|
Good Year A
|
| 00:01:23 |
Max! |
| 00:01:24 |
Uh-huh? |
| 00:01:25 |
Ready to concede? |
| 00:01:27 |
No! |
| 00:01:43 |
I thought as it's |
| 00:01:45 |
...it only appropriate that we |
| 00:01:50 |
Bandol. |
| 00:01:51 |
Excellent choice. |
| 00:01:52 |
Tempier Bandol, 1969. |
| 00:01:57 |
The kind of wine that'll pickle |
| 00:02:00 |
I once saw a Castilian prizefighter... |
| 00:02:05 |
...collapse in a heap... |
| 00:02:06 |
...after drinking just a single glass. |
| 00:02:09 |
Perhaps my knee landing |
| 00:02:13 |
...may have been partly to blame. |
| 00:02:16 |
What was I talking about before? |
| 00:02:18 |
You said the importance |
| 00:02:20 |
...can never be overstated. |
| 00:02:21 |
Quite right. |
| 00:02:22 |
A blue suit is the most |
| 00:02:25 |
More important |
| 00:02:27 |
...is the man who fits it for you. |
| 00:02:29 |
Once you find a good tailor... |
| 00:02:31 |
...you must never |
| 00:02:33 |
...not even under the threat... |
| 00:02:35 |
...of bodily harm. |
| 00:02:39 |
(music continues in background) |
| 00:02:43 |
Now, where were we? |
| 00:02:45 |
- Whose turn is it? |
| 00:02:46 |
Uh-huh. |
| 00:02:51 |
Uh-huh. |
| 00:02:53 |
Max, have I told you why I enjoy... |
| 00:02:56 |
- Making wine so much? |
| 00:02:57 |
...make the wine, Uncle Henry, |
| 00:03:00 |
In France, |
| 00:03:02 |
...who makes the wine. |
| 00:03:04 |
Even though he does |
| 00:03:07 |
...with binoculars |
| 00:03:10 |
No, I enjoy making wine |
| 00:03:14 |
...is quite simply incapable of lying. |
| 00:03:17 |
Picked too early, |
| 00:03:20 |
The wine will always whisper |
| 00:03:23 |
...with complete, |
| 00:03:25 |
...every time you take a sip. |
| 00:03:30 |
Mmm... |
| 00:03:32 |
...delightful. |
| 00:03:33 |
Now, Maximillian... |
| 00:03:35 |
...now you know why |
| 00:03:38 |
...have you anything |
| 00:03:41 |
Yes, I do. |
| 00:03:42 |
Yes, what is it? |
| 00:03:48 |
Checkmate. |
| 00:03:50 |
You little shit. |
| 00:04:08 |
- Good morning, lab rats. |
| 00:04:11 |
Today we're shifting gear. |
| 00:04:13 |
Today... is Greedy Bastard Day. |
| 00:04:18 |
The secret to riches, lab rats... |
| 00:04:20 |
...is the same as the secret to comedy... |
| 00:04:24 |
...timing. |
| 00:04:26 |
- 115.10, Max. |
| 00:04:29 |
So I thought we should move now. |
| 00:04:31 |
- Not yet, Alf. |
| 00:04:33 |
...why do you keep calling me Alf? |
| 00:04:34 |
Because you're an aggressive |
| 00:04:36 |
And as your boss... |
| 00:04:37 |
...and genetic superior... |
| 00:04:39 |
I can call you whatever I want. |
| 00:04:42 |
Max Skinner's phone. |
| 00:04:43 |
It's Kimberly. |
| 00:04:45 |
Yeah. One moment, please. |
| 00:04:46 |
It's Kimberly. |
| 00:04:50 |
- Sorry, Kimberly, Max isn't here. |
| 00:04:53 |
He and his fiancée... |
| 00:04:54 |
...are at their wedding |
| 00:04:56 |
- Their what? |
| 00:04:58 |
No, I don't want |
| 00:05:00 |
Okay. |
| 00:05:02 |
115.90... |
| 00:05:04 |
116... |
| 00:05:07 |
116.10. |
| 00:05:08 |
All right, lab rats, |
| 00:05:09 |
...we're not here for the dental plan. |
| 00:05:11 |
50 big! |
| 00:05:14 |
Sell. |
| 00:05:20 |
That's yours! |
| 00:05:25 |
I said that's yours! |
| 00:05:33 |
That miserable sod Skinner's |
| 00:05:34 |
- Onto the market. |
| 00:05:36 |
There's a gentleman's agreement |
| 00:05:38 |
A gentleman's agreement presupposes... |
| 00:05:40 |
- There's a gentleman involved. |
| 00:05:42 |
...he put out $5 billion |
| 00:05:44 |
- Crashing through the floor! |
| 00:05:46 |
...people, get off your asses! |
| 00:05:47 |
Come on, step to it! |
| 00:05:49 |
- Sell! |
| 00:05:54 |
They should bury you |
| 00:05:56 |
...because that's the way you're going. |
| 00:06:04 |
Free big figures to 113.50! |
| 00:06:09 |
Sell! Sell! |
| 00:06:10 |
Still going down. |
| 00:06:12 |
Buy. |
| 00:06:13 |
Fuckin' buy it all back! |
| 00:06:15 |
Buy it all back immediately! |
| 00:06:17 |
Buy it all back! |
| 00:06:18 |
Don't worry about it! |
| 00:06:20 |
You're a genius, Max! |
| 00:06:25 |
Filthy bugger, |
| 00:06:26 |
He's gonna buy everything back |
| 00:06:28 |
Start buying! |
| 00:06:30 |
Buying now! Start buying! |
| 00:06:43 |
- I can! |
| 00:06:45 |
Well done today, lab rats. |
| 00:06:48 |
Wonderful work. |
| 00:06:49 |
We all made |
| 00:06:53 |
Today we proved the adage that... |
| 00:06:55 |
...winning isn't everything... |
| 00:06:57 |
It's the only thing! |
| 00:07:09 |
And there were strange goings-on... |
| 00:07:11 |
...on the bond market today. |
| 00:07:12 |
Prices crashed to 112.5, |
| 00:07:17 |
...unloaded $3 billion in sell orders. |
| 00:07:20 |
Then in an extraordinary |
| 00:07:23 |
...at a substantially |
| 00:07:25 |
...making over $77 million... |
| 00:07:27 |
- in the process. |
| 00:07:30 |
Cries of foul play were loud... |
| 00:07:31 |
...and widespread, with talks |
| 00:07:36 |
Morning, Mr. Skinner. |
| 00:07:38 |
- Morning, Bert. |
| 00:07:40 |
- Thank you. |
| 00:07:42 |
Mr. Skinner. |
| 00:07:43 |
I'll give you a tip, Bert: |
| 00:07:45 |
Never pat a burning dog. |
| 00:07:49 |
Wanker. |
| 00:08:39 |
Oh, Henry, bloody hell. |
| 00:08:43 |
Ready for the fan mail? |
| 00:08:45 |
Shoot, sunshine. |
| 00:08:47 |
- "Bastard." |
| 00:08:49 |
"Bastard." |
| 00:08:50 |
Uh-huh. |
| 00:08:50 |
- "Burn in hell." |
| 00:08:52 |
"Rot in hell." |
| 00:08:53 |
Oh. Lovely. |
| 00:08:54 |
"Die." |
| 00:08:55 |
Charming. |
| 00:08:56 |
Maxie? |
| 00:08:57 |
"Congratulations, you're my hero." |
| 00:08:58 |
Who said that? |
| 00:09:00 |
Your lawyer. |
| 00:09:01 |
- Oh. |
| 00:09:02 |
I just got off the phone |
| 00:09:05 |
That's the notaire handling |
| 00:09:08 |
She the one that sent me the letter? |
| 00:09:09 |
Yeah. |
| 00:09:11 |
Anyway, listen, |
| 00:09:15 |
...your Uncle Henry... |
| 00:09:16 |
...hasn't updated his will... |
| 00:09:18 |
...in over 20 years. |
| 00:09:19 |
Which is why, |
| 00:09:21 |
...they take over a month... |
| 00:09:22 |
...to notify us. |
| 00:09:23 |
All right, so what do we do with that? |
| 00:09:25 |
Is there a reading of the will... |
| 00:09:26 |
...or do we just download... |
| 00:09:27 |
...that sort of thing these days? |
| 00:09:29 |
No, that's the point, Max. |
| 00:09:31 |
Sorry? |
| 00:09:33 |
There is no legal will. |
| 00:09:35 |
Really? |
| 00:09:36 |
You're his closest |
| 00:09:37 |
- So you get everything. |
| 00:09:40 |
...and his Edmundo Ross LPs? |
| 00:09:42 |
The house, you git. |
| 00:09:44 |
You get to keep his house. |
| 00:09:46 |
What, the old farmhouse... |
| 00:09:47 |
...and the vineyards and |
| 00:09:49 |
Place like must be worth |
| 00:09:53 |
Hey. |
| 00:09:54 |
- Hmm. |
| 00:09:55 |
I've booked you a flight... |
| 00:09:58 |
...and an appointment with Auzet |
| 00:10:01 |
Just a few papers to sign. |
| 00:10:03 |
Come on, I can't go |
| 00:10:04 |
Gem, I'm the toast of the town. |
| 00:10:06 |
I need to do |
| 00:10:07 |
...around the city, |
| 00:10:09 |
...have a late night or two. |
| 00:10:11 |
...you heard the mail- |
| 00:10:12 |
...when everyone hates you, |
| 00:10:14 |
Go on, Max- |
| 00:10:15 |
...of the place when you're gone. |
| 00:10:17 |
No problems. |
| 00:10:18 |
Right. |
| 00:10:19 |
- Ken. |
| 00:10:21 |
Why don't you go |
| 00:10:22 |
...some small animals to hurt? |
| 00:10:24 |
I know, find a poodle and |
| 00:10:35 |
Hmm? |
| 00:10:36 |
- Tell me something, Max. |
| 00:10:37 |
Did you care for him? |
| 00:10:40 |
Yes, I did. |
| 00:10:43 |
When was the last time you spoke? |
| 00:10:45 |
A long time ago. |
| 00:10:47 |
Why? |
| 00:10:48 |
Well, I don't know, Gemma. |
| 00:10:49 |
That's probably got |
| 00:10:50 |
...with me becoming an asshole. |
| 00:10:54 |
Okay. |
| 00:11:14 |
Max! |
| 00:11:15 |
- Hello, how are you? |
| 00:11:17 |
- Congratulations. |
| 00:11:19 |
I'm looking so much forward |
| 00:11:22 |
Oh, well, follow me. |
| 00:11:28 |
- Danny, how are you? |
| 00:11:30 |
- Thank you. Austin. |
| 00:11:32 |
Say hello to your dad for me. |
| 00:11:33 |
Oh, love, mm. |
| 00:11:35 |
- Very well. How are you? |
| 00:11:37 |
- Hello. |
| 00:11:39 |
Whoops. |
| 00:11:40 |
He's adorable. |
| 00:11:46 |
Mm, magnificent bouquet. |
| 00:11:48 |
Alluring nose. |
| 00:11:50 |
Honey and spice. |
| 00:11:51 |
And all things nice. |
| 00:11:53 |
Inspection of the polyphenolics |
| 00:11:55 |
...of brick red, |
| 00:11:58 |
It's a burgundy. |
| 00:12:02 |
Yes, I knew it's burgundy. |
| 00:12:03 |
One for you, sir? |
| 00:12:04 |
I think I shall have an eclipse. |
| 00:12:07 |
- Thank you. |
| 00:12:09 |
...our minds off the double |
| 00:12:11 |
...and onto the French real estate? |
| 00:12:12 |
What do you think it's worth? |
| 00:12:13 |
Max, barely a day has passed |
| 00:12:15 |
...of the long-lost uncle's... |
| 00:12:17 |
...departure from this world... |
| 00:12:19 |
...and all you can think of is money. |
| 00:12:21 |
The very same uncle you're |
| 00:12:22 |
...the man who taught me every man |
| 00:12:24 |
Okay, when are you gonna |
| 00:12:27 |
...because an estate agent |
| 00:12:28 |
...he can sink his teeth into. |
| 00:12:30 |
Well, uh, it's been a while... |
| 00:12:32 |
...since I've been there, |
| 00:12:34 |
...at least half a dozen |
| 00:12:37 |
...court, a decent-sized kitchen... |
| 00:12:39 |
- Thanks. |
| 00:12:42 |
Bloody hell, Max, it sounds |
| 00:12:45 |
What's a château go for these days? |
| 00:12:47 |
Well, we're obviously in the |
| 00:12:50 |
- Maybe several. |
| 00:12:51 |
God bless Henry. |
| 00:12:53 |
I won't count my commission. |
| 00:12:54 |
I wouldn't expect you to, Charles. |
| 00:12:56 |
That's why I'm fond of you. |
| 00:12:57 |
Well, in that case, Max... |
| 00:12:59 |
...here's to you. |
| 00:13:33 |
Gemma. |
| 00:13:42 |
Parlez-vous anglais? |
| 00:13:58 |
- Yeah? |
| 00:13:59 |
I want the current |
| 00:14:01 |
I want an update on the figures |
| 00:14:04 |
...and I want you to get |
| 00:14:06 |
...out of my chair. |
| 00:14:07 |
Thank you. |
| 00:14:11 |
How'd he know that? |
| 00:14:18 |
Lance Armstrong! |
| 00:14:38 |
Maxie! Hi. How are you? |
| 00:14:40 |
Gemma, come on, love, |
| 00:14:42 |
...because I didn't shag you |
| 00:14:44 |
- isn't it? |
| 00:14:46 |
Max, they didn't have |
| 00:14:50 |
So, where are we, Max? |
| 00:14:52 |
Oh, for bollocky's sake! |
| 00:14:54 |
Right, I've gone |
| 00:14:56 |
- Look, they're both the D-3. |
| 00:14:59 |
I've got Menerbes on my left, |
| 00:15:01 |
...and they're both on the D-3. |
| 00:15:03 |
- Go! Go! |
| 00:15:05 |
Okay, okay, hang on a minute. |
| 00:15:08 |
I've got a... |
| 00:15:09 |
- Go! Go! |
| 00:15:11 |
quite frankly, |
| 00:15:15 |
Okay, listen, you turn left |
| 00:15:17 |
...onto the N-7, and if you |
| 00:15:20 |
...you might even get |
| 00:15:26 |
- Bollocks! Bugger! |
| 00:15:32 |
Mission control. |
| 00:15:33 |
All right, love, |
| 00:15:35 |
...my meeting with the notaire... |
| 00:15:37 |
...for first thing tomorrow morning. |
| 00:15:38 |
Okay. |
| 00:15:39 |
What about the keys, Max? |
| 00:15:41 |
- Oh, there used to be a stone, you know. |
| 00:15:43 |
Uh, by the front door. Ask her to put that... |
| 00:15:46 |
...and I'll, um, |
| 00:15:48 |
Okay, copy that. Copy that. |
| 00:16:12 |
Huh. |
| 00:17:08 |
Hello? |
| 00:17:13 |
Henry? |
| 00:19:03 |
UNCLE HENRY'S VOICE: |
| 00:19:07 |
- That's it, Maximillian. |
| 00:19:10 |
- It's not funny. |
| 00:19:12 |
What are you, a man or a mouse? |
| 00:19:15 |
Fine, then, I'm a mouse. Squeak, squeak! |
| 00:19:32 |
Hopeless, you're hopeless. |
| 00:19:34 |
Oh, stop it! |
| 00:19:48 |
Match point. |
| 00:19:51 |
Ace! |
| 00:19:52 |
Game! Set! |
| 00:19:54 |
- Match! |
| 00:19:57 |
- Hey. |
| 00:19:58 |
- You have to rub it in? |
| 00:20:00 |
The point is, Max, why |
| 00:20:03 |
Because I lost! |
| 00:20:04 |
Well, a man |
| 00:20:06 |
...his losses just as gracefully |
| 00:20:12 |
Come on, give us a jig. |
| 00:20:13 |
Give your old uncle a jig. |
| 00:20:15 |
- Oh, yeah, I lost. |
| 00:20:16 |
Yeah, great, yeah, I lost! I lost! |
| 00:20:19 |
- Uncle Henry won! |
| 00:20:21 |
- Three cheers! |
| 00:20:23 |
Well done, Uncle Henry. |
| 00:20:24 |
This is stupid. |
| 00:20:26 |
You'll come to see... |
| 00:20:29 |
...that a man learns |
| 00:20:31 |
The act of losing, however, |
| 00:20:35 |
Not least of which is, uh... |
| 00:20:37 |
...how much more enjoyable it is to win. |
| 00:20:40 |
It's inevitable to lose now and again. |
| 00:20:43 |
The trick is not |
| 00:20:46 |
Drink? |
| 00:21:09 |
Chicken shit. |
| 00:21:10 |
- Excuse me? |
| 00:21:12 |
On the roses. |
| 00:21:14 |
Oh, fertilizer. |
| 00:21:16 |
Oh, Tati. |
| 00:21:18 |
Hello. |
| 00:21:20 |
Duflot? |
| 00:21:22 |
Oui. |
| 00:21:23 |
- Max. |
| 00:21:24 |
Haven't you... Matured. |
| 00:21:27 |
Ah, c'est vrai, |
| 00:21:30 |
- Right. |
| 00:21:33 |
- Fanleaf disease in '93. |
| 00:21:35 |
- Fanleaf disease. |
| 00:21:36 |
...corked away another |
| 00:21:40 |
But I still have my wife, Ludivine. |
| 00:21:41 |
- Ludivine. |
| 00:21:43 |
And my dog... |
| 00:21:47 |
I expect you're hungry, no? |
| 00:21:48 |
Please, come tonight. |
| 00:21:49 |
My wife is roasting a lamb- Mmm! |
| 00:21:51 |
To tell the truth... |
| 00:21:52 |
I haven't had much |
| 00:21:54 |
...since I learned of Henry. |
| 00:21:55 |
Oh, the very last years, |
| 00:21:58 |
But I tended to things |
| 00:22:01 |
We became very close. |
| 00:22:03 |
Almost like... |
| 00:22:08 |
Well, I am most appreciative... |
| 00:22:11 |
...that someone was here for him. |
| 00:22:13 |
Well, my wife will |
| 00:22:15 |
...with croissants, okay? |
| 00:22:16 |
Huh? She will resume her duties. |
| 00:22:18 |
- Allez! Bon! |
| 00:22:33 |
Hmm. |
| 00:22:37 |
"Welcome." |
| 00:22:41 |
Ah. |
| 00:22:43 |
Don't mind if I do. |
| 00:22:52 |
Here's to you, Henry. |
| 00:22:53 |
Devoting your life to the vines... |
| 00:22:57 |
...and bottling the truth. |
| 00:23:05 |
Hmm... |
| 00:23:11 |
That was honest. |
| 00:23:13 |
Jesus, ought to have |
| 00:23:25 |
Ah... Coffee, coffee. |
| 00:23:28 |
What's in here? |
| 00:23:30 |
And that? |
| 00:23:33 |
Piss off. |
| 00:23:39 |
Hmm. |
| 00:23:41 |
Morning, Henry. |
| 00:23:43 |
Milk. |
| 00:23:49 |
Hmm. |
| 00:23:58 |
Maxie! |
| 00:23:59 |
Madame Duflot! |
| 00:24:00 |
Maxie! Maxie! Maxie! |
| 00:24:06 |
- Oh... |
| 00:24:25 |
Morning, Gemma. |
| 00:24:26 |
Are you enjoying yourself, Max? |
| 00:24:28 |
Oh, yes, as bereavements go, you know. |
| 00:24:30 |
This will cheer you up. |
| 00:24:32 |
You've been busted. |
| 00:24:33 |
Morning Financial Times headline: |
| 00:24:36 |
"Lorden Brothers trade |
| 00:24:39 |
You don't have to worry |
| 00:24:41 |
The FSA today launched |
| 00:24:44 |
...into recent Lorden Brothers |
| 00:24:47 |
Yes, well, I double-checked |
| 00:24:49 |
I covered our asses, okay? |
| 00:24:51 |
It's just bollocks to placate |
| 00:24:53 |
Oh, he doesn't think so. |
| 00:24:55 |
- Nigel? |
| 00:24:59 |
He wants a meeting with you today, |
| 00:25:02 |
Well, it must be |
| 00:25:04 |
Um, what time is my meeting |
| 00:25:06 |
A little over an hour from now. |
| 00:25:08 |
My time or yours? |
| 00:25:10 |
Oh, shit. |
| 00:25:11 |
Oh, Gemma! |
| 00:25:42 |
Yes? |
| 00:25:43 |
How's the house, Max? |
| 00:25:45 |
Well, to tell you |
| 00:25:47 |
...it's a little bit shabby. |
| 00:25:48 |
We don't say shabby, Max. |
| 00:25:49 |
We say filled with the patina |
| 00:25:52 |
- How's the wine? |
| 00:25:54 |
Uh, bouquet of a wet dog. |
| 00:25:55 |
Hits the palate |
| 00:25:57 |
...with a finish that hints of awful. |
| 00:26:00 |
So the house is falling apart... |
| 00:26:01 |
...and the vineyard |
| 00:26:02 |
Excellent. |
| 00:26:04 |
One thing you are going |
| 00:26:06 |
All right, what's that? |
| 00:26:07 |
It's a sort of licensed wine expert. |
| 00:26:09 |
They take soil samples- Bits of |
| 00:26:11 |
...tests them- There must |
| 00:26:14 |
And also, I would need |
| 00:26:16 |
...to get the punters clamoring... |
| 00:26:17 |
...and I have an e-mail address for |
| 00:26:20 |
Hold on a second. |
| 00:26:23 |
Okay, shoot. |
| 00:26:24 |
Provencelistings@ |
| 00:26:26 |
...abroadproperties. Inc. |
| 00:26:29 |
Shit. |
| 00:26:30 |
- Hello? |
| 00:26:34 |
- Hello? |
| 00:26:37 |
- Max? |
| 00:27:07 |
Auzet. |
| 00:27:11 |
Hello. |
| 00:27:12 |
Max Skinner. |
| 00:27:14 |
The vigneron makes the wine... |
| 00:27:17 |
...and the estate owner |
| 00:27:21 |
Mr. Skinner? |
| 00:27:22 |
Yes, hmm, right, well, delightful. |
| 00:27:25 |
This is how your uncle |
| 00:27:28 |
...worked for over 20 years. |
| 00:27:30 |
Naturally, Monsieur Duflot... |
| 00:27:31 |
...will be anxious |
| 00:27:34 |
I think I can speed this up. |
| 00:27:37 |
I have no intention |
| 00:27:40 |
So let Monsieur Duflot |
| 00:27:44 |
...and you enjoy the estate |
| 00:27:47 |
I'm not sure you understand me. |
| 00:27:48 |
My life is in London. |
| 00:27:50 |
I don't do weekends. |
| 00:27:52 |
I intend to sell La Siroque... |
| 00:27:54 |
...as soon as possible. |
| 00:27:55 |
And what about, uh... |
| 00:27:57 |
Monsieur and Madame Duflot? |
| 00:27:59 |
Look, in all cases like this, |
| 00:28:00 |
...just comes down to a figure. |
| 00:28:02 |
Well, if there's nothing else, |
| 00:28:05 |
Right. |
| 00:28:23 |
You're selling La Siroque? |
| 00:28:26 |
There has been a mistake, I think. |
| 00:28:28 |
News travels fast. |
| 00:28:30 |
But your uncle... |
| 00:28:32 |
...he meant for you to have it... |
| 00:28:34 |
...not sell it. |
| 00:28:35 |
Well, I'm sure if he did... |
| 00:28:36 |
...he would have written |
| 00:28:38 |
He didn't. |
| 00:28:40 |
You know, Henry was not |
| 00:28:42 |
He was a man of secrets, |
| 00:28:45 |
He didn't write things down. |
| 00:28:46 |
You would take me |
| 00:28:48 |
My vines, Duflot. |
| 00:28:51 |
I live in them... |
| 00:28:53 |
I breathe in them. |
| 00:28:54 |
They tear my hands. |
| 00:28:56 |
Look, Francis, when |
| 00:28:59 |
I do intend to make you |
| 00:29:02 |
Do you know, monsieur, |
| 00:29:05 |
...more than your own life? |
| 00:29:07 |
To submit your days and nights |
| 00:29:10 |
I have only a few vintages left. |
| 00:29:12 |
Soon my body and spirit will |
| 00:29:16 |
And you would dare come |
| 00:29:18 |
...my last few chances of immortality? |
| 00:29:20 |
Afraid so. Be in touch. |
| 00:29:32 |
Leaving now. |
| 00:29:34 |
Oh, good. |
| 00:29:35 |
'Cause Sir Nigel has made |
| 00:29:37 |
- Is everything okay? |
| 00:29:39 |
Good. Oh, did you remember |
| 00:29:42 |
Yes. |
| 00:29:43 |
- Damn it! |
| 00:29:45 |
Idiot. |
| 00:30:39 |
Let's see you then. |
| 00:30:43 |
One... Two... |
| 00:30:44 |
...and go! |
| 00:31:09 |
- Yes? |
| 00:31:11 |
Get off my camera. |
| 00:31:19 |
- Bollocks! |
| 00:31:40 |
Oh, come on! |
| 00:31:44 |
Where are you, tosser? |
| 00:32:32 |
- Hold on! |
| 00:32:36 |
Come to Papa. Come to Papa. |
| 00:32:44 |
Gemma, for God's sake, keep calling! |
| 00:33:03 |
Hello. |
| 00:33:05 |
Oh, no, don't worry about me. |
| 00:33:07 |
I'm... I'm the pool man. |
| 00:33:09 |
I do this every Thursday. |
| 00:33:11 |
It's just routine maintenance. |
| 00:33:15 |
It's been lovely chatting to you. |
| 00:33:23 |
And, and you are |
| 00:33:28 |
But any chance for a rope |
| 00:33:31 |
Is that your little car? |
| 00:33:34 |
Uh, yes, I'm the temporary custodian... |
| 00:33:36 |
...of the lime green roller skate... |
| 00:33:38 |
...but it's a hired car; it's a rental. |
| 00:33:40 |
It's not for sale. Sorry? |
| 00:33:41 |
- Can you swim? |
| 00:33:42 |
...but not in a foot of cow shit. |
| 00:33:48 |
Hello? |
| 00:33:58 |
Will all passengers on Flight... |
| 00:34:03 |
He's not on the flight. |
| 00:34:06 |
Right, right. |
| 00:34:08 |
Okay, roger that. |
| 00:34:37 |
What is it, Major Lawrence... |
| 00:34:39 |
...that attracts you, personally, |
| 00:34:44 |
It's clean. |
| 00:34:46 |
I like it because it's clean. |
| 00:35:11 |
Great. |
| 00:35:30 |
You better be in prison, Maxie. |
| 00:35:32 |
Yes, just tell him I'm sorry. |
| 00:35:34 |
There was nothing |
| 00:35:36 |
Sorry's no good, Max. |
| 00:35:38 |
Oh, shit. |
| 00:35:40 |
Um, what time is the first |
| 00:35:43 |
Oh, there's no point |
| 00:35:45 |
You know, the last thing |
| 00:35:49 |
- was to suspend you for a week. |
| 00:35:52 |
What the f- Does he expect me |
| 00:35:54 |
Take a holiday? |
| 00:35:56 |
Christ, he didn't say that, did he? |
| 00:35:58 |
No, I just did. |
| 00:35:59 |
Right, Gemma. Never say that. |
| 00:36:01 |
If anybody calls... |
| 00:36:02 |
...do not say I'm on holiday. |
| 00:36:04 |
All right? |
| 00:36:06 |
Now, look. |
| 00:36:07 |
I'll be back in the office |
| 00:36:09 |
- You just make sure |
| 00:36:10 |
That every man jack |
| 00:36:12 |
Set it up so I can |
| 00:36:14 |
What? |
| 00:36:16 |
Get him a clearance |
| 00:36:18 |
...on Sir Nigel's recommend. |
| 00:36:19 |
Are you mad, Max? |
| 00:36:21 |
Who cares? Just do it. |
| 00:36:22 |
Don't tell anybody, all right? |
| 00:36:23 |
Especially not that |
| 00:36:25 |
Max, is there a problem? |
| 00:36:27 |
No, I'm having a great time. |
| 00:36:29 |
- You sure? |
| 00:36:30 |
- You just be careful, okay? Okay. Ciao. |
| 00:36:33 |
Bye. |
| 00:37:32 |
- Oh, shit! |
| 00:37:33 |
Shit! Scorpion! Scorpion! |
| 00:37:38 |
Scorpion! |
| 00:37:39 |
- Oh! Drop it! Bloody hell! |
| 00:37:42 |
Get that little bastard! |
| 00:37:47 |
Of course. |
| 00:37:48 |
Okay. |
| 00:38:13 |
Fits very well; beautifully. |
| 00:38:14 |
Max? |
| 00:38:16 |
Are you back in Blighty? |
| 00:38:18 |
On the contrary, chuckles. |
| 00:38:19 |
I've decided to stick around |
| 00:38:23 |
So it's true, |
| 00:38:25 |
No, I'm not getting |
| 00:38:27 |
I'm just exploring my options, |
| 00:38:30 |
...the full potential |
| 00:38:32 |
Well, speaking |
| 00:38:33 |
...how soon before we can view? |
| 00:38:35 |
It's cosmetic stuff mostly, I'd say. |
| 00:38:36 |
Surprising, actually, |
| 00:38:39 |
Hmm. So you don't need... |
| 00:38:40 |
...a contractor or anything like that? |
| 00:38:42 |
Uh, no, no, no, no. |
| 00:38:44 |
...a coat of paint |
| 00:38:47 |
Okay, you sure? |
| 00:38:48 |
- No problem at all, Charlie. |
| 00:38:51 |
Charlie? |
| 00:38:54 |
Charlie, can you hear me? |
| 00:38:56 |
- Yes. |
| 00:38:57 |
Can you hear me now? |
| 00:38:58 |
- Yes. |
| 00:39:01 |
...about what I said |
| 00:39:03 |
It is not, I repeat, |
| 00:39:07 |
- Will that affect our price? |
| 00:39:10 |
Uh, well, |
| 00:39:12 |
- And it makes you angry. |
| 00:39:14 |
I can't imagine the damage |
| 00:39:16 |
Well, we'll just have |
| 00:39:18 |
...our buyers don't know |
| 00:39:20 |
We'll concentrate on the Americans. |
| 00:39:23 |
Just make sure she's match-fit |
| 00:39:26 |
72 hours. |
| 00:39:27 |
Righto. |
| 00:39:32 |
A Lamborghini tractor. |
| 00:39:34 |
Paintbrush... |
| 00:39:35 |
...paintbrush, paintbrush. |
| 00:39:40 |
Paintbrush! |
| 00:39:56 |
You old bugger. |
| 00:40:27 |
Duflot. |
| 00:40:31 |
I was just about to use |
| 00:40:35 |
It's my paintbrush. |
| 00:40:36 |
Gee whiz. |
| 00:40:38 |
This is fun. |
| 00:40:39 |
Tell you what... |
| 00:40:41 |
I'll give you 20 euros |
| 00:40:44 |
- Hmm? |
| 00:40:45 |
No? |
| 00:40:46 |
Fifty. |
| 00:40:47 |
I'll give you a hundred euros |
| 00:40:50 |
I don't care. |
| 00:40:55 |
When you sell, I stay vigneron. |
| 00:40:57 |
I keep my vines. |
| 00:40:59 |
You want to stay with your vines? |
| 00:41:00 |
- Mm-hmm. |
| 00:41:01 |
That means you... |
| 00:41:02 |
...must help me... |
| 00:41:05 |
...do the gardens... |
| 00:41:06 |
...paint the house, |
| 00:41:09 |
...if at all possible, |
| 00:41:11 |
...the new owners |
| 00:41:13 |
...of your services. |
| 00:41:14 |
D'accord? |
| 00:41:17 |
A Frenchman's hand... |
| 00:41:19 |
...is his word. |
| 00:41:22 |
An Englishman's word is his bond. |
| 00:41:25 |
- Concord? |
| 00:41:28 |
Frog tosspot. |
| 00:41:30 |
English prick. |
| 00:41:50 |
No. |
| 00:42:28 |
Awfully sorry. |
| 00:42:32 |
Goal of the day. |
| 00:42:50 |
Bat. Come on. |
| 00:42:53 |
Here comes the ball! |
| 00:42:57 |
Champion of the over- Unh! |
| 00:42:59 |
Let's play. |
| 00:43:02 |
Come on. |
| 00:43:06 |
All right, I'm 12-none out. |
| 00:43:11 |
Okay. |
| 00:43:18 |
It won't last one month. |
| 00:43:20 |
If things go |
| 00:43:22 |
...it will be somebody else's problem. |
| 00:43:28 |
Monsieur Max! |
| 00:43:30 |
Yes? |
| 00:43:31 |
There is, um... A person... |
| 00:43:35 |
- At the door. |
| 00:43:37 |
A person. |
| 00:43:42 |
Bonjour. |
| 00:43:44 |
Bonjour. |
| 00:43:48 |
The only country that issues |
| 00:43:51 |
Oh. |
| 00:43:52 |
You speak English. |
| 00:43:53 |
- Like a native. |
| 00:43:55 |
I'm Christie Roberts. |
| 00:43:56 |
I'm looking for Mr. Skinner. |
| 00:43:58 |
You lucky devil, you found him. |
| 00:44:01 |
Impossible. |
| 00:44:03 |
You're way too young. |
| 00:44:05 |
You know, I was just thinking |
| 00:44:08 |
I meant too young to be my dad. |
| 00:44:13 |
Henry Skinner is my father. |
| 00:44:17 |
She has Henry's nose. |
| 00:44:19 |
Allez. Allez. |
| 00:44:23 |
Wow. |
| 00:44:27 |
This your mum? |
| 00:44:29 |
In all her Flashdance glory. |
| 00:44:33 |
So, uh... |
| 00:44:35 |
...is he around? |
| 00:44:39 |
Oh, bollocks. |
| 00:44:40 |
Um... |
| 00:44:44 |
I'm sorry. |
| 00:44:46 |
- It's Christie. |
| 00:44:48 |
You see, Christie, um... |
| 00:44:51 |
Henry... |
| 00:44:55 |
He's dead, huh? |
| 00:44:57 |
A month ago. |
| 00:45:02 |
Um... |
| 00:45:06 |
Cup of tea? |
| 00:45:07 |
Yes? |
| 00:45:09 |
Madame Duflot. |
| 00:45:12 |
Well, no, it's more |
| 00:45:14 |
What if the girl |
| 00:45:15 |
Oh, come on, she turns up... |
| 00:45:16 |
...a couple months after he parks it? |
| 00:45:18 |
Far too sweet, Charlie; |
| 00:45:20 |
You need some |
| 00:45:21 |
...and you need it fast, |
| 00:45:23 |
...screws up the whole deal. |
| 00:45:25 |
Asking price? |
| 00:45:26 |
Uh, it's seven and a half. |
| 00:45:28 |
Did you get that? |
| 00:45:29 |
Right. |
| 00:45:36 |
Christie, I'm just going |
| 00:45:39 |
Oh, no problem- |
| 00:45:41 |
...just in case the old man... |
| 00:45:43 |
- was schizo, you know? |
| 00:45:44 |
Oh, you mind dropping me off? |
| 00:45:46 |
I really got to get |
| 00:45:50 |
Why don't you just get |
| 00:45:52 |
Got plenty of space, lots of room. |
| 00:45:54 |
You can clean up, take a shower. |
| 00:45:56 |
- I'll be back in a jiff. |
| 00:45:58 |
Absolutely, absolutely. |
| 00:46:00 |
Madame Duflot? |
| 00:46:02 |
Voila. |
| 00:46:07 |
In the French law, there is no difference between... |
| 00:46:10 |
...legitimate and illegitimate |
| 00:46:13 |
...to their right to inherit. |
| 00:46:16 |
That's bloody ridiculous. |
| 00:46:17 |
She never even met Henry. |
| 00:46:19 |
She could very well be an impostor. |
| 00:46:20 |
That is precisely why |
| 00:46:23 |
...to produce some form... |
| 00:46:24 |
...of documentation. |
| 00:46:26 |
Photo or even... |
| 00:46:28 |
...correspondence- A love letter. |
| 00:46:30 |
Yes, yes, yes, but what if I just... |
| 00:46:34 |
...before she even makes her claim? |
| 00:46:37 |
No; legally, she could |
| 00:46:41 |
...even after the transfer of title. |
| 00:46:42 |
Bugger. |
| 00:46:44 |
My advice, Mr. Skinner... |
| 00:46:45 |
...is to treat her |
| 00:46:48 |
Goes without saying. |
| 00:46:50 |
And hope she'll be on her way. |
| 00:46:52 |
...bugger off. |
| 00:46:54 |
Don't let this... End in court. |
| 00:47:16 |
Merci. |
| 00:47:31 |
Joan of Arc? |
| 00:47:33 |
Oh, Jacques Cousteau. |
| 00:47:37 |
You tried to drown me. |
| 00:47:38 |
And you tried to run me |
| 00:47:41 |
What are you talking about, |
| 00:47:43 |
What sort of bollocks is that? |
| 00:47:44 |
Down the road |
| 00:47:45 |
...you were driving your |
| 00:47:49 |
Bonjour. Bonjour. |
| 00:47:50 |
And I believe... |
| 00:47:52 |
...had your head stuck |
| 00:47:54 |
Look at the damage |
| 00:47:57 |
You tried to kill me... |
| 00:47:58 |
I tried to kill you. |
| 00:48:05 |
My God. |
| 00:48:07 |
She's fantastic. |
| 00:48:14 |
Hey, Max. |
| 00:48:17 |
Look at the view. |
| 00:48:18 |
It's like Cézanne. |
| 00:48:37 |
Oh, Tati. Psst. |
| 00:48:44 |
Francis... |
| 00:48:45 |
...in, uh, in town today... |
| 00:48:48 |
I was, um... |
| 00:48:51 |
I was passing by this restaurant... |
| 00:48:53 |
Her name is Fanny Chenal. |
| 00:48:56 |
Right. |
| 00:48:57 |
Many times, I've seen... |
| 00:48:58 |
...this same look on your uncle's face. |
| 00:49:01 |
But you deserve credit. |
| 00:49:03 |
Why is that? |
| 00:49:04 |
You are now the town hero |
| 00:49:07 |
...her derriere. |
| 00:49:13 |
She, um... |
| 00:49:16 |
Who? |
| 00:49:17 |
Fanny Chenal. |
| 00:49:20 |
I believe, yes. |
| 00:49:22 |
She, um... |
| 00:49:26 |
She otherwise spoken for? |
| 00:49:28 |
She was once. |
| 00:49:30 |
A football player- For Lyon. |
| 00:49:33 |
He was shit... |
| 00:49:34 |
...just like his left foot. |
| 00:49:36 |
He treated her very badly, you know. |
| 00:49:38 |
Since then, it's rumored |
| 00:49:41 |
...near her heart. |
| 00:49:53 |
So she's alone, then. |
| 00:49:56 |
Who? |
| 00:49:58 |
Fanny Chenal. |
| 00:49:59 |
Max... |
| 00:50:00 |
...recall what Proust said: |
| 00:50:02 |
"Leave pretty women... |
| 00:50:04 |
...to men without imagination." |
| 00:50:06 |
Duflot, I'm a banker. |
| 00:50:09 |
I have no imagination. |
| 00:50:11 |
Stop. |
| 00:50:17 |
Fred Perry. |
| 00:50:20 |
Henri Lacoste. |
| 00:50:36 |
Love-15. |
| 00:50:42 |
15-all. |
| 00:50:47 |
Yes! |
| 00:50:51 |
No, no, out. |
| 00:50:53 |
Cannot be serious! |
| 00:50:55 |
Ball. Ball! |
| 00:51:01 |
Ah, good. |
| 00:51:06 |
- Yeah! Hey! |
| 00:51:09 |
Oh... Oh, bollocks! |
| 00:51:29 |
My point. |
| 00:00:19 |
Game. |
| 00:00:20 |
Hmm. |
| 00:00:42 |
Eh, Tati. |
| 00:01:15 |
Voila. |
| 00:01:22 |
Oh, Maxie. |
| 00:01:24 |
Oh, look, Ludivine, um... |
| 00:01:26 |
...she's my cousin. |
| 00:01:27 |
Well, she might be... |
| 00:01:29 |
...to be, um, a relative, uh, |
| 00:01:31 |
Uh-huh. |
| 00:01:33 |
This is perhaps |
| 00:01:34 |
No. |
| 00:01:35 |
Half the aristocrats in France... |
| 00:01:37 |
...have liaison with their cousins. |
| 00:01:39 |
Gosh, that explains a lot. |
| 00:01:41 |
- Ooh. |
| 00:01:45 |
Oh, won't do. |
| 00:01:49 |
Anything but, uh... |
| 00:01:51 |
Vin de merdre. |
| 00:01:56 |
No label. |
| 00:02:01 |
HENRY: Careful on those steps. |
| 00:02:08 |
What do you see up there? |
| 00:02:10 |
Fervens. |
| 00:02:11 |
Are you speaking in tongues, boy? |
| 00:02:14 |
"Fervere"- it's a Latin term. |
| 00:02:16 |
It means "to boil." |
| 00:02:18 |
The native yeasts in your cellar |
| 00:02:22 |
...inside the grapes to alcohol. |
| 00:02:24 |
The release of |
| 00:02:27 |
...is what causes the bubbling of it. |
| 00:02:29 |
I must be suffering from dementia. |
| 00:02:31 |
I don't recall ever |
| 00:02:33 |
You didn't. |
| 00:02:35 |
Monsieur Duflot explained it to me. |
| 00:02:37 |
Well done. |
| 00:02:39 |
Proves the adage... |
| 00:02:40 |
...that wisdom can be found |
| 00:02:44 |
To watch Duflot on bended knee... |
| 00:02:47 |
...doing something as simple |
| 00:02:49 |
...he brings a magnificent poetry... |
| 00:02:51 |
...in his devotion |
| 00:02:55 |
Perhaps it'd inspire you... |
| 00:02:57 |
...to find devotion in what you do |
| 00:03:01 |
I want to be a professional |
| 00:03:05 |
Or a comedian. |
| 00:03:06 |
Maximillian... |
| 00:03:07 |
...ask me what is... |
| 00:03:10 |
...the most important thing in comedy. |
| 00:03:13 |
What is the most |
| 00:03:16 |
- in comedy? |
| 00:03:20 |
Timing. |
| 00:03:27 |
Have you tasted Dad's wine? |
| 00:03:29 |
Oh, yes, indeed. |
| 00:03:31 |
But I do recommend it... |
| 00:03:32 |
...for getting the paint out from |
| 00:03:35 |
So you know. |
| 00:03:36 |
Well, I'm more of a cognac drinker. |
| 00:03:38 |
I'm too impatient |
| 00:03:40 |
If I'm gonna get drunk, |
| 00:03:41 |
...to spend all night doing it. |
| 00:03:42 |
Try that. |
| 00:03:46 |
It's better. |
| 00:03:47 |
It's extraordinary. |
| 00:03:50 |
Like a Bordeaux... |
| 00:03:52 |
...only velvet rather than wool. |
| 00:03:53 |
Well, well... |
| 00:03:55 |
...guess who knows a thing |
| 00:03:57 |
Back in Napa... |
| 00:03:58 |
...we're known to gargle... |
| 00:03:59 |
...and spit on occasion. |
| 00:04:01 |
That sounds like fun. |
| 00:04:03 |
Is, uh, is this made here... |
| 00:04:07 |
...on the estate? |
| 00:04:08 |
"Coin Perdu." |
| 00:04:10 |
Doubt it. |
| 00:04:11 |
Different bottles. |
| 00:04:13 |
Same corks. |
| 00:04:14 |
Un petit mystery, n'est-ce pas? |
| 00:04:16 |
Well, Henry always was |
| 00:04:18 |
How so? |
| 00:04:20 |
He loved England, |
| 00:04:23 |
And he loved women... |
| 00:04:25 |
...but never the same one |
| 00:04:28 |
...a certain period of time. |
| 00:04:30 |
He never got married. |
| 00:04:32 |
And he loved adventure. |
| 00:04:34 |
But every single one of... |
| 00:04:35 |
...my memories takes place... |
| 00:04:36 |
...within about 100 steps |
| 00:04:40 |
Are they good memories? |
| 00:04:42 |
No. |
| 00:04:44 |
They're grand. |
| 00:04:48 |
I'm going to go upstairs... |
| 00:04:50 |
...finish my book. |
| 00:04:53 |
Death in Venice. |
| 00:04:56 |
That's my book. |
| 00:04:57 |
Don't tell me the ending. |
| 00:05:06 |
Well, actually, I never |
| 00:05:07 |
Hello, old mate, how are you? |
| 00:05:10 |
Just a quick question. |
| 00:05:11 |
Yeah, hang on. Shirley. |
| 00:05:15 |
Yes? |
| 00:05:16 |
You'd know this. |
| 00:05:17 |
In France... |
| 00:05:19 |
...is it actually illegal |
| 00:05:21 |
Only if she's ugly. |
| 00:05:23 |
Right. |
| 00:05:30 |
Bollocks. |
| 00:05:33 |
Lance Armstrong! |
| 00:05:41 |
I know, I'm so sorry. |
| 00:05:42 |
I'm supposed to be here |
| 00:05:45 |
30 minutes, I'm sorry. |
| 00:05:47 |
Oh, come on. |
| 00:05:49 |
I know. I know. |
| 00:05:50 |
You said we'd be seated right away. |
| 00:05:52 |
I know. Okay, you have a drink. |
| 00:05:54 |
We'll offer you a drink... |
| 00:05:57 |
...and you'll have your table in |
| 00:05:59 |
All righty. Okay. |
| 00:06:01 |
All right, what I want is- |
| 00:06:02 |
...get ready, write it down: |
| 00:06:08 |
Caroline? |
| 00:06:16 |
Bonsoir. |
| 00:06:17 |
Monsieur... |
| 00:06:20 |
Well, I hope your |
| 00:06:22 |
...because your service |
| 00:06:24 |
Please, Monsieur, I'm too busy |
| 00:06:25 |
- Where are all your waiters, love? |
| 00:06:28 |
- My hands are full without fun and |
| 00:06:29 |
- My hands are full without fun and |
| 00:06:30 |
McDonald's is in Avignon, |
| 00:06:35 |
Table six? |
| 00:06:36 |
Allez, allez! |
| 00:06:41 |
- What are you doing? |
| 00:06:43 |
Done this before. |
| 00:06:44 |
Where? |
| 00:06:45 |
Worked my way through university... |
| 00:06:46 |
...at London's finest restaurants. |
| 00:06:49 |
Monsieur! |
| 00:06:50 |
- Mais qu'est-ce qui se passe? |
| 00:06:53 |
Venez, monsieur! |
| 00:06:55 |
Okay, okay. |
| 00:06:56 |
But remember, if there |
| 00:06:58 |
...in France, |
| 00:07:01 |
Table six. |
| 00:07:03 |
Table six. |
| 00:07:15 |
Bonsoir... |
| 00:07:17 |
Table? |
| 00:07:18 |
Uh... 16. |
| 00:07:27 |
Champagne? |
| 00:07:30 |
Yes, cheers. And wha-what |
| 00:07:32 |
Garkin! Garkin! Get over here. |
| 00:07:34 |
- I need, need help over here. |
| 00:07:36 |
Where you going? |
| 00:07:38 |
Garkin! |
| 00:07:39 |
Oh, do you speak American? |
| 00:07:40 |
'Cause this menu |
| 00:07:42 |
...and we don't understand it. |
| 00:07:43 |
Yeah, we need some silverware. |
| 00:07:45 |
But, uh, let me tell you |
| 00:07:46 |
Mm-hmm. |
| 00:07:47 |
I would like a salad "Nicoisee..." |
| 00:07:49 |
...with ranch dressing on it. |
| 00:07:50 |
Wait, wait, baby, |
| 00:07:52 |
Oh, that's right. |
| 00:07:54 |
So, I would like low-cal |
| 00:07:57 |
And could you sprinkle |
| 00:07:59 |
McDonald's is in Avignon... |
| 00:08:02 |
...fish and chips, Marseille. |
| 00:08:04 |
You people got some serious attitude around here. |
| 00:08:22 |
Here are your tips. |
| 00:08:24 |
Thank you for your help. |
| 00:08:27 |
You're fired. |
| 00:08:31 |
You know, my vigneron said that... |
| 00:08:34 |
...you grew up around Gord. |
| 00:08:36 |
Monsieur Duflot is mistaken. |
| 00:08:38 |
I only visited Gord during |
| 00:08:42 |
I used to spend my summers here. |
| 00:08:44 |
I wonder if we ever met. |
| 00:08:50 |
Well, if we did, |
| 00:08:55 |
You're a local. |
| 00:08:58 |
Where would a young man, |
| 00:09:03 |
...for a drink? |
| 00:09:06 |
What? |
| 00:09:08 |
Are you asking me on a date? |
| 00:09:13 |
No, it's more of an apology. |
| 00:09:16 |
I just don't, uh, want you to |
| 00:09:19 |
...who goes around running people |
| 00:09:21 |
I'm not interested. |
| 00:09:24 |
Have a good night. |
| 00:09:59 |
Sunday night, 8:00. |
| 00:10:01 |
Place de I'Etang. |
| 00:10:02 |
Don't be late. |
| 00:10:05 |
I shall see you then. |
| 00:10:13 |
Oh, my God. |
| 00:10:15 |
Help! Scorpions! |
| 00:10:16 |
- Scorpions! |
| 00:10:17 |
Help! |
| 00:10:18 |
Oh, my god! |
| 00:10:21 |
Et voila! |
| 00:10:22 |
Et voila. |
| 00:10:24 |
- La lavande... |
| 00:10:28 |
La lavande... |
| 00:10:46 |
Merci. |
| 00:10:47 |
You're welcome. |
| 00:11:20 |
You dance very well, Ludivine. |
| 00:11:22 |
Thank you. |
| 00:11:24 |
I miss Henry. |
| 00:11:26 |
He was an excellent dancer. |
| 00:11:28 |
Yeah. |
| 00:11:32 |
- Do you want to dance? |
| 00:11:33 |
Oh, what happened? |
| 00:11:34 |
Uh, the tennis with |
| 00:11:37 |
Oh, poor boy. Do you |
| 00:11:39 |
No. |
| 00:11:40 |
Antiseptic? |
| 00:11:41 |
No. |
| 00:11:42 |
Oh, you are coming... |
| 00:11:45 |
...to our house tonight, |
| 00:11:49 |
Oui. |
| 00:11:50 |
- Huh? |
| 00:11:51 |
I am cooking for you, Max. |
| 00:11:57 |
Merci. |
| 00:12:23 |
Bonjour. |
| 00:12:24 |
Vous parlez français? |
| 00:12:26 |
Ouais. |
| 00:12:28 |
Francis Duflot, vigneron. |
| 00:12:32 |
Christie Roberts. |
| 00:12:34 |
Illegitimate daughter. |
| 00:12:36 |
The resemblance to |
| 00:12:39 |
The nose. |
| 00:12:41 |
For 23 years, I toiled |
| 00:12:46 |
Even now, he works from |
| 00:12:50 |
That's when I first |
| 00:12:53 |
But now they are sad and tired. |
| 00:12:56 |
Except here. |
| 00:12:57 |
Here? |
| 00:12:59 |
Nothing but rocks and grief. |
| 00:13:03 |
Limestones absorb the sunlight. |
| 00:13:05 |
Keep the vines warm at night. |
| 00:13:09 |
Wine brat. |
| 00:13:10 |
I spent summers working |
| 00:13:13 |
Oui, mais... |
| 00:13:14 |
In California, they don't make wine. |
| 00:13:16 |
They make Hawaiian Punch. |
| 00:13:18 |
Mondavi might argue with that one. |
| 00:13:21 |
Maybe Henry's daughter... |
| 00:13:22 |
...would be interested in |
| 00:13:24 |
- Okay. |
| 00:13:26 |
If we are lucky, |
| 00:13:45 |
Paid to the order |
| 00:13:48 |
How much? |
| 00:13:49 |
Uh, 87 francs. |
| 00:13:51 |
Mm... |
| 00:13:53 |
...sign! |
| 00:13:54 |
Henry Skinner. |
| 00:13:59 |
- Next? |
| 00:14:00 |
Not a sous to that grease monkey. |
| 00:14:02 |
The old Jag's still coughing |
| 00:14:05 |
Next. |
| 00:14:07 |
Uh, Jean-Pierre Lesourdre. |
| 00:14:09 |
How much? |
| 00:14:10 |
How much? |
| 00:14:11 |
2,000 francs. |
| 00:14:12 |
Huh? Uh, okay, okay. |
| 00:14:16 |
You're a genius, Maximillian. |
| 00:14:19 |
You could be me. |
| 00:14:22 |
The photos worked like a charm. |
| 00:14:23 |
MAX: Really? |
| 00:14:24 |
Yeah, massive interest, Max. |
| 00:14:26 |
Wonderful. |
| 00:14:27 |
Yes, money, money, money, |
| 00:14:29 |
So I decided it's time |
| 00:14:32 |
So I booked a flight. |
| 00:14:34 |
I'll be with you tomorrow afternoon. |
| 00:14:35 |
Terrific. |
| 00:14:37 |
Well, I'll alert the staff |
| 00:14:39 |
What do you mean, chain up the dogs? |
| 00:14:41 |
No, I don't have any dogs, |
| 00:14:43 |
...that's just a figure of speech, |
| 00:15:11 |
Max! |
| 00:15:13 |
Pretty cool, huh? |
| 00:15:15 |
Bonsoir. |
| 00:15:18 |
Ça va? |
| 00:15:19 |
Ça va... |
| 00:15:21 |
Allez, we must have an appero. |
| 00:15:23 |
We must have a big one. |
| 00:15:31 |
Ah, Ludivine. |
| 00:15:33 |
Ah, non, non, non, |
| 00:15:36 |
Bonsoir. |
| 00:15:37 |
Hello. |
| 00:15:38 |
Ça va? |
| 00:15:39 |
Ça va? |
| 00:15:40 |
Oh, merci. |
| 00:15:42 |
C'est gentil, merci, merci, merci... |
| 00:15:44 |
Of course. |
| 00:15:50 |
Ah, I took the liberty... |
| 00:15:52 |
...of inviting Henry's |
| 00:16:00 |
Pastis? |
| 00:16:00 |
- Oui. |
| 00:16:02 |
Bonsoir, coz. |
| 00:16:04 |
Bonsoir. |
| 00:16:06 |
I see you've managed... |
| 00:16:08 |
...to ingratiate yourself |
| 00:16:12 |
Where'd you get the Halston? |
| 00:16:13 |
Dad's closet. |
| 00:16:14 |
Ta-da. |
| 00:16:16 |
I wonder what she wore home. |
| 00:16:19 |
A simple meal after a day's work |
| 00:16:22 |
Eggplant... |
| 00:16:23 |
Caviar de Bergine-very good. |
| 00:16:26 |
Where are the heads? We didn't, |
| 00:16:28 |
No, no, no. |
| 00:16:29 |
Uh, mushrooms of the region. |
| 00:16:31 |
Et voila... |
| 00:16:33 |
And finally civet |
| 00:16:37 |
...marinated in red wine and blood |
| 00:16:41 |
Why would you have it any other way? |
| 00:16:43 |
Allez, attaque. |
| 00:16:45 |
Help, help. |
| 00:16:47 |
Wine, Max? |
| 00:16:48 |
La Siroque? |
| 00:16:50 |
Mais non. |
| 00:16:51 |
Uh... Christie? |
| 00:16:51 |
- Wine? |
| 00:16:56 |
Oh, Papa. |
| 00:17:01 |
Papa speaks Provençal. |
| 00:17:03 |
You know? |
| 00:17:04 |
Oh, but very few |
| 00:17:06 |
It's now exclusively practiced... |
| 00:17:09 |
...by poets and sodomites. |
| 00:17:12 |
What a sodomite is, by the way? |
| 00:17:14 |
I will explain you tonight. |
| 00:17:18 |
Francis. |
| 00:17:19 |
Mmm... |
| 00:17:21 |
Mmm... |
| 00:17:22 |
The asparagus is-is lovely. |
| 00:17:24 |
Mmm, thank you. |
| 00:17:26 |
Very chewy, but... |
| 00:17:28 |
Iovely. |
| 00:17:29 |
Eh, bravo, eh, Ludivine? |
| 00:17:30 |
And the boar, mmm! |
| 00:17:32 |
Perhaps the best boar I've had. |
| 00:17:36 |
Can I have some bread, please? |
| 00:17:37 |
Oh, yeah. |
| 00:17:40 |
Francis, Francis? |
| 00:17:43 |
Papa, donne-moi ca, Papa. |
| 00:17:48 |
Sorry. |
| 00:17:50 |
C'est Le Coin Perdu. |
| 00:17:51 |
It's a local vin de garage, c'est... |
| 00:17:53 |
"Vin de garage?" |
| 00:17:54 |
It's a garage wine. |
| 00:17:56 |
Like a boutique wine. |
| 00:17:58 |
Small vineyards, small productions. |
| 00:18:00 |
Seriously big prices. |
| 00:18:03 |
It's overrated. |
| 00:18:04 |
It didn't say that on the Web. |
| 00:18:07 |
Turns out Le Coin Perdu |
| 00:18:10 |
It changes hands |
| 00:18:12 |
...but nobody knows who makes it. |
| 00:18:14 |
Well, uh, it's time for fromage. |
| 00:18:16 |
Okay? |
| 00:18:18 |
You want, uh, fromage, cheese? |
| 00:18:19 |
- Allez. |
| 00:18:22 |
And now, now... |
| 00:18:24 |
Papa? Papa? |
| 00:18:25 |
Trouble you for a spot of the Coin? |
| 00:18:27 |
You know what it is, Christie? |
| 00:18:29 |
It is Mar de Provence. |
| 00:18:31 |
Wow. |
| 00:18:33 |
It's a little bit strong. |
| 00:18:34 |
But very good. |
| 00:18:35 |
Chin-chin. |
| 00:18:37 |
It's your father's recipe. |
| 00:18:38 |
Yes. |
| 00:18:40 |
Max. |
| 00:18:41 |
- Little bit? |
| 00:18:42 |
Tell-Tell us, Madame Duflot... |
| 00:18:43 |
...what is it that makes you so |
| 00:18:48 |
Oh, but of course. |
| 00:18:50 |
The nose. |
| 00:18:51 |
Oh, the nose. |
| 00:18:53 |
The glorious snout. |
| 00:18:55 |
Is there something else? Anything? |
| 00:18:58 |
No? Anything that might help... |
| 00:19:00 |
...corroborate Christie's claim? |
| 00:19:04 |
Henry ever discuss California? |
| 00:19:09 |
Did he ever mention a woman |
| 00:19:13 |
It's funny, isn't it? |
| 00:19:16 |
...where he might have mentioned offspring? |
| 00:19:20 |
No? |
| 00:19:21 |
I mean, seriously. |
| 00:19:23 |
Oh, because the last person that... |
| 00:19:25 |
Henry would ever consciously |
| 00:19:28 |
Yes, but, uh, in this moment... |
| 00:19:30 |
I see more of Henry in Christie |
| 00:19:34 |
Max... |
| 00:19:36 |
...all I want is to learn |
| 00:19:39 |
This is my chance to find |
| 00:19:42 |
I don't care if you |
| 00:19:50 |
Oh! |
| 00:19:52 |
Oh. |
| 00:19:56 |
Monsieur... |
| 00:19:57 |
Madame... |
| 00:20:00 |
...thanks for a lovely evening. |
| 00:20:01 |
Oh, Papa will walk you back. |
| 00:20:03 |
No, Ludivine, no. |
| 00:20:05 |
The vines will guide me. |
| 00:20:06 |
Bonsoir. |
| 00:20:10 |
Good night. |
| 00:20:11 |
- Whoa. |
| 00:20:13 |
I'm okay. |
| 00:20:14 |
Oh. |
| 00:20:38 |
What are you doing? |
| 00:20:39 |
I lost my shoe. |
| 00:20:42 |
What? |
| 00:20:43 |
I lost my shoe. |
| 00:20:45 |
Why can't Henry be my dad? |
| 00:20:48 |
Well, because now that |
| 00:20:50 |
I'm not sure that |
| 00:20:52 |
You don't believe me, do you? |
| 00:20:54 |
Look, Christie, it's not a matter of that. |
| 00:20:56 |
Ludivine told me your parents |
| 00:21:00 |
You know, I... Grew up |
| 00:21:04 |
Doesn't it matter to you... |
| 00:21:06 |
...that I may be the only |
| 00:21:10 |
Yes, it does. That's why |
| 00:21:24 |
Whoa... whoa! |
| 00:21:41 |
This was my room |
| 00:21:45 |
Sleeping here... |
| 00:21:48 |
...it was the safest place |
| 00:21:51 |
No bedtimes, no chores. |
| 00:21:55 |
No squabbling adults. |
| 00:21:57 |
I loved Henry deeply, |
| 00:22:00 |
...around to telling him. |
| 00:22:03 |
It's a shitty feeling. |
| 00:22:09 |
He was someone who saved my life. |
| 00:22:21 |
Thanks a million, Maximillian. |
| 00:22:27 |
Bloody hell, Henry. |
| 00:22:29 |
- Where does it come back in? |
| 00:22:31 |
Bugger cooked the books. |
| 00:22:41 |
Yes? |
| 00:22:42 |
Max, my boy. |
| 00:22:44 |
Amis, you old cheese. |
| 00:22:46 |
So sorry to hear you're out. |
| 00:22:48 |
Well, as usual, Amis... |
| 00:22:49 |
...the only thing right about your intelligence |
| 00:22:53 |
Then again, you always were |
| 00:22:55 |
You've crossed the line |
| 00:22:58 |
You little runt! |
| 00:22:59 |
By the by, thank you so much for |
| 00:23:03 |
...to my Aston Martin fund. |
| 00:23:05 |
Did you get the flowers? |
| 00:23:06 |
What flowers? |
| 00:23:08 |
...little schemes and ploys... |
| 00:23:11 |
Well, you're nothing. |
| 00:23:12 |
Plonker. |
| 00:23:14 |
Oi! I heard that. |
| 00:23:15 |
Who you calling a plonker? |
| 00:23:17 |
You fat prat. |
| 00:23:19 |
Hey? Hello? |
| 00:23:20 |
- Skinner? |
| 00:23:22 |
Hello. I'm Jean-Marie Bougnier. |
| 00:23:25 |
Yes? |
| 00:23:27 |
I've come to test the vines. |
| 00:23:28 |
- Oh, the oenologue! |
| 00:23:29 |
Right, great. Um, well, grab |
| 00:23:33 |
Yeah. |
| 00:23:36 |
(cell phone ringing) |
| 00:23:39 |
Gemma, long time. |
| 00:23:41 |
Max, I've just had a vision |
| 00:23:45 |
...a latte at Starbucks. |
| 00:23:47 |
Getting comfortable |
| 00:23:49 |
Yeah, listen. |
| 00:23:50 |
Remember, we are not here |
| 00:23:55 |
Sell, sell. |
| 00:23:57 |
He's even taking credit |
| 00:24:00 |
He's telling everyone in |
| 00:24:04 |
...that gave you the idea. |
| 00:24:05 |
Well, if he wasn't an ambitious |
| 00:24:08 |
I never would have given him |
| 00:24:10 |
Yeah, but, Max, |
| 00:24:12 |
Gemma... Just |
| 00:24:14 |
...and let him do what he needs to do. |
| 00:24:16 |
All right? |
| 00:24:17 |
Tout a I'heure. |
| 00:24:22 |
Well... |
| 00:24:24 |
Piquette. |
| 00:24:25 |
Wonderful, wonderful. |
| 00:24:27 |
No, no, it mean, um... |
| 00:24:30 |
Yeah. |
| 00:24:31 |
Uh... Shit. |
| 00:24:37 |
Chicken shit, no? |
| 00:24:41 |
It's very terrible, |
| 00:24:44 |
It's like, um, in French |
| 00:24:48 |
It's completely dead. |
| 00:24:49 |
Oh, my God! |
| 00:24:51 |
Look at this one; this is a... |
| 00:24:52 |
It's a baby. |
| 00:24:54 |
Look at it. |
| 00:24:56 |
I test this one. |
| 00:25:01 |
Wow. |
| 00:25:03 |
Catastrophe. |
| 00:25:04 |
Very, very bad. |
| 00:25:06 |
I am really sorry. Eh! |
| 00:25:14 |
More like a quarry than a vineyard. |
| 00:25:18 |
Look at this-you know what it mean? |
| 00:25:21 |
You cut off two of |
| 00:25:24 |
What's left gets all the nourishment, |
| 00:25:28 |
And why would you do that? |
| 00:25:30 |
Perhaps the peasants |
| 00:25:33 |
...what they could, you know? |
| 00:25:38 |
Right, um... |
| 00:25:40 |
I think I follow you. |
| 00:25:41 |
Um, so wh-what's the verdict? |
| 00:25:44 |
Despite your vigneron's... |
| 00:25:46 |
...unbearable faults, you know... |
| 00:25:49 |
...this terroir is beyond help. |
| 00:25:52 |
Nothing, um... Shit. |
| 00:25:56 |
Nothing. No. |
| 00:25:58 |
You might consider growing |
| 00:26:04 |
I will have my office |
| 00:26:07 |
...and my invoice. |
| 00:26:09 |
Thank you. |
| 00:26:16 |
Oi! |
| 00:26:17 |
Wakey, wakey, beach bunny. |
| 00:26:19 |
What the hell do you think |
| 00:26:20 |
These are Henry's private papers. |
| 00:26:22 |
They're irreplaceable. |
| 00:26:25 |
Did you know Dad mixed a martini |
| 00:26:28 |
He also danced a waltz |
| 00:26:34 |
Well, considering Amelia |
| 00:26:36 |
...that's a perfect |
| 00:26:38 |
...of exaggerator Uncle Henry was. |
| 00:26:40 |
Want to know the real Uncle Henry? |
| 00:26:42 |
Not the one your overactive |
| 00:26:44 |
The real Henry Skinner |
| 00:26:46 |
...of committing to the real world... |
| 00:26:48 |
...that he retreated from life |
| 00:26:50 |
...to a lonely and loveless end! |
| 00:26:53 |
Everything I need to know |
| 00:26:57 |
It's right in front of me. |
| 00:27:00 |
You know, and if this place |
| 00:27:02 |
...as I believe it did... |
| 00:27:05 |
...you're worse than I thought... |
| 00:27:06 |
...for even thinking about selling it. |
| 00:27:15 |
I'll leave tomorrow. |
| 00:28:08 |
Uncle Henry! |
| 00:28:10 |
Let's see you then. |
| 00:28:11 |
- One, two, and go! |
| 00:28:39 |
Yes? |
| 00:28:40 |
Hello. |
| 00:28:41 |
You working out on the house? |
| 00:28:43 |
Charlie. |
| 00:28:45 |
Yes, at it since daybreak. |
| 00:28:46 |
Really. |
| 00:28:47 |
I hate to think of you toiling |
| 00:28:50 |
We're English, Charlie, you know? |
| 00:28:52 |
Born to rule and sacrifice. |
| 00:28:54 |
Yes. |
| 00:28:56 |
Where are you? |
| 00:28:57 |
- I'm outside. |
| 00:29:02 |
Wow. |
| 00:29:06 |
Max, take my original estimate... |
| 00:29:08 |
- And shove it up my ass. |
| 00:29:10 |
- If I can't get you $5 million |
| 00:29:12 |
...for this baby, I'm in the wrong sport. |
| 00:29:14 |
What? |
| 00:29:15 |
What? |
| 00:29:18 |
Oh, dear. |
| 00:29:19 |
Huh? |
| 00:29:20 |
This is a disaster. |
| 00:29:23 |
Mr. Froggy Wineman... |
| 00:29:25 |
...has just knocked a million |
| 00:29:27 |
Oh, bugger it, you know? |
| 00:29:28 |
We just go to plan two, right? |
| 00:29:29 |
Just flog it as fast as we can |
| 00:29:32 |
And just keep in mind |
| 00:29:34 |
...he stays on |
| 00:29:36 |
- I'll do my best. |
| 00:29:37 |
Max? |
| 00:29:38 |
So what's on the agenda |
| 00:29:40 |
Steak frite? |
| 00:29:42 |
Bottle of pastis? |
| 00:29:44 |
Charlie. |
| 00:29:45 |
Charlie, please; |
| 00:29:47 |
...and, uh, I have a... |
| 00:29:49 |
...an obligatory cultural activity |
| 00:29:52 |
Can I come? |
| 00:29:53 |
Will there be girls? |
| 00:29:55 |
No and yes. |
| 00:29:59 |
So you're leaving |
| 00:30:02 |
...in an eerie château |
| 00:30:06 |
Charlie. |
| 00:30:07 |
No. I'm leaving you alone. |
| 00:30:11 |
And, um, you're not as alone |
| 00:30:14 |
You'll find a friend. |
| 00:30:15 |
Okay? |
| 00:30:41 |
Max. |
| 00:30:42 |
We thought you were dead. |
| 00:30:44 |
Kenny, I've heard the word |
| 00:30:46 |
...is going to trade like a turd. |
| 00:30:48 |
Oh, yeah? |
| 00:30:49 |
A smart move... |
| 00:30:50 |
...would be to sell 28 gilt short |
| 00:30:55 |
Good grief. |
| 00:30:57 |
Are you sure? |
| 00:30:58 |
It's risky as hell; |
| 00:31:00 |
Now, of course... |
| 00:31:01 |
I'm not allowed to do |
| 00:31:04 |
I'm sure that you'll share |
| 00:31:06 |
...when the bouquets are passed around. |
| 00:31:07 |
- Yes? |
| 00:31:09 |
- See you later. |
| 00:31:11 |
Boss, someone is shorting |
| 00:31:17 |
Skinner. |
| 00:31:19 |
Not this time, you miserable sod. |
| 00:31:24 |
Buy! |
| 00:31:26 |
Get your hands |
| 00:31:55 |
Hello. |
| 00:31:56 |
Hello. |
| 00:31:59 |
Anyone there? |
| 00:32:01 |
Hello? |
| 00:32:03 |
Who are you? |
| 00:32:05 |
I'm Charlie's friend Max. |
| 00:32:07 |
No, I'm not. |
| 00:32:09 |
I'm Max's friend Charlie. |
| 00:32:10 |
Okay, Max's friend. |
| 00:32:14 |
I need you to come up here |
| 00:32:23 |
Thanks. |
| 00:32:40 |
Have I told you you're a vision? |
| 00:32:43 |
Oui, from the bottom of the pool... |
| 00:32:46 |
...when you were peeking up my skirt. |
| 00:32:48 |
Gosh, guilty as charged. |
| 00:32:49 |
Sorry about that. |
| 00:32:53 |
- Bonsoir. You look lovely. |
| 00:32:54 |
You, too. |
| 00:32:56 |
Sartorial elegance by Henri. |
| 00:32:59 |
Wow. |
| 00:33:02 |
Le Coin Perdu? |
| 00:33:05 |
I've never actually seen a bottle. |
| 00:33:07 |
Have you heard of it? |
| 00:33:08 |
It's expensive. |
| 00:33:10 |
It's expensive. |
| 00:33:11 |
Are you trying to seduce me, Max? |
| 00:33:13 |
Oh, gosh. |
| 00:33:16 |
The thought would never |
| 00:33:17 |
...not more than six or ten times. |
| 00:33:22 |
Um... |
| 00:33:25 |
Eh, right now... |
| 00:33:26 |
...it's sort of the color of... |
| 00:33:28 |
...ripe pomegranate. |
| 00:33:32 |
Bummer. |
| 00:33:33 |
Could you, uh... Look... |
| 00:33:36 |
...in the medicine cabinet |
| 00:33:38 |
...aspirin, bucket of ice. |
| 00:33:40 |
Yeah. |
| 00:33:42 |
Uh, I'm Christie, by the way. |
| 00:33:45 |
Charlie. |
| 00:33:47 |
How do you do? |
| 00:33:48 |
I love your accent. |
| 00:33:50 |
Thanks. |
| 00:33:52 |
Love your bum. |
| 00:33:54 |
Love your bum. |
| 00:34:29 |
There's something you |
| 00:34:32 |
Yes? |
| 00:34:33 |
I'm very, very choosy. |
| 00:34:36 |
Well, I'm very, very honored. |
| 00:34:40 |
I'm also very, |
| 00:34:44 |
...very, very irrational; |
| 00:34:46 |
...and I have a very, |
| 00:34:50 |
I'm also extremely jealous |
| 00:34:53 |
...just so you know. |
| 00:34:55 |
Well, this promises to be... |
| 00:34:57 |
- A lovely evening. |
| 00:35:01 |
I wouldn't go to Rome. |
| 00:35:02 |
It is quite overcrowded. |
| 00:35:04 |
I mean, there's more |
| 00:35:07 |
I've got to go somewhere, |
| 00:35:11 |
Yeah, but it's sinking. |
| 00:35:12 |
You know, one false move... |
| 00:35:15 |
...fall in the canal- Sorry. |
| 00:35:17 |
Run down by a gondolier. |
| 00:35:19 |
Whereas London has got it all... |
| 00:35:22 |
...including your own... |
| 00:35:24 |
...personal tour guide: moi. |
| 00:35:27 |
Charlie. |
| 00:35:31 |
Concentrate. |
| 00:35:33 |
Sorry. |
| 00:36:03 |
Alone at last. |
| 00:36:05 |
You've been candid with me, so I |
| 00:36:07 |
...should be candid with you. |
| 00:36:10 |
I'm famously callous... |
| 00:36:12 |
...even to the point |
| 00:36:17 |
And I have an absolute |
| 00:36:22 |
The only person I ever loved |
| 00:36:26 |
I didn't contact him for |
| 00:36:32 |
He often expressed great sadness... |
| 00:36:34 |
...as though he thought |
| 00:36:38 |
You knew him? |
| 00:36:40 |
As a woman living here... |
| 00:36:42 |
...it was impossible not to know him. |
| 00:36:44 |
Right. |
| 00:36:46 |
Um, he didn't, by any chance... |
| 00:36:47 |
...ever get out the Edmundo records... |
| 00:36:48 |
- And do the, um... |
| 00:36:50 |
Rumba? |
| 00:36:53 |
No. |
| 00:36:55 |
Thank you. |
| 00:36:57 |
But of course I tried. |
| 00:36:59 |
Well, you would, 'cause he |
| 00:37:02 |
Yes. |
| 00:37:05 |
I can't for the life |
| 00:37:07 |
I stopped coming down here. |
| 00:37:11 |
I love this place. |
| 00:37:13 |
It's intoxicating. |
| 00:38:06 |
Scorpions! Agh! |
| 00:38:08 |
Ow! |
| 00:38:09 |
- Scorpions! |
| 00:38:13 |
There are scorpions in my bedroom! |
| 00:38:19 |
I must go to work. |
| 00:38:21 |
Isn't that usually the man's line? |
| 00:38:31 |
Do you know the reason... |
| 00:38:32 |
...why I spent the night with you? |
| 00:38:37 |
It is because once you have done |
| 00:38:41 |
...you will not return. |
| 00:38:44 |
For us, there can be no future. |
| 00:38:48 |
There is safety in that. |
| 00:38:53 |
Well... |
| 00:38:58 |
...there's absolutely nothing... |
| 00:39:00 |
...stopping us from setting up |
| 00:39:03 |
- London definitely needs... |
| 00:39:05 |
...a decent bistro. |
| 00:39:06 |
Mm. |
| 00:39:08 |
How typical... To assume... |
| 00:39:11 |
...that I live in Provence |
| 00:39:14 |
Fanny, this place just |
| 00:39:18 |
No, Max. |
| 00:39:20 |
It is your life |
| 00:39:28 |
Au revoir. |
| 00:39:41 |
What happened to the diving board? |
| 00:39:45 |
Hmm. |
| 00:39:47 |
We did quite well, didn't we? |
| 00:39:50 |
Yeah, I don't think we did |
| 00:39:52 |
...the oenologue's report. |
| 00:39:59 |
You know, Charlie... |
| 00:40:02 |
...I think I'm in love. |
| 00:40:04 |
I don't blame you, mate. |
| 00:40:06 |
She's a goddess, |
| 00:40:08 |
Not Christie, you silly sod. |
| 00:40:10 |
My, um... |
| 00:40:13 |
...my obligatory cultural activity is a girl. |
| 00:40:16 |
- Oh. |
| 00:40:18 |
Fanny Chenal. |
| 00:40:20 |
Ooh, la la. |
| 00:40:24 |
I've been thinking, |
| 00:40:26 |
Max, I think... |
| 00:40:27 |
...at the moment, |
| 00:40:30 |
...in the eau de French girl... |
| 00:40:32 |
...and when you have |
| 00:40:34 |
...things will look |
| 00:40:36 |
I could keep it as |
| 00:40:39 |
...holiday house, you know. |
| 00:40:40 |
Can I remind you what happened |
| 00:40:43 |
...a man you loved, took his |
| 00:40:47 |
I stole his job. |
| 00:40:49 |
Exact. |
| 00:40:51 |
Max Skinner doesn't do weekends. |
| 00:40:52 |
Max Skinner doesn't take holidays. |
| 00:40:54 |
Max Skinner... |
| 00:40:58 |
...makes money. |
| 00:41:00 |
So do what you do best, Max. |
| 00:41:02 |
Hmm? |
| 00:41:05 |
If you're going to sell it... |
| 00:41:07 |
...you got to sign it. |
| 00:41:22 |
Shh. |
| 00:41:29 |
Why is he singing to them, |
| 00:41:31 |
Well, you see, Max... |
| 00:41:33 |
...the terroir needs more |
| 00:41:36 |
It needs harmony. |
| 00:41:38 |
It needs balance. |
| 00:41:56 |
My whole life, |
| 00:41:59 |
...for singing to the vines. |
| 00:42:00 |
I explained that, someday, |
| 00:42:04 |
Here, they finally have. |
| 00:42:07 |
You don't know what you are doing. |
| 00:42:10 |
What are you talking about? |
| 00:42:12 |
Here... |
| 00:42:13 |
Le Coin Perdu. |
| 00:42:15 |
It's not possible. |
| 00:42:17 |
The oenologue said you couldn't |
| 00:42:19 |
No, no, no, no, no. |
| 00:42:21 |
The oenologue was paid to say that. |
| 00:42:23 |
We thought that if you believed |
| 00:42:26 |
...you would leave things |
| 00:42:29 |
...so the status quo. |
| 00:42:31 |
Why didn't you tell me this before? |
| 00:42:33 |
Why didn't you trust me? |
| 00:42:34 |
Max, would you trust you? |
| 00:42:37 |
These vines, they are illegal. |
| 00:42:40 |
Your uncle always intended... |
| 00:42:42 |
...to leave the estate to you... |
| 00:42:44 |
...but he worried about |
| 00:42:47 |
"My nephew is selfish," |
| 00:42:51 |
"How can I give this |
| 00:42:53 |
...who can't even appreciate |
| 00:42:56 |
So it was never written. |
| 00:42:59 |
Plus, fate took him... |
| 00:43:02 |
...before he could decide what to do. |
| 00:43:06 |
I've already sold it. |
| 00:43:13 |
Then you have done |
| 00:43:15 |
...your uncle feared you would do. |
| 00:43:18 |
You have sold his spirit |
| 00:43:22 |
...and betrayed the only man |
| 00:43:32 |
Here, Max. |
| 00:43:35 |
Here was Henry's fuck-you money! |
| 00:44:00 |
This one. |
| 00:44:02 |
Ah, well chosen. |
| 00:44:04 |
It's not quite there yet. |
| 00:44:07 |
Once you find |
| 00:44:09 |
...you have to take care of it. |
| 00:44:11 |
You have to let it grow. |
| 00:44:23 |
Christie. |
| 00:44:26 |
What are you doing? |
| 00:44:28 |
Sure, I can. |
| 00:44:29 |
Well, what about last night? |
| 00:44:30 |
I nursed you through |
| 00:44:33 |
You were sweet. |
| 00:44:35 |
And I seriously damaged |
| 00:44:37 |
Frostbitten? |
| 00:44:39 |
Like your heart. |
| 00:44:45 |
Bye, Charlie. |
| 00:44:47 |
Bye, Christie. |
| 00:45:02 |
Where you headed? |
| 00:45:03 |
Not exactly sure. |
| 00:45:05 |
I brought you something. |
| 00:45:07 |
Your book. |
| 00:45:08 |
You didn't finish it. |
| 00:45:15 |
Christie? |
| 00:45:18 |
You do have his nose. |
| 00:45:23 |
Au revoir. |
| 00:45:25 |
Au revoir, coz. |
| 00:45:31 |
Dear Max... |
| 00:45:33 |
I know it's been many years |
| 00:45:36 |
...but I find myself |
| 00:45:39 |
...and I'm afraid I need your help. |
| 00:45:41 |
The thing is, Max, old boy, I'm dying. |
| 00:45:45 |
I know this because, uh, |
| 00:45:48 |
...has stopped talking |
| 00:45:50 |
...and begun discussing the weather. |
| 00:45:52 |
Convinced that death, |
| 00:45:57 |
...would be unable |
| 00:45:59 |
...and having always |
| 00:46:02 |
...to be written invitations |
| 00:46:04 |
I find myself impelled |
| 00:46:09 |
I have a daughter,; |
| 00:46:13 |
Sadly, we have never met. |
| 00:46:15 |
Her mother's name was Allison. |
| 00:46:18 |
She was a tour guide |
| 00:46:21 |
...in Northern California. |
| 00:46:24 |
Max, I should like you |
| 00:46:25 |
...and to this end, |
| 00:46:28 |
...what is rightfully hers. |
| 00:46:30 |
I hope this decision |
| 00:46:33 |
...and as successful as you are, |
| 00:46:36 |
I hope you understand... |
| 00:46:39 |
...because, for me, |
| 00:46:41 |
La Siroque is a place of magic... |
| 00:46:45 |
...and it is my heartfelt wish... |
| 00:46:47 |
...that Christie should share |
| 00:46:52 |
I like to think ofher here. |
| 00:46:55 |
After all, she and La Siroque |
| 00:46:59 |
Your loving uncle... |
| 00:47:01 |
Your loving uncle... |
| 00:47:02 |
Henry Skinner. |
| 00:47:04 |
Henry Skinner. |
| 00:47:12 |
Il est un petit, um, wrinkle. |
| 00:47:15 |
What do you mean? What... |
| 00:47:17 |
Uh... |
| 00:47:20 |
Ah, Genghis, back from the dead. |
| 00:47:22 |
Just a lovely tie. |
| 00:47:24 |
Do tell your mother |
| 00:47:26 |
Welcome back, boss. |
| 00:47:28 |
Oh... I bet. |
| 00:47:31 |
You wanker! |
| 00:47:33 |
Kenneth. Nice haircut. |
| 00:47:35 |
You set me up. |
| 00:47:36 |
Oh, dear boy... |
| 00:47:37 |
...you haven't been fired |
| 00:47:39 |
A short order. |
| 00:47:40 |
Did my nuts in |
| 00:47:42 |
You didn't? |
| 00:47:43 |
Lost us six million quid. |
| 00:47:46 |
Couldn't have anything to do |
| 00:47:49 |
You bastard! |
| 00:47:51 |
Morning, lab rats. |
| 00:47:53 |
- Morning, boss. |
| 00:47:54 |
Morning, Max. |
| 00:48:00 |
Bonjour, Jasminda. |
| 00:48:04 |
Ça va? |
| 00:48:06 |
Bonjour? |
| 00:48:09 |
You look different. |
| 00:48:12 |
Give me everything |
| 00:48:13 |
...and an espresso. |
| 00:48:15 |
Max? |
| 00:48:17 |
Hmm? |
| 00:48:18 |
Sir Nigel's waiting for you. |
| 00:48:21 |
Make it a double. |
| 00:48:55 |
Auf Wiederherren. |
| 00:49:05 |
Van Gogh. |
| 00:49:10 |
Hope you've got a good lock |
| 00:49:13 |
Don't be soft. |
| 00:49:15 |
It's not real. |
| 00:49:16 |
The real one's in my vault. |
| 00:49:18 |
It's a copy. |
| 00:49:19 |
200 grand for a knockoff. |
| 00:49:21 |
200 grand for a knockoff. |
| 00:49:23 |
Sit. |
| 00:49:27 |
Art's a passion, Max. |
| 00:49:31 |
Got to have passions. |
| 00:49:33 |
I have horses, cars, money... |
| 00:49:37 |
Are they passions or vices, sir? |
| 00:49:38 |
Have I finished talking? |
| 00:49:42 |
When I finish talking, |
| 00:49:45 |
...and it better be good! |
| 00:49:47 |
While you've been |
| 00:49:49 |
I've been in a shitstorm! |
| 00:49:52 |
Sir, I do appreciate that my actions |
| 00:49:56 |
Max... |
| 00:49:59 |
You're one of the ballsiest |
| 00:50:03 |
...but you've got to learn |
| 00:50:04 |
...to your sort of behavior. |
| 00:50:09 |
There it is. |
| 00:50:13 |
You have one hour. |
| 00:50:20 |
So, shall I pack my Smurfs? |
| 00:50:42 |
Oh, Max! |
| 00:50:44 |
Look after Madame Chenal's |
| 00:50:46 |
...while I give her mother |
| 00:50:48 |
Uh, but I really want to finish |
| 00:50:50 |
...of Death in Venice. |
| 00:50:52 |
Well, given the book's title... |
| 00:50:53 |
I don't think you'll be |
| 00:50:56 |
You be good, Fanny. |
| 00:50:58 |
Come now, Madame Chenal. |
| 00:50:59 |
There are many attractions |
| 00:51:01 |
...beginning with the view, |
| 00:52:05 |
That's a lot of zeros, Max. |
| 00:52:08 |
Or a full partnership for life. |
| 00:52:11 |
My choice. |
| 00:52:15 |
Now you listen to Mommy, Max. |
| 00:52:17 |
Partner-you're made for life. |
| 00:52:20 |
Sir Nigel didn't become partner |
| 00:52:22 |
...and look at him. |
| 00:52:25 |
Yes. |
| 00:52:28 |
Look at him. |
| 00:52:34 |
Now what's it to be: |
| 00:52:36 |
...or your life? |
| 00:52:42 |
When do you ever see it, Nige? |
| 00:52:43 |
The real one? |
| 00:52:46 |
When do you look at it? |
| 00:52:47 |
Do you make late-night |
| 00:52:49 |
...just to see it or? |
| 00:52:52 |
What point are you making? |
| 00:53:25 |
Bonjour. |
| 00:53:33 |
I think so. |
| 00:53:37 |
You sure you don't need more time? |
| 00:53:39 |
No, I know what I want. |
| 00:53:42 |
You're sure? |
| 00:53:46 |
Absolutely. |
| 00:53:51 |
So, what is it to be? |
| 00:53:55 |
How's the soup? |
| 00:53:58 |
The soup is finished. |
| 00:54:01 |
Like my job. |
| 00:54:07 |
The fish? |
| 00:54:08 |
We've run out. |
| 00:54:11 |
That's like me with excuses. |
| 00:54:17 |
Don't waste my time. |
| 00:54:18 |
Choose something we have. |
| 00:54:23 |
I would like a lifetime spent... |
| 00:54:25 |
...with an irrational |
| 00:54:31 |
Some short-tempered jealousy |
| 00:54:36 |
...and a bottle of wine |
| 00:54:40 |
...and a glass that's never empty. |
| 00:55:04 |
You remember what |
| 00:55:09 |
...when we were kids in the pool. |
| 00:55:12 |
And it seems that you do, too. |
| 00:55:15 |
Bien sur. |
| 00:55:17 |
But it was not |
| 00:55:20 |
...that I recognized you: Max. |
| 00:55:54 |
I said no. |
| 00:55:56 |
What, "No, no, no, no." |
| 00:55:57 |
No way. You are not |
| 00:55:59 |
But this is the way... |
| 00:56:00 |
I've always done things, you know. |
| 00:56:02 |
We want structure |
| 00:56:04 |
Leaving the stems on |
| 00:56:07 |
And the wine will taste like rocket fuel. |
| 00:56:09 |
No way! |
| 00:56:10 |
You are not de-stemming |
| 00:56:11 |
All acids and tannins. |
| 00:56:13 |
Oh, you say acid and tannins... |
| 00:56:14 |
Yes, I say tannins... |
| 00:56:15 |
I say flavor and cojones, you know... |
| 00:56:17 |
- Barolo super Tuscans. |
| 00:56:18 |
That's what's selling out there. |
| 00:56:19 |
Not some wimpy wine from Louveron! |
| 00:56:24 |
Ah, Max. |
| 00:56:26 |
I will not work with this |
| 00:56:30 |
I love her, this woman, she... |
| 00:56:34 |
...she's like Henry, with a nice ass. |
| 00:56:39 |
Oh... |
| 00:56:41 |
I can't deal with this guy, Max. |
| 00:56:43 |
What is it with the French? |
| 00:56:48 |
Oh, and, uh, by the way... |
| 00:56:51 |
...you were running low |
| 00:56:53 |
...so I bought you some more. |
| 00:56:55 |
- Never know. |
| 00:56:58 |
You might want to write |
| 00:57:06 |
Yes? |
| 00:57:07 |
Max, how's Christie? |
| 00:57:09 |
How's the sale going, Charlie? |
| 00:57:11 |
Apartments in this bracket |
| 00:57:13 |
I'm very confident of getting |
| 00:57:15 |
Bullshit, Charlie. |
| 00:57:16 |
If you don't give me |
| 00:57:18 |
...you're off the gig, Sunshine. |
| 00:57:21 |
Max, you do realize, of course... |
| 00:57:24 |
...it's not going to last |
| 00:57:26 |
You don't say. |
| 00:57:27 |
And as impossible |
| 00:57:30 |
...the very things that are |
| 00:57:33 |
...will soon be the dread |
| 00:57:36 |
And after a few months of eating... |
| 00:57:39 |
...and drinking and sleeping... |
| 00:57:42 |
...and shagging, what have you got |
| 00:57:46 |
Boredom. |
| 00:57:49 |
I mean, what are you going |
| 00:57:54 |
Max, I'm your best friend... |
| 00:57:55 |
...and I'm telling you, you won't last. |
| 00:57:57 |
We'll see about that, Charlie. |
| 00:58:00 |
Okay, okay, okay. |
| 00:58:02 |
Like this, l-I... |
| 00:58:15 |
You know, that was Charlie |
| 00:58:17 |
Ah, no, no, no. |
| 00:58:24 |
Un arbre. |
| 00:58:30 |
Oiseau. |
| 00:59:37 |
So, uh, are you an actual rapper? |
| 00:59:42 |
No, he's the rapper. |
| 00:59:45 |
Mm. |
| 00:59:48 |
I'm Jasminda, by the way. |
| 00:59:51 |
Gemma for short. |
| 01:00:00 |
Bollocks! |
| 01:00:21 |
Oh. |
| 01:00:33 |
Shh. |
| 01:00:59 |
- Viva La Armstrong! |
| 01:01:16 |
- Be in touch. |
