Good Shepherd The
|
00:00:35 |
(FILM PROJECTOR STARTING) |
00:00:40 |
(WOMAN PANTING) |
00:00:46 |
(WOMAN SIGHING) |
00:00:54 |
WOMAN. : You are safe here |
00:01:42 |
NEWSCASTER ON RADIO. : |
00:01:45 |
would be willing to go |
00:01:46 |
in helping an anti-Castro |
00:01:50 |
PRESIDENT KENNED Y. : Well, |
00:01:53 |
under any conditions, |
00:01:55 |
an intervention in Cuba |
00:01:59 |
And this government |
00:02:02 |
and I think it can meet |
00:02:05 |
to make sure that there are |
00:02:54 |
Excuse me, sir. |
00:03:04 |
Thank you, sir. |
00:03:40 |
BROCCO: From our friends |
00:03:43 |
Right away. |
00:03:58 |
Cardinal is interested. |
00:04:09 |
HAYES: So, the weatherman |
00:04:15 |
I hope |
00:04:18 |
Couple of days, |
00:04:21 |
I'll try to remember |
00:04:25 |
Morning, Ray. |
00:04:32 |
Miami, and our op center |
00:04:37 |
Pack a bathing suit, |
00:04:41 |
What do you make |
00:04:45 |
If we get the support |
00:04:48 |
I'd say it's fairly certain. |
00:04:51 |
But if there are any doubts, |
00:04:53 |
It's gone beyond that. |
00:04:56 |
(KNOCK ON DOOR) |
00:05:01 |
It's the White House. |
00:05:03 |
Everybody's waiting |
00:05:09 |
When you're back, |
00:05:17 |
ALLEN: Yes, sir. |
00:05:19 |
He's been put on notice. |
00:05:23 |
NEWSCASTER. : In Cuba, |
00:05:27 |
the invading forces' |
00:05:30 |
to men landing on the beach. |
00:05:35 |
As the sun rises, |
00:05:39 |
The B-26es are shot down. |
00:05:43 |
Without air cover, |
00:05:47 |
And the men are cut off |
00:05:51 |
(MAN 1 SPEAKING SPANISH) |
00:05:52 |
INTERPRETER: |
00:05:55 |
"Where the hell is the Navy? |
00:05:58 |
"Could you throw something |
00:06:03 |
(MAN 1 SPEAKING SPANISH) |
00:06:05 |
"Enemy in Red... |
00:06:09 |
"are right now |
00:06:14 |
"Two thousand militia |
00:06:20 |
"We need close air support |
00:06:26 |
"Well, I am destroying |
00:06:29 |
"I have nothing |
00:06:32 |
"I cannot wait for you. |
00:06:49 |
(FIDEL CASTRO SPEAKING |
00:07:13 |
BROCCO: They knew |
00:07:21 |
There's a stranger |
00:08:08 |
(WOMAN PANTING) |
00:08:10 |
WOMAN. : I love you. |
00:08:12 |
People who really love |
00:08:16 |
You are safe here with me. |
00:08:30 |
I love you. |
00:08:32 |
People who really love |
00:08:36 |
You are safe here with me. |
00:08:40 |
You have such a... |
00:08:52 |
I love you. |
00:08:55 |
People who really love |
00:09:02 |
You are safe here with me. |
00:09:12 |
MURACH. : The President's saying |
00:09:18 |
Somebody on your desk |
00:09:22 |
Told the Soviets |
00:09:25 |
You got a big problem, |
00:09:30 |
There's gonna be |
00:09:38 |
Fucking cigarettes. |
00:09:41 |
My ring doesn't even |
00:09:48 |
They didn't get it all. |
00:09:50 |
I'm sorry. |
00:09:52 |
Be careful. |
00:09:55 |
Your name is |
00:10:11 |
You forgot your hat. |
00:10:37 |
EDWARD: Somebody left |
00:10:40 |
Have Tech wash them |
00:10:50 |
I've been trying to reach you. |
00:10:53 |
EDWARD JR... : |
00:10:54 |
I've been doing |
00:10:57 |
I heard there was a setback. |
00:10:59 |
Sometimes the best-laid plans |
00:11:04 |
Be very careful. |
00:11:05 |
I'll be fine. |
00:11:09 |
Just please be careful. |
00:11:10 |
Everything's fine. |
00:11:13 |
Goodbye, Son. |
00:11:14 |
Goodbye, Father. |
00:12:35 |
(SINGING) |
00:12:40 |
(MILITARY BAND PLAYING) |
00:12:53 |
(SINGING IN FALSETTO) |
00:12:58 |
Though I could never tell why |
00:13:02 |
But still I'm called Buttercup |
00:13:07 |
Sweet little Buttercup, I |
00:13:12 |
I've treacle and toffee |
00:13:16 |
But hark ye, my merry friend, |
00:13:19 |
that beneath this gay |
00:13:25 |
exterior |
00:13:28 |
there may lurk a |
00:13:31 |
(IN MALE VOICE) |
00:13:33 |
(AUDIENCE LAUGHING) |
00:13:45 |
Miss Buttercup. |
00:13:50 |
Accept. |
00:13:53 |
Not a word to anyone. |
00:13:57 |
How does it feel |
00:14:02 |
JOHN. : Gentlemen, |
00:14:04 |
I will remind you, |
00:14:10 |
You have been chosen |
00:14:16 |
For over 100 years, |
00:14:19 |
Skull and Bones members |
00:14:22 |
Vice Presidents, |
00:14:26 |
congressmen and senators, |
00:14:31 |
The very best of America. |
00:14:34 |
(BONESMEN CHANTING) |
00:14:45 |
(BONESMEN CHEERING) |
00:14:59 |
I don't think |
00:15:02 |
Getting pissed on is personal, |
00:15:07 |
Edward, we're all |
00:15:11 |
Come back inside. |
00:15:14 |
We're brothers for life. |
00:15:22 |
Tell us, Mr. Wilson, brother |
00:15:28 |
Your most guarded secret. |
00:15:31 |
Something you will need |
00:15:38 |
It was |
00:15:42 |
I was six. |
00:15:47 |
I was playing tag |
00:15:50 |
Edward, careful. |
00:15:52 |
And I tried to get away from |
00:15:57 |
and I hid in the closet. |
00:16:02 |
I looked at my father's |
00:16:09 |
And then I heard a sound. |
00:16:11 |
And I saw my father. |
00:16:15 |
And I must have made a noise, |
00:16:17 |
and came into the closet |
00:16:21 |
THOMAS. : Have you ever |
00:16:24 |
Told your friends something |
00:16:26 |
and you know that if they |
00:16:31 |
Why? Because |
00:16:35 |
Do you understand? |
00:16:38 |
And he asked me |
00:16:41 |
And I said, |
00:16:44 |
Like with my friends. |
00:16:47 |
And then he said, |
00:16:52 |
"If you lie to your friends, |
00:16:57 |
"And you will have nothing |
00:17:02 |
"and you'll never be safe." |
00:17:07 |
He told me to go downstairs |
00:17:16 |
And then he shut the door. |
00:17:24 |
The sound of the gunshot |
00:17:28 |
And even at six years old, |
00:17:34 |
There was a lot of blood. |
00:17:36 |
EDWARD: Father? |
00:17:39 |
And in his left hand, |
00:17:45 |
I don't know why, |
00:17:50 |
I always said |
00:17:55 |
It wasn't an accident. |
00:17:58 |
(BONESMEN SINGING |
00:18:13 |
Congratulations, Mr. Wilson. |
00:18:16 |
Master of Secrets and Orders. |
00:18:22 |
What did the note say? |
00:18:24 |
I told you, |
00:18:27 |
You didn't read the note? |
00:18:30 |
No. |
00:18:36 |
My father said your father |
00:18:42 |
until his loyalty |
00:18:51 |
We're not gonna have a problem |
00:18:59 |
EDWARD. : "And yet, |
00:19:04 |
"Will mirror never show, |
00:19:08 |
"But my uncertain question |
00:19:11 |
"Inside a shadow |
00:19:17 |
That really is quite elegant, |
00:19:21 |
Good order. Very precise. |
00:19:23 |
Feeling of the unknown. |
00:19:26 |
Fine poetry is the music |
00:19:30 |
Numbers singing. |
00:19:33 |
You have to look |
00:19:40 |
Right. Well, good night, |
00:19:44 |
Mr. Wilson? |
00:19:46 |
May I see you in my office |
00:19:51 |
I'm recommending you as editor |
00:19:56 |
I'm honored. Thank you. |
00:20:00 |
Never be ashamed |
00:20:19 |
Wasn't there a picture |
00:20:21 |
It was a group of soldiers? |
00:20:24 |
It's my father's |
00:20:26 |
The glass broke. |
00:20:30 |
I'm having it mended. |
00:20:33 |
I remembered it because |
00:20:42 |
I think we're being watched. |
00:20:43 |
Being watched? |
00:20:46 |
There's a man in a hat. |
00:20:55 |
I don't see anybody. |
00:20:58 |
You know, there's so much |
00:21:04 |
But I hardly know anything |
00:21:06 |
apart from you being |
00:21:14 |
I feel that we have |
00:21:21 |
I really should be going. |
00:21:22 |
Oh, I've started |
00:21:25 |
Perhaps you'd like |
00:21:34 |
"A bud has burst |
00:21:37 |
"The linnet sang |
00:21:40 |
"I know where the pale green |
00:21:44 |
"By a tiny runnel, |
00:21:47 |
"And the earth is wet |
00:21:49 |
"A cuckoo said in my brain, |
00:21:55 |
I haven't finished it. |
00:22:22 |
Excuse me. |
00:22:26 |
Excuse me. |
00:22:34 |
Please. |
00:22:36 |
I'm sorry. I can't hear. |
00:22:50 |
What's your name? |
00:22:54 |
Edward. |
00:22:57 |
I'm sorry. |
00:23:01 |
Edward. |
00:23:03 |
Hello, Edward. |
00:23:06 |
I'm Laura. |
00:23:08 |
I'm sorry, |
00:23:40 |
MURACH: There isn't one person |
00:23:43 |
without giving it |
00:23:47 |
That says a lot about you, |
00:23:52 |
She's a very pretty girl. |
00:23:54 |
Sam Murach. I'm with |
00:24:04 |
Mind if I walk along with you? |
00:24:08 |
I had a chance to have a talk |
00:24:11 |
John Russell, |
00:24:13 |
John said you might help us. |
00:24:18 |
He's my thesis advisor, |
00:24:20 |
He's been recruiting faculty |
00:24:22 |
to join an organization called |
00:24:26 |
It's a Nazi front. |
00:24:31 |
I'm a poetry student, |
00:24:35 |
I'm not political. |
00:24:37 |
We'd be very interested |
00:24:40 |
for the Cultural Committee. |
00:24:42 |
Are you asking me to spy |
00:24:45 |
I'm asking you |
00:24:54 |
You blow that thing up, |
00:25:04 |
I'll be seeing you. |
00:25:07 |
NEWSREEL ANNOUNCER. : |
00:25:10 |
stream across the river San. |
00:25:12 |
This was part |
00:25:15 |
in its flanking drive |
00:25:19 |
The Nazi Führer |
00:25:22 |
among the soldiers |
00:25:25 |
Hitler has given the word |
00:25:30 |
Ladies and gentlemen, it is |
00:25:34 |
the Führer's |
00:25:36 |
Mr. Haupt? |
00:25:38 |
Good evening. |
00:25:39 |
Thank you, Dr. Fredericks |
00:25:43 |
for giving me the opportunity |
00:25:46 |
Germany has always been |
00:25:48 |
Yes. Interesting. |
00:25:50 |
(ALL CHATTERING) |
00:25:53 |
It has been |
00:26:04 |
...making |
00:26:08 |
Excuse me. |
00:26:30 |
(KNOCKING ON DOOR) |
00:26:32 |
EDWARD: Someone's in here! |
00:27:04 |
Are you enjoying yourself, |
00:27:07 |
I'd like you |
00:27:12 |
You know Dr. Manheim? |
00:27:15 |
I've been asked by the faculty |
00:27:22 |
Now, you'll hear many reasons |
00:27:26 |
Suffice it to say I'm leaving |
00:27:31 |
Good luck in your endeavors. |
00:27:40 |
Now, Edward, |
00:27:45 |
what did I do |
00:27:48 |
Have you such little regard |
00:27:52 |
You know and I know |
00:27:59 |
You were my teacher. |
00:28:18 |
(BAND PLAYING LIGHT JAZZ) |
00:28:24 |
I thought |
00:28:31 |
You want to protect me |
00:28:34 |
No. |
00:28:36 |
You think they'll make |
00:28:38 |
That's not true. |
00:28:49 |
I'm happy to be with you. |
00:29:00 |
Would you like to dance? |
00:29:02 |
I'm not a very good dancer. |
00:29:04 |
That's all right. |
00:29:17 |
How does this song go? |
00:29:25 |
(SINGING) Blue skies |
00:29:30 |
Smiling on me |
00:29:36 |
Nothing but blue skies |
00:29:42 |
Do I see |
00:29:52 |
Excuse me, everybody, |
00:29:54 |
I've just been told |
00:29:58 |
But please continue dancing |
00:30:02 |
And I'll update you |
00:30:04 |
Thank you. |
00:30:20 |
Before long, |
00:30:31 |
Would you like to get |
00:31:05 |
Umm... |
00:31:09 |
Turn down the light. |
00:31:23 |
I can't. I can't. |
00:31:45 |
Good night. |
00:31:58 |
Thank you, Edward. |
00:32:01 |
For what? |
00:32:34 |
NEWSCASTER ON TV. : |
00:32:35 |
we're taking a propaganda |
00:32:38 |
why is it not useful, sir, |
00:32:42 |
the real facts behind this, |
00:32:46 |
There's an old saying that |
00:32:51 |
And I wouldn't be surprised |
00:32:53 |
if information poured |
00:32:58 |
HAYES: Hello, Edward. |
00:33:03 |
What are you doing here? |
00:33:05 |
There were only a handful |
00:33:08 |
who knew where we were |
00:33:12 |
One of us |
00:33:16 |
I know it wasn't me. |
00:33:18 |
Mr. Allen asked for |
00:33:21 |
who participated |
00:33:25 |
I don't have one. |
00:33:26 |
Tell Mr. Allen I'll give him |
00:33:28 |
We're in the same boat |
00:33:32 |
A leaky boat. |
00:33:33 |
Don't ever think |
00:33:35 |
We're either going to sink |
00:33:41 |
People like us, |
00:33:54 |
I have said as much as I feel |
00:33:59 |
in regard to the events |
00:34:02 |
Further statements, |
00:34:07 |
are not |
00:34:10 |
because I'm the responsible |
00:34:20 |
JOHN: Mother, Father. |
00:34:23 |
This is Edward Wilson. |
00:34:24 |
Mrs. Russell. |
00:34:26 |
Senator. |
00:34:29 |
Phillip and Toddy Allen. |
00:34:31 |
Mr. Allen was |
00:34:35 |
Welcome to |
00:34:37 |
Where's Clover? |
00:34:39 |
Oh, there she is. |
00:34:41 |
I think so. Yes. |
00:34:44 |
This is my sister, Clover. |
00:34:47 |
Hello, I'm Edward. |
00:34:49 |
Nice to meet you. |
00:34:53 |
Bonesmen! |
00:34:56 |
ALL: All here! |
00:34:59 |
Reverend Collins |
00:35:01 |
Bonesmen first, |
00:35:03 |
COLLINS: Dear God, |
00:35:07 |
in the care |
00:35:10 |
so that we may come here |
00:35:14 |
in comfort and in privacy. |
00:35:17 |
(SINGING) |
00:35:24 |
He said he was gonna |
00:35:28 |
Here we go. |
00:35:45 |
Don't you dance, Mr. Wilson? |
00:35:52 |
Well, |
00:35:55 |
I think I'll take my chances. |
00:35:59 |
I'm asking. |
00:36:20 |
John is very fond of you. |
00:36:24 |
He's talking of going off |
00:36:27 |
My father isn't particularly |
00:36:30 |
because he's |
00:36:33 |
Wouldn't look very good |
00:36:37 |
Your brother John is a man |
00:36:41 |
And what about you, |
00:36:47 |
Are you in school? |
00:36:55 |
You don't say very much, |
00:36:59 |
When there's something |
00:37:02 |
Oh! Well. |
00:37:04 |
I think I'm going to like you. |
00:37:14 |
Mr. Hayes. |
00:37:15 |
Gentlemen. |
00:37:23 |
General William Sullivan, |
00:37:26 |
It's a great honor, sir. |
00:37:28 |
I'd get up and shake |
00:37:31 |
Something about too much sugar |
00:37:35 |
So when do you boys start |
00:37:39 |
I'll excuse myself. |
00:37:44 |
Thank you, Phillip. |
00:37:49 |
Why don't you sit down? |
00:38:03 |
You understand that whatever |
00:38:07 |
Of course. |
00:38:10 |
We'll eventually |
00:38:12 |
Not because we want to, |
00:38:16 |
And the President has asked me |
00:38:19 |
And if that happens, |
00:38:23 |
from the right backgrounds |
00:38:26 |
In other words, |
00:38:29 |
and very few Catholics, |
00:38:34 |
You'd be trained |
00:38:37 |
If it's something |
00:38:39 |
you have to be ready to leave |
00:38:43 |
I don't want your answer now. |
00:38:46 |
But this isn't a bunch of |
00:38:50 |
This is for real. |
00:39:03 |
Have fun. |
00:39:11 |
I'm supposed to be looking |
00:39:14 |
Are you the perfect husband, |
00:39:18 |
Perfect in every way. |
00:39:25 |
Then is there some reason |
00:39:32 |
SINGER. : Day and night |
00:39:37 |
Night and day |
00:39:41 |
You are the one |
00:39:45 |
I like this. |
00:39:47 |
Very smart. |
00:39:52 |
And under the sun |
00:39:58 |
... near to me |
00:40:01 |
Do you have a problem |
00:40:39 |
Do you love me? |
00:40:41 |
What? |
00:40:43 |
I love you. |
00:40:45 |
Do you love me? |
00:40:46 |
I do. I love you. I... |
00:40:49 |
I love you. |
00:40:51 |
I love you. |
00:40:53 |
Look at me. |
00:40:54 |
Tell me! |
00:41:12 |
As soon as the world |
00:41:17 |
London. Paris. Rome. |
00:41:23 |
You can come with me. |
00:41:33 |
Is everything all right? |
00:41:39 |
Fine. |
00:41:44 |
We're worlds apart. |
00:41:48 |
What do you mean? |
00:41:49 |
I feel like |
00:41:53 |
That is not... |
00:41:56 |
I feel like |
00:42:00 |
Edward. |
00:42:06 |
(LAURA CHUCKLING) |
00:42:11 |
Edward? |
00:42:31 |
John. |
00:42:33 |
I've been looking |
00:42:41 |
My sister. |
00:42:54 |
I know you'll do |
00:43:05 |
MINISTER. : Do you, |
00:43:11 |
to be your |
00:43:14 |
To love, honor and cherish |
00:43:17 |
in sickness and in health |
00:43:20 |
in good times |
00:43:25 |
EDWARD. : I do. |
00:43:26 |
MINISTER. : I now pronounce you |
00:43:29 |
(ALL CHEERING) |
00:43:44 |
A man in uniform |
00:43:47 |
Excuse me, Mother. |
00:43:50 |
Did your mother and I |
00:43:56 |
MAN: Mr. Edward Wilson? |
00:43:58 |
If we could |
00:44:00 |
Would you like to sit down? |
00:44:03 |
General Sullivan |
00:44:05 |
He wanted to ask you, sir, |
00:44:09 |
Yes, I certainly would be. |
00:44:14 |
Good afternoon, sir. |
00:44:35 |
My orders came through. |
00:44:40 |
When? |
00:44:42 |
In one week. |
00:44:45 |
What are you going to do, |
00:45:04 |
WOMAN. : You are safe |
00:45:12 |
OFFICER: The photograph |
00:45:14 |
As we can see, |
00:45:18 |
The resolution breaks down |
00:45:21 |
The film stock |
00:45:27 |
One of the areas |
00:45:30 |
Mosquito netting |
00:45:34 |
any tropical climate. |
00:45:36 |
The window curtains here |
00:45:41 |
also seen in Africa. |
00:45:43 |
Next to the curtains, |
00:45:47 |
There's a pigeon here. |
00:45:50 |
Pigeons are mostly found |
00:45:53 |
If you listen closely, |
00:45:58 |
We've washed it out. |
00:46:03 |
By the sound of the thrust |
00:46:05 |
we can determine that |
00:46:07 |
and more than 1,000 feet |
00:46:09 |
which would further suggest |
00:46:11 |
On this section of the tape, |
00:46:14 |
you can hear a female voice. |
00:46:15 |
WOMAN. : I love you. |
00:46:18 |
People who really love |
00:46:21 |
You are safe here with me. |
00:46:23 |
Assuming we're talking about |
00:46:24 |
the linguists tell us |
00:46:26 |
(RECORDING DISTORTED) |
00:46:28 |
(WHINING) |
00:46:32 |
There's an unidentifiable |
00:46:35 |
(WOMAN'S VOICE DISTORTED) |
00:46:37 |
It plays |
00:46:39 |
suggesting an air-raid siren |
00:46:43 |
We're gonna keep |
00:46:47 |
CHURCHILL. : This is a time |
00:46:51 |
(AIR RAID SIREN WAILING) |
00:46:52 |
As they are doing. |
00:46:55 |
I express my admiration |
00:46:57 |
for the exemplary manner |
00:46:59 |
in which all the air-raid |
00:47:03 |
are being discharged. |
00:47:04 |
CLERK. : May I help you? |
00:47:06 |
I'm here to see the tailor |
00:47:08 |
Certainly. And what |
00:47:11 |
A tweed or worsted? |
00:47:14 |
Perhaps a worsted |
00:47:16 |
Both single-breasted? |
00:47:18 |
Two or three buttons, sir? |
00:47:24 |
If you might come this way, |
00:47:35 |
Please. Our senior tailor |
00:47:37 |
Thank you. |
00:47:48 |
Welcome to London. |
00:47:52 |
You're going to have to learn |
00:47:56 |
the English system |
00:47:59 |
Particularly |
00:48:02 |
The uses of information, |
00:48:06 |
and how their use is, |
00:48:15 |
They've agreed to open |
00:48:19 |
They can't win the war |
00:48:23 |
Intelligence is their |
00:48:27 |
with people |
00:48:29 |
Your London tutor is waiting |
00:48:32 |
This way, sir. |
00:48:37 |
WOMAN 1: |
00:48:42 |
WOMAN 2: Eight point |
00:48:47 |
(WOMAN SPEAKING GERMAN |
00:48:51 |
WOMAN 3: Four, two, |
00:48:55 |
WOMAN 1:... point |
00:48:59 |
I should have known better |
00:49:03 |
Job well done, Mr. Wilson. |
00:49:08 |
I told General Sullivan |
00:49:13 |
I was beginning to long |
00:49:21 |
It isn't personal. |
00:49:24 |
(KNOCKING ON DOOR) |
00:49:28 |
Mr. Carlson? Is this |
00:49:31 |
Which product? |
00:49:35 |
Dry goods. |
00:49:36 |
You're late. |
00:49:42 |
Raymond Duca Brocco, |
00:49:46 |
St. Ignatius High School, |
00:49:49 |
Married Anita Delvecchio, |
00:49:51 |
Stephanie and David. |
00:49:57 |
Six-foot-two, 182 pounds, |
00:50:00 |
Military record, |
00:50:04 |
Anything you'd like to add? |
00:50:08 |
You're working for me, |
00:50:10 |
I'm working for the |
00:50:11 |
In this office, I am |
00:50:13 |
You're pretty sure of yourself |
00:50:16 |
They wouldn't |
00:50:17 |
Then how do you know |
00:50:19 |
They said you were |
00:50:23 |
There can't be two of you. |
00:50:25 |
(TELEPHONE RINGING) |
00:50:34 |
Are you going to answer it? |
00:50:36 |
Depends if I'm working for you |
00:50:37 |
One of your jobs, Sergeant, |
00:50:41 |
Yes, sir. |
00:50:47 |
Use your tradecraft well, |
00:50:51 |
and the ingredient |
00:50:53 |
Understanding how effectively |
00:50:56 |
is actually working |
00:51:00 |
It's almost four. |
00:51:01 |
How do you spell syphilis? |
00:51:03 |
Syphilis. One, I think. |
00:51:08 |
It's vital to penetrate |
00:51:12 |
Push them into |
00:51:14 |
NEWSCASTER ON RADIO. : |
00:51:16 |
announced that medical records |
00:51:19 |
Dr. Theodor Morell, |
00:51:23 |
while serving |
00:51:26 |
FREDERICKS. : The very qualities |
00:51:29 |
a suspicious mind, |
00:51:34 |
are the very qualities |
00:51:49 |
Good evening, Lord Cooper. |
00:51:51 |
I have some information |
00:51:53 |
FREDERICKS. : The mental |
00:51:57 |
are the same qualities |
00:52:01 |
Everything that seems clear |
00:52:07 |
Trapped in reflections, |
00:52:08 |
you must learn to recognize |
00:52:12 |
and then deal with it |
00:52:15 |
We know you've |
00:52:18 |
FREDERICKS. : Never give anyone |
00:52:20 |
Now, I'm going to offer you |
00:52:23 |
You set the tone |
00:52:26 |
Either you can be executed |
00:52:28 |
or you can continue to spy |
00:52:30 |
and provide them |
00:52:33 |
Pass this on |
00:52:36 |
there won't be |
00:52:37 |
You'll quite simply |
00:52:41 |
How do we know |
00:52:43 |
Precisely. We don't. |
00:52:46 |
How do I know |
00:52:50 |
I mean, I hope |
00:52:54 |
I regret to say |
00:52:57 |
I haven't. |
00:53:03 |
You must be young Edward. |
00:53:04 |
Dr. Fredericks has told me |
00:53:07 |
Arch Cummings. |
00:53:08 |
Nice to meet you. |
00:53:10 |
I understand we're of |
00:53:13 |
Good schoolboys, |
00:53:16 |
Dreamers. |
00:53:19 |
They say to be an exceptional |
00:53:22 |
you have to have |
00:53:24 |
an unwavering sense of belief |
00:53:28 |
and be a hopeless romantic. |
00:53:32 |
(TELEPHONE RINGING) |
00:53:35 |
American Trade Bureau. |
00:53:38 |
It's overseas, |
00:53:47 |
Hello? |
00:53:49 |
(SIREN WAILING) |
00:53:52 |
Yes. Yeah. |
00:53:58 |
Thank you for telling me. |
00:54:01 |
Goodbye. |
00:54:07 |
We had a boy. |
00:54:10 |
Would you mind |
00:54:15 |
CLO VER. : I love that. |
00:54:19 |
That's what I was thinking. |
00:54:23 |
(CLO VER CHUCKLING) |
00:54:25 |
I think he likes it. |
00:54:28 |
So, how are you? Are you |
00:54:31 |
saving the world |
00:54:33 |
Sometimes. |
00:54:36 |
What color are his eyes? |
00:54:40 |
Hello? |
00:54:41 |
Hello? |
00:54:50 |
ARCH. : When he's old enough, |
00:54:53 |
It's a first edition. |
00:54:55 |
Charles Dickens' |
00:54:58 |
He would read it to me |
00:55:01 |
Thank you. |
00:55:05 |
I had an unfortunate |
00:55:08 |
A man that works for me, |
00:55:11 |
I found out he had given |
00:55:15 |
The rose was quite lovely, |
00:55:18 |
its stem neatly wrapped |
00:55:22 |
save for the fact that the |
00:55:27 |
detailing changes |
00:55:32 |
Excuse me, sir. |
00:55:35 |
Thank you. |
00:55:38 |
How did the Irish poet say it? |
00:55:40 |
"A friend for today |
00:55:46 |
Do you know |
00:55:51 |
Completely alone. |
00:55:56 |
I think you two |
00:55:59 |
Richard. I didn't expect |
00:56:01 |
Mr. Hayes has come over |
00:56:05 |
I hope you don't mind, |
00:56:19 |
I'm afraid our dear English |
00:56:26 |
You know, of course, |
00:56:34 |
I'm afraid he's not been |
00:56:39 |
Some people are extremely |
00:56:46 |
I hope you two can help sort |
00:57:04 |
This seems to me |
00:57:07 |
Why are we involved? |
00:57:11 |
The British are |
00:57:13 |
They don't eat their own. |
00:57:19 |
So why are you telling me? |
00:57:22 |
I'm giving you |
00:57:42 |
I'm sorry |
00:57:47 |
If the headmaster won't |
00:57:52 |
I'm sorry |
00:57:55 |
It's not something I'm happy |
00:58:11 |
Have you thought at all about |
00:58:16 |
They're concerned about |
00:58:21 |
Cambridge boys stick together |
00:58:24 |
I'm far too democratic |
00:58:28 |
They like pressed trousers |
00:58:33 |
No. I've done all the teaching |
00:58:38 |
I am who I am. |
00:58:41 |
I'll suffer that. |
00:58:47 |
Please. You've given |
00:58:52 |
It's time to retire. |
00:58:57 |
The good schoolboy |
00:59:00 |
He'll want to know |
00:59:05 |
I understand if you want |
00:59:11 |
It's a dirty business, Edward. |
00:59:27 |
(BELL TOLLING) |
00:59:36 |
You might want to think |
00:59:42 |
There's a wonderful shop |
00:59:45 |
Mr. Pettibone's. |
00:59:51 |
But then, I suppose |
00:59:54 |
Bootmakers to kings. |
01:00:00 |
Get out while you still can. |
01:00:03 |
While you still believe. |
01:00:07 |
While you still have a soul. |
01:00:48 |
FREDERICKS: Hello. |
01:01:20 |
(FREDERICKS SHOUTING) |
01:01:30 |
(FREDERICKS SCREAMING) |
01:01:55 |
I'm sorry. |
01:02:05 |
He knew too much. |
01:02:10 |
You understand. |
01:02:36 |
WOMAN. : People who really love |
01:02:38 |
You are safe here with me. |
01:02:40 |
It appears the word |
01:02:42 |
had its sound wave |
01:02:45 |
We restored it by amplifying |
01:02:50 |
Cochinos is Spanish |
01:03:00 |
And the siren noise |
01:03:05 |
(BELLS TOLLING) |
01:03:07 |
For some reason, |
01:03:10 |
In the makeup table's mirror, |
01:03:13 |
of a church steeple, |
01:03:15 |
whose three belfries |
01:03:20 |
The volume indicates |
01:03:23 |
again, possibly |
01:03:26 |
On the nightstand, |
01:03:30 |
It reads almost 10:00, |
01:03:35 |
I also have audio |
01:03:39 |
It's a four-blade, |
01:03:43 |
There is something here. |
01:03:45 |
It could be |
01:03:49 |
Or it may be |
01:03:51 |
that we could identify |
01:03:53 |
We're going to wash it again, |
01:03:57 |
EDWARD: How long |
01:04:01 |
as to exactly where we are? |
01:04:03 |
OFFICER: We're going |
01:04:06 |
(ANNOUNCER SPEAKING GERMAN) |
01:04:16 |
ALLEN: How are Clover |
01:04:18 |
You know, he's almost five. |
01:04:21 |
ALLEN: You made quite a name |
01:04:24 |
The World War is over. |
01:04:26 |
The war for the world |
01:04:28 |
In every liberated country, |
01:04:31 |
for their hearts and minds. |
01:04:35 |
Since we dropped the bomb, |
01:04:38 |
The Russians still live |
01:04:43 |
All that will change |
01:04:47 |
taking home every scientist |
01:04:52 |
We have to get anyone |
01:05:01 |
Churchill was right. |
01:05:03 |
We shouldn't have |
01:05:09 |
They're from Switzerland. |
01:05:11 |
I had them sent |
01:05:15 |
They're a weakness of mine. |
01:05:16 |
When I was a child, my mother |
01:05:22 |
It's a dreadful habit. |
01:05:24 |
Chocolates |
01:05:28 |
Both. |
01:05:30 |
(SPEAKING GERMAN) |
01:05:31 |
He was an officer |
01:05:38 |
He says he knows the location |
01:05:42 |
Ask him |
01:05:44 |
(INTERPRETER SPEAKING GERMAN) |
01:05:47 |
He wants to go to Chicago. |
01:05:50 |
Tell him if he provides us |
01:05:54 |
I'll arrange |
01:05:56 |
(WHISPERING) As soon as he's |
01:06:10 |
An ex-Waffen-SS Group |
01:06:20 |
It's very ugly, isn't it? |
01:06:22 |
It isn't meant to be jewelry. |
01:06:25 |
I lost the sound |
01:06:28 |
I can hear with the help |
01:06:32 |
but they say |
01:06:33 |
You hardly notice it's there. |
01:06:42 |
(WHISPERING) The Russians |
01:07:10 |
We are prepared to offer you |
01:07:15 |
for some Nazi scientists |
01:07:27 |
These are the names |
01:08:05 |
I understand your cryptonym |
01:08:10 |
Is that for |
01:08:19 |
Do you know |
01:08:26 |
Mother. |
01:08:32 |
I took the first |
01:08:36 |
since the siege of Stalingrad. |
01:08:40 |
I sat for hours, |
01:08:43 |
looking out the window, |
01:08:46 |
soaking. |
01:09:01 |
When I was a soldier, |
01:09:06 |
Since then, |
01:09:09 |
there is a pain. |
01:09:14 |
Maybe you shouldn't live |
01:09:18 |
We all have our weaknesses. |
01:09:22 |
What is yours? |
01:09:27 |
I had heard you were silent. |
01:09:30 |
"Made of stone," they said. |
01:09:34 |
What is the expression? |
01:09:43 |
You are going to be |
01:09:57 |
I look forward |
01:10:01 |
I hope it lasts |
01:10:20 |
WOMAN. : I love you. |
01:10:23 |
People who really love |
01:10:26 |
You are safe here with me. |
01:10:28 |
OFFICER: We were able |
01:10:30 |
It's called a Froid. |
01:10:33 |
The object on the nightstand, |
01:10:39 |
We just can't get |
01:10:47 |
EDWARD JR... : Who is this? |
01:10:50 |
Who's this? |
01:10:53 |
Hello, Father. |
01:10:56 |
I'm going to be five soon. |
01:10:59 |
You're a big boy. |
01:11:01 |
I'm bigger than Andrew, |
01:11:08 |
Is your mother there? |
01:11:14 |
Is your mother there? |
01:11:16 |
She's getting dressed |
01:11:19 |
He has a new car. |
01:11:24 |
EDNA. : Hello, Mr. Wilson. |
01:11:26 |
Mrs. Wilson is upstairs. |
01:11:29 |
I'll tell her |
01:11:33 |
I'll call back. |
01:11:43 |
Pardon me. |
01:11:45 |
Do you need me |
01:11:49 |
(SPEAKING GERMAN) |
01:11:58 |
Do you ever eat, Mr. Carlson? |
01:12:00 |
I like to cook. Would you like |
01:12:13 |
Have you ever read Ovid? |
01:12:17 |
It's quite beautiful. |
01:12:22 |
"I grabbed a pile of dust |
01:12:26 |
"foolishly asked for |
01:12:30 |
"I forgot to ask that |
01:12:35 |
Bravo. |
01:12:50 |
I should be going. |
01:12:59 |
Would you like to stay? |
01:13:04 |
Would you like me to? |
01:13:08 |
I would like you to |
01:13:19 |
Maybe we could go |
01:13:22 |
The lakes in Bavaria |
01:13:25 |
There was an inn there before |
01:13:33 |
(HUMMING) |
01:13:54 |
Hanna? |
01:13:59 |
HANNA: I hope |
01:14:03 |
Bavaria is really |
01:14:07 |
I was born there. |
01:14:12 |
I really miss her. |
01:14:16 |
Why don't we go? |
01:14:33 |
EDWARD: I let a stranger |
01:14:37 |
(KNOCKING ON DOOR) |
01:14:42 |
(SPEAKING GERMAN) |
01:14:44 |
(SPEAKING GERMAN) |
01:15:30 |
(CHILDREN CHATTERING) |
01:15:45 |
Mother! Father's here! Mother! |
01:15:56 |
Hello, Edward. |
01:15:59 |
Hello, Clover. |
01:16:03 |
I... |
01:16:07 |
I like to be called |
01:16:13 |
It's very nice to see you. |
01:16:16 |
It's good to see you, too. |
01:16:21 |
I made something for you. |
01:16:27 |
See? It's a ship. |
01:16:31 |
But it's got |
01:16:36 |
And then I put |
01:16:39 |
And if you like, |
01:16:42 |
how many sails there are. |
01:16:45 |
You want to try that? |
01:16:52 |
EDWARD JR. : Fifteen. |
01:16:54 |
That's right. |
01:16:56 |
Fifteen. |
01:16:59 |
No, no, it's yours. |
01:17:17 |
If it's all right with you, |
01:17:19 |
I thought maybe we could sleep |
01:17:22 |
just until we get |
01:17:26 |
I made up the spare room. |
01:17:29 |
All right. |
01:17:39 |
What do you hear |
01:17:45 |
I thought you knew. |
01:17:50 |
You never mentioned it |
01:17:56 |
There wasn't very much to say. |
01:18:06 |
Six years is a long time. |
01:18:12 |
I was Ionely |
01:18:19 |
He wasn't very interesting. |
01:18:25 |
Were you with anyone? |
01:18:29 |
It was a mistake. |
01:18:47 |
Thank you for the ship |
01:18:54 |
You're welcome. |
01:18:56 |
I'm glad you like it. |
01:19:00 |
Mother said |
01:19:02 |
Did you fight? |
01:19:09 |
No. |
01:19:14 |
Good night. |
01:19:35 |
No! You're it! |
01:19:37 |
Hello, Father. |
01:19:40 |
Hello, dear. |
01:19:41 |
There's somebody waiting |
01:19:46 |
General. |
01:19:49 |
Edward. |
01:19:52 |
I'm sorry to barge in on you |
01:19:57 |
My feet, |
01:20:00 |
It's not dignified for men |
01:20:10 |
Well, while everybody's been |
01:20:13 |
the Soviets, |
01:20:17 |
They're breathing |
01:20:18 |
They'll be in our backyard |
01:20:21 |
So, I've been telling |
01:20:22 |
about the need to create |
01:20:24 |
One that would do in peacetime |
00:00:04 |
And you'll be taking |
00:00:06 |
special operations that report |
00:00:09 |
It would be limited |
00:00:11 |
Subversive operations, |
00:00:15 |
And I'd be interested |
00:00:19 |
Particularly in your area |
00:00:23 |
I'd be glad to help |
00:00:25 |
That's all right. |
00:00:26 |
Edward, go outside. |
00:00:30 |
Excuse me, sir. Margaret! |
00:00:34 |
Come on, Edward. |
00:00:36 |
Come. Let's go outside, |
00:00:42 |
Thank you. |
00:00:52 |
I have to tell you, |
00:00:56 |
despite how much we need it. |
00:00:59 |
I'm concerned that |
00:01:03 |
It's always in somebody's |
00:01:06 |
I see this as America's eyes |
00:01:13 |
So I told the President, |
00:01:15 |
there's gonna have to be |
00:01:18 |
Oversight? |
00:01:20 |
How can you have |
00:01:22 |
if you have people looking |
00:01:25 |
You know who gave Hitler |
00:01:29 |
The civil servants. |
00:01:31 |
I have this one weakness. |
00:01:34 |
I believe in a just God. |
00:01:37 |
I always seem to err |
00:01:46 |
This must be a nice place |
00:01:49 |
I never made the time. |
00:01:52 |
I'll be dead |
00:01:56 |
I love this country. |
00:01:59 |
We all do, sir. We all do. |
00:02:11 |
No matter what anyone |
00:02:19 |
I'm afraid |
00:02:43 |
I was under the impression |
00:02:47 |
ALLEN: I'm afraid |
00:02:49 |
The doctor's started |
00:02:52 |
I mean, you dreamed |
00:02:55 |
ALLEN: Those are the Soviets. |
00:02:56 |
International Department |
00:02:58 |
Trubnikov, Kushelnikov, |
00:03:01 |
who have become |
00:03:04 |
particularly coffee. |
00:03:07 |
Our economic interests |
00:03:10 |
to say nothing of the dangers |
00:03:16 |
For security, Edward, |
00:03:20 |
Wait, stop. Can you go back? |
00:03:23 |
Go back a little bit. |
00:03:29 |
Run it from there. |
00:03:45 |
I just thought |
00:03:47 |
ALLEN: I want you two |
00:03:50 |
Michael will be |
00:03:53 |
with the Mayan Coffee Company. |
00:03:57 |
He'll be our eyes and ears. |
00:03:59 |
Congratulations. |
00:04:01 |
Good luck. |
00:04:04 |
I wouldn't wear |
00:04:06 |
Yes, sir. Of course. |
00:04:08 |
I want all intelligence |
00:04:15 |
ENTOMOLOGIST. : I believe that's |
00:04:20 |
That'll do it. |
00:04:23 |
(IBANEZ SPEAKING SPANISH) |
00:04:50 |
(PEOPLE CHEERING) |
00:05:14 |
Mr. Wilson? |
00:05:20 |
There was no card. |
00:06:14 |
There's been |
00:06:17 |
Ulysses. |
00:06:19 |
We can't wait |
00:06:21 |
If you can guarantee that |
00:06:25 |
I'm prepared to move as well. |
00:06:31 |
Come back to bed. |
00:06:34 |
EDWARD JR. : |
00:06:36 |
It's grown-up talk. |
00:06:39 |
I had a nightmare. |
00:06:41 |
Everything's fine. |
00:06:46 |
Could you stay with me |
00:06:52 |
Try to get some sleep. |
00:06:57 |
Yes? |
00:06:59 |
We haven't got time to be sure |
00:07:03 |
If we don't have the support, |
00:07:06 |
Can you guarantee |
00:07:09 |
That's not a guarantee. |
00:07:13 |
Do what you have to do. |
00:07:17 |
Put more in their |
00:07:20 |
Call the station chief. |
00:07:24 |
Margaret tells us that |
00:07:30 |
My wife has |
00:07:32 |
I'm a trade advisor. |
00:07:45 |
Good night. |
00:07:55 |
How dare you speak |
00:07:56 |
You are never to tell anybody |
00:07:58 |
How dare you? |
00:08:00 |
You are never to tell anyone |
00:08:03 |
What you do? What you do? |
00:08:06 |
You leave at five, |
00:08:08 |
You don't say |
00:08:10 |
I live with a ghost! |
00:08:13 |
(TELEPHONE RINGING) |
00:08:20 |
Call back. |
00:08:29 |
They're ready. |
00:08:33 |
Say something. |
00:08:35 |
Say something. |
00:08:37 |
Say something! Talk to me! |
00:08:39 |
Look at me. Say something. |
00:08:46 |
(ALL CHATTERING) |
00:08:50 |
(MEN YELLING IN SPANISH) |
00:09:10 |
Remember what I said. |
00:09:16 |
Merry Christmas, |
00:09:19 |
Is this young Edward? |
00:09:21 |
Would you like to come inside |
00:09:29 |
Santa Claus. |
00:09:31 |
TODDY: Would you like |
00:09:33 |
Come along. |
00:09:34 |
Toddy is wonderful |
00:09:37 |
Come and meet Santa. |
00:09:41 |
Would you like a drink, |
00:09:45 |
I believe |
00:09:49 |
The doctor has |
00:09:56 |
Gentlemen. |
00:09:58 |
(CHRISTMAS MUSIC PLAYING) |
00:10:01 |
Phillip. |
00:10:03 |
Bill. |
00:10:04 |
Gentlemen, |
00:10:06 |
you can all be very proud |
00:10:13 |
Merry Christmas. |
00:10:14 |
ALLEN: Merry Christmas, Bill. |
00:10:26 |
Christmas |
00:10:28 |
Do you like surprises |
00:10:32 |
Well, we'll make sure |
00:10:36 |
and things like that. Okay? |
00:10:38 |
I'm sure Mom and Dad |
00:10:41 |
Surprises are the best part |
00:10:44 |
How about games? |
00:10:49 |
How about ball games? |
00:10:55 |
WOMAN: Can I get you a towel? |
00:10:57 |
Are you all right? |
00:10:59 |
All right. It's all right. |
00:11:01 |
Can you take me |
00:11:02 |
I think we should go home. |
00:11:04 |
You can use our bath |
00:11:07 |
Thank you. |
00:11:10 |
Can I help you up, |
00:11:12 |
(PEOPLE SINGING JINGLE BELLS) |
00:11:36 |
(CHEERING) |
00:11:38 |
(SINGING DECK THE HALLS) |
00:12:13 |
Did you know that |
00:12:15 |
on the Mayan Coffee Company's |
00:12:21 |
Remember what I said to you |
00:12:36 |
You look good, Edward. |
00:12:39 |
How long has it been? |
00:12:42 |
A lot of water |
00:12:47 |
Carolyn and I, |
00:12:51 |
And everything's already |
00:12:54 |
By the time I get everything |
00:13:00 |
Maybe you can give me |
00:13:08 |
You're asking me |
00:13:12 |
You know I can't do that. |
00:13:17 |
Keep it. |
00:13:18 |
Maybe someday |
00:13:45 |
(KNOCKING ON DOOR) |
00:13:48 |
May I come in? |
00:14:04 |
You know, I've never |
00:14:08 |
How was the fishing? |
00:14:10 |
It was a bad year. |
00:14:15 |
I understand you wanted to |
00:14:16 |
personally give me |
00:14:24 |
There isn't one, is there? |
00:14:30 |
You know it was |
00:14:32 |
It wasn't silent enough. |
00:14:38 |
I've been asked by |
00:14:46 |
Who would you recommend, |
00:14:49 |
I serve at the pleasure |
00:14:53 |
I'm just a gatekeeper. |
00:14:56 |
And why is it that |
00:15:00 |
for nickels a day, |
00:15:04 |
constantly |
00:15:08 |
When will you |
00:15:12 |
Decision? |
00:15:17 |
I serve at the discretion |
00:15:22 |
I will do what I think |
00:15:32 |
It's important that |
00:15:39 |
Good night. |
00:15:54 |
MAN. : At 2242, call received |
00:15:59 |
Man says he's senior officer, |
00:16:03 |
Open up. Thanks. |
00:16:11 |
"KGB officer asks when |
00:16:14 |
"He wants to know |
00:16:17 |
Tell him |
00:16:19 |
and would like to know |
00:16:29 |
He says, |
00:16:31 |
"he will provide Mr. Wilson |
00:16:34 |
"of last three losses |
00:16:38 |
"and identities of |
00:16:42 |
"penetrations |
00:16:46 |
"He will also speak personally |
00:16:51 |
"Ulysses. |
00:16:53 |
"Things only he knows |
00:16:56 |
"how he thinks, |
00:16:59 |
"and what he wants |
00:17:04 |
"To establish bonafides, |
00:17:07 |
"KGB surveillance photographs |
00:17:14 |
"and would be more than happy |
00:17:28 |
Ulysses. |
00:17:34 |
Ask him what his weakness is. |
00:17:50 |
"The cold." |
00:17:54 |
Let's get him over here. |
00:17:56 |
My name is |
00:18:00 |
My children's names are |
00:18:04 |
My father played the cello. |
00:18:09 |
I risk my life to come all |
00:18:13 |
You failed the polygraph, |
00:18:15 |
You know every Russian |
00:18:18 |
Your polygraph |
00:18:26 |
What more do you want? |
00:18:31 |
who has been compromised, |
00:18:35 |
I want to speak to |
00:18:39 |
We were told |
00:18:41 |
BROCCO. : |
00:18:43 |
We're not even sure that |
00:18:45 |
I told you this |
00:18:48 |
I want to speak to |
00:18:55 |
I would like some tea. |
00:19:01 |
There isn't any. |
00:19:02 |
I get thirsty |
00:19:05 |
You going to keep up |
00:19:09 |
There's nothing you've told us |
00:19:14 |
I think you better try |
00:19:16 |
I didn't come here |
00:19:20 |
Or is it Mr. Brocco? |
00:19:24 |
We do our homework, too. |
00:19:36 |
Hello, Mr. Mironov. |
00:19:44 |
Hello, Mother. |
00:19:49 |
Ulysses is obsessed with you. |
00:19:55 |
He trusts nobody. |
00:19:57 |
The only one |
00:20:01 |
He is methodical, |
00:20:06 |
For instance, you should know |
00:20:08 |
with a certain |
00:20:11 |
Fidel Castro. A young man |
00:20:16 |
I understand you had |
00:20:20 |
Mr. Allen thought |
00:20:23 |
With you as the chaperone, |
00:20:26 |
I brought him a little gift |
00:20:28 |
Send Mironov in immediately. |
00:20:31 |
It'll be nice |
00:20:34 |
I expect you to show me |
00:20:40 |
Valentin Mironov, |
00:20:43 |
It is a great pleasure |
00:20:46 |
Now, please sit down. |
00:20:47 |
It's nice to have someone |
00:20:51 |
I thought you may enjoy this. |
00:20:54 |
It's something |
00:20:58 |
Very clever. |
00:21:01 |
Thank you. |
00:21:06 |
All Russia is our orchard. |
00:21:08 |
The land is great |
00:21:11 |
There are many |
00:21:14 |
Think, Anya. |
00:21:16 |
Your grandfather, |
00:21:18 |
This is a very bad |
00:21:25 |
ACTOR: And now, |
00:21:27 |
from every cherry |
00:21:30 |
From every leaf |
00:21:33 |
Don't you hear their voices? |
00:21:36 |
It's awful. |
00:21:40 |
And when in the evening |
00:21:43 |
and the old bark glows |
00:21:45 |
and the old cherry trees seem |
00:21:48 |
a hundred, two hundred |
00:21:51 |
I'm due at a meeting. |
00:21:53 |
We've left those 200 years |
00:21:57 |
We don't yet know |
00:22:00 |
We only philosophize. |
00:22:06 |
For it's so clear |
00:22:09 |
we must first redeem the past. |
00:22:17 |
MAN: Are you Laura? |
00:22:19 |
What? |
00:22:20 |
Are you Laura? I'm supposed to |
00:22:47 |
Hello, Edward. |
00:22:50 |
Hello, Laura. |
00:22:53 |
Why all the mystery? |
00:22:58 |
Do you have children? |
00:23:00 |
I have a boy. |
00:23:03 |
Edward Junior. |
00:23:09 |
Do you have anybody? |
00:23:15 |
A cat. |
00:23:21 |
I've often imagined |
00:23:26 |
And what did you imagine? |
00:23:30 |
I thought you might teach. |
00:23:32 |
Probably poetry. |
00:23:36 |
I saw us living |
00:23:54 |
You once said to me you were |
00:24:03 |
Are you doing |
00:24:08 |
My life has been |
00:24:36 |
You owe me |
00:25:22 |
How long do you think |
00:25:25 |
As long as it takes. |
00:25:31 |
I think maybe |
00:25:38 |
(SINGING) Nothing else |
00:25:42 |
Nothing in the world |
00:25:45 |
As the soft |
00:25:49 |
Mother? |
00:25:53 |
There was an envelope for you |
00:25:57 |
You look lovely. |
00:25:59 |
Thank you, darling. |
00:26:49 |
It's not enough |
00:26:51 |
You have to humiliate me? |
00:26:53 |
You disgust me! |
00:26:55 |
You're disgusting! |
00:27:22 |
We'll start from the last. |
00:27:26 |
So suppose |
00:27:28 |
Or completely |
00:27:56 |
Mother forgot |
00:28:11 |
I'll see you at home. |
00:29:12 |
Are you Laura? |
00:29:15 |
Yes. |
00:29:16 |
I was asked to give you this. |
00:29:31 |
MAN ON RADIO. : In an |
00:29:35 |
Premier Khrushchev |
00:29:38 |
The visit |
00:29:41 |
of our nation's capital, |
00:29:42 |
followed by |
00:29:45 |
All right, |
00:29:47 |
Following that, |
00:29:50 |
to more casual destinations, |
00:29:52 |
including America's mighty |
00:29:56 |
President Eisenhower greeted |
00:29:59 |
at Andrews Air Force Base, |
00:30:02 |
It's perfect. |
00:30:03 |
... the ever-threatening |
00:30:05 |
Our glee club's |
00:30:08 |
Now, back to |
00:30:10 |
Would you come with me? |
00:30:13 |
Would you like me to? |
00:30:15 |
Yeah, very much. |
00:30:52 |
I'll get your things. |
00:30:56 |
It's good |
00:31:05 |
(SINGING OH, SHENANDO AH) |
00:31:24 |
How was your trip? |
00:31:26 |
Smooth as silk. |
00:31:29 |
My FBI escort |
00:31:46 |
Which one is your son? |
00:31:49 |
Top row, third from the right. |
00:31:53 |
He's a handsome young man. |
00:31:58 |
We're particularly concerned |
00:32:03 |
Your friend, |
00:32:05 |
he's too close to home. |
00:32:07 |
You don't appreciate |
00:32:12 |
If we continue down this road, |
00:32:15 |
there will be |
00:32:17 |
I don't think |
00:32:20 |
What would we do |
00:32:26 |
If he keeps |
00:32:28 |
at some point, we may be |
00:32:33 |
Now, I don't want that |
00:32:36 |
He is very important to us. |
00:32:39 |
We would not like |
00:32:48 |
Be well. |
00:32:52 |
Be well. |
00:33:10 |
I am today announcing my |
00:33:16 |
The Presidency |
00:33:20 |
Through its leadership |
00:33:25 |
In it are centered the hopes |
00:33:29 |
and a more secure life. |
00:33:31 |
REPORTER. : Senator Kennedy, |
00:33:34 |
will you accept |
00:33:36 |
KENNED Y. : I shall not, under |
00:33:39 |
If I fail in this endeavor, |
00:33:46 |
We have a secure circuit |
00:33:48 |
Station reports they have |
00:33:51 |
Do we have a name? |
00:33:53 |
FIELD OFFICER. : |
00:33:54 |
VALENTIN 2.: |
00:33:58 |
What is your name? |
00:34:00 |
My name is |
00:34:11 |
My name is |
00:34:15 |
This other man who says |
00:34:18 |
is not who he pretends to be. |
00:34:20 |
All right? |
00:34:23 |
VALENTIN 2.: He was |
00:34:26 |
BROCCO. : |
00:34:28 |
It is just Ulysses |
00:34:32 |
Just tell me your real name. |
00:34:34 |
My real name is |
00:34:40 |
I was born |
00:34:43 |
Attended the State Institute |
00:34:45 |
Served for three years |
00:34:48 |
My wife's name is |
00:34:50 |
My children's names are |
00:34:54 |
VALENTIN 2.: |
00:34:59 |
All I want is my freedom. |
00:35:07 |
BROCCO. : Pick him up. |
00:35:10 |
You all right? |
00:35:12 |
I'm sorry. |
00:35:15 |
Now just tell me the truth. |
00:35:21 |
Because we're going to be here |
00:35:25 |
I already told you |
00:35:27 |
You know my name. |
00:35:29 |
Mister, please, |
00:35:32 |
I'd like to believe you, |
00:35:34 |
Now, tell me your name. |
00:35:36 |
My name is Mironov. It's |
00:35:40 |
That's your name? |
00:35:41 |
That's your real name. |
00:35:43 |
Tell me your name. |
00:35:45 |
I told you a hundred times. |
00:35:47 |
We're not going anywhere. |
00:35:49 |
We are not going anywhere. |
00:35:52 |
Yuri Modin. He is your mole. |
00:35:55 |
You understand? |
00:35:56 |
I'm gonna be |
00:35:58 |
This is my name. |
00:35:59 |
My name is |
00:36:02 |
Tell me your name. |
00:36:04 |
I don't have |
00:36:05 |
Tell it. |
00:36:07 |
Tell it to me again. |
00:36:08 |
Valentin Gregorievich Mironov. |
00:36:10 |
Valentin Gregorievich... |
00:36:13 |
Mironov! |
00:36:15 |
Valentin Gregorievich |
00:36:17 |
VALENTIN 2.: This is my name! |
00:36:19 |
It's Valentin Mironov! |
00:36:21 |
Shut up! Shut up! |
00:36:24 |
Tell me your name! |
00:36:26 |
Tell me your name! |
00:36:27 |
Tell me your fucking name! |
00:36:32 |
Tell me your name! |
00:36:37 |
Come on, tear it off. |
00:36:42 |
Put him down. |
00:36:51 |
Your name. |
00:36:53 |
What is your name? |
00:36:59 |
Tell me your name. |
00:37:01 |
(SCREAMING) |
00:37:14 |
What is your name? |
00:37:17 |
Sir, this is |
00:37:21 |
It's called LSD. |
00:37:24 |
We've had |
00:37:35 |
(SINGING IN RUSSIAN) |
00:37:51 |
(SPEAKING IN RUSSIAN) |
00:38:09 |
Look, it's him. Papa. |
00:38:49 |
Soviet power is a myth. |
00:38:55 |
A great show, |
00:38:56 |
but there are no spare parts. |
00:38:59 |
It's nothing but painted rust. |
00:39:07 |
But you. |
00:39:11 |
You need to keep |
00:39:14 |
to maintain your |
00:39:17 |
Your system depends on Russia |
00:39:24 |
It's not a threat. |
00:39:27 |
It was never a threat. |
00:39:34 |
It is |
00:39:36 |
a rotted, |
00:39:38 |
bloated |
00:39:40 |
cow. |
00:39:54 |
I am |
00:39:55 |
Valentin Gregorievich Mironov |
00:40:00 |
and I am free. |
00:40:08 |
Shit. Shit! |
00:40:25 |
If you would like, |
00:40:28 |
I'll be willing to take |
00:40:33 |
I've nothing to hide. |
00:40:37 |
I am who I say I am. |
00:40:46 |
I know. |
00:41:04 |
MAN. : We send |
00:41:08 |
with the knowledge, |
00:41:11 |
whatever they do, |
00:41:15 |
They will always be one of us. |
00:41:18 |
And we say, |
00:41:20 |
All here. |
00:41:22 |
(BONESMEN SINGING |
00:41:32 |
I didn't know you smoked. |
00:41:35 |
There are a few things |
00:41:46 |
I've spoken |
00:41:49 |
I would like very much |
00:41:53 |
There are a lot of things |
00:41:57 |
I'd like you to think |
00:41:59 |
I have thought about it |
00:42:01 |
I want to join the Agency. |
00:42:05 |
I want to |
00:42:07 |
I am proud of you. |
00:42:09 |
I've made up my mind, Father. |
00:42:13 |
CLO VER. : You can stop him. |
00:42:16 |
He doesn't understand |
00:42:18 |
I can't tell him what to do. |
00:42:20 |
No, I can't. |
00:42:22 |
Because he's doing it for you. |
00:42:24 |
Because he wants you to |
00:42:27 |
You could |
00:42:28 |
Absolutely not. |
00:42:30 |
Of course you won't. |
00:42:33 |
That is unfair. |
00:42:35 |
That is unfair. |
00:42:36 |
You abandon the people |
00:42:38 |
I don't abandon people! |
00:42:39 |
You abandon people! |
00:42:40 |
It's true. |
00:42:41 |
I have stood by you |
00:42:44 |
I have stood by you. |
00:42:45 |
You don't know what it is |
00:42:46 |
I stood by you |
00:42:48 |
I have done everything |
00:42:50 |
You have done no such thing! |
00:43:19 |
I know you don't love me, |
00:43:23 |
And no matter what, |
00:43:27 |
I don't need you to tell me |
00:43:29 |
Promise me that |
00:43:35 |
I'll protect him. |
00:43:41 |
NEWSCASTER. : Today, in Havana, |
00:43:43 |
expelled high-profile |
00:43:46 |
He's taken control |
00:43:48 |
popular vacation destinations |
00:43:51 |
Castro has nationalized |
00:43:53 |
from U.S. Businesses |
00:43:55 |
and there's no telling |
00:43:57 |
I want to see a man |
00:44:00 |
MURACH. : He had |
00:44:04 |
His people know |
00:44:07 |
With the right encouragement, |
00:44:11 |
Jimmy. Mr. Carlson. |
00:44:15 |
Tina, the kids. |
00:44:17 |
Come on, kids. Come on, |
00:44:21 |
BOY: Mom, please. |
00:44:24 |
Sit down. Want some water, |
00:44:29 |
Is there someplace else |
00:44:33 |
All right, Daddy, we're going |
00:44:36 |
Make sure they don't go |
00:44:39 |
No, I'm gonna |
00:44:41 |
Make sure they put |
00:44:44 |
We're getting their shoes! |
00:44:51 |
So, what do you want to |
00:44:53 |
The government's |
00:44:57 |
I've been in this country |
00:45:00 |
What does that make me, |
00:45:04 |
And they're trying to |
00:45:06 |
I could have the |
00:45:10 |
Have you classified as |
00:45:13 |
I could take the government |
00:45:17 |
Youse are the guys |
00:45:19 |
You're the people |
00:45:22 |
No, we make sure the wars |
00:45:26 |
Let me ask you something. |
00:45:29 |
We Italians, |
00:45:34 |
The Irish, |
00:45:39 |
Even the niggers, |
00:45:44 |
What about you people, |
00:45:49 |
The United States of America. |
00:46:00 |
ALLEN. : The President wants |
00:46:07 |
How many men are involved? |
00:46:10 |
EDWARD: Fifteen hundred. |
00:46:14 |
Tell him we're going instead |
00:46:17 |
The noise level |
00:46:28 |
We'll see you inside. |
00:46:50 |
Could you hear |
00:46:52 |
No, I didn't hear anything. |
00:46:56 |
If something was heard, |
00:47:01 |
Oh, I know that, Father. |
00:47:06 |
Yeah, all right. |
00:47:25 |
Bonesmen! |
00:47:27 |
ALL: All here! |
00:47:31 |
Reverend Christiansen |
00:47:36 |
Agency first, God second. |
00:47:38 |
REVEREND CHRISTIANSEN: |
00:47:40 |
to be with our brothers |
00:47:44 |
Our prayers are |
00:47:48 |
to take into |
00:47:51 |
The Honorable Senator |
00:47:56 |
(BAND PLAYING |
00:48:00 |
(SINGING) |
00:48:29 |
Would you like to dance, |
00:48:33 |
I haven't been Clover |
00:49:10 |
I'm going to Phoenix |
00:49:22 |
OFFICER. : Based on the ringing |
00:49:24 |
we're going to assume |
00:49:26 |
at the same time |
00:49:28 |
We've checked the schedules |
00:49:30 |
at or around 10:00 at night |
00:49:34 |
There were flights |
00:49:37 |
Six were places |
00:49:41 |
Five of those places |
00:49:45 |
Three of those were places |
00:49:49 |
We think the tape was made |
00:49:53 |
or Congo-Leo. |
00:50:03 |
(CHURCH BELLS TOLLING) |
00:52:49 |
It is all gone. |
00:52:56 |
Hello, Mother. |
00:53:00 |
Let me show you. |
00:53:08 |
As you see, no cameras, |
00:53:14 |
There is nothing else to know. |
00:53:20 |
Can I play something for you? |
00:53:28 |
EDWARD JR... : |
00:53:32 |
WOMAN. : You were brought up |
00:53:34 |
What was such a big secret |
00:53:40 |
EDWARD JR... : When he was |
00:53:44 |
I'd heard something |
00:53:46 |
and he knew I'd listened |
00:53:50 |
I heard them |
00:53:54 |
Bahía de Cochinos. |
00:53:56 |
WOMAN. : Bahía de Cochinos. |
00:53:59 |
EDWARD JR... : I'm afraid of him. |
00:54:03 |
WOMAN. : You are safe |
00:54:07 |
People who |
00:54:12 |
I have something to tell you. |
00:54:23 |
EDWARD JR... : |
00:54:26 |
I love you so much. |
00:54:35 |
She's been an active asset |
00:54:42 |
Until now. |
00:54:45 |
She loves your son. |
00:54:52 |
Sometimes |
00:54:58 |
We can protect him. |
00:55:00 |
Make him safe. |
00:55:02 |
Nobody would know, |
00:55:08 |
All it would require |
00:55:13 |
to help us |
00:55:15 |
when your help is needed. |
00:55:32 |
I thought |
00:55:39 |
She's a very pretty girl. |
00:55:42 |
It's easy to see |
00:56:00 |
I know it's an extremely |
00:56:08 |
But I'm afraid I'm going to |
00:56:14 |
You must decide |
00:56:18 |
what is of more importance |
00:56:22 |
Your country or... |
00:56:28 |
Or your son. |
00:57:00 |
She's not |
00:57:04 |
She's not a friendly, Edward. |
00:57:07 |
I don't believe you. |
00:57:09 |
Why should I believe you? |
00:57:12 |
You told me yourself |
00:57:15 |
You're the master |
00:57:20 |
I love her. |
00:57:22 |
I've asked her |
00:57:24 |
I will not let you |
00:57:26 |
I can't protect you anymore, |
00:57:29 |
Safe? |
00:57:32 |
Safe? I never felt safe. |
00:57:35 |
I was always frightened. |
00:57:36 |
I always lived in fear |
00:57:39 |
Or if not, |
00:57:41 |
I was always afraid, because |
00:59:03 |
Edward. |
00:59:05 |
Hello, may I come in? |
00:59:07 |
Is everything all right? |
00:59:10 |
I was on my way home |
00:59:12 |
and I had this |
00:59:15 |
Play the violin? But... |
00:59:18 |
Edward, I'm so tired. |
00:59:21 |
I'd appreciate it |
00:59:25 |
Now? |
01:02:40 |
I just wanted to |
01:02:53 |
ARCH. : He was careless. |
01:02:55 |
FBI. You're under arrest. |
01:03:00 |
Didn't learn how to |
01:03:02 |
Where are they taking me? |
01:03:04 |
I can't go home! You know |
01:03:07 |
You know |
01:03:09 |
Sorry, Edward. |
01:03:12 |
ARCH. : I truly did like you. |
01:03:16 |
I mean it. In another world, |
01:03:23 |
Are you still there, Mother? |
01:03:25 |
Your worst fear has come true. |
01:03:32 |
EDWARD. : Alone and friendless |
01:03:36 |
without a country of your own. |
01:04:06 |
(CHILDREN SINGING HE'S GO T |
01:04:51 |
We have a whole new place |
01:04:56 |
The stars. |
01:05:02 |
Your offer. |
01:05:07 |
I have to decline. |
01:05:20 |
You've succeeded |
01:05:27 |
The damage is done. |
01:05:32 |
There's no need for you |
01:05:41 |
Let's just leave it |
01:05:48 |
Very well. |
01:05:51 |
I will wait. |
01:05:54 |
But there will come a time |
01:05:58 |
when I will ask you to help me |
01:06:02 |
that wouldn't cost you much |
01:06:10 |
You never know |
01:06:15 |
Friends can be enemies, |
01:06:35 |
This girl, |
01:06:39 |
neither of us |
01:06:45 |
But she's about to be |
01:06:51 |
I believe in family. |
01:06:58 |
You want her to be |
01:07:02 |
don't you? |
01:07:29 |
It was good to see you. |
01:07:33 |
We will talk again, |
01:07:39 |
(SPEAKING IN RUSSIAN) |
01:07:46 |
Sorry to bother. |
01:07:47 |
I want to buy a little |
01:07:52 |
What does it cost? |
01:07:53 |
It costs a dollar. |
01:07:56 |
Here. It's a gift. |
01:08:01 |
It's a cardinal rule |
01:08:09 |
Thank you. |
01:09:04 |
CLO VER. : So where is she? |
01:09:06 |
We're gonna meet her |
01:09:08 |
I can't wait to meet her. |
01:09:11 |
(KNOCKING ON DOOR) |
01:09:14 |
Yes, that's good. |
01:09:31 |
Come on in. |
01:09:41 |
Hello, Margaret. |
01:09:48 |
Let's celebrate. |
01:09:58 |
How was the flight? |
01:10:02 |
It was long. |
01:10:13 |
How do you like |
01:10:19 |
It's the first time |
01:10:26 |
Here we go. |
01:10:47 |
(CORK POPPING) |
01:10:53 |
To your happiness. |
01:10:54 |
To your happiness. |
01:11:28 |
(CHURCH BELLS TOLLING) |
01:12:43 |
Your wife... |
01:12:45 |
What have you done? |
01:12:49 |
Will you go inside, Mother? |
01:12:53 |
Go inside, Mom. |
01:12:56 |
Please, just go in the church. |
01:13:09 |
She's pregnant. |
01:13:10 |
(CLOVER CRYING) |
01:13:29 |
You couldn't... |
01:13:32 |
You couldn't. |
01:13:35 |
I love you. |
01:13:38 |
I love you |
01:14:04 |
HAYES: Mr. Wilson? |
01:14:07 |
Have you been here before, |
01:14:10 |
Whose idea was that? |
01:14:12 |
It's classified. |
01:14:17 |
Mr. Allen has notified |
01:14:22 |
Something about |
01:14:26 |
ALLEN: Where did these |
01:14:28 |
They were in the car. |
01:14:31 |
HAYES. : Seems the greedy |
01:14:36 |
Whoever had the statements |
01:14:42 |
It wasn't you, was it? |
01:14:47 |
The President's asked me |
01:14:49 |
and do a complete |
01:14:52 |
I need someone I can trust. |
01:14:54 |
After all, |
01:14:58 |
This building |
01:15:01 |
You're CIA's heart and soul. |
01:15:04 |
Who knows, you might have |
01:15:10 |
This whole wing will be |
01:15:15 |
Take a look around. |
01:15:18 |
Can you imagine? They think |
01:15:22 |
As if we'll let them. |
01:15:27 |
I remember |
01:15:31 |
when we talk about CIA, |
01:15:35 |
And I asked him, |
01:16:28 |
EDWARD. : "They are right |
01:16:32 |
"I was weak. A coward. |
01:16:38 |
"I compromised myself. |
01:16:41 |
"My honor. My family. |
01:16:47 |
"I am ashamed of myself. |
01:16:51 |
"To my wife, I am sorry |
01:16:57 |
"To my son, |
01:16:59 |
"I hope you will grow to be |
01:17:03 |
"A good husband. |
01:17:13 |
"I hope |
01:17:22 |
"I hope whatever |
01:17:29 |
"Your loving husband |
01:18:39 |
(LITTLE BUTTERCUP PLAYING) |