. |
01:55:24 |
I want no inquiries made. |
01:55:30 |
I want no acts of vengeance. |
01:55:34 |
I want you to arrange a meeting... |
01:55:38 |
...with the heads of the five families. |
01:55:42 |
This war stops now. |
01:56:05 |
Call Bonasera. |
01:56:08 |
I need him now. |
01:56:22 |
This is Tom Hagen. I'm calling for |
01:56:27 |
You owe your Don a service. |
01:56:29 |
He has no doubt that you will repay it. |
01:56:33 |
He will be at your funeral parlour |
01:56:57 |
Well, my friend, are you ready |
01:57:02 |
Yes. What do you want me to do? |
01:57:13 |
I want you to use all your powers |
01:57:21 |
I don't want his mother |
01:57:39 |
Look how they massacred my boy. |
01:58:11 |
It's safer to teach you English! |
01:58:14 |
I know English... |
01:58:15 |
Monday, Tuesday, Thursday, |
01:58:28 |
Greetings, Don Tommasino. |
01:58:30 |
How are things in Palermo? |
01:58:38 |
Michael is teaching me to |
01:58:44 |
How are things in Palermo? |
01:58:46 |
Young people don't respect |
01:58:49 |
...times are changing for the worse. |
01:58:55 |
This place has become |
01:59:01 |
I want you to move to a villa |
01:59:11 |
What's wrong? |
01:59:14 |
Bad news from America. |
01:59:18 |
Your brother, Santino, |
01:59:29 |
Let's go... You promised. |
01:59:49 |
Get the car. |
01:59:52 |
Are you driving yourself, Boss? |
01:59:56 |
No, take her to her father's house |
02:00:00 |
Okay, anything you say. |
02:00:07 |
Calo, where is Apollonia? |
02:00:10 |
She's going to surprise you. |
02:00:15 |
She'll make a good American wife. |
02:00:19 |
Wait, I'll get the baggage. |
02:00:30 |
Fabrizio! |
02:00:33 |
Where are you going? |
02:00:36 |
Wait there! I'll drive to you. |
02:00:44 |
No, Apollonia! |
02:01:08 |
Don Barzini, I want to thank you |
02:01:13 |
...and the other heads of the five families |
02:01:20 |
Carmine Cuneo from the Bronx... |
02:01:23 |
...and from Brooklyn... |
02:01:28 |
...Philip Tattaglia. |
02:01:31 |
And from Staten Island... |
02:01:34 |
...we have with us Victor Strachi. |
02:01:38 |
And the other associates that came as |
02:01:43 |
...and all the other territories |
02:01:53 |
How did things ever get so far? |
02:01:56 |
I don't know. |
02:02:00 |
It was so unfortunate, so unnecessary. |
02:02:06 |
Tattaglia lost a son, and I lost a son. |
02:02:12 |
We're quits. And if Tattaglia agrees... |
02:02:16 |
...then I'm willing to let things go on |
02:02:21 |
We're grateful to Don Corleone |
02:02:24 |
We all know him as a man of his word. |
02:02:29 |
Yes, Don Barzini. He's too modest. |
02:02:33 |
He had all the judges and politicians |
02:02:37 |
He refused to share them. |
02:02:41 |
When did I ever refuse |
02:02:44 |
All of you know me. |
02:02:47 |
When did I ever refuse, |
02:02:54 |
Because I believe this drug business |
02:03:00 |
It's not like gambling or liquor |
02:03:04 |
...which is something that most people |
02:03:10 |
Even the police that have helped us in |
02:03:14 |
...are going to refuse to help us |
02:03:18 |
I believed that then... |
02:03:23 |
Times have changed. |
02:03:25 |
It's not like the old days, |
02:03:30 |
A refusal is not the act of a friend. |
02:03:33 |
If Don Corleone had all the judges and |
02:03:38 |
...or let others use them. He must let us |
02:03:44 |
Certainly he can present a bill |
02:03:47 |
After all, we're not communists. |
02:03:53 |
I also don't believe in drugs. |
02:03:56 |
For years I paid my people extra, so |
02:04:00 |
Somebody says to them |
02:04:04 |
"If you put up 3-4,000 dollar investment, |
02:04:11 |
They can't resist. I want to control it |
02:04:16 |
I don't want it near schools, |
02:04:21 |
That's an infàmia. |
02:04:24 |
In my city we would keep the traffic |
02:04:28 |
They're animals, |
02:04:37 |
I hoped that we could come here |
02:04:42 |
And I'm willing to do whatever is |
02:04:49 |
We are agreed. The traffic in drugs |
02:04:54 |
Don Corleone will give us protection |
02:04:58 |
I must have strict assurance |
02:05:02 |
As time goes by and his position |
02:05:05 |
...will he attempt any individual vendetta? |
02:05:08 |
We are all reasonable men. |
02:05:13 |
You talk about vengeance. |
02:05:15 |
Will vengeance bring your son |
02:05:18 |
Or my boy to me? |
02:05:21 |
I forgo the vengeance of my son. |
02:05:26 |
But I have selfish reasons. |
02:05:31 |
My youngest son was forced |
02:05:36 |
...because of this Sollozzo business. |
02:05:39 |
And I have to make arrangements |
02:05:44 |
Cleared of all these false charges. |
02:05:48 |
But I'm a superstitious man. |
02:05:51 |
If an unlucky accident should befall him, |
02:05:57 |
...or if he should hang himself |
02:06:01 |
...or if he's struck |
02:06:05 |
...then I'm going to blame |
02:06:10 |
And that I do not forgive. |
02:06:14 |
But, that aside... |
02:06:19 |
...let me say that I swear... |
02:06:23 |
...on the souls of my grandchildren... |
02:06:27 |
...that I will not be the one to break |
02:06:55 |
Should I insist that all of Tattaglia's |
02:07:00 |
Mention it. Don't insist. |
02:07:04 |
- Barzini will know without being told. |
02:07:11 |
Tattaglia's a pimp. He could never |
02:07:19 |
But I didn't know until this day |
02:07:39 |
Come on, Nancy. |
02:07:42 |
Keep together, everyone. Brian. |
02:07:46 |
Okay, all right. |
02:08:00 |
How long have you been back? |
02:08:03 |
I've been back a year. |
02:08:06 |
Longer than that, I think. |
02:08:11 |
It's good to see you, Kay. |
02:08:23 |
I'm working for my father now, Kay. |
02:08:28 |
He's been sick. Very sick. |
02:08:33 |
But you're not like him. You told me you |
02:08:40 |
My father is no different |
02:08:45 |
Any man who's responsible |
02:08:49 |
Like a senator or president. |
02:08:51 |
- How naive you sound. |
02:08:54 |
They don't have men killed. |
02:08:59 |
Who's being naive, Kay? |
02:09:03 |
My father's way of doing things is over. |
02:09:08 |
In five years the Corleone family |
02:09:14 |
Trust me. That's all I can tell you |
02:09:19 |
Michael, why did you come here? Why? |
02:09:23 |
What do you want with me after all |
02:09:28 |
I came because I need you. |
02:09:32 |
- Please stop it, Michael. |
02:09:37 |
- It's too late. |
02:09:41 |
I'll do anything you ask to make up for |
02:09:47 |
Because that's important, Kay. |
02:09:52 |
...we have each other. |
02:09:57 |
That we have children. Our children. |
02:10:01 |
Kay, I need you. |
02:10:05 |
And I love you. |
02:10:28 |
Barzini's people chisel my territory |
02:10:31 |
- Soon I'll have no place to hang my hat! |
02:10:35 |
I'm not asking for help. |
02:10:38 |
- Be patient. |
02:10:41 |
- Let me recruit some new men. |
02:10:45 |
- Barzini would get an excuse to fight. |
02:10:50 |
Don Corleone... |
02:10:52 |
You once said that one day Tessio |
02:10:56 |
Till today I would never think of it. |
02:11:00 |
Michael is now head of the family. |
02:11:03 |
If he gives his permission, |
02:11:08 |
After we make the move to Nevada... |
02:11:10 |
...you can leave the Corleone family |
02:11:14 |
- How long will that be? |
02:11:19 |
Forgive me, but with you gone, me and |
02:11:25 |
I hate that Barzini. In six months' time |
02:11:30 |
- Do you have faith in my judgement? |
02:11:33 |
- Do I have your loyalty? |
02:11:36 |
Then be a friend to Michael. |
02:11:43 |
Things are negotiated that'll solve your |
02:11:49 |
That's all I can tell you now. |
02:11:52 |
Carlo, you grew up in Nevada. |
02:11:54 |
When we make our move there, |
02:11:58 |
Tom Hagen is no longer consigliere. |
02:12:02 |
That's no reflection on Tom, |
02:12:06 |
If I ever need help, who's a better |
02:12:28 |
- Thank you, Poppa. |
02:12:32 |
Mike... Why am I out? |
02:12:37 |
You're not a wartime consigliere, Tom. |
02:12:41 |
Things may get rough with the move. |
02:12:44 |
Tom. |
02:12:50 |
I advised Michael. I never thought |
02:12:55 |
I thought Santino was a bad Don, |
02:13:00 |
Michael has all my confidence, |
02:13:04 |
But there are reasons why you must |
02:13:10 |
- Maybe I could help. |
02:14:00 |
I can't get over the way your face looks. |
02:14:05 |
This doctor did some job. Did Kay |
02:14:09 |
Leave them out here. |
02:14:12 |
Let me open the door, all right? |
02:14:21 |
- Hello, Mike! Welcome to Las Vegas! |
02:14:27 |
- Your brother Freddy. |
02:14:33 |
I'll be right back. Keep them occupied. |
02:14:37 |
- Anything you want, kid, anything. |
02:14:41 |
- That's for you to find out. |
02:14:46 |
- Hey, Mike... |
02:14:51 |
I'm tired. Get rid of the band too. |
02:14:59 |
Hey, take off. Take off. Let's go. |
02:15:02 |
Hey, that's it. Hey, Angelo. |
02:15:06 |
Hey, come on! Scram! |
02:15:10 |
Come on, honey. I don't know |
02:15:14 |
Sorry. |
02:15:16 |
I don't know. He's tired. |
02:15:25 |
What happened to Moe Greene? |
02:15:28 |
He had some business. He said to |
02:15:33 |
Well, give him a call. |
02:15:36 |
- Johnny, how are you? |
02:15:39 |
- We're proud of you. |
02:15:41 |
Sit down, I want to talk to you. |
02:15:45 |
Well, I owe it all to him. |
02:15:48 |
He knows how grateful you are. That's |
02:15:53 |
Mike, what can I do? |
02:15:56 |
We're thinking of giving up our interests |
02:16:02 |
Moe will sell us his share of the casino |
02:16:08 |
Are you sure? Moe loves the business. |
02:16:13 |
I'll make him an offer he can't refuse. |
02:16:17 |
See, Johnny... |
02:16:19 |
We figure that entertainment |
02:16:23 |
We hope you'll sign a contract |
02:16:29 |
Perhaps convince some of your friends |
02:16:35 |
We're counting on you. |
02:16:39 |
Sure, Mike. I'll do anything |
02:16:43 |
Good. |
02:16:46 |
Hey, Mike! Hello, fellows. |
02:16:50 |
- Good to see you. |
02:16:52 |
Have everything? Specially prepared |
02:16:57 |
Draw chips for everybody, |
02:17:03 |
Is my credit good enough |
02:17:08 |
Buy me out? |
02:17:09 |
The casino, the hotel. The |
02:17:15 |
The Corleone family wants to |
02:17:20 |
Your casino loses money. |
02:17:24 |
- You think I'm skimming off the top? |
02:17:32 |
You Guineas make me laugh. |
02:17:35 |
I took Freddy in when you had a bad |
02:17:40 |
You did that because we bankrolled |
02:17:44 |
...and the Molinari family guaranteed |
02:17:49 |
Yes. First of all, you're all done. You |
02:17:54 |
The Godfather is sick. You're getting |
02:17:58 |
Do you think you can come to my hotel |
02:18:02 |
I talked to Barzini. I can make a deal |
02:18:07 |
Is that why you slapped my brother |
02:18:10 |
That was nothing, Mike. |
02:18:15 |
He flies off the handle sometimes, |
02:18:19 |
I have a business to run. |
02:18:24 |
We had an argument, |
02:18:28 |
You straightened my brother out? |
02:18:30 |
He was banging cocktail waitresses! |
02:18:35 |
What's wrong with you? |
02:18:41 |
I leave for New York tomorrow. |
02:18:45 |
Son-of-a-bitch! |
02:18:47 |
I'm Moe Greene! I made my bones |
02:18:52 |
Wait a minute, Moe. I have an idea. |
02:18:55 |
Tom, you're the consigliere. |
02:18:59 |
Just a minute. Don is semi-retired and |
02:19:04 |
If you have anything to say, |
02:19:11 |
Mike, you don't come to Las Vegas and |
02:19:17 |
Fredo... |
02:19:20 |
You're my older brother, and I love you. |
02:19:24 |
But don't ever take sides with anyone |
02:19:38 |
I have to see my father and his people, |
02:19:43 |
This weekend we'll go out. We'll go to |
02:19:55 |
Your sister wants to ask you something. |
02:19:58 |
- Let her ask. |
02:20:00 |
They want you to be godfather |
02:20:03 |
- We'll see. |
02:20:05 |
Let me think about it. Come on. |
02:20:16 |
Barzini will move against you first. |
02:20:19 |
He'll set up a meeting with someone |
02:20:23 |
Guaranteeing your safety. |
02:20:26 |
And at that meeting |
02:20:34 |
I like to drink wine more than I used to. |
02:20:38 |
- Anyway, I'm drinking more. |
02:20:46 |
I don't know. |
02:20:49 |
Are you happy with your wife |
02:20:53 |
- Very happy. |
02:20:58 |
I hope you don't mind the way I keep |
02:21:02 |
- No, not at all. |
02:21:07 |
I spend my life trying not to be careless. |
02:21:11 |
Women and children can be careless, |
02:21:17 |
- How's your boy? |
02:21:20 |
He looks more like you every day. |
02:21:25 |
He's smarter than I am. He's three |
02:21:31 |
Read the funny papers. |
02:21:40 |
I want you to arrange for a telephone |
02:21:46 |
- I did it already. I took care of that, Pop. |
02:21:55 |
What's the matter? |
02:21:57 |
What's bothering you? |
02:22:03 |
I'll handle it. I told you I can handle it, |
02:22:20 |
I knew that Santino would have to |
02:22:24 |
And Fredo... |
02:22:28 |
Fredo was, well... |
02:22:32 |
But I never wanted this for you. |
02:22:37 |
I worked my whole life. I don't apologise |
02:22:42 |
And I refused to be a fool... |
02:22:46 |
...dancing on a string |
02:22:52 |
I don't apologise. That's my life, |
02:22:56 |
...that when it was your time, you would |
02:23:03 |
Senator Corleone. Governor Corleone. |
02:23:09 |
Another pezzo da novanta. |
02:23:12 |
Well... |
02:23:16 |
Just wasn't enough time, Michael. |
02:23:20 |
We'll get there, Pop. We'll get there. |
02:23:28 |
Now listen, whoever comes to you |
02:23:33 |
...he's the traitor. Don't forget that. |
02:23:52 |
Can I hold it, please? |
02:24:08 |
- Can I water these? |
02:24:12 |
Over here, over here. |
02:24:17 |
Be careful. You're spilling it. |
02:24:25 |
Antony! |
02:24:27 |
Come here, come here. |
02:24:33 |
That's it. We'll put it right there. |
02:24:41 |
I'll show you something. Come here. |
02:24:45 |
Stand there. |
02:24:51 |
Give me an orange! |
02:25:10 |
That's a new trick. |
02:25:13 |
You run in there. Run in there. |
02:25:28 |
Where are you? |
02:28:20 |
Mike, can I have a minute? |
02:28:32 |
Barzini wants to arrange a meeting. |
02:28:35 |
He says we can straighten out |
02:28:39 |
- You talked to him? |
02:28:42 |
I can arrange security. On my territory. |
02:28:48 |
- All right? |
02:29:08 |
Do you know how they're going to |
02:29:13 |
They're arranging a meeting |
02:29:18 |
Where I'll be safe. |
02:29:32 |
I always thought it would be |
02:29:36 |
It's the smart move. |
02:29:42 |
But I'm going to wait. |
02:29:44 |
After the baptism. |
02:29:48 |
I've decided to be godfather |
02:29:52 |
And then I'll meet with Don Barzini... |
02:29:55 |
...and Tattaglia. |
02:32:15 |
Michael, do you believe in God, the |
02:32:19 |
I do. |
02:32:21 |
Do you believe in Jesus Christ, |
02:32:24 |
I do. |
02:32:26 |
Do you believe in the Holy Ghost, |
02:32:30 |
I do. |
02:33:33 |
Michael Francis Rizzi, |
02:33:44 |
I do renounce him. |
02:33:54 |
And all his works? |
02:34:09 |
I do renounce them. |
02:34:11 |
Oh, God! |
02:34:16 |
- And all his pomps? |
02:34:34 |
Michael Rizzi, will you be baptised? |
02:34:38 |
I will. |
02:34:46 |
Michael Rizzi, go in peace, and may |
02:35:05 |
Kay! |
02:35:07 |
Kiss your godfather. |
02:35:32 |
Can't go to Vegas. Something's come |
02:35:38 |
- Mike, it's our first vacation! |
02:35:42 |
Go back to the house, wait for my call. |
02:35:46 |
I'll only be a couple of days. |
02:36:03 |
We're on our way to Brooklyn. |
02:36:07 |
- I hope Mike can get us a good deal. |
02:36:19 |
Sal, Tom, the boss says he'll come in a |
02:36:24 |
- That screws up my arrangements. |
02:36:28 |
I can't go either, Sal. |
02:36:41 |
Tell Mike it was only business. |
02:36:46 |
- He understands that. |
02:36:55 |
Tom, can you get me off the hook? |
02:36:58 |
- For old times' sake? |
02:37:45 |
You have to answer for Santino, Carlo. |
02:37:53 |
- Mike, you got it all wrong. |
02:37:57 |
That little farce you played |
02:38:01 |
- You think that could fool a Corleone? |
02:38:06 |
- Please, don't do this. |
02:38:11 |
Don't do this to me, please. |
02:38:22 |
Barzini is dead. |
02:38:26 |
So is Philip Tattaglia. |
02:38:29 |
Moe Greene. |
02:38:32 |
Strachi. Cuneo. |
02:38:37 |
Today I settle all family business, |
02:38:42 |
Admit what you did. |
02:38:48 |
Get him a drink. |
02:38:55 |
Come on. |
02:38:58 |
Don't be afraid, Carlo. Do you think |
02:39:04 |
I'm godfather to your son, Carlo. |
02:39:13 |
Go ahead, drink, drink. |
02:39:20 |
No, you're out of the family business. |
02:39:25 |
You're finished. |
02:39:29 |
Tom. |
02:39:34 |
I want you to stay there. Understand? |
02:39:38 |
Only don't tell me you're innocent. |
02:39:41 |
Because it insults my intelligence. |
02:39:49 |
Who approached you? |
02:39:53 |
Tattaglia or Barzini? |
02:40:02 |
It was Barzini. |
02:40:08 |
Good. |
02:40:15 |
There's a car waiting outside |
02:40:19 |
I'll call your wife and tell her |
02:40:27 |
- Mike... |
02:40:54 |
Hello, Carlo. |
02:41:52 |
- I'm trying to tell you... |
02:42:05 |
Michael! |
02:42:06 |
- What is it? |
02:42:11 |
Michael, you lousy bastard! |
02:42:16 |
You waited until Papa died, |
02:42:20 |
You blamed him for Sonny. |
02:42:23 |
But you never thought about me! |
02:42:29 |
Connie. |
02:42:32 |
Why do you think he kept Carlo at the |
02:42:38 |
And you stood godfather to our baby. |
02:42:43 |
Want to know how many men he had |
02:42:47 |
That's your husband, |
02:42:59 |
No! No, no... |
02:43:03 |
Take her upstairs. Get her a doctor. |
02:43:26 |
She's hysterical. |
02:43:32 |
Hysterical. |
02:43:36 |
Michael, is it true? |
02:43:39 |
- Don't ask me about my business, Kay. |
02:43:43 |
Don't ask me about my business. |
02:44:05 |
All right. |
02:44:09 |
This one time. |
02:44:15 |
This one time I'll let you ask me |
02:44:24 |
Is it true? |
02:44:29 |
Is it? |
02:44:32 |
No. |
02:44:47 |
I guess we both need a drink. Come on. |
02:45:19 |
Don Corleone. |