Great Expectations

en
00:01:24 Mummy!
00:01:26 Mummy!
00:03:03 Hang it right main,
00:03:11 Where have you been?
00:03:14 What I've got before me
00:03:17 You tell me directly what
00:03:23 - Well?
00:03:24 Or I'd have you out of that corner if you
00:03:29 I... I've been down to hear the carols.
00:03:32 Carols, is it?
00:03:34 Perhaps if I weren't a blacksmith's wife
00:03:37 only should I been to hear the carols.
00:03:40 But too busy am I bringing
00:03:42 - Why do I do it?.
00:03:46 I don't... Was it I brought me
00:03:48 This house, this apron and him.
00:04:00 I hope you sang your heart out,
00:04:03 Glad to
00:04:06 I gave it out, Joe.
00:04:50 I'm hungry, boy.
00:04:53 I'm hungry.
00:04:54 Please, sir! Please, sir!
00:04:58 Nice fat cheeks though,
00:05:01 I'd munch them, eh?
00:05:05 - What is your name, boy.
00:05:08 What? Come on, give it mouth!
00:05:11 Pip. Pip, sir.
00:05:14 Pip! Pip!
00:07:59 Well, boy?
00:08:14 - What's in the bottle, boy?
00:08:24 I need to eat to live.
00:08:28 - I brought no one with me, sir.
00:08:31 No! Oh, no, sir.
00:08:41 - Pip, is it?
00:08:43 I am hunted and
00:08:46 They'll come for me.
00:08:52 - I'm glad you enjoy it.
00:08:57 I said I was glad
00:09:03 Well...
00:09:06 thank you, my boy.
00:09:09 I do.
00:09:13 - Another out there.
00:09:17 Did you hear then?
00:09:21 Compeyson must be out.
00:09:24 - Excuse me, sir?
00:09:28 I'll put him down like a bloodhound.
00:09:32 Curse this bloody iron on my leg.
00:09:41 Merry Christmas.
00:09:57 And for which may the Lord
00:10:00 may he make us truly,
00:10:03 Amen.
00:10:05 You hear that?
00:10:07 Especially dear boy to them
00:10:10 Oh is it that the young
00:10:14 - Naturally vicious.
00:10:18 I must say anyone looking for
00:10:21 will not find it in today's sermon.
00:10:23 No, indeed.
00:10:25 Indeed we felt as much
00:10:27 Now, if I'd be in the position
00:10:31 - Look at pork alone.
00:10:35 - If you want a subject,
00:10:38 True, sir. Many a moral for the young
00:10:42 You listen to this!
00:10:46 Swine were the companions
00:10:49 The gluttony of swine is put before us
00:10:55 Think what you've
00:11:05 You would have been
00:11:08 Yes, mam.
00:11:13 Disposed...
00:11:15 And then Dunstable the butcher
00:11:18 as you lay in your straw and he would have
00:11:23 and shed your blood with
00:11:28 No bringing up by hand then.
00:11:31 Not a bit of it.
00:11:48 Uncle...
00:11:50 Uncle, what is it?
00:12:03 Are you all right, uncle?
00:12:08 Tar!
00:12:10 Tar?
00:12:11 Why, how ever could tar
00:12:22 Here you are.
00:12:30 Excuse me, ladies and gentlemen but I am on a chase for Queen and country
00:12:32 and I want the blacksmith.
00:12:34 Joe!
00:12:35 The lock of one of them goes wrong
00:12:53 They are in the marshes still.
00:12:55 We will try to get clear of them before dusk.
00:12:58 Would you care for a little brandy, sergeant?
00:13:01 Wine, I think, mum.
00:13:04 Afterwards, sergeant, I rather
00:13:09 Well, some of us may have the inclination
00:13:14 and see what comes of this hunt.
00:13:21 Mrs Joe don't mind
00:13:23 we'll see those villains caught, Pip?
00:13:55 Come on!
00:14:24 There!
00:14:30 Surrender!
00:14:34 Arrest him!
00:14:38 I took him!
00:14:42 I give him up to you!
00:14:46 Handcuffs there!
00:14:52 I took him and he knows it.
00:14:56 Take notice, sergeant,
00:14:59 I dragged him back here.
00:15:05 And now, the Hulks has got its
00:15:09 I should have been a dead man
00:15:12 He's a born liar
00:15:16 Look at his face,
00:15:21 Let him cast those eyes on me.
00:15:24 I defy him to do it.
00:15:26 That's how he looked when
00:15:31 - He never looked at me.
00:15:34 - You!
00:15:35 I told you he would
00:15:38 Enough of this!
00:15:47 Company! March!
00:16:40 Look, I took some wittles off,
00:16:45 where the church stands.
00:16:49 From the blacksmith.
00:16:51 It was some broken wittles...
00:16:55 and a dram of liquor and a pie.
00:16:59 I'm sorry you missed such articles.
00:17:03 Especially the pie.
00:17:09 Come on!
00:17:15 How does he know I was the blacksmith?
00:18:06 Come on, old chap. It's only
00:18:12 It was real, Joe.
00:18:13 Always seem so.
00:18:16 But this is a true fear, Pip.
00:18:20 Me hold in your hand
00:18:22 and sound and warm
00:18:27 Look like them poor creatures.
00:18:30 No comfort for them tonight,
00:18:48 What a scholar you are,
00:18:51 - Ain't you?
00:18:53 Why, here's a J and a O equal to anything!
00:18:57 But read the rest, Joe.
00:18:59 The rest, eh, Pip?
00:19:02 Why, here's three Js and three Os...
00:19:07 and three J-O...
00:19:10 Why Joes, in it, Pip!
00:19:18 My dear Joe,
00:19:22 and I hope I shall soon
00:19:27 and then we shall be so glad
00:19:30 when I am apprentice
00:19:35 what lurks, believe me.
00:19:37 Astonishing! You are a scholar.
00:19:43 How do you spell Gargery, Joe?
00:19:45 - I don't spell it at all, Pip.
00:19:48 It can't be supposed.
00:19:51 Didn't you ever go to school, Joe,
00:19:56 No, Pip.
00:19:58 But you teach me,
00:20:01 Well... if this boy ain't
00:20:04 he never will be.
00:20:07 Get him ready, mum.
00:20:20 Well? What are
00:20:23 This boy's fortunes
00:20:25 if she favours him.
00:20:28 You better make certain
00:21:26 Get off, boy.
00:21:37 Boy, let your behaviour here be a credit
00:22:05 - What name?
00:22:08 Quite right.
00:22:12 This is Pip.
00:22:15 This is Pip, is it?
00:22:22 Oh, did you wish
00:22:26 If Miss Havisham wished to see me.
00:22:28 Which is what she didn't.
00:22:38 Remember, Pip.
00:22:41 Credit, nothing but credit.
00:22:44 Don't loiter, boy!
00:23:19 - After you, Miss.
00:23:22 I'm not going in.
00:23:30 Go on!
00:25:03 - Who are you?
00:25:06 Pip?
00:25:08 R.r Pumblechook's boy.
00:25:17 Sometimes I have sick fancies, Pip.
00:25:24 I have a sick fancy
00:25:27 So...
00:25:31 So, please...
00:25:41 Play!
00:25:43 Play!
00:25:48 Play!
00:25:57 No... No.
00:26:04 Are you afraid of me?
00:26:07 I'm afraid of my
00:26:09 I should get into trouble with
00:26:13 - Fetch Estella.
00:26:15 Fetch her.
00:26:44 Beggar again.
00:26:47 Two jacks. Now we
00:26:49 He calls the knaves jacks.
00:27:00 How coarse his hands are.
00:27:03 And what thick boots.
00:27:08 You say nothing of her.
00:27:12 Tell me in my ear.
00:27:28 He thinks you are very proud
00:27:34 Anything else?
00:27:37 I think I should like
00:27:39 And never see her again?
00:27:41 Though she is so pretty?
00:27:45 I'm not sure that I shouldn't like to see
00:27:50 - Come back after six days, you hear?
00:27:52 Estella, take him down.
00:27:57 Let him roam around.
00:29:15 Why don't you so cry again?
00:29:17 - Because I don't want to.
00:29:43 Pretty well?
00:29:44 Pretty well? What you
00:29:45 I mean... pretty well.
00:29:57 Don't lose your temper
00:29:59 Leave this to me.
00:30:00 Boy...
00:30:00 What like is Miss Havisham?
00:30:07 - Very tall and dark.
00:30:11 Good. We are beginning to
00:30:15 You know so well how to
00:30:19 Now, boy...
00:30:23 What was she doing of
00:30:27 She was sitting in
00:30:33 Yes, and Miss Estella,
00:30:36 handed her in cake and wine
00:30:40 on a gold plate.
00:30:42 And we all had cake and wine
00:30:45 And I got up behind the coach to eat mine,
00:30:50 There were four dogs there
00:30:52 out of a silver basket.
00:30:58 Can this be true, uncle?
00:31:05 The boy was there to play.
00:31:07 And this coach... What can the boy
00:31:12 Many times, mum.
00:31:14 And what did you
00:31:18 We played with flags.
00:31:20 Flags?
00:31:22 Yes. Estella waved a blue flag,
00:31:27 Astonishing!
00:31:29 What lucks, eh, Pip?
00:31:35 But will it make his
00:31:37 There are plans for him, mum.
00:31:41 Property or his binding to a gentle trade...
00:31:46 Promising, mum, highly promising.
00:31:50 Come, Pip,
00:31:52 There are no veal cutlets,
00:31:56 - No, Joe.
00:32:00 Come... and no flags neither, Pip?
00:32:06 Old chap, this won't do.
00:32:11 But I couldn't speak how she really was, Joe.
00:32:14 It would be... corse.
00:32:16 Eh?
00:32:18 Why did you teach me
00:32:22 Look, Pip... Lies is lies.
00:32:27 But I have to go back
00:32:29 I have to go back there
00:32:32 What would I do when she looks
00:33:00 Your own one day.
00:33:02 And you will use them well.
00:33:08 She grow prettier and prettier, Pip?
00:33:11 And prettier.
00:33:13 As for you, there is
00:33:17 Pretty said, my beauty.
00:33:21 Pip sings a very pretty song.
00:33:25 Perhaps he can
00:33:30 I have heard you the first
00:33:34 Perhaps you could beat the tact.
00:33:39 Well, Pip?
00:33:42 It's a song from a forge, ma'am.
00:34:10 Come on, join us.
00:34:15 Come.
00:34:21 But I'm not supposed
00:34:24 Neither of us.
00:34:28 I do not understand this!
00:34:32 It is a song to use with your
00:34:51 She's always let me
00:34:54 Sometimes she talks to me.
00:34:56 Sometimes not.
00:34:58 Sometimes she tells me
00:35:02 I admire her dreadfully.
00:35:04 Pip...
00:35:15 Well, it's a good likeness,
00:35:20 Of what, Pip?
00:35:22 The design for a buckle,
00:35:29 You are a willing pupil, Pip,
00:35:33 and very particular...
00:35:36 but today look again Pip
00:35:39 it's a letter D you copied.
00:35:53 I'm sure she is object of all your love and duty
00:35:56 but I'm instructed to tell
00:35:59 And will we be able to see her
00:36:01 Oh, she does not say that.
00:36:04 We are only wishing to be
00:36:08 Indeed, until we are our
00:36:12 I'm sure Miss Havisham
00:36:16 This is the boy Miss Havisham
00:36:21 I have pretty large
00:36:23 and you are a bad seat of fellows.
00:36:28 Come on,
00:36:44 You are to come this way today.
00:36:48 You are to go in there.
00:36:51 Don't open the door
00:36:56 You asked a favour of me?
00:37:01 It is an instruction.
00:38:23 You saw my relatives
00:38:28 Today is my birthday.
00:38:31 - Many happy returns...
00:38:35 Come.
00:38:38 Walk me.
00:38:46 What do you think that is?
00:38:50 I can't guess what it is,
00:38:52 The great cake.
00:38:55 It was brought here a long time ago.
00:38:59 Oh, my coming of age.
00:39:03 You see this?
00:39:06 - It's from him.
00:39:08 I received it 20 to nine.
00:39:18 Wheel me around this table.
00:39:47 And... did she look in favour on
00:39:54 She wishes me to take her further
00:39:58 - Uncle?
00:40:08 - What do you know, Pip?
00:40:11 In your learning.
00:40:14 Not nearly as much as I should like, ma'am.
00:40:20 And what are you to be?
00:40:22 I believe I am to be apprentice
00:40:25 The blacksmith.
00:40:28 But I'm a very well pupil
00:40:33 You mean something else?
00:40:43 Oh, boy, back from the society you go.
00:40:45 Joe!
00:40:47 - You playes well today, are you?
00:40:49 She wishes you to come there.
00:40:51 She wishes us to come there.
00:40:54 There's a plan she has for him.
00:40:59 the way she wishes to favour him
00:41:03 It's only Joe she wishes to see.
00:41:07 He's to go up town on his own?
00:41:10 Him?
00:41:12 I think it would be best to go to
00:41:16 My hat and whole?
00:41:19 There more company
00:41:22 Where do I go?
00:41:24 - This is important business then...
00:41:29 Soon. She knows
00:41:33 You'll go tomorrow.
00:41:46 Well, Pip, bring the foil.
00:42:02 This will not do.
00:42:13 You have raised the boy with the intention
00:42:18 Is that so, Mr. Gargery?
00:42:21 That was long be looked
00:42:25 Yes, Pip?
00:42:30 Does he like the trade?
00:42:34 You know it were looked
00:42:40 It is a wish of his
00:42:44 Begging your pardon, ma'am.
00:42:47 Is it what's to happen then?
00:42:53 It's time.
00:42:56 It's a business open to black
00:42:59 But Pip makes no
00:43:02 And now he can help me keep
00:43:06 Pip is on the premium here.
00:43:10 Take it to your master, Pip.
00:43:17 Estella, show
00:43:20 Pip, stay behind.
00:43:30 So, Pip...
00:43:35 there's a change going on.
00:43:39 And Estella will soon be gone.
00:43:41 - Where?
00:43:43 To be educated for a lady.
00:43:47 Out of reach.
00:43:52 How do you feel about that?
00:43:55 I wish her well.
00:43:58 Don't you think that
00:44:03 - I might come again?
00:44:08 Gargery is your master now.
00:44:12 You have no more
00:44:19 Do you?
00:44:24 You're free to go.
00:44:50 Hello, young fellow.
00:44:53 It does not matter who let me in.
00:44:57 Didn't she take a fancy
00:45:00 - Who?
00:45:02 I'm on trial too.
00:45:05 I have no more business
00:45:08 Oh, yes, you do. Come fight.
00:45:11 - Fight?
00:45:13 Break the rules and you go
00:45:22 One! Two! Three! Four!
00:45:24 Five! Six! Seven! Eight!
00:45:39 Hang on.
00:45:40 You must have a reason.
00:45:45 I've given you one.
00:46:12 - That means you won.
00:46:14 No, no. That's
00:46:20 - Good afternoon.
00:46:44 You may kiss me if you like.
00:46:54 Goodbye.
00:47:09 You're to be his master? You?
00:47:12 I cannot believe that is
00:47:16 She must... she must
00:47:19 There must be something!
00:47:23 You're holding it.
00:47:31 So his fortune is to be mine.
00:47:35 Tied to a blacksmith.
00:47:39 Well, there is progress
00:48:08 The boy is to be bound,
00:48:11 bound out of hand.
00:48:14 And now we'll have a dinner
00:48:16 Joseph, your apprentice.
00:48:21 That's been so looked forward
00:48:25 "The said apprentice shall
00:48:30 "and shall not waste the goods
00:48:34 "nor apprend himself from his said master
00:48:40 "but in offerings as
00:48:43 he shall behave himself."
00:48:55 Now your master mean
00:48:59 Must say a prayer to
00:49:02 You look close for
00:49:05 Little piece of hell in the flames.
00:49:09 - what do you want here, Orlick?
00:49:13 A job? Right, Pip?
00:49:18 Go to it.
00:49:49 Right, Pip.
00:50:07 You certainly turned
00:50:10 When I come in to the forge,
00:50:13 anyone can see me turning
00:50:36 Biddy...
00:50:40 I want to be a gentleman.
00:50:43 Oh, I wouldn't if I was you.
00:50:45 I want to lead a different
00:50:49 - Don't you think you're happy as you are?
00:50:54 I didn't mean to be.
00:50:57 - I only want you to do well.
00:51:00 Now I have to be a gentleman.
00:51:02 I could try to settle down, to accompany Joe,
00:51:06 Even?
00:51:08 As I am not over-particular
00:51:12 See how I'm going on?
00:51:17 I'm glad you give me
00:51:20 I shall always tell you
00:51:24 Till you are a gentleman.
00:51:29 Hello.
00:51:32 - Where are you two going?
00:51:35 Where else should we be going?
00:51:37 Well then, I'll see you home.
00:51:41 You will have to tell him again.
00:51:43 We don't need seeing home.
00:51:46 Let Biddy speak.
00:51:48 Pip, I'm afraid he likes me.
00:51:53 But hes always loved
00:51:54 Oh, he begins to dance at me
00:51:59 But it makes no difference
00:52:08 She's done the handsome thing for you Pip, but when Miss
00:52:14 - But Joe...!
00:52:20 Since the day of my being bound
00:52:25 or asked after her,
00:52:28 Today is her birthday, Joe!
00:52:31 The day which...
00:52:35 Very well, then. But no more
00:52:42 Sure you're not going to favour
00:52:44 And what do you
00:52:46 - If youn Pip has a half-holiday do the same for Old Orlick
00:52:51 Oh, what'll he do with that? I just want
00:52:54 I'll do as much with
00:52:58 Why? Pip's going up town.
00:53:01 Well then, Old Orlick's
00:53:04 Tain't only one can go up town?
00:53:06 I'm going up town to set this house.
00:53:09 And I may wish
00:53:11 You shall not!
00:53:12 Well, some and their
00:53:15 Now master, come! No favouring
00:53:19 No more talk till
00:53:32 Now, master.
00:53:35 You stick to your work
00:53:37 Half-holiday for all.
00:53:40 Fool! You are a rich man to waste
00:53:44 I wish I was his master.
00:53:46 You'd be everyone's master
00:53:48 Let her alone.
00:53:50 I'm a match for rogues
00:53:52 You're a foul shrew,
00:53:56 - What did you say?
00:53:58 - What name did he give me?
00:54:00 And there's more too.
00:54:03 To hear him. And you swore to defend me!
00:54:08 Don't stand by!
00:54:16 Your work's done here.
00:54:38 See the trouble you've caused?
00:54:40 We lose a journeyman and all cause you have
00:54:46 Where's your invitation?
00:54:48 There's being no more.
00:54:51 It's as you was.
00:55:25 I attend to Miss Havisham now
00:55:40 I hope you want nothing.
00:55:46 No, indeed, Miss Havisham.
00:55:50 that I am doing very well
00:55:53 and am always
00:55:58 And Estella?
00:56:00 - Ma'am?
00:56:06 Prettier than ever.
00:56:08 Admired by all who see her.
00:56:12 I'm glad.
00:56:26 Do you like your trade?
00:56:31 So you object to the black
00:56:35 I hate it. I want
00:56:38 But you are bound, Pip.
00:56:45 Yes.
00:56:49 Goodbye.
00:57:31 Sister? Sister!
00:57:34 Sister!
00:57:41 His?
00:57:47 Oh...no!
00:57:50 Oh, no, I'm sorry!
00:57:54 Oh! I'm sorry!
00:58:05 Whoever is guilty
00:58:08 I did nothing, Pip.
00:58:10 Absolutely nothing.
00:58:15 the surrender seems like.
00:58:22 Him! Him!
00:58:25 This is a man who last
00:58:28 He lost his job for it too.
00:58:30 She quarrelled with everyone around
00:58:35 Anyways, I've been
00:58:37 in different companies,
00:58:40 even Joe seen me at Blue Boar.
00:58:43 There's nothing against me.
00:58:51 You are in need of information.
00:59:21 Truly an orphan now, Pip.
00:59:25 Mr. Wopsle might have
00:59:28 and Mrs Joe was in great
00:59:32 As we are.
00:59:36 Welcome to our
01:00:02 Come, Pip, go to it!
01:00:06 Joe...
01:00:08 Joseph Gargery? My name is Jaggers
01:00:12 I have unusual business to transact
01:00:23 You do not object to cancel his indentures
01:00:26 at his request and for his owngood?
01:00:29 You would not want anything for so doing?
01:00:36 Lord forbid that I should.
01:00:37 Is that no?
01:00:39 - Yes, it is.
01:00:42 Very well. Recollect
01:00:46 and do not try to
01:00:50 I am instructed to communicate to him
01:00:55 Further, that is the desire of
01:01:00 that he be immediatelyremoved from
01:01:06 and be brought up
01:01:08 In a word, as a young fellow
01:01:16 May we ask who is
01:01:19 No.
01:01:21 Not only is it a profound secret,
01:01:24 but more importantly it is a binding
01:01:30 Accepted by you?
01:01:32 - I have no objection.
01:01:37 I am empowered to mention that
01:01:42 to reveal their identity
01:01:46 at first hand by word
01:01:51 In the meantime you will please
01:01:58 Thank you.
01:01:59 I'm paid for my services,
01:02:02 Now, when will you come to London?
01:02:07 Shall I leave you 20 guineas?
01:02:15 Well, Joseph Gargery,
01:02:17 I am.
01:02:19 Now, it's understood that
01:02:22 but what if it was in my
01:02:25 a present as compensation?
01:02:28 - Compensation as for what?
01:02:34 You think money can make
01:02:37 The child what come to the forge
01:02:55 I should go to London directly.
01:03:09 What a gentle figure, Pip.
01:03:12 - This change come so uncommonly quick, Pip.
01:03:16 - Hard to get to mine mind.
01:03:21 - Daydreams, Biddy.
01:03:30 Well, this is a gay figure, Pip.
01:03:34 I have come into such good fortune
01:03:37 And I am so grateful for it,
01:03:39 I have seen Jaggers.
01:03:44 So, you go tomorrow?
01:03:47 Yes, Miss Havisham.
01:03:49 not mind my taking
01:03:53 And you are adopted by a rich person
01:03:57 Yes, Miss Havisham.
01:03:59 And you are to be tutored by
01:04:03 - and of Sarah here.
01:04:08 You may go now, Sarah.
01:04:19 I...
01:04:21 often wonder of...
01:04:23 the whereabouts of... Estella,
01:04:27 and how she might
01:04:30 She will think you fit company, Pip.
01:04:36 And see you very differently.
01:04:42 Good luck, Pip.
01:05:25 - I'll follow you down there.
01:05:29 I'll say goodbye now.
01:05:34 There you are in your suit.
01:05:38 Goodbye, Pip. Good luck.
01:05:43 I did not expect this day
01:05:47 take my hand.
01:05:51 As firm as my own.
01:06:11 Don't know you. Don't know you.
01:07:33 I've never been
01:07:37 You are an acquaint, Mr. Wemmick?
01:07:40 I was new once.
01:07:42 And the other ways of it now.
01:07:45 Them the ways of it.
01:07:48 Four of them to be
01:07:53 In a row.
01:08:19 You are a lucky man,
01:08:21 You have these services already.
01:08:28 Mr... Mr, please...
01:08:33 Please. Sir, my bill, sir.
01:08:37 Now, I tell you once and for all,
01:08:40 but if you keep bothering me about it
01:08:42 - Have you paid Wemmick?
01:08:45 Then mind it doesn't give it back.
01:08:53 Mr Pip, how much did the coachman
01:08:58 - A shilling.
01:09:02 - I don't know.
01:09:21 There's a bill been sent for your
01:09:25 Mr. Pocket's rooms,
01:09:29 You'll find Mr. Pocket senior
01:09:31 and you'll find your credit
01:09:36 And if you're out running the constable
01:09:40 Naturally your allowance.
01:09:46 It's a very liberal one.
01:09:48 I'm sure you still manage
01:09:54 Who are those, Mr. Jaggers?
01:09:58 Clients of mine after they were
01:10:02 They went wrong.
01:10:09 Slop!
01:10:21 Mr. Pip? Mr. Herbert
01:10:29 The fact is, I have been out
01:10:32 I can't shake hands but
01:10:37 Please, come in.
01:10:41 I'm rather bare here but I hope
01:10:45 Your bedroom furniture
01:10:48 But I trust it will
01:10:51 Not what you have in mind,
01:10:53 but I have my own bread to earn.
01:10:56 My father hasn't anything to give me
01:11:00 As to our table,
01:11:03 It will be supplied from
01:11:06 and that the Jagger's instructions
01:11:07 So we'll dine well, share these chambers
01:11:13 At least I hope not.
01:11:19 You!
01:11:20 You forgive me for having
01:11:30 The marriage day was fixed,
01:11:33 the wedding tour was planned out
01:11:36 The day came that the bridegroom
01:11:38 having already extracted
01:11:39 from Miss Havisham, did not.
01:11:41 - He wrote her a letter.
01:11:45 And she has never since
01:11:48 My father tried to tell her
01:11:50 Receiving this advice she ordered
01:11:52 - And when I saw you there...
01:11:57 But I came out as
01:11:59 If I hadn't, perhaps I should
01:12:09 And Estella was adopted
01:12:11 To take revange on
01:12:14 Adventure you've been on receiving
01:12:16 and during your visits there.
01:12:19 She's been abroad.
01:12:23 Pip, may I mention that in London it is not
01:12:28 for fear of accidents
01:12:30 and that the spoon is not used
01:12:32 That is to get into your mouth better.
01:12:35 for opening oysters in the part
01:12:40 - Oh, dear me, I'm late again.
01:12:43 The proposal of a toast, Pip.
01:12:45 To your good fortune and
01:12:50 To my future in London.
01:13:02 I can educate you
01:13:05 to hold your own with
01:13:07 My contemporaries?
01:13:08 Other young men in
01:13:12 I kno you are the cousin
01:13:14 My ties to her are no more than
01:13:17 Now, as to my ties to you, Pip,
01:13:19 which will be much more to the point.
01:13:21 I will not say I can
01:13:24 No man that is a true gentleman
01:13:29 No varnish can hide
01:13:38 Your fellow students:
01:13:44 Mr. Drummle.
01:13:48 - Mr. Pip.
01:13:51 You know the trouble
01:13:55 It weighs too much.
01:13:56 It's as much as one can do
01:14:01 Well, business awaits.
01:14:04 He's to the counting house.
01:14:08 - The counting house?
01:14:10 I'm in a counting house
01:14:13 to begin insuring ships to employ my capital
01:14:16 to swoop tremendous
01:14:21 Goodbye.
01:14:25 I was never quite decided whether
01:14:30 or roof myself in with the mitre.
01:14:33 Chancellor or bishop.
01:14:36 It was a mere question of time.
01:15:16 You find the recognition of
01:15:19 uninvolving Mr. Drummle?
01:15:22 A clear reading of it might
01:15:27 Oh, I doubt it.
01:15:42 Your style becomes
01:15:45 Oh, I'm rest right now
01:15:48 I'm engaged in some
01:15:51 Not all of reliance you
01:15:54 Your instructor tells me you have
01:16:00 He intended it
01:16:11 Good day, sir.
01:16:20 I can find him
01:16:22 I dare say you have
01:16:28 I'm making myself at home
01:16:30 with furniture of one or two
01:16:33 - These things however are not so small in price..
01:16:38 - Not nearly so much.
01:16:41 Let's get to it.
01:16:44 Four times five.
01:16:47 Wemmick!
01:16:49 Take Mr. Pip's written orders
01:16:52 I see you're getting on.
01:16:58 The man trap is sprang
01:17:03 Your call in it.
01:17:15 You don't object to
01:17:18 No.
01:17:26 - Do you always make you way home on foot?
01:17:30 - It's some distance.
01:17:34 which I have had
01:17:37 - Still, it's quite a stretch.
01:17:39 Quite a stretch.
01:17:53 And now... we are here.
01:18:16 You can raise a good salad
01:18:18 to go with that.
01:18:35 All communication
01:18:53 How are you today, Aged?
01:18:57 This is Mr. Pip!
01:19:02 Just nod away at him, Mr. Pip.
01:19:07 A very good lady
01:19:09 attens him while I'm at work.
01:19:11 And Mr. Jaggers knows nothing
01:19:14 Never heard of him.
01:19:18 The office is one thing,
01:19:23 Now I will tell you what I have
01:19:27 I have got...
01:19:29 a stewed steak and a cold
01:19:33 The master of the shop is
01:19:36 and we let him down easy.
01:19:40 Do you often receive... gifts?
01:19:48 Oh, yes. I always take them.
01:19:51 Condemned men, jury men, Jagger's
01:19:55 They may not be worse much but
01:20:01 I don't signify it to you with
01:20:04 As to myself my guiding star always is:
01:20:11 My cabinet of curiosities, Pip.
01:20:15 Of a felonious nature.
01:20:21 The very pen used in
01:20:25 This raises from two celebrated
01:20:28 A lock of the victim's hair,
01:20:32 And this letter here, look,
01:20:34 reporting to be the confession
01:20:38 But I know for a fact
01:20:41 He never even did it.
01:20:43 Now, it is curiosity,
01:20:46 and Jaggers was involved
01:20:49 I give it world of credit.
01:20:52 What allow to make him
01:20:54 You don't mean you should.
01:21:00 It's not personal. It's professional.
01:21:04 But except this invitation to dinner,
01:21:08 And when you dine you'll see he harbours
01:21:14 Look at his housekeeper.
01:21:16 What shall I see?
01:21:19 A wild beast tamed.
01:21:21 Keep your eye on it.
01:21:26 Their poor home with abreast
01:21:29 and converse from boat to boat
01:21:32 You cannot hear our conversations
01:21:35 I choose to keep my distance
01:21:38 I find I enjoy the river
01:21:40 So, you would consider yourself the master
01:21:45 That is not a consideration
01:21:47 And what say you two?
01:21:49 His superirity is purely in his imagination.
01:21:51 This superiority is here in the flesh.
01:21:54 - Look!
01:21:56 unroll your sleeves
01:21:59 Pip would rather shame him
01:22:05 If you talk of strength...
01:22:09 - Master...
01:22:12 Please...
01:22:14 Let them see them both.
01:22:16 Come on.
01:22:18 There's power here.
01:22:21 Very few men have the power
01:22:26 It's remarkable what mere
01:22:33 I have never seen stronger,
01:22:38 than these.
01:22:47 That'll do, Molly.
01:22:53 It's half past nine,
01:22:57 Time to break up.
01:22:59 Pip, stay a while.
01:23:02 Mr. Drummle, I drink to you.
01:23:15 Pardon me, sir, I understand
01:23:20 Yes. With Miss Havisham.
01:23:22 Although I'd like to consider myself
01:23:28 Your two friends are set off back
01:23:30 to Hammersmith on either
01:23:32 I'm sorry if things
01:23:34 Nonsense.
01:23:35 I like the Drummle fellow there.
01:23:38 There are two sorts in life, Pip.
01:23:43 He's a beecher.
01:23:47 Excellent.
01:23:50 This arrived before.
01:24:28 What are the reasons
01:24:31 Her state just got slowly worse,
01:24:37 And she spoke, Pip.
01:24:41 Actually spoke.
01:24:44 ''Joe,'' she said,
01:24:46 and wants pardon
01:24:50 and wants Pip.
01:24:54 Pardon, Pip?
01:25:38 I suppose it will be difficult for you
01:25:43 Oh, I can't do so, Mr. Pip.
01:25:46 I'm going to Mrs Hubble tomorrow.
01:25:49 How are you going to live?
01:25:51 I'll tell you how I'm
01:25:55 I'm trying to get a place
01:25:57 in the new school nearly
01:26:01 You are one of those, Biddy,
01:26:07 You've proven in
01:26:10 I'm not as handsomely
01:26:20 I'm not goint to leave
01:26:26 - Don't you hear me, Biddy?
01:26:31 Not to mention your calling
01:26:34 which appears to me
01:26:36 What do you mean?
01:26:38 I made a remark respecting my
01:26:42 which you have received
01:26:44 Have the goodness, Biddy,
01:26:47 I trust you found the Blue Boar
01:26:50 where you come
01:26:53 It's so much more suitable
01:27:05 Goodbye, dear Joe.
01:27:08 You're not coming back
01:27:11 No...Joe.
01:27:13 Miss Havisham knows I'm here.
01:27:16 She sent a letter to the...
01:27:20 She wishes to see me
01:27:27 She extends her
01:27:31 I wonder what business
01:27:34 I wonder too.
01:27:38 I shall see you soon, Joe.
01:27:44 - Biddy.
01:28:24 Yes?
01:28:28 - How did you come here?
01:28:31 As more changes than yours,
01:28:35 Come in. Come in.
01:28:37 to hold the gate open.
01:28:42 This is loaded.
01:28:46 I'm expected, I believe.
01:28:50 Yes.
01:28:52 Here I am.
01:29:03 Come in, Pip.
01:29:20 As if I were a queen.
01:29:24 I wished you to come to see me.
01:29:27 But who would you wish to see?
01:29:32 Call for her, Pip.
01:29:34 Who, Miss Havisham?
01:29:36 She's here. Call for her.
01:29:41 Estella.
01:29:46 Call for her.
01:29:54 Call!
01:30:03 Estella?
01:30:12 Estella?
01:30:17 Estella!
01:31:02 Do you admire her?
01:31:07 Then you must love her.
01:31:11 Love her.
01:31:18 Love her.
00:01:38 And I'm to give you my purse,
00:01:40 that's settled too.
00:01:42 And what else is
00:01:53 This lady with whom
00:01:56 at great expense has the power
00:01:59 and showing people to me
00:02:02 I suppose you would be glad
00:02:03 of variety and admiration.
00:02:05 I'm already glad of admiration, Pip.
00:02:13 What place is that?
00:02:15 I'm not sure... I think it's
00:02:18 - Are you familiar with it?
00:02:27 And Orlick was removed
00:02:28 Who?
00:02:29 - The porter of Satis House.
00:02:32 He wasn't the right man for
00:02:35 You arranged his removal?
00:02:40 How do you thrive
00:02:43 Mr. Pocket is an admirable man.
00:02:45 Quite disinterested and
00:02:48 I like that class of men.
00:02:52 Do you remember the last spectacle
00:02:56 Rendition of "Old Clement",
00:02:59 I think at that time it was I
00:03:01 Pip and I had a kind of growing up
00:03:18 Why do you talk of me as if I were
00:03:21 You notice that I call these
00:03:25 Mr. Drummle, there,
00:03:29 Only you do I call
00:03:33 Only you.
00:04:02 Thank you, sir.
00:04:06 It's generous 18.
00:04:09 Oh, if I may, sir.
00:04:12 There is number 3, 5 and 8.
00:04:16 - Now, this article...
00:04:30 Apologies from Mrs Pocket
00:04:33 She seems to have problem with
00:04:41 How is dear Miss Havisham,
00:04:44 Still as dear.
00:04:50 And here's Matthew, never
00:04:55 Whilst others with no natural ties whatsoever
00:05:04 In fact, Sarah, I'm to write
00:05:06 to let her know how I feel.
00:05:08 She especially wishes to know
00:05:12 She will be especially glad to know
00:05:15 - She will?
00:05:19 a man above small jealousies
00:05:22 Hurry up now, come on.
00:05:24 I have never been
00:05:31 Did you hear?
00:05:33 - You made them look ridiculous.
00:05:36 Pip, you may set your
00:05:38 that those people
00:05:40 pay regard to Miss Havisham.
00:05:43 And there is my hand
00:05:48 You ridiculous boy.
00:05:50 I have no intention
00:05:53 You should have asked
00:05:57 If I ask, may I kiss your
00:06:02 Yes.
00:06:04 If you like.
00:06:26 Gentleman,
00:06:27 to make the present promotion
00:06:30 among the Finches of the Grove.
00:06:35 - Finches of the Grove.!
00:06:46 Herbert, we're dining
00:06:49 In my confidence in my own resources
00:06:52 Not the bit of it. You don't
00:06:55 Not when I have capital
00:06:57 Gentlemen, as you know, it is the solemn
00:07:01 for members to toast the lady
00:07:04 Tonight that duty falls
00:07:10 Gentlemen.
00:07:12 In the presence of this company,
00:07:15 I pledge myself to...
00:07:17 Estella.
00:07:19 To Estella!
00:07:20 Estella who?
00:07:21 - Never mind.
00:07:24 Of Richmond, gentlemen.
00:07:27 And... and...
00:07:28 her peerless beauty.
00:07:32 - To Estella.
00:07:35 In my view, it is impudence
00:07:39 to come down to this grove
00:07:41 of whom he knows nothing.
00:07:43 - What you mean by that?
00:07:46 - Pip!
00:07:50 I'm calling this grove to order.
00:07:53 This must be settled.
00:07:57 and we must settle it.
00:08:31 He pledges himself to you.
00:08:34 Pip, we've been in company
00:08:37 - We've been introduced.
00:08:41 - Estella will you please turn to me?
00:08:45 Oh, how you use me?
00:08:49 I'm sure you find it
00:09:40 This is an avow,
00:09:42 in the lady's hand,
00:09:45 that she has had the honour
00:09:48 on several occasions.
00:10:11 This is indeed her hand.
00:10:25 I...
00:10:28 very much regret that I spoke
00:10:33 so heatedly.
00:10:37 And spoke more rudely to one
00:10:44 I naturally repudiate the idea
00:12:09 May I?
00:12:25 You know he's despised,
00:12:28 - Well?
00:12:31 Deficient, ill-tempered, lowering, stupid.
00:12:33 Indeed?
00:12:35 Why is it that it seems to be your
00:12:39 Because the way you let them hover
00:12:42 - He has nothing to recommend him but money.
00:12:46 Then stop throwing your
00:12:48 I can bear it.
00:12:50 - Don't be so proud, Estella.
00:12:54 In your last breath you reproach
00:12:59 Moths and those sorts of creatures
00:13:04 Can the candle help it?
00:13:06 I've seen the looks and smiles
00:13:10 And of the kind...
00:13:12 of the kind I thought
00:13:16 I do not bestow my tenderness
00:13:22 I gave you a warning.
00:13:38 Pip, you seem to have forgotten my advice
00:13:41 You really have been found
00:13:44 Now let us try to leave this company with some
00:13:48 We can walk straight I remember
00:13:50 and with some control
00:13:51 - Estella, I must speak with you...
00:13:53 Excuse me.
00:13:58 Excuse me, sir.
00:14:00 Good evening.
00:14:01 A fellow should know
00:14:07 And if he was born to know it,
00:14:11 Have no worries, sir. No one
00:14:14 - What did he say?
00:14:27 Letter from Jaggers, now.
00:14:29 - They are mounting up, Pip.
00:14:33 Get out! Go stare elsewhere!
00:14:42 How is your head?
00:14:44 Let the bailiffs come,
00:14:50 She holds everything that
00:14:55 Could you...
00:14:57 - could you not detach yourself from her?
00:15:00 Think of her bringing up
00:15:03 - Think of what she is herself.
00:15:05 - So you can't detach yourself...
00:15:16 I find that I was thwarted
00:15:21 - May I ask who it is?
00:15:24 - Lives in London?
00:15:27 And the moment I realize capital
00:15:31 But you can't marry while
00:15:36 As for myself, Herbert,
00:15:38 I find I am looking behind me.
00:16:58 I find I'm in the books of every
00:17:03 Now I find them lying in wait.
00:17:06 You shouldn't let such events
00:17:11 Now when you got Mr. Jaggers'
00:17:19 I expect he's going to tell me
00:17:32 Now, my young friend, I'm going
00:17:36 Your name occurs pretty often
00:17:39 You are in debt of course.
00:17:43 Now I don't ask you what you owe
00:17:46 As to what you're living at the rate of
00:17:51 I thought so.
00:17:52 Now, take this piece of paper,
00:18:03 - It's a banknote for 500 pounds.
00:18:07 Today you come of age.
00:18:09 That is a present to you on this day
00:18:14 from your benefactor.
00:18:15 You will draw from Wemmick
00:18:17 Wemmick?
00:18:21 Until the donor of the whole appears.
00:18:28 - Congratulations, Mr. Pip.
00:18:31 That day we must call you Mr. Pip.
00:18:37 - I must thank my benefactor.
00:18:41 you will thank this person for settling
00:18:44 And when that person discloses
00:18:48 And in this business
00:18:53 I have nothing else to say.
00:18:58 One of the name of Clarriker,
00:19:01 is showing extraordinary inclination
00:19:04 and I'm to work in his office
00:19:06 That's mighty news Herbert,
00:19:08 And never stop looking about me
00:19:11 the strangest thing is
00:19:13 It's well deserved.
00:19:14 I have written to my father to confound him with the news,
00:19:17 and now I should visit Clara
00:19:21 - She shows such tenderness towards me, Pip.
00:19:25 To tomorrow.
00:19:27 Mr. Wemmick.
00:19:39 Thank you for arranging it,
00:19:41 I still say it, serve a friend with money
00:19:46 Yes, I know your view, never invest
00:19:49 but I still want to help him
00:19:54 Now absolutely certain is
00:19:56 without Herbert's knowledge
00:19:58 He'll be no more aware of his benefactor
00:20:07 He's off to make a marriage
00:20:22 Good night, Mr. Pip.
00:22:32 Who are you?
00:22:35 Hush.
00:22:38 I was sentenced for life,
00:22:40 do you understand?
00:22:43 It's death to come back.
00:22:47 If found I am sure to be hanged,
00:22:53 I understand.
00:22:55 I understand your desperation.
00:22:58 Pip...
00:23:00 you don't understand what
00:23:04 - Eh?
00:23:07 Me? What are you to me?
00:23:10 You're the child who acted
00:23:15 and I have never forgot it, Pip.
00:23:24 You?
00:23:28 Abel Magwitch.
00:23:32 Convict then.
00:23:36 And since...
00:23:38 a sheep-farmer...
00:23:41 stock-breeder who came to
00:23:48 Look, I'm glad you have recovered
00:23:56 I cannot renew that chance intercourse
00:24:01 Oh, no, they're not!
00:24:03 - I asked Wemmick for your address.
00:24:07 I instruct his master. Jaggers.
00:24:12 You have been chosen to...
00:24:16 subside to some property.
00:24:19 Are you not?
00:24:21 May I ask whose property?
00:24:25 - I don't know.
00:24:44 Look at your fine linen.
00:24:49 And the ring set round with rubies.
00:24:56 That's a gentleman's.
00:25:04 Yes, Pip... dear boy.
00:25:08 It's me who's done this.
00:25:17 I made a gentleman on you.
00:25:23 There wasn't no one else?
00:25:26 Who else should there be?
00:25:28 - It should be...
00:25:30 sure as ever I earned a guinea,
00:25:36 I swore since, sure as I ever
00:25:41 you should get rich.
00:25:44 I lived rough, that you
00:25:49 And you do!
00:25:52 And my pleasure to
00:25:57 Best of all, Pip!
00:26:00 Best of any one of them!
00:26:02 From the judge in his wig
00:26:07 I'll show them a better gentleman
00:26:12 No!
00:26:17 I looked forward so distant, Pip.
00:26:25 From so far.
00:26:40 Herbert, I think.
00:26:47 Take it in right hand.
00:26:51 Lord strike you dead on the spot
00:26:56 - Kiss it.
00:27:08 Now you're on oath you know,
00:27:17 Have I the pleasure of meeting
00:27:21 You are not as Pip describes you.
00:27:26 I'm not in the business
00:27:31 I make gentlemen,
00:27:35 I own one brought up
00:27:44 Pip?
00:27:47 When I was a boy Mr. Magwitch
00:27:53 Now I find it made him rose
00:28:04 If I never take another penny from him,
00:28:07 And you intend to take
00:28:10 - Oh, how can I?
00:28:13 If I choose to renounce my patron
00:28:17 Why do you seek to
00:28:19 I seek to give you this advice
00:28:22 You may look and him and feel
00:28:25 any expenses he comes
00:28:27 but think how he may
00:28:30 - What do you mean?
00:28:34 He comes here at the risk
00:28:37 for the realization of his
00:28:40 In the moment of this realization,
00:28:44 you cut the ground from under
00:28:48 and make his gains
00:28:50 And that kind of disappointment do you see
00:28:55 My reputation is ruined if I accept
00:29:00 That's his power of you.
00:29:04 But only as long as he
00:29:07 But how I am supposed to get him
00:29:10 If you want to induce him to go
00:29:12 Go where?
00:29:15 Don't be absurd.
00:29:16 Wherever I go with him
00:29:18 The danger of his recklessness
00:29:21 and Newgate is the next street.
00:29:36 The first thing you must do
00:29:39 - Find a lodging house for him.
00:29:44 And as for the rest,
00:29:48 I have to extricate myself.
00:29:52 Extricate myself from him.
00:29:58 I'm going back to Kent tonight.
00:30:02 You will be back to tend
00:30:04 Oh, yes.
00:30:06 Clara. A new tenant
00:30:09 Miss.
00:30:11 You best not loiter, Abel.
00:30:16 We will blast them all one day,
00:30:20 We will blast them all, eh?
00:30:26 Pip's gentleman.
00:30:30 Pip, this is my dear girl Clara.
00:30:34 Now I see why have you looked
00:30:36 I think it was with some
00:30:40 Herbert, I have to leave to Kent.
00:30:42 - Goodbye.
00:31:34 What wind blows you here?
00:31:37 When I set off from the coach
00:31:41 And now I find I have
00:31:45 Well, speak.
00:31:47 These past few years it seems
00:31:53 More than one, in fact.
00:31:56 And you encouraged them.
00:32:01 - You let me go on.
00:32:05 Was that kind?
00:32:08 Who am I for god's sake
00:32:16 I have found out
00:32:19 It is not a fortunate discovery,
00:32:22 in reputation, station,
00:32:29 But I think I have since made
00:32:37 I've just seen Drummle.
00:32:42 I'm going to marry him.
00:32:48 Why not tell me?
00:32:50 And not inform me?
00:32:52 You ingrate!
00:32:54 I plan to presently. It is the reason
00:32:59 and that is something
00:33:03 You cold cold heart.
00:33:07 Do you reproach me
00:33:10 I learned your lessons.
00:33:15 So proud.
00:33:18 Who taught me to be proud?
00:33:21 Who told me that the daylight
00:33:25 that I should not go near to now?
00:33:29 I have never been unfaithful
00:33:33 I have never shown any weakness
00:33:38 It would be weakness
00:33:43 To return love?
00:33:46 Love?
00:33:58 Estella?
00:34:01 You know I love you.
00:34:05 You cannot give yourself away
00:34:09 I shall do well enough.
00:34:13 You're supposed to marry for love, Estella.
00:34:16 Mr. Drummle knows I take nothing
00:34:20 He will not feel it.
00:34:21 And so that's you choose him?
00:34:24 Who should I go to Pip?
00:34:27 to me to be a blessing.
00:34:29 Who would expect feeling,
00:34:32 And so the man who loves you
00:34:35 Man who loves me will no longer be
00:34:40 - I will always be tormented by you.
00:34:44 - To the last hour of my life!
00:34:51 I cannot comprehend.
00:34:54 I have a heart to be stabbed
00:34:58 Nothing more.
00:35:02 I did try to warn you of this.
00:36:01 Can I help you there, Joe?
00:36:04 Pip.
00:36:06 Pip standing large as life
00:36:10 Why? This is astonishing,
00:36:14 - Oh, how are you, Joe?
00:36:20 What brings you here?
00:36:22 I had business at Satis House.
00:36:24 You could send me a word, Pip,
00:36:28 for I am a reader now,
00:36:32 I wasn't expected.
00:36:35 In fact, it's been difficult to make
00:36:50 Come, Joe.
00:36:53 No, Pip. I don't think
00:37:00 Not any more, old chap.
00:37:20 Sir? Sir?
00:37:22 The messanger of this said
00:37:25 you would be most kind if you
00:37:29 Mr. Pip, don't go home.
00:37:35 You have my note?
00:37:41 Never leave documentary
00:37:44 Now...
00:37:47 The disappearance of a certain
00:37:51 has provoked some conjecture
00:37:55 amongst the fraternity of which
00:38:00 And your chambers
00:38:02 Who by?
00:38:18 - You have somewhere to go tonight?
00:38:23 Then I advise you not to break cover
00:38:27 Confine all movements
00:38:31 Now it is my turn
00:38:33 - I beg your pardon?
00:38:38 Go for foreign air, Mr. Pip,
00:38:43 I hope he's not caught...
00:38:49 For if convicted, all his possessions
00:38:54 - No longer a gentleman.
00:38:58 unless you avail yourself of all
00:39:05 Miss Skiffins has come to visit.
00:39:12 The fortunes of two people should be
00:39:19 Eh, Mr. Pip?
00:39:54 Why should I fly off like
00:39:59 If the danger would be 50 times greater
00:40:03 But you know your capture
00:40:05 Death by the rope, you said.
00:40:08 I can disguise myself.
00:40:11 - Oh, Lord...
00:40:14 A powder... spectacles...
00:40:19 - It will not work.
00:40:21 because you do not
00:40:26 - You just want me gone.
00:40:30 And leave me somewhere.
00:40:34 I've been left before.
00:40:40 I've been tricked before.
00:40:43 You remember my enemy, Compeyson,
00:40:49 I stood alongside him
00:40:52 I watched how the looked on me
00:40:55 and light on him because
00:40:57 So you don't go telling me
00:41:00 I am trying to help you.
00:41:03 Unluckily!
00:41:07 Compeyson was involved
00:41:10 Till he used lies to divide himself
00:41:15 - I am not your fellow convict.
00:41:19 You're more to me
00:41:24 I said that to you as someone...
00:41:33 And I should like you to think
00:41:41 Abel...
00:41:44 My chambers are being watched.
00:41:50 - Who told you this?
00:41:56 - Is it Compeyson?
00:42:00 But you must rely on
00:42:05 And I must rely on
00:42:13 You know he is in great danger.
00:42:15 I cautioned him that presenting himself
00:42:20 And that he would be hanged?
00:42:22 That it would render him liable
00:42:25 - Do you have any advice
00:42:27 I wish to hear no more of that.
00:42:29 My chambers are being watched.
00:42:32 I am not responsible for that.
00:42:34 What's your responsibility
00:42:36 You are after all his agent.
00:42:39 You will kindly inform him
00:42:51 So, Pip. Our friend
00:42:56 Yes. Estella has now married him.
00:43:00 And was on honeymoon in Paris.
00:43:03 Molly, Molly, how slow
00:43:09 So. Here is to Mrs. Bentley Drummle.
00:43:15 I'm... very sorry, master.
00:43:17 See to it afterwards. Go.
00:43:24 Well, let's try the toast again,
00:43:28 Mr. Jaggers, I'm afraid I will have to
00:43:34 Thank you for your hospitality.
00:43:38 Oh, what a man he is!
00:43:40 I find it's best to screw yourself up
00:43:44 Now I'm very screwed up.
00:43:48 Wemmick, you remember you
00:43:50 a wild beast tamed...
00:43:51 - I did.
00:43:54 It's his business.
00:43:57 You ask me my Walworth capacity?
00:43:59 Of course.
00:44:03 Twenty or more years ago she was tried
00:44:07 Jaggers was for her.
00:44:11 - Who was murdered?
00:44:14 - You have seen those wrists.
00:44:19 The housekeeper who was married
00:44:20 over the broomstick
00:44:22 She was said a perfect fury
00:44:25 so jealous she gave up
00:44:28 after acquittal to revenge herself
00:44:31 - The child adopted by whom?
00:44:34 Anyway, Jaggers was not
00:44:37 raised a technicality
00:44:40 - You know the sex of the child?
00:44:57 I'm afraid Mrs Drummle does not wish
00:45:01 - But you told her my name?
00:46:26 Is it real?
00:46:28 Do you feel the heat of this flame,
00:46:32 Whose child was Estella?
00:46:38 You don't know or you
00:46:42 I know her mother.
00:46:46 Her name is Molly and she is
00:46:49 He brought the child of her
00:46:54 I told him I wanted a little girl
00:46:57 to rear in love.
00:47:01 And he was charged
00:47:05 And Jaggers saving her
00:47:09 Punishment? Neglect?
00:47:11 Crime?
00:47:13 And for the want of nourishment?
00:47:17 So he brings her to a place more blighted
00:47:22 I meant to save her
00:47:25 But instead she was taught it.
00:47:28 I'm sorry.
00:47:31 - Look what I've done to you.
00:47:34 To compare to Estella,
00:47:39 Yes. Yes.
00:47:43 Mr. Jaggers informs me
00:47:45 that you are someone of
00:47:48 but are unable to complete
00:47:53 He freely told you my business?
00:47:55 I wished to know it.
00:47:58 Why?
00:48:01 How much is required to complete
00:48:06 900 pounds.
00:48:12 This is my imperative for you
00:48:17 And to yourself...
00:48:24 Who I am for God's sake that
00:48:30 Your words to me on the delusions
00:48:35 And now your own
00:48:37 Do you know how Estella feels?
00:48:41 She's in Mayfair.
00:48:44 You are a stranger now,
00:48:49 And I can report to you that
00:48:51 by Mr. Bentley Drummle.
00:48:55 That she breaks no men's hearts,
00:48:59 That she reeks no revenge on men,
00:49:01 but is herself the subject
00:49:04 of her own husband's disrespect
00:49:06 as you were, Miss Havisham.
00:49:08 As you were.
00:49:10 No. It can't be true.
00:49:12 The lessons went wrong,
00:49:15 She feels nothing as you wished.
00:49:18 Except she also feels nothing
00:49:24 The creature you hoped to nurture
00:49:28 The woman who now so resembles you
00:49:33 You have nothing.
00:49:43 What... would you have me do?
00:50:02 Pip?
00:50:05 Pip?
00:50:25 Help me! Help me!
00:50:28 Estella!
00:51:22 What do you want?
00:51:24 I only want to ask after
00:51:27 One of her servants gave it out
00:51:31 - She is lucky to survive.
00:51:37 - You're in my way.
00:51:40 Ever since you was a child.
00:51:43 But you goes out of my way
00:51:46 I know no more of you.
00:51:51 You're dead.
00:51:55 - What have I done to you?
00:51:57 You cost me my place in the house.
00:51:59 - I could let you stay there.
00:52:02 - And now it would be enough, without more.
00:52:06 You come between me
00:52:08 - Biddy?
00:52:11 You gave it to yourself.
00:52:14 No! How dare you?
00:52:18 At the forge it was Orlick
00:52:20 while you was favoured.
00:52:23 And when I complained then
00:52:26 And you went up town
00:52:30 Still, I came back.
00:52:33 - Oh, I came back, allright?
00:52:36 Your doing. You did for her.
00:52:39 And now you're a gentleman
00:52:42 I am as wretched and hopeless
00:52:45 You're a liar.
00:52:48 This is some... pleading.
00:52:53 - But Orlick won't listen to it.
00:52:58 A convict to die hard
00:53:01 So I have a fortune which
00:53:04 The woman I love is married to someone else
00:53:10 I'm already done for, Orlick.
00:53:15 And so I would gladly let
00:53:22 You... enemy!
00:53:31 Will you let me go?
00:53:35 You could show mercy to me.
00:53:41 Aye.
00:53:44 As to a poor beast.
00:53:49 You pray well to drive me
00:53:53 Now you are to be out though.
00:53:55 You're not to be favoured any more!
00:53:58 You are my equal now and I am yours,
00:54:00 except that I am more than yours
00:54:04 Yes.
00:54:06 I am higher than you now,
00:54:09 I am higher than you!
00:55:03 I don't know why I did not see the likeness before
00:55:09 Molly, your housekeeper.
00:55:14 So you think you know some
00:55:19 I think I know it all.
00:55:21 I know her father too.
00:55:48 Magwitch makes no claim here.
00:55:51 He has absolutely no knowledge
00:55:54 But I know Molly harboured enough
00:55:57 and enough malice to deprive him
00:56:00 I should remind you we still attend
00:56:03 Miss Havisham who had a fancy to bring up
00:56:09 Miss Havisham to whom you
00:56:13 once you deprived her of
00:56:16 Molly was facing the gallows.
00:56:18 If you saw the children I see daily...
00:56:23 - I saw what happened to Estella.
00:56:27 Estella is now married for money.
00:56:30 Do you wish to drag her back to disgrace
00:56:34 She is married to Drummle. I hardly
00:56:47 We used to share those
00:56:49 - Which?
00:56:53 Am I now?
00:57:00 You know Miss Havisham
00:57:04 I have heard it.
00:57:07 I cannot tell you the rest.
00:57:12 I forgive you.
00:57:30 Drummle did not
00:57:39 Mr. Drummle is with his horse today
00:57:45 He treats you well, I hope.
00:57:48 He whips his horse.
00:57:53 - Estella...
00:57:56 Only warm-blooded creatures
00:58:02 Estella, I found I'm more attached
00:58:19 Must wish me good fortune.
00:58:44 Where is he?
00:58:48 A few weeks ago you could not
00:58:50 Now you cannot wait for him.
00:59:08 The day after tomorrow there are
00:59:12 One for Hamburg,
00:59:14 We raw out, hail the first and
00:59:16 do not get on board until
00:59:18 - We?
00:59:22 - Dear boy.
00:59:26 I have no idea what is to follow our going.
00:59:31 Then stick by me, dear boy.
00:59:35 Abel...
00:59:42 You look like the uncertain
00:59:46 Thank you, dear boy.
01:00:18 - You want to know what it means?
01:00:25 Main thing is the foreign language.
01:00:30 You read me a foreign language,
01:00:45 Abel.
01:00:49 You spoke of having a child once.
01:00:52 Mind if I ask you the particulars?
01:00:58 A daughter.
01:01:03 Her mother took her away.
01:01:06 Gave her up for adoption.
01:01:13 I've never seen her since.
01:01:18 I never shall.
01:01:21 I do wonder what have become of her.
01:01:26 I do wonder everyday.
01:02:24 - You cold?
01:02:28 What was that?
01:02:33 It's a boat yonder.
01:02:36 We're being followed.
01:02:41 Pull in there.
01:02:53 Hurry.
01:03:13 That looks a comfortable home.
01:04:07 It looks like they're
01:04:12 Look.
01:04:15 There's no thought of us.
01:04:22 You're shivering, dear boy.
01:05:48 Goodbye, sir.
01:05:50 Goodbye.
01:05:54 - Goodbye, Pip.
01:05:57 Good luck.
01:06:03 - You ready?
01:06:07 Pip.
01:06:21 You have to return the fugitive back.
01:06:24 His name is Abel Magwitch.
01:06:29 I call upon him to surrender
01:06:42 Compeyson. Take him down with me.
01:07:11 Abel!
01:07:21 Pip!
01:08:31 But in a fatal moment,
01:08:37 the holds of which so long
01:08:43 He has left his heaven
01:08:47 and come back to the country
01:08:55 The appointed punishment for his return
01:09:01 being death.
01:09:03 He came here for my sake!
01:09:05 His case being this aggravated case,
01:09:09 he must prepare himself to die.
01:09:15 He came here for my sake!
01:09:27 - Have you thought about what you are to do?
01:09:32 In this branch-house of our, Pip,
01:09:37 - A clerk?
01:09:41 And I hope it is not at all
01:09:44 he may expand into a partner
01:09:47 Perhaps you can leave
01:09:49 Of course.
01:09:50 Of course there are other
01:09:54 - Remember me to him.
01:10:00 - I cannot put this off, Pip.
01:10:10 You will look after Clara
01:10:18 When I come back she and I
01:10:48 - How is he?
01:10:51 - He's removed now to the infirmary.
01:10:55 And I assure you I mean
01:10:58 the sacrifice of so much
01:11:01 - Dear me!
01:11:06 I know you are rather
01:11:09 but I hope you will remember
01:11:12 the match for the walk
01:11:17 You can still manage it, I hope.
01:11:31 It will surely occupy you
01:11:38 I have taken a holiday today.
01:11:42 I have not done such a thing
01:11:45 Halloa! Here's a church.
01:11:49 Let's go in.
01:11:53 Halloa! It's some gloves.
01:12:00 Halloa! Here's Miss Skiffins.
01:12:04 Halloa! Here's a ring.
01:12:24 Westminster Abbey was the scene, Abel.
01:12:27 My very good friend
01:12:29 were the best men.
01:12:31 Gentlemen of the congregation
01:12:36 Black dress coat, silk white necktie.
01:12:39 These white gloves
01:13:03 I always knew you could
01:13:08 Without me.
01:13:09 I...
01:13:11 I occupied one of
01:13:15 And after the ecclesiastical splendor
01:13:20 we were entertained to
01:13:26 and a military band.
01:13:28 was nine feet high and a foot deep.
01:13:31 And such presents were displayed!
01:13:33 Rugs from Persia,
01:13:36 Exquisite jewellery.
01:13:42 Are you in great pain?
01:13:49 I don't complain, but...
01:14:35 Would you let me give you
01:14:51 So he found his father alone
01:14:54 in a terraced vineyard,
01:15:00 He was clothed in filthy doublet,
01:15:09 Now, when Odiseus saw his father
01:15:13 and in great grief of heart,
01:15:17 he stood still beneath a tall pear tree
01:15:21 and let fall a tear.
01:15:29 He had returned to his
01:15:38 You are my father now
01:15:42 And I love you.
01:15:52 - He barely breathes now.
01:16:02 His daughter is a Lady, you know.
01:16:07 She is married to an heir but one
01:16:15 I know her very well.
01:16:23 He did not know her at all.
01:18:15 - Are you real?
01:18:20 - What do you want? I don't know you.
01:18:23 This is a matter you'll soon arrange
01:18:32 - What is the debt?
01:18:37 A tailor's account, I think.
01:18:41 - What is to be done?
01:18:46 I keep a very nice house.
01:19:50 Let see your face.
01:20:08 Up.
01:20:23 This is where I've got to, Joe.
01:20:26 The news reported me
01:20:30 I said to Biddy that you might be...
01:20:35 They are not so strange, Joe.
01:20:37 The police words were:
01:20:39 "go to him without manage
01:20:41 Your receipt.
01:20:55 You paid them all.
01:20:58 I have saved, Pip.
01:21:02 And it was better spared
01:21:30 Start to wipe your slates,
01:21:35 That's it. I know you've
01:21:40 That's all for today.
01:21:42 Quietly on the way out.
01:22:00 See you tomorrow.
01:22:19 I have tried to talk to Joe
01:22:23 - He tells me not to pass...
01:22:30 I thought it might be you
01:22:33 I considered it might be
01:22:38 Always such tact.
01:22:42 And sweet kindness.
01:22:46 What should you do now?
01:22:49 Try some different occupation hereabouts.
01:22:54 - Or go to Cairo.
01:22:57 - An opportunity awaits for me there.
01:23:02 It all rests with you, Biddy.
01:23:06 Until I know your answer.
01:23:12 I think you wants like me very well.
01:23:16 And even when my heart
01:23:18 it was quieter and better with you
01:23:22 Pip.
01:23:24 And if you could like me only
01:23:26 if you could take me with all
01:23:30 I should hope I am a little worthier
01:23:37 So please, Biddy.
01:23:41 Tell me if you will go
01:23:44 Make it a better world for me as I would
01:23:55 Joe. They shall be very well.
01:23:59 While I advised him not to speak
01:24:03 I hoped he would speak to you of this one.
01:24:06 Our wedding day.
01:24:08 Biddy has agreed to marry me.
01:24:12 Astonishing, eh?
01:24:16 It's to be a simple ceremony.
01:24:19 Joe had been saving for it but there were
01:24:33 You shall make each other as happy
01:24:37 You are the best people
01:25:20 Now, then...
01:25:22 I'm Pip. Come to play.
01:25:31 What do you want?
01:25:33 To look around the place and then
01:25:37 Save it exactly the trouble
01:25:40 This house is lived in.
01:25:51 Miss Havisham left
01:25:52 And thus I'm now separated
01:25:54 - You came home.
01:25:59 That's done.
01:26:01 A letter to Mr. Jaggers
01:26:05 - He advises you?
01:26:10 You wish continuity?
01:26:15 You see, I have made many changes
01:26:21 You know I must look for
01:26:25 I have heard it.
01:26:29 I have no idea how I shall
01:26:34 And you, Estella?
01:26:37 - Oh, I shall do well enough.
01:26:41 Here?
01:26:44 Still mindful of her lessons?
01:26:47 Or is the greater difference
01:26:49 that you received and
01:26:51 for the man who used you
01:26:54 And shall the Pockets visit you
01:26:58 And shall a boy from the village be sent
01:27:00 to entertain you and
01:27:07 Tell me you are as happy
01:27:14 Tell me that Drummle made you suffer
01:27:22 Tell me.
01:27:39 Now you know what
01:28:07 No... No.
01:28:10 We cannot do this.
01:28:17 No.
01:28:22 I should go.
01:28:27 Go where?
01:28:38 Do we have to part again
01:28:41 act on our love for each other?
01:28:46 Do we have to be deprived
01:29:07 Now, is there a knave or a jack?
01:29:13 Call it what you will.
01:29:15 Oh, I shall.
01:29:21 When you visit me next
01:29:23 you should send word
01:29:24 Otherwise I may be out.
01:29:30 It's impossible to say
01:29:35 I have to work for a living.