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00:00:53	He came back again last night
00:00:59	He opened me like a flower of pain...
00:01:04	...and it felt good.
00:01:08	He sank into me and set me on fire...
00:01:12	...like he always does.
00:01:15	Made me burn from the inside out.
00:01:20	How did you know it was the devil?
00:01:25	I know what you're thinking.
00:01:28	I know you think
00:01:32	...because you don't believe in the devil.
00:01:35	Okay, let's talk about your stepfather.
00:01:38	You know about my stepfather.
00:01:44	I cut his Adam's apple in half...
00:01:48	...like a piece of fruit on a summer day...
00:01:53	...so he wouldn't say a word.
00:01:56	I sat next to him
00:02:00	...slowly.
00:02:06	It was the only way to help him stop.
00:02:10	Stop what?
00:02:14	Stop fucking me!
00:02:20	You're not listening.
00:02:22	I am listening, Chloe.
00:02:26	You're not listening with your heart.
00:02:32	Your brain is the problem.
00:02:36	You have no idea
00:02:41	You've got to trust me too, Chloe.
00:02:45	You can't trust someone
00:02:54	Okay. I think that's enough for today.
00:03:00	But I do think we made
00:03:04	...found out some new things...
00:03:06	Do you know what it is
00:03:09	- Do you know? Because you are dead!
00:03:12	I am. I'm not touching her!
00:03:17	Let me go! Let me go.
00:03:30	Thank you.
00:03:36	You're driving me crazy! Stop!
00:03:41	- Stop it!
00:03:42	Stop it!
00:03:46	I can walk by myself!
00:03:50	Stand up!
00:03:53	Look at that.
00:03:55	"I'm a doctor. "
00:03:57	"Open this door. "
00:04:01	Get in.
00:04:04	She's nuts.
00:05:05	Hey.
00:05:07	Sorry.
00:05:09	I need to cross-reference some files
00:05:13	- Check with Anna. She'll fit you in.
00:05:23	I'm not discharging her, period.
00:05:26	If you want to pursue this, sir,
00:05:30	Until then she's mine.
00:05:33	Thank you.
00:05:35	Lawyers.
00:05:38	Hey, come on in.
00:05:40	What's up?
00:05:43	Chloe. She's embellishing
00:05:45	She says that the devil
00:05:49	- Okay.
00:05:53	It has something to do with
00:05:56	...but instead of assessing
00:05:59	...she just falls into these
00:06:05	Time. Give it time.
00:06:07	I've given it time. Time and Elavil.
00:06:12	Maybe they're just...
00:06:15	...too medicated.
00:06:18	I know we all create our realities
00:06:21	But what she creates
00:06:26	Chloe's mind only runs on one track.
00:06:29	Well, right now,
00:06:36	Come here.
00:06:43	You have a brilliant mind.
00:06:47	You'll figure it out.
00:06:52	Throw it on the mirror.
00:06:58	This is what she sees now.
00:07:02	- A distorted image of herself.
00:07:08	- I'm the mirror.
00:07:11	If I'm the mirror and she's the image...
00:07:17	...then who are you?
00:07:20	I can see both of you...
00:07:23	...so I'm God.
00:07:26	Or just an overworked hospital bureaucrat.
00:07:29	"God" is good.
00:07:33	Always remember, the ability to repress...
00:07:39	...is actually a vital survival tool.
00:07:44	...Chloe might not have survived.
00:07:56	Sorry, am I interrupting
00:08:01	Dr. Graham. We were just discussing
00:08:07	Oh, yeah, I had a date last week.
00:08:11	I'm sure your amorous adventures
00:08:16	...but sadly, I'm on my way out.
00:08:19	- Well, don't let me... I'll just...
00:08:23	I'm gonna run out to Willow Creek.
00:08:26	I'll be here. See you at dinner.
00:08:30	Keep an eye on my wife for me, Pete.
00:08:34	- No, thanks.
00:08:38	Smoke it tonight while it's fresh.
00:08:45	- Good night, boss.
00:08:51	Why don't we share one of those
00:08:55	- It sounds like a great offer...
00:08:58	...but I got work to do.
00:09:01	- It's cold when it gets here.
00:09:04	- I hate pizza.
00:09:06	Come on, you gotta eat.
00:09:08	Not with you.
00:09:11	Come on, we're supposed to celebrate.
00:09:20	- Who's inside?
00:09:24	- Why? What happened?
00:09:28	- What'd you do, up her meds?
00:09:32	That's extreme.
00:09:36	I want a copy of that on my desk
00:09:38	- Okay.
00:10:18	Damn generator.
00:10:21	Not again.
00:10:25	Irene, is that you?
00:10:28	This electric system's
00:10:31	Fourth time this week.
00:10:33	Well, I'm gonna do my job,
00:11:11	- Good night, Joe.
00:11:16	Fifty-five, but who's counting?
00:11:18	Oh, you've outdone yourself.
00:11:22	- Thank you. Say hi to your wife for me.
00:11:47	All that education
00:11:50	- Did you get my note?
00:11:54	Right. So how was your date with...?
00:11:57	With what's-her-name? It was like all
00:12:03	She didn't respond to my
00:12:07	...so I started talking about work.
00:12:09	She said that was not
00:12:12	...and that was it.
00:12:16	I mean, we didn't even have dinner.
00:12:18	She's not right.
00:12:21	I know.
00:12:24	- I'll follow you down the hill.
00:12:27	- No, I'm supposed to keep an eye on you.
00:13:19	Severe showers all over northern
00:13:23	- I know, I see that.
00:13:34	- flooding throughout
00:13:44	- I can't let you through. The road's closed.
00:13:47	- I got this.
00:13:50	- Hi, Bob.
00:13:53	There's a sinkhole up here,
00:13:56	- What should I do?
00:14:00	You know that bridge
00:14:03	- Yeah, the little white one?
00:14:05	- Yeah.
00:14:07	- Okay, thanks.
00:14:10	Will do.
00:14:25	- Doug, you're home?
00:14:28	I got detoured, so I'll be home in a few
00:14:32	This rain is slowing the work down.
00:14:35	- Are you okay?
00:14:39	Doug.
00:14:43	Doug!
00:15:17	Are you okay?
00:15:20	Are you okay?
00:15:25	Hey!
00:15:38	Oh, my God. Okay. Okay. Okay.
00:15:42	I'm a doctor. I'm gonna take you
00:15:47	I'm gonna help you, okay?
00:15:51	I'm gonna help you, okay?
00:16:24	Help me!
00:16:27	Somebody!
00:16:36	Dr. Graham!
00:16:38	You better tell me why I'm in here, Irene.
00:16:41	She got up wild.
00:16:44	- Bring your ass back in here.
00:16:48	- Get your hands off me.
00:16:51	- Keep her off.
00:16:53	Keep her off of me. Get off of me.
00:16:58	Hold on. Calm...
00:17:00	What are you doing?
00:17:06	Thank you, nurse.
00:17:10	- Are you okay?
00:17:12	This is so sad.
00:17:18	Miranda, this is very awkward.
00:17:20	I suppose that technically
00:17:23	...but I managed to get the court to grant us
00:17:28	Anything we discuss
00:17:30	...and won't go anywhere but this room.
00:17:35	How long have I been in here?
00:17:39	Three days.
00:17:42	Why? Why?
00:17:43	You were admitted to our neurosurgical
00:17:48	We did scans and they revealed
00:17:52	...severe frontal-lobe deficits.
00:17:54	You received Haloperidol, Ativan injections.
00:17:57	When you came out of it, we tested.
00:18:01	But you were put in restraints for a day
00:18:06	And then you basically
00:18:12	This is the first time I've seen you lucid.
00:18:16	I wanna talk to my husband.
00:18:19	Where is he? Where is he?
00:18:22	You know, you're the most
00:18:26	You rely only on the facts.
00:18:31	So why am I telling you this?
00:18:35	You're establishing my personality.
00:18:38	You think I'm a rational person.
00:18:42	And following this pattern of analysis,
00:18:46	...a traumatic event which has rendered
00:18:51	- You think I'm in denial.
00:18:55	...just focus on remembering.
00:19:00	Miranda...
00:19:02	...what's the last thing you remember?
00:19:14	I remember Chloe.
00:19:16	I was having my Friday night
00:19:20	How did that go?
00:19:24	She was embellishing her rape story.
00:19:28	- I saw Doug.
00:19:31	You were there.
00:19:35	When I went back to my office,
00:19:40	I decided to call it quits, I went down
00:19:45	...saw Joe, got my keys.
00:19:50	- Yes.
00:19:54	- There was a detour.
00:19:56	I had to go over the bridge,
00:20:08	I wonder what else happened.
00:20:15	I got home.
00:20:21	I saw Doug. He was on the couch.
00:20:32	Try to remember.
00:20:41	There was a girl.
00:20:44	- Yeah, there was a girl.
00:20:46	Yeah, there was a girl.
00:20:49	- A girl at the bridge.
00:20:52	- There was some kind of accident.
00:20:54	- The girl was bloody. On the bridge...
00:20:58	What's the last thing you remember?
00:21:00	Why are you asking about Doug?
00:21:04	Was there any trouble in your marriage?
00:21:06	No, there was no trouble in my marriage.
00:21:09	And why are you using
00:21:12	Miranda...
00:21:14	...you don't remember anything
00:21:18	Don't tell me something's
00:21:21	I have to tell you something.
00:21:24	No, no, no...
00:21:26	- Don't tell me there's something with Doug.
00:21:31	...Doug is dead.
00:21:35	You killed him.
00:21:38	- No! No! No!
00:21:42	I didn't.
00:21:45	- No, I didn't.
00:21:48	I didn't! I didn't do it! No!
00:21:54	No! No! No, don't do it!
00:21:57	- It's okay.
00:22:01	I'm on your side.
00:22:03	I'm on your side.
00:22:54	One little bit more.
00:23:04	Rita. Let go.
00:23:07	It's Dr. Grey.
00:23:14	Look it up. Don't look at me like that.
00:23:24	I'm the official champion again.
00:23:33	Hello, Miranda. Welcome.
00:23:39	You're one of us now.
00:23:43	You know I don't belong here, Chloe.
00:23:46	If you're here,
00:23:50	You are not a doctor in here.
00:23:52	And even if you tell the truth...
00:23:56	...no one will listen.
00:23:59	You know why? Because you're crazy.
00:24:07	And the more you try
00:24:10	...the crazier you appear.
00:24:14	You are invisible now.
00:24:17	Can you feel it?
00:24:29	Don't touch me.
00:24:32	Are you scared?
00:24:34	No.
00:24:36	You should be.
00:27:01	I'm dreaming.
00:27:04	I'm dreaming.
00:27:07	Dream logic, primary process,
00:27:11	I'm dreaming.
00:27:13	I'm dreaming. I'm dreaming. I'm dreaming.
00:27:17	I'm dreaming. I'm dreaming.
00:27:20	I'm not crazy. I'm dreaming.
00:27:27	Rise and shine, honey. It's a new day.
00:27:36	I wanna talk to Pete.
00:27:38	You'll see Dr. Graham all in good time,
00:27:45	- Why are you doing this to me, Irene?
00:27:50	You don't want me to get Jim
00:28:07	Good girl. You're doing good.
00:28:11	Come on, sweetheart,
00:28:27	Come on, honey,
00:29:29	You're a nut.
00:29:35	Yeah, it's you. You.
00:30:03	Get away. Get away.
00:30:12	What's your problem?
00:30:13	What's your problem?
00:30:45	I looked away for a second.
00:30:48	It's not your fault.
00:30:50	Patients always find a way to hurt
00:30:55	I never pegged her for a cutter, that's all.
00:30:58	Neither did I.
00:31:00	Shelley says Chloe's
00:31:03	...so I put her in isolation for the day.
00:31:06	How is she?
00:31:08	She's a mess.
00:31:10	I can't believe she's lost it so quickly.
00:31:14	She cut herself 35 times,
00:31:17	- What was the implement?
00:31:20	...though how anybody
00:31:32	Hey, Tony. We're fine.
00:31:51	Come on.
00:31:52	You think I did this
00:32:00	Did you?
00:32:06	No.
00:32:08	Well, I don't know.
00:32:11	Who would it be, then? Would it be...
00:32:14	...Chloe, or...?
00:32:18	I don't know.
00:32:23	By your own admission
00:32:25	...distinguishing what's reality
00:32:31	Yeah, as a doctor,
00:32:35	But something is really happening to me.
00:32:42	What about this moment, right now?
00:32:48	What about it?
00:32:50	Is this a hallucination?
00:32:54	Is it?
00:33:00	I suggest that we simply
00:33:05	...until things make sense.
00:33:07	Or maybe until I can get myself
00:33:10	Pardon?
00:33:12	Since I'm hallucinating
00:33:16	...you can help me with something.
00:33:18	Yeah. Inhale.
00:33:21	Did we have an affair?
00:33:32	No.
00:33:35	Did you want to?
00:33:39	Yes.
00:33:42	Did you think I wanted to?
00:33:46	Yes.
00:33:49	Then why didn't we?
00:33:54	Because you were married to the boss.
00:34:03	But I'm not now.
00:34:08	I'm here... I'm...
00:34:11	I'm trying to help you.
00:34:15	Why don't you trust me?
00:34:18	Because you can't trust somebody
00:34:50	Phil.
00:34:51	Hello, Miranda.
00:34:54	I need to talk to you for a minute.
00:34:57	This is about Pete.
00:35:04	What about him, Miranda?
00:35:06	I don't think he's the best doctor
00:35:10	Is your complaint about him
00:35:15	Pete's the best doctor
00:35:19	And he has my full support.
00:35:22	Now, if you'll excuse me, Miranda.
00:35:51	- Miranda.
00:35:59	- How are they treating you?
00:36:02	- They think I did it, but I didn't do it.
00:36:06	- I didn't do it, Teddy.
00:36:11	Let's not...
00:36:13	Let's not talk about what you did
00:36:17	What's important is what
00:36:21	Now, the DA is pushing for a hearing
00:36:27	Next week? We haven't even
00:36:32	We can't have a hearing next week.
00:36:33	As your attorney, I gotta tell you
00:36:39	You've been placed at the scene.
00:36:43	The neighbors heard the screams.
00:36:45	They've got the murder weapon
00:36:48	Your prints are on the floor,
00:36:50	Yeah, but what's my motive?
00:36:54	Why would I do that?
00:36:58	Has anybody checked the files?
00:37:01	That person would have a motive.
00:37:05	- Maybe I went into shock.
00:37:08	The only shot we have
00:37:12	And I don't even know if that's gonna work.
00:37:16	That will make jurors think
00:37:19	...she could probably fake insanity
00:37:23	I'm not crazy.
00:37:25	- That's the point.
00:37:27	...I'm the only one around here
00:37:38	Do you think I'm crazy?
00:37:44	That's all right. Forget it.
00:37:46	Forget it.
00:37:57	Sheriff Ryan is here.
00:37:59	He'd like to talk to you.
00:38:01	You know he was Doug's best friend,
00:38:08	It's fine, Teddy.
00:38:31	Five minutes.
00:38:38	Hi, Bob.
00:38:40	Miranda.
00:38:44	I just have a few questions
00:38:50	When you first came in
00:38:54	...the way we reconstruct the crime is that
00:39:00	Which means he must have seen it coming.
00:39:04	And what we don't understand is how he...
00:39:09	- Why did you do it?
00:39:11	How could you kill Doug like that?
00:39:14	- That's the only question I need answered.
00:39:19	I don't have any answers
00:39:22	You don't? You better start thinking of some
00:39:27	- Sheriff, that's enough. That's enough!
00:39:30	I need her to tell me why she did it.
00:39:32	Okay, we're done. Enough!
00:39:35	Let's kill your friend, see how you feel!
00:39:37	- You said no shock treatment.
00:39:41	- Stop it. Why would you take these out?
00:39:44	Don't look at them.
00:39:45	I had to pick him up off the floor, Miranda.
00:39:57	Miranda, what's that?
00:40:27	It's okay. It's okay, Miranda.
00:40:30	- Why are you doing this to me?
00:40:34	- Why are you doing this to me?
00:40:36	- Why are you doing this to me?
00:40:39	Why are you doing this to me?
00:42:51	Come in, Miranda.
00:42:56	Please, take a seat.
00:43:04	So...
00:43:06	You wanted to see me.
00:43:11	I was there.
00:43:16	I was there when Doug was killed.
00:43:22	But I wasn't alone.
00:43:25	I wasn't there alone,
00:43:29	- Who was there with you?
00:43:32	I don't know. I don't know who it was.
00:43:35	But somebody else was there.
00:43:40	Miranda.
00:43:43	We know you have no family left.
00:43:46	We are your family now.
00:43:48	I know. I know you...
00:43:53	I want you to know that we're gonna
00:43:58	...to help you and to make you feel secure.
00:44:02	And to make you feel
00:44:09	But there's a hearing scheduled.
00:44:12	- Miranda. Sit down.
00:44:16	Miranda.
00:44:31	Who is this girl?
00:44:33	- Put the picture back.
00:44:37	That's my daughter, Rachel.
00:44:40	No, this is the girl I saw at the bridge.
00:44:45	- No.
00:44:48	- It's impossible.
00:44:51	This girl, right here.
00:44:54	She's dead.
00:44:59	Rachel died four years ago.
00:46:09	I'm a rational person.
00:46:13	I believe in science.
00:46:16	I don't believe in the paranormal.
00:46:20	And I don't believe in ghosts.
00:46:28	But if you are the ghost of Rachel Parsons...
00:46:35	...then you would let me out of this cell.
00:47:48	Bob, you leave this?
00:48:08	Shit. Pete's office.
00:01:32	Chloe!
00:01:44	Help me!
00:01:51	Let me go! Let me go!
00:01:54	Check Chloe! Check Chloe!
00:02:18	- Did you talk to Chloe?
00:02:23	- Was she raped?
00:02:27	- Why?
00:02:30	Did I...? She was checked.
00:02:33	- He didn't have time.
00:02:36	- What about her face? She had a cut.
00:02:43	I saw a tattoo. Did she talk about a tattoo?
00:02:46	- Why don't you sit down. A tattoo?
00:02:50	A woman in flames, hands up like this:
00:02:55	Like a Biblical image.
00:02:58	The Anima Sola?
00:03:01	- Yeah, the Anima Sola. That's what I saw.
00:03:06	I mean, it's the woman in chains,
00:03:09	I'm talking about something I saw
00:03:15	- That's what I saw.
00:03:18	This image is tailor-made
00:03:21	A woman in purgatory.
00:03:27	I need you to explain this to me, though.
00:03:32	- Rachel Parsons did not commit suicide.
00:03:38	- When I saw her...
00:03:41	- She was cut up.
00:03:44	- Yes, I saw her. Someone did that to her!
00:03:48	- Let's reopen the case.
00:03:51	- I saw her. And she's connected to me.
00:03:54	- How, I don't know.
00:03:58	Don't rattle off your psychiatric shit!
00:04:03	Good.
00:04:05	Saves me the trouble.
00:04:08	Glass cells are having electrical problems.
00:04:11	I'm gonna transfer you to a Psych Ward cell.
00:04:13	One strike, you're going to solitary.
00:04:17	Don't screw up.
00:04:21	Rachel Parsons was there.
00:04:24	Dead or alive, I don't know.
00:04:29	That girl came to me.
00:04:33	She came to me.
00:05:16	Hi, Chloe.
00:05:22	I'm sorry.
00:05:31	I'm sorry.
00:05:34	I'm sorry I didn't believe you.
00:05:37	I need you to tell me who did this to you.
00:05:43	Tell me his name, Chloe.
00:05:45	Chloe, tell me.
00:05:50	I'll tell you one thing:
00:05:52	He can have my body...
00:05:55	...but he will never have my soul.
00:05:58	Never.
00:06:02	The devil.
00:06:31	It's okay.
00:06:34	It's okay.
00:06:38	He said you're next.
00:06:55	- Try to stay awake.
00:06:59	If you need me, I'll be in the coffee room.
00:07:16	Lights out.
00:08:47	Leave me alone!
00:08:55	- Doesn't even look like a real ant.
00:09:00	- '50s B movies, man.
00:09:02	Hey, what is that?
00:09:11	It's Dr. Grey.
00:09:15	Level C, we've got suicidal behavior
00:09:24	Open it!
00:09:29	Dr. Grey's in trouble!
00:09:36	Number 33, open it now!
00:09:42	Oh, damn.
00:09:46	- Hold her, I'll medicate her.
00:09:50	Don't argue with me.
00:09:52	Jesus! Easy, easy.
00:09:56	Stop her! She's got my keys, stop her!
00:09:59	Shit!
00:10:10	Hey! Hey!
00:10:12	Wait! Hey!
00:10:13	We got a runner! Inmate escaping!
00:10:23	- Stay with me.
00:10:28	She's gone this way. Let's go!
00:10:32	Clear!
00:10:49	Split up! Keep moving!
00:10:57	She's going up the North Tower!
00:11:14	Shit!
00:11:36	Shit!
00:11:41	Hey! It's already open!
00:11:50	She's on the upper level!
00:11:53	Hold it right there!
00:11:55	- Dr. Grey!
00:12:00	Go! Go!
00:12:05	Go the other way!
00:12:18	Circle back.
00:12:47	Come on, Hank.
00:12:53	Don't think she made it
00:12:59	Yeah, but even so,
00:13:03	Hide-and-seek. The longer it lasts,
00:13:39	- You should be a professor.
00:13:51	Let's go. I don't think she's in here.
00:14:08	I got it.
00:14:11	Is it clear there?
00:14:16	We checked corridors Four and Five.
00:14:19	- It's cool. We're headed to Six and Seven.
00:14:23	- What's going on down there?
00:14:26	What do you mean, what do I mean?
00:14:28	Look, this is the fourth time this month
00:14:33	- Ye... Thank you.
00:14:37	- Took long enough.
00:14:39	Hey, Joe.
00:14:43	You see something?
00:14:45	Yeah, just now when the monitors came on.
00:14:48	Corridor Six, something flashed
00:14:52	Frank, East Wing. Don, take the West.
00:15:01	Here, take my car.
00:15:02	Go. Go.
00:15:04	Go on.
00:16:37	What do you want from me?!
00:17:36	Okay. Now what?
00:19:15	Miranda, no!
00:19:23	Doug?
00:19:45	No. No, Miranda, no.
00:19:51	Miranda, don't! No, don't, please!
00:19:54	Please! No! Miranda, no!
00:19:57	Please! Don't do this to me! No!
00:20:01	Don't! No! Miranda, no, wait!
00:20:03	Don't do this to me, please, Miranda!
00:20:06	Miranda, no! Don't! No!
00:20:09	Don't do this to me, Miranda!
00:20:13	I love you.
00:20:14	What did I do?
00:22:10	Why?
00:22:12	Why?
00:22:19	Why me?
00:22:23	Why? Why?
00:22:41	Willow Creek.
00:22:42	How was Willow Creek?
00:22:44	This rain is slowing the work down.
00:28:14	I'll see you in a couple of days.
00:28:28	It's good to be God.
00:28:31	I love you.
00:28:57	- Drop the knife!
00:28:59	Put it on the ground now!
00:29:01	- Drop the gun!
00:29:03	- You drop it!
00:29:05	What?
00:29:12	Help me, please!
00:29:14	Help!
00:29:16	Carter, get down here now!
00:29:18	Help me, please!
00:29:20	Please!
00:29:23	All I can tell you is that the girl
00:29:27	She was reported missing two weeks ago.
00:29:29	She was found this morning
00:29:33	...at a farm belonging to Dr. Douglas Grey.
00:29:37	Can she speak?
00:29:39	- We can't comment on that.
00:29:42	We can't confirm that. Excuse me.
00:29:44	Sheriff, is the FBI taking over
00:29:46	Why don't you ask the goddamn FBI?
00:29:48	We need her at the hospital
00:29:51	Consider house arrest pending trial,
00:29:54	Last night, your client dropped a guard...
00:29:57	...assaulted a nurse, escaped from
00:30:01	And saved a girl's life.
00:30:03	- How did she know she was there?
00:30:06	- But the point is...
00:30:10	Come here.
00:30:16	The FBI says there could be more victims.
00:30:19	There were needles down there,
00:30:22	Once the press gets ahold of it,
00:30:26	Now, I need some answers,
00:30:29	So your client isn't going anywhere
00:30:40	I need to talk to her.
00:30:53	It's hard to believe
00:30:58	We worked together a long time.
00:31:06	How could I be so blind?
00:31:11	Well, you weren't the only one, Phil.
00:31:18	Do you think my daughter could
00:31:23	Yes.
00:31:25	That's what "not alone" means.
00:31:27	Rachel was trying to tell me that
00:31:33	And all this time...
00:31:37	...we thought our baby
00:31:42	You see...
00:31:44	...even after she was gone...
00:31:50	Well...
00:31:53	What?
00:31:55	I had this recurring dream about her.
00:31:58	Eventually I took medication
00:32:01	What kind of dream?
00:32:03	She was burning in flames,
00:32:08	I couldn't save her.
00:32:10	I saw her exactly the same way,
00:32:15	What does that mean?
00:32:19	Miranda, I... I...
00:32:22	I wouldn't look for
00:32:25	It's a dream, a delusion.
00:32:28	A delusion that we both seem to share.
00:32:42	- Yeah.
00:32:44	I was just talking to Parsons.
00:32:46	I've been wrong about
00:32:48	It's finally clear to me.
00:32:51	The man raping women in prison
00:32:55	It goes back to the Anima Sola tattoo.
00:32:57	Miranda, you have to stop doing this.
00:33:00	Every time people start taking you seriously,
00:33:05	I'm not deluded, Pete, I'm possessed.
00:33:08	I don't believe in ghosts.
00:33:12	Neither do I, but they believe in me.
00:33:15	Great, just great.
00:33:30	Let's go. Come on.
00:33:38	I need to talk to Sheriff Ryan.
00:33:40	He's working with the FBI team.
00:33:44	It's really important.
00:33:46	I'll leave him a message.
00:33:50	Thank you.
00:34:09	Screw it.
00:34:46	I got a message you wanted to talk to me?
00:34:50	Yeah, Bob.
00:34:53	I wanna talk to you.
00:34:57	Because the last time, all you wanted to do
00:35:01	- Is this what you wanna talk to me about?
00:35:06	They're a little different now, right?
00:35:10	Do you have any idea what happens to a
00:35:14	- Lf you know anything, anything...
00:35:18	What?
00:35:20	Not alone.
00:35:22	I know what it means.
00:35:24	There are two killers.
00:35:27	Parsons and I both saw a girl
00:35:31	Then I saw Chloe being raped by a man
00:35:36	A woman burning in flames. Get it?
00:35:40	Okay, it's crazy. I know it sounds crazy.
00:35:44	- You told Pete? When?
00:35:47	Yes.
00:35:49	This afternoon. Why?
00:35:54	I don't think you're crazy at all.
00:35:58	- You actually saw this tattoo?
00:36:03	I've heard of serial killers
00:36:06	Classic mentor and disciple syndrome.
00:36:08	So we're looking for the disciple?
00:36:11	- I don't know.
00:36:14	What kind of guy would this have to be?
00:36:17	Okay.
00:36:20	He would have to be someone
00:36:25	...that had an absent father.
00:36:28	He developed...
00:36:30	...an obsessive, over-dependent
00:36:33	...which then turned into some
00:36:38	He probably even got off
00:36:43	And as a man he is totally confused
00:36:49	That's who he is.
00:36:52	Man, that's screwed up.
00:36:56	But a guy like that could seem
00:37:00	Yeah, they usually do. Yeah.
00:37:02	Look, Miranda, I don't wanna scare you...
00:37:05	...but if there is a second killer out there,
00:37:11	You're a big threat to this guy.
00:37:14	I don't know anything else.
00:37:16	You saw the tattoo,
00:37:19	Yeah, but I found all that by instinct.
00:37:21	This guy is facing the electric chair.
00:37:24	He doesn't have the luxury
00:37:27	He's gotta believe that Doug
00:37:32	But he didn't confess.
00:37:34	Maybe he didn't spill it out loud, but...
00:37:38	Well, you know, you're a psychiatrist.
00:37:41	There's a lot of ways to confess.
00:37:45	I'm just trying to put myself
00:37:52	Then why didn't he go back
00:37:56	- Take care of the girl, clean up evidence?
00:38:00	Well, that's how you get caught.
00:38:04	Better to let the dust settle.
00:38:08	But about you...
00:38:10	...he's desperate.
00:38:13	Desperate enough to...
00:38:15	...talk to me?
00:38:21	Well, you're right.
00:38:23	I do fit the profile.
00:38:25	Longtime friend of Doug's,
00:38:31	I never did get a kick out of
00:38:37	Stop it!
00:38:40	- No!
00:38:45	- You can't kill me!
00:38:47	After this kicks in, I'm gonna have a lot
00:38:52	Help!
00:39:05	Miranda!
00:39:11	Damn it!
00:39:14	Help me! Help!
00:39:18	Help me!
00:39:45	Okay.
00:39:49	You tried to escape, Miranda.
00:39:53	That means I can do
00:40:02	Rachel wasn't the first, you know.
00:40:05	Doug killed a girl when he was
00:40:11	I helped him bury the body.
00:40:19	What are best friends for?
00:40:23	We got older. But I gotta tell you...
00:40:26	...you never lose your taste
00:40:30	Then we stopped for a long time.
00:40:34	But then Dougie saw sweet Rachel and...
00:40:39	That was an itch way too deep
00:40:44	And then we had the time of our lives
00:40:49	Everything was perfect.
00:40:51	Those girls would do anything.
00:40:54	We were their god.
00:40:57	Until you...
00:41:00	Miranda!
00:41:08	You and I both know
00:41:11	So let's be logical...
00:41:14	...and end this thing.
00:41:26	Thank you, Miranda.
00:41:38	Rachel?
00:41:44	This isn't logical.
00:41:47	You're already dead!
00:42:15	Logic is overrated.
00:42:59	I'm sorry, Miranda.
00:43:12	So it's been almost a year
00:43:18	Sometimes I wake up screaming.
00:43:21	That's normal.
00:43:23	No, not these dreams.
00:43:26	Everyone thought you and I were crazy...
00:43:29	...but we were seeing the truth.
00:43:31	More than they could see.
00:43:34	Once you open the door,
00:43:38	Not true. I closed it.
00:43:41	Then I locked it...
00:43:43	...and then I threw away the key.
00:43:44	I really hope that's true.
00:43:47	You know, my train leaves in half an hour.
00:43:51	Okay. I'll get you on your way.
00:43:57	So good luck with your job, okay?
00:44:03	I wanted to thank you for what you did.
00:44:07	You really helped me.
00:44:09	You helped me.
00:44:12	You taught me how to listen.
00:44:14	Thank you.
00:44:18	We made it.
00:45:11	No!

Gothika