Goya s Ghosts

en
00:01:53 And these are actually for sale
00:01:58 And in the streets as well,
00:02:02 - And in Toledo?
00:02:06 Sevilla.
00:02:08 And in the Port of Cádiz.
00:02:12 So these prints
00:02:15 These are sold in Rome.
00:02:18 Even as far as Mexico.
00:02:20 This is how the world sees us.
00:02:23 This,
00:02:26 What is the name of the artist?
00:02:29 Francisco Goya.
00:02:36 Isn't he the man you commissioned
00:02:42 He is, Father.
00:02:44 Why did you choose him?
00:02:46 In all humility, Father,
00:02:48 I chose him for the same reason
00:02:51 have appointed him
00:02:55 They consider him the greatest
00:02:59 These prints are quite disturbing,
00:03:04 Disturbing?
00:03:07 Yes, yes, of course they are.
00:03:09 But, Father, these prints
00:03:13 show us
00:03:17 Maybe your world,
00:03:20 How can you call
00:03:22 "the true face of our world"?
00:03:26 There is but one world, Brother,
00:03:29 and it is neither yours, nor mine.
00:03:33 Have you lost your sight,
00:03:35 Do you not see what demonic filth
00:03:38 this Goya is selling?
00:03:41 He's an agent
00:03:44 Granted that he's decorated
00:03:47 He's painted angels, yes,
00:03:49 but when your mother raises her
00:03:53 whom do you think she sees?
00:03:56 Whom do you think Goya
00:03:59 for his angels?
00:04:02 Harlots!
00:04:04 Those are whores smiling down
00:04:08 I assert
00:04:10 before all of you
00:04:12 that Goya is a valuable
00:04:18 How so?
00:04:19 Father, I have met women
00:04:22 who cannot recite
00:04:24 It's them...
00:04:26 We have to seek them out,
00:04:28 but what is our response?
00:04:30 Condemn this great
00:04:35 Or do you think,
00:04:38 the evil this artist
00:04:41 will go up in flames?
00:04:43 Why don't we look at ourselves?
00:04:45 What have we accomplished
00:04:47 in the last 50 years?
00:04:49 How many heretics
00:04:52 I will tell you exactly how many,
00:04:55 Eight burned at the stake.
00:04:58 Are you proposing we show
00:05:01 greater severity?
00:05:03 Yes, Father, yes.
00:05:07 I'm talking about the God- fearing
00:05:14 Are you prepared
00:05:18 Never mind join,
00:05:20 grant me the wisdom to lead it,
00:05:38 Why doesn't that painting
00:05:44 Because he's a ghost.
00:05:50 No, he is not!
00:05:54 Have you ever seen a ghost?
00:05:56 No.
00:05:57 But I have seen a witch.
00:05:59 - Oh, did you?
00:06:03 What did she look like?
00:06:06 She was all bent and creepy,
00:06:09 and she stank... Phew!
00:06:12 That's interesting.
00:06:16 she's young, very lovely,
00:06:18 and she smells of jasmine.
00:06:20 - She does?
00:06:22 And I'm working on her portrait
00:06:28 I'm no witch!
00:06:31 How do you know?
00:06:55 Am I allowed to say something?
00:06:59 - Please.
00:07:02 She would not be
00:07:04 in the Florida chapel, would she?
00:07:07 Yes, she is.
00:07:14 This is probably a very naive
00:07:16 but I am a man of the cloth.
00:07:19 Do you...?
00:07:23 Do you painters not become very
00:07:30 It must be very...
00:07:32 tempting...
00:07:34 when you spend hours
00:07:37 not only beautiful,
00:07:39 but young girl.
00:07:46 Would you like me to include
00:07:49 - I'll leave that up to you.
00:07:52 Hands are not easy to paint
00:07:54 and not everybody will spend
00:07:57 Well, what is the difference?
00:07:59 One hand, two thousand reales.
00:08:10 Why did you agree to paint
00:08:14 Why not?
00:08:16 You have the reputation of mocking
00:08:20 And harshly, I must say.
00:08:23 Do I?
00:08:24 Are you aware of how many powerful
00:08:30 Fortunately, I also have
00:08:50 How have you been, dear Goya?
00:08:52 - As always, Your Majesty
00:08:55 I endeavor not to, Your Majesty.
00:08:57 Is this the wild steed
00:09:00 that I am to conquer today?
00:09:03 Oh, dear!
00:09:14 So how do you want me to ride?
00:09:17 How do you want history to perceive
00:09:21 The way I am,
00:09:23 young and beautiful.
00:10:13 Which one do you wish for supper,
00:10:20 Maybe...
00:10:23 the vulture.
00:10:32 May I stay
00:10:34 and watch you work for a while?
00:10:37 Why, if I may have any say
00:10:41 I'd prefer no- one see the work
00:10:47 Am I intruding?
00:10:48 Yes,
00:10:50 you are, my dear.
00:10:57 Oh, I see.
00:11:00 As you wish,
00:11:02 as you will,
00:11:05 whatever is your pleasure.
00:11:38 How long do I have to sit up here?
00:11:43 For as long as I may need you there,
00:11:52 See what I am carrying?
00:11:54 I must be a pious man, right?
00:11:57 But look at what
00:12:01 Voltaire!
00:12:03 Voltaire!
00:12:05 The Dark Prince
00:12:09 Devious. Devious.
00:12:13 Be vigilant, use your ears.
00:12:16 People talk.
00:12:18 You might hear somebody
00:12:21 consists of very small elements,
00:12:26 Get his name.
00:12:27 He's a heretic
00:12:29 spreading these diabolical ideas
00:12:32 to poison the souls
00:12:37 If you hear somebody talking
00:12:40 instead of 'The Church',
00:12:43 he is either a Judaiser,
00:12:47 Get his name.
00:12:49 If you are in a public place
00:12:52 hiding his penis with his hand
00:12:56 the man is probably circumcised.
00:13:00 And he's a Judaiser!
00:13:02 I am giving you
00:13:06 of what to look for,
00:13:09 Bring their names to the attention
00:13:12 Your eyes, your ears,
00:13:15 They are the servants of God.
00:13:59 Come on, Inés.
00:14:02 Come on.
00:14:27 - Hey, where are you going?
00:14:38 What did you do?
00:14:41 - Inés, wipe your mouth.
00:15:05 You have received a summons
00:15:11 Do you have any idea
00:15:13 No.
00:15:15 Where did you go with your brothers
00:15:17 The Tavern.
00:15:19 Think!
00:15:21 Did you say something sacrilegious?
00:15:23 No.
00:15:26 Was there an incident
00:15:29 She kissed the feet of a dwarf.
00:15:32 - You did?
00:15:34 - Everyone did!
00:15:37 just to testify
00:15:40 Someone else?
00:15:42 Is there someone you know
00:15:48 I don't know.
00:15:50 No!
00:15:58 Do not worry, my child.
00:16:38 My child.
00:17:35 In the name of the Father, and
00:17:37 Amen.
00:17:43 Sit down, please.
00:17:47 Are you Inés Bilbatua,
00:17:49 begat by one
00:17:52 and his wife María Isabel?
00:17:54 - Yes, I am.
00:17:57 and we expect you
00:18:00 I will.
00:18:01 Is it true that on Wednesday,
00:18:05 you dined at the inn
00:18:09 Yes, it is.
00:18:13 What were you served that evening?
00:18:16 - For dinner?
00:18:20 You actually want to know
00:18:25 For dinner.
00:18:31 I had chicken.
00:18:42 Onions,
00:18:46 chickpeas.
00:18:51 Chickpeas.
00:18:53 And?
00:18:55 Potatoes.
00:18:57 Green peppers.
00:19:03 Were you served pork?
00:19:06 Yes, but I didn't have any.
00:19:08 - Why not?
00:19:13 Are you prepared to swear
00:19:16 that you're telling the truth?
00:19:18 About the pork?
00:19:20 Are you?
00:19:23 I swear on Jesus's sacred wounds,
00:19:27 And I suppose
00:19:29 if we gave you an opportunity
00:19:32 No, I would be grateful.
00:19:37 How would you like me to prove it?
00:19:57 Did you tell us the truth?
00:19:59 Yes! Yes, I did!
00:20:03 We have reason
00:20:06 Why?
00:20:08 We suspect the reason you avoid pork
00:20:11 What?
00:20:13 - Are you?
00:20:16 You practice Jewish rituals.
00:20:19 No, I do not!
00:20:22 You have something to confess.
00:20:24 But I...
00:20:29 The truth.
00:20:31 But I did!
00:20:37 Tell me what the truth is!
00:20:41 Tell me what the truth is!
00:21:08 Hey, Tomás, how wonderful
00:21:11 - How are you, Francisco?
00:21:18 - Can I offer you anything?
00:21:22 Are we alone?
00:21:25 Yes.
00:21:29 I need to speak with this man,
00:21:33 Why?
00:21:35 My daughter Inés has been summoned
00:21:41 - Inés?
00:21:44 That's preposterous.
00:21:46 She went in this morning
00:21:50 And we haven't heard
00:21:53 Do you know why they
00:21:56 No. That's why I would like
00:22:01 Francisco, I'm very sorry
00:22:06 but is there any way
00:22:15 But I'm in no position to curry
00:22:19 No, no favors.
00:22:22 if there is anything at all
00:22:27 I wish I...
00:22:34 No! I cannot talk
00:22:37 about any matter
00:22:39 that does not pertain directly
00:22:42 I'm sorry.
00:22:43 I beg you, Francisco.
00:25:19 Father Lorenzo.
00:25:21 Come in.
00:25:25 This way.
00:25:46 If I were to meet this man
00:25:48 I would never recognize myself
00:25:53 One has such a different idea
00:26:00 You think you might like him?
00:26:02 I know I like the painting of him.
00:26:06 Yes, yes...
00:26:09 I'm very pleased
00:26:11 - Shall I choose a frame for it?
00:26:16 - And there's no need to send money.
00:26:19 - Somebody's paying for it.
00:26:23 His name is Tomás Bilbatua.
00:26:27 He's a very rich merchant.
00:26:30 He also intends to underwrite
00:26:32 the reconstruction of the Convent
00:26:36 He's also asked me to paint
00:26:39 which is a very welcome
00:26:43 - What is his name?
00:26:47 What does Senor Bilbatua want
00:26:54 He's the father of...
00:26:56 You recall seeing her face on the
00:27:01 Yes?
00:27:02 She's been arrested
00:27:09 I know him quite well.
00:28:44 Don't be afraid.
00:28:47 - Inés Bilbatua?
00:28:58 I am hereto see if I can...
00:29:02 possibly be of some assistance.
00:29:05 May I go home now?
00:29:07 I don't have the power
00:29:11 I wanna go home.
00:29:17 Do not fear, my child.
00:29:25 I can deliver a message
00:29:28 Do you want me to?
00:29:30 Please.
00:29:32 Will you tell them
00:29:36 I love them so much.
00:29:39 And please,
00:29:42 tell them that always,
00:29:45 when I shut my eyes
00:29:47 and I pray to God
00:29:49 I beseech Him
00:29:53 and my father
00:29:55 and my brothers,
00:29:57 when I open my eyes...
00:30:02 - Do you want me to pray with you?
00:30:17 Glory to God on high.
00:30:19 And on earth peace
00:30:22 We praise You, we bless You,
00:30:26 We give You thanks
00:30:29 O Lord God, heavenly King,
00:30:33 O Lord Jesus Christ,
00:30:37 O Lord Jesus Christ, Lord God,
00:30:40 Very good, Inés.
00:30:43 I'll take care of you.
00:30:45 It's all right, it's all right.
00:30:56 - Hello! Welcome.
00:30:58 - Gracias, Padre.
00:31:00 - How are you, Francisco?
00:31:03 Father Lorenzo.
00:31:05 It's a great honor for me to welcome
00:31:09 This way, please.
00:31:12 Ángel... and Álvaro.
00:31:15 Hello, Ángel.
00:31:17 And this is my dear wife...
00:31:21 María Isabel.
00:31:25 Father Lorenzo,
00:31:27 welcome to our house.
00:31:28 - Thank you.
00:31:31 Francisco, thank you.
00:31:35 The time has come for me
00:31:37 the Lord
00:31:39 by restoring the Convent
00:31:43 You know,
00:31:53 I'm very sorry that my daughter
00:32:00 A most...
00:32:02 a most marvelous work indeed,
00:32:06 Thank you.
00:32:08 As I was saying,
00:32:09 the time has come for me to repay
00:32:13 by restoring the Convent
00:32:20 Bless us, o Lord,
00:32:23 and your gifts,
00:32:26 which from your bounty we are about
00:32:29 Amen.
00:32:34 To the successful restoration
00:32:44 This wine is excellent.
00:32:46 It was aged on a ship that has gone
00:32:50 It takes constant motion
00:32:52 to bring out the flavor
00:32:55 I didn't know that.
00:32:57 And these are anchovies
00:33:00 I presume that you're anxious
00:33:05 Oh, yes,
00:33:06 extremely so.
00:33:08 She has never ever been away.
00:33:12 Yes, I did.
00:33:13 How is she?
00:33:16 She's in fine spirits
00:33:18 and sends her love
00:33:23 When can we expect her home?
00:33:25 I couldn't say.
00:33:29 Stand trial?
00:33:33 Why?
00:33:35 For what she has confessed.
00:33:37 What did she confess?
00:33:40 That she had secretly practiced
00:33:42 the Jewish rituals
00:33:44 But that's impossible.
00:33:49 We are an old Christian family.
00:33:52 Correct me if I'm wrong
00:33:54 but the Brothers in charge
00:33:57 informed me that your
00:34:01 converted from Judaism to
00:34:05 from Amsterdam in 1624.
00:34:09 Is that true?
00:34:11 Yes.
00:34:15 But I am the only person
00:34:19 Then why has your daughter
00:34:22 Inés couldn't possibly confess to
00:34:26 Excuse me,
00:34:27 was my sister put
00:34:31 Yes, she was.
00:34:33 My daughter was tortured?
00:34:36 She was put to 'The Question'.
00:34:39 I thought that kind
00:34:41 had been abandoned years ago.
00:34:43 Yes, it was,
00:34:47 but now
00:34:50 in its quest for the truth,
00:34:53 So...
00:34:55 you maintain that a confession
00:34:59 as you call it 'The Question'
00:35:04 This is not an opinion
00:35:08 It is a tenet of Church
00:35:11 attained by 'The Question'
00:35:16 I'm sorry, Lorenzo,
00:35:18 but how can this sort
00:35:21 If I were tortured, I'd confess
00:35:25 I'd confess
00:35:28 No, you wouldn't.
00:35:30 I would confess to anything
00:35:32 No, you wouldn't.
00:35:34 You're a God- fearing man, Goya,
00:35:38 Of course I am.
00:35:40 So, your fear of God would prevent
00:35:45 But what ifthe pain obscured
00:35:48 What if my fear of pain
00:35:51 than my fear of God?
00:35:53 If you are innocent of the charge,
00:35:56 to withstand the pain.
00:35:59 - Are you sure of that?
00:36:01 Forgive me, Father Lorenzo,
00:36:03 but have you ever been
00:36:08 to 'The Question' yourself?
00:36:12 - Have I ever been?
00:36:14 Have you ever been subjected
00:36:18 Of course not.
00:36:19 Do you think that if you were
00:36:22 and they asked you to confess
00:36:24 something grotesquely absurd,
00:36:27 say...
00:36:29 say you were told to confess that
00:36:36 are you sure that God
00:36:38 would grant you the fortitude
00:36:41 Or would you rather confess
00:36:43 to avoid the pain?
00:36:45 I know I would.
00:36:47 I know you would.
00:36:53 Would you?
00:36:58 What is this? Are you playing some
00:37:02 Nobody would ever ask Father Lorenzo
00:37:06 I would.
00:37:24 - Is he serious?
00:37:29 Álvaro, go get your father.
00:37:35 Sometimes I don't understand
00:37:38 Nobody does.
00:37:41 Because my father doesn't have
00:37:43 Oh, yes, he does.
00:37:48 - More wine?
00:37:51 Francisco?
00:38:00 "I, Lorenzo Casamares,
00:38:03 hereby confess that, contrary
00:38:08 am, in fact,
00:38:09 the bastard son of a chimpanzee
00:38:13 and I have schemed
00:38:17 to do harm to the Holy Office."
00:38:35 Sign it.
00:38:40 This is a joke, Tomás, right?
00:38:45 Sign it.
00:38:53 Ángel, block the door.
00:39:01 Francisco, escort me out
00:39:03 Stop Senor Goya.
00:39:08 - Are you crazy?
00:39:12 - Let us go.
00:39:14 What do you mean I can go?
00:39:18 Did he let my daughter go?
00:39:22 Did you let my innocent daughter
00:39:27 Did he?
00:39:29 Keep him here.
00:39:35 Release him!
00:39:37 Escort Señor Goya out.
00:39:40 Tomás!
00:39:42 Take your hands off me!
00:39:46 Are you ready to sign
00:40:08 María Isabel.
00:40:22 Bring him here.
00:40:27 Sign it.
00:40:38 Tie his hands.
00:40:44 Will you sign?
00:40:53 All right.
00:40:54 Let's find out if God will give
00:40:57 to resist 'The Question'.
00:40:59 Lift him up.
00:41:49 I will burn this paper
00:41:51 the moment
00:41:54 But I won't wait forever.
00:41:57 You must understand that.
00:42:00 All right, you are free to go now.
00:42:16 Father Lorenzo?
00:42:18 You're forgetting something.
00:42:23 This might be of great help
00:42:39 This is a very generous
00:42:44 We are grateful for your efforts,
00:42:47 Brother Lorenzo.
00:42:51 There is a request, Father.
00:42:54 There usually is.
00:42:56 Let us hear the particulars.
00:43:00 The merchant
00:43:02 would like
00:43:04 - Is she with us?
00:43:09 - What is her status?
00:43:14 How did you respond
00:43:18 I promised
00:43:22 - On what grounds?
00:43:28 the size of the endowment as well
00:43:31 that she is very young.
00:43:34 Did she confess?
00:43:36 Yes, Father.
00:43:38 She was put to 'The Question'.
00:43:44 We shall accept
00:43:47 with humble gratitude.
00:43:51 We shall also carve the name
00:43:55 in the Convent in stone
00:43:58 his generosity forever.
00:44:02 As for the daughter,
00:44:05 I will pray to the Lord He may
00:44:10 Of course, releasing her would
00:44:13 the basic principles
00:44:16 because it would suggest
00:44:19 doubts the power
00:44:23 We are concluded.
00:44:37 - Did you see my parents?
00:44:40 They are doing everything
00:44:43 And?
00:44:47 And...
00:44:49 they love you very much, Inés.
00:44:55 Shall we pray together, Inés?
00:45:27 I can't believe it.
00:45:29 "I am, in fact,
00:45:33 of a chimpanzee
00:45:37 Can you believe this idiot?
00:45:41 He's crazy.
00:45:45 Your Majesty,
00:45:47 I am a desperate father
00:45:50 and this was done only to prove
00:45:54 even the most innocent man
00:45:56 will confess to the most
00:46:03 Yes.
00:46:04 We beg you, Your Majesty,
00:46:07 to restore our daughter to us.
00:46:11 Yes,
00:46:17 I had a good look at the signature.
00:46:20 - There can be no mistake?
00:46:26 Where is Brother Lorenzo?
00:46:28 All the brothers are looking
00:46:34 - Yes?
00:46:38 At your service.
00:46:39 We have been told
00:46:42 a portrait
00:46:44 Yes, please come in.
00:46:46 It's already finished.
00:46:49 I hope Father Lorenzo
00:46:51 is pleased with the frame
00:46:57 Lorenzo Casamares
00:47:00 and he is now a fugitive.
00:47:02 A fugitive?
00:47:04 I see.
00:47:05 We're here to confiscate
00:47:10 Yes, of course.
00:47:13 If he were to contact you,
00:47:16 we would like
00:47:18 Well, certainly.
00:47:24 Oh, incidentally,
00:47:28 I have not yet been paid
00:47:31 If we find him,
00:48:15 As the image of the man
00:48:18 vanishes into thin air...
00:48:22 may his name forever vanish
00:48:25 from all memory.
00:48:28 Whosoever pronounces his name
00:48:32 may he burn in the fires
00:48:34 of eternal damnation.
00:49:17 She will like this frame.
00:49:22 I've never been this close
00:49:25 But... is she really that ugly?
00:49:30 What's your point?
00:49:32 Yes, but that does not make
00:50:29 Don Francisco,
00:50:30 Her Majesty wishes for you
00:50:49 Please, sit.
00:50:53 Sit, please.
00:50:56 Please, sit
00:51:53 How did you like it?
00:51:55 Very much, Your Majesty.
00:51:59 - Are you telling me the truth?
00:52:03 moved, Your Majesty.
00:52:05 Not now.
00:52:06 Do you know
00:52:10 No, not really, sire.
00:52:15 Mozart, maybe? No.
00:52:19 Händel?
00:52:23 - I did.
00:52:27 Congratulations, Your Majesty.
00:52:29 Excellent and beautifully
00:52:34 - So much for art.
00:52:37 I wonder if I could have
00:52:41 All right, come in.
00:52:48 Your Majesty...
00:52:53 The French rabble
00:52:55 has decapitated the King
00:52:58 The King of France?
00:53:01 Yes, Your Majesty.
00:53:03 He was guillotined
00:53:07 six days ago.
00:53:09 My cousin Louis?
00:53:12 Yes, sire.
00:53:38 15 YEARS LATER
00:53:40 Our soldiers must comprehend
00:53:43 They carry a personal message
00:53:47 that I will not stand by
00:53:50 continue to suffer the tyranny
00:53:52 of corrupt and decadent kings,
00:53:55 repressive clergy
00:53:58 Yes, the King of Spain
00:54:01 He is French.
00:54:03 She is Italian!
00:54:06 No wonder the Spanish people
00:54:09 as much as they hate
00:54:13 You have never fought
00:54:15 an easier campaign, soldiers!
00:54:18 The common folk will greet you
00:54:22 on the streets of Madrid!
00:54:25 The Spaniard cannot wait
00:54:29 and become a free man.
00:54:32 Long live Napoleon.
00:55:38 I can see these explosions
00:55:43 I'm deaf.
00:55:45 I am completely deaf now,
00:55:49 I thank the Lord that
00:55:53 that I've been able to witness
00:55:56 and record
00:56:04 These are French soldiers.
00:56:07 The Mamelukes.
00:56:09 Special cavalry recruited
00:56:12 to help liberate Spain.
00:56:15 To bring us the noble ideas
00:56:19 Liberty,
00:56:21 equality,
00:56:22 brotherhood.
00:56:25 Then to defend the ideas
00:56:28 Napoleon, this scourge of royalty,
00:56:32 made his own brother,
00:56:36 But to my fellow Spaniard,
00:56:38 Napoleon's armies are nothing
00:56:43 occupiers.
00:57:02 Who is in command
00:57:08 God
00:57:10 is in command of this
00:57:13 and every other place
00:57:18 - In the name of Emperor Napoleon...
00:57:22 ...and by the letter
00:57:37 Brother? Brother?
00:57:39 Brothers, give him air,
00:57:44 In the name of Emperor Napoleon
00:57:47 of the Declaration of the Rights
00:57:51 we hereby proclaim
00:57:55 All of its properties confiscated
00:57:58 and all of its prisoners
01:00:58 Now, go away.
01:01:02 I'm deaf.
01:01:04 I'm deaf!
01:01:17 Sit down. Sit down.
01:01:24 You have to write,
01:01:28 Write what happened,
01:01:32 Are you hungry?
01:01:35 Are you hungry?
01:01:44 I confessed,
01:01:46 and they said I would be tried,
01:01:50 but there was never a trial.
01:01:53 My father is dead now.
01:01:57 My whole family is dead.
01:02:07 The only thing I can think
01:02:12 You had a child?
01:02:14 In prison?
01:02:22 My daughter, my little girl.
01:02:25 I need to see her.
01:02:28 I need to take care of her.
01:02:30 Can you help me find her?
01:02:41 Inés, look at me.
01:02:43 Swear to God Almighty
01:02:52 I need to talk to somebody
01:02:55 But the Holy Office is long gone.
01:03:00 - But they're not all dead, are they?
01:03:03 They're either all in prison
01:03:09 - Who's running the prison?
01:03:12 And Napoleon has sent
01:03:14 a special prosecutor along
01:03:20 Will he receive me?
01:03:29 Stay here. Watch her.
01:03:31 Felipe!
01:03:50 Silence!
01:03:56 Silence!
01:04:02 Quiet!
01:04:18 I am here
01:04:19 to serve the ideas of the
01:04:32 They opened my eyes,
01:04:34 as they are opening the eyes
01:04:37 because they are irresistible.
01:04:41 They are logical, they are just.
01:04:44 Universal.
01:04:52 All men, all men are born free.
01:04:58 All possess the same rights,
01:05:02 ...those who refuse
01:05:04 shall receive no mercy.
01:05:06 There will be...
01:05:09 there will be no liberty
01:05:21 Father Gregorio...
01:05:26 do not take this personally
01:05:30 However you are
01:05:33 the very incarnation
01:05:34 of blind fanaticism and nepotism.
01:05:37 You are the tool by the means
01:05:40 have kept the many in chains.
01:05:43 You exemplify the very worst aspect
01:05:48 and so you will be judged
01:05:58 By... By the unanimous decision
01:06:03 and by the power vested in them
01:06:07 of the Rights of Man
01:06:10 this court
01:06:12 sentences you...
01:06:16 to death.
01:06:38 Do you remember
01:06:41 that made you confess that you...
01:06:49 Yes.
01:06:51 - You remember.
01:06:55 Tomás Bilbatua.
01:06:57 Yes, of course. How is he?
01:07:00 Oh, he's dead.
01:07:02 - I'm sorry to hear that.
01:07:08 She needs help.
01:07:11 Of course. She can come
01:07:13 Well, she's here.
01:07:16 Bring her in.
01:07:20 I owe everything...
01:07:27 - I owe everything to...
01:07:31 You can just speak slowly
01:07:34 and articulate
01:07:40 I owe everything to that man.
01:07:43 Because of him I had
01:07:46 And there suddenly,
01:07:49 saw in one bright flash
01:07:51 how terribly wrong I had been
01:07:55 Reading...
01:07:57 Reading Voltaire, Rousseau...
01:08:00 Meeting Danton. Look,
01:08:02 I was baptized again.
01:08:04 I shed blood
01:08:07 - A nasty wound.
01:08:11 Yes, Henrietta, my wife.
01:08:14 I love her...
01:08:17 Yes, I who took the vows
01:08:22 So you will have to paint
01:08:25 with the whole family.
01:08:27 That's...
01:08:29 That's ten hands to paint.
01:08:32 Ten.
01:08:37 Come in.
01:08:41 Inés.
01:08:44 - This is Lorenzo...
01:08:47 Lorenzo Casamares.
01:08:51 What can I do for you, miss?
01:08:54 Don't, no, no, please, stop this,
01:08:57 Stop, please.
01:08:59 Sit down.
01:09:03 Sit.
01:09:04 Just tell me
01:09:07 what do you need?
01:09:11 What happened to our child?
01:09:15 - I beg your pardon?
01:09:19 Is she with you?
01:09:29 How long did they keep you
01:09:34 I don't know.
01:09:37 And...
01:09:40 you think you had a child
01:09:43 A little girl.
01:09:46 - Our daughter
01:09:53 Why do you believe that I am
01:09:58 Because you're
01:10:00 the only man I've ever known.
01:10:03 Please, sit down,
01:10:15 What happened to the child?
01:10:17 I don't know.
01:10:20 They took her from me
01:10:22 before...
01:10:24 she even tasted my milk.
01:10:50 Inés, my dear, come here.
01:10:52 Come, come.
01:10:56 Now,
01:10:58 you will go
01:11:01 and he will take you
01:11:04 All right?
01:11:06 You just go with him.
01:11:09 Go on.
01:11:24 I feel...
01:11:27 such pity for these poor souls.
01:11:32 How barbaric we were...
01:11:34 Where are you sending her?
01:11:37 She has obviously taken leave
01:11:42 However, I will not fail her.
01:11:46 - Will she be all right?
01:11:49 You think she invented the story
01:11:55 I'm afraid so.
01:12:00 Tell me...
01:12:02 if a prisoner gave birth
01:12:04 in the dungeons
01:12:07 what would have happened
01:12:13 Might it concern
01:12:16 your child?
01:12:19 Please,
01:12:22 respond to my question.
01:12:25 If I do,
01:12:27 will you spare whatever remains
01:12:31 Will you kindly let me die
01:12:36 Yes.
01:12:40 Can I trust a... a monkey?
01:12:48 Yes.
01:12:53 There are no girls here born in '93
01:12:58 Are there?
01:13:02 There was one who would answer
01:13:08 1793, Madrid,
01:13:10 sent here
01:13:13 Which one is she?
01:13:15 She's not here.
01:13:17 She ran away from us
01:13:20 Where is she now?
01:13:22 Only God can answer
01:13:24 She was a little tiger.
01:13:30 Is it known
01:13:35 Not really.
01:13:40 Did they mention their names?
01:13:43 Oh, no. They never do.
01:13:48 - Did you baptize her?
01:13:51 What was her baptismal name?
01:13:54 Alicia.
01:13:55 Alicia.
01:13:57 Alicia.
01:13:59 Come on.
01:14:39 Come on.
01:14:53 - Who was that girl there?
01:14:56 - What's her name?
01:14:59 Write it down.
01:15:02 Alicia.
01:15:04 All right. Alicia.
01:15:05 - Will she be back?
01:15:08 - What?
01:15:15 My God, what is this?
01:15:19 This is by the Flemish painter
01:15:21 El Bosco, sire.
01:15:23 It's called
01:15:26 - Do you like this?
01:15:28 it is very bizarre, you are right,
01:15:32 And it is very well painted.
01:15:35 This is neither my kind of a garden
01:15:39 I would never send this
01:15:41 This is not my brother's taste...
01:15:44 You can keep this thing right
01:15:50 Ah, now this looks promising.
01:15:53 This is Carlos the Fourth.
01:15:56 I met him... and his wife.
01:15:59 Although I don't recall her being
01:16:02 How did she manage
01:16:05 She was the Queen, sire.
01:16:10 This... is a masterpiece.
01:16:12 - Indeed it is, sire.
01:16:17 And he can just do that?
01:16:19 Take paintings from the Royal gallery
01:16:23 We have to express our gratitude
01:16:26 in Spain somehow darling. Yes?
01:16:31 Senor Francisco de Goya
01:16:34 - Bring him in.
01:16:40 Show Senor Goya to my study
01:16:44 Thank you.
01:16:56 I'm sorry, Francisco.
01:16:59 At lunch I'm a family man.
01:17:02 - May I offer you something to drink?
01:17:04 I just want to get in touch
01:17:08 Why?
01:17:10 Well, she was telling the truth.
01:17:12 She does have a daughter.
01:17:15 How do you know?
01:17:18 - I saw her.
01:17:21 Yes.
01:17:23 Did you talk to her?
01:17:25 No, no, I just saw her.
01:17:27 How do you know that the girl
01:17:33 She looked exactly
01:17:35 when I painted her 16 years ago.
01:17:37 - She was, it was a perfect replica.
01:17:45 In the Pardo Gardens.
01:17:49 - In the Gardens?
01:17:53 She is a...?
01:17:57 Yes, she is.
01:18:00 Do you know her name?
01:18:03 - Alicia.
01:18:05 Do you think you could bring Inés
01:18:09 I want the mother
01:18:12 Of course.
01:18:16 Come on.
01:18:36 - Is your name Alicia?
01:18:41 Where were you born, Alicia?
01:18:44 In an orphanage.
01:18:46 Do you know
01:18:50 My mother was a heretic.
01:19:06 So, where do you wanna do it?
01:19:08 Right here?
01:19:09 Nowhere.
01:19:14 You're not the police, are you?
01:19:19 I would like to make you
01:19:22 - All right.
01:19:25 - Leave Spain?
01:19:27 - And go where?
01:19:29 With you?
01:19:30 No, but...
01:19:33 if you leave Spain,
01:19:36 I will provide you with enough money
01:19:39 No, no, please let me out of the...
01:19:42 - Now, please, stop this...!
01:19:44 I'm not gonna end up
01:19:46 Let me speak.
01:19:48 - Let go of me, or I'll scream.
01:19:51 Wait... Quiet, quiet.
01:19:53 Quiet, quiet. Let me speak.
01:19:58 Alicia, come back!
01:20:01 Even if this Alicia actually
01:20:04 which I doubt, which I doubt...
01:20:09 If she were,
01:20:11 I would never want to bring
01:20:14 Why not?
01:20:16 For me,
01:20:18 "I found your daughter
01:20:20 is unthinkable and cruel.
01:20:23 I could never bring myself
01:20:26 But they're the same flesh
01:20:28 Plus, Francisco,
01:20:32 Inés is not in control
01:20:38 - Where is she?
01:20:42 Where?
01:20:44 Why is she so important to you?
01:20:47 You are completely obsessed
01:20:51 You yourself noticed her.
01:20:53 That face is...
01:20:58 She's the angel descending
01:21:01 I see her in taverns, I see her
01:21:05 I saw her face when I thought
01:21:09 And I didn't do anything for her
01:21:11 I'm not going
01:21:13 Can you understand that?
01:21:17 Where is she?
01:21:23 Francisco,
01:21:26 that poor woman
01:21:32 I said where is she?
01:21:37 - I don't care who you are.
01:21:41 To which King? Do you know how
01:21:45 I even have two Napoleons.
01:21:48 The other one is seven foot,
01:21:53 - Is he deaf?
01:21:56 Painter to the King.
01:21:59 So, who is this woman anyway?
01:22:04 Inés Bilbatua.
01:22:06 How much is she worth to you?
01:22:10 - How much is she worth to you?
01:22:15 1,000? 100!
01:22:17 100!
01:22:19 You must be crazy! And take it
01:22:23 There are revolutions everywhere,
01:22:27 The British have landed
01:22:29 and I am responsible
01:22:31 And you have the audacity
01:22:34 500. 500.
01:22:36 - 200.
01:22:40 Is there anybody else here
01:23:03 Inés.
01:23:08 Oh, no... Not again.
01:23:11 You cannot carry a baby
01:23:19 No, María, no!
01:23:20 - Stop it!
01:23:22 Hold her.
01:23:24 Get her! Stop it!
01:23:25 Stop it. Let her go!
01:23:28 - Inés, calm down.
01:23:31 Inés!
01:23:36 Don't you remember me?
01:23:41 You can go home now.
01:23:45 I found your daughter, Inés.
01:23:48 See,
01:23:49 you have to go.
01:23:55 - My daughter?
01:23:58 My baby?
01:24:13 Halt!
01:24:18 What's happening here?
01:24:25 You can't go there.
01:24:27 Inés, wait in the carriage.
01:24:31 You keep an eye on her.
01:25:47 Miss Alicia?
01:25:50 Yes.
01:25:53 I'm Francisco Goya.
01:25:56 I'm painter to the King.
01:26:01 Is that your child?
01:26:04 No.
01:26:06 I want you to come
01:26:10 Another man?
01:26:13 No.
01:26:15 I understand.
01:26:17 No, I'm not talking about...
01:26:20 I want you to meet somebody
01:26:22 Who?
01:26:30 Alicia,
01:26:31 you've never met your mother,
01:26:35 And?
01:26:56 Alicia!
01:26:59 Alicia, run!
01:27:04 No, don't touch her!
01:27:07 Alicia!
01:27:52 - Where is she?
01:27:55 But didn't I tell you...!
01:27:58 I said Don Francisco wants you
01:28:00 Bring her home! Bring her home!
01:29:03 Bring him in.
01:29:13 - Did you decree that deportation?
01:29:18 So you're sending all these girls
01:29:21 just to get your poor harlot
01:29:24 This is the best thing for those
01:29:28 What are you saying?
01:29:30 It is a new life for them.
01:29:33 A new life? To be sold
01:29:36 It is better than living
01:29:39 - What are you saying?
01:29:42 The Spanish people couldn't care
01:29:45 Spain today
01:29:50 Whore?
01:29:53 Are you calling me a whore?
01:29:56 You have the audacity
01:29:58 And what are you? Look at you!
01:30:01 Look what you are today.
01:30:03 But do you remember
01:30:07 Who's the whore here?
01:30:10 Don't lecture me, Francisco.
01:30:13 Do not lecture me.
01:30:17 - and believed in what I was doing.
01:30:20 - I am a believer, Francisco.
01:30:21 I am a believer...! But you?
01:30:25 Look at you.
01:30:28 You work for anyone
01:30:31 Yesterday the King of Spain.
01:30:33 Today the French.
01:30:35 Probably that bastard Wellington!
01:30:38 - No!
01:30:41 You only believe in money.
01:30:44 You are the whore.
01:30:50 What is it?
01:31:01 The King has just received news
01:31:04 that the British have crossed
01:31:07 and are advancing.
01:31:10 According to a reliable source,
01:31:14 and the Spanish are joining them
01:31:18 What are the King's orders?
01:31:20 The King and his family left
01:31:26 - And Madrid?
01:32:28 Inés.
01:32:33 I want her to sleep.
01:32:35 Her father has not seen her yet.
01:32:38 Oh, I don't want her to be crying
01:33:36 Wait!
01:33:47 Halt!
01:33:50 Back to France, you cowards!
01:34:48 Françoise?
01:35:40 Brother Lorenzo,
01:35:42 I hope you will understand there
01:35:46 in our judgment.
01:35:47 However,
01:35:49 you became
01:35:51 the living embodiment
01:35:57 You proclaimed that Man
01:36:01 and that the words of the Gospels
01:36:06 You must never
01:36:09 never be allowed
01:36:13 Therefore,
01:36:16 and your punishment
01:36:20 But if you repent publicly,
01:36:24 the merciful hand
01:36:26 will spare your life.
01:36:31 Your body will be saved,
01:36:35 if you join us again
01:36:36 in the ever- loving arms
01:36:43 Lorenzo,
01:36:45 my son,
01:36:54 will you repent?
01:37:35 No, I'm sure.
01:38:04 - In the name of the Father...
01:38:06 You have lost your sight, Brother.
01:38:10 Lorenzo!
01:38:12 Lorenzo!
01:38:14 Lorenzo! Over here!
01:38:17 Well, what do you think's going
01:38:19 Brother, repent. You still have
01:38:23 Repent. Repent.
01:38:41 Come back to us, and God
01:38:46 Open your eyes!
01:38:55 Repent.
01:38:57 if you repent now! Repent...
01:39:04 Oh God.
01:39:06 Or you'll be damned
01:39:09 God will forgive your sins.
01:39:12 You still have time to plead
01:39:15 For God is all merciful.