Gone Baby Gone
|
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I always believed |
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that makes you who you are. |
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Your city. |
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Your neighborhood. |
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Your family. |
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People here take pride in these things. |
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Like it was something |
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The bodies around their souls. |
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The cities wrapped around those. |
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I lived on this block my whole life. |
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Most of these people have. |
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When your job is to find people |
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it helps to know where they started. |
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I find the people |
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and then fell through. |
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This city can be hard. |
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When I was young, I asked my priest |
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and still protect yourself |
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He told me what God said |
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"You are sheep among wolves, |
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"be wise as serpents, |
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"yet innocent as doves." |
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You live just across the street. |
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That one on the corner, |
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You know, to get Annette |
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- I heard they had an opening. |
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The thing is, she always |
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That was her. She was always smiling. |
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I mean, who would take my little girl? |
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She never hurt anybody, |
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Whoever you are, if you have her, |
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you just let her go. |
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Now, we won't charge you, |
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but if you're out there, |
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All right? Let her come home. |
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I mean, |
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- You fucking cops. |
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she never got in any fights, |
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- This is just unbelievable. |
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The whole force |
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guarding the sidewalk |
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I mean, are the kidnappers |
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Amanda McCready |
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between 8:00 and 8:30 |
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She's four years old, |
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- Hey. |
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...weighs 35 pounds |
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- You know I love you, right? |
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A beleaguered |
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have been left with so little to cling to. |
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A blanket, a back door, |
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The neighborhood's |
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We're gonna have a rally. |
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Everyone's gonna have a vigil. |
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You know, the neighborhood's all alert, |
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everybody's alert of what's going on |
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The surroundings. We got flyers up, |
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So everybody's well aware |
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In related news, |
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responsible for preventing |
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spoke a few words a moment ago, |
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words of comfort. |
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I know the pain of losing a daughter. |
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We will pursue every avenue. |
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Do you know the mother? |
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Captain Jack Doyle on |
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Little bit. |
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She was blowing Mike Gulley |
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when he was still 14 and innocent |
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I don't know about innocent. |
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Her mother says Amanda |
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Mirabelle was last seen with Amanda. |
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This is horrible. |
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- Not if you're Channel 9. |
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Good night. |
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- Hey, Angie. Get the door? |
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It's 7:00! Seven in the fucking morning! |
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What? |
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Are you Patrick Kenzie? |
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- Yeah. |
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Our niece was kidnapped |
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Please, come on in. Come on in. |
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You know, there's been some problems |
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kind of ding-dong ditch, |
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So that's the reason for the language. |
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- Oh. |
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No. Please, please. |
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Here, we're just... |
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We've been... |
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We've just been... |
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we worked on a case last night, |
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Please sit down, though. |
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Or... |
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My associate'll be in in just a minute. |
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How can we help you? |
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Do you know people |
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who don't talk to the police? |
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Yeah, one or two. |
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We wanna hire you to augment |
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Is that right? |
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You know how in JonBenet Ramsey |
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So... Are the police all right |
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The police need to worry |
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Hi. I'm Angie Gennaro. |
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Hello. I'm Bea McCready. |
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- How do you do? |
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to augment the investigation. |
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You should talk |
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- Who? I... |
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Well, let's hear them out, Ange. |
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Well, aren't you |
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Yeah, that's what your ad says |
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Yeah, we are. |
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I'm sorry, she... |
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just for the sake of disclosure, |
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our experience has been primarily, |
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who've gone missing that they... |
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You know, they just stop payments on |
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and they went to New Hampshire... |
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Every police officer in this state |
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And I'm not sure |
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Well, you're not gonna |
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All right, look. |
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- So, that's collateral, if... |
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Why is this so hard? |
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- Lionel don't want me coming here. |
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- Now you don't want the job? |
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We consult privately |
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- We do. |
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She goes across to Dottie's. |
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Then she comes home |
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She was watching Wife Swap. |
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She remembers, |
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And do youse two live upstairs? |
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Yeah, when our folks died |
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so, you know, |
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And with the acoustics |
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you can't get away from it. |
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Why don't you just |
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- Just talk to Helene, you know. |
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Look, she don't show it, |
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- Please. Please! |
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I was no saint. All right? |
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I took a hard bust at 22. |
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My sister Helene has not had that. |
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Talking to the mother's |
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- We'll come right over. |
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Yeah. Pleasure, Lionel. |
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Oh, you'll find us |
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- You know where it is. |
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Look at this. Jesus. |
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Fucking block party here. |
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Four Cape Verdeans |
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No one gave a shit. |
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We have a good life, right? |
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Is that a trick question? |
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I don't wanna find their little kid |
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Maybe she's not in a dumpster, babe. |
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I don't wanna find a little kid after |
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Hon, nobody does. |
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All right. |
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Listen, we'll just go up |
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and you don't wanna do it after that, |
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Okay. |
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Hi. Please, come on in. |
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Helene. |
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This is Patrick Kenzie, |
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- Hi. |
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I see you're still a little conceited, huh? |
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Would you excuse us, Dottie? |
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Dottie's my best friend, Lionel. |
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Helene, we don't wanna |
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We're just gonna ask you |
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about your daughter, |
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- Everyone wants their part now. |
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I already talked to the cops forty times. |
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- We're sorry to take up your time. |
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Beatrice asked us to come over here |
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and see if we could help out |
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Why don't Bea mind her business? |
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'Cause everyone gotta |
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- Right? |
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Beatrice hired these people to help |
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so you had better show them |
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- and respect they deserve! |
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She could grieve |
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- You don't live here! |
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Don't you fucking yell at her, Lionel. |
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Fuck you, Lionel. |
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Go fuck yourself. Cocksucker. |
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Get the fuck outta here. |
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I'm sorry. |
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- I'm sorry. |
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- I understand. I'm sorry. |
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Maybe we should go? |
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Look. Can we all just have a few words |
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Excuse us, Helene. |
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- Helene's got emotional problems. |
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- What is it, then? |
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- Beatrice, don't use that word. |
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This is a child. |
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Well... |
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We can't do any harm, right? |
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It's all right, Bea. |
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Thank you. |
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Now... |
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Well, she's quiet. |
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What about Helene? Her friends? |
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She got a lot of people |
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I don't know. |
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She's at the Fillmore Lounge? |
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Yeah, she drinks every day. |
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She's got the gene, you know? |
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She use drugs? |
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I think she does a little coke. |
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How much is a little? |
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I don't know. Few times a week, maybe. |
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Few times a week's a lot. |
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Then she does a lot. |
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I put the plug in the jug myself, |
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Congratulations. |
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Do you mind if we see her room? |
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- Kidnapped the furniture, too? |
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10-7 investigation. |
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Solved it yet? |
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Captain, Patrick Kenzie. |
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Mmm-hmm? |
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I see Beatrice went on |
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I take it that wasn't |
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It was not. |
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That woman would mortgage her home |
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taking credit cards if she thought |
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My job's hard enough |
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Captain, this isn't |
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You ever investigated |
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I think Mrs. McCready was hoping |
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with the neighborhood aspect of this |
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How old are you? |
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- I'm 31. |
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A four-year-old child is on the street. |
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It's 76 hours and counting. |
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And the prospects |
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are beginning to look grim, |
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Half of all the children in these cases |
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If we don't catch the abductor |
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only about 10% are ever solved. |
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This is day three. |
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He may look young, |
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but if he wants to work this case, |
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Well, he's been hired by a woman |
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and by law he's entitled |
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to be cooperated with |
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So he expects to be. |
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And he will be. |
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He and his better half will be contacted |
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at their convenience, |
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We're just trying to help, Captain. |
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Look, I don't care who does it. |
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Good afternoon. |
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Ready to get started? |
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All I'm saying is that |
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We're not asking |
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Listen, I ain't saying a fucking word. |
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All right. |
00:16:52 |
- Dave, right? |
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Big Dave. All right. |
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I'm Medium Patrick. Nice to meet you. |
00:17:00 |
You're a little fucking light in the ass |
00:17:03 |
Jesus, pal, |
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Listen, buy a couple |
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Okay, we'll take a couple tonics. |
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Jesus Christ. |
00:17:15 |
Steve Penteroudakis! |
00:17:19 |
Oh, shit! What are you doing here? |
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Look at this little motherfucker |
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Gyro! |
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Beers and keno, 2:00 in the afternoon. |
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- What up? |
00:17:28 |
Yeah, listen, |
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putting up posters, man, you know? |
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Every project hallway, |
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You know? I mean, it's a real tragedy. |
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She used to come in here, |
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- You know, she was like our mascot. |
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No, mostly in the afternoons. |
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- Really? |
00:17:49 |
Hot tempers, lot of drugs, trust me. |
00:17:53 |
So how often Helene come down here? |
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Five nights a week. |
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Come on, guys, please. |
00:18:00 |
She's in here fucking doing lines |
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Trust me, all right? |
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- She's that bad, huh? |
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Oh, she's fucking terrible. |
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Listen, remember that night |
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You saw her on the news, right? |
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She's saying, "Oh, I was at my |
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Bullshit. She was in here for, like, |
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- What time did she come in? |
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- Are you sure it was the same night? |
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'cause she was in the shitter, |
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and I was banging on the fucking door. |
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- Who, Ray? Skinny Ray? |
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He's in there ducking me |
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I was banging on the door. |
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He thought I didn't know |
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but I know he's fucking in there. |
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- Don't lend him any money... |
00:18:42 |
- What the fuck you doing? |
00:18:46 |
Don't talk about people you don't know. |
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What do you mean? |
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- I know them for years. |
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You said you weren't a cop. |
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- Yeah, I'm not a cop. |
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Why don't you mind your business? |
00:18:59 |
He's gonna come in here |
00:19:01 |
You're awfully worried |
00:19:04 |
Yeah, you probably got |
00:19:07 |
What are you doing here, anyway? |
00:19:11 |
Trying to help Helene |
00:19:14 |
Listen, don't come in here |
00:19:15 |
thinking you're better than me. |
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I'm not the fucking one. |
00:19:19 |
- All right, just cool it. |
00:19:21 |
- Listen to this douchebag. |
00:19:24 |
Jesus Christ. What the fuck |
00:19:27 |
You, you punk fucking jackass. |
00:19:39 |
We're leaving, all right? |
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You know, Dave, |
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'Cause there is some fine pussy |
00:20:01 |
Open that door, rummy. |
00:20:05 |
- Open the door, Mike. |
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You ever wanna get fucked, |
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How's that, motherfucker? |
00:20:28 |
Keep your fucking mouths closed. |
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What, you wanna |
00:20:33 |
- Fuck you! |
00:20:34 |
Make me a martini, |
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- Make it! |
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Make me a fucking martini, |
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Fucking unbelievable. |
00:21:19 |
- Can I help you? |
00:21:22 |
- That's right. |
00:21:25 |
Oh, sorry. |
00:21:28 |
How you doing? |
00:21:31 |
- Should we... Sit down? |
00:21:34 |
No! I just... |
00:21:35 |
I think Nick was expecting |
00:21:39 |
Life's full of surprises. |
00:21:41 |
Corwin Earle. |
00:21:45 |
Went AWOL around the time |
00:21:47 |
Known associates, Leon Trett |
00:21:51 |
and his handsome wife, Roberta. |
00:21:55 |
The Tretts were released six |
00:21:58 |
They have drug habits. |
00:22:00 |
We don't know where they are, |
00:22:02 |
Jailhouse snitch claims |
00:22:06 |
and told him when he got out, |
00:22:10 |
Apparently the three of them |
00:22:12 |
have some kind of |
00:22:15 |
Corwin's plan is to keep a kid |
00:22:18 |
- Well, that sounds promising. |
00:22:22 |
Do you think |
00:22:23 |
Well, there's a lot |
00:22:24 |
I mean, Corwin likes |
00:22:27 |
He likes them seven or eight or nine. |
00:22:31 |
So that's it, that's all we got, |
00:22:35 |
No, we got more. |
00:22:36 |
We got six psychics telling us to look |
00:22:39 |
we got Lionel and Bea |
00:22:40 |
we've interviewed every neighbor |
00:22:42 |
and we got a convicted finger-blaster |
00:22:44 |
who just happened |
00:22:46 |
- Take it easy... |
00:22:47 |
Who the fuck is this guy? |
00:22:50 |
You're here because Jack Doyle |
00:22:53 |
You got something to contribute, |
00:22:54 |
Otherwise, hey, you... |
00:22:56 |
You know, you can go back |
00:23:00 |
Isn't it usually somebody |
00:23:03 |
I think there's plenty of people |
00:23:07 |
that are capable of doing this. |
00:23:10 |
So then you probably |
00:23:13 |
- Who? |
00:23:15 |
"Skinny Ray," they call him, 6'2", |
00:23:20 |
Does blow. Helene's boyfriend. No? |
00:23:23 |
- Never heard of him. |
00:23:26 |
I think we might be able |
00:23:28 |
- Really? How's that? |
00:23:31 |
Skinny Ray was down |
00:23:33 |
doing coke for two hours, |
00:23:35 |
Fascinating. |
00:23:38 |
- With Helene McCready. |
00:23:43 |
She did bullshit us. |
00:23:45 |
I'm gonna have to tear her |
00:23:47 |
Meet you down there. |
00:23:52 |
So what kinda name is Bressant? |
00:23:55 |
It's the kind they give you in Louisiana. |
00:23:57 |
Oh, yeah? |
00:23:59 |
Well, it all depends |
00:24:02 |
I mean, you might think that you're |
00:24:08 |
But I been living here |
00:24:12 |
So who's right? |
00:24:13 |
I'll mull it over. |
00:24:15 |
- What's up, sucker? |
00:24:17 |
- Good to see you, brother. |
00:24:18 |
- How you been? You been good? |
00:24:20 |
Yeah? What's up, Angie? |
00:24:23 |
You seen those people? |
00:24:26 |
Drug addict, drug addict, fucking... |
00:24:30 |
What the fuck makes you think |
00:24:33 |
Bub, I know you don't pay your rent |
00:24:36 |
Yeah, I don't pay my rent |
00:24:38 |
to walleyed child molesters, neither. |
00:24:39 |
They're not all three child molesters. |
00:24:42 |
Just... Just this one, Corwin Earle. |
00:24:45 |
The other two are just baseheads |
00:24:48 |
What are the two of yas, |
00:24:50 |
We got hired to find that little girl. |
00:24:53 |
Turns out the mother was down |
00:24:55 |
while the kid was taken. |
00:24:56 |
- With Skinny Ray. |
00:24:59 |
- I thought Ray was your boy. |
00:25:01 |
Skinny Ray, he's a fucking cokehead. |
00:25:04 |
Ray works for Cheese? |
00:25:06 |
Yeah, Cheese, Ray, Chris Mullen, |
00:25:10 |
Did you ever sell to Helene? |
00:25:12 |
There's reasons why |
00:25:14 |
between us right now. |
00:25:16 |
That's 'cause I don't fuck |
00:25:18 |
Or coconuts like Cheese. |
00:25:20 |
You should know better by now. |
00:25:21 |
I'm the king of this |
00:25:23 |
I'll let you know |
00:25:26 |
- Thanks, bro. |
00:25:28 |
How well do you know |
00:25:31 |
How well do you know |
00:25:35 |
- Who? |
00:25:37 |
"Cheese" Jean Baptiste? |
00:25:42 |
Oh, sounds familiar. |
00:25:44 |
No. No. |
00:25:49 |
He's a violent, sociopathic |
00:25:56 |
Either you know him or you don't. |
00:26:01 |
Who is he? |
00:26:02 |
He's a drug lord |
00:26:05 |
Helene, who is he? |
00:26:07 |
- He's just a guy, Lionel. |
00:26:09 |
He is, among other things, |
00:26:13 |
- What other things? |
00:26:16 |
Why don't you answer |
00:26:18 |
Why don't you go |
00:26:19 |
You listen to me! |
00:26:22 |
and you don't make racial remarks |
00:26:24 |
- Who is this man? |
00:26:25 |
You know what I mean! |
00:26:26 |
Hey, hey, hey. Take it easy. |
00:26:28 |
He's a drug dealer, a pimp, |
00:26:31 |
Perfect. |
00:26:32 |
A pornographer? Helene. |
00:26:34 |
And we think he rolled up |
00:26:37 |
and shot him in the head |
00:26:39 |
What do you do for him? |
00:26:42 |
I just mule. |
00:26:44 |
Occasionally, not making |
00:26:46 |
Jesus, Mary and Joseph. |
00:26:49 |
It means she's a drug runner, Bea. |
00:26:52 |
- Isn't that right, Helene? |
00:26:55 |
- Where? |
00:26:58 |
Does it fucking matter? |
00:27:00 |
You think I'm fucking around, here? |
00:27:01 |
You think I'm playing games, here? |
00:27:08 |
Better answer |
00:27:10 |
- For what? |
00:27:13 |
- What do you think? Money, taste. |
00:27:17 |
No, little puffy heart stickers |
00:27:19 |
What kind of drugs? |
00:27:21 |
- No, I would've seen the track marks. |
00:27:25 |
Yeah, less addictive that way. |
00:27:31 |
Piece of work. |
00:27:36 |
What the fuck is that? |
00:27:43 |
Oh, yeah. |
00:27:48 |
- You know where I'm going with this? |
00:27:51 |
Did you know I used to work DCU? |
00:27:53 |
- I give a fuck. |
00:27:57 |
So, I still know some of those guys |
00:28:01 |
Anyway, I heard someone |
00:28:03 |
on a New Hampshire run. |
00:28:05 |
- Did you hear anything about that? |
00:28:08 |
- Care to take a polygraph? |
00:28:12 |
Different questions this time. |
00:28:14 |
Come on. It's all right. |
00:28:19 |
We don't care about a |
00:28:22 |
We care about your child. |
00:28:26 |
So come on. |
00:28:28 |
How much? |
00:28:32 |
You even give a fuck about your kid? |
00:28:36 |
'Course I do. |
00:28:37 |
And we know you took the money. |
00:28:43 |
How much? |
00:28:48 |
How much? |
00:28:51 |
How much? |
00:28:54 |
One thirty. |
00:29:02 |
- $ 130,000? |
00:29:07 |
How'd you do it? |
00:29:14 |
Me and Ray had to do this |
00:29:16 |
Yeah. |
00:29:18 |
We dropped four ki's on these bikers. |
00:29:20 |
When we was walking back |
00:29:23 |
these cops just swooped right in, |
00:29:26 |
and Amanda was with us, |
00:29:31 |
- And we got in the car, took off. |
00:29:35 |
Oh, what am I gonna do? |
00:29:39 |
I don't got no daycare. |
00:29:42 |
It's really hard being a mother. |
00:29:47 |
All on my own. |
00:29:50 |
But God made you barren, |
00:29:52 |
- So I understand, Bea, okay? |
00:29:54 |
- Hey, hey, hey. Right here. |
00:29:56 |
Right here. What happened next? |
00:30:00 |
We was driving back, |
00:30:05 |
"You know everyone's gonna think |
00:30:08 |
You told Cheese the cops got it. |
00:30:10 |
But you and Ray |
00:30:13 |
- This whole fucking thing is Ray's fault. |
00:30:21 |
- It's with Ray. |
00:30:26 |
- Chelsea. |
00:30:29 |
She rides with you. |
00:30:50 |
- Go on. Move your bike! |
00:30:53 |
- What the... |
00:31:01 |
Helene, you used to go |
00:31:04 |
- How do you know? |
00:31:06 |
I was a freshman when you were |
00:31:09 |
No. |
00:31:11 |
Whatever happened to Scott? |
00:31:14 |
He stabbed a foreign exchange student |
00:31:17 |
He got life in Walpole. |
00:31:22 |
He was kind of a faggot in high school. |
00:31:24 |
Oh, man. |
00:31:30 |
Well, he kind of wore them tight shorts. |
00:31:32 |
Oh, who's a faggot now? |
00:31:40 |
So, how did the... |
00:31:42 |
I thought youse and... |
00:31:45 |
No, we dropped off Amanda |
00:31:48 |
But fucking retarded Ray |
00:31:51 |
You know, right then, I'm like, |
00:31:54 |
"I don't care if he does got a big dick." |
00:31:56 |
So we went back to the apartment |
00:32:00 |
he was gonna wake up Amanda, |
00:32:03 |
So, we went back to Ray's, |
00:32:06 |
- or Ray's mother's. Whatever. |
00:32:08 |
I don't know where that mother went, |
00:32:12 |
and it smells like cock. |
00:32:15 |
And Cheese never contacted you, |
00:32:17 |
No. |
00:32:19 |
That's why Ray said, "Don't say shit." |
00:32:21 |
You didn't think it was worth it |
00:32:23 |
to tell people what happened? |
00:32:28 |
God fucking knows |
00:32:31 |
What am I gonna do? |
00:32:33 |
Call Cheese and be like, |
00:32:35 |
"'Cause I just ripped you off, |
00:32:37 |
Yeah! |
00:32:38 |
- Helene, sit back. |
00:32:40 |
Oh, I'm gonna call the cops, too, |
00:32:43 |
"just so you know, wanna know |
00:32:47 |
"in case that's irrelevant." |
00:32:48 |
All right, calm down. |
00:32:49 |
You make me sick. |
00:32:53 |
What makes you think Ray hasn't |
00:32:56 |
Nigger, please. I hid it. |
00:32:58 |
Pull over. |
00:33:25 |
Looks like somebody had a little talk |
00:33:28 |
- Looks like he held out pretty good. |
00:33:33 |
He couldn't tell them where the money |
00:33:36 |
Helene hid it. |
00:33:39 |
Ray made poor relationship choices. |
00:33:42 |
Guess they didn't believe him. |
00:33:45 |
Poor prick. |
00:33:47 |
I'm not waiting |
00:34:05 |
- Where's the money, Helene? |
00:34:09 |
- Helene... |
00:34:12 |
I know it. I know, I'm... I'm sorry. |
00:34:17 |
- Where's the money? |
00:34:19 |
- Where? |
00:34:23 |
What was that book about, |
00:34:24 |
Everything You Need |
00:34:27 |
- I think it was a French book. |
00:34:31 |
- That was a book. |
00:34:33 |
- The fuck out of here. |
00:34:35 |
- Right, Helene? |
00:34:37 |
Should we bring in the FBI |
00:34:38 |
- That's the worst thing we could do. |
00:34:40 |
'Cause I don't wanna see Cheese |
00:34:42 |
after he opens a bag |
00:34:44 |
It's kidnapping. |
00:34:45 |
- I don't see a note. You see a note? |
00:34:49 |
We're investigating |
00:34:51 |
Kidnapping has nothing to do with it. |
00:34:55 |
is go to Cheese, |
00:34:58 |
- Plain and simple. |
00:35:01 |
Knew his brother better, Jude. |
00:35:05 |
Cheese went another way. |
00:35:08 |
- He wouldn't hurt her, right? |
00:35:11 |
All right, listen. |
00:35:13 |
If he gets it back... |
00:35:16 |
Just keep your mouth shut, okay? |
00:35:19 |
- Oh, you're gonna talk to him? |
00:35:22 |
Okay. Well, tell him I'm sorry, all right? |
00:35:24 |
I mean, he knows me, |
00:35:27 |
Yeah, I'm sure that'll fix everything. |
00:35:29 |
- We'll take care of this, all right? |
00:35:33 |
I'm hungry. |
00:35:34 |
All right. I'll get you something, Helene. |
00:35:36 |
No, her. |
00:35:37 |
That's what she said to me |
00:35:39 |
She said, "I'm hungry." |
00:35:42 |
She's not still hungry? |
00:35:45 |
I don't know. |
00:36:34 |
I know I fucked up. |
00:36:37 |
I just want my daughter back. |
00:36:38 |
I swear to God, |
00:36:42 |
I won't even go out, |
00:36:44 |
Cross my heart. |
00:36:47 |
It's all right. |
00:36:49 |
You have to. You promise? |
00:36:53 |
Yeah. I'm gonna try. I will. |
00:36:57 |
Promise. You have to promise me. |
00:37:02 |
I promise. |
00:37:08 |
All right. |
00:37:27 |
Where do you |
00:37:28 |
Talk to Cheese. |
00:37:29 |
No, you're not. |
00:37:31 |
No, that's a mistake. |
00:37:33 |
No. No way. |
00:37:35 |
You wanna get the girl back, or not? |
00:37:37 |
I know him. |
00:37:39 |
- we're the ones who can do it. |
00:37:41 |
Get back in the car. |
00:37:42 |
Guys, you two go in there |
00:37:45 |
then it is the FBI. |
00:37:48 |
All you're gonna do |
00:37:49 |
The more you scare him, |
00:37:57 |
All right. Go ahead. |
00:37:59 |
Just fucking relax, sit tight. I know him. |
00:38:03 |
Good luck. |
00:38:11 |
It's been a long time. |
00:38:16 |
No. I quit. |
00:38:25 |
I'm gonna talk some private shit. |
00:38:29 |
- Don't wait, but don't get too far. |
00:38:36 |
Bitches love the cheddar. |
00:38:44 |
- How you been, Chris? |
00:38:50 |
Yeah. Good to hear it. |
00:38:52 |
- Fuck you. |
00:38:55 |
It's been too long not to see a fool. |
00:38:59 |
I grant you audience. |
00:39:02 |
Go. |
00:39:05 |
We found what you |
00:39:09 |
What I care about Chelsea? |
00:39:11 |
'Cause one of the idiots |
00:39:14 |
What idiot? |
00:39:16 |
The one that you and Chris |
00:39:22 |
I don't know about nobody getting kill. |
00:39:27 |
But if somebody rob me |
00:39:30 |
Well, you know, life is a motherfucker. |
00:39:37 |
Cheese, we got your money. |
00:39:43 |
We wanna give it back to you |
00:39:46 |
The two police outside |
00:39:50 |
No one gives a fuck |
00:39:52 |
I mean, I didn't even |
00:39:54 |
You're gonna get your money, |
00:39:57 |
and we'll say we found the kid |
00:40:00 |
It's either this, real quiet, |
00:40:02 |
or it's a thousand fucking cops |
00:40:05 |
putting their fat knees in your neck. |
00:40:11 |
Hold up. |
00:40:14 |
Whoa. Whoa. |
00:40:18 |
What the fuck is this? |
00:40:21 |
Lift up your shirt. |
00:40:23 |
- Come on, man. |
00:40:27 |
Lift up your shirt. |
00:40:30 |
- It ain't like that, Cheese. |
00:40:34 |
Lift up your shirt. |
00:40:42 |
You, too, baby. |
00:40:43 |
Let me see some tit. |
00:40:51 |
Don't ever come in my spot like that. |
00:40:57 |
You got my money, |
00:40:59 |
you leave that shit in the mailbox |
00:41:03 |
Some other motherfuckers |
00:41:05 |
I don't play scrimmage. |
00:41:07 |
But I don't fuck with no kids. |
00:41:12 |
And if that girl only hope is you, |
00:41:18 |
'cause she's gone, baby. |
00:41:21 |
Gone. |
00:41:32 |
Cheese, if you ever |
00:41:35 |
I'm gonna pull your fucking card. |
00:41:37 |
Okay? |
00:41:44 |
So you're saying you didn't do it, fine. |
00:41:47 |
We'll take your money, |
00:41:51 |
But if it turns out you're lying, |
00:41:53 |
I'm going to spend every nickel |
00:41:56 |
I'm gonna bribe cops to go after you, |
00:41:58 |
I'm gonna pay guys |
00:42:00 |
and I'm gonna tell everyone I know |
00:42:03 |
And I know a lot of people. |
00:42:06 |
And after that, you're gonna wish |
00:42:08 |
'cause your shitty, pool-hall, |
00:42:11 |
is gonna get raided. |
00:42:12 |
And your doped-up bitches |
00:42:15 |
and this fucking retard right here |
00:42:18 |
for a reduced sentence while you're |
00:42:20 |
by a gang of crackers. |
00:42:24 |
'Cause from what I heard, |
00:42:26 |
you guys that get sent up Concord |
00:42:29 |
life a motherfucker. |
00:42:42 |
If I see you again, |
00:42:58 |
And get that sausage off my lawn. |
00:43:01 |
- Well, what happened? |
00:43:04 |
but if you had his money, |
00:43:07 |
- That's what he told you? |
00:43:10 |
Nothing else? |
00:43:12 |
Yeah. He said that he wanted |
00:43:17 |
I thought you said |
00:43:19 |
Half the guys he knows |
00:43:21 |
Yeah, you know |
00:43:23 |
- What? |
00:43:26 |
No, no. I won't hold it against you. |
00:43:32 |
You know what I'll hold against you? |
00:43:35 |
We had one chance to make this deal. |
00:43:39 |
You said you could do it |
00:43:43 |
Now I gotta get a warrant for a tap, |
00:43:45 |
hope to Christ we get lucky. |
00:43:47 |
You know, if Amanda |
00:43:51 |
I won't have to hold it against you. |
00:43:55 |
You'll hold it against yourself |
00:44:25 |
Hope we didn't fuck this up. |
00:44:36 |
- Yeah. |
00:44:39 |
Says he'll take the deal with Amanda, |
00:44:42 |
- Great. |
00:44:44 |
They record calls at the station now. |
00:44:47 |
- Jack got a hold of the transcript. |
00:44:50 |
It means our badges are |
00:44:53 |
He wants you both down here, now. |
00:44:55 |
Oh, and, hey, Cheese said |
00:44:57 |
to prove that he's got Amanda. |
00:45:21 |
This is a transcript of a recorded call |
00:45:28 |
Care to read the highlighted portion? |
00:45:32 |
Aloud? |
00:45:35 |
Uh. |
00:45:37 |
Bitch, |
00:45:45 |
"Detective Bressant: Who is this? |
00:45:47 |
"The caller: |
00:45:50 |
"Creole curse words. |
00:45:53 |
"you need to meet me up |
00:45:56 |
"Fuck around for a minute |
00:45:58 |
The lake he refers to is the water |
00:46:03 |
Detective Bressant goes on to make |
00:46:08 |
to exchange Amanda McCready |
00:46:11 |
in just that location. |
00:46:14 |
After some discussion, |
00:46:18 |
to produce this. |
00:46:20 |
Recognize it? |
00:46:22 |
The four of you have involved me |
00:46:25 |
without my knowledge or consent, |
00:46:29 |
- You don't have to be a part of it, sir. |
00:46:32 |
If I delay this now, after this agreement, |
00:46:34 |
I just further endanger |
00:46:37 |
Does that sound like something |
00:46:40 |
No, sir. |
00:46:42 |
I went in there. I'll accept responsibility. |
00:46:44 |
You'll accept nothing! |
00:46:46 |
Don't come in here |
00:46:51 |
Let me see that note. |
00:47:00 |
My God. |
00:47:04 |
He wants to separate us. |
00:47:06 |
The note instructs you guys to be |
00:47:09 |
me and Nick to be at the clearing |
00:47:12 |
Once Amanda's turned over to you, |
00:47:15 |
we turn over the cash. |
00:47:18 |
- Who's he likely to bring with him? |
00:47:21 |
He was at the club |
00:47:23 |
What do you know about him? |
00:47:25 |
It was probably him |
00:47:28 |
If I had to guess. |
00:47:29 |
All right. |
00:47:32 |
- I don't know. |
00:47:35 |
I'm asking if keeping it quiet is better |
00:47:40 |
Do you have any children, |
00:47:43 |
No, sir. |
00:47:46 |
My only child was murdered. |
00:47:53 |
What you probably didn't hear, |
00:47:54 |
and what I hope |
00:47:55 |
Miss Gennaro, is what that feels like. |
00:48:00 |
Knowing that my little girl likely died |
00:48:03 |
crying out for me |
00:48:07 |
And I never did. |
00:48:09 |
My little girl died afraid and alone |
00:48:16 |
by the side of the road |
00:48:23 |
I know what it feels like to lose a child. |
00:48:28 |
Now, damn it, you force my hand |
00:48:31 |
and then you question |
00:48:34 |
No one's questioning you, sir. |
00:48:36 |
I honor my child with this division. |
00:48:40 |
So that no parent |
00:48:44 |
This child. |
00:48:49 |
That's all I care about. |
00:48:51 |
I'm gonna bring her home. |
00:49:09 |
Why'd he bring us all the way up here? |
00:49:14 |
I don't know. It's big. It's dark. |
00:49:17 |
No. |
00:49:20 |
They're gonna kill her. |
00:49:46 |
This asshole could've found |
00:49:50 |
This is where we part ways. |
00:49:54 |
We'll be right across from you. |
00:49:56 |
Give us a call on the radio |
00:50:00 |
- We will. |
00:50:06 |
Let's go. |
00:50:46 |
How are they gonna |
00:50:49 |
Ambush! Ambush! |
00:50:51 |
Hey, Remy! Fucking Cheese! |
00:50:56 |
There she is. |
00:51:03 |
Someone hit Cheese! |
00:51:05 |
You sure you heard something? |
00:51:07 |
- Over there! |
00:51:08 |
I don't know. I heard a splash. |
00:51:11 |
Somebody took Cheese out, |
00:51:12 |
- and then all hell broke loose. |
00:51:14 |
- Shots were fired from over there. |
00:51:15 |
Something went in the water! |
00:51:16 |
- What? |
00:51:17 |
- Yeah, something went in, but I... |
00:51:19 |
There! Right there! |
00:51:20 |
Oh, my God. |
00:51:22 |
Oh, no. |
00:51:36 |
Jesus Christ! |
00:52:27 |
Paging |
00:52:51 |
- Hi. |
00:52:55 |
- How's the leg? |
00:53:02 |
They find anything? |
00:53:06 |
- They got divers in there now. |
00:53:12 |
Maybe she's hiding. |
00:53:16 |
Right? |
00:53:20 |
I don't think so. |
00:53:41 |
Hey... |
00:53:42 |
He's ever seen |
00:53:44 |
on a little girl called Amanda |
00:53:48 |
This quarry is |
00:53:52 |
All too often, |
00:53:56 |
A sad end |
00:53:58 |
It sure is, Phil. |
00:54:00 |
And Ron is next with |
00:54:03 |
Yes, they are, Phil. |
00:54:05 |
The B's took a crack |
00:54:07 |
and the rough stuff started |
00:54:09 |
And like that, she was gone. |
00:54:16 |
We gave our statements. |
00:54:20 |
All of us spared any blame |
00:54:24 |
Jack Doyle resigned on the condition |
00:54:26 |
that he and he alone |
00:54:29 |
The legendary captain |
00:54:33 |
stepped down today |
00:54:35 |
He was granted |
00:54:40 |
But the humiliation of half a pension. |
00:54:45 |
It was an ignominious end |
00:54:50 |
Chris' run lasted a day and a half until, |
00:54:54 |
he ran into someone who wanted |
00:54:57 |
Twenty-nine-year-old |
00:54:58 |
was gunned down last night |
00:54:59 |
in an apparent robbery. |
00:55:01 |
The police commissioner |
00:55:03 |
as a statistical aberration tied |
00:55:06 |
and the humidity of... |
00:55:13 |
Enough time went by |
00:55:16 |
They issued Helene |
00:55:35 |
The frame and the casket were |
00:55:40 |
but had to be returned |
00:55:47 |
You know I love you, right? |
00:55:49 |
Yeah. |
00:55:52 |
I just wanna be alone for a while. |
00:56:02 |
I don't know if she blamed |
00:56:10 |
But when she didn't think I was home, |
00:56:13 |
or if she thought I couldn't hear, |
00:56:16 |
she would cry. |
00:56:25 |
I couldn't stop running it over |
00:56:31 |
the vague and distant suspicion |
00:56:33 |
that we never understood |
00:56:36 |
what our role was. |
00:56:41 |
Or maybe it was just that, |
00:56:43 |
who disappear each year |
00:56:48 |
Amanda was even more haunting |
00:56:56 |
What they did find |
00:57:00 |
and I couldn't help but find it strange. |
00:57:03 |
Not two months later and not far away, |
00:57:09 |
...and community watch patrols |
00:57:11 |
A bicycle left |
00:57:15 |
Late-breaking news |
00:57:17 |
Little Johnny Pietro is also wearing |
00:57:19 |
what this reporter believes |
00:57:22 |
Johnny Pietro was wearing the |
00:57:25 |
patron saint of... |
00:57:26 |
Johnny Pietro |
00:57:29 |
What I didn't find strange |
00:57:33 |
no relatives came knocking |
00:57:38 |
- Hey, Patrick. |
00:57:41 |
- I need you to come on a ride with me. |
00:57:44 |
To Everett. |
00:57:45 |
- What, no parties in Lynn? |
00:57:48 |
- You got your toast with you, right? |
00:57:51 |
Your gun, dummy. |
00:57:54 |
Yeah. |
00:58:05 |
This ain't no |
00:58:09 |
I got something better for you, buddy. |
00:58:25 |
You asked me to find |
00:58:27 |
I think I found them. |
00:58:29 |
What you getting me into? |
00:58:30 |
You don't give a fuck about this |
00:58:34 |
Yo, 'cause the fat bitch |
00:58:37 |
My man didn't know about the diddler. |
00:58:40 |
Come in with me. Watch my side. |
00:58:42 |
We'll find out |
00:58:46 |
You know what, Patrick? |
00:58:47 |
If you don't wanna come in, |
00:58:48 |
If you don't wanna come in, fuck it. |
00:58:55 |
Let's go. |
00:59:23 |
Guess who? |
00:59:24 |
- Jerome Miller? |
00:59:27 |
- Open up. |
00:59:29 |
Marmaduke, you think you're gonna |
00:59:32 |
Open the door. |
00:59:34 |
Who's he? |
00:59:36 |
He's your father. |
00:59:43 |
- Look out. |
00:59:44 |
Chill! Chill! |
00:59:55 |
What are you guys, starting a band? |
00:59:57 |
No one's starting a band. |
01:00:04 |
It's a taste. |
01:00:06 |
Cocaine for the old man. |
01:00:09 |
Fucking Christ. |
01:00:12 |
Want me to change |
01:00:18 |
I told you to tell me when they got here! |
01:00:20 |
They just got here. |
01:00:22 |
- You already did some! |
01:00:25 |
Sorry, love. |
01:00:28 |
Here, count this fucking mess. |
01:00:35 |
Where's the rest, man? |
01:00:37 |
As soon as he's finished counting |
01:00:50 |
- Mr. Miller, do you mind? |
01:00:54 |
- Excuse me! |
01:00:56 |
- Hey, please don't snoop around, sir. |
01:00:59 |
Excuse me! |
01:01:00 |
Where the fuck you think you're going? |
01:01:03 |
Mr. Miller, I'm warning you! |
01:01:06 |
Stop! |
01:01:12 |
Patrick, shoot this bitch. |
01:01:19 |
You fat busted cunt. |
01:01:23 |
You put a gun on me, you better use it. |
01:01:25 |
Just give us the fucking wizza! |
01:01:31 |
You don't wanna shoot her, Patrick? |
01:01:40 |
Who's this guy? |
01:01:41 |
Corwin! |
01:01:44 |
It's not a party? |
01:01:48 |
No, it's not a party. |
01:01:52 |
How much money's there, Patrick? |
01:01:54 |
Enough. |
01:01:59 |
Want this? |
01:02:10 |
What are you doing? |
01:02:17 |
At least two guns in |
01:02:20 |
- What else? |
01:02:22 |
- On what? |
01:02:24 |
Your friend tell you that, too? |
01:02:26 |
SWAT'll be here in five minutes. |
01:02:27 |
You're not gonna wait for them? |
01:02:29 |
Did you or did you not tell me |
01:02:31 |
with the medallion of St. Christopher |
01:02:34 |
I definitely saw Corwin Earle. |
01:02:35 |
We're not waiting. |
01:02:37 |
Stay here. |
01:02:40 |
Good job. |
01:03:28 |
Fuck. |
01:03:38 |
An... An officer... Shots are fired! |
01:03:41 |
Listen to me! |
01:03:43 |
A police officer has been shot |
01:04:35 |
Get away from him! |
01:05:33 |
It was an accident. |
01:05:45 |
It was an accident. |
01:06:26 |
Wait! |
01:07:39 |
Hey. |
01:07:45 |
You okay? |
01:07:48 |
They told me what happened. |
01:07:55 |
I'm proud of you. |
01:08:00 |
That man killed a child. |
01:08:04 |
He had no right to live. |
01:08:10 |
- You're proud of me? |
01:08:15 |
You did what you had to do. |
01:08:21 |
Let's go home. |
01:08:28 |
I gotta stay here awhile. |
01:08:35 |
- See you at home. |
01:08:53 |
Thanks. |
01:08:59 |
It was fucked up, right? |
01:09:05 |
They tell you anything about Nick? |
01:09:07 |
They said he could be okay. |
01:09:11 |
I don't know. |
01:09:15 |
They say how old that little boy was? |
01:09:18 |
Seven. |
01:09:22 |
Second grade. |
01:09:25 |
Should be proud of yourself. |
01:09:31 |
I don't know. |
01:09:33 |
What don't you know? |
01:09:36 |
My priest says shame is God |
01:09:42 |
Fuck him. |
01:09:45 |
Murder's a sin. |
01:09:48 |
Depends on who you do it to. |
01:09:50 |
That's not how it works. It is what it is. |
01:10:07 |
I planted evidence on a guy once, |
01:10:12 |
back in '95. |
01:10:14 |
We were paying $ 100 |
01:10:17 |
We got a call |
01:10:19 |
He couldn't find enough guys to rat out. |
01:10:22 |
Anyway, he tells us there's a guy |
01:10:24 |
up in Columbia Point. |
01:10:27 |
We go in, me and Nicky. |
01:10:29 |
Fifteen years ago, when Nicky went in, |
01:10:34 |
So, it's a... It's a stash house, right? |
01:10:35 |
The old lady's beat to shit, |
01:10:39 |
tries to give us trouble, |
01:10:43 |
We're doing an inventory, |
01:10:45 |
because there's no dope in the house, |
01:10:49 |
Now, this place |
01:10:52 |
Rats, roaches all over the place. |
01:10:56 |
But the kid's room, in the back, |
01:11:01 |
was spotless. |
01:11:03 |
No, I mean, he swept it, mopped it, |
01:11:09 |
The little boy's sitting on the bed |
01:11:10 |
holding onto his PlayStation |
01:11:14 |
There's no expression on his face, |
01:11:18 |
tears streaming down. |
01:11:21 |
He wants to tell me he just learned |
01:11:25 |
Christ. |
01:11:27 |
I mean, the father's got him |
01:11:29 |
subsisting on Twinkies |
01:11:32 |
and this little boy just wants someone |
01:11:40 |
You're worried what's Catholic? |
01:11:42 |
I mean, kids forgive. |
01:11:45 |
Kids don't judge. |
01:11:49 |
Kids turn the other cheek. |
01:11:52 |
What do they get for it? |
01:11:55 |
So I went back out there, |
01:11:56 |
I put an ounce of heroin |
01:11:58 |
and I sent the father on a ride, |
01:12:05 |
- That was the right thing? |
01:12:10 |
You gotta take a side. |
01:12:14 |
You molest a child, you beat a child, |
01:12:20 |
you're not on my side. |
01:12:21 |
If you see me coming, you better run, |
01:12:23 |
because I am gonna |
01:12:29 |
Easy. |
01:12:37 |
Don't feel easy. |
01:12:39 |
Is the kid better off without his father? |
01:12:42 |
Yeah. |
01:12:45 |
But okay, I mean, |
01:12:47 |
pumping with a gun in his waistband. |
01:12:50 |
It's a war, man. |
01:12:54 |
Are we winning? |
01:12:57 |
No. |
01:13:04 |
Would you do it again? |
01:13:10 |
No. |
01:13:14 |
Does that make you right? |
01:13:19 |
Hmm? |
01:13:20 |
I don't know. |
01:13:22 |
Doesn't make it wrong, though, |
01:13:42 |
- Hey. |
01:13:46 |
How's Remy? |
01:13:49 |
He lied to me. |
01:13:52 |
What did Remy say about Ray |
01:13:55 |
- Never heard of him. |
01:13:57 |
Now he says Ray's been snitching |
01:14:00 |
He called him his "old pal." |
01:14:02 |
Said he couldn't find |
01:14:05 |
Patrick... |
01:14:06 |
And Ray Likanski is the reason |
01:14:10 |
and Remy lies about knowing him. |
01:14:15 |
Let it go. |
01:14:16 |
Why would he lie? |
01:14:19 |
Amanda's dead. |
01:14:21 |
Let it go. |
01:14:31 |
Babe. |
01:14:34 |
Nick died. |
01:14:48 |
Left. Left. |
01:14:58 |
Mr. Kenzie. |
01:15:00 |
Nice fucking job on Corwin Earle. |
01:15:16 |
Amen. |
01:15:54 |
- Sorry about Nick. |
01:15:59 |
I was thinking about our conversation |
01:16:03 |
Well, I said some things |
01:16:05 |
You know, too much rum. |
01:16:08 |
Yeah, like what? |
01:16:11 |
Don't fuck with me, Patrick. Not today. |
01:16:15 |
Oh, I wouldn't fuck with you. |
01:16:18 |
Oh, you wanna play it like that, huh? |
01:16:24 |
Forget about the other night, |
01:16:29 |
What if I don't? |
01:16:31 |
That's not an "if" |
01:16:38 |
Had lunch with him last week. |
01:16:39 |
Dana had lunch with him last week? |
01:16:40 |
Excuse me. |
01:16:44 |
Hey, Dev. |
01:16:45 |
- Hey, how you doing? |
01:16:49 |
I can't complain. |
01:16:51 |
- Can I talk to you? |
01:16:54 |
Not here. |
01:16:56 |
If it's like that, then |
01:17:00 |
- How's the Chart House, half hour? |
01:17:05 |
Hey, Remy used to work Narcotics |
01:17:07 |
DCU, yeah. What's up? |
01:17:09 |
Why'd he leave? |
01:17:11 |
Had a habit of just |
01:17:14 |
Like what? What'd he do? |
01:17:16 |
Like marry a prostitute, for one. |
01:17:19 |
Come on. |
01:17:20 |
Might not wanna do that |
01:17:22 |
Might not wanna do that |
01:17:26 |
So, what happened? |
01:17:27 |
He says he loves her, |
01:17:30 |
and puts in for a transfer. |
01:17:31 |
What, to Doyle? |
01:17:32 |
Doyle brought Remy |
01:17:36 |
You don't think that Remy's |
01:17:40 |
What's "dirty"? |
01:17:43 |
- I know he planted evidence once. |
01:17:48 |
Yeah. Why? |
01:17:50 |
Look, man. CSI is killing us out here. |
01:17:53 |
Every other juror, all they wanna know |
01:17:56 |
Certain people are workers. |
01:17:58 |
Don't wanna plant it, |
01:18:00 |
So they don't mind it. |
01:18:04 |
So tell me something, |
01:18:09 |
He lied to me. |
01:18:12 |
I can't think of one reason |
01:18:14 |
that's small enough not to matter. |
01:18:22 |
All right, look. |
01:18:23 |
I know one thing, but it's third party, |
01:18:28 |
Helene and Ray took Cheese's money |
01:18:31 |
Yeah. |
01:18:32 |
One week later, |
01:18:35 |
asking if anybody knew |
01:18:38 |
So what? |
01:18:39 |
So my informant tells me, |
01:18:41 |
Cheese didn't even know |
01:18:45 |
So Remy knew Cheese got robbed |
01:18:48 |
How'd he know that? |
01:18:51 |
Let me tell you something. |
01:18:53 |
You better think long and hard |
01:18:54 |
before you start running around here |
01:18:57 |
You try and take food out their mouths, |
01:19:04 |
Thanks for the steak. |
01:19:07 |
All right. |
01:19:22 |
Hey. |
01:19:25 |
I got it. |
01:19:27 |
We need to talk to you, Lionel. |
01:19:29 |
About what? |
01:19:31 |
About the acoustics in your apartment. |
01:19:34 |
What? |
01:19:35 |
Oh, we live |
01:19:37 |
I got nothing to talk about. |
01:19:39 |
Well, that's fine. |
01:19:43 |
Meet me at Murphy's Law. |
01:20:04 |
I don't meet him |
01:20:06 |
he's gonna call the staties. |
01:20:07 |
He's putting a |
01:20:10 |
I can handle Patrick Kenzie. |
01:20:12 |
- This is an oath we took. |
01:20:13 |
- This has to be protected. |
01:20:15 |
- Listen to me! |
01:20:17 |
You leave that house, |
01:20:19 |
- Just trust me, all right? |
01:20:21 |
Where I come from, |
01:20:52 |
How long have you known Remy? |
01:20:55 |
Detective Bressant? Just in... |
01:20:58 |
Met him through |
01:21:01 |
- That's it? |
01:21:07 |
How long you known Remy? |
01:21:10 |
What is this? |
01:21:11 |
They got the Internet, now, Lionel. |
01:21:14 |
You know how it is in town. |
01:21:17 |
No. Everybody don't know everybody. |
01:21:19 |
- What're you talking about? |
01:21:21 |
I'm not. |
01:21:22 |
You bragged about taking a hard bust |
01:21:25 |
- No, I didn't. |
01:21:27 |
You're hiding something, Lionel, |
01:21:29 |
'cause you came to our house |
01:21:32 |
And we killed ourselves |
01:21:34 |
And I know you ain't being 100% |
01:21:36 |
and it's really fucking pissing me off |
01:21:38 |
so you better interrupt me at any time, |
01:21:41 |
Okay. Fine, fine. All right? |
01:21:45 |
I haven't been honest with you. |
01:21:47 |
It's just not something I'm proud of. |
01:21:50 |
I got in a bar fight back in the day. |
01:21:53 |
The other guy cracked his skull. |
01:21:54 |
At some point, |
01:21:57 |
So they had me up for attempted. |
01:22:01 |
Witness testified to my version |
01:22:04 |
- 'Cause he was a cop. |
01:22:07 |
So you knew Detective Bressant. |
01:22:09 |
- It's not like we were best friends. |
01:22:11 |
- Why did you call Remy? |
01:22:15 |
- That's not why you called him, Lionel. |
01:22:17 |
It's a small place. |
01:22:18 |
- They were being loud. |
01:22:20 |
So you called Remy, and you and him |
01:22:28 |
Why would I do that? |
01:22:29 |
I don't know, Lionel. I really don't know. |
01:22:32 |
Maybe because after all the |
01:22:36 |
and the "count your blessings" |
01:22:38 |
you're just like everybody else. |
01:22:40 |
You saw a bag of money |
01:22:42 |
And you thought |
01:22:44 |
But Bea called the media |
01:22:46 |
And then she called us, |
01:22:48 |
The case is closed, Patrick. |
01:22:50 |
Coke-dealing Haitian's |
01:22:53 |
- Lionel? |
01:22:54 |
- Look at me. |
01:22:55 |
You took your niece, |
01:22:57 |
- Pardon me. |
01:22:58 |
Can I get some service? |
01:23:00 |
Yeah. |
01:23:09 |
What? |
01:23:12 |
- Three shots of Cutty and a tallboy. |
01:23:15 |
Thank you. |
01:23:18 |
Just give me a second. |
01:23:51 |
Twenty-three years |
01:24:06 |
Go. |
01:24:12 |
I come up to check on Amanda. |
01:24:17 |
I was reading her a story |
01:24:20 |
They didn't know I was there. |
01:24:21 |
Stop fucking yelling, |
01:24:27 |
They started talking about how |
01:24:30 |
You know what he's fucking gonna do |
01:24:32 |
What's the monkey gonna do? |
01:24:34 |
- Oh, you know... |
01:24:35 |
And they were talking |
01:24:38 |
So I called Remy and told him. |
01:24:40 |
There's another drug run |
01:24:42 |
And then what? |
01:24:48 |
We took her. |
01:24:52 |
Remy laid out this plan. |
01:24:55 |
We take her, force Helene and Ray |
01:24:58 |
then we put her back. You know? |
01:25:00 |
Amanda gets to spend |
01:25:02 |
My sister learns a lesson. |
01:25:04 |
And fuck it, everybody gets paid |
01:25:07 |
I got no problem taking money |
01:25:10 |
They were gonna handle the cops. |
01:25:11 |
But Bea, she went nuts. |
01:25:14 |
Started calling the papers. Hired you. |
01:25:16 |
Lionel don't want me coming here, |
01:25:19 |
But once you found the money, |
01:25:23 |
So they decided to set up |
01:25:27 |
They got Chris Mullen |
01:25:30 |
15K and a chance to be the boss. |
01:25:36 |
Cheese figured out |
01:25:38 |
Even though it was too late, |
01:25:42 |
Panicking. |
01:25:46 |
And she just fell. I mean, she just... |
01:25:49 |
She fell in. |
01:25:52 |
She's gone. |
01:25:54 |
It was an accident. |
01:25:56 |
She was your sister's kid, Lionel. |
01:26:00 |
- Your sister's child. |
01:26:04 |
She was more my kid than Helene's. |
01:26:07 |
Last summer, Helene and Dottie |
01:26:12 |
It was a real hot day. |
01:26:16 |
They left her in the car |
01:26:19 |
smoke a doobie with some guys. |
01:26:21 |
Two hours. |
01:26:24 |
Amanda literally roasted. |
01:26:28 |
She was three. |
01:26:32 |
Later on, I was holding her, |
01:26:38 |
My little Amanda, she was so hot. |
01:26:45 |
She felt like something |
01:26:49 |
Like a fucking pot roast. |
01:26:53 |
So don't feel too sorry for my sister. |
01:26:56 |
Because she never gave a shit |
01:27:02 |
Bartender. Open the safe. Now. |
01:27:06 |
Everybody needs to shut up and stay |
01:27:10 |
- Hands on your head. Do it. |
01:27:12 |
Everybody stays calm, |
01:27:14 |
Hey, do you know |
01:27:17 |
Or you can get wise, it's up to you. |
01:27:23 |
What did you say? |
01:27:25 |
You're a talker, huh? |
01:27:27 |
Just keep revving, motherfucker. |
01:27:29 |
Don't antagonize him. |
01:27:31 |
- Oh, just keep yapping away. |
01:27:35 |
You should learn |
01:27:37 |
Shut the fuck up, |
01:27:38 |
- Just keep talking, pal. |
01:27:41 |
Close your eyes. |
01:27:42 |
- Fuck! |
01:27:44 |
Amanda McCready |
01:27:46 |
Oh, fuck, God. Amanda McCready |
01:27:49 |
- Wait. Wait. Jesus. |
01:27:51 |
God damn it. Remy Bressant! |
01:27:52 |
Amanda McCready was taken |
01:27:53 |
- by Remy Bressant. |
01:27:55 |
I told him we took her for ransom. |
01:27:57 |
Please, I told him we took her |
01:28:01 |
Remy, please. |
01:28:03 |
Please. |
01:28:23 |
Are you all right? |
01:28:26 |
Stay with him. |
01:29:29 |
Drop your gun. |
01:29:32 |
Put it down! |
01:29:39 |
That bartender wasn't fucking around. |
01:29:52 |
What did you do? |
01:29:54 |
Did you get her killed? |
01:29:59 |
Say yes. |
01:30:05 |
Say yes. |
01:30:08 |
Say yes! |
01:30:10 |
What're you gonna do? Shoot me? |
01:30:29 |
She was a child. |
01:30:33 |
I love children. |
01:31:12 |
Why would I expose a conspiracy |
01:31:17 |
I mean, did Lionel contradict |
01:31:21 |
Did any of the witnesses at the bar |
01:31:25 |
A police officer was killed today. |
01:31:28 |
Is corruption looked on lightly? |
01:31:31 |
Is a little girl getting killed |
01:31:32 |
Whoa, hold on. |
01:31:34 |
You charge people money |
01:31:36 |
Now, you're at the quarry |
01:31:40 |
And you have no idea |
01:31:43 |
You're baffled. Right? |
01:31:47 |
No, because, strange as it might seem, |
01:31:52 |
I believe the police |
01:31:56 |
You're a fresh prick. You know that? |
01:31:57 |
And because I had a ransom note |
01:31:59 |
put in my mailbox. |
01:32:00 |
And because I read a transcript of |
01:32:03 |
A 911 call? |
01:32:05 |
No, it was a call |
01:32:08 |
To Remy Bressant at the station. |
01:32:09 |
Or that Chris Mullen made, |
01:32:11 |
Or whatever the fuck it was, |
01:32:13 |
and there was a call. |
01:32:15 |
We don't record calls |
01:32:17 |
and we don't do transcripts, smart guy. |
01:32:22 |
So, did you hear a tape? |
01:32:26 |
- No, I didn't hear a tape. |
01:32:28 |
Did you see a transcript? |
01:32:35 |
No, I must've remembered it wrong. |
01:32:48 |
Kids forgive. |
01:32:50 |
What do they get for it? |
01:32:51 |
Amanda literally roasted. |
01:33:03 |
You think I don't miss her. |
01:33:04 |
She was more my kid than Helene's. |
01:33:07 |
I love children. |
01:33:13 |
This is the kind of thing that if you do, |
01:33:20 |
Are you sure? |
01:33:22 |
No. |
01:33:28 |
Are you coming? |
01:33:30 |
No. |
01:33:43 |
Doyle brought Remy |
01:33:46 |
Care to read |
01:34:00 |
Taking a trip? |
01:34:03 |
Patrick Kenzie. |
01:34:06 |
To what do I owe the pleasure? |
01:34:09 |
Remy Bressant died last night. |
01:34:12 |
I was told. It's a shame. |
01:34:16 |
Yeah, it's hard to understand. |
01:34:21 |
He was a good man. |
01:34:24 |
We don't know |
01:34:27 |
Everybody looks out his own window. |
01:34:30 |
And everyone's got their reasons. |
01:34:42 |
- Hey. |
01:34:44 |
- How are you? |
01:34:46 |
Nick! They're firing at me. |
01:34:48 |
Nick, you hear me? You okay? |
01:34:49 |
Remy! |
01:34:51 |
- I heard something go in the water! |
01:34:53 |
- Something went in! |
01:34:57 |
Panicking. |
01:34:58 |
Amanda got scared. |
01:35:01 |
She just fell. I mean, she just fell in. |
01:35:08 |
Twenty-nine-year-old |
01:35:10 |
was gunned down last night |
01:35:11 |
in an apparent robbery. |
01:35:12 |
You go back inside with Frannie. |
01:35:16 |
Make you a sandwich, okay? |
01:35:17 |
- All right. |
01:35:18 |
Don't go down there. |
01:35:19 |
If I think he has the evidence, |
01:35:21 |
I got no problem doing the time. |
01:35:22 |
Fuck up, and it's Amanda and her life. |
01:35:25 |
All right. |
01:35:26 |
You leave that house, |
01:35:29 |
and you're a danger to Amanda. |
01:35:30 |
Please, I told him |
01:35:32 |
I told him. Remy, please. |
01:35:39 |
So now you know. |
01:35:41 |
My sister's not stable. |
01:35:44 |
She's talking about leaving the state. |
01:35:46 |
- Who's gonna take care of her? |
01:35:48 |
We'll figure it out. |
01:35:51 |
Bigot. Drug mule. |
01:35:52 |
The child will be dead |
01:35:55 |
What about the uncle? |
01:35:58 |
Not even his wife. |
01:36:02 |
It's worth it to him. |
01:36:06 |
Do one last good thing |
01:36:10 |
How many children |
01:36:14 |
Enough. |
01:36:17 |
Does it make you feel better? |
01:36:20 |
Telling yourself you did it |
01:36:24 |
That you took her to be saved. |
01:36:26 |
From her own mother? |
01:36:30 |
We're just trying to give |
01:36:34 |
Wasn't your life to give. |
01:36:38 |
If you thought she was a bad mother, |
01:36:41 |
Short of that, she's her mother, |
01:36:46 |
You turn around. |
01:36:48 |
You go back to your fucking car, |
01:36:54 |
You don't know |
01:36:59 |
I'm calling state police in five minutes. |
01:37:02 |
Thought you would've |
01:37:07 |
You know why you haven't? |
01:37:11 |
Because you think |
01:37:15 |
Because deep inside you, you know |
01:37:20 |
When the lights go out |
01:37:22 |
"Is she better off here or better off |
01:37:26 |
And you always will. |
01:37:30 |
You... You could do a right thing here. |
01:37:35 |
A good thing. |
01:37:38 |
Men live their whole lives |
01:37:40 |
You walk away from it, |
01:37:42 |
you may not regret it |
01:37:44 |
You may not regret it for a year, |
01:37:46 |
but when you get to where I am, |
01:37:51 |
I'll be dead, you'll be old. But she... |
01:37:56 |
She'll be dragging around a couple of |
01:38:01 |
and you'll be the one |
01:38:05 |
You know what? Maybe that'll happen. |
01:38:08 |
And if it does, I'll tell them I'm sorry, |
01:38:14 |
But what's never gonna happen |
01:38:16 |
is have to apologize |
01:38:18 |
who comes to me and says, |
01:38:19 |
"I was kidnapped |
01:38:21 |
"and my aunt hired you to find me. |
01:38:24 |
"And you did, you found me |
01:38:27 |
"But you broke your promise |
01:38:30 |
"Why? Why didn't you bring me home? |
01:38:34 |
"Because all the snacks and the outfits |
01:38:40 |
"They stole me. |
01:38:42 |
"It wasn't my family |
01:38:46 |
"and you knew better |
01:38:51 |
And maybe that grown woman |
01:38:53 |
but I'll never forgive myself. |
01:38:59 |
I did what I did for the sake of the child. |
01:39:06 |
All right. For me, too. |
01:39:12 |
But now, I'm asking you |
01:39:20 |
I'm begging you. |
01:39:27 |
You think about it. |
01:39:38 |
She's happy. |
01:39:42 |
What? |
01:39:43 |
She's happy here. I saw her. |
01:39:49 |
Angie, don't do this. |
01:39:51 |
If you call the police, |
01:39:54 |
I'm not sending her anywhere. |
01:39:58 |
She's better off here. |
01:40:00 |
Why? Because he's got money, |
01:40:04 |
Because he loves her. |
01:40:06 |
- Helene loves her, too. |
01:40:09 |
Well, maybe she'll change. |
01:40:11 |
She won't change. |
01:40:13 |
Helene is arsenic. |
01:40:15 |
Angie, I know that this is hard. |
01:40:17 |
Look at me, I know it's hard. |
01:40:21 |
But I need you to stand by me. |
01:40:24 |
"We're gonna make the right decision, |
01:40:25 |
"and we're gonna |
01:40:26 |
Everything will be okay. |
01:40:29 |
Because we're gonna leave her here, |
01:40:30 |
and every now and then |
01:40:32 |
And where she is, |
01:40:36 |
And that'll be okay, because |
01:40:39 |
and we're gonna know she's happy, |
01:40:42 |
and she smiles every day, |
01:40:47 |
Baby, I'm sorry. |
01:40:49 |
But you can't ask me |
01:40:56 |
And you can't ask me to live with it. |
01:41:00 |
Patrick, for me. Please? |
01:41:08 |
I will hate you for doing this, |
01:42:41 |
Once an icon of justice |
01:42:45 |
Jack Doyle is behind bars tonight. |
01:42:49 |
Social Services, as demanded by law, |
01:42:51 |
will take time to examine little Amanda |
01:42:55 |
and the arms of a mother |
01:42:57 |
that she would see |
01:43:06 |
- Helene, how do you feel... |
01:43:08 |
- to have your daughter with you now? |
01:43:10 |
Helene, how you feeling |
01:43:11 |
Back up. Back up. Back up. Back up. |
01:43:15 |
Amanda, how do you feel |
01:43:18 |
Hey, Amanda. |
01:43:20 |
Helene, how you feeling? |
01:43:21 |
- Tell us how it feels. |
01:43:23 |
You must be so excited. |
01:43:25 |
Oh, my sweetheart. Oh, my. |
01:43:26 |
Helene, the whole world wants to know |
01:43:29 |
How are you, sweetheart? |
01:43:31 |
Oh, my heart is brimming. |
01:43:33 |
And just God bless to everyone |
01:43:40 |
To all the policemen and the firemen, |
01:43:43 |
I feel like 9/11 right now. |
01:43:46 |
Oh, I swear to God, I mean, just... |
01:43:50 |
Do you have any |
01:43:51 |
that might be in a similar situation? |
01:43:53 |
Oh, just never let |
01:43:55 |
Don't trust them to no one. |
01:43:57 |
And just keep them in your arms, |
01:44:00 |
as much as they're in your heart, |
01:44:04 |
How about that? |
01:44:06 |
- Good news for everybody. |
01:44:34 |
- Sorry, I had to get some stuff. |
01:44:41 |
You wanna talk for a minute? |
01:44:46 |
There's nothing to say. |
01:45:52 |
Sorry for being rude, I gotta be |
01:45:55 |
Do your thing. |
01:46:06 |
- Think he'll like me? |
01:46:08 |
My date. |
01:46:10 |
Oh, how could he not? |
01:46:13 |
You're sweet. |
01:46:15 |
He seen me on my American Victim. |
01:46:17 |
He wrote me letters, |
01:46:20 |
But then he seen my Meredith Vieira, |
01:46:24 |
I'm like, "That's romantic." Right? |
01:46:27 |
How's your girlfriend? |
01:46:29 |
She's all right, |
01:46:31 |
Oh, hope she got |
01:46:34 |
Those dirty motherfuckers. |
01:46:40 |
She don't get smart, I'll take you out. |
01:46:45 |
- How's Bea? |
01:46:48 |
I banned her from the apartment. |
01:46:50 |
She sold her unit, |
01:46:54 |
Don't think she don't hate you |
01:46:57 |
Well, that's probably |
01:46:59 |
You should fucking sue. |
01:47:02 |
How about you, Helene? |
01:47:05 |
You hate me? |
01:47:06 |
Fuck no. |
01:47:08 |
Brother or not, he took my kid. |
01:47:12 |
- What about Amanda? |
01:47:18 |
- Who's gonna watch her? |
01:47:20 |
Yeah, does Dottie know that? |
01:47:23 |
- She will in five minutes. |
01:47:26 |
Fuck, I'm gonna be late, too. |
01:47:34 |
- Yeah, sure. |
01:47:37 |
- Yeah, that's fine. |
01:47:44 |
Bye, sweetheart. |
01:47:46 |
You're a godsend, Patrick. |
01:47:50 |
Bye. |
01:48:09 |
Is that Mirabelle? |
01:48:12 |
Annabelle. |