Goodbye Emmanuelle

en
00:01:10 Emmanuelle loves
00:01:22 Emmanuelle loves the intellectuals
00:02:24 Emmanuelle did not learn
00:02:35 Emmanuelle needs her annual
00:03:19 Good morning, Angelique.
00:03:20 Stop it, Seraphin.
00:03:25 She's upstairs.
00:03:31 - How are you?
00:03:41 - Madame Emmanuelle?
00:03:45 - Yes.
00:03:53 - Hello, how are you?
00:03:57 I'm fine.
00:03:58 - I've brought your dress.
00:04:13 Congratulations, Angelique.
00:04:15 I could adjust it just
00:04:22 Ouch, you pricked me.
00:04:23 One must suffer to
00:04:25 Where did you learn that,
00:04:28 Just a little. It's much better
00:04:33 You were right. Can you help me
00:04:50 It's almost nothing.
00:04:53 Thank you. Do you know
00:04:57 It should show just enough
00:04:59 ...so that men want to see more.
00:05:01 That's just like you.
00:05:05 Don't you?
00:05:06 Yes, but I'm not nearly
00:05:09 What are you saying?!
00:05:12 Do you know that Jean
00:05:14 Really?
00:05:21 Would you like to make
00:05:23 - Wouldn't you be jealous?
00:05:26 I'm happy so long as he is.
00:05:33 You're something else.
00:05:36 That must be him.
00:05:42 - I must be off.
00:05:47 We'll surprise him.
00:06:04 - Good morning, Sir.
00:06:06 - Yes, Sir.
00:06:25 - Who's with Madame?
00:06:28 - The seamstress?
00:07:09 Angelique.
00:07:17 Congratulations.
00:09:18 Oh, my... I hope my husband
00:09:22 Are you happy with him?
00:09:24 He's very jealous.
00:09:27 Does he make love to you well?
00:09:28 Every day, but too fast. He's not like
00:09:34 I didn't know it was so pleasant
00:10:04 My dear Sir. You'd never guess
00:10:10 As we drove past the botanical
00:10:14 - Mr. Celadon's parrot.
00:10:17 He had a broken leg.
00:10:19 We took him to the vet.
00:10:21 He wasn't there.
00:10:23 He had gone to Sans Souci to
00:10:27 He put a cast on his leg.
00:10:29 We waited for the cast to dry.
00:10:31 Where is this parrot?
00:10:32 We brought him back to Mr. Celadon.
00:10:34 Who's Mr. Celadon?
00:10:36 The fruit and vegetable vendor.
00:10:39 - That's why Angelique is so late.
00:10:44 Florence had prepared a
00:10:48 It was raw tuna in lime juice...
00:10:52 ...with a touch of nutmeg
00:10:54 Cordier maintains it's
00:10:58 Not surprising
00:10:59 I like Cordier, after all.
00:11:01 He's sexually obsessed, but
00:11:05 Not even money.
00:11:09 - You live there now, don't you?
00:11:12 - You can start painting again.
00:11:14 Nicolas, put on your hat.
00:11:17 Guillaume, tell him to put on his hat.
00:11:19 Nicolas, will you listen
00:11:24 Look who's coming with Gerard?
00:11:28 I'd like you to meet Vanessa.
00:11:31 She's a stewardess with B.A.
00:11:33 She didn't know where
00:11:35 - Your first time in the Seychelles?
00:11:37 You really have to know the place
00:11:40 - What did she say?
00:11:43 There's a place where you can change.
00:11:45 It's not necessary.
00:11:47 You know I waited for you
00:11:49 There were people over for dinner.
00:11:53 Florence couldn't stay awake.
00:11:56 Of course.
00:11:57 - Your little brother is so puritan.
00:12:02 Vanessa! The sun is very dangerous
00:12:07 Let me rub on some cocoa oil.
00:12:11 - Is that good?
00:12:14 - What's new, Gerard?
00:12:19 I heard they're going to shoot
00:12:21 - A film?
00:12:23 Some sort of Robinson Crusoe story...
00:12:26 It's in fashion right now in Europe...
00:12:29 We should eliminate travel agencies.
00:12:31 Don't complain.
00:12:34 Seychelles, jewel of the ocean...
00:13:18 What's the matter?
00:13:21 I've had it.
00:13:24 He goes after all the women... look.
00:13:27 It's provocation. It's lousy...
00:13:32 Why does he do that?
00:13:34 What if it amuses him?
00:13:38 I'm not like you... I can't accept it.
00:13:43 Aren't you being too dramatic?
00:13:48 You know, if it weren't for the kids,
00:14:01 Clara isn't liberated, that's all.
00:14:05 It made me sad, really.
00:14:10 I don't feel sorry for her.
00:14:12 She's too possessive,
00:14:15 But maybe he didn't handle it
00:14:19 I'm sure she doesn't like
00:14:24 But when we see such a couple...
00:14:27 ...I think it's right
00:14:48 By the way, I have
00:14:50 Who?
00:14:51 The tall Swede from
00:14:53 I saw how you looked at him
00:14:55 He wants to build a house so I told him
00:15:00 I told him you would accompany him.
00:16:18 So?
00:16:21 He went by, like the Phantom Ship...
00:16:26 He saw me.
00:16:30 He stared at me.
00:16:34 It was that look of his
00:16:39 ...while the Swede was
00:16:43 It was a strange pleasure...
00:16:47 Almost painful.
00:16:52 Can you still see him?
00:16:55 Yes.
00:16:55 Don't lose him! Don't lose him!
00:17:24 - This boat here.
00:17:25 I rented it to a Frenchman the
00:17:29 - Do you know his name?
00:17:33 Or where he lives?
00:17:35 At the hotel, I think.
00:17:37 Did he say he'd be back?
00:17:39 He didn't say anything.
00:17:40 He just asked to be shown
00:19:11 You're as fresh as morning dew.
00:19:12 I'm as hungry as a wolf.
00:19:14 Speaking of which!
00:19:17 Is Chloe still asleep?
00:19:18 - She wasn't with you?
00:19:20 She prefers to sleep alone.
00:19:22 Florence takes a shower
00:19:25 I shower when I'm too hot.
00:19:28 What's the matter with
00:19:35 We have to see each other
00:19:37 I had forgotten how pleasant
00:19:40 Not l.
00:19:41 Come on, the dogs... that's enough.
00:19:45 That's sweet.
00:19:51 It's him.
00:19:53 Who?
00:19:54 The Phantom Ship!
00:19:55 What are you talking about?
00:19:57 No kidding!
00:20:02 This gentleman is a director.
00:20:04 He's looking for exteriors for his film.
00:20:08 Perrin, Gregory Perrin.
00:20:09 My wife, Florence... Emmanuelle
00:20:14 - Hello.
00:20:16 - We've already met, haven't we?
00:20:23 Why are you laughing?
00:20:24 Oh, nothing. Something
00:20:27 Come... I'll show you my house.
00:20:32 Really?
00:20:33 It was built by a retired colonel of
00:20:37 It's made entirely of teak.
00:20:44 It's wood that the colonel had stolen
00:20:48 He brought an entire boat full.
00:20:51 Good morning, everybody!
00:20:53 Good morning.
00:20:56 Do you know Mr. Perrin?
00:20:57 Oh, excuse me.
00:20:59 What's with you?
00:21:00 Someone with beautiful eyes
00:21:02 Especially in front of a director.
00:21:04 Are you looking for a star?
00:21:05 No, only settings.
00:21:07 - What kind of settings?
00:21:09 What kind of houses?
00:21:10 In ruins, rather old,
00:21:15 There's the one on Digue Island.
00:21:17 I can show it to you, if you wish.
00:21:19 Is it far?
00:21:20 No, it's in my bedroom.
00:21:23 Will you come?
00:21:29 If you ask me, Chloe doesn't
00:21:32 He only had eyes for Emmanuelle.
00:21:34 What do you think?
00:21:36 I don't dislike him.
00:21:39 I'm going to see
00:21:43 Hey, you'll tell us about it?
00:21:45 Of course.
00:21:51 She never gets tired.
00:21:53 How do we get there?
00:21:55 A boat leaves every morning.
00:21:57 It takes a little under three hours.
00:21:59 I can take you there if you want...
00:22:02 No, thank you. I'd rather take the
00:22:05 What people?
00:22:07 I like your work.
00:22:09 It's cheerful, isn't it?
00:22:12 The country seems to inspire you.
00:22:14 No more than any other.
00:22:15 You know, after a while...
00:22:17 ...you need to add cheerfulness
00:22:25 Can we go out here,
00:22:27 Yes. When will you go to
00:22:29 Tomorrow. Say goodbye to
00:23:13 Hello.
00:23:15 I passed you with my boat.
00:23:18 No.
00:23:20 I suppose you want to visit
00:23:23 That's why I came.
00:23:24 There are two means of transportation
00:23:27 - Let's take the ox cart, then.
00:23:34 Have you lived in the Seychelles long?
00:23:36 Almost three years. Before that,
00:23:42 Your husband works
00:23:44 No, he's an architect.
00:24:20 - Come on.
00:24:22 No, the road ended.
00:24:39 - Is this the school?
00:25:15 There it is.
00:25:58 Gregory!
00:26:03 Do you know why
00:26:07 Because I feel like
00:26:09 Really?
00:26:11 - You aren't too excited by the idea.
00:26:14 You are surprised because
00:26:17 I have no prejudices. When I want
00:26:21 That's nice.
00:26:23 Love is really the only thing
00:26:26 - That's all you do, then?
00:26:30 - Isn't it a little monotonous?
00:26:33 All you need is some imagination.
00:26:36 You're the one who gave me pleasure
00:26:40 I thought I saw someone with you.
00:26:42 Who?
00:26:52 Go ahead and undress.
00:26:58 You undress me.
00:27:32 You see, I do excite you.
00:27:34 It's normal... you're very beautiful.
00:27:39 Wait. Take your time.
00:28:26 Do you enjoy having
00:28:30 Jean's not complaisant.
00:28:36 Even with someone else?
00:28:39 It surprises you, doesn't it?
00:28:41 And you never wondered what
00:28:44 Why should it hide anything?
00:28:48 I don't know. It just doesn't
00:28:51 I wouldn't like to know that the woman
00:28:57 - Do you prefer lies?
00:29:02 You're very bourgeois after all.
00:29:06 To love someone who loves
00:29:10 To risk everything in the
00:29:13 I don't see what's to be gained.
00:29:17 I have to go.
00:29:21 Why?
00:29:23 Jean doesn't know
00:29:25 I thought you told him everything.
00:29:27 I'll tell him when I get home...
00:29:30 If I understand correctly,
00:29:33 That shocks you?
00:29:34 It'd shock me
00:29:39 I'm sure that deep down
00:29:42 It just so happens that
00:29:47 Here the rate is 200 rupees.
00:29:53 Here's 300.
00:30:00 You bastard!
00:30:42 Hello!
00:30:44 - How are you, Guillaume?
00:30:47 You know, Clara left.
00:30:49 She left? Where did she go?
00:30:51 To her aunt's, with the children.
00:30:55 What happened?
00:30:56 I invited a little nurse home
00:30:59 After dinner, I could tell
00:31:02 Clara didn't seem to be
00:31:04 But when she saw us making love...
00:31:09 If she doesn't like it,
00:31:12 Obviously not.
00:31:16 I have to go - I'm on duty.
00:31:23 What will you do?
00:31:26 I don't know.
00:31:29 Do you want me to talk to her?
00:31:31 She says that you two gave me
00:31:38 - Poor Clara.
00:31:41 What can we do to help them?
00:31:43 Let them work it out for themselves.
00:31:47 What did you do today?
00:31:49 I went to Digue Island.
00:31:54 You follow through
00:31:59 He turned out to be
00:32:04 - Did you make love?
00:32:08 Badly.
00:32:09 It doesn't surprise me. As for me,
00:32:13 I met a little tourist
00:32:17 Really?
00:32:18 Her name is Cecile.
00:32:23 Quite a program, hey?
00:32:35 Hello, children. How are you?
00:32:39 Auntie, it's Emmanuelle!
00:32:42 Isn't your mom here?
00:32:45 Come see the turtles!
00:32:54 You see, that's the oldest.
00:32:58 And that one is the mommy.
00:33:11 Are you all right?
00:33:12 - Did Guillaume send you?
00:33:15 - Did he tell you?
00:33:20 I'm really a petty bourgeoisie.
00:33:23 That's not the problem.
00:33:24 - Mommy! Come and see.
00:33:29 You know, at first, I tried
00:33:33 But now it's over.
00:33:36 I finally understood everything the night we spent with Chloe.
00:33:39 You see, if he wants me there,
00:33:45 It's to keep his conscience clear.
00:33:48 Did you tell him?
00:33:49 I didn't have to.
00:33:54 From one day to the next,
00:33:59 Yet, it was very nice before,
00:34:14 Angelique!
00:34:18 - What happened to you?
00:34:20 He caught me talking to my neighbor.
00:34:23 Talking?
00:34:24 I was sitting on his lap...
00:34:28 - You naughty girl!
00:34:30 You're lucky. Your husband
00:34:33 But neither am I !
00:34:43 Are you coming, Angelique?
00:34:44 - Yes. Goodbye, Madame Emmanuelle.
00:35:08 To your loves, Cecile!
00:35:12 To love!
00:35:20 - What is this dance?
00:35:25 I was told of a dance that ends
00:35:27 That's the moutia.
00:35:29 It's much more primitive. It's more
00:35:34 When people drink too much,
00:35:38 But Emmanuelle could tell you
00:35:40 - Tell me.
00:35:42 - Yes.
00:35:46 Once, I was in an altered state...
00:35:52 Four.
00:36:13 You don't remember
00:36:16 Pardon?
00:36:17 The night of the moutia... you said
00:36:20 No, she meant her pleasure
00:36:23 I brought her back exhausted.
00:36:28 You can't understand.
00:36:30 - I'm no longer a virgin, you know?
00:37:04 Would you like to dance?
00:37:05 No. Tell me more
00:37:09 Fine, then.
00:39:38 Oh, I'm beat!
00:39:42 You were superb, really!
00:39:45 Oh, my heart.
00:39:49 It's true. Can you feel that?
00:39:54 Okay. I'll pay and we can go.
00:40:01 Jean told me about you. You're
00:40:10 I'd like so much to be like you.
00:40:12 Why? What would you do
00:40:17 I'll come to your place tonight.
00:40:36 Smart, very smart!
00:40:38 Look, I find her stupid.
00:40:39 If you wanted her,
00:40:42 You know that without you,
00:40:52 I don't know what's gotten
00:41:16 - Jean!
00:41:19 You know the girl who was
00:41:21 Yes?
00:41:23 I fancy her.
00:41:27 - It might not be so easy.
00:41:30 They seem to be perfectly in love...
00:41:34 Didn't you notice?
00:41:40 What happened the other day
00:41:44 He threw me out,
00:41:48 What a jackass!
00:44:01 Do you see what I see?
00:44:07 Which one gave in do you think?
00:44:10 Guillaume, of course. She must have
00:44:16 You're the most misogynistic
00:44:25 Hello!
00:44:27 - You okay?
00:44:28 You're happy?
00:44:29 So, what's new?
00:44:30 We're going to Kenya for two weeks.
00:44:33 We're leaving the children
00:44:36 Yes, why not! It's rather quiet
00:44:39 You know I hate safaris!
00:44:40 We don't have to hunt.
00:44:43 I don't feel like leaving.
00:44:47 Well, if you change your mind...
00:44:49 ...we can always arrange something with Gerard for the plane tickets.
00:44:53 Even at the last minute!
00:44:58 I don't understand you.
00:45:00 Usually, you're the one who
00:45:03 What's keeping you here?
00:45:05 Can't you see
00:45:08 No. Guillaume seemed to insist.
00:45:11 He's like all men...
00:45:13 ...terrorized at the thought
00:45:16 ...and having to explain himself.
00:45:22 If you should enter a room
00:45:25 ...and are confronted with
00:45:28 ...politeness requires that you say
00:45:31 ...but tact, "Excuse me, Sir."
00:45:33 One day, this server brings
00:45:37 ...and finds his client
00:45:41 He remembers his instructions
00:45:44 ..."Excuse me, the dry martini is
00:45:50 Can you give me a cigarette?
00:45:52 There aren't any left.
00:45:55 I have some in the bedroom.
00:46:14 Do you like my husband?
00:46:17 I've known you two
00:46:23 And?
00:46:25 Look, with you, anything.
00:46:30 ...with him, no way.
00:46:34 - Exclusively?
00:46:39 What about Gregory?
00:46:42 Gregory knows exactly
00:46:49 How did you meet Gregory?
00:46:50 I acted in his first film, and then
00:46:55 I was very pleased
00:46:57 He looks relaxed. He seems to
00:47:03 - Which problems?
00:47:05 - He's married.
00:47:10 They had decided to tell
00:47:13 ...be a modern, open couple.
00:47:16 But the first time he told her
00:47:19 ...she threw herself out
00:47:21 She died?
00:47:22 No, fortunately she made it...
00:47:27 He stayed with her for fear
00:47:31 ...until one day, she told him
00:47:33 ...for the surgeon
00:47:37 What was she like?
00:47:39 Very beautiful, somewhat aloof.
00:47:44 I'm aloof?
00:47:45 I mean that you're the type of woman
00:47:50 Yet you exist.
00:47:52 And even caress me.
00:47:58 I find you very desirable, you know.
00:48:05 Poor Jean. You really have no luck.
00:48:12 Well, that's all right.
00:48:18 Oh, absolutely not.
00:48:19 I cannot stand a man watching me.
00:48:22 So sorry.
00:48:26 Listen, don't look that way.
00:48:28 Fine. Good night.
00:48:35 - He is gone?
00:48:42 Tell me more about Gregory.
00:49:09 Oh! How are you?
00:49:10 What are you doing here?
00:49:11 I live here now.
00:49:14 ...to a little stuck-up thing named Cecile...
00:49:16 ...and made it clear that
00:49:20 You should have come
00:49:22 You're kind. I found myself
00:49:24 An ornithologist?
00:49:25 Yes, an Englishman who just spent
00:49:29 ...and studies the sexuality of seabirds.
00:49:32 Did you know they
00:49:34 What?
00:49:35 It excites them to watch others
00:49:40 The Cordiers must've been birds
00:49:43 You haven't seen Gregory?
00:49:45 I saw him going down
00:49:52 Are you still after him?
00:49:55 Yes, but he's hard to catch.
00:50:01 - Goodbye.
00:50:13 - Am I bothering you?
00:50:18 I was working.
00:50:21 I've come to make peace.
00:50:25 That's funny, because I dreamt
00:50:30 Really?
00:50:31 We were on a boat. You were telling me
00:50:34 ...because your husband
00:50:37 Then a man was swimming towards us.
00:50:39 Not your husband...
00:50:40 ...but the black man
00:50:42 He threatened me with a harpoon.
00:50:45 I wanted to dive overboard to escape
00:50:52 You were laughing.
00:50:55 You're still suspicious of me.
00:50:57 Of you, or of another woman...
00:50:59 You know dreams don't
00:51:12 How's your location scouting?
00:51:14 Fine, I still need to see
00:51:17 I plan to go there tomorrow.
00:51:18 I can take you there.
00:51:24 This is Silhouette Island.
00:51:27 Chloe used to live here at first.
00:51:30 Chloe is the girl who paints, right?
00:51:33 Yes.
00:51:33 She's staying at the hotel now.
00:51:36 She arrived two years ago with an
00:51:43 But things went bad.
00:51:47 ...and the doctor told her
00:51:51 So, the American left and she found
00:51:58 She lived with one after another,
00:52:06 But she never got over it.
00:52:08 Have you ever wanted a child?
00:52:09 Jean doesn't want any.
00:52:11 How about you?
00:52:13 Sometimes I think about it.
00:52:23 - Madame, there's fish over here.
00:52:27 Fishing? I've never done that.
00:52:40 You know I was jealous of Dorothee?
00:52:42 Yes, she told me.
00:52:43 It never happened
00:52:46 It's never too late.
00:52:47 - You don't believe me.
00:52:50 - And I don't dislike it.
00:53:45 Let's stop at Ronde Island.
00:53:49 They'll prepare our fish.
00:53:52 Watch it, there's another one.
00:53:54 Your turn.
00:54:50 You must have found me
00:54:53 Yes, I did.
00:54:54 I don't want to behave like this
00:54:57 You don't want us
00:54:59 Yes, of course.
00:55:01 But I'd like to start anew
00:55:06 I'd like you to talk to me,
00:55:12 Don't make fun of me, please.
00:55:50 What is your movie about?
00:55:53 It's the story of a guy who's fed up
00:55:57 ...and goes to live on a desert island.
00:56:01 - All alone?
00:56:03 Then comes a girl, a little lost girl.
00:56:07 He tries to send her away,
00:56:09 ...and he finally falls in love with her.
00:56:11 And then?
00:56:12 So they live happily for a while...
00:56:16 Until he notices that
00:56:20 So they go back to Europe,
00:56:24 ...and there she meets another man
00:56:30 - Your story isn't fun.
00:56:38 How was your wife?
00:56:41 I don't like to talk about her.
00:56:49 Do you still love her?
00:56:51 I already explained I could only
00:56:57 I'm sorry.
00:57:27 Is that Praslin Island?
00:57:29 Yes, we're almost there.
00:57:30 The hotel is on the other side,
00:57:33 You'll see. It's very isolated.
00:57:46 Here they are.
00:58:03 My darling.
00:58:05 - We missed you. Hello.
00:58:08 Come on.
00:58:18 - Did the trip go well?
00:58:21 Don't you think our islands are
00:58:24 That is so true.
00:58:26 Everything has been arranged.
00:58:28 Gregory, you have
00:58:31 Albert, can you lead Monsieur?
00:58:37 If you want a shower,
00:58:39 Jean wanted to be on the waterfront
00:58:44 You don't seem happy to see us.
00:58:45 I don't like cops.
00:58:47 It was my idea, I wanted to show the coco fesses to Cecile.
00:58:50 Pretend I'm not here.
00:59:01 Gregory, are you there?
00:59:05 - Let's leave, okay?
00:59:09 Oh, don't be silly.
00:59:10 And it's fun to see your husband
00:59:20 At first, Emmanuelle confused
00:59:24 She wasn't totally wrong.
00:59:25 There's no eroticism without
00:59:29 Here we go again!
00:59:31 In India, China and Japan,
00:59:35 ...and yet they could
00:59:37 We are too Christian to consider
00:59:40 ...harboring the thought of doing
00:59:43 Don Juan's real pleasure was
00:59:46 Come on, Emmanuelle...
00:59:48 ...that night when Edwin was making
00:59:51 ...didn't you feel you were
00:59:54 As I was watching them, I was moved not only by Chloe caresses...
00:59:58 ...but by the intense pleasure
01:00:02 ...I caught my parents making love.
01:00:05 How old were you?
01:00:06 Age is irrelevant for the bold!
01:00:09 That's cheap psychobabble.
01:00:11 Maybe, my dear Jean, but if we
01:00:14 ...we'd find something similar
01:00:17 ...to see Emmanuelle
01:00:22 What do you think of that?
01:00:23 I haven't received
01:01:56 She dances poorly! Show her.
01:02:00 I don't feel like making a
01:02:03 Because of him?
01:02:07 I do what I want.
01:02:09 You do what he wants.
01:02:12 So what?
01:02:13 It saddens me to see you kowtow
01:02:32 Come on, Boy Scout.
01:02:34 Leave him alone.
01:02:37 Are you out of your mind?
01:02:39 Are you crazy? Stop it!
01:02:42 Jean!
01:02:54 Are you all right?
01:02:57 I'm fine! I'm fine!
01:03:08 Emmanuelle! Emmanuelle!
01:03:14 Jean, don't be a fool.
01:03:20 Come, we'll end the night with Cecile.
01:08:22 Come and see.
01:08:24 Come and see.
01:08:52 How will we get back?
01:08:53 I'll have Gerard come to fetch us.
01:09:23 Philoe tells me you're looking for
01:09:27 Yes, that's right.
01:09:28 - Have you found one?
01:09:30 In that case, I'd be delighted
01:09:36 Yes, gladly.
01:09:38 Congratulations, Sir. Your wife
01:10:25 It's the house of a man
01:10:28 When my wife was still alive,
01:10:33 It smells good... of cinnamon.
01:10:35 My great grandfather was already
01:10:39 He was one of the
01:10:43 ...at the time of your Napoleon.
01:10:47 If you wish to smell this.
01:10:50 One used to see pirate ships
01:10:56 The pirates would rest on the beaches
01:11:03 Ah! The world has changed.
01:11:06 Back then, women were submissive.
01:11:12 Have you been married long?
01:11:17 Only two days.
01:11:23 Susan and l.
01:11:29 What happened to her?
01:11:30 A horrible thing, Madame, fortunately
01:11:36 Some fishermen had caught
01:11:40 ...and they were cutting it up
01:11:46 It made a big blood spill
01:11:54 It's the blood that
01:11:57 I watched her being devoured
01:12:02 ...and I couldn't do anything.
01:12:07 I thought I wouldn't be able
01:12:13 ...life always takes over.
01:12:19 To talk to Hin, yes, that's right.
01:12:23 Call me here, right,
01:12:39 Goodbye.
01:12:42 So, you met old man Snow?
01:12:45 He's marvelous, isn't he?
01:12:46 He's completely crazy.
01:12:48 It's understandable
01:12:50 His wife being eaten by a shark?
01:12:53 It's horrible.
01:12:54 But Susan isn't dead.
01:12:57 ...until she left with
01:13:00 Snow prefers to think of her dead
01:13:31 Look! Do you remember?
01:13:36 Pity we can't land here.
01:13:39 I'd have liked to see the house again.
01:13:42 Look, we'll come back tomorrow
01:14:06 Where to, Sir?
01:14:07 - The yacht club, please.
01:14:12 To pick up the car
01:14:14 No... you're coming to
01:14:18 After what happened,
01:14:22 On the pillow? As usual?
01:14:25 I want everything to be clear,
01:14:28 It's all very clear.
01:14:30 ...are leaving for one week,
01:14:34 No, but I never hid
01:14:38 Fine, as you wish.
01:14:53 I'll come to see you
01:14:56 Call first. I may be busy.
01:14:58 Silly!
01:15:27 Angelique!
01:15:28 Ah! How are you?
01:15:30 Very well. Who is he?
01:15:31 Come and say hello to
01:15:34 - Hello.
01:15:36 No, he's my sister-in-law's brother.
01:15:38 - What about your husband?
01:15:40 Have a nice evening then.
01:15:42 Yes, thank you.
01:15:59 Mr. Perrin, a telegram for you.
01:16:02 A telegram? Thank you.
01:16:20 Could you get me the
01:16:23 Yes, you can count on me.
01:16:27 - Who is it?
01:16:29 What did he want?
01:16:30 He must go back to Paris tonight,
01:16:33 He wants her to call
01:16:35 I'll tell her.
01:16:36 He told me it was very important.
01:16:40 Do you want a whiskey?
01:16:41 I'll help myself... don't bother.
01:16:43 You can leave... it's late.
01:16:46 Much better, thank you.
01:16:48 - Good night, Mr. Jean.
01:17:08 - Already home? Have you seen Jean?
01:17:14 I wanted to hear the news.
01:17:16 You're playing a strange
01:17:18 I'm not playing... I do as I please,
01:17:22 Won't you spoil everything?
01:17:23 I'm a little tired of this life.
01:17:26 It's normal.
01:17:28 I went through that, too.
01:17:32 Why didn't you?
01:17:33 Because...
01:17:37 ...this type of love doesn't last.
01:17:41 Someday, you won't be desirable.
01:17:43 I think of it all the time.
01:17:46 I know I'll always be able to
01:17:52 He'll probably die while making love,
01:17:56 But at least I will have been his only
01:18:02 That's what matters...
01:18:10 Yes.
01:18:11 - There's no reply.
01:18:15 I'll call you back.
01:18:45 - Good evening.
01:18:50 - Are you going out?
01:18:54 I reserved a table at the Sirene.
01:18:57 That's good. I wanted to
01:19:02 - Can you get dressed?
01:19:06 I acted like a fool last night.
01:19:11 It's true that you weren't yourself.
01:19:18 No, I wasn't.
01:19:29 - Yes.
01:19:32 - Fine, forget it.
01:19:34 No, forget it.
01:19:48 - Chloe.
01:19:49 Do you know where
01:19:51 Yes... in Anse Royale. Why?
01:19:52 - I must talk to her right away.
01:19:55 Nothing, come.
01:20:16 Hello, Mr. Jean.
01:20:21 I want to take her to Paris with me.
01:20:23 Is that so?
01:20:26 She won't spend her whole life
01:20:29 Do you have something better
01:20:32 At least, not this comedy.
01:20:35 I find them grotesque with their
01:20:38 Their so-called complicity
01:20:41 To each his own, you know.
01:21:01 There's no one.
01:21:02 What do you mean?
01:21:07 Where are they?
01:21:09 How should I know?
01:21:10 At a restaurant,
01:21:12 - At the Cordiers?
01:21:15 We'll check every
01:21:17 You know what time it is?
01:21:18 We barely have time to pick up
01:21:21 ...or you can wait 2 more days
01:21:24 Another plane in two days?
01:21:27 No, it's impossible.
01:21:31 Shit! Shit!
01:21:33 You'll be back.
01:21:36 It's most unlikely.
01:21:39 The film has been canceled.
01:21:43 You have something
01:21:44 Yes, in the car.
01:21:48 I used to be happy to see you happy.
01:21:54 But with him...
01:21:59 You're jealous.
01:22:02 Yes. It's a feeling which
01:22:07 Why?
01:22:09 It's proof of love.
01:22:13 I thought we had gone beyond
01:22:18 Apparently not.
01:22:21 It's a mess of gears,
01:22:26 Until now, we had managed
01:22:31 What's the use living the way we have,
01:22:37 I'm capable of the worst
01:22:40 Don't say that.
01:22:44 The worst.
01:23:07 I must have left the key in the car,
01:23:14 - I can't find it... it's not here.
01:23:23 Ah, excuse me.
01:23:33 - I'm going to pack my bag.
01:23:37 I'll meet him at the hotel tonight.
01:23:43 Fine.
01:25:12 - Hello? The Northholme Hotel?
01:25:16 I'd like to speak to Mr. Perrin,
01:25:18 He isn't here, Madame.
01:25:20 Did he say when he'd be back?
01:25:22 Mr. Perrin took the plane
01:25:26 - How could that be? What?
01:25:32 What's the matter?
01:25:36 They said he left for
01:25:41 It's not true. It's not possible.
01:25:42 Call the hotel back to confirm it.
01:25:46 It must be a mistake. I'm going.
01:25:50 What if it's true?
01:27:03 Emmanuelle.
01:27:29 Take this.
01:27:37 I'll sleep in the living room.
01:27:39 I have a meeting at a site
01:27:42 I must leave very early.
01:27:44 I won't wake you.
01:27:49 Thanks.
01:27:56 Get some sleep.
01:30:23 Wake up!
01:30:38 Oh, it's you.
01:30:39 What's the matter?
01:30:42 No. I took a sleeping pill.
01:30:50 - Gregory has left.
01:30:55 Last night?
01:31:03 - Seraphin, can you come please?
01:31:19 It's impossible. Jean couldn't
01:31:23 And yet it's the only
01:31:25 I can't believe it.
01:31:28 Come in, Seraphin.
01:31:29 - Good morning, Madame.
01:31:32 Did Mr. Perrin call last night?
01:31:34 Yes, Madame.
01:31:36 Why didn't you tell me?
01:31:38 I had asked Mr. Jean
01:31:43 You didn't find a letter under
01:31:46 No, Madame. There was
01:31:48 Thank you, Seraphin.
01:31:50 You see.
01:31:56 Do you have Gregory's address?
01:32:30 Jean.
01:32:33 You are here?
01:32:35 You're too late.
01:32:37 Emmanuelle is gone.
01:32:43 She asked me to explain.
01:32:54 There's nothing to explain.
01:32:59 I gambled everything...
01:33:04 And I lost.
01:33:06 - Go after her.
01:33:10 She has to go to the end
01:33:15 Besides, she'll get tired of him
01:33:19 I don't think so.
01:33:24 Who knows?
01:33:28 What will you do all alone
01:33:35 Oh, with some imagination...
01:33:37 - Please, Sir. I wanted to ask you...
01:33:39 ...about dinner tonight?
01:33:43 Two settings, Seraphin, as usual.
01:33:58 Marie, do you have the ticket?
01:34:04 I always thought that Jean shared you
01:34:07 He let you make love with whomever
01:34:11 Perhaps.
01:34:12 He's just like the others.
01:34:15 It's not true.
01:34:19 We really tried to live
01:34:23 I don't think that's
01:34:26 Me neither, now. But it's not
01:34:31 And Gregory...
01:34:34 I don't know.
01:34:38 He may be a tyrant
01:34:42 But... I'll find out.
01:34:53 In any case, I won't be back.
01:34:55 I need a new life.
01:34:58 If you think you'll breathe easier
01:35:00 Here, it's all ready.
01:35:01 You connect in Nairobi.
01:35:04 You arrive in Rome at midnight.
01:35:08 I don't see why you don't wait for
01:35:12 I don't want to see Jean.
01:35:15 How about your trip to Kenya?
01:35:18 Guillaume is busy at the hospital.
01:35:22 Are things better between you?
01:35:24 Yeah...
01:35:25 It's time to go.
01:35:31 - You'll write, won't you?
01:35:35 Goodbye, children!
01:36:26 Emmanuelle loves
01:36:38 Emmanuelle loves the intellectuals
01:37:40 Emmanuelle did not learn
01:37:51 Emmanuelle needs her annual